#i used the actual color names for the things

[demaparbat-hp]

Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace🧐. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍

Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!

Let us begin with the Gaang, shall we?

SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.

Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.

SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.

His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.

AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.

His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)

KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...

She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.

She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).

TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?

Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.

Zuko. ZUKO.

Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.

This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.

The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.

In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.

He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.

In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.

But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.

When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.

He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.

He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.

As for music...well, Ursa raised a literature boy.

He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.

Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.

In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...

Two someones, actually.

Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...

Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.

Blurryface in S1. For the demons within us. For giving a name to our fears and shame.

Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.

Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...

Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.

(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)

.

Overall, I rambled a bit too much, don't you think?

If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️

[littlefankingdom]

"A world-class advocate and supporter of women" I'm dying. I'm sure asian women feels SO advocated and supported by the woman who called her chinese character "Cho Chang", one of the most racist name given in her series. And jewish women, with all the antisemitism. Or, really, any women of colors with all the racism sprinkled in that series. That's not even talking about the sexism toward her female characters. And the message that the greatest thing a woman can do is being a mother, SO supportive of woman. (/sarcasm)

Actually, her money went toward her friends, like Kellie-Jay Keen, who had rallies at which they used FUCKING MY KAMPF's lines openly as the base for their transphobia. I don't have to explain how nazism, like any fascist ideology, is deeply misogynistic, I hope. So supportive of women, isn't she?

Btw, a French billionaire known for being a fascist and awful capitalist guy, exploiting and stealing resources from african countries, gave around 10 billions to charity, so media would send praise to him instead of pointing out his crimes. Giving money doesn't erase the harm you do, and jkr, she has done a lot of harm.

[lj-lephemstar]

Progress Checkup! (Nov. 2024) | Scratchin' Melodii Devlog

​​Hey again guys! Sorry if it's been a bit since the last devlog. With how much I've been up to, it sure feels like it!

Let's get right into it. For starters, the 3rd rival battle of Act 2 is complete! I'll likely be showing a gameplay preview of it sometime soon. This is the first song to use the new framework that I'll be using for all the other stages going forward, which also means I've had to spend the past couple weeks getting the previous songs working with this new system too... Did you know that in the demo builds, if I wanted to change something about the gameplay, I'd have to manually go back and change it for EACH individual song one by one? Well now, imagine all the songs had like a peace treaty to just share one good, clean, and organized system that I can easily tweak and add to as I please. So development is gonna be smoother than ever from here! This is how most games are SUPPOSED to work, but I was a liiittle too stupid to figure out how to do this until recently!

While I was moving Cream Cheese Icing over to this new system, I took the opportunity to make the chart a bit more beginner-friendly! For example, the first line went from this...

To just this!

As you can see, it has less notes, therefore it is less scary for new players. Believe it or not, I actually never intended for Cream Cheese Icing to be so difficult for new players in the first place! Naturally, being too good at my own game can make gauging the difficulty curve a bit tricky at times, but I think I'm figuring it out!​

You may have also noticed that the characters have new UI icons too! I felt like the old ones were too flat and boring, so I did a new take on them, aiming for more dynamic shapes and angles, not to mention how my art style's just kinda grown a bit in general since I last drew the icons. I also ended up leaving out the circles behind them. I was a little worried I was gonna run out of unique colors for all of them at some point, plus SOME of these guys can have really big hair and/or hats that pretty much just cover up the whole circle anyway. (hi rensa)

Speaking of artwork, here's a little look at some of the updated animation I've done for Stir & Mix! (Try to imagine it in not highly-compressed-gif-form. I promise it looks better in-game!)

When working on Stir & Mix related stuff, I can't help but feel a bit of a sense of dread knowing how people may react to it... Honestly, sometimes I kinda wish it never got as popular as it did in 2022. But hey, doing my own thing regardless of what's expected of me is the most Scratchin' Melodii thing I could do!

Speaking of which, Mia learned a ton of new stuff while doing the VOCALOID tuning for the last rival battle we worked on, so we might revisit Stir & Mix's vocals again at some point before release to give it even more style! (By the way, Mia and 2cada are the same person! Sorry if I refer to both names interchangeably! She's been the one doing all the VOCALOID tuning and vocal mixing for the game since 2023.)

Well, I think that's all for now! Here's another friendly reminder that there will NOT be anymore demos of the game. Any new content will be saved for the full game's release. I know I've said it before, but I probably won't stop saying it until people stop getting confused about it LOL. Thanks for reading!! I appreciate you. - LJ

[forge7menot]

In The Air (Tonight)

Pairings: Patrick x Reader, Tashi x Reader, Tashi x Art

Word count: 2.7k

Content warnings: alcohol use, suggestive content

Notes: Hi everyone! This is my first time writing a ff but I love Challengers with all my heart so I thought I'd give it a try. English is not my first language so if there are any mistakes don't pay too much attention to them!! Also, I despise the use of “Y/N”, that's why I tried to make it as neutral as I could.

Summer 2006, New York: 10:45 PM

Your room was a mess. Not only were there piles of dresses, colorful crop tops and jeans scattered across the floor like confetti, but you still couldn’t decide what to wear. And it was getting pretty late —at least, too late for your liking一 as the faint sound of “SOS” by Rihanna drifting from nearby bars hinted at the start of another sleepless Saturday night.

“Where’s the mascara?”

“Right in there,” you said, pointing at your makeup bag while your head was still buried deep in your closet. This bra isn't even mine, you thought, picking it up before tossing it on the ground. Tashi was too busy curling her eyelashes to hear the cellphone that had been buzzing for the past five minutes.

"Tash, could you please get it?" you grabbed a pair of low-rise, medium-wash bootcut jeans and looked at them with a satisfied grin before sneaking your legs in them as Tashi’s manicured nail pressed the green button to accept the call.

"We're still not ready," you heard her say and Art groaned on the other end.

"Are you serious? You said that an hour ago!"

"I am, unfortunately. I'll text you when we're finished.” Tashi ended the call before he could say a word.

She's been your closest friend since middle school. It was around that time that she started to invite you to watch her tennis matches on Sunday afternoons, just to hang out later. You've been incredibly supportive of her love for tennis ever since.

She even tried to teach you how to play, which led to you spraining your ankle once—after that, she didn't push you to try again.

However, you were always there at her matches: front rows, holding a big sign with her name on it, rooting for her.

That's also how you met Patrick and Art, Fire and Ice: the two of them were also tennis players, which is why they already knew Tashi very well. The four of you quickly became close after your first encounter at a party, which ended with smoking cigarettes by the beach and engaging in random conversations.

It was quite obvious that Art, the blond one, had a thing for her from the first night you all spent together. You still remember how he was staring at her in awe as she explained to Patrick, the brunet one, how “you can actually build something out of ice while fire just tends to burn shit down”—it was obviously an innuendo to his technique. Art could hardly hide his grin as she tore into it, watching her like he’d just discovered something rare. You wondered if she noticed—or if she was just used to his attention by now.

As for you, you weren’t really looking for a relationship and you’d come to peace with the fact that being single was probably the chillest you’d ever been. At the same time, you couldn’t deny that Patrick was a really cool guy—not just for his confidence and personality, but because he was fucking hot. Sure, he was flirtier with you than with most people and maybe that got under your skin a little. But you often asked yourself if it was real interest or just his way of being; you hadn’t quite decided yet.

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The clock on the dresser blinked 11:10 PM, the glowing digits reminding you both that Art and Patrick were probably rolling their eyes somewhere across town. They’d waited this long, but you knew they’d wait a little longer.

Tashi was finally dressed, wearing a dark blue one-shoulder mini dress and a wide black belt with a large buckle that you’d gladly lent her. She was already pretty tall, but that didn’t stop her from slipping on the black peep-toe heels you two had bought together just a few hours ago. “One thing I like about my height is that ugly short boys can’t even try with me. I can’t hear them at all!” she’d joked in the shoe aisle.

As she carefully helped you curl your hair, you slipped on a white vest-style top with a V-neck. “Do you think I should add a necklace or something?” you asked, gesturing to the empty space just above your collarbones.

“How about that black beaded necklace with the heart pendant your grandma got you for your birthday?” she suggested, turning off the curling iron. “It contrasts perfectly with white.”

“You’re a genius!”

You fastened the necklace, running a finger over the heart pendant, feeling a hint of comfort.

There was just one last thing left to do before leaving the house: post a photo of Tashi and you on MySpace - where, of course, she was placed first in your TOP 8 and you were placed first in hers.

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The two boys had been leaning against the stone ledge outside the club for a solid twenty minutes, watching people trickle in. Art had insisted on getting there early—“in case there’s a line.”

Patrick had rolled his eyes at the time, knowing you and Tashi weren’t even close to ready yet. They’d both checked their phones multiple times, refreshing messages and waiting for a sign. Then, Patrick’s phone buzzed.

He glanced down and let out a low laugh, nudging Art with his elbow. “Look at this,” he said, tilting the screen toward him: a freshly uploaded photo on Tashi’s MySpace page, clearly taken in your room. The two of you were posing in front of a mirror flashing playful peace signs with the caption “NYC nightlife, here we come!”

Art squinted at the screen, his smile widening. “Well, at least we know they’re coming,” he said with a chuckle. “Though judging by that post, they’re not exactly in a rush.”

Patrick shook his head, amused. He put his phone back in his pocket, feigning indifference but sneaking glances at the entrance.

Another ten minutes passed, during which Art fiddled with his phone, checking Tashi’s page and refreshing it as if a new post might appear any second.

Patrick caught him doing it and snickered. “Dude, you’re practically stalking her page. Can you look any more desperate?”

Art shrugged, unfazed. “It’s called keeping informed, man.”

Just then, his phone buzzed again—a new notification. But this time, it was a message from Tashi: “Almost there. Keep your shirts on, boys. ;-)”

Finally, Art spotted you and Tashi across the street, walking toward the club entrance, laughing and leaning on each other as you navigated the crowded sidewalk.

He elbowed Patrick, who looked up just in time to see you both smiling, looking effortlessly glamorous under the city lights.

“There they are,” Art said, relief mixed with excitement in his voice.

Patrick’s exasperation faded, replaced by a grin. “About time,” he muttered, though there was no real annoyance in his tone.

As the both of you got closer to them Tashi smirked, flipping her long brown hair over one shoulder with a dramatic flair.

“Sorry to keep you waiting, boys,” she said with mock sincerity. “Had to make sure the MySpace crowd knew we were out tonight.”

Patrick raised an eyebrow, crossing his arms. “Oh, trust me, we saw. Next time, maybe just send us a smoke signal instead.”

“Where’s the fun in that?” you shot back with a mischievous grin, clearly enjoying the whole situation.

Tashi turned to Art, who was still smiling as he took her in. “You think we look worth the wait?”

Art nodded, a bit too enthusiastically. “Absolutely. I mean, you posted a teaser and everything—how could we not stick around?”

As the two of them were already flirting, you turned your face towards Patrick.

“Hello, sweetness,” he greeted, slipping an arm around your shoulders with a familiarity that felt both bold and strangely comforting. He always called you that—sweetness—ever since you’d mentioned your obsession with the song “Bigmouth Strikes Again” by The Smiths. You weren’t sure if he was teasing you or if he actually liked the nickname, but you didn’t mind it, even if you’d never admit that out loud.

“I hope you still would not like to smash every tooth in my head,” he continued, his grin widening as he quoted the song. His gaze lingered on you, mischievous and a little too pleased with himself.

You rolled your eyes, but the smile tugging at your lips betrayed you. “I’m not that violent, you know. I’m more of a pacifist.”

Patrick chuckled, giving your shoulder a little squeeze as he leaned closer, his voice dropping to a playful murmur. “Oh yeah? I don’t know. I think you’ve got a bit of a fire in you. A little spark.”

You raised an eyebrow, playing along. “A spark, huh? Guess I’m playing for your team then,” you hinted at the nickname people would always give to him on the tennis court.

“That’s the best decision you could ever make,” he shot back, flashing you a grin that was just this side of cocky. His hand lingered on your shoulder for a moment longer before he finally let it drop, but not before brushing his fingers lightly down your arm. It was a subtle touch, but enough to send a small, pleasant shiver down your spine.

As the four of you finally stepped into the club, you were hit by a wall of sound, the bass vibrating through the floor and up into your bones. The music was loud—really loud—the kind of beat that left no room for conversation, only dancing and shouted exchanges.

Strobe lights and neon beams cut through the darkness, casting fleeting shades of blue, purple and red across the crowd, turning everyone into silhouettes and glimmers. The air was thick with the scent of spilled cocktails (that’s what almost made you gag), mingling with a faint haze of cigarette smoke and the sharp tang of cologne and perfume. People were laughing, shouting, swaying in sync, some raising their arms in time with the music.

On one side there was a raised platform where a few braver dancers were showing off their moves, illuminated by a set of blinding white lights that flickered on and off. On the opposite end, a long bar stretched out under soft, glowing light, bartenders moving swiftly as they mixed colorful cocktails, sliding them to customers.

You felt Patrick’s hand on your back, guiding you gently through the crowd as Tashi and Art led the way, squeezing past groups of people until you found a good spot by the bar.

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You didn’t even know what time it was as you sipped on your Cosmopolitan, comfortably nestled into the soft cushions of the booth, when suddenly you felt Tashi’s hand on your shoulder.

“Everything alright?” she asked, sliding in next to you, nearly out of breath as she tried to recover from the last half hour of nonstop dancing: her cheeks were flushed and you could tell she was enjoying the break just as much as you were.

“Yeah, absolutely. This drink is bomb,” you said, pointing at your glass before downing the last sip. “So, what did I miss while I was out here living my best life?” you asked, giving her a playful look.

“Patrick and Art are still out there trying to one-up each other’s dance moves. It’s… something else. You’re missing quite the show.”

As the two of you were talking, a girl dressed in a bold, sparkly top and a low ponytail approached your booth, her arms loaded with a tangle of neon bracelets. She flashed a wide grin as she held them out.

"Hey, ladies! Care for a little light?" she offered, her voice barely cutting through the music.

Tashi’s face lit up as she leaned forward, picking out a few.

“Oh, these are perfect! Thank you!” She slipped a neon pink one onto her wrist, watching it glow under the lights. You took a couple yourself—a bright blue and green.

“Y’all look amazing, by the way!” the girl shouted with a wink before slipping back into the crowd, leaving you both with your new accessories.

Tashi tilted her wrist, admiring the soft glow. “Okay, this is exactly what I needed to get back out there.” She shot you a playful look, her neon-pink bracelet gleaming as she offered you a hand. “Coming with me?”

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The thump of the bass vibrated through the soles of your heels as you and Tashi weaved your way through the crowd.

You found the two boys near the center of the floor, bouncing with the beat of the music.

The brunet spotted you and Tashi first, his eyes lighting up when he saw the bracelets glowing on your wrists. He flashed you a knowing grin and moved fluidly through the crowd towards you. Art followed his lead and came over too.

“Didn’t think you’d make it out here,” Patrick said with a sly grin, his voice cutting through the bass of the song.

Tashi turned to Art and gave him a wink.

“We couldn’t resist, could we?” she laughed as Art pulled her into the rhythm of the music, his hands gently guiding her into the groove.

You stood next to Patrick, feeling his energy just as strongly as he could feel yours and for a moment the connection was undeniable. The way his body moved with the music was drawing you in: he extended a hand towards you, his fingers brushing against your wrist as he gestured for you to join him.

“Don’t be shy,” he said, a teasing smile curling at the corners of his mouth. Without hesitation you placed your hand in his, allowing him to pull you deeper into the rhythm of the dance.

Patrick was a master of subtlety—his touch, his movements, everything about him felt so deliberate. The music wrapped around you and, for a moment, there was no one else in the room but the two of you.

As you spun into the next move, Patrick’s hand landed on your lower back, the contact warm and possessive as he gently guided you.

In response, you placed your palms on his clothed shoulders. The alcohol in your system gradually made you bolder than usual.

The proximity was intoxicating.

His gaze never wavered from you, his lips curving into that playful, knowing smile. When he leaned in closer the tension was thick and almost overwhelming.

“You’re a natural,” he whispered, his hand now resting at your side, fingertips grazing the skin of your hip. You couldn’t help but shiver at the contact.

“Probably because I’ve got such a good teacher,” you teased him.

Whatever was happening felt more than just a casual connection: the closeness, the unspoken tension, the way you moved together—it all felt too real to ignore.

The air between you felt charged, each beat of the music syncing your heartbeats closer together.

As the song transitioned into something slower, the change in tempo didn’t break the tension—it only amplified it. His breath was warm against your cheek and his lips hovered just near your ear. Your heartbeat was so loud, you thought it might drown out his voice.

“You feel that?” Patrick’s breath was warm against your ear, the words almost like a challenge. You swallowed hard. The music still pounded, but it felt like it was coming from miles away.

“Feel what?” you asked, trying to hold onto control but knowing you were losing it.

For a moment, neither of you moved, your gazes locked. You wanted to say something, anything to break the tension, but the words caught in your throat.

Patrick’s lips were so close to yours at that moment.

Your breath hitched as both his hands found the softness and warmth of your cheeks, holding the flesh.

You tilted your head, just enough to close the gap and in a move that felt almost inevitable. His lips brushed yours—soft at first, like a question. You feel that?

When you didn’t pull away, he deepened the kiss, one of his hands moving to your neck.

In that moment, everything else ceased to exist: the world outside of the dancefloor—the crowd, the flashing lights, the music—faded away.

The kiss was heady, slow, a direct answer to the question that had been hanging in the air between you two.

When you finally broke away, breathless, your forehead rested against his, both of you struggling to regain some semblance of control.

Needless to say, that night you didn’t fall asleep alone. And you certainly didn’t fall asleep in your bed.

[noeggets]

Oh you know im messing with Nicole again, this is my final product kinda

so i was gonna try and work on my SATAM design but i absolutely love her design so much to change from the ground up so i started messing with my favorite design of her

i never read the reboot about how she looked like some old lynx guys daughter who passed away if you making some kind of relation between my design and dr eldly? i think that was his name, i remember it but i never truly read the reboot, i just wanted her to be blue cause Sally's rings are blue but i llike the creepy story of she used to be a kid until Eggman turned her into an AI Satam story that's peak, so i made my own little bby Nicole and swaped her colors around cause i thought that looked cool, this was my direct redesign but i wasn't happy with it so i started looking up conquering storm bc shes like the only other female lynx and shes pretty

While doing that i remembered my friend has a design she made of storm so i was like "GOD FORBID A SAME SPCIES EXIST THEY COULD BE SISTERS ACTUALLY??"

and this ties in with my press garden thing with Espio - so like, i guess they visit Knothole and Nicole bc's friends with Sally and then the Eggman around at the time tricks her into being turned into an AI and now they don't know what happen to Storm's sister and the head of Storm's clan her dad or mom or whoever is mad and they wanna make war with Knothole bc they lost the clan leaders daughter somehow (this doesn't happen the first time they visit it happens after they become friends)

Nicole probably doesn't retain the memories of her sister or her clan or family which makes things bad but she'll unlock it somehow when i think about the story more

i need to make a IDW and Forces version of Nicole to match Sally then i'll move on to the freedom fighters cause i have ideas for putting hedgehog village from Sonic boom somewhere and i wanna talk about it

[cancerian]

The only “dense motherfucker” is one that believes it is women that must do so (make men feel comfortable) for men. You live in a society highly governed by your fellow males, if anyone is making you feel “bad” or “sad” it is because of the rules and laws created by your fellow males. Why should women who have been oppressed and subjugated for years, and are still subjugated by a different name care for your hurt that is caused by other men.

The biggest threat to women is men, the biggest threat to men is other men. At these your big ages, you would think that half a braincell would have formed by now. There is nothing that men will do now that they have not already done in the past. This is why women’s history and their experiences with the men they loved is very important for young girls to know. That way they don’t fall into the trap of “if you show them love, they will change and be kind.” Stop trying to put women in dangerous situations under the guise of loving all humans.

You have to be small minded to think women treat all men the same, your kind needs their ego stroked. Which is why women/girls are required to say “but not all men” when discussing things that disproportionately affect them. No one owes you love, but as humans we owe each other some sense of respect. So, you must respect women’s decisions to interact with you how they feel safest doing. The same way women have learned to respect that not all men are going to respect them. Only a dense pig would think that women do not understand the concept of viewing others as humans. In fact, time and time again it is women that are viewed as less than human by the same group you’re forcing them to care for.

As women (regardless of age), and especially as black women (moving away from the POC bs) you should prioritize your safety, you are not mother Theresa (even she was proven to be a fraud) and should focus on your own wellbeing. Don’t let an idiot calling you “dense” put you in situations many never come out of alive. As someone who has a male in her life that would do anything to see her happy and accomplished (and vice versa), I don’t go around with rose colored glasses trying to change anyone’s opinions because they chose to adopt an ideology that demonizes the living experiences of others. If being called “brother” is the only way you feel welcomed, then you need to rethink your entire life. Once you’re above 25, I implore that you try using at the very least 1/3 of your brain. I know using even half would probably cause a headache, so for now let’s aim to use 1/3.

Also you bring up the fact that men disproportionately hold more seats of power, so maybe direct your sadness to the people actively causing it. Which is the men in power not caring about the broke men (any man not in power). “It won’t pan out great for anyone who is not a male” because this is what males have done throughout history (I know you used man, but I used male for a specific reason and no I’m not a terf, but I don’t care about being called that). What a pathetic thing to say, especially if you’re not the man in power. This is an issue that egotistical idiots have (not calling you an idiot, but it is what it is), claiming men created this and that, when your ancestors are not the men that created it. Stop claiming power you personally don’t have. Stop claiming other men’s hard work as your own, especially when they put in the work to actually be productive members of society.

To the original twitter post, my dude you sound very stupid and seem like the kind that spends more time watching videos than actually reading on your countries history. The win was predictable, not because “men are becoming more right wing” but because this has been a common theme in America. These people are influenced by certain kind of media because deep down they already hold these beliefs, which is why they accept them. Men don’t genuinely want to see equality, hence why when they notice any group they view less than getting more rights they retaliate. The election result only tells us the reality of America as it pertains to race and sex (even more so when we look at the outcome of certain women’s voting history). So, the replies need to stop trying to make women take the blame for actions caused by other men. We should all aim to grow up.

To all the women/girls out there, avoid men that always want to be coddled and victimized. Most importantly find ways to protect yourselves, utilize the 2nd amendment given to you not by all men, but by the men that actually wrote it in. Protect yourselves by all means, and don’t be made to feel guilty for opting for safety over danger and stress.

Edit: have come to the conclusion after reading a substantial number of replies, Tumblr has a significant number of idiots who think they are smart. As a collective, we should all go touch grass.

I couldn't have said it better myself.

[balkanradfem]

I found a roommate!

She is a walking red flag just like everyone else, but, seems like the type of person who is not home a lot, so I should get a lot of time not having to deal with her, which is great. Now, while cleaning the apartment I realized I'd have to clean the balcony too, and there's some stuff that's been growing on the balcony that I haven't paid any attention to.

Some of my pepper plants decided to fail, and then different wild seeds activated in their place; some of them looked pretty! I brought some seeds from the forest while taking the soil, so I get all kinds of trees and surprises, and this is one of the plants that randomly activated on my balcony:

That's pokeweed. It's poisonous. Very on brand for it to be randomly growing on my balcony. The leaves are conditionally edible I think? If you get them at a certain time of the year? This berry is described as 'the most deadly berry in this area' but I still found records of people eating a few just to gain some resistance, which makes it very tempting to try. It's also been used to color wine a darker color, the name we have for it here is 'wine-color', which seems suspicious that they did that if the thing is poisonous. Who is lying here.

Another thing that grew a lot were volounteer tomato plants! That happens because I re-use soil constantly, so lots of my soil has tomato seeds, and they activated by the end of the summer. Seeing them grow I knew there was no way they would actually make tomatoes, it's too late in the season, but they're pretty so I let them grow. But look at this!

Some of them did actually make tiny little cherry tomatoes! They won't have time to ripen, but guess what. I can harvest them and pickle them together with some onions and peppers. I can make a little pickle jar of green tomatoes. And I will. Being able to harvest stuff in November is super cool to me, this is the season of frost and spook and yet I get little tomatoes and poisonous berries offering themselves up to me.

[mvrdermeharder]

Kaiser-goal analysis Part 3: Magnus

This is the final part of my analysis that started out with me trying to make sense of the Kaiser’s goal celebrations, and why they differ from other strikers’. I highly recommend you to read part 1 and part 2 before reading this. Or, at least checking out part 1, if you don’t have that much time

[Tagging u again @pixie05love and @fyeahkainess]

The leadup:

I had left it off with how Kaiser is utterly irrational now, emotions clouding his judgement. This has never occurred to this extreme before, even though he’s been fixating on Isagi for a while now. What I find interesting is that Ness actually comments on Kaiser’s strange and irrational play, and how it doesn’t benefit him. I think this is the first time that Ness has dared to propose an idea or tried to take control in any way.

Kaiser does not give a shit about Ness’ suggestions however: because of his miskick, his offer from real is on the line too. He is feeling it more than ever, the threat of having nothing to his name, of becoming inhuman again. So then he throws it all away, and accepts that he is a “piece of shit”. Discovers his one true ego, his one true desire: to be loved.

(I’m sorry, I’m aware this was me re-narrating the story and what everyone already knows, but it’s very important to be on the same page for the continuation)

Another small thing that I just can’t fit anywhere else: now that Kaiser is playing with cool rationality again, it’s Ness who makes emotional, and desperate plays. But Kaiser now sees that unless the conditions are met for his weapon, it is not worth risking another failure.

Symbolism for love: the moon, the ball, the goal

There is a strong visual connection between Kaiser’s confession to the moon about how he wishes to be loved, and the ball, which will help him accomplish this desire. Look at the placement of the moon and the ball: they are in the same place in their respected panels, and they are (almost) of the same size as well.

And in the panel above, it looks like the ball in motion doesn’t have any details. It resembles the moon. The thing that Kaiser reaches up to, as if it could help him accomplish his desire to be loved. It looks like the “moon” is the ball, but it is not stationary anymore, it’s moving towards the goal, helping Kaiser accomplish his wish.

The act of scoring a goal is aiming for love and receiving it. For now, it’s the only way Kaiser thinks he can be loved, as it is said out loud later on in ch 279.

Celebration

There is an astronomical difference here: directly contrasting the first goal celebration, instead of Kaiser leaning down into the shadows, he is engulfed by light. This light comes from upwards, and ONLY illuminates Kaiser, the background is black otherwise -> darkness ~ night, light ~ moonlight.

He is reaching up for the moon again. Just like in his childhood, he’s reaching up for love.

And he has acquired it for now with this goal. He closes his fist here, he has gotten a grab of the moon, of the love, all thanks to this goal. He looks much more uncomposed in this pose than he ever has so far. It’s cathartic, full of satisfaction and self-fulfillment as he’d acquired his one true wish in that moment.

He’s also not looking for the other players’ reaction. Causing pain and taking pleasure in it doesn’t matter anymore, it’s not the root of his ego. He does not celebrate with sadism any longer, instead he is totally focused on himself, head tipped towards the ground, standing in a pose that is simultaneously solitary and beautiful.

And he doesn’t even face us, the readers either. Nomura and Kaneshiro are indicating that the celebration is solely for Kaiser to have: no one else can get close to observe his celebration, his expressions, and his emotions.

Vines and Ego

Another thing that solidifies how he has found his true ego are the vines. Prior to this, they had been colored white (or green or whatever) … the point is that they are now darker. They look solid, unbreakable. Before - just like his glass chain on the cover for volume 19 – the white vines appear snappable, like you could cut right through them if you tried hard enough: visually indicating his fragile ego. Now they look thornier than ever, stronger, more resistant. Like no one could break his desire to aim for love, his newfound ego.

But what I find interesting is that the black vines do not appear when he’s first changing his playstyle and throwing himself into restriction. They are still white, which clearly indicate that this new mentality is not the right one either: him perceiving himself as a piece of shit who can only live in restriction, is just as a fragile of a mentality is as the one he’d had before (his desire live on as a scar inside others). Even when he prepares to shoot the ball the vines stay white.

They only turn black AS he kicks the ball and as he remembers what he longs for the most = love. After the flashback we can literally see the vines turn gradually darker and stronger.

After his goal, as he revels in “attaining a bit of love”, so the vines stay black for a while.

However, in ch 279, as Kaiser gets the foundation of his existence wrong again (“I can only live by hurting others”) the vines are white as he’s aiming to shoot. They are only dark when the ball is not in his control anymore: when it’s on its own way to the goal = on its way to fulfill Kaiser’s wish for love.

And in ch 283 they are white again… and I’ll be honest, it’s quite difficult to figure out what it could mean. Maybe that after ch 279 Kaiser is pushing himself into the wrong mentality again…? This masochistic view of himself, about how he’s a piece of shit who can never be loved and can only hurt others… how he always SHOULD yearn for love when trying to score a goal, but he can never gain love outside of football.

(At least this is how I personally interpret the inconsistent coloring of the vines…)

Also, a sidenote: as I’ve tried to analyze how the moon symbolizes stuff and how it holds so much importance regarding Kaiser’s story… plus how he wants to gain love through scoring but doesn’t view himself as someone deserving of it outside the pitch… yk what this reminded me of? MICK MOON’S STORY

Yeah…

If you follow me, you will never escape the “Kaiser might end up like Mick Moon” theory.

Interactions with Ness

So, Ness did not assist for the Magnus goal, however he is still happy for Kaiser (“at some point his dreams became mine” + kaiser’s manipulative love-bombing after the goals). So he approaches him, even though Kaiser is keeping his back to him again, instead of being affectionate.

So when Kaiser turns to him over his shoulder we can get a brief look at his eyes: and to me, they look full of pity and sadness…

After that though, he directly turns to Ness to acknowledge him but ultimately breaks things off. And this is important: Ness has a clear view of his face, of his eyes, emotions, all of that. But we readers do not. We can’t see his expressions because it doesn’t matter what Kaiser is feeling while speaking and cutting Ness off. It doesn’t matter whether his face is emotionless, sad, pitying, full of regret…

Because it doesn’t fucking matter FOR NESS. Only the outcome, the words, the results of Kaiser’s words does: that Ness is not needed anymore.

Which implies that this scene's protagonist is NOT Kaiser. It’s Ness. So, it’s fair to assume that he’s going to get a lot of development eventually, because of how this scene’s been constructed specifically around Ness.

And later on, we’re still seeing Ness chasing after the affection that Kaiser usually gives him as a reward, really just confirming my theory about Kaiser love-bombing him intentionally. Ness has been treated this way FOR YEARS, his only connection is Kaiser, his dreams literally depend on him… of course he isn’t just going to give up all that. Of course he still tries to stick to Kaiser, as he does not know how to play football otherwise (and how to exist otherwise…).

(I’ve always found it a bit strange that some ppl were just expecting Ness to immediately side with Isagi, get revenge on Kaiser, or to just get over him during this match… Ness had been manipulated to stay by Kaiser’s side for a looooong while, there is no way he can realistically find himself again that quickly)

Interactions with Isagi

Directly contrasting his break-up with Ness, we see Kaiser’s face more clearly than ever: it is not covered by his hair, as he’s intentionally pushing it out of the way to FULLY face Isagi, and his eyes are totally open here instead of his usual half-lidded look (I’m referring to panel to the right).

And this scene not only contrasts with how he interacts with Ness, but it’s also a 180 when we consider his past interactions with Isagi. In my first part, I’ve mentioned how he has either kept his back to him (only turning to belittle), or how after the bicycle kick goal, he looks at Isagi from afar, not bothering to talk to him. He looks at him from underneath his fringe, as he’s trying to cover his frustrations and expressions with his hair.

But now he acknowledges, respects and understands Isagi’s strengths. After all, it is the thing that has catapulted his evolution to score the Magnus.

This respect shows in the way that he doesn’t actually touch Isagi during this new confrontation, they are finally standing eye to eye, challenging each other without trying to belittle through physical contact.

And on a larger scheme, this indicates how he’s able to face a challenge head on now: with respect for his opponents, and the will to aim higher than he is now.

. . .

Whew okay, i'm finally done.

First of all, I'm very sorry that I'm posting this so much later than I had promised. Truth is, I was kind of afraid to start writing this, bc there are already a lot of great posts analyzing this goal specifically... So idk if I could add anything that hasn't been said already xd

But if you've read down this far, i truly love you in the least parasocial way possible. Honestly.

[constellationdewdrops]

girlkisser flag

for anyone (ANYONE) who likes girls. wlw, mlw, nblw, etc etc

Fuchsia Pink - feminine attraction to girlspec folk

viola - feminine leaning attraction to girlspec folk

oriental pink - neutrally feminine attraction to girlspec folk

norway - gender neutral attraction to girlspec folk

wild blue yonder - neutrally masculine attraction to girlspec folk

wlid mildly less blue yonder - masc leaning attraction to girlspec folk

east side - masculine attraction to girlspec folk

please credit me if you use it

gee i hope these color definitions make sense to people other than me

[honorhearted]

"Yes, I did those things, and yes, I bloody well instigated it, but I never once told you to invite me into your bedroom!" Benjamin exclaimed, pink-cheeked and shaking. "I told you I wanted to keep things appropriate, yet I guess your objective was to push me into another one of your infernal traps!"

Emma lurched forward, needling him and goading him, and despite the fact Benjamin wished to snap a rebuttal at each of her (regrettably sound) points, all he could do was press his lips shut and feel the fire in his face burn progressively hotter.

“I do not want him to choose me over you! Again, not everything is a competition, you dense, fatheaded man-child!" she seethed. "The only thing I want is for you to disappear from my life already. To leave me and my father alone."

"Then prove it!" Benjamin volleyed. "If you're not digging your claws into Finnegan for selfish means, and if you're so damnably intent on getting rid of me, then stop this outing at once! Quit with your blatant attempts at rousing me into jealousy!"

Without a moment's thought, Emma reared back and struck him harshly across the face. This time, her palm was clad in a leather riding glove as opposed to the soft, delicate silk of the night prior, so the hollow thwack caused momentary sparks of color to dance across his vision.

“How dare you, you bloody tuft-hunter. I take back what I said about you being a pig. Pigs are far too civilized to be compared to you.”

Despite this not being an attack on his true self, a nettled sense of agitation burned throughout Benjamin's chest, sharp and bilious. He raised a hand to his stinging cheek, breathing hard as loosened locks of hair fell into his eyes.

“I... believe that makes us even now,” she challenged.

Scoffing, Benjamin lowered his hand again, smoothing his palm across his weskit. "If that's even, I'm afraid you don't know how to count, Miss Dunster."

She sneered at him. "Gods, you are a piece of work, aren’t you? Tell me, then, if you think him marrying me is a bad idea, then why in God's name would you think it would be any different if I were marrying you?"

Fed up with her conjecture, Benjamin exclaimed, "It is not you I object to! What I take issue with is you are clearly using my friend to get to me, rather than harboring deep, genuine affection for him! And he deserves true affection, does he not?" Surging back toward her, his upper lip curled as he observed, "If you honestly wanted me to abandon this fruitless marriage, then you wouldn't be trying everything in your power to make me jealous...to make me want you." His breath hitched and his pulse quickened. "Or, perhaps, you actually want me to want you."

“Me?! You’re the one that suggested that stupid game in the first place! And you, might I add, were also the one to suggest kissing as the stakes. So, do not stand there and blame me for your ideas." She felt her face grow redder with anger as she spat out her defenses. She would've had a pleasant night alone if he hadn't wandered into the room with her, taunting her with his offers. Emma would've stuck to default disrobing, far apart from one another if he hadn't suggested kissing him instead. She nearly shook with ire. Each time she thought she might begin to tolerate him, he opened his mouth-- or pressed it to hers. "In case you’re still confused, then, you do not have any claim to me."

"The only shame I feel is having trusted you to be a lady." His words stung, but not in the way Emma expected. She ought to be happy that he seemed disgusted by her actions. It would only help to prove her unsuitable for marriage, and yet she couldn't ignore the needling sense of guilt in her stomach.

“I never claimed to be a lady." She volleyed with gritted teeth. "And if you’re so offended by my actions now, you’ll be awfully upset to learn how I’ll behave as a wife. And you have still yet to explain what kind of woman you think me to be. Because, perhaps, you do not care to admit that you don't know me as much as you think you do."

He surged on and the fire inside her doubled, nearly singeing her insides with it's flaring intensity.

“I do not want him to choose me over you! Again, not everything is a competition, you dense, fatheaded man-child! The only thing I want is for you to disappear from my life already. To leave me and my father alone." Emma stepped closer, pointing an accusatory finger in his direction. She was holding herself back, using all the strength she had left to not scream and claw her way to victory. But when he stooped lower, bringing out another level of vulgarity, she snapped.

“My used—?” Without thinking, she let her hand fly to his face. The sound of her leather riding glove collided with skin made even herself wince but she stood firm. If there was ever a moment of him deserving a strike to the face, she believed this was it. “How dare you, you bloody tuft-hunter. I take back what I said about you being a pig. Pigs are far too civilized to be compared to you.”

Emma wasn't a violent person, but it would be nearly impossible to guess such a thing from the way she behaved around John Bolton. She was a fiery redhead with a temper, that much she knew, but she rarely raised a hand to anyone. But in the time she'd known him, she'd smacked him twice and thought about doing so far more.

“I... believe that makes us even now.” There was a tremor to her voice and her tone was more apologetic than she expected, as though her words were a convoluted substitute for ‘I’m sorry’.

“At the expense of your best friend." She echoed his words, letting a sour laugh fill the air. "Gods, you are a piece of work, aren’t you? Tell me, then, if you think him marrying me is a bad idea, then why in God's name would you think it would be any different if I were marrying you? Are you truly so invested in these damned business endeavors of yours that you would submit everyone to a miserable and unhappy life?"

Taking a step away from him, Emma's irate façade faltered for a moment, revealing a more scared and desperate side of her. "Have you even thought about that? About what if, God forbid, something happens to the company, if we lose all stock and all authority or go bankrupt? At the end of the day you would still be married to me. Is this foolish business excursion of yours truly worth an eternity shackled to someone you despise and who despises you in return?”

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[haunted-xander]

I love the weapon diversity in hsr because not only do we have traditional weapons like swords, polearms, bows, guns, etc. we also have cool sci-fi weapons like laser tomes (or whatever you'd call Pela's weapon), gun spears????(Bronya why are you so cool) and such

And we also have like. Normal Items that are either modified or just. magic. for some reason. like Welt's cane, Serval's guitar and whatever the fuck Himeko's buzzsaw briefcase thing is

Or, my absolute favorite, Gepard using his sister's guitar case??????? What

[invisiblegarters]

This is not something I would normally reply to because the one time when I was stressed into sleeping about 2 hours a night over the state of my stupid country and thus had less impulse control than usual aside, getting into these kinds of discussions isn't really my thing.

But the thing is, what made me stick my hand in the hornet's nest and shake it around a bit wasn't just stress and lack of sleep. It was because for an entire year I've been watching the same "crit" go by and boggling more and more, until finally I was just in the exact right headspace to be unable not to say something.

I like crit. But I like good crit. Even if I don't agree with it, often good crit can make me look at something I enjoy in a different way, or help me bolster my own arguments for or against. Good crit gets my brain fired up, helps me better analyze what I am watching and why it does or doesn't work for me, and overall makes the experience more enjoyable.

But what I have been seeing this year is not what I would call good crit. What it has been is a bunch of people who were dissatisfied with a show that they assumed was doing a bunch of things that it never was and instead of shrugging and going "not for me," they created a bunch of BS reasons why they were right all along, actually, only capitalism thwarted the true vision and forced "typical BL" on us instead.

And even that I could deal with - people will believe what they want and often all the rest of us can do is roll our eyes and move on - except that these people both misrepresent information to bolster their arguments and have a big enough following that that misinformation becomes accepted as truth.

Well, it isn't. I might not be an intelligent or articulate meta person. I may not be able to write in a way that engages people and makes them think that I have smart things to say and should be listened to. But what I am capable of is thinking critically enough not to just believe what someone asserts as truth without looking into it myself. I am also capable of realizing that one of these misrepresentations (and one that sticks in my personal craw the most) - that things were actively being changed in the above Show That Shall Not Be Named - couldn't possibly be accurate. Moved? Sure. Cut out? Absolutely. But actively changed to make a different story from the one originally intended, as some people would have us believe? Not a chance. No way they had enough money or time for that, and even five minutes of seriously thinking about it should have been enough for everyone to get that.

And it's not the only time they've taken something the showrunners have said and deliberately misconstrued it to fit their own narrative.

The show was always going to be exactly what it was. We were never promised the show in their heads. And frankly, I don't think I would have liked that show.

But for whatever reason, they can't accept that they were wrong, and now they're so mad that they're letting this color every other show they watch (that doesn't involve the cps that they like, which are exempt somehow from the same criticism they keep pulling out for the cps they don't. Weird, that). Not only are they doing that, they're heavily implying (and often outright stating) that the only reason for people not to agree is that they're mad their faves are being criticized. They are so convinced of their own superior thinking that they've deluded themselves into believing that this is the only reason that someone might disagree. And okay, that kind of thing gets my back up, even though I wish it wouldn't. Oh, to be more chill (I'm working on it).

Complaining about the structure of a show is one thing. So is feeling like the writing is lazy. But claiming that the reason for this is because official cps are killing creativity is absolutely ridiculous, and in my opinion should be called out as such. Romances wind up with the main couple together. It's a staple of the genre. It wouldn't matter if it starred official cps or not, at the end of the show the leads wind up together. That's just how romance works. No one has to like it, but trying to claim that it is anything but a "fault" (so to speak) of the genre itself is absolutely silly (like please, I beg you, watch more stuff. Watch enough of any genre and you're going to have this kind of thing). So is continuously deciding that a show should explore your pet themes and then getting mad when it doesn't do that, often with every indication that it never intended to do so in the first place. That's not what I call criticism, or at least not the kind that has any merit. That's just throwing an extended tantrum.

Don't you think this all comes down to the fact that people watch fiction, romance or anything else, for different reasons and so, they also engage with it in different ways? Criticism is just a way to engage with something. Just like giffing, fanart or writing any kind of meta, positive or negative. People will engage with media in their own way. If they didn't like the genre as a whole, they wouldn't watch it at all, much less take the time to write a post about it.

I think you’re underestimating how many people on the internet get joy out of ruining other people’s fun. If they say they’re doing it out of love for the genre, I’m certainly not going to argue with them—even if that relationship does seem a bit abusive to me. People can interact with media in any way they wish to do so. It only becomes my problem when these blatant lies and delusions start popping up in the main tag, presented in a pseudo-intellectual format that makes them seem like facts instead of opinions. Since these people have chosen to expose the whole fandom to misinformation by putting it in the main tag, I’m going to start saying something about it because I think people deserve to see a counter-argument written in good faith by someone actually enjoying the show, the genre, and the production company making it.

This ridiculous argument about how CPs are ruining the genre has persisted for over a year now and I’m tired of just sitting back and letting misinformation go unchecked. There are plenty of meta writers on here that present their criticisms in such a way that even if I disagree, it’s not offensive. There’s just a certain segment of this fandom that not only criticizes the show, but comes up with conspiracy theories to support their dislike instead of simply saying that it’s not to their taste—and then continues to do so every week for 12 weeks. It’s absolutely exhausting having to spend time blocking people being rude in the tag instead of just enjoying what I came there to enjoy.

And I also think these people should take some time to examine their own biases and ask themselves why it’s only Thai shows they’re criticizing? Why it’s only romances? Why it’s only certain actors or certain production companies? Because it is.

[wiredalienvampire]

together at the sunset

Btw, incase yr wondering how long I took on this piece

Thats thirteen hours and 58 minutes in total btw!

[horizon-penblade-art]

has anyone done this yet

[image ID: drawings of gem versions of the hermitcraft recap team. pix is a dumortierite, sloy/zloy is an unakite, and lyarrah is an anyolite.]