#i think they would have a very fun dynamic

[bluedalahorse]

I feel like there’s some meaningful stuff here about Sara and August’s relationship, so I wanted to reblog and lift those up here! Sara has traditionally been unfairly slammed by the fandom, even though her actions were meaningfully different from August’s in season 2. And a lot of times saraugust is held up as this ontologically evil foil to wilmon, even though both pairings juxtapose the capacity to be sweet and loving with some pretty intense teenage flaws.

Personally, while I understand why they happen, I’ve always been a little wary of discussions of “is Sara a bad person/is August a bad person.” I understand why this framing works for some fans, but it doesn’t work for me. Mostly because a while back, Omar was talking in an interview, and he talked about Lisa’s writing philosophy being that there aren’t good and bad people in her stories, there are people in her stories who are capable of good and bad actions. Now, authorial intent can only go so far, I get that. But I do think this is a theme that underpins the series. I think they did a great job of showing Sara’s complexity and growth over the season. I do think there were some fumbles to August’s writing in season 3 that led a portion of the audience to believe he never changed, ever, over the course of the series. I think the show would have benefitted from him and Simon having a chance to do restorative work outside of their relationships with Wille. At the same time, I don’t think season 3 was without growth for August. @sflow-er’s post on the Fleabag parallel does a great job of breaking down August’s arc. I’m not saying any of this negates the harm August does—far from it—but I do think the show is inviting us to envision a better future for August where he grows and changes, especially in our fanworks.

And that’s what I want to talk about in this reblog: fanworks. It’s been a long time since people were acknowledging the saraugust nuance in season 2, and ultimately how fascinating the pairing is, but there’s still only 96 fics tagged Sara/August on AO3 and only a few are actually about them.

I think, what I’m sad about most when it comes to Young Royals fandom, is that there is no fanworks community around Sara and August the way there is for wilmon, at least on tumblr. There are individual people who are interested in their dynamic, and some of them create fanworks from time to time, and some of us reach out to one another and have meaningful and wonderful one-on-one conversations in our inboxes. But there’s very few reblog chains about them where people are just expressing fun headcanons, there’s very little circulating fanart, there’s some gifsets and edits but they don’t circulate as frequently, no fandom events or challenges themed around them, no following and cheering on of Malte and Frida’s careers, (to my knowledge) no epic multichapter saraugust fics we discuss together and swoon over and make starry eyes over.

To be clear: I don’t think I’d ever expect saragust to have the same size of following wilmon does. There are many factors that make wilmon more popular, first and foremost being that August does real legitimate harm and is annoying and kind of sucks. Like, hey! I get it! Not everyone is going to like him, and that’s perfectly okay. And then there’s the fact that not everyone who’s drawn to an m/m show is going to feel excited to ship a f/m pairing. As @crownedwille points out, fandoms sure can do some stuff when female characters are involved. Of course saraugust will get smaller numbers.

But as someone who’s been tracking the saraugust breadcrumbs in fandom for a while, and has been following their tag on AO3, what I’m noticing is not exactly a natural absence of interest in the pairing. It’s more like I see a lot of people who have an interest in the characters and the dynamics, but something about the way YR fandom interacts socially reinforces the notion that you keep your saraugust feelings to yourself. Or, for a while if you were expressing those feelings, you were encouraged to express them in ways that are full of apologies and disclaimers. When you’re spending all your time doing that, it becomes a lot harder to create fanworks. Like, even in the tags of this post, I see a lot of people saying they liked them or found them interesting or cute or they’re hooked in by the drama or whatever else! Clearly the enjoyers exist and are out there. I think the discourse (and the harassment of actors/writers/creative team on social media) has died down a lot since the finale and there’s more space to like the characters, but I also think that some of the patterns of fandom interaction that sprung up post-S2 have had a continued impact on how people express themselves.

And yes, it’s important to be mindful of the morally dubious sides of this pairing, but we can do that while creating space for people to openly enjoy it through fic and headcanons and edits and such the way that many people in the fandom openly enjoy wilmon, even if it’s a smaller group of us. (Heck, some people enjoy saraugust because of the moral dubiousness and that is part of a Valid Fandom Tradition of enjoying morally dubious pairings.)

As someone who’s currently feeling a little burned out on wilmon by itself and doesn’t really have a desire to read works centered on them, but who’s still in love with the broader YR world and its characters, especially my two favorite characters—I am desperate for a little bit less saraugust discourse and a little bit more joyous fannishness about them. I’m not entirely sure how to make that happen. I’ve been writing fic, blogging about the characters, creating ask games, posting pictures of the plushies, and also doing some other stuff behind the scenes. But I often don’t post or reblog as much as I could for fear of discourse returning, and I feel disconnected from fandom most of the time, even though I have some strong individual ties to individual people. (I also feel like I may have burned some bridges at times when I was upset.) It’s a bit of a sisyphean conundrum, isn’t it? I wish I could wave a magic wand and make more fanworks and community happen around this pairing in particular, but also around other pairings and characters on the show for the fans who want those other pairings and characters. I just wish there was a little more variety in the characters and pairings talked about.

Anyway, I don’t have any answers and it’s time for me to acquire groceries for the week, so. Blue out.

There's so much discourse around Sara and August. Whether they were good together or not. Whether they loved each other or not.

What we tend to overlook is the fact that they talked to each other. Enough that they knew each other.

He wanted someone to talk to and he thought about her. So he went to find her and he knew to find her in the stables. Then he immediately proved to her that he was someone "safe" by petting her horse. She misunderstood his invitation that evening but he didn't make her feel bad about it. We know she talked to him about the Felice Horse Selling Thing™️ because when she comes to say that Felice was officially selling the horse, he just said "I thought you already knew that" because she had already told him.

Sara talked to August. The same why August talked to Sara. He opened up about the drugs and why he used them. He opened up about being Wilhelm's back up. He opened up about his guilt and about feeling like a horrible person.

She talked to him about her horse and about Felice. Two things that she considers the most important in her life. She also opens up to him about wanting to fit in. Wanting to "be like him" meaning that she wanted to be like the Hillerska crowd.

They talked to each other.

So like, yes, they did horrible things. They are bad people. But they aren’t incapable of caring. And they aren't entirely self centered. That's what makes their individual betrayals even more heartbreaking. Because we know they're capable of caring and they made the choices they did anyway.

[phantomrose96]

Aromantically rotating this quote from Jon "The Silt Verses" Ware from the Season 2 Q&A (bold emphasis mine)

Question: I love what Paige and Hayward have going on. How would you describe their dynamic? ​ JON: I saw someone online talk about the, “the paladin and the prophet.” Which I think is a really nice way of looking at it! Whereas I saw them as two people who…both of them have come to the end of the road in their old lives. [...] I think maybe there’s also an implicit question there about whether there’s something romantic going on – maybe I’m reading into it, but that is something that’s on my mind a lot, so I’d love to talk about it more. ​ Because shipping is fantastic and it’s wonderful and it’s cool, but as a writer who’s way too online in a parasocial world, I’m really wary of how I respond to it and how I process it. ​ I personally, I don’t like writing fictional characters where the most important moment in their narrative arcs is when they get together with the person they were always meant to get together with. Generally, it’s just a bugbear of mine in fiction and I’m not sure I agree with the underlying message. ​ But I think if any writer who’s way too online sees, hey, people are getting excited about these two characters hooking up and falling in love and they keep coming back to this idea of them hooking up and falling in love, there’s a real rodent voice in the back of your head whispers, "give the people what they want. Get those likes, get that fanart." ​ Which is the wrong response! Because we don’t understand that maybe people are just having fun exploring these characters or their own interpretations of these characters, we think they must be anticipating a pay-off from us. ​ And again, I think it can send you in the wrong direction, one that ends up being essentially flattening – we don’t think, "if these characters hook up, OK, what new opportunities does that give us to explore them, to understand them in greater depth?" Instead we think we need to perform a climactic moment of love and comfort and happiness to get the audience’s approval. Which can be very much to the detriment of the complexity of the characters, but also, afterwards, where do you go with it? ​ And after we released maybe one episode of The Silt Verses, I saw a couple of folks online going ‘oh, god, I hope this isn’t going to end with Carpenter and Faulkner hooking up,’. And you go, "oh my god, I hadn’t considered that as a possibility for a second, that’s not who they are and that’s not what the relationship is here" - but of course all of us are primed for it, that enemies-to-lovers thread that is so common. ​ [...] ​ So it felt like I could introduce a connection there [with Paige and Hayward] and we could see a different way that they begin to be around each other that hopefully feels like it’s adding new dimensions to both of the characters without me looking over my shoulder going, “Am I in danger of turning this into something a bit stock by turning it into quite a straightforward romantic situation?”

[sunshine-zenith]

On my daily rewatch of anw I'm thinking about how people thought Hazel and Dev should've swapped fairies because of how unfair the godparent system was and how Dev needed more experienced godparents or how Peri should've been assigned an easy case and while that may be true, I'm just thinking how that swap would have suited the kids' needs.

With Dev, yes, he was a hard case and probably should've had godparent who had more experience with children like him, but he is a child who is lacking in the parental department and needed someone to fill that role.

Same is true for Hazel. She would have been more suited for a first-time godparent, but what she needed and missed the most was her brother and who do we know who has experience with being someone's godbrother? Peri.

I'm probably just rephrasing stuff here so this probably didn't need to be said. Everything more or less worked out for everyone and eventually for others (hopefully).

Anon I have been rotating this ask around in my head since it popped up into my ask box

Confession: I and many others have thought about the similarities between Peri and Hazel, and pointed out that Dev was not a case for a beginner, but I haven’t seriously considered a full out fairy swap until now because I’m actually very fond of the Hazel-Cosmo-Wanda dynamic and the Dev-Peri tragedy dynamic

Still… yeah, you’re kinda right. Dev genuinely would’ve been better suited for experienced godparents, and he might actually benefit from Cosmo and Wanda specifically because A) there’s two of them and B) they’re very parental with their godkids. And Hazel — having Hazel, the kid who misses her brother so much it tipped over the Needs A Fairy edge, be paired up with the godparent who lost his older brother is kinda brilliant

It kinda makes me wonder about how things would be different if we got Hazel-Peri and Dev-Cosmo-Wanda…

Heads up, this gets long

The first thing I wonder about isn’t so much the dynamics, but rather who would be the protagonist? I adore Hazel as a main character, but Cosmo and Wanda are the FOP difacto mascots. They’re the ones who get the cameos and appear in the reboots/sequels. They can exist independently from Timmy/Hazel/Chloe/Viv. If they’re Dev’s fairies, then Dev would be the main POV character. And like. I love Dev, I do, but he’s an asshole. I understand why and I’m down to justify anything he does, but he’s a dick. Plus, well, he’s also super sad. It’d be very hard to make him a fun POV character, especially pre/mid-character development, at least without switching the genre from Heart Felt Comedy Aimed At Children/All Ages to something much darker and more mature. He’s a great side character/deuteragonist, but it would be a Commitment if we followed him 95% of the time

(And before anyone comes at me about Timmy also being The Worst, a lot of that was flanderization. By the time he gets that that point, let’s be real a lot of people stopped watching, and even then he at least had half a dozen I Love Yous and sweet moments with Cosmo and Wanda to make the commitment worth it to the audience.)

Hazel and Peri

So if we keep Hazel as the lead and Peri as her fairy, how’d that work, writing wise? Do we keep his introduction the same and hope the audience is fine with a Sequel Babies Series. Or (and this is just me having fun), do we hypothetically cut out the part where he Introduces Himself With His Deadname For The Audience’s Sake and just hint at him as being Poof from the original series. Then, after Founder’s Day, we introduce Cosmo and Wanda as Dev’s fairies, and the Peri Is Grown Up Poof thing is treated as a Big Reveal, a la Author Of The Journals from Gravity Falls

Now that out of the way, how do I think these dynamics would work, and how would it affect Dev and Hazel’s relationship?

Like you said, Hazel and Peri connecting over missing brothers is a great starting point, and Peri getting to be the big brother for once would be so much fun to watch. Plus, and I’ve pointed this out before, they’re both rule followers (I can totally see a gag of them bonding over Hazel’s DMV love), though Hazel is willing to play things by ear, while Peri gets majorly stressed/anxious/high strung when rule breaking is in question — in fact, that could be a fun angle to some potential conflicts. Hazel makes a wish, but she doesn’t know how to find the words for what she wants, and since Peri is so new, he doesn’t have the experience to confidently guess. He hesitates, both of them get caught in a mini Anxiety Loop, and escalating event happening in the background force them into action, and through hijinx, they both receive character development

I can also see the Antony thing leading to conflict for them — Hazel’s brother is gone, but he comes back. He visits. They reconnect. Meanwhile, Timmy’s gone gone. His memory is wiped. I can see Peri occasionally accidentally fumbling Hazel’s missing Antony with his own likely grief over Timmy. Maybe after another missed flight or phone call, Peri tries to be “supportive” in the same way he tried to cheer Dev up at his birthday, and he accidentally says something that makes Hazel not only miss her old life, but thing she’ll never have any sort of relationship with Antony again.

Or maybe Peri does handle it well until Antony comes back. Then, alongside Hazel trying to recreate the past, Peri gets overwhelmed with jealousy, like he was when Irep tried taking his place with Dev but dialed up by 10. He worries he’ll lose his first godkid AND be fumbling with reawakened grief

(Plus hey, I can actually see this scenario as a good way to justify bringing Timmy back. Maybe Hazel could even include Timmy’s memories as part of her Rule Free Wish in the finally)

Basically Hazel and Peri have so much in common that if they were the main duo, those similarities could lead to so many bonding moments AND dramatic moments where through being mirrors for each other they accidentally hurt each other and help each other to grow as people

(It makes me wonder how Peri would hide himself in Hazel’s day to day life. Peri becomes inanimate objects for Dev, sure, but he doesn’t have a consistent object he hides as. Maybe Peri could have a human disguise, pretending to be a recent college grad who moves into Hazel’s building? Or maybe he could be a “new pet rock”?)

(Also I have a lot of thoughts on C&W being disguised as pets for Timmy and neighbors for Hazel, but that’s a ramble for another day.)

Dev, Cosmo, and Wanda

So the first question is how would Dev become Cosmo and Wanda’s godkid? They weren’t actually assigned to Hazel, they basically just adopted her. Maybe, Cosmo and Wanda could still be traveling and just end up in Dimmadelphia around Founder’s Day, and through their observations, they seen Dev is going through it and come out of retirement for him. This could also lead to a Cookie situation with Dev instead of Hazel (imagine Dev pretending to be a lawyer, there would 100% be a gag of him acting as every shady lawyer stereotype you know.)

I can see Dev still lashing out at them, probably still demanding perfection for hollow wishes since he can’t get what he really wants, BUT C&W would cause mischief as they misinterpret his wishes. I can also see him acting unimpressed/impatient when they take him on little side quests to meet with fairies that specialize in the things he wishes for. He’s have to defrost to them, and they (likely especially Cosmo) would push his buttons. Dev would also probably deny having fun during these adventures. I’m sure he’d eventually come to see them the same way he saw Irep)

A potential conflict could come from the fact that a lot of Dev’s wishes are by nature spiteful/fueled by pride. Again, major Dev apologist here, we’re talking about the kid who wished for a an evil ghost to come from the depths of hell after having a fairy for less than a week. C&W would still grant his wishes, but they wouldn’t approve of him being a bully, and would probably try really hard to get him to realize the error of his ways through these wishes

It’s likely that Dev wouldn’t even get involved with the anti-fairies here. If he did, I can only see this after Dev specifically makes a wish relating to his father loving him, which C&W can’t grant, or something similar — a breakdown after a big, direct moment instead of a breakdown after months of little, indirect moments

I can also see him both clinging to them as parental figures and resenting them as misplaced anger and sadness over his neglectful dad

I can also see him seeing Peri (and maybe even Timmy) as a threat here — Peri is their son, who they adore like Dev wishes Dale adored him. And since Peri isn’t Dev’s godparent here and therefore doesn’t feel the need to look out for/do right by him, Peri would like sass him harder or treat him as an annoyance, an extension of any tension that comes up when C&W their clingy thing. In a scenario where Dev still ended up under an anti-fairy’s influence, he might even wish Peri was Nothing, or still kidnap Peri here out of misplaced resentment

Dev and Hazel

I feel like swapping fairies would also affect their relationship. Part of their comes from Dev’s jealousy over Hazel’s relationship with C&W — she has two while he only has one, she has a positive relationship with her while his “can’t do anything right” (can’t cross the red tape of Da Rules, doesn’t have the experience/comfort level to go buckwild with wishes/has parents that love him/etc). Here, that wouldn’t be a problem— Hazel wouldn’t care that Dev has two fairies instead of one, and C&W would probably have an easier time getting through Dev’s defenses. It’s possible that a lot of their fights and negative interactions just wouldn’t happen here, and if they did, it would be related to Hazel wanting Dev to be nicer to C&W/Peri.

[gayferrari]

okay i am coming to you as carlos fan who loves charles to my core (he is my soul sister!!!) but only ever roots for him for ferrari reasons, trying to see this from charles fans pov how is anything that happened tonight carlos’s fault and not just ferrari’s fault… like i try to be critical and i love to shit on carlos when he is stupid (bc he is stupid a lot) (for example spain24 i fear i am not on his side there) but ferrari fucked carlos over so bad today with his pit stop like i truly believe the thing that happened with charles was more of a fuck you to ferrari and not anything to do with charles at all so like i get why charles fans are upset but… i don’t know again would like to hear your thoughts on tonight

DISCLAIMER VIEWS MY OWN (as in. I don't speak for all Charles fans and probably not even a majority of them about this. and I enjoy it when athletes are petty and angry and grudgy and let out their ugly sides)

my first takeaway is that it's truly not that deep. Like, yeah, it's race day emotions are running high but so are the emotions of the guys in those cars. they're gonna get out of the car, calm down, shower, go on with their lives, and not think half as hard about this stuff as fans do, and some fans will remain upset for far longer than their blorbos will ever remember this. I think it is good to keep in mind before getting worked up

what happened: [regardless of garage 55 brainfart moment] Charles was ahead before the pit stops. At the pit exit, Bryan told Charles that Carlos had been told not to fight him and he should just focus on tyre temp instead of defending; Carlos went ahead and overtook him anyway. (That's when Charles said "Next time tell him in Spanish") Later, when Max was right behind Carlos and Charles was trying to overtake Max, Carlos was really slow. Like, there's speculation on reddit that he was feeding Max DRS <- not saying it happened (WE will never know) BUT he was slow enough that other people went "Wait this is weird," and his frustrated teammate would have noticed. If EYE was fighting for the wcc and I even suspected my teammate put someone else between the two of us (costing the team points) to protect his individual race, I would also go off about it. Regardless of whether it's true. Again! Not saying this is what happened and we will never know, but earlier in the race Carlos was definitely told not to overtake, and did it, and between the two of them he's the one with a history of ignoring team orders.

EYE (tumblr user gayferrari) have my own opinions. nuance button. I don't think you should get a gold star for being a "good teammate" or that following team orders is always the right thing. But CHARLES clearly values it, and in the past he's actually put his money where his mouth is and pulled his weight even when it cost him individual points, and I can understand he'd go on a heated tirade for 4 seconds when he's high on adrenaline. I don't think any of this should be a big tell about Charles's personality, team dynamics, his relationship with Carlos or whatever. I think he just spoke without a filter for a couple seconds, and I believe in taking these kinds of radio moments with a big pinch of salt. I'm gonna RPFy the shit out of this because I am on f1blr to have fun not to get angry. But I don't agree Charles was mad at the team, it was a very much "other side of the garage" kinda moment.

(*) note also that Carlos was told to swap with Charles earlier and DID do that, but after a few laps / because he was struggling with pace + very early on, when Charles dropped P2 -> P4, he was the one who spontaneously brought up letting Carlos pass because he knew he was struggling. So they both had moments where they were collaborating this race. I'm bringing this up for completion's sake, like, yeah Carlos swapped when asked even if late! But he also overtook when told not to

I hope this clears it up! Again, it's MY view that it's not that serious because we all choose how to enjoy sports and I'd much rather get angry about other things I feel matter more, and leave the petty drama as RPF fodder. But everyone enjoys sports differently so I can't speak for others

[madbard]

I love shipping characters who hate each other in canon.

I love shipping characters who have had exactly one (1) conversation in canon.

I love shipping characters who have never met in canon.

I love shipping characters from different pieces of media.

It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.

And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.

But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?

What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.

Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.

And they can also be really, really funny.

[walnutcookie]

good day fellow rodger fan, i rlly love your art it gives me whimsy and joy. do you have any headcanons ab him and glisten, perhaps toodles as well? (family dynamics my beloved actually) if not either way i think your stuff is still so rad.

AHHH THANK YOU SO MUCH !!!! <333 WEEPS TEARS OF JOY.... i do have some headcanons hehehe... in no particular order/organization heres some of my thoughts on them:

- Rodger is a sleepwalker. Very Embarrassed by it.

- Toodles really enjoys drawing !!! She likes to draw with the other toons a lot (especially glisten, but he usually just watches her and then treats her art like the mona lisa so she feels good about herself)

- rodgers reaction to any sort of physical affection is really funny because he doesnt know how to react. He wants to keep his awesome and mysterious persona but also he doesnt want to be rude or anything. does he reciprocate? does he try to get away before it happens??? does he say something or does he keep quiet? Usually it just results in him freezing up and going stiff

- also adding onto above he tends to be paranoid about peoples intentions. bro gets a hug from goob and freezes and hes thinking "is this an attempt to console me does he think im mentally unwell or is he trying to find my weaknesses so he can kill me"

- in general rodger can be a very paranoid person and starts panicking at the slightest threat but hes pretty good at stopping to think and clearing his head. Logically he knows goob wouldnt kill him and doesnt know his secrets but it is a thought that pops up in his head for a brief moment

- toodles is always very quick to jump in and try to help whenever someone is upset. She wants to help people as best she can so ofc she would but the problem is that shes never sure what to say to cheer people up :'] she tries parroting some of the things rodger has told her when she was sad but also from her experience it never works so she tries to distract people instead most of the time. it makes her feel really guilty whenever she doenst try to help or if she fails to make them feel any better

- Toodles is very close with teagan!! teagan is like her fun uncle :] they take care of toodles sometimes if rodger is busy (or cough missing). Tea parties galore!!!!

- glisten is romo-repulsed i know this in my heart ok. [i know ive drawn him doing romantic things i cant explain the nuances to this in a cohesive way im just projecting ontohim as a romo repulsed person in a relationship]

- Glisten is definitely introverted but not in the "ohh hes shy and hates people" way hes just drained when he talks to people even if he likes talking to people. He needs to take breaks from socializing a lot to recharge his social battery especially since hes always so worried about what people think of him but he also dies if hes alone too long

- toodles is actually VERY fascinated with bugs if theres an ant or a beetle or a roach or something in the facility shes gonna beg to keep it and make a house for it so she can "give it a better life" (glisten will not scream or freak out but there WILL be visible discomfort on his face and he will avoid that bug like the plague)

- rodger smokes cigarettes . He knows which employee(s) carry them around and will snatch one from their pocket at the right moment when nobody is looking... he tries covering his tracks and flushing everything down the toilet and covering up the smell but ofc he gets found out when theres a clog LOL.

- There was also suspicion when toodles started pretend-smoking and saying she was doing the thing that rodger did but most everyone else just assumed it was toodles being a silly little kid

okie dokieee thats all ill do for now !!! Thank you so much for this ask GAUH im so happy people are interested in my hcs for them n stuff 🥹

[sufferu]

Bravo to you for choosing not to let Rem be forgiven so easily. Honestly I've never been a big fan of Rem as a character, sometimes her endless pandering and obsession with subaru just really annoys me instead, and I've never understood people looking at her doing all that and then saying “Wow that's so hot I'm so jealous of Subaru!”

As for the ones who want her deeds to be easily forgiven by everyone, my personal guess is that they all only care about her body and the unheathy way she forces herself to act like the perfect waifu just for Subaru's sake, but subconsciously they can't stand the shit she did either, so they secretly want their favorite waifu to be a perfect being without flaws. But to me, isn't it essential to love a character and accept their flaws as well? They did wrong things, but there's no doubt THEY did them anyway, and that is part of what makes them who they are. Another thing is that forgiveness has to be earned, we're not cruel, coldhearted, or closeminded for not forgiving someone who hurts us. So I too agree with that anon who thinks WHDAA cast need to to beat some sense into Subaru on way too forgiving and tolerating the people who have hurt/killed him.

But now that you've decided to do that, beware of those rabid Rem stans coming after you and I'm worried that their harassment goes overboard and affects your personal life

I will say — I believe that Rem and Subaru’s canon dynamic is one of the most intriguing and multifaceted dynamics in the entire series. Their parallels regarding their insecurities and family members, their mutually codependent tendencies, the way they run the risk of becoming each other’s perfect enablers, the genuine sense of love and affection that runs parallel to the unintentional toxicity fostered within their relationship — it’s all really interesting stuff. In fact, exploring their dynamic through the lens of outsiders (including amnesiac!Rem) finally getting to peer under the hood is one of the main reasons I wanted to write a react fic at all.

As for why people like her — honestly, I think it’s kinda easy to guess? She’s a very cutely designed anime girl, she’s incredibly well-voiced, her insecurities are genuinely relatable, she’s got a super awesome oni power-up transformation, her morning star lends itself to some of the best choreographed action scenes in the series (or at least Season 1), she appeals to the whole “submissive maid” aesthetic that she knows Subaru finds attractive (and that also appeals to the target demographic of Re:Zero specifically, let’s be real here) — and frankly, there are so many scenes in anime where characters we’re supposed to like do fucked up shit that it’s not difficult to just…gloss over the whole “tortured the mc for several hours” part of her character. It’s understandable, especially if you’re not an insane person who spends all their time hyperanalyzing the anime they’re a fan of like I am. I don’t think it’s really that far of a leap for her to develop such a massive following, she was basically designed to be as popular an anime waifu as physically possible.

But then, that clash can become…a little uncomfortable if you’re writing a story where “Rem tortures Subaru” is a major plotpoint, and if you don’t want to reevaluate their entire relationship, it makes sense to find a way to just — get the characters to move along, much like a lot of the irl audience does.

But I really like toxic characters and angst and complicated relationships and all that fun stuff, so that’s what I’m gonna focus on. —Also Rem is WORSE in the LN. Girl starts fantasizing about whisking Subaru away while he’s practically comatose from shock (second Arc 3 loop) and then also makes a comment like “even if he had tried to assault her in her sleep, she knew she never would have resisted” like GIRL??? The idea of not tapping that insane well of potential drama is ludicrous to me lmaoo— especially because I really don’t care about maintaining the status quo ;)

(Also frankly, anyone who would start seriously harassing me over whether or not I share their opinion about a fucking anime girl is too pathetic for me to care about. I honestly don’t think I’ll get that big of a response — especially not on Tumblr “Gay Website” Dot Com — but even if I do…I don’t care, lmao.)

[markrosewater]

Happy Saturday Mark,

I really enjoyed listening to your Drive to Work podcast on stickiness. It was one of my favorites in months! It was an interesting look behind the curtain design wise and the factors you consider when designing mechanics.

I definitely prefer mechanics that are sticky.

You mentioned that you still think it's worthwhile to design mechanics that aren't sticky but I don't think you really explained why the benefits of this outweigh the counterintuitive nature and memory issues that complex mechanics that aren't sticky create.

You mentioned that Magic is a complex game and that's part of its charm and intrigue. I think that's true, I also think it's true that everything can't be done by memory but I don't think going out of the way to create mechanics that are overly wordy and aren't sticky in a game that is inherently very complicated is helpful to the player. I think there's a fine line between tic-tac-toe and overly complex where it strongly goes against player intuition and memory bandwidth.

I also think you've proven that for 30+ years, Magic can make designs with new mechanics (and reuse existing ones) that appeal to players without going out of the way to make excessively wordy, complex and unsticky mechanics.

By the way, this doesn't mean there isn't merit or value in designing individual cards at higher rarities that are less sticky. Most planeswalker designs aren't sticky and they are often dynamic and interesting cards, although they almost always appear at high rarity and are only a small handful in a single set rather than them being full fledged mechanics that appear at common.

For example, Gemstone Caverns is a fun and dynamic card design that isn't particularly sticky and is fairly complex. That's okay but that doesn't mean it would be a good idea to keyword the mechanic, right?

I feel nearly every time there's a keyworded mechanic that isn't sticky and has memory issues, these mechanics are controversial or divisive. They seem to never be overwhelming popular (i.e. Mutate, Tempted by the Ring, Attractions, The Initiative, Day and Night) and they create so much more baggage and mental load issues compared to sticky mechanics.

I also find it counterintuitive that you acknowledge and understand that more people are playing Magic in eternal formats that are backwards compatible (i.e. Commander) but you seem to highly value creating mechanics that are highly words, complex and not sticky. In my experience, those types of mechanics overwhelm players more in those types of formats compared to less popular (but still very fun) formats like Limited Sealed.

I guess my question is that for most of your podcast you highlighted why sticky designs are a great thing and that while every mechanic can't be as elegant and sticky as Flying, it's important to make mechanics as intuitive as possible to help players, if that's the case, why do you sometimes create mechanics that are very anti-sticky?

Keep up the awesome work and have a great day!

You're conflating "wordy" with "unsticky" and those are not synonyms. I'll use one of the mechanics you listed as an example - daybound/nightbound. The issue with the mechanic wasn't a lack of stickiness. The idea of there being day and then there being night, and things caring about it is pretty intuitive. Players got the gist of what the mechanic was up to.

Day/night's issues had to do with creating inconsistencies (mostly with Werewolves) and having tracking occurring when it didn't matter. So yes, there were play problems, but not because players couldn't wrap there brain around what it did.

Haunt, as a counter example, wasn't particularly wordy, but was very hard to remember.

I believe your question is really "why do we make complex mechanics?" And the answer is there's an audience that really adores the complex mechanics, and we're trying to find a good balance to allow every player to make Magic the kind of game they enjoy.

As to complex mechanics having a bigger burden on eternal games, I agree they do, but I believe that's what players sign up for when they play an eternal format. We're not going to simplify modern day Magic for all the other players that are enjoying the many other ways to play simply to keep eternal formats, which are already highly complex, slightly less complex.

[showsandstuff]

Am I the only one who is disappointed with Caitvi in season two? When I watched the first season I had the biggest caitvi brain rot because they actually gave me SUCH a fun dynamic with them. Buddy cop Caitvi was hilarious, I loved that so so much!

And season 2 started of strong imo but then it rushed through everything. I loved the scene in the cell, obviously, but it was misplaced. Your sister is about to kill herself girl what are you doing this is not the time!! And other than romantic and sexual tension there wasn't all that much left of their previous dynamic aside from the brief scene in episode six...

Idk, I think I'm just annoyed. Usually when I see a non canon gay ship get more traction than the Canon lesbian couple, I just assume it's misogyny or lesbophobia, and move on with my life. But I can't even do that here because Caitvi was WAY more popular in season 1 (as they should).

Jayvik isn't getting somewhat more popular in season 2 because people don't like lesbians, but because their arcs are connected so strongly to each other. (Also I'm not saying that Jayvik is now more popular than Caitvi, but it's like a graph where the super high stocks caitvi are still even while Jayvik is skyrocketing rn)

Wanna know why Jayvik wasn't all that popular in season 1? Because (after act 1) their arcs were mostly separate, safe for a couple of moments. Viktor worked on his body and Jayce was doing politics.

Caitlyn and Vis arcs intertwined more, they actually did shit together and it was beautiful, funny, romantic, EVERYTHING!

Also a fun opposites attract buddy cop dynamic is also just more fun than men who do science together (in my personal opinion)

Now let's look at Caitlyn and Vis relationship in season two.

It starts of strong. I momentarily thought that Caitlyn was uncharacteristically mean to Vi when she refused to become an enforcer, but she apologized for it later and I recognized the fact that Caitlyn was grieving. Then once we get to episode two and three I could already feel their relationship being a bit more odd. The kiss (though I cheered) didn't feel right. I felt like something was missing, and that was their chemistry from season one. Also I feel like we glossed over too many decisions that Caitlyn made, and I think Vi should've put a stop to it sooner. But overall I was okay with them in act 1.

Then we had a timeskip and the two were fully separated. Act 2 literally started with Caitlyn in bed with another woman, like we can see they're not together anymore. Caitlyn has obviously changed, there is not much of the sweet cupcake left that we had come to love in season 1, and Vi is boxing and getting drunk.

Then they meet and like... Vi calls Cait cupcake, and Cait switches sides IMMEDIATELY? GIRL WTF?!

I get that Caitlyn wasn't entirely on Ambessas side the entire time, but I had hoped for more drama first. So you're telling me the very next interaction the two have after their heart wrenching falling out is them making up again? Come on.

Then we had act 3 and overall it was better I think but the timing of their hot scene in the cell was just odd, like what about your sister about to kill herself? I was very happy and hyped in the moment but then I realized how rushed this was. Why? Why make em fuck right here? And in the final act, the two weren't together because again, their arcs were not as connected. And that's actually pretty cool to have a couple who do their own things! But it doesn't help their relationship when they, in turn, aren't given enough time to develop as a pair!

I feel like season 1 did this incredible job of setting these characters up, showing us why they work so well together and why they would fall for one another. And season 2 gave us pay off for it but with very little set up, which was needed because of how Cait changed throughout the season. I don't mention Vi here because she did not change. She had her drunk boxing phase, which we got nothing but a montage off, but everything else is basically season 1 Vi aside from very few things here and there. Like her becoming an enforcer wasn't a character change for Vi, her finally letting go of powder and calling her sister Jinx, wasn't a big character moment for Vi, they were pay off for a set up we didn't get enough of.

SO TO GET TO MY POINT:

S2 was rushed. We should've AT LEAST gotten 3 seasons, like minimum, because there was a whole lot of plot and very little moments in between for characterization. Especially for Caitlyn and Vi and their relationship to each other.

I still generally prefer Caitvi to Jayvik, but only because of season 1. Season 2 gave me the two things I wanted most (a sexy scene and a kiss) but forgot to give me the things that made me fall in love with this ship in the first place.

Which was the hilarious buddy cop dynamic of rich girl cop Cait, and broke butch prisoner Vi.

[adobe-outdesign]

Been getting into Neopets again, so may I request your thoughts on the ghost color please?

It’s so simple, but I love the absolute HAUNTED expression that a good amount of the pets get when painted :D

Ghost is one of those very old colours that kind of suffers for its age, because it's... kind of boring? The concept is great, and I do like the way all ghost pets turn the same shade of teal with red eyes—it's very consistent both in terms of the colour itself and in terms of things like NPC characters and whatnot. I also like how the pets' expressions become more sad and spooky.

However, the execution beyond that tends to be lacking, as that's literally all there is to the colour beyond just a faint glow. You'd think that they'd make the pets semi-transparent, give them tails or wispy elements, stuff like that, but instead every pet is just "teal base with red eyes, glow, spooky expression". It's not terrible or anything, and once again it has a lot to do with how old the colour is, but it does feel pretty underwhelming.

You might think some of the blandness was caused by customization, but even pre-customization all the ghost pets were just drawn in their default poses. Sometimes the old art would give them a more exaggerated expression, but beyond that, they were still pretty boring.

However, just this year TNT released a bunch of "eerie" styles for this color with actual unique poses, and I have to say, these are a lot better. The dynamic Halloween styles they did were pretty good as a whole, but they also didn't feel all that necessary. These ones definitely were, as they don't just give the pets unique poses, but also take advantage of the new art to give them wispier, more ethereal appearances. Sure, most of them were sampled from art already on the site (the Flotsam above is based off a user shopkeeper), but if it works, it works. This does mean the styles are pretty inconsistent with the original art and expressions and aren't always on-point in terms of linework and whatnot, but there was so little there to begin with I can't imagine anyone complaining.

Favorite Species:

Techo: The Techo is a really good example of a pet design getting better over time. The pre-conversion art was literally just the default Techo—it didn't even have a different expression. Come customization, and they at least tweaked it to have smaller pupils and eye bags, which combined with the new art looking less overjoyed by default at least gave it a fun personality. Finally, with the eerie style, they redrew it to have what can only be described as a completely zoinked-out expression with irises around the pupils. It also now sports a floating pose with great shapes and flow, and some creative choices like more wispy elements and a complete lack of legs. It's really good.

Usul: The ghost Usul was always a bit unusual in that even pre-customization it always had flowing, raggedy ears and a slightly ruffled tail to match—a unique attribute that I really wish they had applied to more ghost pets with manes and long fur. With customization, the design actually got a bit worse—the eye bags were lost, it kept the same generic expression, and the tail didn't match the ears as much. However, with the new style, they fixed that completely; ears and tail now match perfectly and even the mane has been given the same ethereal look, with the pose and expression really standing out.

Hissi: This one's kind of cheating as I usually try to aim for pets that have both a good default base and a good style. The post-customization ghost Hissi, however, is as bland as can be—even the pre-customization ghost Hissi was absolutely nothing. However, the style is really good. I love the pose and the grabby hands, and the way big chunks are taken out of the body in an almost Wraith-like way.

Least Favorite Species:

Grundo: There are, strictly speaking, uglier species to pick from (pets with a lot of yellow, like the Tonu or Kiko, really don't work), but the Grundo gets this spot for being the blandest of the bland. Not only is there nothing interesting or unique about the design post- or pre-customization, but it doesn't even have a fun expression. In fact, it doesn't even have different eyes from a regular Grundo, because Grundo eyes are solid red by default, thus making it just look completely normal. Hopefully we'll get a style for this one one day that gives it something unique to work with.

[cemetegee]

The Tridentarii Power Shift System

Lately, I've thought a lot about the Tridentarii power dynamic. And I've come to some interesting results. My main point I will explain below is: Corona is not a "Third House Twin puppet" and Ianthe is not her "puppeteer". In fact there is no "twin in charge". But it's a little complicated to explain. While I could do it by presenting you my (very confusing) train of thought, I'll do it by first giving you the infos my subconscious apparently had when I started to think about it.

(Fun fact: your subconcious owns 80 % more information than your concious. That means that it's not even a bad idea to follow "your heart".)

To even think about their power dynamic we need to remind (or find out) their negotiating positions:

For Ianthe, it seems to be pretty easy. She has the ability to do necromancy and that's something that Corona needs of her. Maybe it's interesting that she doesn't seem to have interest in it, though.

It's something she needs, but she doesn't want to have it herself.

For Corona it's more complicated. She has no necromancy. But she does in fact have something Ianthe needs of her:

Ianthe doesn't want to be the Crown Princess. Being the Crown Princess is of course more than a title. It's about the whole social & representative aspect. It's therefore understandable that she doesn't want to do that - her social skills are terrible. But it means that Ianthe can't represent (herself and) the twin couple appropriatly and needs Corona to do that for her.

And that makes Corona's negotiating position way stronger than it seems like at first.

With that knowledge we can finally analyse the Challenging scene. Judith challenges the Sixth and Corona tries to offer Third help - and fails. And this moment is interesting:

As it's been pointed out before by others: Corona seems to be surprised about that. Ianthe contradicting her in public is no familar experience to her. She was expecting to get her way. Apparently, Ianthe wouldn't have questioned here before Canaan House.

And that shows us, that Corona has (had) not only pro forma, but in fact the control in public situations. It's not only for show that they tell each other they'd need each other. It was true before Canaan House. What we see confirmed in right the same scene:

Corona can take the lead over the talk and reprimand her. Their dynamic is not "one evil twin in the shadows and in charge" but more a kind of power shift system. Corona takes the public shifts and Ianthe takes the shadow shifts.

Before Canaan House Ianthe would never have questioned Corona in public. The only reason why she can suddenly do it is, that she knows that she will ascend to Lyctorhood and therefore to the First House. She knows, that won't need a Third House Crown Princess there. The scene doesn't portray their usual power dynamic. It's a break point. The power dynamic shifts during Gideon the Ninth.

But it was different before.

[parrhesiac]

Also, repeatedly it is Rodney who accuses Sheppard of being Kirk, i.e. in his view an action hero commander who gets the girls and saves the day.

It doesn't therefore matter that this is not how John is, in actuality, or how he sees himself, or how the situations actually are. It doesn't even matter that this is not how Kirk was in TOS! It matters only that Rodney is the kind of socially-isolated and inept Trek fan who thinks that's what's going on. Rodney thinks of Kirk more the way J. J. Abrams does, not the way the rest of canon does.

But then, from my perspective, and having listened to the SG-1 commentary tracks, I would guess that the writers on Atlantis—being mostly seasoned Stargate writers—weren't trying to create a simplistic womanizer as their main hero character. Such a character would always have been a Stargate minor villain. They made their mistakes in early SG-1, but even there, it was to introduce characters against sexism.

However, I think they were trying to create a better James T. Kirk. And I think they succeeded far better than the AOS Trek movies did. Frankly, I'd like to see an older John Sheppard in the mold of TOS movie Kirk.

Seriously, look at John Sheppard and Cameron Mitchell, together. Both of them, as parallel reinventions of the Stargate lead character, are fundamentally aw-shucks boy-scout non-maverick characters. Career military in a fictional sense, dependable guys who like their jobs and get along with people and work well in teams. And Cam gets the "stack of books with legs" trait with both hands, Sheppard less so, but in both cases it's interesting because that's the antithesis of Jack, who never met an explanation he didn't wave off, and needed Sam and Daniel for that. But that is the core of James T. Kirk! Put that man in a team dynamic with complements and supplements to his weaknesses, all with foibles of their own, and then put that team in situations!

John Sheppard does get the run-and-gun situations more often, out of the gate, the impulsive gut-level solutions ... but all of his are eusocial, from the very beginning, against characters on his own side that aren't. And it takes a certain kind of callow masculinity to look at that and say it's designed to be sexist and womanizing, and that's what we have Rodney to lampshade for us. The writers give him the "save the day and get the girl" plots equally to lampshade them, because it's never actually that. And the sheer number of lampshades hung by these writers as literate sci-fi fans is just fun! They know their tropes, and they subvert them freely.

Another thing about Stargate being an early 2000s show is the writers obviously wanted John to be a womanizer and by all means he should have been but whether they just did it badly or it was the way Joe Flanigan played him he so isn't and it makes him so awkward and endearing I love it

[hunsa-jars]

Little My is super suspicious of Shaun and follows him around some nights because

1. He's weird and creepy (her words not mine) and 24/7 looks like he's up to no good

2. Why would anyone hang out with Sniff this much without any ulterior motive, she needs to know what he's planning

After a few weeks she asks Alicia if her grandma knows what kind of creature he is and how she should deal with him and Clarissa just gives her a book on Imps and familiar contracts (cut to a very wide eyed My and Alicia)

[glow-in-the-dark-death]

Just For Him

Knowing Danny's family and his time as a hero you would think that Danny would grow up having a similar job, and so did he honestly!

That was until he put on a pair of skates and stepped onto the ice.

Maybe it had something to do with his ice core that made his movements on the ice feel more natural than any other kind of ground under his feet.

Once he was on the ice he felt like a completely different person, confident in every single step, in the way he would spin and jump- using a bit of his ghostliness to gain more air time in his jumps.

The entire sensation on that ice was freeing,

invigorating,

peaceful.

It was just him and the ice under his blades.

It felt like everything in his life was for someone else, his creations his protections all of it that he would gladly give to those who need it and to his loved ones.

But when was the last time he had anything that was just for him.

For him to enjoy

For him to find unrestrained happiness from

Just for him

So no, while it was surprising to everyone around him including himself at the direction his life turned to he couldn't be happier.

He now traveled a lot for his competitions & own fun, with a very happy Ellie tagging along to support him and enjoy what the world had to offer.

" We have arrived at our destination. Welcome to Gotham."

~

Just an idea

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[arcane-ish]

Hmmm, I have to say so far my thinky thoughts aren't really coming. I just figure nice!Ekko would be really lost in the super violent mainline world.

I really wanted Ekko to be in Act 2 and visit things like pitfighter Vi and Warwick, but none of these things mean the same thing to nice!Ekko.

My gut instinct is that the first thing that would happen to nice!Ekko is that he might get robbed (then again, he manifests in Ekko's clothes)? Or maybe he is stumbling around kids being abducted, people begging in the streets, maybe he comes across the Vander statue and is freaked out?

I guess next step would be for him to try and see his genius girlfriend. We know that nice!Jinx uses the same hideout, so that's probably where he'd go next. Maybe he'd run into:

Isha and be very confused who she is and tastefully try to ask Jinx where Isha comes from. (maybe Ekko would like, actually ask Jinx if she has tried to track down any living relatives of Isha instead of treating her like a cute pet)

Sevika who tries to beat him up because he's a firelight and they get interrupted by Jinx.

A depressed Jinx, whose look scares him, but she's Powder dammit, so he spills his guts to her about the universe hopping and she thinks he's the crazy one? And he tries to talk her into helping him build a machine back?

If think if a plan back somehow featured them contacting Vi, that would be a very emotional moment for nice!Ekko since in his universe Vi died.

Another angle could be that he doesn't manifest in the middle of Zaun but in the hextech chamber (but alone because there's no Jayce in his universe and Heimer is a yordle). And his first road is to take the elevator up to Piltover where he might run into Caitlyn or Mel? Or even Ambessa?

ETA: I feel like it would be super fun for nice!Ekko to explain that Silco is nice in his universe. Like maybe he sees one of the drawings Jinx made of Silco and he's like "so, what happened to Silco" (maybe he asks because he already saw the Vander statue outside). And Jinx is all: "Since when do you care?" and Ekko is "I dunno, you and him just always seemed very close." And that throws Jinx a bit for a loop because she doesn't want to look uncool by admitting she wants to hear more about that universe.

Ekko being hesitant to tell her that Vi died in the other universe might also be a really interesting character dynamic.

I kind of love the idea of nice!Ekko being similarly blunt as our Ekko. Like he looks and Jinx and goes "Wait, so we never slept together in this universe"? And she just goes super red faced and "yeah, whatever, who cares about that stuff anyway".

Ok real talk, for a fic idea... Where do you think Nice AU Ekko is, while our Ekko lives in his skin? Dead? In another dimension? Swapped out? Or trapped in his own body? Does he get to see down Ekko's life? What does he say to Jinx waking up missing entire days?

This is a one shot plot bunny worth exploring.