#i thought it would be a fun little thing to add since they had similar childhoods in this au

[phantom-0-writer]

prompt 02: tim’s birthday present

Tim sat in his empty house at the empty dining table. The table was actually quite large; it had enough seats to sit at least 15 people. But there was just Tim there. 

His parents had promised and sworn up and down that they would come back in time for his birthday. He had everything planned out. He picked out the birthday cake, put on the candles, decorated, ordered his parents' favorite foods, his parents' favorite movie for movie night, popcorn the likes. But that morning, just when Tim was double checking to make sure everything was ready for the most perfect birthday ever, his parents had called to tell him that something really important had come up, and they wouldn’t be able to make it. Tim figured it was better than last year, at least they called this time. 

Tim stared down at the cake, the candles lit. He had heard online that people would make wishes on their birthday cake and blow it out. Tim thought that was a weird thing to do, but it wouldn’t hurt to try. 

What should he wish for? It would have to be something special that he doesn’t already have. Tim thought for a long moment, the candles bleeding into the frosting of the cake. 

A brother. 

Tim closed his eyes and put his hands together like he’s seen the other children to do in the cartoons. And Tim wished for a big brother. When he finally wished hard enough (whatever that meant) he opened his eyes and blew out what was left of the candles. 

Tim waited. What exactly was he supposed to do now? In the cartoons, everyone would celebrate and cheer and the birthday boy would open his presents. There wasn’t anyone to cheer for Tim, or any presents for him to open. 

Suddenly the house shook, and the loud sound of a crash sound came from the backyard. Quickly, Tim did the sensible thing and go check out what the noise was. That's what the characters always did in horror movies. 

In Tim’s backyard, there was what looked like a weird space ship that had crashed into his backyard. There wasn’t any fire or anything, but the spaceship looked pretty wrecked. Getting closer, Tim could vaguely make out that someone was inside the spaceship. Looking around, he saw what looked like maybe the handle. Tim couldn’t really tell. 

When Tim put his hand on it and tried to open it, something poked out mechanically and pricked his finger. He flinched back instinctively, caressing his finger tip.

“Recognized: Danny Fenton. System Override.” A robotic lady spoke. Who is Danny Fenton? As if to answer him, the space ship opened its hatch, and inside was an unconscious black haired teenager. “System Malfunctioning. Please Assis-” The robotic voice spoke again, before getting cut off as if the power had died. 

Suddenly, Tim remembered his wish. A big brother. 

This was Danny Fenton, and he was supposed to be Tim’s big brother

----

When Danny woke up, he found himself in a very soft plush something. Something that definitely wasn’t the Spector Speeder. Alarmed, he sat up quickly to find that he didn’t recognize where he was at all. He also didn’t recognize the weird kid that was staging at him from two feet away. 

“Hi, I’m Tim. Timothy Drake.” The boy introduced himself almost business like. 

“Uh, hi Tim.” Danny responded awkwardly. “You got any idea where I am?” Danny sat up properly, moving the blanket (?) off of him and turned to face the weird and kinda creepy kid. 

“You’re in Drake Manor. Which is where I live.” He answered again. 

“Ok…ay” Danny nodded thoughtfully. “Any idea how I got here?” Truthfully, Danny hadn’t really been expecting an answer, but he still got one. 

“Because I made a birthday wish to have a big brother.” He answered in the same way he had answered the other question, very matter-of-factly. 

“Ok- Wait. What?” Danny asked, doing a double take at Tim. 

“You’re supposed to be my big brother, right?” Tim was starting to look a little hesitant, and as weirded out as Danny felt he couldn’t help but feel bad about the whole situation. 

“Where are your parents, Tim?” 

“There not home, because they had really important things to do for work.” 

Danny nodded. “Do you know when they’ll be back?” 

Tim shook his head. “They were supposed to come back today, because it’s my birthday. But they said they couldn’t make it.” 

Well, shit. Didn’t that sound awfully like Danny’s birthdays before he had given up on his parents showing up. At least he had Jazz. This kid looked like he was alone. 

Not liking the silence, Tim started fidgeting again. “So, are you gonna be my brother, then?” 

And what was Danny supposed to say, No? Besides, if he was really causing problems being in this random universe, then Clockwork would figure it out. 

Bonus: 

Danny sat at Tim’s dinner table, the kid looking at him radiating in excitement, each with a plate of stupid expensive pasta in front of them. “You said your name was Tim, right?” Danny started thoughtfully. Tim nodded, drinking up everything Danny said. “Well, first course of action as you, big brother. I need to give you a nickname.” 

Tim’s eyes sparkled at the prospect. “Like what?”

Danny tapped his chin exaggeratedly, “Hm… Tim, Tim.” Turing the name around while he absentmindedly twirled his fork between his fingers, Danny wondered what he should come up with. Suddenly, in a misplaced strength, Danny’s fork flew out of his hand. 

Before Danny could even say anything, “I’ll get you a new one!” Tim offered quickly. Getting up from his chair, his foot got tangled behind the leg of the chair and Tim fell quietly on the floor with an oof. 

Danny laughed at him. “You okay, Timbers?” He asked, getting up to check on the boy. 

“Yeah, I like Timbers.” Tim said, a bright smile on his face despite the blossoming bruise on his arm.

------------

table of contents

[greg-montgomery]

Please just the team telling r about HOW MUCH OF A SOFT SPOT AARON HAS FOR THEM like god he’s literally such a grouch to Morgan and prentiss but he kisses the ground you walk on and they’re like BESTIE GET A GRIP HES WRAPPED AROJND YOUR FINGER bc reader is convinced he doesn’t share their feelings and he’s just being polite </3

♡ ♡ ♡ ♡

“Guys, please stop. You’re giving me false hope,” you sighed, dropping your hands on your lap. “I know you’re only trying to make me feel better, but honestly this is making me feel worse.”

“False hope? Sweetheart, the man is in love with you,” Derek said.

“No, he’s not.” You pouted.

You regretted ever telling your friends about your crush on Hotch. What you expected was them making fun of you for it. What you got were daily lectures on how your boss had the hots for you.

“He makes you coffee every single morning,” Emily pointed out.

“He’s just being polite!” you argued.

“We arrive here at the same time every day and he has never made one for me.”

“I’m sure there’s an explanation for this,” you said. “Maybe he thinks you won’t like it the way he makes it. But he knows I do, so that’s why he only does it for me.”

“Okay…” Derek spoke again. His eyebrow was raised, showing he had a very good point to add. “What about when you got hurt last week? It was only a scratch on your cheek but Hotch was ready to drive you to a hospital.”

“Now you’re exaggerating!”

“I saw him cupping your cheeks, it’s true!” Emily exclaimed.

“I also saw that,” Spencer, who had just been observing the conversation, added.

“You too, Spence?”

“Sorry.” He lifted his hands up in defense. “I’m only pointing out what I saw.”

You crossed your arms against your chest. There was no way you’d let them get to you. If you let your heart believe that Aaron had feelings for you then it would break even harder. “He’s like this with all of us.”

Emily moved close to you and took your hand in hers. “No, he’s not,” she said with a smile. “How can you not see it? He looks at you like you’re his sun and stars.”

“We could have an experiment,” Spencer suggested.

“What kind of experiment?”

“Emily got yelled at yesterday for making a mistake during paperwork,” he explained. “I can see you’re preparing a similar report today so you could make on purpose the same mistake as her. Let’s see if he reacts the same way when he sees it. If he yells at you too then that means he treats you the same way he treats all of us. If he doesn’t…then you’re his soft spot.”

“Fine,” you agreed. “Only so you can all finally stop torturing me with this.”

A few hours later, your report was on Hotch’s desk.

“Y/N?”

You heard your name in that warm voice of his and lifted your head to look at him. He was standing at his office door with a smile, certainly not looking like a man about to start yelling.

“Can you please come to my office for a moment?”

“Of course.”

Walking up the stairs to his office, you could feel the stares of your colleagues. Time to prove them wrong, you thought. Even though, you were secretly praying for the opposite.

“What do you need me for?” you acted naive.

“I was just looking at your report,” he said, sitting down on his chair. “And-”

“Oh no, did I make a mistake?”

“No, it’s nothing important!” he rushed to reassure you. “It’s just some little thing. I only wanted to show you so you know the correct way to do it from now on.”

There was a sweet smile on his face. His voice was soft and not at all angry.

“Come on, let me show you.”

It didn’t feel scary to go close to him. So you did.

It was a bit hard to pay attention to him explaining your mistake, since you were staring at his fingers brushing the paper in front of you. It didn’t matter anyway, your mistake wasn’t an accident at all.

“Okay?” he asked when he was done.

“Okay. I’m really sorry, Hotch,” you said, giving him your best puppy eyes. If you were gonna do this experiment, you were gonna do it right. “I’ll be more careful from now on.”

“Why don’t you come to my office next time you prepare a report like this one? We can do it together, hm?”

“But you’re so busy, I don’t wanna slow you down,” you argued, your heart beating faster and faster as you realized that Aaron wasn’t angry at all with you.

“Nonsense. We’re doing it together next time.”

“Okay,” you said. “Thank you, Hotch.”

Just before you arrived at the door, you heard him calling your name. “Oh and Y/N?”

“Yeah?” you responded, looking back at him.

“The team is right.”

“Right on what?”

He smirked and dropped his gaze back to his papers. “You know what.”

You turned around to exit his office with a huge grin on your face. Sometimes it feels better when you lose.

[for-those-who-wait]

Hey I think I asked you about your Detroit become human au before a bit ago but I love the idea so much! I know you’re super busy but if you can I would love to see more about it!

Sorry for asking about it again I’m just really interested in it. 😭🙏

No please don't be sorry I love to talk about it whenever I'm not creatively bankrupt!! I'm just sorry it took so long for me to actually think of new stuff to add

I had some of these doodles already prepared but never really finished them up until I came up with a cute little idea

I didn't think of where to put in Flapjack until I remembered that android animals existed, and then I had a brain blast moment where I realized that Hunter can still talk to Flapjack! They are little android buddies, they can interface and talk and be friends!! I think it would also help to make him feel a bit more comfortable with his identity as an android to be able to have his little buddy to have fun private conversations with. Camila introduces them (maybe he had gotten hurt by a previous owner and she found him and let Gus fix him up) and Hunter is a bit tentative about it at first, but Flapjack is adorable and sweet and quickly wins him over

I just now had the idea that Gus, since he's super into android stuff, would probably be a big resource for software and hardware difficulties. Oh, you fell and your arm is working kinda wonky? Call up Gus, he'll crack you open and take a look. The dude doesn't mind in the least, he freaking LOVES going down mechanical and coding rabbit holes to better understand how androids work. I like to think that if Hunter ever got hurt and chose not to accept help because of body/species dysphoria, Gus would be a really good resource for him to try and feel as normal as possible while he's getting fixed. Gus is his brother and he loves him and they're just good to each other okay? Gus would probably crack some jokes or something to get Hunter's mind off it, or infodump about android organs or something (and Hunter would be begrudgingly interested because they are nerds, and Hunter is interested in androids too underneath all the problems he has with deviancy. Like dude they're robots, what's not to love?)

Also some Gus being so over Hunter's "androids can't feel love" phase featuring Vee and Masha being very adorable and very obviously in love :) Hunter is a very silly stupid man. He will find any way to make literally everyone exempt from the terrible rules Philip fed him, except for himself

I'm trying to think of a potential situation that would parallel Hunter's possession, and I think it would probably be basically the same thing that happens in Connor's deviant path (when he deviates and joins the revolution as an ally) where Amanda (a separate AI in his programming that's basically how CyberLife keeps him in check) takes over Connor's programming last minute to try and put a stop to the revolution.

So my current thought is that Philip is basically using Hunter as a trojan horse. His main programming is to act and believe like he's a normal human but similar to Connor, he's basically a sleeper agent without knowing. I imagine that once Hunter gains access to his software (thanks to Vee and Gus), he starts finding programs and files that are labeled as pretty scary things. He shouldn't have to know the most efficient way to shut an android down or incapacitate a human.

If and when Philip finally goes looking for Hunter and sees the first android he's seen in Gravesfield besides Hunter (aka Vee), he's not going to take that well.

I haven't drawn anything for it but so far I'm thinking that he takes control of Hunter's programming, maybe through some taking advantage of his interfacing system, and locks him in his own head a la Connor and Amanda to sic him after Vee and Flapjack (assuming that Philip's main goal, similar to both canons, is to eradicate deviants). It's likely that his friends will try to apprehend him, Vee or Gus will try (and maybe fail a couple times) to delete the programming while Camila deals with Philip. The guy is old and decrepit and Camila would absolutely whoop his ass with the ease of swatting a fly.

Things will be fine; Vee is all good and they manage to delete whatever programming screwed with Hunter's control, but that kid is going to be HELLA anxious about interfacing again from then on since he's afraid of 1) losing his own control and 2) potentially passing the virus onto someone else. It could go two ways at that point: Hunter could either kill Flapjack since Flapjack is technically a deviant android and therefore a target, or we can be nice and let Flapjack live to help him heal from this brand-new trauma.

So yeah hopefully that sates some curiosity! I'm glad you're interested in it because I honestly really love to think of new stuff whenever my brain decides to work hahaha

[saguette]

What do you think Johnny's art looked like before he was stripped of his powers? This is something that bugs me a lot, and I'm curious about what you think.

ok i needed to draw a few shitty pictures to demonstrate cuz i wanted to talk about more than just his previous art but his art journey in general IDC if there's some canon tweet that proves something i said wrong or out of timeline these are my headcanons and projections so you either like it or not.. anyways I think his style pre-pre-JTHM (lets say 15-18) depicted many things, He was good at realism and fluctuated just fine between stylized art and big hefty works with a lot of detail. His stylized works looking similar to Jhonens and the whole 2000's artstyle cuz its fitting.

Of course he's like, a late teenager around this time so its GOOD but not perfect. If you pulled up a few of his drawings from this time he would probably be embarrassed by all the disproportionate limbs and goth girls he sketched and thought were badass. He probably has old sketches of friends in his style regardless if they asked to be drawn or not since his art was something he was proud of and people around him made him feel proud of. His old art also feels like it'd have anime elements unintentionally to add to that amateur artist swag. Johnny doesn't like anime copies but stuff he rips inspo from was anime inspired so it rubbed off on his work too. Moving onto PRE-JTHM (18-20) Is when his art started to get more serious and complex. In his happy era he took to drawing lovecraftian horror sometimes but it was always the secondary focus of any drawing.

Moving out and growing up was around the time his mental state started to worsen and he started using art to cope with emotions rather than just use it for fun, drawing complex monsters was a subconscious way to depict underlying mental illness that's out of his hands. He cant depict what he doesn't know he has, he can only scribble things that feel someone close to him because there is no physical appearance to emotions. He never liked his art around this time because it always felt unfinished or wrong or like it just didn't interpret what he wanted right. Overtime his art lost coherent appearance, quality, and meaning which made it feel worthless. It wouldn't be all that bad but it reached a point not even he knew what it was trying to be and it was frustrating. How can your own art not make sense to you? Its weird to let your hands go and do their own and you not recognize what they're trying to say. Which leads to SHORTLY BEFORE JTHM-and later.. Johnnys NEW preferred method for art currently is a little abstract, it became two extremes of the same thing; nothing. his art lost alot of what it used to be so he says he cant draw anymore.

Johnnys lovecraftian horror art slowly engulfed itself over time and always becomes an abstract mess. Its purposely made to be incomprehensible by having too much, regardless if its creation is poetic, an outside view not being able to tell what it is or how much work went into it is on purpose. its metaphorical or whatever.. Johnnys fucked up or something.. Whereas Noodleboy i imagine was made by him drawing a stickfigure one day to see if he can still "draw" and overtime gave him his features like angry eyes and that big hair, creating his own sort of vent sona to replace the sketchy abstract art he used before. Noodleboys chaoticness is too sporadic to rip any meaning off of, he also purposely represents nothing. His existence uses up paper the same way, just without all the extra effort. SORRRYYYY long tangent thats probably super messy i just winged it. but i cant help myself ive thought about this for a while ik i didnt strictly answer the question but i had so much more to say

[midnightmah07]

Hello Mah! ♡

I'm actually so curious from your post on Trey that I just wanted to ask... if you were going to design Trey as a character, how would you make him look? ♡ (or, how would you want him to look?)

Thank you! ♡

OH MY GOODNESS I LOVE THIS QUESTIONNNNNN UHMMM I THINK—

Ok joking aside😭 I ACTUALLY MADE A DESIGN FOR MY VERSION OF TREY... SIMPLY BC THE IDEA OF REDESIGNING HIM WAS SOOOOO FUN

I will ramble a bit on my desicions, my inspirations and the personality traits that I changed/added since I also wanted to do something else with Trey's personality, sorry Sheepie I just think he's a tiiiiiiny bit boring to my taste💔

However!!! Before I go on and on I just want to say, this is NOT me hating on Trey by any means, while he might not be a character I'm excited about, I do understand that there are people (like our lovely Sheep here💙) who really love him and care for him just the way he is, and I'm happy for that!! I just did this because i thought it would be fun :)

Appearance!! (Ryu from Kimi ni Todoke, Kim Namjoon and Kurosawa from Choking on Love)

I wanted to change Trey's hair DESPERATELY because I personally don't like Trey's haircut, I don't think it looks very flattering on him💔 So! I gave him a buzz cut!! While I'm always saying I love how men look with longer hair, I absolutely adore buzz cuts, so I thought an easy fix would be giving him a haircut that I think would be flattering to him, taking inspiration from all of these but specifically Kurosawa, I even gave Trey an earring like Kurosawa lol

I like thinking my Trey is more muscular than canon Trey, maybe even a bit taller? He's just a bit more buff generally speaking, I think that adds a fun touch✨

I also wanted to make his face shape similar to Namjoon, I made it a bit rounder and I also gave him dimples, which I think would be such a cute little detail everytime he smiled (which isn't a lot so... Hehe) :]

His clothes didn't change much, but I took inspiration from how Ryu wears his uniform, so I got rid of Trey's tie, but kept the rest the same! Also, I changed the placement of the clover symbol because I didn't like it before, I kinda still don't but? I think it looks better on the corner of the forehead

Personality!!

Trey's personality is lovely yes but a bit bland to me... So I took a lot of inspiration from Kurosawa, Ryu and even Mori from Ouran and decided to make him more reserved, quiet even. My version of Trey is a guy who looks intimidating on the outside, he doesn't smile all that often and he usually doesn't speak much, but he's actually a really caring guy, and helped Yuu and the others bake that tart with no problem really, as he wanted peace in Heartslabyul to be back again

I like thinking that my version of Trey wouldn't be like that when he was a kid, but he became more quiet after what happened with Mrs. Roseheats. So, my Trey would've felt so guilty for the humiliation his parents and Riddle had gone through, that he started believing it wasn't worth speaking out anymore, so he simply stopped speaking much ever since that day, he became super obedient too, and that's also part of the reason why he let Riddle continue with his awful behavior

My version of Trey would still be great a baking, and it would be a surprise factor for a lot of people, since he doesn't look like the type of guy who'd bake, (in my head Deuce even confused him for a delinquent, which couldn't be farther from what my Trey actually is lol) I think it'd be a fun detail to add... Also, I'm so sorry, but I'm taking away the Trey liking tooth brushing as a hobby... LIKE IM SORRY WDYM. THAT IS NOT A HOBBY DUDE. WHAT😭😭😭 My Trey is still interested in this very niche thing, maybe he even wants to be a dentist instead of continuing on with the bakery, but it's nowhere near the same level... His hobby could simply be baking itself

Anyways!! I think that's it?? I'm sorry this is WAYYYY TOO MUCH SJDJSJSKSKSJS BUT I GOT SUPER EXCITED..... Sorry to have changed your man sm Sheepie😞

[archaeologysucks]

Yesterday I broke through a long-standing brick wall in my family tree, and was finally able to connect one of my ancestors with her parents and siblings, which is pretty damn satisfying. It was a case of women getting lost in the records when they remarry and change their names, which is unfortunately extremely common. I also got to add another wild story involving bigamy and legal turmoil to my family history, and that's always fun.

I knew a lot about my great-great-great grandmother Mary Emeline Brown (1833-1910), but unfortunately the earliest proven record I had for her was her marriage in 1848 at the age of about 15 to John M. Armstrong in Jerseyville, Illinois. This meant that on the earliest census record (1850) that lists every person by name, she was already married, with no clues about her family of origin.

All I knew was that her maiden name was the extremely common Brown, and that her death certificate named her parents as John Brown and Ruth Nelson, with no indication who had given that information or whether they knew it to be accurate.

There was a prominent Brown family in Jersey County, Illinois, however, and I was sure Mary was connected to them somehow, but I couldn't quite prove it. I knew where her husband's grandfather and uncle's land was, and where the Brown lands were, so I made a map to see if that would help. I was able to prove that the Armstrong lands lay on the same major roadway as those of a John Brown (1790-1872), a few miles to the east, and for a while, I thought that might be Mary's father.

The only problem? There was no Mary listed among this John's children, and no obvious gap she might have fit into. Also, his wife's name was Margaret Piper, which is not very similar to Ruth Nelson. Well, maybe Ruth Nelson was not John's wife. Maybe Mary was born out of wedlock. Such things weren't uncommon. Damned if I could prove it, though, without doing some complicated DNA work, or finding some court documents that stated her paternity.

For a long time, I was stuck there, at the same dead end my grandmother had arrived at when she first started working on our genealogy in the 1980s. Just about everyone who listed Mary on their family tree on Ancestry.com gave her parents either as this John Brown, without offering any corroborating evidence, or else simply as John Brown with no additional information at all.

Well, the other day, I decided to dig a little deeper. I went through every single family tree that included Mary, to see if I could find even one clue that might point me in a useful direction. And I found one: a single ancestry tree that listed Mary's parents as Vincent Brown (c. 1805-1834) and Elizabeth Wilson (1810-1892). And more importantly, the researcher had explained their conclusions, which is something surprisingly few people on Ancestry.com ever do.

When Vincent Brown died in about 1834, he left a wife and a few young children, but because he was a young man, he left no will naming his heirs. However, court documents for his estate mention a child with the initials M. E. Brown as one of his heirs. This is not proof, but ….

In 1839, when Mary would have been about 6 years old, Elizabeth Wilson Brown remarried to Jonathan Routh, whose surname some sometimes spelled Roth or Ruth. It's not impossible to think a later relative might have heard the name Grandma Ruth, wife of Jon, associated with Mary's mother, and assumed that was her first name, confusing Wilson for Nelson as her maiden name, and also assuming Jon was Jon Brown, since that was Mary's maiden name. This is also not proof, but ….

On the 1840 census, which only lists the head of household by name, with numbers for each sex and age bracket for all other household members, all the known children of Elizabeth Brown and Jonathan Routh (spelled Ruthe on this record) are accounted for, and one is a girl between the ages of 5 and 9, who could be Mary. This is also not proof, but ….

Jonathan Routh and Elizabeth had three more children, but he decided not stick around. In 1845, he left Illinois for Texas with no intention of returning, and he did not bother to grant Elizabeth a divorce first. In 1852, he remarried in Texas, and had several more children. He served in the Confederate Army during the Civil War and died in 1864. In 1871, Elizabeth sued his heirs in Texas for half of his estate, because she was still his legal wife. The case went to the Texas Supreme Court, and she was ultimately awarded 1/4 of his estate ($750) in 1883.

When Elizabeth Wilson Brown Routh died in 1892, her estate probate documents named all of her heirs, which at that time included many grandchildren, one great-grandchild, and one surviving daughter: Mary Ernest. By this time, Mary E. Armstrong had divorced my great-great-great-grandfather John M. Armstrong (and good for her, because he was a piece of work), and remarried to Albert Ernst, a man 20 years her junior who owned a brewery. Well done, grandma.

Is that proof that my Mary Emeline Brown Armstrong Ernst was the child of Vincent Brown and Elizabeth Wilson Brown Routh? Well, no, not really. But it is compelling evidence, and a strong lead that I can follow up on by digging deeper into Jersey County, Illinois court records, and looking into what became of her theoretical siblings for additional clues. Importantly, there is nothing here to contradict the idea that this was her family. I am fairly confident that this is them, and that it's only a matter of time before I can prove it definitively. I love solving historical mysteries and puzzles!

[br7ght]

Captain's Night Out (Part 2) Lucy Bronze x Alexia Putellas

summary: Lucy and Alexia continue their discussion in more detail...

warnings: still none... yet

pairing: lucy bronze x alexia putellas

word count: 400 words

14/02/2024, save the date lesbians, me and @occasionallyaurora have been working relentlessly on this

“Would you be open to having two extra people in your bed for a night?”

The words tumbled out of Lucy’s mouth before she could even realize. She watched with held breath as Alexia’s eyes widened. The blonde’s look of confusion quickly transitioned to one of dark lust; one that Lucy didn’t know how to process.

“Don’t you think I already have enough people in my bed?” Alexia giggles, smiling at Lucy as the brunette quietly lets out her held breath. Her head tilts to the side as she studies Lucy as she answers the original question. “I’m sure there would be room for two more if you're both serious about it.”

“Deadly serious.” Lucy nods, feeling her confidence slowly return, a small smirk playing on her face. The action had Alexia’s eyes lighting up, teeth catching her lower lip between them, biting gently. Alexia’s mind raced with all the things the five of them could do together. The captain wouldn’t lie to herself, ever since Lucy and Ona had arrived at the club, they were the teammates she would fantasize about.

“We’d have to make it fun, wouldn’t we?” A devilish grin fills Alexia's face and Lucy catches her drift immediately. Under the table, Lucy had her thighs squeezed together as her mind too filled with thoughts meant for the five of them.

“We could always play a little game with them,” she adds, causing her captain’s smile to broaden.

“Jenni won’t take nicely to being toyed with,” Alexia states. The words helping Lucy to better understand the intimate relationship between the three of them. “But I know who does.” The blonde winks and Lucy lets out a laugh, downing the rest of her drink.

“I believe our girlfriends may be more similar than we thought,” Lucy half-jokes, placing the glass back down on the table. Her hand gently strokes the length of several of Alexia’s fingers, the gentle affection an outcome of the openness between them, despite their shared tipsiness.

“Come to ours after the end of year celebration, just bring Ona. I’ll sort out the rest,” Alexia smirks. Lucy nods in agreement, and leans in to kiss the blonde’s cheek. The captain turns so she misses completely. “Now, now, Lucia, not yet.”

“Oh, don’t you worry, you’ll get what’s coming to you, capitana.” Lucy teases watching Alexia cross her legs, gaze fixed on the brunettes’ body - the way her arms flexed as they sat crossed across her chest and her dark eyes glaring straight back at her.

“I’m sure I will. It’s all in the cards, love.”

[gutterfuuck]

i literally have your post notifs on now 🫣 that conquerer mark fic was soooo good omfg 🙏🙏 while it’s kind of on the topic of bff mark, would you be able to do like…childhood friends mark that knows the reader is attracted to him (probably in love with him) and kind of uses it to manipulate her? or something similar idk LMAO i’m just in love w the childhood friends/friends to lovers trope and i think u could put a really fun and dark spin on it!

mdni! possibly uncomfortable for some, will add tags soon so please bare with me! not very smut like, some at the end.

this is just a small drable, i will extend on this idea! please enjoy!

i very love this idea; i already know exactly what i will do with this hehe. he's been aware of your little secret crush on him since you both started highschool, thinking nothing of it, thinking that you would eventually grow out of him… until you don’t. you were certain that you were destined to be.

that was until amber came along. you felt threatened, terrified that she would take him from you- she was gorgeous-and he knew it tore you up inside. when college came around; you almost gave up on him. you thought back to how he had knocked on your bedroom window floating one day making you panic and almost scream awake the entire neighbourhood. oh how you wished that he had stayed by your side.

you scrolled through the newsfeeds on your phone, watching back mark-invinvible's - fight today, pining for the sweet boy that you had fallen in love with. you felt as if you needed mark grayson to eat, sleep and drink.

he flew through your window, taking you by surprise as he nodded his head at you as a quick greeting, disappearing into your bathroom in his suit and emerging a second later in no shirt and pajama pants. "thought i'd do a quick check around the city before bed." he spoke, your eyes quickly glancing at his body, observing him. you were sure he wouldn't notice, you'd been doing this for years and he hadn't even paid you no mind.

that wasn't true. mark saw the way you looked at him. not just now, but all the time. he could see the way you mourned for him, heard the way you touched yourself for him, jerking off to the sounds of your hopeless shameful cries afterwards, slowly slipping into despair as you tried to wrestle with the realisation that mark was with another. he craved it. craved you, wanted you.

he wanted to get off…

you were his best friend, so when you watched him slump onto the end of your bed and listened to him complain about his relationship, you comforted him, you heard him. you felt guilty to admit it, but your heart fluttered at the possibility of amber being out of the picture. oh you felt horrible.

mark knew how you felt: euphoric. you were hoping on their downfall. mark and amber were actually only on a little break. “it’s just been rocky recently,” he would get back with her eventually. “we should try seeing other people.”

and he sees right through you, sees right through his pretty little friend. he doesn’t hesitate, his hand resting on your lower back. “i know you like me, i’ve seen the way you look at me.” he speaks and you flush, wanting the bed to open up and swallow you whole. you try to speak, but are interrupted by mark. handsome, strong, sweet mark. “i’m kinda pent up… just- i don’t know.. i don’t wanna make it weird,” he rubbed the back of his neck with his hand, shrugging along with his words. take the bait.

“me and amber— not so active anymore. if you get me.” what was he getting at? you thought your heart was going to pop out of your delicate little chest.

and then he finally pops the question.

before long, you’re on your knees, mouth stretched around your best friend’s dick, drool leaking from the edges of your mouth as he rocked his hips into your face, “c’mon now, i thought you liked me… hah- are you gonna start being a good fleshlight or am i gonna have to go next door and finish inside of amber, huh?” his words were lost on you, the only thing you could focus on was the way you had finally gotten his attention; you were finally useful to him.

[ganondoodle]

one of the things in my totk rewrite that im most confident about is removing the building gimmick (to put it in another game truly build around it, its such a waste here imo) to add the hookshot instead

everyone loves the hookshot, i have never heard anyone say they didnt like it

in a world like botw it would be a perfect fit- it adds a unique and different movement option while-

it does not destroy the world design (like the building aspect does, though the towers also need a different function, letting you fly anywhere and skip everything everywhere all the time, including puzzles in both shrines and dungeons, something like that in a world thats build around climbing and gliding WILL end up destructive to the world design without really careful changes and balances .. that absolutely werent done in the game)

opens up a whole new way to think and do puzzles in a way that wasnt there in botw

preserves the feeling of dread when high up or in the sky, since falling is still a danger even with the parasail ( bc removing almost all warp points up there makes the danger being loss of progress rather than the fall itself- removing the parasail as a whole for the entire game is not an option and it will always be a security to not die by fall damage, so there should be a different danger even if im usually not a fan of loss of progress pressure, the bird mechanic i mentioned in other post would also help you not lose everything even if you make a mistake)

it makes climbing easier WITHOUT making it obsolete or skippable, especially with adding the main way to get up to sky islands as islands to climb up via the hookshot, its just adds another way to interact with the terrain instead of .. not interactign with it at all, the range is still limited and you still have to cling to the wall and get down to shoot it again

it being built into links prosthetic shiekah arm makes it more unique both in looks and mechanic/narrative aspects so i dont think it would be boring to have an old 'item' reused in a new way, especially together with the rest of the abilities- like it being not an instant 'pulls you to the thing' but a reactivatable one instead (so you can grab things to move them if lightweight enough similar to ultrahand)

bosses can benefit from it too, imo one of the coolest things in twilight princess was grabbing onto a boss to pull yourself to and onto them, being able to do that even to smaller ones shadow of the colossus style would be so neat

grabbing onto something moving and not pulling yourself immediately to it opens up not just fun but also funny scenarios aka you being flung around by whatever you grabbed (grab on a dragon ...weeeeeeeeeeeeeeeeee- on a lynel ...'ragdoll chaos')

(with the removal of building and thus the majority of all the puzzles being fly thing from point A to point B not being a thing it also makes way for cool kinds of ways to get to the next sky island for example- a thought i had was making the reason they fly and are practically invisible from most angles being that they are swimming in a special kind of cloud that hides them due to breaking of light in certain ways withing them- thus hiding it from below most of the time, eliminating the problem of 'sky too full' which was apprently a reason why they removed alot of them too, and it would be incredibly fun to be able to poof into little clouds (they look a certain way so you know which ones you can swim in) also! lil cloud bridges between islands! a boat to surf on them high up in the sky! mario galaxy vibes!

probably more im forgetting

anytime i think about the hookshot mechanic i get so sad bc i just keep imagining how much you could have done with in totk and desperately want to play that :U

[bedoballoons]

Hi again!

I loved what you did with my ask and I was wondering if I could get something else!

Do you think I could get genshin guys (Childe, Kaeya and Ayato because I always see this happening with them and you can add anyone else you seem fit if you want) with a reader who kinda just shuts off when degraded, as in they just hate being degraded in any way and just breakdown if they get called something like a slut or whore or something? I know I hate being called those things and get kind of cold towards people if they degrade me and it just rubs me the wrong way when I see it in fics so I wanted to see if you would like to take this!

Feel free to ignore this by all means!

And do you think I could be your little flower girl my lovely? You seemed to like the flowers last time so have some more from me💐

Hope you're having a lovely night/day and hope to talk soon! <3

Dkrnktjj I hope you don't think I've ignored this and of course you can be my flower girl! Though I'm not sure if you meant anon wise or not? I do enjoy the flowers though! Thank you and here have one in return 🪻

(P.s: I think the MOST common person who gets written with degrading is Wanderer, so I decided to add him as well for anyone who loves him and not the degrading <3)

─⊰💕𝔾𝕖𝕟𝕤𝕙𝕚𝕟 ℍ𝕖𝕒𝕕𝕔𝕒𝕟𝕠𝕟𝕤💕⊰─

{༻~Cold from your words~༺}

CW: GN! Reader who doesn't like being degraded, slightly suggestive, cursing, slight angst to fluff!

(Includes: Wanderer, Childe, Ayato, and Kaeya!)

𑁍༄Wanderer:

"Wouldn't you like that, slut~"

You'd never fallen out of the mood so quickly...that word making your skin feel like ice. Of all the things he could have said...he choose to refer to you like you where a whore...

"What's wrong? I thought we were-"

"Yeah we were, then you called me a slut...and it bothered me. I'm sure there are people who like that, but I'm not one of them...call me baby, call me love but don't degrade me okay.." You moved away from him and looked at the floor, wondering if hed get upset with you. He was Wanderer after all and he could get a bit rough with his words..

"I..should have asked. I'm sorry, but let's not let it ruin our good time okay? I won't use degrading names again."

Your eyes widened in shock, since when had he been so understanding...and kind? Maybe all this time around other had softened his heart...or maybe you had.

𑁍༄Childe:

"I could make you beg like a little bitch~"

You paused mid kiss and pulled away, feeling your whole body run cold at that word, "I'm not a bitch..."

"Of course you're not really, I just thought it be fun to experiment a little~" He leaned in to kiss you again and you moved away from him, catching him off guard.., "I didn't mean it literally-"

"Then don't say it...I don't mind experimenting, but not with that. I'm not a bitch so don't call me one.." You looked away from him, waiting to hear his response...but instead your felt his arms wrap around you tightly.

"I apologize, truly. I won't call you anything like that again...will you forgive me? Cause I was really enjoying that kiss of yours~"

𑁍༄Ayato:

𑁍༄Kaeya:

"Oh but you've been acting like such a slut all day, how could I forgive that~"

Your smile faded almost instantly when those words left his lips, it didn't matter how attracted you were to him or how good of a kiss you were having, calling you that left you completely numb and awkward. "Ayato...please don't call me that."

He seemed a little taken aback at your response and he moved away from you, hoping to not make you any more uncomfortable then you already word. "My sincerest apologies, I will refrain from calling you that or anything similar in the future. I never wanted to make you feel uneasy. Please, is there any way I can make it up to you?"

"How about...we just eat some dessert instead?"

"Of course, I'll have Thoma fetch us something... again, I truly am sorry. I hope you can forgive me."

"Awe, but you're such a pretty little whore for me~"

"Wait what.." You pushed Kaeya away, suddenly feeling like the flustered moment you were having was all but gone. Mood ruined.. "What did you call me?"

"So sorry. I think I might have let my thoughts get the better of me, I was only trying to-"

"It's okay to try things, but let's talk about it first alright. I don't...I don't like being called a whore..." You crossed your arms over your chest, feeling uncomfortable, even a little upset by the whole thing.

"You're completely right...you know I don't truly think of you that way. I'm sorry if I ever made you feel like I did."

ଘ(੭*ˊᵕˋ)੭* ੈ♡‧₊˚~Have a nice day!~*⁠.⁠✧

[writella]

hi, sweetie! Hope you’re doing well. I just had the cutest thought that I wanted to share. And maybe if you want to add on to it as a drabble or something please feel free:) if not, then please just enjoy todays shower thoughts lol.

I’m thinking about a friends with benefits! reader and Daryl who find themselves travelling by canoe for whatever reason. And how they might get into some petty argument or even play fight that ends with them flipping the boat and the two of them just stand in the water, soaking wet and staring blankly at eachother with disappointment. Bangs sticking to your both your foreheads as the canoe slowly floats down the river along with all your dignity.

Take care! xoxo

Rocking the Boat

Synopsis: Daryl has been back home for weeks; the first attack against the Sanctuary is complete; Alexandria, the Kingdom, and the Hilltop are on their way to freedom; but nothing is the same as it was, especially not with you and Daryl. Maybe a house boat side quest will break the ice, or really, make some waves.

Details: This is set during the beginning of season 8, it includes violence, smut, a fwb relationship but feelings are involved, mutual pining, a little bit of switch Daryl and reader, and some sweetness because I think it’s just my thing at this point. ♡

A/N + Response: Hello, lovely miss T ♡ what a fun idea!! I love the imagery you set with the canoe tipping over, especially the bangs so cute— it was one of my favorite parts to write here! This is probably a bit unrealistic and much longer than I intended, so I think I might consider this a full one-shot as well as a concept, and… it’s also a bit sad? Just a little until we get to the good stuff, I promise ;) Anyway I hope you like it; let me know what you think!!

Daryl sat on Rick’s porch, his back against the poles, reloading his guns as you sped up the steps, “I think we should go back to the boats. Now.” Your voice was hurried, you had run all the way from your house, but he didn't even look up at you.

“Why would we do somethin’ stupid like that?” His voice was low, and annoyed. You didn’t expect to be greeted kindly, but at least he sounded like anything other than emotionless to you since the first time you saw him again; since the time he escaped the Sanctuary.

“There’s no one there. I saw it before I got back home. There were people with guns sitting outside the first time we saw it, but now there aren't.”

“A couple of guns ain’t gonna help us.”

“There had to have been a reason they were guarding it before.” Your words were urgent and your eyes pleaded for him to look up. “Any amount of guns could make the difference, Daryl. You know that.” You stare at him, waiting for nothing as he doesn’t respond. “Did you and Rick even find anything before you got back?” You cross your arms, “Cause it doesn’t look like it. And I think I just did.”

You had gotten separated from the group after the first attack against the Sanctuary: you ran without thinking, just trying to get away from the army of walkers stampeding the place. Straying off the usual path to Alexandria, you accidentally reencountered a place you and Daryl only saw once before. It was a time before Negan, before the Saviors. But now, remembering their jackets, and their weapons, and how their bikes looked parked at the shore, you realized those were three Savior cabin boats— fairly sized, a bit rusty, they had a shack like feel, but it was big enough to stand and sleep in. Maybe something of use could be in there, and at least it was something to do while you waited for the final attack.

Similar to Rosita and Michonne, you also got hurt by the scavengers— day zero of the war, when Sasha died— but the girls left you here, they didn’t even tell you they were going, you didn’t even see them leave. But you needed to get out too; you needed to help. “I’m going with or without you.” Your anger started bubbling at his indifference, “And I saw you talking to Tara, I know you’re planning something, so if you want to go off with her and complete your idiot side plan-”

“You’re the one with the dumbass plan.”

“- then that’s fine!” You glare at him, his eyes still so evasive, it infuriates you. “My objective is to find more weapons, before the final attack.” You lied, you both knew your objective was to rest before the final attack, “So I’m gonna go do that.”

You begin to walk briskly. You knew he was going to try to stop you. You knew he was going to come with you when he realized, yet again, he couldn’t stop you, or… you hoped he couldn’t… Sometimes you forget how much stronger he is than you. You had a smart mouth and you knew how to get a reaction out of him, or at least you did in the past, but he could pinned you down with one hand, making you completely immobile— it’s happened before. The thought makes you walk faster, heading for the nearest car. You were trying to make a point although you weren’t sure what it was. You were just tired of sitting around, tired of his treatment— mistreatment, actually. You knew he had reason to act curtly, what he went through was unspeakable, but you were still there for him, waiting, but he never came to you. Not even late at night. Not even to simply sleep.

Just as you’re about to reach the car you feel his hand wrap around your arm, you almost let it yank you. Your breath is a heavy mix of fear and excitement as he does so. Maybe you finally got something out of him. Maybe you still have it. Maybe you still have him. “We don’t got time for this,” he hissed. Then his jaw clenched, it almost looked like he was chewing on something, “but you’re forgetting the boat.”

“It’s a canoe.” You were pushing it with the retort, he was coming.

He grunts as he lets go of your arm, it slapping down to your side. You wait for him by the car as he retrieves the canoe and paddles from one of the house garages. You guys had found it a long while ago, never knowing when it would be of use. That time was now.

The ride toward the waterfront was irritable and depressing to say the least. You wanted to be around Daryl, you wanted to stop him from going off plan with Tara, but most importantly, you just wanted to talk to him; finally and for once. You all were on the biggest missions of your life, in the biggest war of your life… who knows where your fates would lie after this, but he has yet to say anything to you that didn’t involve fighting the Saviors, and even with that, he didn’t say much. He wanted to win. He was ready to do it fast. Whatever it took. That was all.

He kept shifting in his seat, short, low grunts coming out of the side of his mouth— he didn’t want to do this right now, but he knew you were just as stubborn as him, especially when it came to him. As dumb as he felt this was, it wasn’t time for another person he cares about to get hurt.

“Stop fuming,” you muttered.

He snapped back, barking your name, “We’re in a war! We could be doin�� better things right now and got me here for what?”

“Maybe so you don’t kill people we need alive right now?” You were talking about Dwight, you did more than just see Daryl talking to Tara.

His following grunt truly said typical. “You always got your nose where it don’t belong.”

You ignore him, “We should follow Rick’s plan.”

He shakes his head, ignoring you this time. He’s tired of talking about this. He’s going to go on the boat, see if there’s weapons, get Tara, and use whatever you two find to complete his own plan at the Sanctuary. This needs to be done.

“At least it’s a little over 5 miles off the out-post the Kingdom took out,” you reason, “that must be why no one is there anymore.”

Still no response. Typical, it’s your turn to think it. You let go of talking to him for now. The rest of the drive was silent as well as when you get to your destination, starting to put the canoe on water.

You look at the three small, now unguarded, boats. Only one bike was by the land and there was blood splattered on the middle house, the biggest one. Maybe the Kingdom took out the guy that was there, but there were no boats or canoes around, no way for someone to get close enough inside.

You two get in, starting to row. “There better be somethin’ good in there,” Daryl huffed. You hoped so too. Uncertainty started filling in with the reality of your awful plan. There really could be nothing in there and you really could have spent your day doing something that mattered to the cause. If these boats held anything important, why wasn’t a Savior there already? But even worse, the realization that you were acting out of desperation just because Daryl had been acting so cold… felt even more terrible.

You knew Daryl was scarred, far more than before and you were trying to be patient. You were going to let him come to you. You knew he needed time, and he was at the Kingdom for a little bit anyway, hiding out from Negan. You couldn’t even talk to him if you wanted to because of that. But now you had been planning that first attack for weeks, you were sleeping in the same place together again, but not in the same room, not touching. And again, you understood why, but then again… you didn’t. It was so hard to gain his trust, for him to open up to you, you thought that was something you gained for keeps; but now he wasn’t even allowing you to have a friendship anymore, let alone this in-between relationship you used to have. It made you upset how much power you realized you let him have over you. You missed him so much, and now you weren’t even sure if he missed you back, or if he had reason to. Maybe it was just a fling after all.

War feels long, but it’s only a short time in truth. Nonetheless, a short time that can define who you are thereafter. This could be him, and maybe it always was. And this could be how you two will always be. Forever.

You decide to break the silence again as you row, your thoughts becoming insufferable: “That’s actually not the right technique,” you stutter, “if- if you’re curious.” You start to row based on what you taught yourself, the canoe going just a bit faster now, “I read it in a book from Deana’s old library.”

“So you read somethin’ in a book and now you think you know everything?” His eyes were annoyed. “Hmph.”

Your voice raises, “Well just because you’re so experienced in the wilderness or whatever doesn’t mean you know everything either.”

“I’m doin’ it fine.” He wasn’t. “You don’t even know how to swim.” You didn’t. “So maybe just be glad you ain’t dying today.”

You repeat yourself, “Still- doesn’t- mean- you know how to do everything… You expect me to think Merle took you canoeing? Of all things?” You cock your head, “Pretty sure he was out finding the next score.” You knew it was a low blow to bring up the dead brother, but you were upset. No talking and now insults? You could be cold too, even colder, even if you didn’t like it.

“Shut up.”

“You shut up!”

Then you screamed. A walker with gills, swimming in the water approached your boat behind Daryl. Your voice made him turn around to see it. You take your paddle to try to stab it in the head, but the walker’s hands are along the canoe rim, coming closer to you, it makes you accidently hit Daryl with your swing. “Oh- Sorry!”

“Fuck!” He yelled.

“I’m sorry!” A realization comes, “Is this the guy?”

“If it was he’s been dead for a while.” Daryl shouts, taking out his gun and you take out your knife. He’s trying to shoot the walker in the head, it’s closer to your side now. But you’re thrashing and water is flying while you try to jab them in the head with your knife. The walker has one of your arms and you’re trying to pry it away with the hand that has the knife. Neither of you have a clear shot at getting the thing, all three of you rocking the canoe far too much.

“Stay still!” He yells at you.

“Im trying!” You shout with the same force, the same annoyance, “He’s not making it easy, Daryl!”

Daryl has a chance to shoot the walker in the stomach, and he takes it, but it does nothing. The walker’s hands on you do not quit. The two of you just keep yelling at each other, riling the walker up. You can hear the biting sounds they’re making near your arm.

He shoots again, but you and the walker are still moving too much and Daryl’s loosing balance. The walker is tipping the canoe with their hands, water splashing inside. The next bullet goes into the wood, making a hole.

Their starving mouth continues to try to bite at you. You pull using all your strength to get their mouth away, trying to use your other hand to slice into their head. You two have never seen a walker like this: they can swim and they’re so strong.

Water now fills the boat from the hole as Daryl moves forward on the canoe, pushing your head, his hand quite literally covering your whole face to shove you out of the way, getting a clear shot at the walker and firing at their head. He clicks twice: Boom. Boom. Guts and water fly everywhere.

The splashing of the water and the firing of his gun overwhelms all your senses. The weight of Daryl is on your side now, neither of you have balance; both your weights pull the canoe over the edge as it flips over entirely with you under it.

You scream, but your voice is muffled. You thrash around, trying to use what little experience you have. You come above water for a few seconds, wailing, and Daryl grabs you.

“Hey- Hey- Hey!” his words snap, rough like barks until he gets you to look at him, gripping your face so it’s forward. “It’s okay,” he’s breathing almost as heavy as you are. His voice becomes even now, “It’s okay.” You realize he has you in his arms— it really was okay.

Feeling he might make a comment about you almost drowning, you force yourself to speak through water filled lungs, “Don’t. Say it.”

So he didn’t. He just holds you tight, you even feel his thumbs squeezing into you at the waist now, and through half lidded eyes, you see his arms tense, working hard to make sure you never fall, but it’s at a half arm's length, his elbows bent. You blink rapidly, your wet eyelashes still flapping shut until you’re able to open them better. You can see Daryl more clearly now.

You try to swipe some of the hair out of your face. The baby hairs at the crown of your forehead stayed slick in place while some parts of your hair started to lightly form your wave or curl pattern, but in all, you were absolutely drenched.

Your hands now hold onto his forearms just as tight as his below. It was one of those rare moments where you remember just how blue his eyes are. Their narrow shape and the way his hair lays always hides them away. But the sun was behind you, casting its light directly on him and his hair was now slick to his head as well: only some of it resting on his forehead.

If someone were to describe Daryl’s looks, they would probably say something typical like dark and rugged. They don’t see what you see. God, you forgot how uniquely handsome he was.

His hair changed colors in the light, it wasn’t as dark brown anymore, flecks of it were a more golden brown in the sun. And you loved the mole that was just above his lip and facial hair. Almost no one else in the group had something like that. And now, there was the way his button down stuck onto his skin. The color was dark enough that it wasn’t see-through, but you saw every indent, every line of his bicep and tricep as you looked at his arms, trying to avoid his face, trying to avoid his chest or anywhere lower.

On the other hand, Daryl was trying even harder to avoid looking at your soaked body, failing even worse. His eyes couldn’t help but linger on how your chest huffed as you tried to catch your breath. Your collarbones are now exposed as your shirt slides down just a bit further, the light color almost see through because of the water, and your bra didn’t help much either. It was one of those without the padding, it was the only one that fit— your supplies, food and wearable, clean clothing, were running dangerously low at home. The thin material of both top garments showed how your nipples perked up now. And the way he had to grasp tightly on the smalls of your waist, feeling your stomach inhale and exhale as you calmed yourself down didn’t help either. It was like he felt your hold body moving… similar to a way he used to feel it.

It all makes him realize now how he hasn’t gotten the courage to look at you directly in the longest. God, he forgot how pretty you are. How lovely it was to hold you. Even if it was to escape death.

Your eyes are so big as you hold on tightly to his arms, you’re still shaken up. Trying to paddle your feet like you’ve seen on tv and in videos in the past. It’s adorable.

He didn’t dare look any longer, but part of him wondered if you were looking at him the same way. And you were. Specifically, the way you could see every line and ripple of his abdomen with his button up now glued to his body. As you let your eyes trail just a bit more form his arms, you noticed how magnified his chest looked, how his nipples were just as pert as yours.

It all made you feel something warm down below and it made something inside him twitch, but this wasn’t the time. He had been feeling so many things since he returned that he didn’t even know which ones to act upon first, so he reverted back to saying nothing, or at least nothing that had to do with how he really felt, how he really felt about you that is.

In the end, “You better hope I can make one of those shits run or we’re fucked,” was all he decided to say.

He moves your hands onto the back sides of his waist and he starts to swim. Your legs are off to the sides and he tells you to kick as he is and hold on tight as he swims you both to the middle boathouse, the one with the blood.

You hold onto the ledge as you finally arrive, allowing Daryl to go in first, checking for walkers at each boat. He does the side ones first. No one is there. Finally, he goes to the middle house: out of all of them, it’s the biggest wreck. The place is filled with pictures, Polaroids, scattered all over the place. It’s of the Saviors. And there’s all kinds of guns scattered on the floor, but he can’t help but to stare at the faces. He knew some of those faces.

You call his name, but he doesn’t respond. “What was in the other two?” You yell for him again, but nothing. You decide to go in the middle one as well, your eyes are amazed by the mess of guns on the floor. There were even ones still hooked up to the wall. There were knives and daggers too. Even glass cases with various bullets, you wondered what they did. Was this the emergency weapons stash? Had you reached it before a Savior could? “Why aren’t you picking this stuff up?” You look up at him impatiently, shaking your head and huffing, you’ll do it yourself you guess.

Daryl continues to look around, picking up a frame. The only framed picture in the boat. It was cracked on the ground: A Polaroid of Negan.

He takes the picture out of the broken glass to look at it closer. As if this wasn’t already the attitude of much of the Saviors, whoever lived and protected this place must have worshiped him. Negan stood proudly in it, his bat on the side of his shoulders, a big rifle strapped around his back on the other. His hair and beard was all black, and that notorious, all encompassing grin plastered his face from ear to ear. Daryl turned the picture over: the words, ‘Negan — The First Savior. My Savior,’ was written on the back.

It fired him up. It made him think of the dark, of that cell, of the food that probably wasn’t even food, when he was kicked and jumped by those Saviors in the parking lot, and that damn song— the saccharine melody would live on in his brain like a siren. There would never be silence inside him again. In fact, there never was. It was only louder now. So loud and so angry he feels it in his throat, traveling to his tongue, beneath his eyes, as he can no longer keep it in anymore; but he tries, and tries, and tries, quietly holding everything in while you keep collecting weapons, putting them in bags you find. The picture crumples in his closing hand, his fist turning red as he grips tightly, ruining the shining paper.

He slides down against the boat wall, sitting on the ground biting his tongue, stopping the feelings until you're done; until you two can leave and he can do what he needs to do. It’ll be without you, without Rick, without anyone. This needs to be done. He’ll do it.

“Daryl,” you call out, not facing him, collecting the bags. “I think I counted 32, but it could be 40… I think there’s smaller ones by the wheel and I didn’t even get the swords yet. If there's about the same number on the other two, there could be maybe over 100 new weapons,” you gasp with disbelief. “Were the other two like this?“

You we’re relieved, you knew it was a dumb plan, but you came out of it with a win; it was worth it. “Daryl, come on-” you turn to him now, “oh.”

You almost couldn’t see his eyes with how much more narrow he made them, they were practically closed and his face was down. You wondered if this was the moment you would first see him cry: his lip quivered, his face was as red as his fists, and he wouldn’t look in your direction, his head was basically to the wall as you started to walk to him.

Your movements are slow as you kneel down to the corner in which he sat. You place fingers along his jaw until your whole hand wraps around the area. Your strokes are gentle, feeling the bristles of his beard on your palm. He had been so angry since he returned, hell bent on war and death, but you remembered… he must have also been so sad, so depressed too. Poor boy, you thought. Poor boy, you forgot; in some ways, he still was just a boy.

You turn his cheek to face you, but his eyes don’t dare meet yours as a few tears start rolling out. Your own emerge too. It’s heartbreaking to see him like this.

You put your forehead to his, your nose rubbing against his own, “I’m so sorry,” you whisper.

You come even closer. Your lips lightly touch his, you’re tentative at first, not knowing if it was right, but then you feel his brush against yours just as light. You decide to move in, your lips parting his own as you kiss him.

Your tongue goes into his mouth, your hand raising his chin, you’re so delicate. He holds your shoulder, you lean into his bent body and your other hand slides against his chest. You’re both still wet and cold, but his heart beats warmly.

His head leans up against the wall as you push yourself further onto his lips. You hold his shoulders and he allows you to slide him down.

You look up at him, your hands on his shirt. This is not how you expected today to go. “Is this okay?” You ask softly. His nod is just as soft, you almost don’t see it, but his hands are lightly on top of your own as you unbutton his shirt, he lets you. It’s okay.

He’s unbuckling his belt now, pushing his pants down and your top goes over your head. He starts to unbutton your own jeans. It’s quiet except for your breaths, and the clinking of belts, and the undoing of zippers.

You pull him out a little more from the corner so you can straddle him. You start grinding your hips down into him and he pushes into your clit with his finger, circling it. The bit of warmness you felt below before is now almost pooling out instantly from just the littlest touches. Your back arches, you haven’t felt him in so, so long. You gasp and it accidentally turns into a moan. You’re so needy for it, but you remember: you want to help him.

Your hands move down to his stomach, your lips kiss his neck as your hands travels up to his chest and then back down, you start kissing him everywhere there as you do so, breathing him in, it makes him fidgety, little gruff sounds irruption from his throat, he’s trying to keep it in. Then you got even lower: you kiss down his cock until you’re at the tip. You lick at the pre-cum there. You put just a little bit of him inside your mouth, sucking, stroking the rest of it. His exhale comes out as a shaky gasp, he whimpers slightly.

Finally, you move back up and line yourself up with him, sinking down slowly as you look him in the eyes. You can’t help it, you start to ride him immediately thereafter. The stretch feels so good and so big and full as if you’ve never felt him before. Your moan is light and airy, you missed him. And he groans, “-ugh, fuck” and moans, “uh- mm- argh,” right after you do so. He missed you. You know that now, it makes you smile.

You lean up against him slightly. His mouth parted and you speak into it, your breast brushing against him as you rolled onto him, your stomached touching a bit. “I’ve got you,” you pant into his mouth, he’s panting too, “always.”

He holds onto your hips as you go faster, you’re holding onto his shoulders. “Does it feel good?” You kiss him right after you ask, his tongue going to the top of your mouth, sliding in wet and deliciously, it’s everything you’ve waited for. He hums into you as a response. You feel his dick twitch as your pussy grips on him tighter.

You feel like you both could be close until he starts kissing you more fiercely. His tongue only slipping in slightly as he pecks your lips, he bites down slightly, then kissing you deeply again. Then he turns you over. You’re under him now. His hands go right by your ears, flat on the ground and he thrusts into you. Hard. It almost hurts, you can’t lie. He’s grunting, short and quick, but his rasp, and his hair flying as he quickens the pace, and the fact that pain is slowly turning into pleasure… you’re fine with it. If this is what he needs, you’re fine with it.

His next grunt is almost a yell, it’s like a battle cry. He’s angry and you know it. You hold onto his flex arms tenderly, caressing him, silently telling him you’re there, but you allow him to continue.

His movements are faster now. More irate. His body comes closer to yours, but his movements do not stop their force. His thrusts feels like poundings, you feel like the floor is moving, maybe the boat is rocking, the bags jump with it.

He looks at your screwed shut eyes as one of his hands comes to touch your chest. Trailing your breast, then to the bottom of your stomach, staying there, pressing down, feeling himself inside of you has he shoves himself up and in, he’s deep, so deep. “Mmm,” You’re whining now, “-uuh.” It makes his eyes lighten, he’s humming, low and gruff and continuous, stuttering into you, eyes open waiting to see you come so then he can. It’s right there for him, but he wants to see you, he needs it.

Your moan mixes into a whine, “Daryl please,” you beg, “Daryl please- it’s- it’s too much, it hurts,” it makes him go even faster, and he can’t help himself as he comes in you first, sighing as he does so, but it’s exactly what you need to come undone yourself.

You grab the back of his neck, holding it close to you as you squeeze your arms around him and he does the same to your waist.

You both try to calm your breaths, “Never leave me again,” you say into his ear, breathing roughly. “Please.”

“Never.” He looks at you right in the eye when repeats it, “Never.” He wipes the tears from your face as you both nod, affirming a new promise to each other. “We’ll win. Together.”

After laying for a few moments, just looking at each other, he goes to the bathroom to find a washcloth, warming it with water, helping you clean up. He takes your hand so you can start doing it yourself and he kisses your forehead before he starts to get dressed. “I’ll be back.”

Soon enough, you hear the engine in the front start to rev up. He got it to work.

“You can drive a boat?”

“Gonna learn.” He turns to you, pulling you in front resting your hands on the wheel while he stands behind, his arms over your own. “We both are.”

[peapodsinspace]

sorry for not posting art for a minute, but I’ve been working on an au! here’s

Mob Sailor 100

aka mob psycho x sailor moon

[Image ID in alt text]

I just started watching sailor moon so I doubt this is very accurate, but it’s not really supposed to be!

In this au psychic powers still exist, but they just aren’t as strong on their own! But these gems basically can make them stronger and easier to use!

And you get the gems from a spirit usually, but I imagine you may be able to just stumble across them if you’re lucky

Not all ESPers can use their powers without transforming, but some can! Either way the gems do strengthen powers

Now, I’m gonna do a lil explanation / extra thing/ for all of them under the cut! Just thoughts while designing + story bits (if there’s even a story)

First up: Mob!

I imagine that when mob was very young, he came across / was given one of those gem thingies so he has been able to transform for a very long time!

From what I understand, in sailor moon the girls are destined to be? Anyway, for this au there are people that are basically predisposed to becoming sailors, just like how ESPers are. You just need one of the gems to actually be able to transform.

The plot is basically the same as the normal mob psycho plot, so mob goes to Reigen looking for someone to talk to & becomes his student!

Ritsu

Now, since mob has been able to transform basically all of his life and only certain people can actually become sailors, it makes sense that Ritsu would be one, too! And he gets the gem from dimple. It’s just like when he awakened his powers in canon! Also, Dimple is basically like Luna in this au.

On a design note, I wanted to make him look similar to mob but still contrast him well. Partially because they’re brothers, but also cus they wear the same uniform, so their designs would be similar anyway.

Teru

Like mob, Teru also got a gem from a young age! His story is basically the same as his canon one too.

Fun fact: he likes his outfit much more than everyone else likes theirs! Most of them feel at least a little silly after doing a cutesy transformation, but Teru thinks it fits his energy

As far as design notes go, I don’t have much to say other than I just noticed a coloring error on his coat, and his pants are supposed to have pinstripes

Shou

Now, this is where it starts getting a little different from canon stories! Shou’s father found several gems, so he took one for himself and saved the others for later. He gave one to shou and some of the other ESPers under his control!

Shou is “sailor cinnamon”, because all of the villains are named sweet things instead of savory/ spicy things! It’s one of the reasons Shou calls himself “sailor hot cinnamon” instead! It’s to try and distance himself from his father / his father’s plot, and also because being called cinnamon makes him feel silly.

Design notes: the lace came to me in a vision so I just had to add it /joking

Serizawa

WAWA!!!!!!!!!!! Okay, so when serizawa was young his powers were very strong, like in canon. So when he met Shou’s dad he got the umbrella to help him feel safe outside of his room, but he was also given a gem!

He’s named “sailor allspice” to match with the sweet theme, but allspice isn’t sweet on its own, it’s just paired with sweet flavors! Sorta like how Shou is just “cinnamon” and not “cinnamon sugar”

Design note would be that there was a period in his designing process where he looked like a cowboy

Reigen

Last but not least, our favorite “sailor”! Like in canon, Reigen doesn’t have any powers. He fakes a transformation by wearing that outfit under his coat! He ties up the coattails under it to keep them hidden, and keeps his (non magical) gem in his coat pocket.

He does most of his jobs against fake villains! A lot of criminals will try and make it seem like they have powers just to intimidate people! So that’s what Reigen usually deals with!

Dimple

Here’s a bonus section for dimple! The only thing that I’ve changed about him is that one of his cheek blushes looks like a crescent moon, so he resembles Luna!

Alright!! If you got this far, then thanks so much!!

As always, feel free to send asks about this au! I don’t exactly have a plot going for it, especially since I don’t know much about the actual plot of sailor moon… but still!!

Enjoy!

[https-harlow]

10 Years Later

Summary- You and Jack felt like your family was complete after four kids, but you start thinking about having a fifth baby.

You and Jack had agreed that after your fourth kid, your family was complete. Between Jack’s career and four growing kids, neither of you felt the need to add anything more to your already busy life. 

Of course, as you and Jack got older and your kids got older, Jack’s career started to settle down, with less time spent in studios and on the road and more time spent at home with family. You both still felt that your family was complete.

Over the past few years, several of your friends have gotten married and started to have kids. Since you and Jack had gotten married and had Paisley at 19, you both were enjoying having your friends be in the same stage of life that you were in. It was fun to watch your friends experience the same things that you and Jack had previously experienced.

Out of all of your friends, it was different when Urban got married and had his first baby with his wife. You were happy for everyone, but you knew how much Urban loved your kids practically as if they were his own, so you knew he was ecstatic to have a child of his own.

In high school, you, Jack, and Urban talked about raising your kids together and having similar-aged children. It didn’t work out that way, your oldest being almost 16 and your youngest being almost 8, and if there were one thing you regretted it would be that.

As you watched Urban and his wife experience pregnancy for the first time, you couldn’t help but have a few thoughts about having one more baby. 

Ever since Urban’s wife Lauren had given birth to their baby girl Rylee, you and Jack would often stop by during the day while your kids were at school and today was no different. 

You, Jack, Urban, and Lauren, were all sitting in their living room. Rylee was lying on Jack’s chest asleep.

“I don’t know how he does that, she was so fussy before Jack started holding her,” Lauren said.

“After having four kids with him, I don’t understand it either. Olive was probably our toughest baby, but I swear, Jack would just pick her up and she’d instantly stop crying.”

“I’m going to need Jack to move in for the next year then,” Lauren joked.

“I’ll send him over next time he’s annoying me,” You joked as you leaned over towards Jack, resting your head on his shoulder as you laid your hand on Rylee’s back.

“I can’t believe how big our kids have gotten. It’s hard to believe that they were all this small,” Jack said.

“I was just thinking about that at Georgia’s school play. I met her when she was six months old, it’s so crazy to think that was seven and a half years ago,” Lauren said.

“Like, the little girl you brought home to our old apartment at 19 is learning to drive. It felt like that would never happen.”

“I don’t even want to think about it,” You said, laughing softly. Jack carefully handed Rylee to you so he could get up to get a drink. Rylee fussed for a minute before relaxing again. “Literally anytime you need a babysitter, I swear I’ll drop whatever I’m doing to come watch Rylee.”

“I don’t know how you and Jack raised your kids while on tour and traveling all the time, it was hard enough just being pregnant, I can’t imagine doing it pregnant and having other kids,” Lauren said. 

“We were 19 and a little delusional, plus we had a lot of help. There’s no way we could have done it without everyone helping the way they did.”

“Do you miss having a baby?” Urban asked and you thought for a second.

“Yeah, I do,” You said, looking down at Rylee and rubbing her back softly. “Especially with everything slowing down. Raising kids on the road was fun, but I think it would have also been nice to experience having a baby without all of that.”

“You could always have one more baby,” Urban teased as Jack walked back into the room.

“I’ve thought about it,” You admitted, “But not seriously.”

“I’m down to get you pregnant again,” Jack said.

“Here we were having a sweet conversation and you just came in and ruined it with your dirty comments,” Urban teased.

It was a week later until you and Jack came back to your conversation with Urban and Lauren. All the kids were in bed except for Paisley who was having a sleepover with her friend downstairs so you let them stay up later than normal. You and Jack had already gotten ready for bed.

“Did you mean it when you said you’ve thought about having another baby?” Jack asked as he sat down next to you on the small couch you had in your bedroom.

“Yeah, I mean, I’m happy with four kids, and I don’t regret not having another, I still think our family feels complete. But sometimes I do think about what if we had a fifth baby,” You said. “Do you ever think about it?” You asked.

“I’ve thought about it, with the kids getting older, and all of our friends having kids,” Jack admitted.

“Would it be crazy to start over though? To have a baby while we also have a 16-year-old.”

“If we can raise four kids while traveling constantly, I think we can handle one baby and a couple of teenagers or almost teenagers at the same time while traveling a whole lot less.”

“You have a point,” You laughed softly.

“Do you want a fifth baby?” Jack asked and you nodded.

“The more I think about having another baby, the more I do want one more, and I’ve actually been thinking about it a lot since talking with Urban and Lauren,” You said, taking Jack’s hand and tracing random patterns on it with your finger.

“I’ve been thinking about it and I do too,” Jack said. “What if, we just see what happens? We don’t have to try, but if we’re meant to have a fifth baby, then it will happen.”

“I like that plan,” You agreed, “If it’s meant to be, it will happen.” 

“I really hope it’s meant to be,” Jack said.

“Me too,” You said, smiling softly at Jack.

Tag list @jackharloww @harlowcomehome @nattinatalia @hoodharlow @itsyagirljaz @heavyhitterheaux @harlowsbby @awhore4moree @harlowslefttoe @twerkforambrose @jackmans-poison @ilovenudy @taniapri @killatravtramp @easternparkway @macey234 @toocriticalharlow @lightsoutstyles @rachxc13 @iknowdatsrightbih @idktbh101 @blossomluvv @middlechild404 @hufflewhore128

[big-cheesy-productions]

SXSG SPOILERS

Okay, I finished Shadow's story. And I have thoughts. Mainly:

More thoughts below:

Overall, I enjoyed it. I think as a way to catch everyone up on Shadow's story and who he is as a character, it did great. It was heavy on exposition, but it's assuming most people haven't played SAB-Heroes-STH '05. Fair enough.

It just felt short. I just wish the cutscenes were longer, and I wish there was more Maria and Gerald and Shadow. The interactions we got with Maria were very similar to what we got in Dark Beginnings. It felt more like a refresher rather than a much awaited closure, but I'll take the closure we got and the reestablishment of Shadow's character.

I think I just would have liked if the story had a few more cutscenes dealing with Shadow, Maria, and Gerald's relationships rather than them trying to figure out what was going on and Maria repeating things said in Dark Beginnings. But that's just me.

I think Dark Beginnings was so amazing and it set my expectations very high, set a specific tone, and had threads that Gens wasn't planning on continuing. I think Gens also set up threads that it dropped too though, like, you know, the whole "maybe I can save them from their fate" thing that got mentioned, forgotten, and mentioned again that was only otherwise minimally discussed in the little snippets of conversation in the over world.

Why was Big there and those two robots? There weren't any other characters relevant to Shadow that could be there? Like Abraham? Or, hell, toss Silver in since he wasn't in the original.

Gameplay wise, it was super fun. It felt very clean. I like the direction Frontiers has set for future gameplay. I think it was a little easy, but maybe that's just because I'm an adult and just played a bunch of old games that have old game jank lol.

Would have loved to see more Rouge and Omega, but I'm glad they're setting up for Team Dark to return in future installments. I'll fucking take that.

I've said it already, but the use of Radical Highway and the symbolism of it was probably my favorite part. I don't know why they had Frontiers level though??? Like, why not one from HIS GAME? Instead of one from a game he's not even in??? Odd choice. Maybe they could have done one of the flashback ARK levels? That could have given us some juicy cutscenes.

Also just want to appreciate the fact that the first time Shadow defeated Black Doom it was as Super Shadow. This time is was all Shadow, no emeralds required.

I also like the confirmation that Shadow was not meant to be a weapon originally. I don't think that's always been super clear. Doom wanted a warrior of course, but Gerald going insane was the nail in the coffin. I would have liked to see more of Shadow's feelings towards Gerald on that, though I did like when Shadow first sees Gerald up close he backs away, and almost looks a bit frightened, until he realizes this is Gerald from before the ARK incident.

I think they could have added a bit more. I think that's my overall opinion. Hopefully DLC will add a smidge more? Maybe?

I really did enjoy it. I just wanted to jot down all of my thoughts!

Edit: I don't want this to read as super critical! I think I had very specific expectations for it and I'd like to replay it without those expectations now. I really think it's great overall!

Anyway, SEGA, remaster SAB2, Heroes, STH '05, and Sonic '06 and my life is yours.

[breakonthroough]

Some thoughts about the differences between manga and anime in the story of Law and Cora.

The illustration for the title is not entirely on topic, it’s just funny how they played up the situation, expanding the moment with touching changes in Law’s behavior - he prepared breakfast for Cora. UwU

As we know, anime adaptations as a rule bring something new to the plot and events of the manga, expanding and complementing them. But sometimes it happens that some manga panels are subject to censorship, or are not transferred to the screen at all. There are many such examples throughout anime, but I am primarily interested, of course, in the story of Law and Rocinante.

In episodes 700 to 706, the anime creators added many additional scenes that expand on the characters and plot. For example, we were shown Rocinante's last fight with members of the Donquixote family. In the manga, as we remember, this was left behind the scenes. We only hear, together with Law, who is sitting in the chest at that moment, only the sounds of Rocinante being beaten by Doflamingo's officers.

The moments of their personal interaction during the journey in search of a cure for Law were also slightly expanded. We saw a little more cute smiles and caring from Rocinante. Especially in the final part of their story. I will never forget this sad and tender look from Cora.

However, to all the good things that happened, some ridiculous and even slightly inappropriate, in my opinion, scenes were also added. At least, it seemed to me that they distorted the image of the character.

For example, the scene of Law being thrown out of the window of the Donquixote pirate base again in second time - why was it so necessary? Wasn't once enough, like in the manga? Add gloomy and cruel senselessness to Corazon’s behavior, increase the degree of his ominous and repulsive aura? Or just for fun? Well I dunno..

Or the scene of Cora-san’s absurd panic over Trafalgar, who had fallen unconscious after his condition worsened.

Of course, I understand that at that moment he was really very scared for him and was upset that the rescue plan would fail, but why was it necessary to add this inappropriate comedy with falling from a cliff and spilling water? To show that Rocinante is clumsy? But this is already understandable, especially since it’s my opinion that he wasn’t THAT clumsy in reality, and, for the most part, he was putting on an act.

But that scene itself was quite tense and disturbing, and certainly not comic.

But the manga scene with Rocinante bandaging himself the wound inflicted on him by the angry boy Law was removed from the anime.

I can understand that they apparently decided to censor the “nudity,” as they did with both Levi and Erwin from Attack on Titan when they similarly removed the wound bandaging scene from the anime.

But at the same time, other characters appeared on the screen with a naked torso quite routinely, so I don’t understand this selectivity of censorship.

Of course, what speaks to me is solely a thirst for justice, and not at all a desire to see his handsome male figure in animation. Hehehe..

But, speaking seriously, this scene had a certain significance in revealing the characters, since it clearly showed what the Donquixote brothers had to go through in childhood and youth. Because, perhaps with a certain degree of probability, Doflamingo also hides somewhat similar scars on his back and shoulders.

Well, this scene also shows Doflamingo’s reaction to his brother’s injury, which is different from the anime version. In the anime, in the presence of other family members, he is quite sympathetic and caringly interested in what happened, how it happened, and advises Corazon to take care of himself.

In the manga, this scene is quite awkward in itself. They both flinch when Doflamingo catches a glimpse of his brother and his wound as he passes by in the hallway. At this moment, when they are "talking", Rocinante stands with his back to his brother, and Doffy looks into the room, and in this communication there is no sense of brotherly care, as it seemed to me. The expression on Doffy's face at this moment is more tense and dissatisfied than worried, which completely changes the entire emotional tone of this scene.

But I will end this mini-analysis on a positive note. Because it was anime episode that gave us that priceless smile of Rocinante. Since in the manga he practically did not smile at all with his real sincere smile. Animators just simply gave us such a priceless treasure ❤️‍🔥

Russian translation below 👇

Некоторые общие мысли про различия манги и аниме, касательно истории Ло и Коры.

(Иллюстрация для заголовка не совсем в тему, просто забавно, как обыграли ситуацию, расширив момент трогательными переменами в поведении Ло — он приготовил завтрак для Коры) UwU

Как известно, аниме адаптация всегда привносит что-то новое в сюжет и события манги, расширяя и дополняя их. Но иногда происходит так, что некоторые панели манги подлежат цензуре, либо не переносятся на экран вовсе. Таких примеров немало во всем аниме, но меня в первую очередь интересует, конечно же, история Ло и Росинанта.

В эпизоды с 700 по 706 создатели аниме добавили множество дополнительных сцен, раскрывающих персонажей и сюжет. Например, нам показали последний бой Росинанта с членами семьи Донкихот. В манге, как мы помним, это было оставлено за кадром. Мы слышим только звуки избиения Росинанта вместе с Ло, сидящим в этот момент в сундуке. Также немного расширили и моменты их личного взаимодействия во время путешествия в поисках лекарства для Ло. Мы увидели чуть больше милых улыбок и проявления заботы со стороны Росинанта. Особенно в заключительной части их истории. Этот печальный и нежный взгляд Коры я не забуду никогда.

Однако, ко всему хорошему, что было, также были добавлены и некоторые нелепые и даже чуть неуместные, на мой взгляд, сцены. По крайне�� мере, мне так показалось, что они исказили образ персонажа.

Например, сцена повторного выбрасывания Ло из окна базы пиратов Донкихота — зачем она была так нужна? Разве одного раза, как в манге, было недостаточно? Добавить мрачной и жестокой бессмысленности в поведение Коразона, повысить градус его зловещей и отбитой ауры? Или просто для прикола, как мне сказали на одном форуме? Ну не знаю..

Или сцена нелепой паники Коры-сана над упавшим в беспамятстве после ухудшения состояния Трафальгаром. Я конечно понимаю, что в тот момент он действительно очень сильно испугался за него и расстроился, что план спасения сорвётся, но зачем нужно было добавлять эту неуместную комичность, с падением со скалы и проливанием воды? Чтобы показать, что Росинант неуклюжий? Но это ведь и так понятно, тем более, мое мнение, что он был не НАСТОЛЬКО уж неуклюжим в действительности, и, по большей части, разыгрывал это представление. А ведь та сцена сама по себе была довольно напряжённой и тревожной, и уж точно не комической.

Зато вместо этого удалили сцену из манги с перевязкой Росинантом раны, которую ему нанес обозленный Ло. Могу понять, что тут видимо решили зацензурить "обнаженку", как, в свое время, поступили и с Леви, и с Эрвином из Атаки титанов, когда аналогичным образом убрали из аниме сцену перевязки ран. Но ведь при этом других персонажей нам спокойно показывали с обнаженным торсом, так что мне это непонятно.

Разумеется, во мне говорит исключительно жажда справедливости, и нисколько не желание увидеть его красивую мужественную фигуру в анимации. Хе хе хе..

Но, если говорить серьезно, то эта сцена имела определенное значение в раскрытии персонажей, так как показывала наглядно, через что пришлось братьям Донкихот пройти в детстве и юности. Потому что, возможно, с определенной долей вероятности, Дофламинго также скрывает похожие шрамы на своих спине и плечах.

Ну и ещё эта сцена показывает отличную от аниме версии реакцию Дофламинго на ранение брата. В аниме он в присутствии остальных членов семьи вполне участливо и заботливо интересуется, что случилось, как это произошло, и советует Коразону позаботиться о себе.

В манге же эта сцена достаточно неловкая сама по себе. Они оба вздрагивают, когда Дофламинго мимоходом видит брата и его ранение, проходя мимо по коридору. Общаются они в этот момент со спины, и братской заботой от этого общения вовсе не веет, как мне показалось. Выражение лица Доффи в этот момент скорее напряжённо-недовольное, чем озабоченное, что полностью меняет всю эмоциональную окраску данной сцены.

Но закончу я этот мини-анализ все же на положительном. Потому что именно аниме подарило нам ту самую бесценную улыбку Росинанта. Так как в манге он практически совсем не улыбался своей настоящей искренней улыбкой, а тут нам взяли и подарили такое бесценное сокровище ❤️‍🔥

[plumpybread]

I have three kinks for you to rate! (Was gonna be two, then thought a bit more…whoops!)

1. POV Gaining: Whether someone enjoys getting a glimpse at what their future might hold, or getting into perspective at just what a particular character deals with daily and how they see themselves, I think POV gaining’s pretty fun! Seeing how their belly slowly (or rapidly!) takes up their view, seeing their struggles and contrast, at huuuge sizes seeing the chins, cheeks even, the sweat, sandbag chest, jackets of arm-lard, and little else…and that’s not even mentioning what it’d look like while they dress, eat, or travel…imagine them in tiny car, being fed or at lunch, seeing them put on a shirt that seems to fit, but they can’t see how they spill out from behind, or the extra inch revealed as at the bottom…

2. Generational/Family Gaining: Pretty common trope with you ;) Seeing large families, similar in build or attitude, but a difference in height, definitely in weight, the contrast there, along with the ‘normalcy’ of becoming another bed bound family member in a very thick, very wide family tree…of course, this had to start somewhere, some lovely couple that loved a little too much, and brought that love into families for generations, and those traditions spread out to every single member, no one untouched by the genes, and only recursive, since no one’ll change them, hell, probably add another one!

3. Rapid Gaining: For you in particular, I mean it in the sense of rapid over time, in the way that someone might gain 50 pounds in a month, then 100 over half a month, 200 over a year, then skipping numbers and breaking three milestones of a broken couch, outgrown cars, and needing more than one seats traveling, all in the span of a week or weekend…

Alright, lemme see!

No | rather not | I dunno | I guess | Sure | Yes | FUCK yes | Oh god you don’t even know |

I love playing with perspectives cause there's so much to write about on a topic like weight gain, and the way you describe it is SOOO good. I don't often find myself imagining POV scenarios cause Im more of a feeder than a feedee, but it's always fun to sometimes try to get into the eyes of a certain character and see how they live with such obesity through their view. I would actually love to implement that but it's hard to make POV art in such a way, but It always lives in a hidden corner of my mind

2. No | rather not | I dunno | I guess | Sure | Yes | FUCK yes | Oh god you don’t even know |

LOOOVE dis one, you already know how it's pretty much the whole premise of my OC Anthony with the tradition of his family to get super fat. Biggest thing I love about weight gain is when it almost seems unavoidable and the environment they're in just pushes them to continue growing more obese, looooooove

3. No | rather not | I dunno | I guess | Sure | Yes | FUCK yes | Oh god you don’t even know |

I know fast weight gain is a common kink, but unfortunately it's not my thing, whether it be instant weight gain or over the span of just some days, I don't really feel anything with it. The slow, realistic buildup and eventual spiraling weight over the span of months is much more my thing cause there's time to develop the consequences and changes in the life of the character because of it and I find that much more attractive than simply the physical growth of the character