#i understand the point and the appeal of it but i just have my preference ig!

[prismit]

my decision to replay below zero has resulted in subnautica stuff ending up in my youtube recommended feed... damn, below zero's reception wasn't good?? i honestly like it more than the first game (and i DO very much love the first game too).

i also think it's interesting that one of the most common critiques i'm seeing is one of the things i think bz did better, that being the more condensed map. everything feels so much more detailed and deliberate while the first game felt like a lot of the map was just empty space (at least by comparison, anyways).

not saying i think the criticism of the game is wrong or anything, i'm just surprised by it! i do see where people are coming from though; it's a departure from the formula of the original (lonely survival game with (apparently unintentional) horror elements), so that's bound to cause reasonable disappointment for people who liked the game in large part because of that formula.

idk, i just think the cold water game is cool :)

[ellecdc]

Hey gorg!!!

I saw the post about wanting pregnant reader/ dad marauders prompts and I literally ran here.

I’ve got two ideas, so whichever gives you the most inspiration/ whatever you like best 😂

1- pregnant!reader who just hits her limit for the day- overwhelmed and overstimulated with everything to the point she jsut wants to sit and cry- all because of something silly

Or!!

2- reader on their first day away from baby with the girls- leaving dad!marauders to it, coming back to a baby who’s very excited to be free from the chaos of the boys.

Lots of love!!

-🥟

eeeeeeeek I went with #2!!! thank you my love <3

dad!marauders x mum!reader who saves their daughter from the boys' tyranny [522 words]

CW: kid fic, fem!reader, you have a daughter but I avoided assigning her a name (let me know how ya'll prefer that: do you want me to name the kid? or do you want me to leave it ambiguous? I feel like it would probably read easier/more naturally with an assigned name, but I understand if you like making that up yourself)

“Oh thank gods you’re home.” Sirius pushed out all in one breath as he hastily stood from the couch with your daughter in hand. 

You clicked the door shut behind you as you took your shoes off, furrowing your brows at a frazzled looking Sirius and an equally frazzled looking baby in his arms. 

“You have to help us.” He begged quickly. “They’re driving us mad.”

“What?” You laughed carefully, though you had to admit that your child had a nearly identical pout on her lips as her papa, and you were quite sure babies her age didn’t have the ability to conspire. 

Though, you were sure if any baby could conspire, it would be a baby Marauder. 

“They haven’t stopped all day.” Sirius enunciated, whispering at you and looking over his shoulder as if some invisible threat was going to attack at any given moment. “Jamie got up this morning on a warpath; first we went on a family walk to feed the ducks some corn. Fine, I’ll let it slide. We no sooner got home, and Moony set up the sandbox in the yard. Great. But then, James insisted we go to the park! Which - okay, that was fun, because I got to run around as Padfoot. But then after a mere 20 minute nap, Remus had us out at the stream catching and releasing frogs!”

You awed in sympathy as you brushed some fine hair away from your baby girl’s forehead who was using her two pudgy hands to rub at her eyes.

“You tired, lovie?” You asked the child, but they both whined a yes in response. 

“Okay.” You murmured as you accepted the sleepy child’s grabby hands, only for her to immediately rest her head on your shoulder and melt into your embrace.

“Pads? Where’d you guys run off to?” James called from the other room, and Sirius’ paled. “We’ve got the water table set up.”

“Oh gods,” Sirius whimpered, “they’re coming.”

“Sirius,” you started to chide, but he simply turned and started pushing you towards the hall that led to the bedrooms.

“Go, save yourselves. I’ll hold them off.” He whispered theatrically.

“Sirius!” You squealed, laughing as he pressed a kiss to the side of your head - taking a deep breath as if he was trying to memorise your scent like he may never get the chance to do it again - and pat at your hip. 

“Make sure our baby girl grows up knowing the sacrifices her brave, brave papa made for her.” He offered solemnly, walking backwards as he held your gaze. “Go! Nap! Rest! Waste the day away in ways many of us only dream!” 

You giggled at him as he disappeared around the corner, hearing Remus murmur “what the hell was all that about?” only to hear a grunt, a chuckle, and a theatric “I won’t let you tyrannise our sweet girls any longer!”

“What do you say, sweetheart? Time for a nap?” You murmured as you made your way towards your bedroom; a nap did sound appealing, now that you thought about it. 

An answer never came, however; she was already fast asleep.

[venusacrossthestars]

sharp or dull

pairing- Lando Norris x fem!reader

summary- Lando has begged you to stream with him, you will on one condition- it has to be an ASMR stream

wc- 1.7k

a/n: I wrote this in one sitting bc I cooked this up as a nighttime scenario, because I am an ASMR hoe, hope you enjoy! I also tried something a little new, I added the 'chat' section of the stream, you'll see what I mean. idk if I'm a fan of it or not.

f1 masterlist

Autonomous Sensory Meridian Response, or better yet known as ASMR, had taken TikTok, YouTube, and nearly every other social media platform by storm. To you, ASMR was a calming and relaxing way to unwind after a long day. And as an ASMR-artist you were constantly trying to find new ways to bring that experience to your viewers

Lando, however, could never understand the appeal of ASMR. He didn’t find it relaxing, calming, or anything of the sorts. He much preferred to fall asleep in pure silence, maybe the sound of a fan once in a while. While he didn’t understand it that didn’t mean he didn’t support you and your ‘art’. 

“Babeeee,” Lando whined. 

“What?” 

“Stream with me, pleaseeeee.” 

You rolled your eyes for what felt like the hundredth time. Lando had been begging you for days to with him. Why? Well, when you asked him his exact words were, “Because I get lonely.”  And while you loved Lando, sitting there while he played whatever random game he could find just to keep him company, did not sound appealing. 

“Landoooo,” you draw out in response to his whining. 

“Baby please,” he begs again, “I’ll even let you choose what we do, I swear.” 

A lightbulb goes off in your head. “Anything?” 

“Yes?” He replies, curious to your response. 

Your face breaks out into a grin, “And you promise you’ll do it.” 

Lando takes a big gulp, “What are you planning woman?” 

“Promise?” You hold out your pinky and shake it at him, awaiting his answer. 

He takes your pinky in his, “Promise.” 

Its a week later when Lando is finally able to stream and you couldn’t be more excited. You still haven’t told your boyfriend of your plans. 

“Babe, what are we doing? I need to know so I can set up.” 

“Don’t worry about setting any of your games up. We are going to be doing something else,” You tell him. 

Lando shoots you a confused look, “Care to let me in that pretty head of yours.” 

You giggle, “Well since you said we can do anything of my choosing we will being doing an ASMR stream!” You throw out your hands excitedly. 

Lando looks less than thrilled, “No.” He says flatly. “I meant like you could pick out the game or a challenge. I am not doing ASMR.” 

“You should’ve specified the terms then Norris. And if I am remembering correctly you pinky promised on ‘anything’, can’t go back on that.” 

“Babe I'm not doing ASMR.” 

“Fine then you can stream by yourself.” You cross your arms across your chest and give Lando a pointed look, you were not backing down. 

“No.” 

“You wouldn’t even have to do anything! I would be doing all of it!” 

“No.” 

“Not even a head massage?” 

“No.” 

“Not even sharp or dull?” 

This is when you know you have him hooked. Lando can tell everyone that he doesn’t care for ASMR, that he doesn’t find it relaxing, all that jazz. But you know something they don’t. You know that this man is a sucker for the ‘sharp or dull’ genre of ASMR, and since Lando has sworn you to secrecy you were unable to share this juicy piece of information with the world. 

“... fine, I am only doing this because I love you.” 

As Lando was setting up the stream you were busy gathering your supplies that were spewed about Lando’s streaming room, which at times doubled as your recording studio when you filmed for your YouTube channel. 

Lando went live, muting his mic while being black-screened. You could see the comments flooding the chat:

landonorizzzzzzz- LANDO STREAMMMMMMM pizzaparty124003- about time!! we were in a drought! carlando4lifeeee- HE”S BACK FROM WARRRRR justaninchident- WE CAN”T SEE YOU papayaboyzzz- LANDOOOOOOOOO

Lando unmutes his mic, “I know you can’t see me chat.” 

You whack his arm, “Lando, be nice.” 

carlando4lifeeee- IS THAT WHO I THINK IT IS???? landoandy/naremyparents- MOTHER IS HERE justaninchident- DEFEND ME MOTHER PLEASEEEEE sofishdicatedaf- OMG WE ARE GETTING A Y/N AND LANDO STREAM??

Lando finally turns on the camera and chat continues to lose their mind, “Yes chat, Y/N is here.” 

You wave at the camera, “Hiiiiiii!” 

“Do you want to tell them what we are doing today or do want me?” 

“I can tell them. Chat, today we are doing something I am a literal professional at.” Lando rolls his eyes, “Don’t roll your eyes at me mister, you begged me for a literal week to stream with you.” 

landoandy/naremyparents- HE BEGGED HER TO STREAM WITH HIM?!?!!  y/nismymotherfrfr- RELATIONSHIP GOALS papayaboyzzz- lol simppppppp

You glance at chat, laughing at their reaction, “Yes, he’s been begging for me to do this for a long time! I only agreed once he pinky promised that we could do whatever I want. And I chose,” you pause in suspense, “to do ASMR on my lovely boyfriend.” 

“Yay,” Lando says enthusiastically. 

“Stop. You are going to love it.” 

“If you insist.” 

You launch into explanation, “So as some of you know I run an ASMR account on YouTube and TikTok and today I’ll be doing a couple different ‘triggers’ on Lando.” 

“A couple? I only agreed to one,” he interrupts you. You shoot Lando a pleading look and it takes only a few seconds before he is admitting defeat. “Fine, only a couple though.” He glances at the screen where the chat is displayed, “Call me a simp all you want, at least I have a girlfriend to simp over.” 

“Chat, don’t mind him, he only found out what I wanted to do like 20 minutes ago. But as I was saying before I was rudely interrupted is that I’ll be doing a couple different ‘triggers’ that are pretty popular amongst my audience such as- sharp or dull, head massage, hair brushing.” 

After your explanation you get up from your seat and gather your supplies as Lando messes with the camera and mic. 

“Lan, can you scooch back just a tad?”

“Hmm? Oh, of course baby.” 

“Thank you,” you give him a small kiss on the crown of his head.

“So I am going to start of with the head massage and hair brushing first,” you explain to chat, moving to speak in your softer, slower tone that you use while filming, “Then for the grand finale I’ll do the sharp or dull.” 

Lando always turned to putty when you played with his hair, you weren’t expecting this to be any different, well minus the fact that a bunch of fans were watching. At first you weren’t sure if the mic was even picking up on any of noise but one quick glance at chat seemed that they were all enjoying it. For multiple reasons, you were sure of it. 

After five-or-so minutes of head scratching you decide to check in on your completely silent boyfriend. “Still doing okay baby?” You ask, voice nearly a whisper. 

“Yeah, I’m doing great,” Lando response at full Lando volume. 

papayaboyzzz- MY EARSSSSSS sofishdicatedaf- tell me why I had my volume all the way up and this man decided to talk FULL VOLUME WHAT THE HELL LANDO ass-mr- this man has no idea how to asmr asmrismycrack- no bc why? his gf is literally an asmr PRO

You chuckle at the comments, “Baby you have to be quiet.” 

“What? Why?” He turns around, looking at you confused. 

“Because having people talk loudly, or practically screaming in your case, isn’t really relaxing to listen to.” 

“Oh, sorry,” Lando drops his voice to a much quieter tone, giving you a sheepish smile. 

“That’s okay baby.”

You go move through a couple other triggers, and around the 20-minute mark you decided to wrap things up, “Ok, since I don’t want to bore all of you we are going to move onto the sharp or dull. Then, I don’t know, maybe a Q and A or something.” 

Once again you explain the sharp or dull concept to Lando and the chat, “By the way chat this is Lando’s favorite genre.” 

“Lies, I don’t watch ASMR.” 

“You’re the only one telling lies. You love sharp or dull ASMR, it’s the only one you watch.” 

“Babeeee,” Lando whines, “You were sworn to secrecy.” 

You shrug your shoulders, “Whoops.” 

“Now no one will think I’m cool.” 

“I don’t think you needed any help with that.” Lando looks at you offend that you would say such a thing, you grab his head and turn his face back to the camera. “Okay close your eyes and tell me if this is sharp or dull,” 

You alternate between poking Lando's face with the Q-tip or the toothpick that you have in your hand. Lando gets every guess correct but as you go on you can tell by how his voice gets quieter that he is getting more and more tired. Maybe doing this stream late at night wasn't the best idea. 

“Ok, I think that’s enough.” 

Lando groans at his cut off, “Chat I don’t think I’m gonna make it.” 

You giggle at his sleepiness, “Next time we can do something you want, but for now I think it’s time for bed.”

Lando hums in agreement, “Goodnight everyone! Thanks for tunning in!” 

You wave at the camera, “Goodnight!!” 

Lando shuts down the stream along with his PC and slumps in his chair, “What did you do to me. I’m ready to pass out.” 

“It’s the magic of ASMR.” 

“Fine, I guess it was the magic of ASMR,” Lando sighs out.

“Does that mean you like it now?” You ask, pulling him out of his chair. 

Lando collapses against you, his arms wrap around you as the two of you waddle towards the bathroom. “I only like it when you do it. That’s it.” 

“I’ll take it.” 

The two of you brush your teeth in silence, you watch as Lando can barely keep his eyes open. His sleepiness at your ASMR was a compliment in the highest regards. Lando reattaches himself to your back as you make your way into your shared bedroom. 

As you climb under the covers and reposition yourself in Lando’s arms you can feel his breathing steady out. 

“Babe?” He whispers. 

“Lan?” 

“You meant what you said?” 

“Meant what?” 

“That we could do whatever I want next time you come and stream with me?” 

“Well, anything within reason.” 

“Promise,” Lando wiggles his pinky.

“Promise,” you whisper back, interlocking his pinky with yours.

taglist- (crosses out names mean I couldn't tag you)

@arieslost @customsbyjcg-blog @gr1mes-cc @styl1shl1v @landoscardotcom @poppyflower-22 @blancastans @katiezdiarysblog @mrsstylez @jamieeboulos @xfuckoffx @motkanykodas @emi0358 @ab-127 @alrightysyaphrodite @sya-skies @liacoresstuff @leathersuitrry @travelingece1995 @kageyamas-milk @ugfuchvvvz @jupooo @alex0808 @caleysblog @jess-wither @cassymendezz164445 @rattiefattie69 @sadisticfries @lou-larcher5 @harrietstylinson7 @inlovewithdeadboys @rickyrivera11 @cleverpeachheropersona @loveyatopluto @elysyannemimi @arayofsunshineme @lilyevanswhore @slaygirlbossworld @jupooo @heyheyheyggg @eringaitskill

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[t1red-twilight]

scars

summary: spencer reassures you about your scars.

content/warnings: gn!reader, fluff, cause of scars not mentioned, allusion to spencer’s addiction, spencer is a jeopardy fan (confirmed)

word count: 0.9k

masterlist s. r. masterlist

you and spencer had been seeing each other for some time now, only barely making things official. previously, you had only had interactions at work or in work attire. now that you were spending more time together, spencer began to notice a habit of yours.

you were both profilers, and you had not considered that your tendency to only wear long sleeves and long pants would raise any questions whatsoever.

you only wore long sleeves. dress shirts and blazers were one thing, but you only ever wore sweaters, long sleeve lounge shirts, or had jackets on. even in times when the weather was unbelievably hot and humid.

“it’s really hot out here,” spencer noted. you nodded back.

“yeah, i mean i guess so.” you said, shrugging it off. you hadn’t really registered anything. the heat that your extra layers provided had been something that you had gotten used to.

his eyebrows furrowed, but he brushed it off.

there had been no shortage of these one-off comments. mainly just, “are you sure you’re not overheating?” or “do you want me to change the temperature?” the comments never raised any suspicion to you. spencer, however, had only gotten more mystified.

this wasn’t a reason for contention by any means, but it did culminate and have a ‘tipping point.’

you and spencer had just gotten back from a case, and had been lounging on the couch after changing into some more comfortable clothing.

you were laying between his legs and on top of him. his arms were wrapped around your torso. there was a blanket draped across your tangled bodies, and an episode of jeopardy softly played in the background.

spencer had been softly answering every question (correctly, and much faster than the contestants). the darkness of the living room had begun to lull you into a meditative state, bordering on slumber.

“why do you always wear long sleeves?”

blinking at his bluntness, you looked up at him. he was looking down with a look of perplexity on his face. “i just like to, why?”

craning his neck, he met your gaze. “i don’t know. you just always wear them. i wanted to know if there was a reason.”

“well, uh-” you cut yourself off. “actually, it's not a big deal.” you looked away from him; you could feel the blood rush to your cheeks in embarrassment. suddenly, you felt stuffy and flustered. you were acutely aware of the feeling of your clothes.

“if you don’t want to talk about it, you don’t have to. i was just wondering.” his face and voice were flooded with casualty. he continued rubbing circles into your sides with his thumbs.

“um, it’s just that…” you trailed off and he looked down at you again. you melted into him even further, if possible. he placed his chin on top of your head, and you pulled the blanket further over yourself. the soft fleece did little to provide comfort.

“if you don’t want to tell me, it’s perfectly okay,” he kissed the top of your head.

you inhaled sharply. “i just scar easily,” you gulped, “that’s all.” your exhale came out slightly stifled.

“what do you mean?” he craned his neck to look down at you, but you avoided his gaze.

quieter this time, “i have some scars on my arms. i scar pretty easily.” staring at your feet had become much more interesting than looking at spencer’s face.

“oh, okay. i can see why you’d wear long sleeves then,” he responded. “i prefer wearing long sleeves as well. it's a comfort thing for me.”

you nodded, understanding what he meant. “i don’t like the way they look. they're not too appealing.” your statement was followed with a sardonic chuckle.

“what? why would they be unappealing?” he reached over for the tv remote and lowered the volume. soon, his arms returned to their spot around you. the quieter the volume was, the more you could feel your heartbeat in your ears.

“my scars aren’t pretty,” you mumbled this time.

“angel, why wouldn’t they be pretty? they’re a part of you.” his brows furrowed even more, but you couldn’t see it. you were still avoiding his gaze.

“i don’t- i don’t know.” the grip that you had on the blanket tightened almost imperceptibly. “they draw too much attention and i don’t particularly like them, is all. they’re ugly.”

“honey,” he moved his hand to your jaw and gently urged you to look up at him. “i’m sure they're not ugly.”

“you haven’t seen them though.” the look in his eyes was a mix of confusion and maybe even a little worry.

“honey, scars don’t make a person ugly.” he paused, “do you think my scars are ugly?”

“well, no, but-” he cut you off.

“there you go, if they’re not ugly on me, then they’re for sure not ugly on you.” his lips flattened into a little smile and his eyebrows raised from their tensed position. the nerves that you had felt dissipated from your body. “if you don’t want to show them, then by no means do you have to.”

you didn’t respond, minorly flabbergasted. “no part of you could ever be ugly i think, actually,” he said after a moment of silence.

the eye contact remained. you finally smiled back at him. “i don’t think that you could ever be ugly, either.”

“yeah?”

“yeah. you're very pretty, spence.” he snorted in response. you both looked back at the tv.

he whispered, “so are you. very, actually.” he kissed your head again.

you hummed in acknowledgment.

“we’re on the same page then,” he said as he held you tighter, and you leaned further into his body. the aura that the room had held had returned to one of blissful comfort.

[darklinaforever]

First picture :

Second picture :

The first person is aware that Lydia could remove the files from her mouth at any time? Literally, she takes them off on her own to talk when she gets tired of them! Beetlejuice is a very powerful fucking demon, if he wanted to completely silence Lydia he could and would have done so. However, he didn't do it. I'm tired of seeing people make this situation worse when in reality it's not as restrictive as it seems.

Same with the baby's delusion, which yes, is admittedly very disturbing at first and the only real reprehensible thing that Beetlejuice does to Lydia in this film in my opinion (because with the song that is played at their wedding ceremony and the how easily he lets Lydia send him away (I'm sure he wasn't really planning on marrying her this time). But then again, he didn't actually get Lydia pregnant ! And she didn't really give birth to his demonic child either ! And she seems to get over that weird, disgusting prank made by Beetlejuice pretty quickly.

Also, I don't know why but I never had the impression that Beetlejuice had traumatized Lydia in the first film as an attempt to affirm these people, particularly the second.

Literally, she doesn't seem to have any after-effects in the first film, and the sequel proves it even more. At what point in her scenes with Beetlejuice himself does Lydia seem to be truly afraid of him or particularly traumatized by him ? And I'm talking about the scenes where she is with him in the flesh. Because the moments when she thinks she's hallucinating his presence, it's logical that she panics. But no, she never seems terrified of Beetlejuice himself.

Not even at the famous wedding, contrary to what the second person says. This is bullshit.

The scenes where Beetlejuice makes declarations to Lydia like the serenade or the marriage, she doesn't seem disgusted (except when he throws his heart in her hands and that's somewhat normal) or terrified, or both.

She just has a face that generally says : Wtf ? Because the situation is WTF ! This wedding scene is not at all portrayed as creepy in the first place !

Frankly, it's bad form to say the opposite for me ! It’s deliberately turning a blind eye. Beetlejuice is a horror comedy, these scenes are above all funny with touches of bizarre and gothic !

The actors love their characters together, including Winona who totally ships them. To say that she played her character as being terrified of Beetlejuice is bullshit.

And even if his acting was out of step with the script, that's not the case. Because once again, Lydia is not traumatized by Beetlejuice even through writing.

Aside from the fact that Lydia doesn't want to say Beetlejuice's name to avoid screwing up her life again (and we understand), there is nothing that indicates a real fear of Beetlejuice, the individual, in her !

And no, Lydia does not have any trauma that caused her to hallucinate the Beetlejuice presence. We know it, we see it, Beetlejuice does this on his own, so when Lydia sees him it's real. These are not hallucinations resulting from trauma at all !

Yes, Beetlejuice is problematic, obviously he's a demon ! Yes, Beetlebabes also has problematic aspects, obviously since once again Beetlejuice is a demon !

(That's literally the whole appeal of this ship between these two... Nobody likes Beetlebabes because it's a healthy relationship !)

But I'm tired of people trying to make it worse than it is.

In this sequel, Beetlejuice literally saved Astrid, Lydia's daughter, and he also saved her from marrying a complete asshole !

Not only that, but the way he pursues Lydia, or courts her if you prefer, isn't really cringeworthy.

He helps her save her daughter. Saves her from a bad marriage. He plays the serenade. Gives her a hand kiss. Is ready to accept Astrid as his child. Offers her his beating heart (yuck), etc. Frankly, it's a good overall approach for me !

And even if it's frankly not cool to haunt her in recent years, the film suggests to us that it's really due to a connection between the two characters. So that balances it out a bit.

Frankly, the antis greatly exaggerate the issues of ship Beetlebabes and the character of Beetlejuice.

It's like those who say he's a pedophile, when he only seeks to marry Lydia for convenience in the first film, not because he has feelings for her. Plus people seem to forget that Beetlejuice comes from an era where girls generally married at the age Lydia was in the first film...

But hey. Really thinking about these is a bit hard obviously for the antis.

And I'm not even going to bother talking about those (like this second person) who think Beetlejuice having a picture of Lydia from the first movie on his desk is creepy...

[utilitycaster]

This question is entirely in good faith: I’m currently watching campaign 2 for the first time, and you’ve said multiple times that you are a mighty nein girlie above all else. I am enjoying it, I think it’s fun and characters are great. But I find myself preferring campaign 1 more. I know this is a minority opinion as everyone loves campaign 2, but I just can’t really find myself embracing it the same way. What is it that draws you about the MN?

So I do want to preface this with the statement that I think it’s extremely valid to prefer Campaign 1 to Campaign 2. Plenty of people whom I respect do! The Mighty Nein happen to appeal to a lot of my sensibilities specifically but I don’t expect it to appeal to everyone else in the same way.

I also want to note that while it's true Campaign 2 is the fan favorite, firstly, the correct response if you prefer something that isn't the fan favorite is to commend yourself on rarified taste, and secondly, statistics are a funny thing. It's worth remembering that what you see as the Critical Role Active Fandom mostly doesn't include people who dearly loved Campaign 1, didn't like Campaign 2, and drifted away entirely in 2018; whereas people who loved C2 and didn't click with C3 are a little more likely to be around just because it's been less time and because there's more non-main-campaign stuff to hang around for (ie, people who haven't kept up with C3 might still have watched EXU Calamity or Downfall, or might be interested in Midst or Candela stuff, or are hanging out for TLOVM/Nein Animated reasons). You are not seeing Every Person Who Ever Liked Critical Role; you're seeing this segment in time.

ANYWAY. Getting to the actual point, I think Campaign 2 is my favorite because I think I take a fairly holistic view of fiction. I have my favorite characters and ships and themes and all that, but it is difficult for me to enjoy something if I don't enjoy a significant portion of it. I can't just watch for one blorbo, because the character should feel deeply rooted in a world, and have a plot that engages with who they are. This is what drew me to D&D and actual play in the first place!

Campaign 2 is the CR campaign that, in my opinion, achieves this to the highest degree. Hilariously, if you see the campaigns as a trilogy, while usually the middle of a trilogy gets slammed for being all moving pieces and no resolution, that actually works out great for a D&D game. Campaign 1 had the responsibility of introducing an entire world that was being built as the game went on (and introducing the players to TTRPGs); Campaign 3 is the realization of all that plot set up. Campaign 2 gets to explore, build out the world, and delve into characters who are inextricable from their setting, and that's what I love.

I started with Campaign 2, but decided to start catching up on Campaign 1 concurrently as I watched C2 week to week, and I started this quite early and finished C1 in about 4-5 months, and I happen to remember that I watched C2 episode 12 and an early Briarwoods Arc C1 episode back to back, and at the time, I preferred Campaign 1. Campaign 1 has its rocky starts, but the cast had already found their characters (even if the mechanics were being ironed out still) and there were very clear tasks. Early Campaign 2, while I still enjoy it, has a lot of milling about and aimless fucking around, and, understandably, the cast is still figuring a lot out. If you put, say, the Nein in Alfield next to Vox Machina at the Briarwoods Banquet? Yeah, one of these is stronger.

The thing is, that aimless fucking around led to character moments, which is the absolute heart of why the Nein are my favorites, and why I think many others love them as well. Without a clear mission or benefactor, this party had to figure out an identity and what they wanted to do, and in doing so, we got incredible moments between pretty much every party member. Vox Machina has no shortage of incredible conversations, but, for example, Keyleth and Scanlan just straight up don't interact one-on-one very much. You can't point to something like that in the Nein. I also think the fact that none of the characters knew each other terribly well helped with this. I've brought that up to contrast with the bonds in Campaign 3; it's not a bad thing to have a person your character comes in with and knows well, but much as I adore a twins conversation, the reason those conversations are so good are because Vex and Vax both spend a lot of time with other people as well. With the Mighty Nein, everyone has to do that because really, with Yasha gone half the time and then with Molly's death early on, we've got Fjord and Jester (have known each other like a month longer than anyone else) and Caleb and Nott (six-ish months and they're both hiding a lot.)

I really do get if people prefer that Vox Machina has two clear missions (with plenty of fuck around time built in) to start, the show-stopping Briarwoods arc next, and then the Chroma Conclave, especially watching after the fact - I am not sure how C2 is if you binge it vs. watch week to week, and it may suffer from a binge watch whereas C1 honestly might benefit. But the payoff is so great; you do not get the interpersonal relationships the Nein eventually have with each other without that early need for them to set their own direction.

Moving on from there, I love the setting of Wildemount and how much slow travel there is (which, to be fair, Vox Machina didn't have because that was all pre-stream; the Nein started teleporting at level 9 and Campaign 1 starts with the party at level 8). I love, as I mentioned, how tied to the continent everyone is and how relevant that is to most of their stories. I do think Molly's abrupt and unfair death early in the story is a crucial part of who the Nein are, and serves as a defining moment that is impossible to replicate but is very meaningful to me.

Also, and this is getting into some very idiosyncratic stuff: I love wizards and clerics and paladins and we get all those. I like gruff or overly formal characters with tragic backstories and good hearts and that's most of the party (unsurprisingly, Vex and Percy, in that order, are my favorite VM members). As someone who is constantly fighting the "Dump WIS not INT" fight, the fact that the Mighty Nein is fairly smart and has multiple characters specifically interested in history and politics and lore is right up my alley (the twins and Percy and Scanlan in C1 serve a similar purpose, and the fact that C3 doesn't have anyone really like this...shows).

I also like that the Mighty Nein are never famous, and I think some people don't like that. For all they are heroes of the Dynasty and end up with connections in the Empire, they aren't council members or tied to anyone specific, and this floating mercenary nature means they are setting their own pace. The only part where I think things get frustrating after some of the rockier early days is when they're hunting down Obann, and that's only a few episodes. While Molly's death is a defining moment, what is honestly a more defining moment is a few episodes earlier, when they decide against the multiple institutionally-backed job offers and decide to take a couple of jobs that will get them out of the city. I think it was jarring for people used to Vox Machina, with their duties to the council of Tal'Dorei, who dedicated a third of their campaign to saving the continent from dragons; but the Mighty Nein's greatest duty is always to each other and to becoming better people. The focus is always on them. Yes there are fetch quests, yes there are NPCs who give them some unavoidable tasks, and yes people use the term "player agency" in weird ways all the time; but the Mighty Nein are, I think, the zenith of what a player agency driven campaign can be. The story is, above all else, theirs and theirs alone.

I don't know if there will be a Campaign 4 - I'm a bit more sanguine about the prospect than I was earlier in C3 - but for what it's worth I don't think Campaign 2 is irreplicable. Or rather, it can't be replicated, obviously, but I think they could do another campaign that is deeply tied to its setting and lets the party choose their own adventure in the same way. It just takes a little more prep up front, and a little more flexibility once it actually starts. If there is a campaign 4, I really hope they do it in that same style.

[unnerving-presence]

If you're taking requests could you do killers (preferably including Wesker) with an s/o who's very affectionate and likes to lay on their chest? I just want to bury my face in their man titties sometimes LMAO

wesker’s stars skin is my fav and i will cherish it forever his cute lil glasses make me want to kiss him on his stupid little face pls

also i only have the brain capacity to do wesker and pyramid head bc i am not feeling well today. sorry

Albert Wesker:

Contrary to popular belief, he is quite fond of affection. While he generally doesn’t go out looking for it, he is not opposed to it and doesn’t have any problems reciprocating those feelings in his own way. Hugs and kisses? Sure, he knows what to do. Burying your face in his chest? Well, this is both cute and concerning to say the least. Holding his face in your hands and talking to him like he’s a stray dog? Actually, what does he even do at that point?

While Albert gives affection to a lesser degree than you, he tries his best to use his actions to show how he feels, even if he’s better with words. If you’re looking particularly adorable one day and you decide to give him a kiss, he’ll gently caress your cheek with his thumb for a brief moment. Even if you simply want to give him kind words or even a gift, he will not allow you to leave his side for the next hour, opting to gently rest his hand on your waist as he does his work.

Even the slightest of smiles crosses his face when you greet him after a trial and say goodbye to him when you are called for one. It’s quite amusing watching you give him every single type of kiss on all parts of his body before leaving, especially when sometimes all you want to do is bury your face in his chest and attempt to motorboat. He still never understands that..

Wesker understands the concept of being as affectionate as you are, but he himself will not understand how you can give so much of it in a short amount of time. You really have the energy to dish out 15 kisses, 6 hugs, a particularly suggestive way of holding his belt while looking at him with a smile, a titty squeeze, and a face squish like you’re a grandma who hasn’t seen her grandchild in 20 years in just 10 minutes?? He doesn’t see the appeal in doing it, but he will certainly not complain about receiving it. Except for the face squish. Stop it.

Pyramid Head:

Dude barely understands affection so he will not mind you laying on his chest. It’s calming that you’re so close to him.. but why..? Also, why are your hands squeezing his pecs? This is nice and confusing at the same time for him. He’ll get used to it eventually. I think..

Over time Pyramid Head has learned how to properly give affection back to show you that he cares. You give him a hug, he’ll gently rest a hand on your back. You give him a kiss, a content rumble will be heard from him. You tell him how much you love him, he will gently press his head against yours. It’s not a whole lot but he tries to make it evident that he is does somewhat understand and enjoy your loving actions. He still sometimes bonks you on the head when he attempts to give you a makeshift kiss and even ends up making quite a terrifying noise when he tries to let you know that he’s happy. I mean.. he’s got the spirit. Hopefully his way of apologizing (random trinket he found on the ground) will make you forgive him.

After you come back from a trial is his favorite when it comes to you giving affection. You look so relieved to be back with him and it’s quite adorable watching you hug him and tell him about how your day went. During these moments he begins to understand why you want to be so close to him. It’s hard for him to grasp, but he has a feeling that he wants to be close to you, too.. even if that consists of following you around like a lost puppy. He’s trying his best!

Pyramid Head is still trying to understand exactly why he enjoys the things you do and is still often confused as to why you do them. He understands affection to a certain degree, but frankly he will never understand why you enjoy smushing your face into his chest and calling them boobs, nor will he understand why you call him ‘babygirl’.

[n0tamused]

Albedo Headcanons

A/n: Since I don't have much to post rn, I decided to go back to some of my old headcanons that I didn't publish and expand on them. These ones are all the way back from 2022 even, but I'm still happy with my portrayal of Albedo lol. Hope you all enjoy them too! I did work on these a little more, but I didn't take in consideration all the new events with Albedo after 2022. Keep that in mind.

Contents: General platonic and romantic headcanons, Albedo x GN!Reader, fluff, dash of angst if you squint really hard, self indulgent, possible grammar mistakes

General headcanons:

- Albedo is not a person who really indulges much, or at all, in friendships and relationships. He can understand the appeal, but he simply does not care as much as an average individual. He has his work to get to and his research to keep going, and the continuously taxing process of keeping relationships in general are tiring for him

- He prefers his solitude much more than any other company. He may not be in love with people much, but he is in love with the trees, the branches, the snow falling and the frozen lakes of Dragonspine - every new day means a new love for him, and he cannot wait to do his homework on anything and everything, even things he understands fully now. One thing you can equate this love of his to is the snow of Dragonspine itself, countless snowflakes hugging the lands, buried deep in crevices and cracks, trying to get to the center of the world.

- Since he has researched so much, even the smallest of new discoveries are very exciting for him, it’s those small joys that show his inner being through the smile that lights his eyes and makes the corners of them crinkle.

- Due to his drawn back nature, and his origins, he isn't so well met with emotions, so those are one of his many interests and curiosities.  He is well mannered, he knows how to maneuver a situation, but when he looks back at it, he can't help but feel distant and confused - why did they get so excited over such a small thing? Why did she blush so easily? Why did that boy get so scared by some wind? Why did he find himself observing the contours of someone’s face when he didn’t know them? Why did he wish to sketch them?..etc 

- He doesn't think he feels sorrow/regret like the others, he isn't like the others that much is certain. Sometimes when he is alone in some comfortable space he will just stare somewhere and wonder.... how would have he turned out if he just...felt more.. What does true happiness without limitations feel like? What is freedom? Does it come without regrets? In those moments he understands what sadness is. All these thoughts make him feel so heavy, his chest is heavy and tight and his heart feels lonely. At times he thinks what would happen if one of his close co workers were to suffer an injury or quit their work for greener pastures, the field of alchemy certainly wasn’t any easy one for everyone. He knows he’d miss their presence.

- There are many more complex questions that plague him late at nights, only to shrug them off like a coat in the morning in favor of his Alchemist coat 

- This all being said, getting close to him is more on the difficult side. Unless you are willing to pull a little more work than him and frequently check in, he simply wouldn't know how to act. He does his best where he sees he can, though. He isn’t emotionless, just a bit clueless.

 - He would gladly help you, and guide you in the field of Alchemy in case you are curious about it, although he would much rather point you in the direction of a "starter mentor" first, before he offers himself as a mentor. It's not that he's underestimating you, but he feels as if giving you a good, solid start with a teacher of an "average" Alchemist would be a much easier way into the field of alchemy. In a way, you could say he’s underestimating himself in handing you the knowledge he has in a way you’ll understand. 

- Klee is one person he feels most close to. Sucrose is a capable lady, smart and close to Albedo, but Klee is someone who simply touches Albedo's heart in more ways than one. He wishes to keep her close and protect her, she feels familiar to him and gives him more sense of grounding to this world even if the responsibility of taking care of her wasn’t something he initially took on by choice

- That being mentioned he definitely has great patience with her, and slowly, even if she is not really able to understand, she is teaching him to feel

Romantic:

- Everyone knows the great Alchemist is also a great artist - everyone who has gazed upon his works would say so with 100 percent certainty paired with a couple more flattering words. Yet Albedo would shrug those compliments off and politely counter their words; a simple thank you does it

- He does not really see much of sentiment in those pieces of artwork as much as he does in the art he did of you

- Those are his favorite pieces. He loves to capture every detail of you whenever he can - the way your nose scrunches, the way your brow quirks, the way you lay down after a long day, the way the wind blows through your hair, the way your hands are after having them soaked in water for too long or when they’re cold..

- He is still quite reluctant about initiating contact, especially the physical one due to his lack of proper experience on the topic. Most information he has was read from books or heard from his fellow Knights, but none worth mentioning or trying in practice in interactions with you

- So it takes much, much for him to warm up to the ideas, you will have to initiate things slowly, so he can warm up to those touches initiated by you as well but he does his own part in reciprocating and returning those small affections

- The best ways of bonding together is babysitting Klee honestly; drawing, searching nature for anything of interest..etc. So that being said his love languages are quality time, after that it would be acts of service and after that words of affirmation. 

Ⓒ n0tamused. Do not repost, translate, edit, and/or copy any of my works. Likes, comments, and reblogs are appreciated.

[stardustdiiving]

The way some people talk about “misogynistic writing” with the female genshin archons—specifically Nahida & Furina— kills me a bit, because while i do feel there’s valid criticisms of genshin’s writing to be made (especially regarding Ei, who I do feel was done a massive disservice writing wise), often I see people seem to come from a place of not understanding the writing/characters well, and/or leaning into like…very reductive ideas of what makes a female character “good” that honestly says more about their biases than Genshin’s

For example, a common complaint I see against Nahida & Furina is about them being made to be “weak/unserious” and how this is bad writing because genshin is unwilling to take their characters seriously—but the way this is argued seems to suggest Furina & Nahida would be better characters if they were more physically powerful, mature, or “cooler” in some way. But I really dislike the notion of girlbossification being seen as the one standard of good writing for women. A girl being strong and independent and able to punch things really hard isn’t a marker of inherent good writing

Nahida and Furina not being physically powerful or completely sure of themselves is the point. Their lack of life-experience-based maturity and overpowering physical strength are intentional and points of strength for their character writing, not flaws or weaknesses:

Nahida is the God of Wisdom—her primary source of strength is her intelligence, which comes from her curiosity about the world that is intrinsically linked to her being very caring by nature. The reason Nahida is at a disadvantage in physical strength with the antagonists—Scaramouche and Dottore—and doesn’t have an epic moment where she brute force overpowers them, isn’t because Genshin is treating Nahida like an incompetent joke, it’s because her character highlights the overall theme in Sumeru’s AQ that power isn’t everything and strength/wisdom comes from many places.

She outsmarts both Scaramouche and Dottore through her ability to strategize—if you’re trying to sell Nahida as a character who embodies wisdom, it’s far stronger writing wise to have her use her wisdom and mind to overcome narrative conflict than have her be all powerful. If you don’t think Nahida revealing she’s trapped Scaramouche in a dream loop after he tries to rip her gnosis from her, or her standing her ground against Dottore and forcing him to bargain with her when he attempts to intimidate her into giving him what he wants doesn’t make her “cool” or interesting….idk ! Maybe it’s not the writing and just your personal preference for character appeal

Furina —without getting too deep into 4.2 spoilers—has an arc revolving around the loneliness & conflict of needing to mold yourself into a performance for a greater purpose, and grappling with personal identity and autonomy in the aftermath of performance and repression shaping your life. I really don’t understand how people watch how she’s handled and come away with the conclusion her character gets bent around Nuevillette’s man pain/the fact he’s just so ~much more competent than her unless you’re just really not interested in trying to engage Furina’s writing or taking it in confusingly bad faith

Her struggling with lacking the physical power/competence a god “should” have is, again, the point of her character and they are very clear where that lack of ability comes from within the writing. Her narrative actions follow an arc that revolves around this internal conflict she has—she feels very established to be her own person and they certainty don’t shy away from expanding on Furina’s emotions without it only being done as footing for other (male) characters

I think Nahida & Furina were just not what people were expecting the Dendro & Hydro Archon to be like, I also see a lot of complaints that neither of them “act like gods” or “seem very godlike” but see, in my opinion, one of the central themes to genshin overall is to examine the relationship between humanity and the divine. Part of this also includes calling into question what a god should be, especially in relation to humans/having a sense of humanity

The center conflict within Nahida & Furina’s characters is that their sense of humanity is at odds with being held to what being a god “should” be. Nahida is imprisoned by the Sages who treat her with disdain for being a child and not being inhumanly perfect enough to be useful to them as a deity. We see Furina try to engage with her people earnestly in a more human way before realizing she needs to put up the performance that proceeds to shape her life & state of deep loneliness for the next 500 years to be taken seriously and fulfill her duties. You aren’t supposed to look at Nahida or Furina and think they’re all powerful otherworldly divine beings. You’re supposed to view the, as people—people who are young and inexperienced regarding their position in life. Venti and Zhongli act like people in the same way—the only difference is they have more experience and have had the time to accomplish more feats as original members as the Seven

Again, it’s not that I don’t think there’s criticisms to be made. Genshin to me sets up Ei to be a character who requires a lot of self reflection/growth and thought with handling her moral dubiousness, and then out of desperately worrying she won’t be likable enough, seems to bend over with trying to insist on Ei being palpably appealing while not following through on a lot of what her character really needs to feel well handled. (I feel they barely even address Ei needing to rebuild trust with her people and it’s only more clear when you now see Furina spend a lot of time handling something similar despite doing less um, government oppression thsn Ei did for instance HDJNDJDJ. But I guess me pinning where my personal dissatisfaction with her writing comes from is another post in of its own and more based in general issues with Inazuma vs viewing it as misogynistic writing alone) The trend of not letting a female character grapple with her morality and try to push her being livable at the expense of addressing her complexity does honestly feel it falls into a misogynistic writing trends. I am really bummed out with Ei’s execution when genshin has proven through other characters along with Nahida and Furina they are capable of handling a character like her writing wise imo

But I really think, again, if someone thinks none of genshin’s women are engaging or interesting, or that Nahida and Furina aren’t taken seriously enough narratively while seeming to not really understand the intent of the characters’ writing, or want to take them seriously unless they’re cool/girlboss-y enough, I feel it may say more about their ideas of handling women in fiction than it does about genshin. I get personal preferences and not being really into a character, but people so frequently frame it as a possibly misogyny pattern with how genshin writes the female archons and I can’t help but disagree. I think sometimes people don’t consider what the story is trying to say with the characters vs what they think is cool or want (and of course what we all think is cool or may want/expect narratively is always informed by our own biases). There’s a level of subjectivity in how you can interpret writing and narratives of course but they’re just not interpretations I feel fit into what’s presented in the text !

[illubean]

chrollo and illumi with a gf that LOVES makeup and always trying new looks (also tries to convince them to apply some makeup on them;)

Illumi and Chrollo with MakeupArtist!reader

Characters: Illumi Zoldyck, Chrollo Lucilfer Type: Headcanons, Fluff, written with Fem!reader in mind but can be Gn

this was a fun request ^__^i hope my descriptions make sense lol

Warnings: none

Illumi Zoldyck

at first he's pretty indifferent about your hobby

he mainly just doesn't understand it

you're already pretty so whats the point of wearing so much makeup? um because its fun Illumi 🙄

after a while though he starts to see the appeal

his favorite part of your makeup looks is the lipstick/gloss

your lips are just so pretty and he can't wait to kiss it off later <3

he probably favors your lighter, more natural looks

it perfectly accentuates your face without covering up or taking attention away from your features too much

he likes watching you do your makeup sometimes

he has that blank wide eyed look you can't really read but don't worry, he's just curious as to how you do it

if you ask or offer to do his makeup he'll look you in the eyes with a firm "No." before turning and walking away

but one day he gets sent on a mission where he has to go undercover as a beautiful woman HAH

he let you do his makeup for the job and you practically had a field day considering how happy you were

you curled his already long lashes and put on some mascara, giving him some sparkly green eyeshadow to match his dress, eyeliner and painted his lips a pretty natural shade of pink

to say he wasn't happy about having to cross dress would be an understatement but he was super cute anyways

quick, snap pictures while he's distracted by his own reflection!

Chrollo Lucilfer

oh yeah he loves it when you do your makeup

its so fun to see you switch up your looks, he truly does see it as a form of art

like one day you have a simple natural look and the next day you have eyeliner up to your brows? that takes talent!

unlike Illumi, Chrollo actually prefers the heavier looks

he appreciates the time and artistry that goes into them and likes that there's more for him to look at

his favorite looks probably fall underneath the goth category so bonus points if you do a look like that

he just really likes the large eyeliner and lashes, its just something about it that's unconventionally elegant

he's a little reluctant to let you do his makeup at first but it doesn't take too much convincing for him to say yes

he lays on his back with you sat in his lap while you work your magic

he has some trouble keeping his face still, more specifically his eyelids but he's trying his best not to mess you up

you give him some big winged eyeliner with inner corners, dark eyeshadow, a wine red lip, and the longest pair of lashes you own

when he gets up to look at himself he lets out a loud laugh at his reflection before turning to you and playfully batting his (your) lashes and puckering his lips

"Aren't I just so pretty?"

he'll let you have your fun every once in a while but he much prefers for the makeup to be on you

[txttletale]

so when Palestine fights back by killing civilians, including children, you go: it's justified

but when Russia invades Ukraine and kills civilians, including children, and Ukraine fights back in defense, you go, Ukraine should settle for peace

and you say Israel can just stop the occupation, they have that power and then they could avoid their civilians dying by simply deciding to that, yet you don't see that the Ukraine war stop just as "easily", by Russia stopping the invasion. They invaded, they started the war, just like Israel occupied Palestine, they are the one who can stop it

I know these are two different situations but I cant help but notice how different your approaches are, like adjusting your theory according to who is attacking who.

also, you said it would be strategically impossible (im paraphrasing you) for Russia to stop their invasion, well, wouldn't it also be strategically impossible for Israel to stop their occupation.

Also, if Ukraine settle for peace (I want them to, I generally agree with your points on the topic) and Russia gains something from it (as their peace treaty will most definitely assign a lot of Ukraine land to Russia), then Russia gets the message that invading other countries is successful and a good way to go about things. I mean, obviously the peace work will begin after they settle for peace, preferably working with Russia, im just curious to hear your thoughts.

English isnt my first language but I hope you understand

volodymyr zelensky might have something to say about this comparison. obviously to be clear his comparison is fucking ridiculous, but is illustrative of a key difference--that all of the force of NATO are arrayed behind ukraine (a privilege not enjoyed by palestine) and that the government of ukraine is aligned with NATO rather than its own people--which is why it's selling everything that's not nailed down to the predatory west.

i do of course think that russia should stop the invasion! i respond flippantly to most people asking this because they rarely ask in good faith, but let me say it unequivocally--i'm a communist, i think that the fall of the soviet union was a tragedy and the oligarchic mafia state that rose from its ashes is an insult to everything it stood for. putin is a far-right anticommunist and the oligarchs that he represents are scum. in the case of russia vs. ukraine, russia is straightforwardly the agressor and it would be a good thing if russia withdrew immediately.

but when i talk about the need for a peace settlement, i'm not (no matter how much nationalists and the NATO fandom will yell that i am) advocating for an unconditional ukrainian surrender. i'm talking about the maximalist positions about 'punishing russia' and ensuring some imaginary total defeat that the NATO bloc advocate for and push the ukrainian position towards. the US and their allies have made no secret of they fact that they seek to prolong the war, use it as an opportunity to open ukraine up to US investors, and don't care about ukrainian casualties:

[1] [2] [3] [4]

& ultimately, there is the fact that i (and almost all my followers) live in the imperial core--as communists there is nothing any of us can do to push russia towards peace. that's a task for the russian communist and peace movements. what we can do, however, is obstruct and protest NATO's involvement in the war. this is what the union of ukrainian communists have said in their statement on the war:

We appeal to the Russian workers as a fraternal class, bearing all the burdens of war on its shoulders, also suffering from impoverishment, unemployment, and the elimination of fundamental rights and freedoms: seek the defeat of the bourgeois power in Russia, turn your weapons against the Russian oligarchs and their political acolytes. We are ready to fight with you to turn the imperialist war into a class war against the power of capital and for the communist revolution. We appeal to the workers of the countries belonging to NATO: To stop the threat of the destruction of humankind in the nuclear clash of imperialist war is only possible in a struggle not for abstract peace, but for the overthrow of the power of the bourgeoisie of their countries, who are waging these wars and profiting from them. Work for the defeat of the bourgeois governments and the NATO bloc in this war, put forward the task of turning the war between nations into a war between classes, turn the weapons produced by workers' hands not against the workers of other countries, but against the capitalists of your own countries, against their power.

—Union of Communists of Ukraine, On The War And The Tasks Of The Working Class

so--people in the west are powerless to do anything to prevent or weaken russian imperialism, short of supporting their own imperialist powers--which, if you care at all about human life or the working class, is robbing peter to pay paul. however, those same bourgeois western governments are the ones supporting the israeli genocide--this is a case in which the Western proletariat can and should mobilize to suppress the imperialism and colonialism of the aggressor, because they live in countries that directly support it.

of course, there are also massive differences in the actual circumstances of the relations between russia and ukraine--russia is not, for example, built on stolen ukrainian land, nor is ukraine an open-air concentration camp whose water and electricity are provided by russia only sparingly, nor has ukraine seen in peacetime regular brutal massacre, invasion, bombing, and murder as palestine does every single year of so-called 'peace' that passes between israel and palestine. the situation of 'peace' between russia and ukraine before 2022 was not one of totally intolerable one-sided massacre, as the situation of 'peace' between israel and palestine has been.

as such, there are in fact multiple parties who can pursue peace in ukraine, including parties that we, communists in the West--who are the people i blog as and for--can pressure and organize against effectively. there is only one party that can pursue peace in israel. the situation is not comparable, either on its face or in the relation the West and as a result communists in the West have to it.

[scullysflannel]

hiiii apologies if i'm sending you too many asks lol, don't feel pressured to reply right away or at all tbh, but there's this thing ive been turning over in my head about the x files that's like... so in many ways it has these conservative ideas kind of baked into the premise and format of the show. these fears of monsters and monstrous others that have to be investigated and neutralized by our heroes who are these beautiful professional looking white people. and then there's the looming fear of alien invasion that comes up in the myth episodes. so theres a lot that could and should and does feel reactionary and conservative about it. but theres also such a palpable love for the strange and unknown? the "i want to believe" poster represents this so beautifully. i think this love tends to be expressed visually rather than in words so it's kind of hard to concretely describe but i'm sure you know what i'm talking about. and then the show also relies on us the audience having an interest in the paranormal and unexplainable, not because we want to see it defeated, but for its own sake. so i guess i want to ask how you square those two ideas, that the x files has all these anxieties about weirdness but also loves and yearns for weirdness? as i said ive been kind of ruminating on this for a while and having trouble reconciling the two ideas so i'd love to hear your thoughts!

Ooh I kind of just want to give you a reading list. Have you read “In the Dark” by Brian Phillips?? It’s a Grantland essay written for the 20th anniversary in 2013. It’s my favorite piece of X-Files journalism (actually my favorite piece of entertainment journalism in general) — kind of an essential text to me. It gets into all of this. But for me I don’t feel like reconciling the tension is the goal, or that it’s even possible. The tension is the show.

Likely thing for me to say, but I think the structure of The X-Files as a procedural is a big part of how and why it moves between fear and love. Phillips describes Mulder and Scully as representatives of a doomed but still operational status quo, “figures of a weird reactionary beauty, struggling to understand and then prevent the profound transformation breaking out across their world.” I’d say that last part (prevention) is especially true of the mythology, with the monster-of-the-week episodes giving space to sometimes complicate that. 

The X-Files is traditional in its basic formula; it makes assumptions about who gets to be the hero and what kind of job they should have. There are some assumptions it doesn’t interrogate, like its default whiteness. But its critique of the government can be shockingly pointed, even if it holds itself back in later seasons by keeping Mulder and Scully in the Bureau well past the point where they should go rogue. (Not that I think the show actually could have done that.)

Does The X-Files love its boundaries or want to blow them up? Both. The appeal of a procedural is typically that it gives neat answers, so being a procedural that denies easy answers is the point, which is to say that both sides of the show are dependent on each other. The whole show is sort of an experiment in fitting some of the strangeness of Twin Peaks into a procedural. I think it’s meant to be a go-between, the same way Mulder and Scully are. 

Phillips also writes, “In this show about not knowing, the agents confronted two distinct sets of frightening unknowns. On one side was the shadow government represented by the Cigarette-Smoking Man. On the other was the evil that lurked beneath the surface of every American hamlet. Often, Mulder and Scully’s role was simply to act as interpreters between their own antagonists, rendering chaotic eruptions of small-town horror comprehensible to men in marble corridors in D.C.” I think The X-Files works like that too — interpreting between what’s regimented and what’s odd — and in that sense it has to yearn for the same things it’s afraid of. And really, I prefer the honesty of that to something more ideologically consistent. 

I always think about “Home” as an episode that sums up a lot of The X-Files’ attitude toward progress (more on this here): It isn’t immune to the romance of the myth of Mayberry, even as it’s aware that it’s a grotesque lie built on violence, and that people are committing perverse acts to hold on to it. The show allows for progress to be scary but insists that it’s not as scary as what people will do when they fear it. Weirdness on The X-Files isn’t perfectly analogous for righteous deviance only. I believe the show sees what is weird coming from all sides, past (like the Peacocks) and future, so what’s weird isn’t inherently good or meant to signify inherent goodness; it only can be good. 

One of my favorite things about The X-Files is the way it respects the integrity of doubt. (I’ve written about this! But hold off on reading if you don’t want any spoilers.) I don’t think the show could be about the bravery of questioning your beliefs without letting those old beliefs be a little bit comforting to Mulder and Scully, even the ones that turn out to be lies. There’s a great New Yorker essay by James Wolcott written in 1994, near the end of the first season. He writes that in The X-Files, the Cold War-era obsession with UFOs and alien invasion gives way to the more inward-looking fear of alien abduction: “The X-Files is the product of yuppie morbidity, a creeping sense of personal mortality.” Later on, the mythology incorporates shapeshifters and alien colonization plans, but it never commits. That’s never the emotional core of the show in the way abduction is. The core of the show is personal annihilation: the fear of death and losing loved ones, and the fear of tearing yourself apart to get to the truth.

But some of the most affecting episodes are the ones that love and yearn for the weirdness in spite of it all. Like you said, it’s always in the atmosphere and the visuals (the poster, or Mulder looking up at the stars), but I think the show puts words to it pretty often, too, like “I guess I see hope in such a possibility” in “Quagmire” and especially all of “Humbug”: “Imagine going through your whole life looking like that.” There’s so much affection for peculiarity in that episode. Still, I love that ultimately it’s just a fact: “Nature abhors normality.” It doesn’t actually matter whether you like what’s “freakish” or not; it’s just nature. I think all of The X-Files kind of evens out into a neutral judgment like that, which is nice and even kind of radical in its own way. What is weird doesn’t have to be beautiful and desirable; it just has to be seen and accepted.

[yanderelinkeduniverse]

I'm not sure if you've been asked this before, but could you do the chain with a reader that is very much NOT built for the outside world?? (ie has asthma, hayfever, and all the works that werent an issue back in their modern world...) if the chain is too much, than maybe specifically just wild or twilight haha. thank you so much if this is possible! I'm a new fan, but these characters have infested my brain lmao

Oh honey they would be on you 24/7 and I mean that literally.

Admittedly, they’ll each be slightly irritated with this situation, they don’t hold any ill will towards you having someone who isn’t suited for traveling or combat accompanying them isn’t making their job any easier.

But as time goes on and bonding happens, when their blossoming feelings start edging into obsessive devotion, they have some…realizations.

For one, you’re just so delicate, even in your own world you were faced with specific burdens that others just weren’t. And while these burdens may have been alleviated by things from your own world, in theirs you struggle greatly.

So of course this sparks the already existing fear of you leaving because they’re smart enough to know that you want to go back. And they understand, why wouldn’t you wish to return a place with remedies you couldn’t find in theirs?

But where they once felt slightly burdened by your presence, now they are burned by your absence. You occupy every their every waking thoughts and at night they’re blessed with dreams of you.

At this point it feels like their hearts beat just for you.

Suffice it to say, they aren’t willing to let you go, not in the slightest. So they overcompensate by making it so you don’t have to lift a finger.

When in battle you are their first priority, protecting each other or themselves be damned. No hard feelings though since everyone is on the same page about this.

And lets say you get winded easily when walking with the group.Don’t worry, Twilight always has a spot for you on Epona and if on the off chance he doesn’t then he’s totally willing to just carry you.

A little too willing at some points since you’re pretty sure he nearly got into a fist fight with the Captain over who got to carry you one time…

Any and all chores you previously did as a part of the routine set up in the group have been pushed aside onto the other, more willing boys. Particularly Wind, Wild, and Hyrule since those three have always wanted to impress you and have you look at them and only them and say you’re proud of them, preferably accompanied by a kiss-

Plus, you’ll have a buddy in Sky who can relate to your issues and is always there for you whenever you need someone to vent to about your frustrations.

Sometimes you feel bad for pulling him away from the others to talk about your problems, but you don’t see the side eye he gives the others and the way his lips curl into a triumphant smile.

Whenever you share the former thought with him though, he always brushes off your concern and just says that he wants you to be happy and seeing you feel a bit more calm after venting makes him more joyful than you can imagine. You don’t owe him anything, just keep letting him hold your hands while you talk and he’ll be fine~

All in all, they just want you to see this world as more appealing than your own. You won’t need to worry about your health when they’re around to take care of you, nor would you become stressed because of job or school.

They’ll handle everything and take care of you, all you need to do is stay.

[mr-laveau]

People don't take audio RP seriously and I have opinions about it

I can't find the original post but the gist is a discussion on how people don't treat Audio RP as a serious medium of media and story-telling which I agree with. People don't. To mark it with a disclaimer tho-I don't inherently disagree with that post, I thought there were some valid points brought but I wanted to throw my hat in the ring as a VA and as a person who consumed a lot of Audio RP content and still does to this day (I just don't got a lot of time to be a fan and a creator whilst working a job) so here it is, my opinions on why people don't take this seriously and bi-products of that.

To start, I wanna say that Audio RP to me specifically is by its nature very collaborative because I as a VA and writer have to make my character appealing whilst also understanding my audience and what their appeal to my characters are*. It's kinda why I think Erik and the Redacted fandom have such different views on characters and the story-Erik does not have much of a connection with his audience (not hate, just a fact) so things tend to feel flat in some areas versus others-my point however is that I genuinely believe that if you want to make Audio RP, you have to actually understand your audience a little bit, which creates a good segway to my first point.

*if someone doesn't like your character, this isn't to say you're not doing a good job, it just means that people have preferences and their preferences do not align with your character.

Firstly, not a lot of VAs understand the RP(Role Play) part of Audio RP, and it shows. I think a lot of people who make content in this sphere don't take into account the person who's listening to their audios and following along. I'm not going to pretend I know about this but I am going to say that it shows sometimes when you don't understand the core of your audience and it causes people to disengage with your audios because you don't take into account who is listening to your audio (which creates problems like audios which are hard to engage with because of a speaker talking too much/too fast to process anything, issues where listeners are treated less like characters and more like ear pieces and problems where the speaker is written more to show them off than to be engaged with a listener). Really and truly the crux of this is in my opinion is that a lot of people who came into Audio RP, seem to have never RPed with another person or are unfamiliar with those spaces (TTRPG, Text-based Roleplay, Fandom Roleplay and the like) and rather saw an audio RP video and just did something like that (not hating, I started because I liked Castle Audios and wanted to be cool like her). That is not only focusing on VAs, that also applies to the audience, some of y'all are new to this and it shows because some of y'all don't know how to act right*

*That being said, some of y'all don't know how to act right and that is because there's no compendium of ettiquette(/j) for how to engage with this media and that is not on y'all. That said, (lovingly) learn to learn to behave like a listener and less like a spectator.

RP is collaborative by nature because you are creating a character with a narrative for another character who engages with said narrative by role-playing together and creating a collaborative story. Half the fun of RP is that it's a process of two people showing off their dolls and having fun. That is not something that can be said a lot about some Audio RP channels because a lot audios do not take into account their listener as a participant in this process (no, this does not mean the audience has explicit rights to the story, let's calm down there(/j). I will add that Audio RP is different given that the listener cannot directly influence the story like traditional roleplays but that does not take away from the fact some VAs and script writers don't think about who is listening and focus too much on who is speaking.

Secondly, a lot of the audience does not know to engage with the medium and that's a hard pill to swallow because it's not their fault but it is also their fault (/lh). Put down the torches and hear me out. I think that a lot of people who interact with Audio RP do not have the best media literacy and I also think this is true for some VAs. Some people who listen to audios don't read enough into audios on more than a surface level view (which makes for people going "teehee, look at that loser listening to people talk") and some people read too much into an audio to the point that it breaks their immersion and they cannot focus on the audio but have to point shit out (this does not mean that you cannot be enthusiastic about lore and info in audios or notice errors in an audio). To solve this, I just have this to say: expand the media you intake and learn to think critically about what you're intaking and how you're intaking it. TLDR; consume media outside of your usual range and think about that media while questioning the media to see how you feel about it rather than have someone tell you about it. This also applies to VAs and Scriptwriters, it makes your work better, this is a fact of life and I need y'all to see that. Love you all so much and the work you put into this community cannot be understated. That said, everyone sometimes shows a lack of media literacy and awareness and it should be known that it's not just the audience.

Finally, Both creators and fans are trying to make the medium something it's not and they need to stop. This isn't to say you cannot advance or experiment with the medium but trying to make it something it is not will mess with the core idea of what it is, you lose people when you try to do X,Y and Z when you ain't even reached A*. A lot of the audience does not understand the limitations of Audio RP and they need to see what can be achieved within the space and what cannot be done. A lot of creators in the space try do too much and while I get the need to push boundaries, there comes a point where you need to reevaluate what you are trying to make and determine how you are going to do that moving forward. That is not to say you can only make a specific brand of audios and anything other than that isn't Audio RP. No cut that shit out, that is being an asshole. You can make whatever Audio RP you want, it just needs to be audio RP. At the end of the day, the goal is to make an audio where the listener feels like they are a part of it. How that looks can differ and that's okay.

*I'm adding onto this by saying that you can experiment with the medium of audio RP, different genres of it are valid (people like what they like) and there is no one way to do Audio RP and anyone who says there is a way is lying to you.

In conclusion, I want to add that a part of the list of reasons people don't take Audio RP seriously (on top of people not respecting VAs, people not being considerate, people treating Audio RP like they do fanfic and people just being people) is because we as a community are all over the place and don't even enage with our own community right and don't know to respect and treat the medium the way it should be. That's all folks!

[hollowed-theory-hall]

Hi! Me again!

Lately I've reading a lot of Harry/Severus fanfics and I think it's a interesting ship. Do you have any thoughts about Severus as character? And what do you think about the ship Harry/Severus? Do you think it could work? 🤔

I look forward to reading your thoughts on this.

Spirea ✨

Hi again 👋

Took me a while to get to this ask, and like with all things shipping, ship whatever you want, have fun, it's fictional, and these are just my thoughts.

So, I obviously do have thoughts about Severus as a character. It's hard not to when he's as relevant as he is to the plot. I mentioned my general thoughts about him here. The summary of these thoughts is that I find him interesting for a multitude of reasons, and I like that he's usually competent, if emotionally unstable.

Now, about Snarry, personally, I'm not a Snarry shipper. A few years ago, I tried to read some Snarry fic, out of curiosity. Like, when I see a ship idea that either intrigues me or makes me go "wtf?!" in a good way, I often check out a fic or two, just to see what's it about, see if I'm interested. In the case of Snarry, I wasn't.

Like, I read a lot of Severitus (Severus as a mentor/father figure to Harry) around that same time, and I preferred that dynamic over the romance.

Now, ignoring my own preference, would this work?

Eh... depends on how you define work.

Like, this relationship would be a mess for so many reasons (which I guess is part of the appeal). Like, even ignoring the age difference and student-teacher taboos or if we're talking post-war Severus-lives AUs, this is going to be messy.

Like, a lot of fans talk about Sirius projecting James onto Harry, but I don't think he does, if anyone is projecting James onto Harry, it's Severus. He does treat Harry more like an equal threat than a student (which lends itself to Snarry if you wanna go there), but it also means Severus spends the books having no idea who Harry is until pretty late in the story when he starts glimpsing that maybe he isn't James, but then chooses to ignore all these glimpses. He is actually, legitimately terrified of Harry.

Like, Severus doesn't allow himself to see Harry as a separate person from James, who he despises. So, you gotta work through that to make the ship work.

Harry is a very empathetic and forgiving person, so I'm not putting forgiving Snape and moving on with his life past him, since it's kind of what he did anyway.

The reason I liked Severitus is because Snape and Harry have things in common working for their dynamic. They both had abusive home lives as children. They both share the responsibility for something so much greater. Severus in the books isn't just living for himself, he's carrying this fucking war on his shoulders, and by book 7, Harry is too. They are two characters that due to their respective traumas and life circumstances never really got to have a childhood (and in Snape's case an adulthood, since he didn't really choose to be a teacher) So they have the potential to understand each other so well under different circumstances.

I also think Severus would appreciate Harry's sass the moment he stopped seeing him as James and stopped perceiving the disrespect as a threat. And in Severitus, I like that Sev is a connection to Lily Harry usually doesn't get (since Sirius and Remus only really talk about James) but in Snarry, it's kinda icky for me.

Like, I don't like that Severus would be projecting either James or Lily on Harry in an equal relationship because he kinda would. He already does, and it's going to be a mess.

I'm also not sure how well their temperaments would really work together. Like, they're both not great with emotional regulation and are inclined towards anger and petty retribution/vengeance. It means that whenever they disagree with each other on the smallest thing ever, it'll be super easy for it to blow out of proportion and become big because they have a point. Like, Harry would say something cheeky that'll anger Snape more, and it doesn't matter if they are at school or post Hogwarts, their relationship doesn't matter, Snape's gonna say "twenty points from Gryffindor," on instinct (could be really funny in a post-war story, not so funny if Harry's a student). Like, their relationship would just be very volatile, which is not something I'm personally into, but that you're allowed to like in fic.

Basically, they will need to put a lot of work in to make their relationship work and for them to stay together as a romantic pair. Severitus is different since there is a clear power structure, Severus doesn't feel threatened by Harry and Harry knows Severus isn't his peer in that dynamic. Romance is different, since to make a romance work, they need to see each other as equals, which for Snape, means seeing Harry as a potential threat to himself and his image, and for Harry, it means treating Snape as someone he can sass and disrespect (which would make Snape's fears worse, and kinda what we see in the books).

And that's before talking about Snape's guilt about this relationship. Like, he already hates himself and would take any excuse to hate himself further while pretending it's all fine, he'll insist that everything is good through gritted teeth and the veneer of pride. Especially if Harry's still a student, Snape knows it's wrong, and he shouldn't, but he still would and crucify himself inside his own mind. He'd imagine Lily screaming at him over it, or something. So that, like, adds to the mess. Even post-war I think Severus would think he shouldn't for so many reasons. He'd find more and more reasons why not. So, like, Harry would need to be the one to pursue the relationship, and I don't really see him doing it without substantial divergence/AU sprinkled in.

Like, I don't think they would realistically get together, but fic is fic, and therefore anything could happen. These are just my thoughts.