#i use both interchangeably and this is my post it's about ME

[biracy]

I can only see, like, the crunchiest of cis people even beginning to fathom a distinction between "transgender" and "transsexual," let alone like. the transphobes you guys want to "make flinch" lmao. Debate around transsexual vs transgender really only exists as a weird inter-community generation gap thing (with a lot of its revival being for like weird trans neoclassical and/or transmedicalist reasons although obviously not all of it is). It's basically, like, trans Hispanic vs Latino. Terms that ultimately, functionally, mean nearly the exact same thing where neither is better or more progressive or more radical than the other and one just can sometimes make you sound a little old

The other thing is a little more interesting - it's kinda unique to what's happening in this country Right Now and let me be clear, I DO think that legislation that targets drag queens is transphobic legislation even though drag queens do not NECESSARILY equal trans women (people seem to forget that a lot of drag queens are trans and/or nonbinary lmao). I just also think it's honestly really stupid to act like there is Zero distinction in ANY transphobe's mind between a trans person and a cis drag performer/crossdresser/otherwise gnc person. Like, yeah, I'm sure that to a bunch of old people and idk some guy who works at a gas station in the middle of nowhere there's absolutely zero distinction between the two, but people seem to forget that a LOT of transphobia comes directly from gnc cis lgb people or people who are using them as a shield. The idea of like, "protecting our tomboys" or "lesbian extinction" or whatever is Really prevalent, and watch the way any weird nerd talks about "femboys" versus trans women. For a LOT of people, the issue with trans people is not the way we dress, but that we say that we're not the gender we were assigned at birth. A LOT of people are okay with the most masculine of cis women and the most feminine of cis men as long as they never say "I am not a woman, I am a man" or "I am not a man, I am a woman." If everyone REALLY saw absolutely zero difference between gnc cis people and trans people, there would be absolutely zero "why can't you just be butch??" or whatever. So yeah, a ton of cis people can absolutely distinguish between a gender-nonconforming cis person and a trans person. Sometimes they don't care, but very often they do

Ultimately we're at a very weird point in posting where people seem to believe that there is any sort of meaningful distinction between "transgender" and "transsexual" in the eyes of cis people, but ALSO that every cis person on the planet is completely incapable of distinguishing between like a crossdressing cis Twitch streamer and a trans person. Neither of these are true but it's weird to see them coexist at once

[77ngiez-archive]

stalker sanya is canon btw bcs i said so

[dirt-str1der]

Literally cant care about anything other than majima haruka bonding

[froggi-nixxlol]

erm, I wanna do another notes post because I say so-

10 notes- I WILL CLEAN MY ROOM😭😭

20 notes- I'll cut off all contact with my fake irl friends

35 notes- I'll practice regular hygiene instead of hopping in the shower, only using water, and calling it a day

40 notes- I'll change my clothes everyday (this is something I rlly struggle with, please dont judge me)

50 notes- I'll start reminding irl friends TO NOT call me my dead name and to call me Nixx (or xan if they're a close friend)

60 notes- I'll ask my mum to take my to get an autism test (something that I might have along with my DIAGNOSED adhd)

85 notes- I'll go on walks more often, maybe even take my mum or my grandpa's dog with me and just enhoy nature ig

100 notes- I'll stop vaping

110 notes- I'll start opening up about my feelings more (even though a few people in my life will disregard/disrespect said feelings)

200 notes- I'll tell the person that I have a crush on how I feel (even though he likes someone else, and Im scared)

250 notes- (last one, and kinda important for me) I'll set alarms for my medication and sleep at a regular time so that I can take my meds at a regular time

BONUS:

1000 notes- I'll start eating regularly instead of binging/not eating at all (I do both interchangeably)

[seagiri]

some chilshi headcanons?

(Contextualizing my headcanons, I mostly like chilshi post-canon. It doesn’t click during the main story for me)

I think they’re very domestic. One of those situations where they don’t even realize how infatuated they are with the other- until they do. And they don’t know what to do about that so they get used to being close but never taking it a step further. I think Senshi is a good influence for Chilchuck, and Chil he is Senshi’s way to connect with others.

The two of them are people that had to mature emotionally very quickly due to their life circumstances and I think that’s what draws them together in a way

Senshi has the excuse that he wants to help Chil feed himself better and maybe help him taking care of his home, and Chil likes the company. He worries about the guy lmao

They smoke and drink in the porch of his old family house and they bicker about people. Senshi tends to their garden and Chil sometimes when he’s bored and his wrists don’t hurt, he combs his hair.

And Senshi travels and explores and when he comes back he gets to talk about everything and show Chilchuck his new recipes and he is mortified but he listens anyway :) Chil complains about work, updates him on his daughters and they get to talk. They open up

Maybe they go fishing together, to the market if there’s a chance. They drink in the tavern at nighttime. idk

It’s whatever. Whatever you know

>They’re both big spoon interchangeably but it’s Chilchuck the most because he doesn’t like feeling crushed and also Senshi’s beard is equal to 3 layers of blankets

>Senshi likes teaching Chilchuck how to cook but Chil gets annoyed fast if he can’t do it first try so they barely try anymore

>They own a lot of alcohol from different places either Senshi visits or Falin and Izutsumi bring them. That pantry is wild

>They fight over stupid shit that is just mildly annoying and not a real issue

>Their way of loving is to do things for each other. If Chilchuck is tired from work Senshi will offer to arrange his picklocks, maybe go something for him. And Chil tidies up the place for him after cooking or goes buy whatever is missing. “Don’t worry, I’ll do it for you. It’s fine”

>They had to get slightly bigger furniture

The perfect version for me is when they never get together because they’re stubborn and afraid of interfering in each others lives so they self sabotage and don’t know what to do. But I also love it when they’re happy together so make of this what you will <3 they are everything to me

[ariseur]

✧˖° - DESIDERIUM.

ᡣ𐭩ྀིྀི₊ ⊹ - featuring ; satoru gojo x fem!reader, slight hints of suguru geto x fem!reader

ᡣ𐭩ྀིྀི₊ ⊹ - synopsis ; “ for what is love if not brought back grief but just a little bit smaller? ” satoru wonders as he thinks about the time you got away from him, little does he know it’s eating you up inside everyday.

ᡣ𐭩ྀིྀི₊ ⊹ word count ; 13.7k words, 74.2k characters

ᡣ𐭩ྀིྀི₊ ⊹ cw ; sfw, fem!reader, fluff to angst with little comfort, canon au, not proofread, interchanging povs but for reader it’s always second person, technically need a pt2 but lmk if u guys want it, not proofread, mainly satoru x reader but hints of sashisu x reader for a while, spoilers / allusions / mentions of jjk 0 and later manga chapters ( after suguru’s left obv ), mentions and cameo from kenny later, canon character death, mentions of smoking, mentions of blood and typical canon violence, mature language, intended lowercase

ᡣ𐭩ྀིྀི₊ ⊹ notes ; ( request linked here !!) wow so this has been sitting in my inbox for a few months now, this was actually requested but i forgot to link it to the post so this idea was brought to us by the wonderful @skypperlegacy — sobbing in my bed writing this i hope you all enjoy. ( edit: i wrote this note on 8/24 and i’m assuming i’m posting this AFTER my birthday, so take this as a little treat for not posting for my birthday ^.^ )

ᡣ𐭩ྀིྀི₊ ⊹ notes (2) ; it is currently 10/26. i have not finished this yet either. what the hell is wrong with me

ᡣ𐭩ྀིྀི₊ ⊹ notes (final) ; i did it. i finished it. 11/13 oh my days i finally completed this thing. i didn’t even flesh out the full idea so lmk if you guys want more of sad pathetic gojo and reader

i. sunlit hallways in 2005

your footsteps bounce off of the walls of the hallway, sun rays ricocheting off the floor and projecting onto your body as you make your way to your classroom. your eyes zip around in every direction as you tried to scan the room numbers to try and find the one yaga had referred you to. you grimace at his booming voice replaying in your memory talking about these two boys who were supposed to help you — idiots he referred to them as. ‘strong idiots’.

you assume you’d be heading into the classroom with the most noise in it, as the sound of muffled chattering pricks your ears from beyond the sliding door of the homeroom to your left. a long exhale leaves your lips, your shoulders rolling backwards in an attempt to try and alleviate the weird pressure that settled upon them before your fingers find the little slot that allowed it to open the door, cursing yourself as a loud squeak emits from your action.

you scrunch your eyes shut in a wincing manner, taking in the silence before peeking an eye open to see two boys — which you presume were the ones that yaga had mentioned to you. both of your eyes shoot open at the sound of a small laugh, seeing a boy with spectacles and snow white hair snickering to himself while his friend shook his head at him and instead greets you with a small smile.

you clear your throat. “are you suguru geto and satoru gojo?”

they nod, the dark-haired boy scooting out of his seat to get up and properly greet you while the other lazily grins at you, the cerulean lenses of his gracing his face and framing his teasing gaze behind a deep blue. “geto,” the former gestures to himself, “and this is gojo,” his hand waves over to the seemingly brash boy who stands beside him, giving a small wave as his hands come to intertwine behind his back.

you lean forward, ducking your head as you bow out of respect for your new classmates. hair falling in front of your face, you introduce yourself quietly as you hear small shuffles emerging towards you until sheen black shoes come into your peripheral.

lifting your head up a little further, you’re met with the bright face of ‘satoru gojo’, the name striking a familiar cord within your brain. gojo, you think, as in the gojo clan? however, you don’t get to ponder on that for too long before he chuckles at your expression — clearly somewhat impressed with his appearance. either that, or you’re completely freaked out. although, gojo’s pride would only let him choose the former.

“so,” the boy, gojo, begins, “are you the little shrimp yaga-sensei told us we’d be looking after?”

you press your lips together in a soft frown, before your eyebrows furrow with the small huff that left you as geto smacks the back of his palm against his friend’s chest. “‘m not a shrimp, you know — not even that much shorter than you.”

as if to further prove his point, you get an eyeful of white hair as he leans down to meet your eyes, just barely but enough to provide the message. “yeah?” he breathed. his grin makes you nauseous, pearly whites on display and dimmed with the backlit centered illumination giving him a frontal shadow. you tilt your nose up at him before holding his own gaze, his bright ceruleans on display as you replied with a passive-aggressive, “yeah.”

geto laughs, pressing his arm against his friend’s chest to get him to back away from you, the intense scent of cypress and a deep sea breeze no longer engulfing your senses. soft snickers instead fill your ears as gojo stuffs his hands into the pant pockets of his uniform before slipping past you with a hum. geto follows in suit.

you turn your head back to the open doorway, seeing the boys make their way out before gojo turns to you once more. “you coming or what, shrimp?”

you groan under your breath and he smiles at your reaction, now no longer in your sight as he turns the corner; struggling to hold back a grin at the quick footsteps that trail behind him with a hesitant, “hold— hold on a sec! i’m not a shrimp!”

“you are too.”

“are not,” you huff.

his eyes trail up towards the ceiling for a second, tapping his chin as he feigns a long, hard thought before cracking out into another smile. “are too.”

this game continues for a while, and you almost feel bad for geto — except the little game of chicken that you and his counterpart had going on was taking up more of your attention at the moment. with his obnoxiously long legs, gojo purposefully takes wide strides to try and tease you at least a little bit, having you make more of an effort to keep up — just because you’re new doesn’t mean that you should be let off the hook so easily, he thinks.

“are too—“

“these are the dorms,” suguru interjects, his tone clearly exasperated at this point. a few minutes of walking and the poor man felt like it was hours of meaningless boredom.

your eyes follow the direction of geto’s finger over the trail of doors that lay before you. he leans his head forward, the golden sunlight capturing his face as a few strands of raven hair from his bun slip out from their ties. “my dorm’s on the very end right there,” he gestures his head to the door at the corner, “satoru’s is two down to the left.”

speaking of him, gojo slings an arm around your shoulders; keeping a firm grip even with only his bicep as you try to squirm away. “don’t worry, i’m sure yaga’ll help you in no time. by the end of the day, you’ll be lazing around in a nice bed with your feet kicked up, thinking about how you met the most beautiful man ever today,” he says to you.

“don’t you think it’s a little weird to call your friend the most beautiful man ever?”

to gojo’s horror, geto snickers from behind him.

“you’re a sassy one, aren’t you. .” he mutters under his breath, a sigh escaping him as the warmth of his arm leaves your shoulders and is instead met with the cool air conditioning of the halls, only the sun’s peeking through the windows warming you up. he takes a step near his friend, hands stuffed in his pockets once again. “well, you can always stop by whenever you do get your dorm, i’ll always be here,” he singsongs. you fake gag at his playful wink.

geto steps towards you, leaning into you as he mumbles a little too loudly ( whether that was on purpose or not remained unknown ), “don’t worry, the girls’ wing is on the other side — luckily you won’t have to see that idiot all the time.” you laugh at your eyes trail to gojo’s small pout from behind the boy, his shoulders deflating instantly once he realized he was left out.

“hey, so like, can we not bully me for today? just once?” he chimes in, tilting his head to the side a bit in question. you and geto share one last glance and laugh together before he walks ahead of you again, gojo lagging behind so you’d walk next to him as well.

he couldn’t help but glance at you, noticing how you keep your eyes trained in front of you. only occasionally flitting to the window to admire the outside scenery. it wasn’t everyday that they got a new student, and if they did, they never lasted long. despite still only being a first year, geto and gojo adapted to the harsh environments of jujutsu society — fully aware of the consequences and what it would take to save non-sorcerers. which only made gojo all the more curious as to why you were here.

“pervert, quit staring at me.”

“hey, people would pay for these eyes on them — you’re a lucky girl, today,” he explains, bumping his shoulder with yours. you glare at him. his smile doesn’t falter.

“so do all new recruits get this treatment or what?” you chide, putting a hand on your hip comfortably as you walk. he hums for a moment. “nah,”. he decides, “you’re special,” his grin only widens the more you banter, bright blue eyes mimicking yours in a sharp narrowing. you hold his gaze for a bit, before ultimately deciding it wasn’t worth it — turning your head with a low, ‘tch’ as you keep your feet moving. gojo does the same.

they walk you around the campus, showing you the track field and the direction in which the girls’ wing is, telling you to report back to them once yaga had assigned you a room, gojo urging you to invite him over one day to which geto nudges the back of his leg with his shoe. and at the end of the day you’re left with a small wave goodbye to your new classmates, smiles on their faces as they walk off back into the dorms; leaving you to roam around with the new-known information.

you look back at the stone arch of the school’s entrance, the stone pathway beneath your feet as you squint from the brightness of the sun just beyond the horizon. a perfect point of which the ground and the sky meet.

you can feel the blocks of sunlight on your chest as you take one last look at it, face softening at the sight.

gojo takes one last look behind him to check on you, seeing your frame simply stand and soak up the golden skies. his lips only quirk the slightest bit upwards, geto quirking a brow beside him only to let an amused breath out at his best friend’s infatuation. “don’t start going all mushy on me now, satoru.”

said friend turns his head back ( geto notices how he takes one last quick glance back before fully rotating his head ) and scoffs, “no way.” geto merely hums and closes his eyes, a knowing feeling growing in his stomach. “she is kinda cute, you know,” gojo mumbles — closing his eyes when geto opens his own to look at the boy dubiously.

he, too, looks back at you only to find you walking off to another section of the high school; presumably to go and talk to yaga to find out where the hell your dorm would be. he chuckles. “don’t ruin another friendship for us by going a little too far with the flirting, this time.”

the snow-haired boy stays quiet at that, creating a small lull in the conversation only filled by the clacking of shoes against pavement. the sun on the nape of his neck slowly eases up with how it lowers beyond the skyline, small beads of sweat slowly seeping back into his skin before he huffs. “can you believe the way she talked to me?” geto looks over to him once more. “‘yeah’, who does she think she is talking to us like that?” gojo makes a dumb face as he mimics you, hands on his hips momentarily as he mocks the way you stood — it was surprising how he was the one saying this.

geto snickers. “you mean the way she talked to you.”

“whatever,” his classmate responds with a yawn, being able to crack a small smile at geto’s laughs of amusement at his frustration ( or how gojo would call it, his ‘suffering’ ). “you’ll learn to like her eventually,” he chides. his friend stays quiet at that once more.

gojo tilts his head up at the darkening sky. he swears he can feel the sun on his chest, too.

ii. the way the clouds shape us

“special grade? guess satoru was wrong about you being a shrimp,” the sound of geto’s laughter fills the air, thin fingers handing you back your student id as you pocketed the small, white card back in the pocket of your uniform.

“he doesn’t know what he’s talking about,” you shake your head, placid smile painted on your lips. geto leans against the tree, careful not to ruin his sleek hair against the chipped bark. he watched as you lifted your hands up to the sky. you extend your fingers and stretch them out — watching as the light blue of the sky above you illuminates your open-faced palm and casts a shadow for the rest of your arm.

gojo wasn’t wrong, you were definitely beautiful. even geto knew it, taking in the way your hair splayed out delicately against the vibrant grass, as he could hear the distant chatter of his other two best friends making their way towards you two. you had to thank gojo for this, considering he was the found who found this little safe haven in the first place.

over the past few months ( even if you joined a little later than halfway through the actual school year ), it became quite comfortable for you to chat with these newfound friends of yours. you quickly got along with ieiri, much to gojo’s dismay as he has discovered you two make the best team against him with your sharp words towards him. he’d savor the way you’d lean in and tell him you were never really serious afterwards ( even though he was well aware of that fact, he’d like knowing you still didn’t want to really hurt his feelings ). it really felt like home when you were with them, a sanctuary only for the four of you.

with your eyes flitting closed, geto finally tears his eyes from you to gaze at the duo approaching the two of you, gojo whining about something like usual as shoko barely humored him with the little tolerance she had left; a pale cigarette hanging from between her lips.

you relish in the sun on your skin, lessened from the months before that first day you came to tokyo’s jujutsu high as you’ve adapted. you must adapt in order to survive. you realize that now, which is why you indulge in the small moments you can get — even if it’s just silence with geto or the fact that suddenly, even behind closed eyelids, the sun was gone.

allowing your lashes to flutter open, you see a familiar brunette stand above you. a combination of the sweet, earthy tones emitting from the dewy grass below you and her perfume suddenly hit your nose, surprising but definitely not unpleasant. you hummed, eyebrows furrowed.

she laughs, “eh? you two are just out here without us?”

“sigh,” you roll your eyes at gojo who audibly says the word ‘sigh’, “so inconsiderate, you two.”

geto laughs, resting his hands upon his stomach as he closes his eyes — nose twitching with the leftover pollen floating along with the soft, spring breeze down from its habitat within the trees and the plants enclosing you all.

he doesn’t exactly fall asleep, especially in such an uncomfortable position. but he makes peace with this discomfort and instead seeks refuge in his own place of serenity, only him and his thoughts ( and the quiet chatter of you and shoko ganging up on your white-haired friend ).

you exhale smoothly through your nose, a breath of fresh air leaving your lungs as you stare up at your friend, a smirk threatening to unleash itself on her face even from behind the cancer stick. “those things kill, you know,” you playfully chastise her, watching as she chuckles before crouching down.

she slips the cigarette from past her mouth, the end stained glossy and pink from that one lip product you always forget the brand of, before offering the smoke to you between her two fingers. she hums as you take the tube, the material dry against your lips. “might as well while we’re still alive and young,” she says — and the morbidity of the question no longer bothers you like it would have a few months earlier. instead, you actually chuckle at her dry delivery. you struggle not to choke with your laid back position as you hold it before letting it escape you, a hot puff of smoke emitting in the air.

“so, what’re we doing today?” a pair of lanky, slack-clad legs come into your peripheral along with a familiar mop of snowy hair before it disappears, his voice trailing off as he sits next to geto. you prop yourself up on your elbows, squinting at the sudden bright light as shoko sits beside you inside.

you crack a small smile at the feeling of her fingertips messing with the ends of your hair, shaking out the small bits of grass that got stuck in the delicate strands. gojo, however, thinks you’re smiling at him so he grins in return before your smile is soon replaced with an unsure expression — almost like you’re gonna throw up just from looking at him. he still doesn’t falter.

“what do you think we should do?” you ask after a bit, thanking ieiri under your breath as she’s done helping you primp.

“what if we go to the convenience store for a bit and get some snacks? i was thinking—“

“boringg..” shoko’s thoughts are interrupted by gojo’s loud interruption, her face immediately dropping as she looks at him. “hey, you don’t have to show off in front of your girlfriend every day, y’know,” she shoots back.

he pouts at the brunette, his shoulders deflating as his hands come up to his face to mimic a fake tear rolling down his cheek. a nervous huff escapes you as you look between her, geto, and gojo before you start, “he’s not m—“

“how about we go to the arcade in shinjuku city? they close in like,” he checks the imaginary watch on his wrist ( whether he didn’t know he had interrupted you or he didn’t want you to finish your thought was something you didn’t understand ), “two hours, i guess.”

you roll your neck around on your shoulders, sighing at the low cracks that escape your aching bones. eager for some activity, you shrug. “hate to admit it, but that might be the greatest idea gojo’s ever had.”

to that, he beams. you hear a duet of groans come from your other two friends. “aw, c’mon. don’t give into him so easily,” geto chides playfully.

“not to brag—“

“—all you do is brag, gojo—“

“—but i, personally, think i have a ton of great ideas.”

geto tips head back and laughs. you see the way his eyelids twitch and scrunch with his soft smile, outer corners crinkling as the airy sound frees itself from him. he crosses his arms. “that’s why you personally think that, im afraid ‘s not a very common opinion,” he answered calmly. gojo sulks as he looks to shoko for help. she shrugs and puffs out another cloud of smoke between the small opening she’s created on the side of her mouth.

“we can always bully him some other time, i’m bored and i’m practically losing years off of my life just listening to him,” you mutter to her — perhaps a little too loud as you see gojo’s jaw drop open from your peripheral.

geto gets up, dusting the damp pieces of grass sticking to his pants and the back of his legs before taking a big stretch. you wrap your arm around the other, extending your elbow and mimicking his motions as you let out a sigh at the feeling of weary muscles ( which you can already tell that geto and gojo will use against you when you spar ).

“why don’t we go already then?” he inquires, causing gojo to shoot up as you already start to slowly walk back to the campus entrance. shoko snorted as she shook her head, trailing behind to walk and talk with the raven-haired man. your eyes scan over the perimeter of the horizon, spotting all the grass and the vast architecture of the highschool, squinting as you look for the way you came from.

feeling the air change from behind you and the soft sounds of quick footsteps on grass, you begin. “hey shoko, do you ever—“

then you see his stupid smile.

“oh,” you say. he scoffs, almost like he’s offended that you had such a tame reaction. gojo huffs a bit, still attempting to keep up with your pace. “just ‘oh’? you aren’t excited to talk to me at all?” he groans.

you shrug. “just thought you were shoko ‘s all.”

oh, you really shouldn’t have said that. you think — because once you see the way his face splits into a grin once more, you instantly grimace. “so you are excited to talk to me.”

“never said that.”

“you didn’t have to. i’m psychic.”

“that so? what am i thinking right now, then?” you ask, finally tearing your eyes away from the ground and tilting your head at gojo; who taps his chin and pretends to think ( although, you know that there’s a seventy percent chance that whatever comes out of his mouth will be bullshit considering the way he’s struggling to hold back a smile ).

your question evokes a long hum from him as he looks up to the sky, to the right, and then back to you before he answers, “how handsome i am?” your eyes narrow a bit, one of the rare moments where satoru gojo could render you speechless.

once your mouth drops open, void of sound, gojo’s almost ready to backtrack and apologize before you finally laugh. a nice, hearty laugh that makes your chest rumble in between every breath. and if that isn’t the biggest ego booster for the boy then you’re not sure what is. he couldn’t care of you were laughing at him or with him, all he knows is that he can’t help but chuckle along with you. his chest swells with pride as you lean on the stone archway as the cacophony of giggles slows down.

you wipe the corner of your eyes, looking back at geto and ieiri as they eye you in confusion — but nonetheless give you a pity snicker in response.

“you’re hilarious, gojo — keep it up,” you finally say.

he beams boyishly at you, a warm wave of something washes over him albeit he can’t figure out what. “nice to know i still got it,” he asserted, making you give one last eye roll before you looked back at the stone steps leading to the front entrance.

you skipped forward and turned your body a bit to look at your classmates. the usual scowl on your face no longer evident anymore for it was replaced by a soft smile, one so foreign even to shoko who’s company you more or less enjoyed the most. she pursed her lips around the tobacco stick in an uncharacteristic curiosity, wondering what that fool could’ve done now to make you genuinely laugh.

“i’m gonna grab something from my dorm real quick, ‘kay?” although you were probably saying it to the group as a whole, gojo nodded eagerly as he flashed you a thumbs-up with a small, ‘okay’ as well.

he turned to shoko and geto as you rushed up the stairs and into the building, running along to the girls’ wing as they glared at him. “what?” his voice was too innocent to be gojo, just the sound of his “oblivion” made them want to facepalm. geto held a thumbs up as he mocked his friend’s earlier face while shoko have a light huff, the sound somewhere in between sounding both exasperated and entertained.

“th’hell was that?” she asked, finally stubbing the cigarette out with her shoe ( still keeping a pack on here though, you never know when you might need one. especially when you’re friends with the biggest idiot in tokyo ).

“what?” he repeated.

“nothin’,” geto shrugged, the tiny front piece he kept loose from his bun swaying as he shook his head. he shares a look with shoko that definitely throws gojo off though. he narrows his eyes at them, spectacles somewhat hiding the oceans that are his irises.

gojo crosses his arms. “you guys are just jealous that i can make a pretty lady laugh.”

“you— you don’t think . .” shoko trails off, her forehead crinkling as she looks like she’s trying to decipher something. gojo quirks a brow even though she was thinking aloud or possibly talking to geto instead — he still waits for her to finish her sentence. “what?” he repeats only to be met with a dismissive shake of the head from her.

he opens his mouth to ask what they’re talking about before he hears hasty shoes against stone and looks behind him to see you, walking back down with a small pin clasped in your hand that shimmers in the sun when you hold your hand up.

gojo’s eyes take their own route as they fly away from your palm, down your arm until it reaches your face — a fond smile written on your face like you had been claimed victorious. it made his own smile quirk back up again.

you only spare him a glance before you lope to shoko. he watches as you hand the item over to her before she takes it, a faint half-smile twitching on her lips bemusedly.

“so you can keep your bangs to the side,” you answer — even when no one has asked why you gave that pin to her. “i got it from osaka on that mission last month — thought it’d look cute on you.” geto cocks his head as he tunes out your conversation before shrugging and walking back over to gojo, hands shoved in his pockets.

he chuckles, “no need to pout, satoru.”

“i’m not pouting,” he placed a hand on his hip. unbeknownst to him, he totally was; whether it was unintentional or not. “she’s just playing favorites over here when i’m the one who so graciously invited her to start hanging out with us,” he frowns.

a laugh and a rough pat on the back from geto interrupted him from entering his soon incoming villain arc as he walked back over to you and ieiri, pulling his dramatic friend along with him. gojo’s ears perked up at your voice in the conversation once more.

“oh, you know i don’t like all those weird hair clips ‘n�� stuff—“

“don’t worry,” you lean over, brushing some of her bangs out of her face as you clip them to the side. gojo watches afar as your thin fingers work to cover the small pin with another piece of shoko’s hair, successfully getting it out of her face and concealing the pin in the process. you grin, mission accomplished.

pulling back, you watch as shoko touches her hair — smirking when she realizes how useful it’d be. she pats your head and looks at you before her eyebrows furrow; only then do you realize what she was focused on behind you.

“uh, where’s my souvenir?” your face instantly drops as you feel gojo’s chin on your shoulder, words purred dangerously low next to your ear.

“up your ass.”

“mind fetching it for me?”

“you’re disgusting—!” you push him off as he chortles, his eyes crinkling softly as bouts of laughter overtake him at your exaggerated reaction.

“we’re not gonna make it to shinjuku if you guys keep bickering like children,” you both hear geto chide. you look over to the entrance, a small smile on his face as he teases the both of you.

you scoff, stuffing your own hands in your pockets as you walk over to the dark haired man. “he started it,” you mutter.

he gasps. “nu-uh!”

“yu-huh,” you retort. he sticks his tongue out at you in retaliation whilst shoko follows you and geto in return. gojo smirks as you huff and turn around, watching as his friend bumped hips with you on the way there, making mindless conversation.

the air wasn’t so bad, the light breeze felt more refreshing than over. he looked back over at shoko’s hair in thought.

perhaps he’d have to work harder at officially getting on your good side some other time, he thinks.

iii. the taste of blue raspberry

vibrant lights and loud video game chirps wasn’t exactly gojo’s scene despite how he always presented himself; extroverted and inherently obnoxious ( although, he’d prefer to use the word ‘comfortable’ rather than obnoxious whenever you’d refer to the latter ). all he could do was trail after you and shoko, geto following him as he observed the random teens and little kids accompanied with their parents that kept the arcade flowing.

cerulean eyes follow your movements in hopes that he’ll keep track of you. that he wont lose you in this crowd. he’ll occasionally look over at shoko and geto to make sure they’re still here, too.

“so, you chose a shitty arcade spot to hangout in? such poor taste,” he leans down over you, hoping that mild jabs and soft teasing will help keep his mind off of the fact that there’s snot nosed kids running around the already narrow spaces between the machines; their flat footsteps melding together with all the loud sounds as they become synchronized with the beat of the music.

your lips twist into a sneer at the sound of him, slowly turning your head to look behind you at the boy who grinned so slyly. gojo knew exactly what he was doing.

“would you rather have yaga put us to work and sweep the dorms?” you bat your eyelashes as he only smiles further, reveling in how you play along with his little game.

“i dunnooo.. wherever you go i go, i suppose.”

“such a flirt.”

“just being honest,” he puts his hands up defensively as he walks past you to a random machine that stands stationary in front of you, untouched with whirring, vibrant lights that glow brighter when he thumbs a few tokens in the slot at the bottom. as you hear the clinking of the coin hit against the curvature inside of the machine, the snow-haired boy turns to look at you with a boyish smile as he crouches down and points a finger to the blinking button saying, ‘play now!’

you have the urge to warn him about how the game is most likely rigged. you don’t. instead your parted lips close with a huff. gojo is said to be able to do anything, you remember, he’ll learn the hard way.

“you mind getting me a slush at the machines?” he says, lanky body extending to its full height as stands upright again.

“that’s so far — and scary,” you feign a pout. realistically, you were just too lazy to walk all the way over there and back for one item.

“take suguru with you,” he tips his head up to gesture in the direction of the dark haired friend, to whom you see looking out the glass doors at all the kids who run through the place.

so there you are, walking along with geto as you huff about how gojo could have gotten the drink himself. he hums occasionally, looking around and observing the environment to try and make sure you don’t run into anything during your chatter.

“he does care about you, though. you know that right?” his fingers sift through the yen in his palm, the coins clinking around as he grabs some and puts it into the thin slot of the slushee machine.

your lips press together as you hum almost dismissively, head cocked. the cup makes a soft thud against the metal as he puts the cup inside and closes the small glass opening. the machine whirs as he clicks the blue raspberry flavor almost like it’s muscle memory — the blue button lighting up with the white kana in front of it.

“you want something?” geto asks quietly, leaning down to interrupt your analysis.

the thought makes you crack a small smile as you think for a moment before turning to face him. “do you want something?” you inquire. “i’ll pay.”

he waves you off with a soft smile. “it’s alright, i’m not much into sweets.”

you grab gojo’s cup out of the dispenser, putting a clear lid and straw in it as you grab another disposable cup. if you were going to get a slushee, you weren’t going to let geto pay for it by himself. the whirring of machine’s drink being poured almost drowns out the loud, coinciding beeps and animated sounds of the nearby screens you both hear.

“then let me buy you something when we get out of here,” you smile at him.

you fail to notice the way his face softens at you when you’re too busy grabbing the cup, licking off the excess that spills over onto your thumb as you laugh. his smile falters a bit, before he walks with you back to go get shoko and gojo.

you scoff at the sight of the white haired man smirking at the pixelated screen, pointing it out to you and geto. the two of you lean over as you heard gojo sip on the drink while you roll your eyes at the big blue kanji in bold spelling out, ‘top score: satoru gojo’.

“thought you weren’t a fan of blue raspberry,” you hear from behind you.

already, you see the man in question leaning on geto as he looks at you with a quirked brow. you look down at your cup. ah, you think, guess you did. your expression must give something away because you hear shoko amusedly huff next to you.

you shrug. “guess i just wanted to try something new.”

clearly a mistake because his smile only widens as he slings an arm around your shoulder too. “nah, you know what i’m thinking?”

“you never think.” that earns you a flick to the forehead.

he leans down. “i think i’m rubbing off on you,” he laughs.

you try to push him off of you yet he manages to let his weight relax as you struggle to keep him up, “gojo, you ass,” you mutter.

he turns to look at you, his smile looks different. feels different. “call me satoru,” he beams.

iv. ‘the star plasma vessel?’

riko amanai is a pretty girl, you think. you have no idea why she wanted to be the star plasma vessel in the first place. you weren’t there when satoru and suguru went to go meet her, instead hearing her version of the story where they practically tortured her — and knowing the boys, you’re not quite sure that she wasn’t exaggerating.

she likes you, definitely favoring you a little more than tweedle-dee and tweedle-dum, you think as you pointedly look at the pair of friends, walking ahead of you.

you look down at riko’s arm interlocked with yours and smile. “so,” you whistle, “what do you think of those two?”

her green eyes dart up to yours before looking at suguru and satoru and squinting. “they’re interesting, that’s for sure,” she mumbles. her lips twist into a sneer-like pout just at the sight of them, evoking a lighthearted chuckle from you. you fail to notice the way satoru’s head turns to look at you ever so slightly at the sound.

it makes riko grin as you playfully bump your hip with hers. satoru had never seen you so lax. maybe because the young girl was easier to handle than himself. he didn’t mind seeing you like this, but he couldn’t deny that it was pretty fun to work you up, too.

he smiles at the thought of your puffed cheeks with furrowed brows, narrowed eyes burning holes into him as he would flick your forehead for the third time in a row.

“what’s gotten you all cheesy?” he hears suguru inquire from beside him, tearing his eyes away from the stone road beneath him to look at his snow-haired friend. “eh? just thinking about stuff,” satoru replies.

suguru hums, his hand still shoved in his uniform’s pocket. “you sure it has nothing to do with—“

“a-tat-tat-tat—!” satoru waves a hand in front his friends face, holding another finger up as a gesture for him to silence. “what’d we say about sharing private stuff in public, suguru?”

“i can’t help it, some ‘gossip’ is too hot,” he shrugs.

“that does not help me—“

“what gossip are you guys talking about?” riko chimes, crossing her arms as the two of them look at her. you quirk a brow yourself.

if he’d had known better, satoru would’ve flinched at the rough hand you had smacked down on his shoulder. his eyes flickered towards you, already spotting the sly smile on your face. fuck you for being so beautiful, he thinks.

“yeah, what gossip are you guys talking back?” you press. he scoffs, waving you off as he continues walking. your lips press into a pout as you cross your arms as well, mimicking riko’s motions as you two whisper about whatever. suguru laughs at the two of you — only a few days and you guys were already twins.

sometimes the thought made your smile falter ever so slightly, knowing that you had to escort her only in a day or two was saddening. but for now, you’ll enjoy the smiles and pats on the back — knowing you’d have to part soon was only so minuscule in a world drowned in familiarity.

you intertwine your fingers with hers instead and swing your arms back and forth before you turn your head to your aforementioned friend.

“hey suguru, what do you say we show riko-chan here that little coffee shop downtown?” you ask, watching as he turns his attention away from his small flip phone’s messaging system ( as he’s most likely texting shoko and making fun of satoru in the process ) before his eyebrows raise with a soft smile.

you hear satoru huff again as his head whips around to look at you. stifling a laugh, you take in his furrowed brows and jutted lip as he sulks.

“hey, why don’t i know about any secret coffee shop downtown?”

“we had just found it walking around one day,” suguru deflects.

“and you didn’t tell me about this super-cool-top-secret-no-satoru café?”

you beam before resting your hand on his shoulder. satoru swears electricity shoots through his nerves as he turns to look at you. he wouldn’t spoil it now, but he’s seventy percent sure that this is the first time you’ve touched him without pushing him ( or as he’d like to call it, abusing him ) away.

“don’t be so jealous, satoru,” he ignores the way you call of his name makes a pit settle in his stomach. you turn to riko, “we’ll share the spot, yeah?”

“if you say so,” suguru puts his hands up in playful submission. satoru only chuckles.

your laugh synchronizes with the sounds around you, like music to satoru’s ears whilst you skip ahead with riko and scan your perimeter. everything sounds clearer now; the birds outside zipping around trees, chairs and drinks clinking, a heavy pair of distant footsteps that you can only assume is the trailing of a few people on their way to the same place.

but none of that really matters, although you’re sure everything does. all these sounds are apart of you and you’re willing to make the most of it. you walk hand in hand with riko as the boys follow in suit.

you scoff at the way satoru pulls the chair out for you before sitting himself in his own and kicking his feet up. his brow quirks cockily at the sound. “ah, so you’re only nice to me when amanai is around?”

“someone’s still gotta keep you in your place, satoru.”

“yes, ma’am,” he laughs, tipping his head back lazily as his hands fold over his chest. suguru huffs and grabs his friend’s feet before shoving them back down onto the cement. “decency, satoru?”

“ehh,” he groans, only peeking an eye at suguru before closing them again and letting his body go lax. you shake your head and laugh, watching as riko eyes him in annoyance. they’ll warm up to each other eventually, you think — and you can tell suguru feels the same.

“this is so cool—!” you chuckle at the way the young girl gleams at the intricate details of the outdoor table and the faint music playing from inside the café. her green eyes shimmer in the light, you notice; perhaps maybe just curiosity glinting in them. she’s only fourteen.

your eyes flicker around your environment yourself, hearing the mindless chatter that riko and suguru partake in about, presumably about what they’re going to do next. you squint at the distance, seeing an unusually tall man towering over a few people as he looks in your direction. your lips purse as you narrow your eyes at him further before he tilts his head up and turns away.

you watch as he walks away, his toned back all you see before you hear a mumble of your name and a tap of your foot.

you look over to see satoru, who stares at you with an indecipherable expression — something between an uncharacteristic curiosity and a standoff-ish glow. your head tilts before you look back over at the front of the café. that man is gone.

you turn back to see satoru leaning over the table with a sly smile. “penny for your thoughts?”

you shake your head and dismiss him with a weary smile and a lazy shake of your hand. “just looking around,” you say — even if you know that you can’t fool satoru gojo, his eyebrows only pinch a bit before slightly rotating his head to look behind him a bit.

“you want a sweet?” you ask, tapping his side of the table to get his attention.

had his eyes always looked so piercing, you think to yourself, as you feel something move around in your chest. rearranging itself along with the soft onomatopoeic thumps of the organ that lays inside.

he hesitates. “nah, i’ll get something on the way back later.”

“who are you and what have you done with satoru?” you chuckle. he ignores the way the usage of his given name makes him feel, the way you say it — syllables still fresh on your tongue. instead, he laughs along with you while looking over to his friend. he doesn’t know what he expected, suguru was always observant; so why was he so surprised to see him looking at the two of you with a raised brow?

you look back at riko before gasping out a small laugh at her chubby cheeks, full of food as she eats it like it’s the last meal she’ll ever have. it only makes your grin grow wider when her eyes meet yours, like a deer in headlights whilst she stops chewing. you both take a pause, even when the boys turn to look at you as well — before you burst out into bouts of laughter. riko’s giggles are muffled by the parfait that’s swelled in her cheeks but she covers her mouth with a polite hand as she tries not to choke.

your cheeks feel warm with the way they stretch to curl into a smile. suguru and satoru exchange a look before satoru smiles right along with you. it wasn’t so bad, he thinks. if amanai made you act like this then maybe he didn’t mind her as much as he thought. his foot taps against the concrete underneath the table. he can feel something wriggling around in his chest.

v. deficit

riko amanai’s beauty, no longer will it be seen as the white sheet frames her features instead, you think.

the deafening sound of applause almost takes your mind off of satoru’s expression; only coldness lies within his features, now.

your hand clutches your side, even with the greatness of the stitches that shoko had blessed your wounds with — you could almost still feel his knife in your abdomen. the stinging never seemed to go away. the clapping doesn’t help, all of your senses are occupied on trying to focus on satoru.

with the close proximity of suguru next to you, you can feel the way his hand twitches against his side while he looks at riko, or more so, the sheet that covers her. you can feel his horror, too. just a couple of days ago, she was fourteen, trotting along tokyo with you

you’re almost upset you weren’t there for her death, you weren’t there to comfort her in her last moments or save her at all. you were only there for the aftermath, the same man who you saw at the coffee shop just days prior. you look at suguru to your right — who knows what he’s gone through, you think.

and yet throughout all the booms of cheers and applause, you can hear satoru’s voice and your head whirls back to him. you almost don’t recognize it when he utters, “i screwed up, it’s not your fault.”

your hand comes up to gently rest upon your mouth in a soft gasp as your eyes try not to trail down to where riko’s shoe clad feet swing with satoru’s steps, the only part of her that’s left unsheathed from the horror of what’s underneath the cover.

his next words come out muffled yet you know you couldn’t escape them even if you tried, so close yet so far to avoidance — but you know you heard him clearly.

he calls your name, then suguru’s. “should we kill these guys?” your stomach churns, the pain in your side gets worse — your head hurts and it feels like you don’t know where you are at one point. you start to question whether anything is real at this point. he adds, “i doubt i’d feel anything about it.”

his eyes don’t dart to yours like they had the few mornings prior, before you had gone to escort the young girl. he had smiled and slapped a comforting hand on your shoulder once you explained how you had a bad feeling. you still do. you wonder if there’s any other feelings you could have, anymore.

you hear suguru’s soft mutter next to you, the applause only simmering down as you try to hyper-focus on his voice. perhaps to ground you, or perhaps you couldn’t escape it; a reminder of what this world is really like. “no,” he says. “there wouldn’t be a point.”

your vision glosses over into a blur and you go to look at the light above you, florescent and blinding. your heart hurts and you do your best not to clutch it through the fabric of your uniform, you can’t be seen like this, you think. you can’t let them see what’s happening to you.

fingers digging into your palm, you tune the rest of suguru’s voice out; even though you can feel his eyes on you regardless. instead, the pair of your own follow satoru, seeing riko’s hand, partially crusted with the leftover pool of blood that had flowed beside her head, swing lifelessly as he walks past the two of you.

your brows knit closer together as you stare at him. everything clips in and out. the noise, the cheers, suguru’s voice slowly melding into satoru’s. “no point, huh?” he huffs. “does there need to be a point?”

“of course there does,” suguru snaps back. mauve irises are nothing but void now, his eyes only fixated on the ground a few feet in front of him. “especially for jujutsu sorcerers.”

your eyes burn with the way they’ve been mindlessly gazing at the snow-haired boy, the back of his head the only thing you can catch a glimpse of behind suguru’s dark hair. it doesn’t feel like they can close, only the sheen layer of oncoming tears coating them so they don’t entirely dry out. “satoru,” you breathe — and with the way things are going, you’re surprised to see cerulean eyes turn to meet yours.

suguru doesn’t bother to look at you since he can already anticipate the crumbling feeling of guilt when he sees your expression. it doesn’t matter anyway. it almost feels like nothing does.

glossed lips don’t part like how they’d usually do, they don’t even grace you with the smallest sight of a smirk like how satoru always would. you’re not quite sure why you whisper his name, what you’ll even say. maybe a mantra that only connects the two of you, something that’ll keep you sane.

he keeps his eyes locked on you for a second more before turning his head and walking away. your hand comes to grasp at your side. the stinging comes back.

vi. pinky promises (of two)

sentimentality was a privilege in a world of jujutsu — you learned, after riko. sensitivity wasn’t trained into sorcerers, in fact, you’d say it was actually trained out of them. it wasn’t necessarily a bad thing to be sensitive. although, surrounded by the strong, tears burned hot on your skin and your hand burned even harder when they’d come up to wipe them away.

the birds outside the encapsulated feeling of the trees chirp, showcasing what once looked golden now is tainted with a dull grey that seems to gloss over everything now. your eyes feel droopy, no longer laced with sleep but with the dread that’ll come with the rest of the day.

you wonder how satoru’s doing, how shoko’s doing. how suguru’s doing. his face looks thinner, you noticed as you think back from the recollection of your faded memories from two mornings ago. he won’t go out with you as often, you wonder how badly it fucked him up. you wonder if anything will be the same again.

you run a frustrated hand through your hair, cringing at the way oil meets your fingers. you know you have to wash your hair, but you can’t bring yourself to. it almost feels like a chore, combined along with your classes and being put on your ass every time when you try to spar with satoru.

(he always says he’ll go easy on you and let you win. you huff in annoyance — he never does.)

despite all the breaths of fresh air you try to take, your lungs can never feel free of the burden that they’re tainted with. you close your eyes and savor the heat of the bark against your palm, in hopes that it’ll finally soothe the ache in your chest like how it did all those weeks ago — at the beach in okinawa.

you remember the warmth of the sand against your skin, smacking your hands together when you’d sit upright to rid your skin of the small golden flecks. you remember seeing riko and gojo splashing each other in the water as you heard kuroi and suguru’s soft voices conversation from beside you. the feeling of your hair tied, the brightness of the sun drowning your skin. it’s so vivid in your mind, you wonder if everything was all a dream, sometimes.

a raspy voice breaks your reverie as it excuses itself before you move your propped leg and look down below you. a faint smile finds its way to your lips as you see a familiar brown bob accompanied by the scent of tobacco and rose body spray.

“so distant out here,” she cranes her neck up at you with pressed lips, you internally sigh in relief at the lack of a cigarette that’s usually rested between them. a small pout forms on your lips at her extended arm, looking down at her hand and then back up at her with a cocked head. “i’d say with more to do out here, i would understand why.”

you huff. “i was brutally injured not too long ago, and this is how you treat your favorite patient, let alone favorite friend?” shoko smirks with an entertained scoff.

“i don’t see utahime around here anywhere.”

“shoko!”

she snickers as she makes her way over to the grass, the plush dirt cold against her upper thighs as she unceremoniously plops down onto it. you begrudgingly ( but not really, as the lack of social interaction practically burns your throat ) hop down from the branches of the tree, the heat finally capturing you in all of its glory as you carefully sit down next to shoko.

“always reminiscing, huh?” she asks. you can see the way she fidgets with the turtleneck of her uniform, presumably from the antsy withdrawal of her cigs. you give a small hum — whether it’s an affirmation or not, you don’t know. all you know is that it’s a noise that escapes you, now only a rare sight for the people closest to you.

your tongue tingles with the longing of verbosity. eager to say something, except the brunette beats you to it first. “i get it,” she sighs. “it’s nice to be alone out here.”

“we can’t ever be alone with those two idiots,” you remind her playfully, a chuckle managing to slip past your lips as she groans at the mention of the two familiar boys.

“how’s satoru doing?” you ask softly, plucking at the dewy grass that lay beneath you. shoko looks at you quizzically from out of the corner of her eye before closing her eyes with a snorted laugh. your heads whips around to look at her as you see her head shaking fondly.

a small, contagious huff makes it way out of you at the sight before she looks back at you, honey eyes narrowing once she realizes that you’re genuinely asking. her smile never falters, though ( which is usually a bad sign considering of the sadistic streak you’ve seen her partake in ).

“have you got it for the satoru gojo?”

you gape. “i don’t—! i just,” lips pursed, you huff and tilt your chin up with crossed arms. “the escort was a bust, just wanted to see if his ego wasn’t too hurt.”

at your brash synopsis; your ears grow hot when you realize shoko definitely doesn’t believe you — especially with the way she hunches over a fit of silent snickers.

“shut up.”

“ah, i won’t bully you,” her lips twist into a grin. “for now.”

“shoko!” you throw your head upwards while you fall back and ragdoll, your back hitting the solid dirt beneath you as you put your arms over your head, blocking the sun’s view from your eyes.

all you can feel is the ache in your stomach, even with your friend’s reversed cursed technique, you can still feel the knife that once pierced the flesh linger on. your lips twist until you hear the shuffling of weeds and dirt swipe next to you. you turn your head, lifting your arm only to see the brunette scooting closer. she pauses, “what?”

“you don’t wanna lay down with me?” you feign a pout as you look up at her on propped elbows, the corner of your lip quirking up when you see how unenthusiastic she looks with your antics.

“you can get bugs on you,” she chimes before leaning against the bark of the tree.

“it’s nature, sho.”

“some of it’s pretty gross. you ever see tortoises fuck?”

“you’re so weird,” you laugh before rolling on your back again and looking back up at the sky; eyes gazing at the sun until when you look away, you see faded, floating shapes in your trajectory. she snickers too, looking up at the sky, too.

she’s starting to get eye bags, you notice — the fold of skin forming under her eyes along with faint, darkened circles that sit right under her splayed bottom lashes. unable to blame her, you simply lay there and stare. your eyes still pick up on the way she fiddles with her thumbs placed in her lap, pale yet irritated hands a stark contrast to the darkness of her uniform.

“y’know if it’s me you want instead of gojo, you can say so,” she laughs, interrupting your analysis with how hard you were staring. but this time, you don’t say anything. nothing at all, not even a small twitch of your lips in annoyance or a giggle to her joke, you simply keep staring at me.

she barely tilts her head yet it’s enough for you to notice. she finally asks, “something you’re thinking about?”

the words sit heavy on your tongue, laced with a bitterness you could only describe as filth. “do you ever wonder what’ll happen when we’re older?”

“what do you mean?”

“look at what happened, now.”

her brows relax. “oh.”

shoko’s lips pout out a little bit as she looks off into the horizon, where the school lays dormant with only few staff occasionally walking out or a few students walking out to their drivers to participate in another assignment.

your hands feel hollow with the way they’re too weak to even ball your fists, so you swallow the pit that forms in the hollow crevice of your throat and look back up at the sky.

“we’ll be together forever, right, shoko?”

you hold out your pinky to her — and despite her scoff, she interlocks hers with yours anyways.

vii. words left unsaid, words always heard

“you think it’ll get any better?”

your turn your head to the velvet voice emerging from the shadows, tensing in your spot atop the dorm balcony as you slowly look behind you. long hair is seen first; thick, ebony silk cascading down suguru’s thin t-shirt. you can’t count how many days you’ve seen him wearing that familiar white oversized tee, you wonder if it’s become a second skin for him at this point.

you hum at his presence, turning back to the dark sky that lay before you. looking at the exterior of the school that lay in the courtyard, painted with darkness as only the soft glimmer of moonlight embraces them, embraces you.

“you act like everything will go to shit.”

“i’m not saying that,” his tone is sharp — no longer smooth as how it used to be, he sounds on edge, like the rubber band inside of his throat will snap at any moment.

you hear a few small steps shuffle closer to you whilst you turn around and lean your body forward, the metal of the railing cool against the sweat of your arms. another nightmare, geto notes; from the way your hair is still frazzled and your breaths come out heavy with few quick intervals of inhalation.

you could feel his presence beside you, the aura of tensity thickening the air as you struggled not to say anything. you could feel his eyes on you, observing you. suguru was always observant somehow — you wonder how long he had been that way before you had found out. he was a very interesting boy, you learned early on.

“i never said you did,” your lips twisted like something sour fell damp in your mouth. “you’ve just changed, suguru.”

“have you not changed also?”

closing your eyes, you hope for one more breeze to pass through — for one opportunity, for one sign that’ll release you from this energy. it doesn’t.

“suguru—”

“don’t you ever wonder how the world would be,” a pregnant pause wriggles its way into the two of you, “without curses?”

you look at him only to see violet eyes focused straight ahead of him. he doesn’t glance at you nor even breathe in your direction, his shoulders don’t seem as tense though.

you shake your head with a breathy laugh. “yeah, i guess so.”

you lean further to try and alleviate the pain in your stomach, a churning inside of your gut that gives you a bad feeling just at the thought of it. sharing a look, your heads turn toward each other in the moonlight — he looks paler, you notice. sickly.

“hasn’t everybody? or at least hasn’t every jujutsu user?” you mumble.

( you notice suguru pauses, an uncharacteristic habit that he’s slowly developed — once always so sure and witty with his remarks, now wilted with the uncertainness that’s plagued him. )

“why do we exist?” he finally says.

your eyes dart around, stomach finally squeezing at the discomfort you feel at his question; yet you laugh it off anyway.

“philosophical, are we?” you meager a forced grin, although it only falters slightly once you feel him sigh out a breathy laugh. “a human’s purpose on earth is undefined, i don’t really know the answ—“

“i mean as a jujutsu sorcerer: what is our purpose?”

“i don’t know where you’re going with this,” you finally say. suguru takes a step back and stops resting against the railing. you look down at the high drop, then back at the sky — you wouldn’t want to jump to conclusions, but you can’t help but look at him out of the corner of your peripheral.

( at your absence of an answer, he fills in the quietude for you. )

“we fight curses, right? to protect civilians?” he runs a hand through his dark hair, the sweaty strands connecting with the callouses that lie embedded his fingertips.

you swallow. “uh-huh.”

“but who’s saving us?”

your lips twist into a small pout as you try to comprehend the underlying meaning of his words, you wonder what sort of plan he’s dancing around — why he can’t share it with you. he always shared everything with you.

( your mind mainly focuses on that one blanket that he would always hog when he was over, fleece and blue with white polka dots; now faded and worn, and you’re pretty sure it has one hole in it from when satoru tried pulling it towards him at the foot of the bed. )

“curses are created from human negative energy, the shit that stirs within non-sorcerers that finally manifests itself,” he spits. you don’t move.

“i know what you saw out there. about r—”

you cut him off. the topic ends at the beat of your heart.

suguru calls your name softly, looking back at you with furrowed brows and an inquisitive look upon his face. he seems like he’s genuinely considering this, you think.

a pause ensues, and all you hear are the distant chirps of crickets that inhabit the area. suguru doesn’t, he only looks at you — his ears drowning out any other noises besides the soft breathing exerted from him. he doesn’t seem fazed, he’s thought about this for a while — regardless of your answer, even though he knows it’ll hurt him either way.

“satoru,” you mutter.

“what about him?”

“he doesn’t know?”

“the burden he carries is unlike no other, and i have a feeling we can change that.” he places a soft hand on your shoulder, the warmth of his hand spreading along your arm and only furthering your nausea. “i think you know that, too.”

you turn on your heel, feet similar to lead as it takes everything within you to turn away and head back past the glass, trying to make it back to your dorm before a deft hand catches your wrist. it’s bordering tight, but your head whips around to see him nonetheless.

“promise, right?” his other hand holds out his pinky — almost ironic in a way. you can feel your eyelids heating with the oncoming wave of tears threatening to spill. you can’t though, not now.

it takes a second or two but you apprehensively bring your hand to interlock pinkies, a childish but fond gesture the four of you had always done.

soon, he will have coffee and crepes in the street. he’ll breathe in bliss. empty his cup of its grief, for the new life he will lead — you think.

“promise.”

viii. satoru gojo - the strongest

satoru gojo often feels like he’s not as strong as he can be.

how silly is that?

goodness, to him, is adjacent to a rock flowing slowly through the rapids. he’ll float there first. although, he knows it’ll follow him — he can only hope he’ll meet you in the river, up to his knees, both hands full of something good, like silverfish wriggling for the waters.

a bright, childlike grin on his face as it meets your sheepish one, as if when he were to meet you as a child — being your friend would be worth more than being the heir of the gojo clan. his yukata dirtied and muddy from the cross contaminated water, soaked and dripping once the two of you would make it onto the small rocks. he would’ve been punished by the elders for the mess he had created, but he wonders if it would have made a difference.

he wonders, if you had been there, whether you would have made a difference.

he knows you’ve made one now.

and when he hears the news from yaga, he can’t help but clench his fists like his heart had clenched alongside it. his head pounds with blood thumping through his veins as yaga’s voice muffles.

he doesn’t remember much — he remembers being told about you and suguru, he remembers yelling, he remembers the hot tears that welled up in his lashes as he walked away. he remembers going back to your dorm room, opening your door, and feeling his gut drop at the sight of it.

satoru remembers the lingering scent of your body spray and how it engulfed your room. the small scratches satoru had carved into your desk with a pencil once he had tried tutoring you (it ended horribly and you didn’t get anything done, a smile threatens to tug at his lips at the memory).

the small notes you used to pass in class with shoko folded neatly in an organizer. he picks one up and squints at the shaky kanji of shoko’s handwriting bunched up on the page compared to the way your characters floated on the small ripped piece of paper.

‘did you do #14?’ he read shoko’s.

yours read, ‘yep’.

he could almost laugh at her last response — which read, ‘nerd.’

he wonders how you’re doing with suguru — satoru wants to believe you had no part in the massacre he had inflicted on the village but there’s no way to no for sure, all they can tell is that they found one was suguru’s buttons on the scene. his fingers run along your sheets, neat and made from the days before you had left — he feels his breathing quicken at the sight of your fluffed pillows.

(you knew you were leaving, and that part hurts the most.)

his eyes dance around the decorations of your room, littered with cheery figurines and souvenirs from past missions in shibuya or sapporo, ones you’d always have to march back into satoru’s room for because you knew he had taken at least one.

he had never told you that the only reason he did that wasn’t to be obnoxious, but so that he could pull you into his room and coax you to stay a little longer — how he’d promise you wouldn’t get into trouble with yaga if you just went out for a plate of takoyaki in the middle of the night.

when he had seen suguru in shinjuku that day, all he could think about was that he wanted to tell you — how he wanted to just see you, even if it was only a glimpse; even if you hadn’t said anything to him. he just wanted to see you.

words lingered in his brain, suguru’s request burned into his head. because he didn’t come to fight, he didn’t come with aggression. he only requested that he saw his side, too. a part of him was relieved you weren’t there with him, because he was always weak to you — it would’ve made it so much harder, he thinks.

has he always felt this way about you? feeling what way? what the fuck is he thinking? he doesn't even know.

there's a big, hot, white ball of something within him — something wiry inside of his gut that cuts and scrapes at every edge inside his intestines. satoru doesn’t know what it is but he’s never felt this way before.

but he’ll go outside, and he’ll see shoko or wave to his classmates. he’ll hear the whispers float around in the halls, overshadowing the faint sound of soft laughs he used to hear when he’d bump hips with you when you would take your daily rounds — to help with the dreams you had, you said.

satoru gojo didn’t get nightmares, he just woke up with once again another weight on his shoulders the next morning, groggy with the idea of obligations that would only pile up on him. and although satoru never dared to dream when he was asleep ( nor did he know how to dream when he was awake ), he would only pretend to so that he could roam around at night in search of you.

and when he’d find your figure, shaky breaths escaping your lungs with disheveled hair and tear stained eyes — so beautifully illuminated by the celestial pearl in the sky, the only beacon of light suspended in velvet darkness. you’d look up at the moon, perhaps with a prayer in mind, as you’d only think about what to do next.

like always, he’d sneak up behind you. only this time, he wouldn’t startle you with a playful call of your name or tap your shoulder and be on the other side to confuse you. he’d merely slip behind you in silence, leaning against the railing of the open-view gap that’d let you view the outside of the high school. he’d feel you glance at him with a wobbly bottom lip, swollen from the chewing you’d had to do just to silence your cries.

satoru wouldn’t say anything. but you knew why he was there.

(or at least, why you thought he was there.)

your head would drop low with eyes screwed shut, and only satoru could hear the quaky breath you’d take as you’d try to compose yourself. azure eyes would rake across your figure with a furrowed brow, he never understood why you were so emotional — yet he’d lay a comforting hand on your back anyway. you’d savor the warmth of his palm with only more tears building up in your lashes.

he’s strong. he has to be — whether it’s for you, for suguru, for jujutsu society; doesn’t matter. that’s neither here nor there. for now, satoru will nurse the thought of your memory until it bleeds and stains the very bed he dreams of you in — knowing he’ll awake the next morning and jolt at your absence. he’ll then wash his face, hold his head high, and walk right back outside. the hurts only scabs over for the day before he opens it up again the same night.

ix. migration

“you— what?”

“i’m going to the states.”

geto’s lips quirk into a soft pout, one you’ve gotten accustomed to for the past few years.

“how come?” he asks softly, albeit you almost frown at his tone. a sound that had come to be so comforting — it tingles at your bones in small zaps and shivers. it makes you feel terrible, but you can’t help but indulge in the feeling.

“always wanted to go,” you shrug. your eyes glance to the girls’ bedroom; the two twins suguru had found in that small village that had come to be but a large pile of ash and dismay. hand still warm from tucking the two of them in, it fills you with bitter sweetness.

his eyes linger on your face — you can tell he doesn’t believe you because he always has this tell, where his lips will shift to the side momentarily as he presses them together, almost in thought. you’re not sure you believe yourself, either.

staying in japan does nothing for you but weigh you down with the slow, imminent guilt that swells your chest from the fact that you’re stuck here. of course, it wasn’t an involuntary choice to go with suguru — you felt you had no other choice but to escape the things you had seen at the place that had hurt you most.

although, you can’t help but think about the boy who’s hair lights up the room, who’s eyes can see right through you — it’s almost unsettling how much you remember the flecks of blue and detail within them, practically painting the sky in those colored irises. often times, you’ll lie awake at night; hands folded neatly over your chest as the external stimulus of the outside world provide you with a sense of security, realness.

the expensive eau de cologne of his lingers in your nose, the almost spice of the musk permanently altering your brain that’s only triggered when you walk past advertisers outside of the store trying to sell a similar scent.

you swear your eyes don’t water, even though no one’s presence is there but yours — so there’s really nothing to swear about. you just don’t want to seem like something you’re so foreign to; vulnerability. letting the tears flow down the curve of your cheekbones. you don’t wipe your eyes for it’s the only reminder you have left that that boy exists.

so the next morning, you’ll wake up. slumped over from the thing that eats at your bones, your cursed energy being the only thing you can feel running through you.

fingertips coated with the smallest bit of dust, the leather cover of the suitcase is practically unused save for the few times you’d use it when you’d be sent to the outskirts of japan for certain missions. you almost smile at the faint memories that cloud your brain around that time; shoko’s quiet laughs while utahime and you would whine at small inconveniences on the trip. stopping by certain food stalls that weren’t available in tokyo, trying new things — it makes you miss it.

but you know you can’t go back now.

you pretend not to notice the watery eyes of nanako and mimiko once they see you walking out of the door, nor do you notice suguru watching you walk out the door all the same; the robes clinging onto his figure disfiguring him into a man you no longer knew.

the soft smile that once lied on his young face now replaced by one of feigned amicability; like a customer service smile. you’ve known him over a decade and yet it seems like the two of you’ve only been roommate faintly acquainted with each other. it makes your heart thump a little harder.

you pretend not to feel the way your throat closes up as a single tear courses down your skin; leaving a residue that coats the linear path trickling down your cheek — this time, you wipe your eyes.

x. (not so) divine intervention

tongue sticking heavy in your mouth, any form of noise that you could’ve possibly made dying on your throat. your hands feel a surge of pressure through them, fingers twitching along as the gears in your head turn.

you look different, he takes note of. your hairs parted a little different, a few inches of extra length added on as well. a smile tugs at his lips; one full of mirth and almost jocularity. you look so clean, healthy — strong. there’s potential, he realizes, as he searches suguru’s memory bank of you; your face making a constant reoccurrence throughout his mind. the day you left, you cooking for the girls next to him, you lying next to him, your tears that night.

his half-smile only grows wider.

he cocks a brow before he holds his hand up in salutations. he says your name, but it’s not how he would usually say it. it’s almost raspier, lower. your lips press together as you examine him, your eyes keep flitting back up to his head — intricate stitches wrapping around the width of his forehead.

“hey,” geto looks you up and down. “shrimp.”

tilting your head up, you roll your eyes at the nickname before continuing to walk forward. you don’t know what you expected because he follows you anyway, hands clasped together under the warmth of the sleeves of his robes.

his soft footsteps easily match your quick ones, stern and at least trying to flee. you don’t wanna look at him, whether that’s because you know you’ll crumble or because you’re so upset, you don’t know. all you know is that you can’t look at him now. even when he observes the bustling streets of and makes passing comments about the citizens of tokyo.

“i wasn’t sure that you had gotten back — how come you didn’t find me?” he asks, and you know it’s only because he’s fishing.

you spare him a glance out of your peripheral. you frown softly, it doesn’t even look like suguru anymore. paler skin, thinner cheekbones, lips now a lighter shade of pink with small cracks lining them. an angry, irritated color begins to form around his forehead where the stitches lay, the thread sunken so deep in his skin that it makes your own head hurt at the probable tightness.

you quietly exhale, but you know he can hear the shaky breath that comes along with it. “didn’t know if you were busy.”

“you know i can always manage some time for you,” he smiles bittersweetly. tilting his head up, he looks up at the tall buildings that surround you, admiring the straying leaves falling from the trees. one floats down and makes its way onto your head — your eye twitches as he plucks its off your hair before holding it up to his view.

you take your time to look at it, too. it’s starting to brown with the oncoming seasonal change, an amorphous combination of a golden crisp and veranda green.

“i’ve been meaning to ask your help with something,” he doesn’t look at you, still trained on the leaf. “only if you’re ready to be my partner in crime, again." he smiles at you, one that seems more like suguru. it’s confident and teasing, and with the way he leans a little more forward brings you memories of his old demeanor back in high school, the way him and—

you pause, because for a moment, you swear you could’ve seen a glimpse of white hair behind him. it’s almost concerning how quickly your blood runs cold at the thought. it’s not out of dissent nor is it out of a manifest of obscureness to which you’ve rendered him to.

but once you hear geto speak of his name — it’s like you crumble all over again. your hands going soft and clammy, your chest surging with an almost sort of giddiness at the thought of him again. just like a wishful coin in a pond, it’s beautiful to know that there are still glimmers of this feeling. even this deep in.

“suguru?” you tilt your head back, meeting his relaxed gaze as he halts his movements.

“hm?”

“what are those?” you gesture to your own forehead, keeping your eyes locked on your head as you talk about the stitches on his own. you don’t get a reply.

after that, you don’t pay attention half-way through his explanation, stopping him again with a closer step forward as he talks about some sort of plan. really, the only thing you listen to is the small glimpses you hear of satoru’s name. he talks about something going on in shibuya, he talks about jujutsu high — and you would be lying if you said that the mention of the school didn’t make you a little sad.

you wonder what satoru’s doing, you wonder what shoko’s doing. hopefully, you’ll see them soon — even if it’s just in passing. you know nothing will be the same as it was before, but you can help but wonder what they’re doing now.

you won’t know her now — but as she puffs the remaining tobacco through the small opening of her swollen lips, shoko shakes her head and looks down at her pinky. she wonders if that promise had gone down the drain like you had. she swears she can feel the corners of her eyes dampen a little.

and you won’t know it either — but satoru can’t help but see you everywhere he looks. when he sees the first years walking back home from the mission, he trails behind them just to get the view of them lined up together; yuuji bumping hips with megumi while all he gets is a glare in return. nobara looks up on the sky and drags her feet out of boredom, spewing off mindless bits of chitchat about how she totally ‘did that’.

his neck will crane up to the horizon as his lips only recite your nothings. all he is sees is sunset, yet he’s scarred with the melancholy he carries. he’ll try to close his eyes, your hands coming up to his collarbones before you press down. until he’s bruised with incompetence; until his shame has configured the astronomical.

and satoru will smile, a slew of memories seeping back into the curves of his brain as he thinks back to those times of you — of suguru, shoko, nanami. he never stopped hurting that day, but he can’t help but smile at the sight of something begun anew.

oh well, satoru thinks — he can only wonder to what you’re doing now. something inside him hopes for a day where he’ll see you soon. he’ll wait for the day where he’ll see you soon.

𐙚 holy shit i did it

𐙚 comment to join taglist ; @kasumitenbaz @sad-darksoul @seternic @kalulakunundrum @2ukika @sugimvra

𐙚 requests are open — november thirteenth, 2024

[tokutaiseichan]

List of Tokyo Debunker Fandom Tags & Yume/MC Ships Guides to Help You Navigate Twitter

Since the fandom is growing, I feel like it'd be handy to have a list like this. Please note that some of the tags below don't actually exist yet! I just compiled it using my knowledge from previous fandoms.

#東ディバ絵札 (toudiba efuda) - General fanart tag. It's usually frowned upon to upload shippy art on the main tag (no matter what kind. Yes, yume included) so please be careful!

#tkdb夢 (tkdb yume) / #東ディバ夢 (toudiba yume) - General yume tag. Scopes including both Character x default MC and OC x Canon.

#tkdbプラス (tkdb plus) - Often used interchangeably with #tkdb夢. Yume works posted with this tag have the general "sweet romance" feel.

#病みのtkdbプラス (yami no tkdb plus) - For yume works where the canon character is depicted as a yandere / harboring some kind of twisted love for the yume MC. Sometimes used together with #tkdbマイナス tag if the scenario fits.

#tkdbマイナス (tkdb minus) - For yume works that deal with more niche, darker themes generally unsuitable with the positive vibes of plus yume works. Themes vary including but not limited to: forever one-sided feelings, angst, character death, break up, domestic violence, cheating, bad / merry bad endings, gore, etc. Basically if you see works tagged as this, that'd be your Dead Dove: Do Not Eat warning.

#夜のtkdbプラス (yoru no tkdb plus) - General R-18 yume works.

特待生ちゃん (tokutaisei-chan) - Honor Student / The MC. Since Tokyo Debunker MC doesn't have a default name, this is usually how the fans refer to her when talking about her. The canon MC, if you will.

創作特待生 (sousaku tokutaisei) - Original rendition of the Honor Student. Visual design, personality, gender, and backstory may be different to the canon MC.

創作寮生 (sousaku ryousei) - Original (Darkwick) Student that's completely separate from the Honor Student. This term isn't exclusive to Tokyo Debunker so if you only put "創作寮生" on the search bar you'll get OCs from other franchises too (Twisted Wonderland & Harry Potter, to name a few).

Some character x canon MC ship names

冠特 (kamutoku) - Jin x Honor Student

伯特 (hatoku / hakutoku) - Haku x Honor Student

翔特 (shoutoku) - Sho x Honor Student

Those three are currently the only ones popular enough to have people using a dedicated ship names when making works about them. If you want to see the other characters x canon MC ship works, you'll have better luck searching "#tkdb夢 / #tkdbプラス + (character's name)" instead.

As for canon x canon character ships, usually a fandom would create specific 腐 tag for it (like #ツイ腐テ for twst) but since the fandom is still pretty small, I don't think anyone has came up with a proper 腐 tag for Tokyo Debunker. I could've just missed it tho, since I only follow people who post yume and general non-shippy works so feel free to let me know!

For now, you can try your luck by combining the first kanji of two characters' given name. Keep in mind that Japanese fandom is usually much more strict about ship naming tho. AB ≠ BA!

I think that's all of it for now. Thank you for reading! I'll leave a kitty Rui here so you can stare at how cute he is~ ;3c

[the-gay-prometheus]

Thank you Dean and Cas, you can go back to superhell now or whatever.

OK. Now that I have your full and undivided attention.

What the &#!* is happening in Pennsylvania?!?

Hi. You can call me Jay or Victor (I go by both interchangeably). Who the heck am I? I'm just a guy who happens to be privy to a few of the finer details about some of the things going on regarding the election here in Pennsylvania due to my proximity to someone who is involved in the electoral process.

Skip to the "keep reading" if you don't care about the how or why I'm making this post and just want the details about what's going on.

You may have recently seen a post going around talking about how somebody has paid for many many many mail-in ballots in Pennsylvania to be challenged and therefore slowing the ability for those ballots to be counted or putting them at risk of being discarded entirely.

Note - the version of the post linked there is the EDITED version that includes my initial responses (thank you to OP @/feralcringeman for editing my addition onto the post!!!! and also a massive thank you for making the post in the first place!!!!! I'm glad more word is getting out about this situation!!!!)

I am not trying to undermine this individual's post by any means. However, thanks to the way Tumblr works, I am concerned about the fact that most people are only seeing the initial unedited version of the post and are not looking into the reblogs to see my responses.

THESE RESPONSES ARE IMPORTANT.

I'm not just saying that to be self-important or whatever - I'm saying that because it is extremely important that people understand exactly what is going on so that, if and when they take action, they take the correct action and don't start throwing accusations that will ultimately end with them not being taken seriously.

To make sure this updated information gets out to a broader audience, I am making my own post with everything you need to know included. Find out everything you need to know that I am able to tell you under the cut.

Here are the key things you need to know:

The emails in the original post are legitimate. Mail-in ballots are in fact being challenged in Pennsylvania, and there will be court hearings regarding the legitimacy of these ballots

These challenges are not being made by Donald Trump himself - they are being made by avid supporters of his.

These challenges ARE LEGAL by Pennsylvania law, and the law does require a payment to be made per ballot being challenged by the challenger

There was recent news about fraudulent voter registrations being received in Lancaster County. These have absolutely no connection to the individuals responsible for challenging the mail-in ballots

In Pennsylvania, there is a law stating that any Pennsylvania citizen may come to their county's director of elections and claim that certain mail-in ballot applications may be fraudulent. When they do so, they must pay cash out of pocket per ballot application challenged. This money will go toward whatever the county needs to put it toward (usually paying off debt). The amount required to be paid per challenge is $10.

A group of avid Trump supporters worked together to make use of this law in 14 counties:

In my county specifically, I am aware of an individual who paid over $7,000 in cash to challenge ballots - that is between 700-800 challenges in my county alone.

Across these 14 counties, the number of ballots being challenged is over 4,300. That is over $43,000 paid in cash out of pocket by Trump supporters in Pennsylvania specifically with the intent of attempting to, at worst, nullify perfectly valid mail-in ballot applications and void valid votes, or at best, slow down the vote counting process by forcing the counties to conduct court hearings regarding the legitimacy of these ballots.

The good news is, many of these counties are not taking these challenges seriously whatsoever. In some cases, the judges are literally just throwing out the challenges. In other cases, the ones who made the challenges are withdrawing their challenges because it's clear that their challenges won't be taken seriously. That said, some counties may take them more seriously and hold more intense trials. In some cases, the challengers may appeal the more swiftly made court decisions and force yet another court case, slowing things down even more.

What does this all mean?

Trump didn't cheat (at least not in this specific case). Technically his supporters that made these challenges didn't either. These challenges are 100% legal under Pennsylvania law. They're ridiculous, but they are legal.

So does this mean you shouldn't raise your voices about it? That you shouldn't contact the White House and include this situation in your note about how there was foul play in this election? Absolutely not. You should include this situation, but do not frame it as cheating, because it isn't. Frame it as just another way that this election has not been run entirely fairly, because while it is legal, it means that there are perfectly valid votes that are still waiting to be counted while extremely tight races are already being called.

~~~

With all that out of the way, what was that thing I said about fraudulent voter registrations in Lancaster?

This is a completely separate issue, as I've mentioned, and it's already been discovered that the vast majority of registrations flagged as potentially fraudulent have been verified as legitimate. What is important to note is that these were voter registrations, NOT ballots.

News of this situation has gone national, so of course Trump picked up on it (and visited Lancaster not once but twice after the entire issue came to a head). But Trump is Trump, so what did he say? He said that these were fraudulent ballots, fraudulent votes. That is not true.

The issue was voter registrations, potentially being conducted by paid political canvassers that were being given quotas on how many registrations they needed to get in order to be paid. Whether that bit is true or not is still being investigated - if it is true, it's very much illegal.

As I said, the good news is that the vast majority of the over 2000 flagged registrations have been verified as legitimate, and the number that actually does seem to be fraudulent so far is hovering below 20% of the number of registrations initially flagged.

Again, this issue is completely separate. You may see it being lumped together with the current issue of ballots being challenged, but these fraudulent registrations are linked to an entirely different situation and have nothing to do with Trump or his supporters.

~~~

So! That's the tea on what's happening here in PA. It's not as bad as it initially might sound - not to say it isn't bad, it's just not as bad. Feel free to ask questions, I'll do my best to answer with the information I have/the information I'm allowed to give.

And also, on a slightly lighter note, I think we should all collectively laugh at the idiots who paid a grand total of $43,000+ in cash for literally no good reason considering most of these challenges are just being or going to be thrown out. Lmao. I hope our counties' treasuries are enjoying those donations.

[misstrashchan]

The Little Prince and the Ever After

So it was confirmed a while ago that Oscar's allusion is the Little Prince, which many Oscar fans and Rosegarden shippers in particular where theorising back in V6, with Oscar's crush on Ruby Rose being proof that she was the Rose that the Little Prince loved and cared for. Both @conehatcryptid and @chaikachi have written wonderful posts about Oscar's allusion to the Little Prince here and here.

However, after V9 I'm inclined to think both Ruby and Oscar interchangeably play the roles of the Little Prince and the Rose, in much a similar way that Blake and Yang both interchangeably are the Beauty and the Beast (Blake's surname means beautiful woman, and she likes to read like Belle, but she is also the Beast who wishes to redeem themselves, and is a literal Beast as a faunus "black the beast descends from shadows". Yang is introduced as the "yellow beauty burns gold" and wishes for a life of adventure like Belle, but she is also the Beast, being left by their Beauty and having a fiery temper).

This is in part theorising/speculation, as V9 obvious main allusion is Alice in Wonderland, and the similarities I see maybe coincidental, since both stories deal with similiar themes. Both stories have a child that travels to strange lands to meet characters that represent the misgivings and absurdity of adult society and the pressure to conform to these as you grow up, and the confusion as to who you are and should be that follows.

Alice's journey to adulthood is a path that takes her from a confused child changing size and unaware of her true identity to an assertive girl scolding the immaturity of the Mad Hatter and ends with Alice being brave and confident enough to confront the Queen of Hearts.

The Little Prince's story is about the importance of reconnecting with your inner child as an adult/someone growing up.

"No! I will grow up, but I'll never forget about being a child!"

In V9, Ruby must grow into an adult like Alice does, but also reconnect with her inner child as she does so like in the Little Prince.

RWBY is known for its multilayered literary allusions, and Oscar, the Little Prince, does introduce us to the story The Girl Who Fell Through the World in V8, which is Remnant's version of Alice in Wonderland. Not to mention Ruby and Oscar's arcs are intentionally foiled, so maybe it's not coincidence. It's entirely possible with how V9 also appears to be following the story of the Little Prince too. While Ruby is in the Ever After she travels through the different acres like the planets the Little Prince visits, meeting similar characters.

She is confronted with the question "what are you" on an existential level:

Little: What's wrong?

Ruby: Have you seen other people- humans- like me?

Little: Exactly like you?

Ruby: No, not exactly like me. We're similar, but different.

The Little Prince:

"Good morning" he said courteously.

"Good morning--Good morning--Good morning," answered the echo.

"Who are you?" said the little prince.

"Who are you-- Who are you-- Who are you?" answered the echo.

"Be my friends. I am all alone."

"I am all alone-- all alone--- all alone" answered the echo.

She meets Little (as in "Little Prince" as well as "Little Red Riding Hood" and "Alice Liddell") who is meant to symbolize Ruby's inner child, as the Little Prince reminds us of the inner child we have forgotten as we grow up. Both Ruby and Little "die" in a sense as the Little Prince does, but ascend and come back.

In fact the whole way ascension is described in the Ever After is on par with how the Little Prince and the Snake describe how they will leave their body as an empty shell behind to go back home, being "called back" home to the Tree.

"It'll look as if I'm dead and that won't be true, this body is simply an empty shell, I can't take it with me"

Purple Paper Pleaser: Then, the wisest of our village suggested breaking from our physical forms, so that the winds may carry us back to the Tree.

...Which leads me to how the Curious Cat and Neo are both the Snake who convince Ruby/the Little Prince to "die".

We get Cats and Snakes being linked together early on in the first episode of v9:

Mouse Leader: You have our sincerest apologies! Please understand that our kind is a bit skeptical of cats… and snakes… and cats.

This stuck out to me considering this is foreshadowing of the Curious Cat being the main antagonist of the volume, but we don't ever see any snakes in the Ever After.

The Curious Cat's first appearance is akin to the one of the snake in the Little Prince movie (2015) of two eyes peering out at the Prince

The Snake is a character who speaks in constant riddles and is confident they have all the answers to life's mysteries, similar to how the CC knows so much but is incredibly cryptic in how they speak. The snake is also meant to represent the inevitability of death, and part of the CC purpose is to help the inhabitants of Ever After to ascend, which is a process of death and rebirth.

Curious Cat: Mmmm, when we break or wear out or simply finish what we were made to do, we’re called back. But Herb… his heart was too weak to listen, so I gave him a little bit of mine.

Blake: Is he… dead?

Curious Cat: (chuckles) No, no! Well, maybe a little bit, but not at all.

When it comes to Neo being the Snake, she manifests her illusions of the Jabberwalker to terrorise RWBYJ after killing it, the one being capable of dealing permanent death to Ever Afterans.

She's also the one who offers their "poison" to the Little Prince, (the tea made from the leaves of the Tree) which they accept.

Additionally the way the Curious Cat enters Neo is like that of a snake slithering inside her. Once the snake bites someone, they are described as becoming an "empty shell", and the CC is looking for an empty human vessel to possess, while Neo wants to destroy Ruby and make her feel empty.

Curious Cat: You’ve lost something most important, haven’t you? And now you have nothing left. How delightful! An empty host, perfect for me to fill.

Neo-Torchwick: You don't deserve to die Red! You deserve to be broken down... torn apart... wiped from existence.

And when the Little Prince believes their Rose has perished (Penny) or will perish (Oscar), because of them, they give themselves over to the Snake completely.

But, Neo and the CC also play into the Fox allusion as well. The Curious Cat's ability to give his heart and understand others is similar to the Fox's sentiment in the book, who tells the Little Prince the importance of taming, and of looking with the heart:

"Now here is my secret. It is very simple. It is only with one's heart that one can see rightly. What is essential, is invisible to the eye."

"Men have forgotten this basic truth. But you must not forget it. For what you have tamed, you become responsible forever. You are responsible for your rose..."

Curious Cat: I know, Your Majesty, it truly isn’t fair. You must play your game and win at any cost. It must hurt your heart. Let me help.

Curious Cat: But Herb... his heart was too weak to listen, so I gave him a little bit of mine.

He "tames" the Red Prince in managing to calm him down from executing RWBY to just exiling them.

He helps Herb to "see with the heart" when he becomes blind to how he has stagnated and forgotten his purpose in being overwhelmed by his work.

The Fox is meant to show us the importance of the patience and compassion that is needed to understand and connect with others, to reach out to them. This is part of the CC purpose in the Ever After in fixing those who are broken, but becomes the negative declination of this in becoming manipulative over time. (like him "taming" the Hawker to make him do his bidding)

Neo is like the Fox in that she dislikes hunters (huntsman and huntresses) and she has lost the person who has tamed her, who was "unique to her in all the world" with Torchwick. Part of what escalates Ruby's conflict with her is that she does not take the time to understand and empathize with her:

Ruby: Is that seriously what this is all about? You still blame me for what happened to Torchwick?!

Neo-Roman growls

Ruby: If you’re looking for an apology, you’ve wasted your time!

and much like the Fox points out here:

"One only understands the things that one tames... Men have no more time to understand anything"

And that it is only when Ruby takes the time to understand Neo towards the end that shows how she has started to grow, to understand the importance of looking with the heart, the very first step of "taming".

"You must be very patient. First you will sit down at a distance from me-like that- in the grass. I shall look at you out of the corner of my eye and say nothing. Words are the source of misunderstanding"

(...I believe this will continue on in Remnant with Mercury and later Cinder)

The idea of intertwined allusions of the Fox and Snake with the CC and Neo in V9 interests me. Because it makes me wonder if my theory/prediction on Emerald/Mercury both being the Fox to Oscar's Little Prince may not be entirely right, but that they will both be the Snake also. If they are it will likely be an inversion, with the Prince (Oscar, and maybe Ruby) helping the Fox (Emerald) realise the importance of "taming" (taming Mercury, specifically) while the Snake may play a more positive role in saving instead of killing.

After all, the baobab tree roots in the book are meant to consume and threaten to kill the rose if she is neglected too long, and while Ruby is consumed by the Tree in the Ever After that very much resembles the baobab, and she does "die" in a sense, the tree is a positive force that helps her to be reborn and grow into her true self. So, Emerald/Mercury could have a similar duality in alluding to the Fox and the Snake, capable of killing and saving the Little Prince.

@aspoonofsugar I think has mentioned Emerald's design resembling a snake puts me in mind of this, plus Mercury's main allusion being, well, the god Mercury, whose symbol is this:

A staff with wings and two snakes entwined around it. His emblem also features wings, and like a snake he technically has no legs (in a symbolic sense too, his lack of semblance and agency, the freedom to be his own person) Alchemically I believe the mercurial character is meant to shift between life and death also? So there is something there in how the Snake simultaneously saves and kills the Little Prince. (also this is me really really stretching here with my red string but. The Curious Cat. Like Mer-curius. Mercury. Both the Snake for Ruby and Oscar.)

Depending on your interpretation of the stories ending, the Little Prince ends up dead because of the Snake's bite, or the Snake genuinely helped him return home and be reunited with his Rose. Mercury/Hermes is said to be able to travel anywhere, any plane of existence without limitations, which has lead to theories of Mercury's semblance being flight or teleportation, which, well, in relation to the Snake aiding the Little Prince:

"I can carry you farther than any ship could take you," said the snake. He twined himself around the little prince's ankle, like a golden bracelet. "Whomever I touch, I send back to the earth from whence he came," the snake spoke again. "But you are innocent and true, and you come from a star . . ."

This is of course just me going off on another theory for funsies, but it would be interesting if Mercury was placed in between a choice of killing or saving the Little Prince and helping reunite him with his Rose. How Emerald and Mercury would save Oscar/help him and Ruby is unknowable. They could be save their life, help delay the merge, or just helping assure him of his own personhood and agency (this could be explored through how both Mercury and Oscar lack semblances relating to the "curses" placed on them in relation to their father figures), or something else entirely, but either way I'm pretty confident they'll have a significant role to play in the Vacuo arc.

I am aware most Rosegarden fans are mainly theorizing Tyrian as the Snake, (I've even seen some say Ruby is the Snake as well as the Rose, with a similar sentiment of the Snake being capable of saving/freeing the Little Prince, not killing him) especially since the first scene Oscar is introduced is him waking up from a nightmare following Tyrian being sent to capture Ruby Rose, as well as like, him being a venomous scorpion faunus present in the desert right now. But even that only makes me more certain in a way since Tyrian is meant to be Mercury's dark foil (and the antagonistic mercurius for Emerald/Mercury) accompanying him into the desert. So like, it Could Be Both.

Ruby also meets a King/Narcissist like in the Little Prince (the Red Prince). The Narcissist demands to be complimented and coddled, much like the Red Prince. The King is drawn wearing a crown too big for him (in the 2015 movie adaptation it is constantly crooked and threatening to slip off his head), similar to the Red Prince.

The King claims absolute authority, that what he says will happen if he orders it so. However this is untrue, as he will only order what will already happen. The Red Prince claims he always wins his games, but the board game he plays with RWBY is already in his favour as the pieces on their side throw the battle so he can claim victory. Both cheat and find loopholes in order to maintain their superiority over others. The King symbolizes rulers who make a big deal about the power they have, but who in actuality are pretty ineffective as rulers and will cheat and find loopholes to justify their power. It also mocks their grandiosity and showiness, which is kind of funny because they think they are way more important than they actually are, all of which fit with the Red Prince (...and with two other characters that were significant during the Atlas Arc *points at Ironwood and Cinder* even moreso after episode 3 of RWBY Beyond)

The Lamplighter, whose job on his tiny planet is to continuously light and snuff out the single lamp, but because the night and day cycle is so short he essentially never rests and is caught in this loop, always stuck working and nothing ever changing. Jaune as the Rusted Knight is stuck doing the same jobs everyday in a Sysiphus task of preventing the Paper Pleasers from ascending, and rests very little. He is also the Geographer, who maps out other planets but can never travel himself (because he is too busy drawing maps) and suggests to the Little Prince to visit Earth (the acres that Jaune maps out but has yet to properly explore because he can't leave the Paper Pleasers, is trying to find a way back to Remnant, their "Earth").

Another interpretation is the Lamplighter as the Caterpillar, who similarly has a neverending and thankless task of helping the Afterans ascend, and has stagnated as a result.

The Stars are not a character in the book perse, but they do come up a lot both in RWBY and in the Little Prince, especially when it comes to the theme of death and rebirth, and grief. In V9 in the Ever After we meet the Paper Pleasers (origami stars) that Jaune is desperately trying to stop from ascending, essentially keeping them trapped as he monitors them. There is a character in the Little Prince that obsessively monitors the stars and keeps them trapped, the Businessman. It is pointed out by the Little Prince that while the stars make him rich, the Businessman is of no real use to the stars.

In much the same way the Paper Pleasers do not need Jaune as much as he needs them to prove his own worth.

The climax of the Little Prince movie (2015) adaptation is the stars being freed from their entrapment, ascending into the sky, free from control, by the protagonist who is a young girl trying to break free of the expectations placed on her by adults as she grows up, is like one of the stars herself, rising into the sky.

The paper pleasers ascending, while initially seen as tragic, in actual fact allows them to grow and be more, and the Genial Gem that appears to once have been the Paper Pleaser called Ruby is the one who explains this process to WBYJ as they are worried about Ruby and how the process of ascension will affect her.

The Pilot is likely WBY, as for them Ruby is like a younger sibling to all of them who helps them reconnect with their inner child early on in the story, much like the Little Prince does for the Pilot. For Weiss, Ruby helps her connect with her inner warmth and heart. For Blake, she helps reignite her lost idealism. For Yang, she is her inner child to nuture, the one who lost her mother. The author Antoine Saint-Expury based the character of the Little Prince on his own younger brother who died, and that the Pilot as the narrator of the story is himself as an older sibling remembering and grieving for them. When WBY all watch Ruby drink the tea, it mirrors the scene where the Pilot watches the Little Prince give himself to the Snake, and is too late to intervene, particularly for Yang.

Their body disappears, and it is uncertain whether the Little Prince has died or found their way back home to their planet, and to their Rose. For Ruby, it is both. She dies and was reborn, literally reclaiming Crescent Rose and regaining her Rose emblem, she reunites with her Rose, her own sense of self. And in her ascension is able to come back to defeat the Curious Cat, and return home to Remnant with everyone. (coincidentally I think this is how Oscar's story will go, he will sacrifice himself to the Merge fully and "die" in a sense, momentarily, but return fully to himself later on, reuniting with both his sense of self and his Rose, Ruby Rose).

Oscar is also Ruby's Rose in a sense, someone she has tried to protect and care for. Even the pattern on the back of his outfit can be seen as the stem and thorns of a rose, like Ruby's hood can be seen as the petals of a rose. The Little Prince believes that if the Rose is left alone, then it will be his fault if they die:

“If some one loves a flower, of which just one single blossom grows in all the millions and millions of stars, it is enough to make him happy just to look at the stars. He can say to himself, 'Somewhere, my flower is there...' But if the sheep eats the flower, in one moment all his stars will be darkened... And you think that is not important!"

"He could not say anything more. His words were choked by sobbing."

When Ruby cuts down an illusion of Oscar, killing him, it is foreshadowing that Ruby is afraid she will not be able to save Oscar from his fate. This is the final breaking point for her (along with Little's death) that leads to her drinking the tea.

...But as much as I am a Rosegarden shipper, it's actually her mother Summer Rose and Ruby's identity that is the main "Rose" to her Little Prince in V9 that she becomes separated and united with, imo.

She learns that their Rose (Summer, and themselves) are not uniquely one of a kind, but "like any other common rose" the same as all the other hunters represented through their weapons in the Tree with the blacksmith. Like the Little Prince in the Rosegarden:

"Good morning" said the roses.

The little prince gazed at them. They all looked like his flower. "Who are you?" he demanded, thunderstruck.

"We are roses" the roses said.

And he was overcome with sadness. His flower had told him that she was the only one of her kind in the whole universe. And here were five thousand of them, all alike, in one single garden! ... Then he went on with his reflections: "I thought that I was rich, with a flower that was unique in all the world, and all I had was a common rose."

Not in the sense of being a SEW who believes they are the only one of their kind, but that like her mother Summer Rose, or any other huntress or huntsman that has lived (represented through the weapons she looks at, and her saying they all have the same weight to them) she is not perfect, or unique in always knowing the right thing to do and being a flawless shining hero. Ruby thought the ideal of the hero Summer Rose she carried and tried to emulate was unique and special, what made her "rich" in the sense it defined her self worth, but she was a "common rose", a person, a human being, just like Ruby. Being like any other common rose means Summer is much like Ruby herself, just a person trying their best, with their own flaws and burdens to carry. Ruby leaves the Rose behind initially (gives up her Rose emblem that Summer left her, rejects Crescent Rose) and the pedestal she puts her on shatters, becoming disillusioned with Summer like the Little Prince does with his Rose, specifically after finding out that they lied.

Ruby: What? What was that? She… She lied. She left with Raven. Why would she…?

Blacksmith: Who knows why people keep the secrets they do. Maybe you’re not the only one who has felt the weight of other’s expectations. Like Alyx, like your mother.

What makes Summer unique to Ruby is not her being an ideal hero, but the love she had for her as a mother, and that in of itself is incredibly beautiful and powerful, because it helps her realise and affirm her self worth.

Summer: (voice) I love you…

Ruby turns to see the red glowing light behind her.

Summer: (voice) Just the way you are.

"Of course I love you," the rose said to him. "If you were not aware of it, it was my fault"

Much like the Little Prince learning and understanding that his Rose is unique to him, not because she is one of a kind, but because of their time shared together, loving and caring for one another. That it is our ties to people that makes us special and unique in the world, to the people we are connected to and choose to care for, more than any power or titles do. Which goes back to the source of Ruby's power as a Silver Eyed Warrior, her love and compassion of those around her. The true power of humanity.

[sluttycinderella]

Razorgate: an empirical, peer reviewed study*

*there is nothing genuinely scientific about this, it is merely a result of mental illness and unemployment.

So we all saw this right?

But after this bomb was dropped I began to get curious about the other slittenings. Did they use the same razor for all of them and no one had noticed? Do they actually own more than one razor? And if they don't, if this is truly the only phrazor, then I don't think I have to tell you that raises a lot of questions.

Firstly, I went back to where this all began, Phil's Birthday stream, to identify the razor that carved the very first slit and forever cemented itself as a part of herstory:

Now that is very clearly the Manscaped logo, no question about it. Here’s a high quality photo of the logo for comparison:

(You can also clearly see in the Twitter post that it says "Manscaped" across it but I like to double check my work and I also wanted to prove that they were both Manscaped)

And it's a good thing I did double check because OP made a CRITICAL ERROR in their post! They claim that the razor in question is the Lawn Mower 4.0 when in fact it's the Lawn Mower 5.0 Ultra! Unlike the PUNY, PATHETIC, UNMANLY 4.0, the Lawn Mower 5.0 Ultra comes with an interchangeable foil blade, a USB port, and a more advanced spotlight!

How could OP be so careless? Dan and Phil would never own an outdated razor! They require only the finest in ball shaving technology!

Also fun fact: The first appearance of the Lawn Mower 5.0 Ultra on the Manscaped YouTube channel falls right in between the dapg return announcement and their first video back so make of that what you will...I for one shall be sculpting my own hill out of the very earth itself, "Manscaped Sponsorship Hill", I encourage you all to join me.

So after spending far too long researching the intricacies of razors that shave an organ I don't even have, I now needed to check if it was the same razor being used in every slittening:

Here they are side by side for comparison, left is Phil’s birthday, middle is the We're All Doomed post-premiere, right is Dan’s birthday. Now it appears the WAD one is missing the logo but I'm going to go ahead and chalk that up to the poor quality of the clip I found (if anyone has a better version PLEASE hit me up so I can confirm my hypothesis). And considering the photo taken in the aftermath seems to show Phil holding the 5.0 Ultra:

I'm gonna go out on a limb and say it's the same thing.

“But,” I hear you shouting, “so what if Dan and Phil used the same razor for all the streams? They already said they only owned one razor so who cares?” Well this isn’t so much about proving that they’re the same razor as it is establishing a baseline. It’s hard to trust basically anything Dan and Phil say lately, what with piggate and the “pillow” bar and the fake view from the Phouse, knowing that they aren’t lying about only having one razor (to the best of our knowledge) is crucial in figuring out what exactly is going on. Remember, we’re doing science here.

And with that in mind: In my professional opinion, I can say that for all three slittenings, the Manscaped Lawn Mower 5.0 Ultra was the weapon of choice.

Sidenote: I went down a bit of a rabbit hole of Manscaped reviews during all of this and apparently Manscaped razors are kind of just a scam. This razor is $109 and they try to trick their customers into subscribing to their "Peak Hygiene Plan" which you don't actually need by offering a deceptive discount and hiding the terms where people aren't likely to see them. So yeah, fuck Manscaped and I for one think we should cancel Dan and Phil for not ethically consuming under capitalism.

But that's beside the point, we know that they indeed only have one razor and that that razor...is for balls. What does that tell us?

Conclusions

There are a multitude of conclusions one could jump to in the light of such a revelation, I shall display them in a convenient numbered list for your viewing pleasure:

One of them prefers to use straight (lol) razors to shave their...you know...I don't actually know if this is a thing people do or if it's even possible, people with balls please sound off in the comments, thank you

Only one of them actually shaves in which case I support them as an infamous pussy hair enthusiast (iykyk)

They share a razor (Please, God, no, that's actually disgusting)

Either way, this thing was on someone's balls and then it touched both their faces so I really hope they cleaned it properly!

Alright, so that whole exploration may have been a bit useless, it indeed only confirmed what we had already been told, but I spent literal hours comparing photos of ball hair trimmers and I'm not one to admit defeat. Consider yourselves peer reviewed, Dan and Phil, and maybe check out Beardscape instead! Apparently they have better, more comprehensive razors for the same price.

If anyone even more demon than me has any corroborating evidence (maybe of them using straight razors at any point or anything else razor related that they've said in the past) please let me know so I can take it into consideration! Thank you all for your time.

[carlyraejepsans]

UTY!Flowey, "lore" and how to criticize a fan prequel without being an insufferable pedantic, a guide by Biscia.

(for my muskless fellows, here's a transcript of my thread on Undertale Yellow that I posted on Twitter. enjoy!)

There's this really frustrating attitude in fan spaces i like to call "lorepilling" where people are substantially more concerned with encyclopedic knowledge of details & minutiae (so called "lore") in place of full-text thematic/narrative analysis as if the two are mutually interchangeable.

It's especially common in large franchises and story heavy videogames, and it's like... Are You Treating This Piece Of Art Like A Trivia Battle Or Are You Treating It Like A Story

This is coming from a person who is also deeply autistic about UTDR trivia btw, I'm just saying that when it comes to transformative *stories*, depending on the impact it has on character, themes, and narrative structure... lore is expendable.

Ultimately this is why most of the UTY criticism i see (on twitter specifically) falls flat. What does it matter if "lore" means Flowey couldn't chronologically be there when the justice human fell, as long as the game narratively justified his presence in the story in a compelling way?

The real criticism, in the end, is that it didn't.

He's a plot central, main cast character from the canon returning in a cast of mostly OCs and what does he have to show for it? An admittedly sick boss battle in 1/3 endings, sure but... not much else. He has no significant "presence" in the story, no tie, interaction, or even just... an opinion on the rest of the cast. Which is a huge miss when Flowey's meta role is to be Thee completionist player mirror. He's the OG lorepilled UT fan! He's an opinionated little shit!

This isn't to say that UTY *didn't* engage w/ his metanarrative. When me and @a-town-called-hometown first started playing the game (we were both skeptical of Flowey's inclusion), he immediately said "It would be really cool if they made it so this has been going on for a while and Clover has no idea". Which is precisely what the game did in the neutral ending, and what I will openly say was the most well written & well executed part of this game's story...

...a part we almost didn't see, because the pacifist ending disappointed us so much we lost all will to replay.

To put it in the words of my friend Mel @clowwwnbytes, there's a deafening hollowness to UTY Flowey's motivations & core principles where his guilt towards Chara—and resulting black and white thinking—should be. You're telling me Mr Kill-or-be-killed, "sacrificing yourself to do the right thing is stupid", would stand there after 1000s of failed attempts to make Clover survive, look on as they make the same mistake Asriel he did, and fondly call them friend? Cue the guitar, roll the credits?

He would lose it. Oh my god he would lose his goddamn mind, he would throw the nastiest temper tantrum in the world. Are you serious? How dare you. How DARE you. All this effort, all my patience, and you just let yourself DIE for a few worthless idiots? I should've let you ROT!

*clears throat* sorry got a bit too into character. as i was saying.

I can understand a UT prequel wanting to distance itself from the canon Chara storyline in order to form its own identity, but then turning around and choosing Insane About Chara The Character™ for a sidekick is... far from optimal. In the end, Flowey comes across as underutilized and inconsistent, with a whole lot of wasted potential.

This is an issue I have with UTY's character writing (original AND returning) and story structure as a whole. Lots of inconsistent character arcs, tonal dissonance, overuse of situational sadness... it's an amateurish work, after all, and you can feel it. There's no shame in that.

(Though, there ARE some issues that i take more seriously with its writing, especially when it comes to its two main female characters—Ceroba's lack of narrative agency and depth borders on misogynistic writing imo. But that's a topic for another day)

Over all, UTY was an incredible piece of collaborative transformative work, with gorgeous art and a genuinely incredible OST, which... would have benefited from more experienced writers. But hey, you can only ever learn by trying!

For all it could've been a better story, it certainly did not fail to entertain: both when my friend was playing it, and after in our many discussions of its writing, its faults and how it could've been improved (royal scientist!ceroba character fix you will always be famous. to ME!)

I'm sure this project served as an incredible source of experience for the developers: as individual creators AND as a team. I look forward to their future projects!

but also if i have to see another person say UTY is better than Undertale i might turn into The Jonker.

end of the essay! really couldn't stand any of the pedantic ""criticism"" I'd seen of this fangame so far, so i had to say my piece as someone more versed in analysis. happy to elaborate on anything in the replies or in my inbox!

[horizon-verizon]

On this here day, GRRM wrote an entry clarifying several things about the dragon lore in his novels, and it vindicates so many Dany stans/Daenerys as the Azor Ahai:

Saying dragon "mysteries", in-world, will be revealed in the last two books AND Septon Barth got a lot right. I'm taking that to mean that dragons change sex (Viserion, here you come, baby!), like two particular Twitter mutes I have (danylanzhou and Branwynwitch). It also seems like he's confirming that dragons and the first 40 Valyrian families (which include the Targs, then and now) mixed dragon blood with their own in some long past ancient event AND that only these families, therefore, can bond with dragons to rides them safely or befriend them.

Which means Nettles is definitely of Valyrian/Targ-descent, which really should have been obvious. One of my mutuals also asserted that this makes the idea of Nettles-Sheepstealer/Rhaena-Morning being interchangeable for their supposed HotD merging GRRM-disapproved bc he makes a point to say that dragons don't tend to move far from their lairs that are usually very high up in mountains and volcanos. Sheepstealer can't be going to the Vale while having a lair in Dragonstone:

As for the thought of Sunfyre flying miles to get to Dragonstone...this is where he/they were born and where the real magic that sustains dragons is coalesced from hundred of years. It makes sense for him/them to fly to this castle even if Aegon weren't there after he had been bodied by Meleys/Meleys & Vhagar, looking for recovery. This is where the Targs get most of their eggs/dragons and it is near where most dragons in Westeros make their lairs.

Note that he says, in the very last paragraph, how:

Fantasy needs to be grounded.  It is not simply a license to do anything you like. Smaug and Toothless may both be dragons, but they should never be confused. Ignore canon, and the world you’ve created comes apart like tissue paper.

It appears he is VERY not happy about something to do with dragons in the show's second season, how they bond in the show, how a certain dragon is "explained" to have traveled a too-long distance for a certain pale-locked young girl who has been trying to hatch her own dragon for years...I see you GRRM, fighting for Nettles AND Rhaena I see.

Oh, and just bc he said he liked epi 2, doesn't mean that he cannot critique anything about HotD ever again...he is the writer and creator of this universe that they are capitalizing on. As long as a writer of any genre stays logically consistent and relatively undiscriminatory in their original writing, they definitely can tell any of us readers what is real and not real or possible in their own creations! That this is even up for debate is a travesty to logic.

Mind you, this is the same man who said the show and the book are two separate canons AND that adaptations "nowadays" tend to fail bc the adapters think they can make the story "better" and ignore critical lore details. And in his latest commentary on HotD's S2 first two episodes, he says, and I quote:

“Rhaenyra the Cruel” has been getting great reviews, for the most part.   A lot of the fans are proclaiming it the best episode of HotD, and some are even ranking it higher than the best episodes of GAME OF THRONES.   I can hardly be objective about these things, but I would certainly say it deserves to be in contention.   The only part of the show that is drawing criticism is the conclusion of the Blood and Cheese storyline.   Which ending was powerful, I thought… a gut punch, especially for viewers who had never read FIRE & BLOOD.   For those who had read the book, however… Well, there’s  a lot of be said about that, but this is not the place for me to say it.   The issues are too complicated.   Somewhere down the line, I will do a separate post about all the issues raised by Blood and Cheese… and Maelor the Missing.  There’s a lot to say.

Note that the latest post was about epi4 and this one I just linked is only abt epi 1 &2....so where are his thoughts for the hated/comedic epi3?! (we see each other, George). (BTW, I gave my thoughts on his thoughts about 1 & 2, HERE.)

I'll say it once again: though GRRM praised the portrayal of grief, defended Cheese being lost, and loved the dog (the last I don't fault anyone for, I also loved them) in the Blood & Cheese episode, he also expressly talks AROUND how Blood & Cheese and Helaena actually interacted and comments on the Maelor-lessness (therefore the lack of Sophie's Choice) that many people--inclu myself--have been saying was a huge problem.

Now we have two different sources that seem to support the ideas of:

GRRM both not being as "involved" with the actual writing of this show for a bit AND not approving of a lot of critical changes

HotD's writers cannot create anything truly "canon" or "real/true" for this universe, it only can make any sort of "sense" if it also retrieves information from the original tale, which is not really just F&B but THE ENTIRE SET OF AVAILABLE BOOKS!

[hallowpen]

I'm going to try my best to get through this without making myself emotional... even though, I know, I will fail miserably.

I really want to focus on the symbolism and language used in this episode, which means pointing out some differences between the Thai language vs. the English subtitles... otherwise the cultural meanings don't really come through as obviously.

It's important that we go into this episode with a Thai lens... specifically one that is influenced by the time period and its royal customs. Please keep that in mind as I discuss certain scenes and characters.

The word that Princess Patt uses for 'engagement ring' is แหวนแทนใจ (pronounced 'waen taen jai'). While it absolutely could be used interchangeably, I would personally translate it to mean what we would call a 'promise ring' in English... which is considered in Thai culture to be a pre-engagement ring.

I've spoken before about how Prik helping to facilitate the relationship between Anil and Pin could have severe consequence. Princess Patt is clever in the way she gathers information from Prik, but Prik cannot lie once she is found out... and her status as a servant to those ranked above her has never been more clear.

The language used in these two scenes, in particular, is super important!!!

Both Princess Patt and Lady Pin speak very formally toward one another to indicate the seriousness of their conversation. You will have heard Patt address Pin as "Khun Ying" (คุณหญิง) and Pin address Patt as "Than Ah" (ท่านอา).*

The word ปล่อยตัว (pronounced 'ploi tuua'), which Princess Patt uses to describe Pin's actions... In this context, means 'unrestrained' with the implication of being promiscuous. Pin calls herself ชั่วช้า (pronounced 'chua-chaa') which means 'immoral/sinful' as pertaining to going against the precepts of Buddhism... in this case, exhibiting sexual misconduct.

The actual Thai translation of Princess Patt's third line is "I wished for you to grow up elegantly as a lady should be."

A lot of Patt's dialogue can be read as telling Pin to 'know her place' and to 'know better'. But it's also significant to note her emotional reaction and her tone... because what she is telling Pin could, very well, come from a place of having lived through her own 'karmic punishment' for the feelings she held for Princess Im. We can see how Patt would be led to believe that coveting and loving another woman who does not rightfully belong to you is 'immoral' and would, therefore, end in karmic tragedy.

This leads right into:

Again the English translation is a little off here. Princess Patt says

"Is the person you love someone you'll ever be able to hold onto? Have you forgotten who she is? Most importantly, she is a woman, no different from you."

Another mistranslation: When Pin is forbidden from seeing Anil, she pleads with Princess Patt to "Please, have mercy on me." Pin has always been agreeable to the rules and discipline set out for her. She has never once asked for special favor... until now. Pin prostrating at Princess Patt's feet is sooo significant; that Pin would rather beg to never be separated from Anil than to simply accept her aunt's order speaks volumes. Because while it may seem as an act of submission, it's Pin's way of conveying how much Anil truly means to her.

This scene 😭😭😭 Prik addresses Pin as คุณหญิงเจ้าคะ (pronounced 'khun ying jao ka').* It is the first time we see Prik use entirely formal language with Pin... to add to the sincerity behind her apology.

It's also key to note that Pin takes the brunt of the blame for being 'reckless', because we are going to talk about that...

...in Part Two! So much happened in this episode, so I had to split it up.

*If you need to brush up on royal language terminology, you can go back to my post about episode one

[zoolitsky-fandom]

MORE HEADCANONS BECAUSE I’M ALL POWERFUL

Please don’t get upset if you disagree with any of these!! This is just how I see the characters ^^ More context about the headcanons under the cut!

Nami

Transfem lesbian!!

Basically married to Vivi (who isn’t pictured but she gives me demigirl bisexual energy with a preference to girls)

CHUBBY BECAUSE I SAY SO!!!!! 🧡🧡🧡

And she’s still beautiful and wonderful and Sanji still simps for her. Chubby people are gorgeous

She’s technically pale but tanned a bit from being outside so much

Aaand bandaid because she’s literally just a normal girl and is susceptible to minor injuries unlike the other weird built different ppl on the crew (aside from Usopp)

sPEAKING OF USOPP!!! She’s absolute besties with him like they talk about everything and anything and gossip and all that jazz. They’re so special to me.

I’m not sure if bipolar fits entirely, but there’s definitely something with her mood swings and the intensity of her emotions. If this is insensitive at all please inform me

Chopper

Agender aroace reindeer fella??? SiGN ME UP

Both male and female reindeers have antlers so I used that to my advantage because gender silly

I think Chopper uses they/he/it, but slightly prefers to be referred to by their name rather than pronouns

Chopper has attachment issues, but I couldn’t find anything other than avoidant attachment disorder (which doesn’t seem entirely fitting). But it definitely gets very attached to others when it trusts them and has a hard time moving on.

Also I just like to draw Chopper more reindeer-like than Chopper’s canon design but aside from that I don’t really make too many design changes? Just… floofy Chopper… 🩷🩷🩷

Usopp

Panromantic asexual!!

Down bad for Sanji (he has terrible taste /j)

I had a revelation after drawing this so Usopp isn’t actually cis lol- they’re a demiboy but in a genderfluid kind of way, some days he feels more masculine and other days they feel more androgynous

I have very mixed feelings about the hair highlights,, I lowkey might not keep them but it was an experiment

FRECKLES!!! USOPP HAS FRECKLES PASS IT ON PASS IT ON!!!! 💛💛💛 Bandaid like Nami because!! They’re literally just a normal teenager!!!

Usopp has anxiety and borderline personality disorder because the feelings of superiority and inferiority? The constant fear? Being immune to Perona’s ghosts from dealing with mental illness their entire life???

Luffy

Asexual grayromantic

If he had a partner it would be gay regardless of his own gender expression (I’m projecting because I feel gay when I’m attracted to anyone)

Genderfluid, some days they prefer different pronouns but most of the time they use all at once (also is this ironic bc Luffy can’t swim but is swimming in fluid pronouns)

King of the pronouns!!! King of the genders!!! Will steal your pronouns and gender!!! Watch out!!!

I gave her vitiligo on a whim to be 100% honest, but I feel like it’s very fitting and also very fun to draw ❤️❤️❤️

I only did a headshot here because I have another post with a bunch of other drawings of this Luffy

I feel like I don’t need to explain but Luffy is very very AuDHD to me

He has so much energy and is easily distracted and gets really focused on things and likes to talk about anything and everything

Sanji

Bisexual-est guy on the planet (loves all boobs /hj)

Down bad for Usopp (they have great taste)

Demiboy but in an interchangeable kinda bigender way, he’s just both enby and male at the same time

Darker roots!! Sanji’s body hair is always notably darker than his blonde hair so I decided on darker roots

CURLY/WAVY FLUFFY HAIR SANJI SUPREMACY 💙💙💙

Depression—WHICH THEY ALL OBVIOUSLY HAVE BUT

Depression in the sense it’s the reason he smokes. It’s a kind of coping mechanism.

It makes them dazed enough that they don’t have to fully feel their own despair

GIVE HIM HEALTH PROBLEMS ODA YOU COWARD. I KNOW HE’S UNREASONABLY BUILT DIFFERENT BUT LIKE

Imagine Sanji wheezing and struggling to breathe after a fight!! Emotional scene with Chopper trying to convince them to stop smoking!!

Robin

Pansexual

Married to Franky 💜💜💜

Intersex demigirl! Like- the whole being called a monster/demon her whole life and trying to find someone who accepts her is such a good (unintentional) metaphor for the gender discovery experience,,

GIVE ROBIN THEIR MELANIN BACK!!! I don’t care if it wasn’t their original colors… neither were the blue eyes but I’m giving both to them because they deserve it!!

I wanted to give Robin more of a curly hair texture but I was concerned it would start to not really resemble her. I might play around with it another time though and see if I can achieve something still recognizable

PTSD

Do I even have to explain that-

They are traumatized and get flashbacks and night terrors

Franky

Bisexual

Married to Robin 🩵🩵🩵

TRANSMASC. I AM THE BIGGEST BELIEVER OF TRANS FRANKY.

He was abandoned by his birth parents, he has a name he doesn’t use anymore, calls everyone bro regardless of gender, HE LITERALLY REBUILT HIS ENTIRE BODY-

Even though Franky’s a cyborg I gave him visible top surgery scars. I think he would show them off with pride and doesn’t necessarily need/want to be seen as a cis man. He’s just a man who once had boobs yk?

The underside of his hair is an even brighter blue because silly!!

ADHD—he hyperfixates like a madman and is also very loud and passionate. Also idk if this is an actual ADHD thing but like he’s super empathetic and cries easily? I’m like that too so idk lol

Zoro

Demihomoromantic asexual

Hopelessly, dare I say pathetically, in love with Luffy. I want to clarify that this doesn’t make Zoro less gay and this doesn’t make Luffy less genderfluid.

Also as much as I adore trans Zoro, I think the fact that he’s a cisgender feminist is important. So I headcanon him as cis.

FLUFFY HAIR ZORO FLUFFY HAIR ZORO FLUFFY HAIR ZORO 💚💚💚

I can’t decide whether or not I like the striped hair,, I’m still on the fence about it lol

Covered in scars because he’s done so much training and fighting, I know they kind of look like something else but they aren’t, don’t worry

Idk why but I always give him a dark green undershirt

Autistic!! He has a narrow range of emotions, makes nonverbal grunts, super into swords, he’s blunt, follows routine, etc.

Aaaand that’s all of them! Phew! Thank you so much for reading 💖

Reblogs, asks, and comments are super appreciated!!

[fansplaining]

A wee curiosity ( feel free to delete if this sounds rude, I absolutely don't mean for it to be at all) : In your article, you refer to Archive Of Our Own as "the AO3" ( rather than simply "AO3") and I was just wondering about the linguistics of it? Why add "the" to it?

Haha don't worry, it doesn't sound rude! A lot of folks back in the day called it "the AO3" and some still do. For example:

I use "the AO3" and "AO3" somewhat interchangeably, though I know from editing many Fansplaining transcripts that both Flourish & I are more likely to say the former than the latter aloud. (The) AO3 itself uses both on their FAQ! They also use "the Archive," which I use a fair amount in journalism (e.g., this piece I reported ~5 years ago on their frontend development), because you have to mix things up a bit when you're constantly referencing the same thing. :-D

I have actually noticed the article "the" vanishing before organization acronyms over the past decade, and it's jarring to me—radio reporters talking about "EPA's fight at the Supreme Court" or whatever. It makes me think of the creeping brand-ification of language overall—see one of my most beloathed examples, Apple's policy of just calling it "iPhone":

So maybe it's because I'm always thinking of "the AO3" as "the Archive," a thing on which you post and read, and not "AO3" which feels more like a brand? I mean, in reality I'm not giving this that much thought—it's just a long-held habit! Clearly I am not a linguist, because I don't have the language to explain what's happening here—and also because linguists find language changes fun, and I'm sitting here grumbling at Tim Cook, "It's THE iPhone!!"

[kyeranmari]

Born to be a Star | Mingyu | SVT Destiny Matrix | Pt. 1

hello this kyeranmari ⋆.˚⟡ ࣪ ˖

i’m back with another reading for my svt destiny matrix series! on this post, we’ll be exploring another character that piqued quite my interest.

as you can read from the title, i’ll be putting the spotlight on mingyu & why i believe that he was born to be a star ⋆.˚⟡ ࣪ ˖

this post might be a long one, as i’m going to explore quite the number of aspects and zones for this reading. so i hope you’re equipped with the patience (˵ •̀ ᴗ - ˵ ) ✧ i promise to keep it light & easy to digest, though!

thanks in advance for reading ⸜(｡˃ ᵕ ˂ )⸝♡

part 1.1 chart aspects & zones

before we start exploring mingyu’s chart, i’d like to first share a point of reference to the purpose of each aspect & zone im gonna be tapping into. of course, every area of our charts must come together as one to tell us our fortune holistically. but again, this series is just for fun. as i’ve mentioned in this post, i can’t disclose everything i can read into the members’ charts. plus, it takes a whole day to read someone’s chart actually (i’ve tried it, trust me), so i’m providing abridged readings only.

anyways ᕕ( ᐛ )ᕗ

i'm going to be breaking this reading into two parts. the main area we’ll be looking into for this reading is the money line. this is the area you usually look at to know how you can manifest financial or material abundance in your life. this is one of the areas where you can find your ideal career or business opportunity, how you should be spending or investing your money, and an additional area for what intentions you could adapt while you do the latter activities.

to some people, this area is enough for them to make sense of their financial situation. but if you want to look at it in relation to purpose, calling, and talents, you can also look at these sections to provide supporting details:

portrait zone

talent zone

financial/material karma

material karma of both parents

i'll be talking about these supporting details in part 2 as they're a whole bunch of long sections altogether. they'll still circle back to the money line, so you can see how all these aspects relate to one another. it's quite interesting, too, so please watch out for it soon!

moving on! ᕕ( ᐛ )ᕗ

here’s a labeled version of mingyu’s destiny matrix chart you can use as reference:

sorry it’s kind of a mess (ᵕ—ᗜ—) it’s me & my ipad against the world

i’ve already labelled each subsection for each zone so you could have an idea of what they mean within the destiny matrix chart. i use this chart calculator online, by the way. you can graph this much like any other divination chart, of course. but to make it easy, you can just let the computer do the computing for you (it involves math).

now with this in mind, let’s now explore the energies housed in these parts of mingyu’s chart!

part 1.2 mingyu’s money line

as i’ve mentioned, the very focus of this post will be of mingyu’s money line. this is where all the other supporting details will revolve around and go back to in conclusion. so let’s dive right in!

✧ദ്ദി( ˶^ᗜ^˶ )

as we can see from this chart, the mingyu’s full money line houses the energies 17-7-8. these are the energies of the star, the chariot, and justice.

i’d like to note that in reading the destiny matrix, we use the marseilles tarot instead of the rider-waite deck. the difference between these decks is that the positions of justice & strength are interchanged. in rider-waite, justice is represented by the number 11, while it’s the number 8 in marseilles. why this system the way it is can be left for another time. for now, let’s focus on reading!

a. financial log-in: the star (17)

right off the bat, this was the aspect that really caught my attention about mingyu’s professional destiny. the star, in the context of careers and money, essentially represents talents, creativity, and making connections. although some other numbers can represent these in general, the star gives the nuance of being seen. basically, popularity.

this tells us that mingyu was born gifted. but while others who are being asked to dedicate their natural talents to society, or use their talents to revere themselves, or manifest their dreams, mingyu’s task is to expose them to the world. in order to manifest financial/material abundance, he musn’t be afraid of the spotlight. of people praising him. of making connections within the industry he’s in and pursue being a credible figure.

because stars are meant to shine, aren’t they?

i really love this because the star in the financial log-in means he was called to it. identifying the language that the universe is speaking to you with is very important to manifesting your fate in the positive. and to be called to do something in order to breakthrough your barriers, to me, weighs much more than being simply programmed to be something.

b. financial flow: the chariot (7)

as we always say in spirituality, manifestation must always be paired with action. we cannot always rely on the universe to hand over the best version of ourselves and our lives on a silver platter if we don’t do anything to achieve it. because while everyone has a right to a good life, we also have a responsibility to ourselves & to our fates that we must commit to.

in the money line, the area of financial flow is your instruction on how to generate your income or how to keep it flowing. directly under the money sign, some people look at this area to find their ideal careers or business venture. for mingyu, we could see that his flow is influenced by the chariot (7).

this suggests that, in order to manifest a steady and abundant flow of income into his life, he must invest his efforts in an endeavor in which he’s in constant motion. in addition, he must develop drive & discipline, or be in an area that naturally evokes this in him.

being an idol suits him in this regard. the entertainment industry requires a lot of movement, discipline, and passion from those who want to be a star among a whole galaxy. and knowing the level of training and preparation he does with seventeen as well as the long list of experiences he probably has on his resume, we could infer that the stage, variety shows, model shoots, runways, etc. are natural habitats to him.

but what i loved most about this area is that it's proof of how natural it is for mingyu to be hardworking. he has a strong sense of what he wants out of his career and truly loves it. similar to the fool (22), he's also being called to commit. only difference is that the chariot almost always does.

pair all this with his log-in under the star, he truly is the perfect idol.

c. balance / intention: justice (8)

in this last section of the money line (or the "tail" as i like to call it), we can see the intentions we can apply and keep in mind in order to positively manifest financial abundance in our lives. typically, this is simply the area where you can find balance between money and love. but so far in the readings i've done for other people, it comes out as the value you must possess to reach your career/financial goals when you read it in the sole context of the money line.

this area asks us what we're gonna do with all this abundance. it's not enough for you to just have it. you also have to reassure the universe that you're using the blessings you receive for its intended purpose. because who wants bad karma, right?

looking back at mingyu's chart, we see that this area is under the energy of justice (8).

simply put, this suggests that all the work mingyu does must always be ethical. justice is, in its name, all about fairness and making decisions that are honest. if he really wants to succeed & keep material abundance at the palm of his hands, he must not cheat, lie, or steal from anyone. most importantly, he must be willing to share. the universe will grant him this life of fame and fortune, but he must live it earnestly.

this doesn't have to be material possessions, though. especially not in the context of his line of work. this could mean that even though he naturally draws the spotlight on him, he must remember to share it with other people. he must keep only the recognition that he truly worked hard for. pursue only the opportunities that fit him the best, and those that don't must be given to those who deserve it.

and god, am i proud that mingyu does this a lot. mingyu's love for his career extends way beyond himself as he lets it pour onto his members, his coworkers, and the industry itself. the strongest proof i have of this is when he himself said that his goal is to keep seventeen together. wasn't he the one that initiated their contract renewal as thirteen? wasn't he the one that urged them to talk about it despite how difficult of a conversation it was?

despite the amount of his solo activities, he keeps coming home to seventeen. he keeps sharing his success to them. always crediting his brothers/friends for the drive & discipline he learned to possess. and most importantly, always inspiring the people around him.

part 1.3 final thoughts

there's no doubt that mingyu is blessed by the universe. not only is he very much connected with his purpose, he's also doing all the work that's needed and applying the virtues required. this just makes me even more proud to be a carat. i've been so used to seeing artists of different media get their souls sucked off by capitalism or their spirits die off because of burn out. so it truly feels just as fulfilling on my end as a fan to know that i'm supporting someone who genuinely loves what he does in such a pure manner and enjoys his time doing so.

of course, this isn't all of it. but this alone, to me, proves why mingyu was born for stardom. and i'm so excited to prove it further in the next post.

if you have the same aspects as mingyu on your money line, i deem you very lucky! you have someone like him to inspire you to positively manifest the financial abundance that the universe has programmed for you. so if you're looking for a sign to turn your life around for the better, this might be it. take it. run with it.

for the good of all & the harm of none ⋆✴︎˚｡⋆

---

if you made it this far, thank you! ٩(^ᗜ^ )و ´- i hope this reading brought you entertainment and enlightenment. perhaps, even a new perspective of mingyu and/or your life ♡

again, if you have additional thoughts / corrections you'd like to share, please don't be afraid to do so!! i'd love to know what you think/feel about this hihihi ( ∩´͈ ᐜ `͈∩)

see u in part 2~! (⸝⸝> ᴗ•⸝⸝)