#i think that would probably solve everything

[dear-ao3]

by popular request: how to write an email

a disclaimer that this is the specific kind of email you send when people are absolutely smiting you and you know a phone call or an in person meeting is not possible/will not help. like youre 12 emails deep in an email chain and going in circles. youve been re routed to 13 offices 4 separate times. those kind of emails.

credentials: ive taken something like 13 semesters of college (dont ask) and every single semester have had to fight at least 3 offices for varying reasons in order to take classes. (including one time where i was shorted 5k in financial aid. i ended up getting 200 more dollars than i needed in the end) also my dad taught me everything he knows about emails (hes a tradesman turned corporate man and most of his job consists of telling people (nicely) that what theyre doing sucks and makes absolutely no sense)

Step 1: figure out who the email needs to go go

there is nothing wrong with emailing 11 million people if it gets the job done. if someone isnt helping you and you Know that they Should Be feel free to start to copy their boss on the email. copy your boss on an email. (or advisor or whoever). even if you think the person might only be like Vaguely helpful, sometimes people know people.

also theres nothing wrong with emailing the same email to several departments. sometimes you have to make a lot of noise to get something done (again. as like a last resort. dont email 11 million people right out of the gate)

Step 2: remember to be Polite

a very tempting step to ignore especially when you are 13 thousand emails deep in problems. but! if you are not nice to them! they will probably continue to smite you in the future! you want to make friends! not foes! so no matter how much people are smiting you, try to resist the urge to be an utter dipshit because it will not get the job done. vent to a friend or a coworker and send your polite and nice email

Step 3: articulate the problem Clearly.

a very important step. especially if you are adding more people to your email chain. dont assume they know your exact problem. they probably are dealing with other problems. articulate Clearly what is happening, no matter how long the email may be. its far better to get a long and detailed email rather than a non helpful short one. that will only prolong the process of how long it takes the problem to get solved.

Step 4: cite your reciepts.

wildly important. send your screenshots your attachments your whatever the fucking fuck youve got. its always good to have a paper trail. this is also where you would state any previously attempts to have the problem Sorted (ie i reached out to x person on x y and z days about x problem and it is still not resolved). you would not believe how many people dont scroll down in an email, especially a forwarded/replied one. so summarize whats Down There in your most recent email

Step 5: use the appropriate lingo

you dont have to be Overly Formal but there are a few good Buzz Sentences that usually get the job done. for example:

As Per My Last Email: a great line. emphasizes that youve already mentioned this. and this is not the first time youre mentioning this point. also emphasizes that the Thing has yet to be solved

See Attached/See Below: under utilized. again. people do not open attachments and they do not scroll down. almost had a friend once fail a class because a professor gas lit them in an email chain saying they didnt receive the final paper when the paper itself was attached earlier in the email chain. be Painfully Literal. it pays off.

Help Me To Understand: this is one of my dad's favorite lines. it really shows that you have no fucking idea what the person youre emailing is getting at and youre offering them the opportunity to spell out their nonsense for you. so that you can then be like. well. clearly This is where the miscommunication lies. its a great line. has saved my ass many times. because it is not accusing it is just offering someone to understand. it does not attack. it just is.

Step 6: give a polite sign off.

something along the lines of "thank you in advance for any help" or "i look forward to hearing from you" does the job. something that sends the message you are not pissed to shit at them even if you are.

Step 7: follow up and follow up often.

polite email response time is 48 business hours/2 business days. if it has been longer than that you have every right to email back and say hi x person just following up on this email, have you had the chance to review it yet? again. keep it polite. you actually want them to help you. and if they still dont respond well then maybe its time to loop in a boss or a supervisor or whoever the hell else. dont be afraid to go above them if you need to. nothing wrong with getting shit done when it needs to get done.

and really, if all that fails, as my dad says, a little office bribe in the form of cookies has never hurt anyone :)

so an email. should be formatted something like this:

Greetings/Good Morning (Afternoon) (Person)

I hope this email finds you well (or something similar for a greeting). I am reaching out regarding X incident/problem/whatever the fuck it is. I have previously reached out to X person on X dates and (summary of whatever they did or didnt do). See below/attached emails/pdf/screenshot/document (if applicable)

(explanation of the problem in as simple and detailed terms as possible. have someone re read it to make sure that it cannot be misconstrued)

(explanation of what you are looking for as a solution)

Please help me to understand why this (solution) has not been able to be reached. (explain you are on x timeline if the situation is urgent)

Kind regards/Thank you for any help in advance/I look forward to hearing from you etc,

email signature

go forth and conquer your emails. remember, sometimes you have to be a squeaky wheel. and in my million cases of email sending, it has ALWAYS paid off and i have gotten the problems solved. dont be afraid of the emails they can help you.

[salparadiselost]

A random idea that I'm not ever sure I'm going to pick up and finish. AU is that everyone lives in a movie genre and the universe if governed by the rules of that genre. Bruce, fed up with being a failed lover interest, starts to adopt kids from other genres.

-----

"I don't get it," Dick says, standing at the top small set of stairs and looking down them. There's like six of them, hardly enough to actually call it a staircase. Dick could probably jump the full way down without hurting himself. It's definitely not a flight, just six steps to get from the raised dias of the bank's entry to the street. But Bruce is still hesitating at the top, staring at them like they are a snake curled up in the grass. 

The man who had assigned himself Dick's father (He doesn't need a father. He doesn't have parents. His parents are dead. Killed. For eight years, their case has gone untouched as cold as their corpses. He needs to solve it. He needs to find the killer. He has to. He has to. He has to...) drags his eyes from the stairs to Dick.

"You live in a *rom com*," Dick practically spat the words. He had been growing to hate this saturated colour, plastic world. There were too many people. None of the streets were ever empty. Movements from the corners of his eyes that his brain screamed could be someone pulling a gun, someone reached for a knife, someone passing a drug off to another, was usually just a woman dressed in LuLulemon pulling her yappy dog along. It was maddening the way that his brain wasn't built for this. He saw people doing things and his mind screamed that it was clues! It was evidence! You need to investigate it! You need. You need. You need.

But he doesn't. Because he doesn't exist here. The Graysons don't exist here. No one has been killed in this city for over 100 years apparently. The worse crime in the paper had been when Miss Betty accidentally stole cupcakes because her and Joe's orders got mixed up. They were getting married now apparently.

Dick shook his head trying to dislodge the part of him that was screaming that he was missing a clue. He tried to focus on the present. Him. Bruce. Stairs.

"This is a romantic comedy," he repeated. "It's all about love, so what's the fucking worse thing that could happen on the stairs."

"*It seems I've fallen for you*," said Bruce suddenly, his voice so devoid of emotion it startles Dick. Dick's eyes snap up to meet the other man's eyes, but Bruce is still looking at the stairs.

"That's the part of the script," he continues, his voice blank. It's disconcerting. Dick has only heard him peppy or bubbly or other words that paint him as a happy-go-lucky dog. He's never heard... this. "I fall down the stairs and I... I break something. I lay there until she's suppose to rush in. She's supposed to be a nurse or a doctor or maybe just someone with first aid training. She's supposed to treat me until the ambulance comes and I'm supposed to say *'it seems I've fallen for you'*"

Bruce finally looks at Dick and he can't even describe what's in the man's eyes. It's... he would almost call it haunted. The same glint that he has when he stares in the mirror.

"I've broken my leg from falling down stairs 48 times. I've broken one of my ankles 53 times. My left arm 18 and my right 26. Three times it's been my collarbone. One time after two flights, it was my back. I was paralyzed from the neck down. I couldn’t move a damn finger, so I just laid there in pain until the clock hit midnight and everything reset. And that’s just the staircase falls. There’s also the open manholes, the broken railings, getting hit by a car, a couple of times where a bridge gave out from under me. Any of them will do as long as I end up hurt and on the ground."

Dick stared. Coldness washed through his veins, fixing him to the spot. For the first time since he got here, fear settled into the pit of his stomach. The only thing he could think to say was: "I thought that nothing went wrong here?"

Bruce gave a harsh laugh that seemed more fitting for Dick's genre. "Everything works out if you actually have someone who wants to love you. If your love interest isn't interested or she just doesn't bother to turn up... well, the universe keeps trying to correct itself even if that means you have to lay in a crumpled, bloody heap at the bottom of stairs for a few hours."

He... he didn't know what to say. Say that he was sorry? That Bruce didn't have anyone coming to love him?

He looked back at the stairs and saw them how Bruce saw them. He tried to figure out what to say, but Bruce just turned on his heel.

"Let's go find the wheelchair ramp."

[causeimcrayzeebee]

have you seen the kamimura lore drop and what are your thoughts?

ohbmy god this could’ve been so embarrassing cause i hadn’t seen it yet and was so confused as to what you meant so I was planning on just yapping about kamimura in general but then I saw it LMAO UM I WAS SO HAPPY CAUSE KAMIMURA CONTENT!!!!! KAMIMURA LORE!!! AND THEN SO FUCKING INCREDIBLY SAD FROM IT LIKE....THAT'S GORE... THAT'S GORE OF MY COMFORT CHARACTER.... um yeah I have work for law to do but I got too into reading the lore drop so lets talk about it! (I will get to my work after trust) spoiler warning for chapters 1-3 and tetro typical trigger warnings!!! take care of yourself!!

I am not going to cover the ableism portion or too much of the diagnosis/hospital parts because I am not personally disabled and would like to let other disabled people talk about it, so i'll leave the rest of the conversation to others in the community!

also i took notes while reading it to organize my thoughts like usual (im so bad at putting words together well). some of these are kinda funny so here are some highlights lmfao

alright, now lets actually be serious.

firstly, I'm so glad that kamimura at least had a good childhood. I think it really shows in the way he interacts with the tetro pink cast that he was a sociable and happy kid! my mom actually teaches preschool so shes taught me a lot about early childhood psychology (shout out to my mother guys!!!!!). one of the biggest takeaways I've had from her is that the first five years of one's life are the most important in development! that's what Montessori programs keep in mind and throughout preschool and early kinder, they take time to establish learning through play; a lot of people have the misconception that letting kids play at school is just letting them mess around, but it's crucial in building their skills! kids learn to socialize with others and to problem solve; that foundation is very important for everything else moving forward in life! I could rant about how preschools need to utilize this more, esp in the American education system, but I digress. my main point goes to something I (and a couple other people I'm not original in this LMAO) have mentioned before about how it makes more sense out of hasegawa and kamimura, that they'd kill off kamimura because he had other people. kamimura, despite having further and further cut himself off from the world right till the end (until the kg at least), still managed to make meaningful connections, like tamba and hayashi, even if they weren't like ideal. the way he approaches tamba is very caring in a way that can seem like it's not, yk? likely it stems from his trust issues, it's scary to put your genuine real feelings out there, so hiding them with some snide remarks is easier. luckily, tamba has a similar approach so hey. shout out tamba n kamimura you will always be special to me.

anyways, its both so amazing and so heartbreaking that his parents were so loving and supportive, but died too soon. I do wonder about the role of attachment in this case; like specifically in babies/toddlers, they get attached to their parents usually because that's the first person they see, the first to take care of them. kamimura was able to get that love and support from his parents, even when it got so much harder and the days in the hospitals got longer. so having it all be taken away when you're NINE? that's obviously gonna destroy you, and that leads to his trust issues and isolation. he was able to thrive still as a young child because he had his parents to support him! so when that's all gone, how else are you supposed to cope?

yeah fuck you family friend, that was brutal. I cant even imagine coming home from school to find your parents absolutely desecrated. the day of his parents death beginning the routine of staying locked in his room.... oh my god like what if I cried (I did). that probably changed the way he thought about his room; his room was an escape from the horrors of the outside world. if he just stayed in the room, he wouldn't have to experience the fucked up world. it became a habit. EUGAHHD I'm in shambles.

after the murder of his parents, it's understandable that it shook kamimura and his aunt to their core. that was a violent murder (by a man who was literally just rejected romantically.... its so fucking upsetting that that is a common crime). his aunt wasn't even ready to have kids so having the responsibility of taking in kamimura must've been a lot. In regards to homesick, despite the very clear distance in their relationship, kamimura really seems to appreciate her being there, even if it was very distanced; she was still an important part of his grieving process and his whole life honestly.

oh boy here we go. isao when I catch you istg..... sorry that's an exaggeration, likely this was from a societal disgust, yk just homophobia from the world, so I cant really blame this kid too much.... but we still have beef. god, this was one of those actually crushing crushes, hm. it's so fucked up; someone who was starting to get kamimura a bit out of the dark space that was his life, giving him something to enjoy and be happy about! and all of that was just thrown away because kamimura was vulnerable and shared his feelings. not having your feelings returned can already be devastating, but this? the spread of rumors, the bullying, the losing his one friend? it's like the world wants to torture him omfg. here the trust issues become worse; those who loved him leave, those who he loved leave. everyone just leaves, so what's the point?

this explains his relationship with hasegawa, and the issue after trial 1. it had to have felt way too familiar; telling someone he was fond of vulnerable information, only for it to be told to a bunch of people he never wanted in his fucking business. however, I think the reason why they made up rather quickly in clean up crew (which btw I watched w my friend earlier today bc I got them into tetro........ god I love that episode) is hasegawa's response. hasegawa, unlike isao, is remorseful, he CARES. hasegawa even shares something personal to him, about his own loss.

I think this also changes the scene of hasegawa coming out a bit. before, he was rejected by isao because he was a homophobic douchebag. but in the student spotlight, hasegawa casually says he's not into girls. while its funny thinking that kamimura was having some gay panic then lmao, I think actually it was probably processing that in a confused comfort, not exactly because his feelings could be reciprocated, but for this; hasegawa was so comfortable with coming out as gay, so comfortable with the concept, unlike isao. if kamimura confessed his feelings to hasegawa, and were (somehow) not reciprocated, he likely still wouldn't have ran away. of course, with kamimura's trust issues, he probably wasn't confident in that assumption, but hasegawa is not the kind of person to drop someone because they confessed to them. he would've kept the person that had become so important to him. and because of that maybe, just maybe, kamimura would've said what he really wanted to say if the interview had happened before woodshop.

once he's on his own and moves out, he no longer has someone reminding him to do things, so with no motivation to simply live, he ends up staying locked in his house like we've seen before. what's the point in anything? when that kind of spiral hits you, and you don't have other people present in your life to keep doing, how would you ever stay motivated?? I know it was a really informal post, so I might be going insane trying to add this to the analysis, but the repetition of 'but life goes on' I think really solidifies the importance of a support system. when things are difficult, the world never just stops, it keeps going despite your struggle. but having people who care about you around you can help make each day easier, they can help 'slow down time' if you will. kamimura has gone through an amount of stress no one should have to face, but people around him could have made it easier on him by being there. that's the tragedy of tetro.

it's especially tragic that at the very end, right before the kg, he was taking his own life.

(plot wise, I need to know what y'all theorists think of this bc I have ideas but i need to finish the staffside logs before I can even actually consider my thoughts lmfao.)

sorry to be captain obvious on a majority of this post lol but gosh wow. I really loved that we got this, it was so much information I am kinda stoked despite basically all of it being depressing as hell. tetro has really become an inspiration for me and writing, I am constantly so impressed by von's writing and it's given me perspective on how to approach writing as a whole. i feel as though this gave me so much perspective on kamimura himself as a character. some of this just confirmed my ideas already, but it strikes me as something so human just learning all of this. when I, or anyone really, first meet people, I only know surface level things, yk cause I don't know them. but then I start talking to them, and I learn about different things that have happened to them, how they feel about certain issues or what they're doing on a day to day basis. you can never know everything of course, but when you discover new parts of someone, it makes them more complex and they don't fit the idea you had of them before because people are complex!! and that's the beauty of writing, capturing humanity! the impact of each character, esp kamimura, has been so beautifully done, I'm just constantly moved as the story progresses.

thank y'all sm for reading my excuse to talk about kamimura, this was A LOT of blabbing I'm so so sorry but I hope you enjoyed haha! :)

[wisegirl25]

I always thought I related more to Sophie but I’m starting to realize I’m literally Keefe it’s kind of weird

Humour as a coping mechanism? Check.

Crazy parental expectations that I deal with by just trying to disappoint them instead? Check.

Pretending not to care about things when I probably care more than anyone? Check.

Being that one kid who never shows up to class and somehow still aces everything? Check.

Running away when things get tough because I think everyone would be better off or that I can solve things on my own? Check.

Daddy AND mommy issues? Check and check.

Being unsure of my own identity because I’ve spent so long being who people wanted me to be and then who people DIDNT want me to be? Check.

Suffering in silence because I don’t know when to ask others for help? Check.

I MIGHT be Keefe Sencen guys



[cyanrendipity]

#youre correct op but also#nononono i think kabru could Absolutely catch kira#like . gestures to kabru deducing laois’s party being the ones to help them each time(? i may be misremembering)#and how he reads laois as not being Malicious when they thought each helpful encounters were thefts#actually having kabru and light meet would be really funny because its kind of like a mirror?#not exactly of course if it was then i wouldnt like kabru as nearly as much as i do#but its like. putting up personas to get info out of others (Maybe i am so sorry kabru. but thats true for light)#the internal monologues. trying to get into the mindset of whos around them. like on the surface level i feel like light and kabru would ac#t Exactly like each other first meeting- humble but smart and.. not nice but. well-rounded#the only trouble kabru would have would be proving it probably. but at the same time i feel like he could figure something out yknow?#i also wonder how he would feel about the kira case? like hes definitely killed people in the dungeon for crossing him and his team but he#seems to generally want to keep innocent lives.. alive. gestures to the utaya incident#would he think that the killings are deserved or would he think its Too Much- kira crossing a line in a way#its been awhile since ive read dungeon meshi so i . sont know#also to any kabru fans if i misinterpreted him please correct me. i enjoy kabru greatly its just been a While

You come over here, you. You get it (It's me op, reblogging here cause I got shy about rambling about death note) anyway

THEY ARE SIMILAR IN A SENSE BUT ALSO COMPLETE OPPOSITES

Both of them are "willing to crack some eggs" for the "greater good" but there's a massive difference in what this greater good is! For Kabru it is to stop a massive tragedy from happening again, he believes adventurers should be working towards stopping something like Utaya from repeating, he wants to find the truth about Dungeons and whoever is acting in self interest like the corpse retrievers is an obstacle he's willing to get over. For Light the "greater good" is "creating a world for people who deserve it" for Light there's objectively people with more worth and less worth than others, and he thinks of himself as the best person to judge who is who.

One of them is willing to sacrifice people to stop an immense tragedy from happening again the other one is willing to sacrifices people cause he feels like it's his right to do so! They're not the same!

Light hates humans even before he becomes Kira he would never do what Kabru does to save them, everything he says about creating a new world for good people is bullshit he spews for his own ego U_U

Kabru would be able to realize the hypocrisy of Kira right away like L and realize it's dangerous for someone like him to have that power (perhaps he would realize it would be dangerous even for himself to wield it, similar to being a dungeon lord)

Anyway like these replies said, Kabru would def make the Kira killings stop if he found Light, I wont count is as catching him tho, eliminating is not the same thing, bad Kabru, play by the rules (<3)

(oh yeah the difference is that "solving" the Kira case means proving it, I think that's harder than just knowing Light is Kira and dealing with him outside justice)

Now would Kabru be able to catch Kira? Probably not, but can you imagine? The amount of silent staring while thinking in actual death note is nothing compared to what that could be

[whiteheartlight]

I have been chewing on this these last few days so here is some outlining from my Toa Metru werewolf au, even though I would probably never get around to writing the whole thing. inspired by the Hordika arc of course

Onewa has been a werewolf all his life. He's the son of a powerful pack leader and has always had a place, although it hasn't been an easy life. His father can be cruel and commanding, and Onewa has spent most of his life biting back at him. When things reach a breaking point, he flees to a close friend of his uncle's: Lhikan, a werewolf advocate and expert who has made a career out of helping new wolves and those in trouble.

Onewa's still trying to put his life back together after escaping his father's pack when a string of violent attacks begin to preoccupy Lhikan. An unknown werewolf is attacking and biting humans, turning them into werewolves themselves. Although the attacks look random, Lhikan begins to suspect there's a pattern as Whenua, Nokama, Nuju, Vakama, and Matau all find him in their search for help. This is a diverse group of skilled new wolves all around the same age. Who would turn them, and why? Onewa soon finds himself forced against his will to help Lhikan mentor this new group of wolves who have had their whole lives turned on their heads - especially since Lhikan believes these attacks may be related to some of the same evil forces in the city who turned his brother Nidhiki to dark magic and killed Onewa's uncle years ago. featuring...

Nuju, a PhD student who is now at risk of losing his funding and everything he's worked for. the most recently bitten, he's still recovering from his violent attack. he was raised in the foster care system and has no one to turn to as he struggles with new impulses and the dangers of his situation (since we were just discussing this the other day, he would eventually become Deaf in this story too)

Nokama, an education professor who can no longer teach and is resisting a strong instinct to just follow the river out into the wilderness and never be seen from again. she shows an early talent for communicating while in werewolf form

Matau, a self-proclaimed engineer who used to make his living off testing new technology and making stupid inventions to share on the internet, now feeling a desperate need for a pack that will wind him up in trouble if he can't find some stability. on the plus side, he's incredibly skilled at transformation for a new wolf.

Whenua, an archivist at the museum who just wants to be left to go back to his work and avoid being deported for his new status, but also can't quite let go of the idea of solving the whole mystery of this situation

and Vakama, who has spent the last year of his life just trying to survive his depression and the strange nightmares and visions he's convinced are signs of psychosis. he's quiet, resigned, and self-doubting - so why does Lhikan insist that Vakama is an alpha, a kind of wolf made to lead packs and gather wolves together? and why the hell does he seem to think he can convince Onewa of all people to be this new wolf's right-hand man??

Lhikan's convinced these six are meant to be a pack and figure out what's going on. they'll just have to deal with a few small things such as: injuries, self-hatred, discrimination, Vahki cops, seductive witches, evil alphas, old enemies, daddy issues, and, of course, powerful new instincts to do things like chase rabbits, fight for territory, and lick things (and people) they would not previously have licked. it's fine. this is all totally fine

[thatwasntlikeridingabikeuasshole]

hate reaching the bit in every story planning process where i start seeing all the plot holes in my amazing idea

[kari-go]

Juleka & Chloe's anytime the latter's parents are awful:

I really feel like Chloe would dye and/or cut her hair just to piss off Audrey (Juleka would be helping ofc, maybe it was even her idea hehe)

[invasive]

Under a read more since this is kind of a story lol

Forcefully took up sewing since I urgently had to mend a DEAR treasure (2 of them) after an accident. It happened so soon after New Years I was thinking "what a terrible way to start this year!... uuuuuuu....uuuu...." and I tossed and turned all night. Cried. I furrowed my brow and thought about rolling over and just taking the loss. But impulsively I steeled myself and thought Hell No! I was experiencing despair and waded my way through it but I wouldn't let it become loss.

I resolved to go to the only fabric store I knew of to find replacement fabric and matching thread the next day. The train ride was nice. I felt so purposeful lol. A very rare occurrence in my life. I watched maybe 30 seconds of a video telling me how to sew and went WHATEVER! and went at it on some tests for 2 hours. Don't advise that but I was stressed haha. The tests weren't that good but they were good enough. I got the hang of things.

Took me about 2 nights to finish mending the first item. The fabric matched really well in color and texture so the fact my sewing was shoddy didn't show as much as I thought it would. I was satisfied. The next item.... took 4..... all nighters... it doesn't sound like much writing it down but I experienced so much frustration. Probably more frustration than I've felt in 3 years since I haven't picked up any new skills or hobbies in that time. I was just an observer before. It was so grueling.

But I surprised myself! The reason it was grueling was because I kept aiming for something better. I redid sections so many times and approached it from 4-5 different angles even if it undid hours on hours of work. The patching fabric for the second item didn't match as well (totally different material, texture, and thickness) and ended up being more decorative. I encountered new problems I didn't previously account for. I had to worm my way around a lot! And it was not fun. But my will was something that strangely surprised me. I would finish a section, look at it, and go "I won't settle for that" then restart. Id go up halfway, realize I was doing something wrong, then restart. I'd realize there was a better way of doing something, restart. I think there were 3 times last night I decided I was done but realized I wanted to redo something and I worked for an additional hour every attempt.

Again It wasn't fun in the moment! But something in the back of my head was so very happy. I knew I would come out of this being proud of what I did. That Will I experienced was honestly something I thought had atrophied outside of art! And with digital art, problems are easy to solve. Undo, copy, paste, save states, etc. I'm not holding a needle with long nails and thread that I can barely see to solve I problem I don't know anything about.

Even if the actual display of skill is fledgling, the mental hurdles I overcame made the end product feel more rewarding. I did everything I could with my level of skill and prep. While doing something middling is better than not doing it at all, I got too used to that and just started aiming for mediocrity. So overcoming that has been so very rewarding. I can't say that enough.

I wondered if this was because I've been watching jojo... nearly all the characters carry themselves with so much purpose and determination, regardless of their role in the story. I can't lie, on the train ride there I was thinking about how certain characters would persevere in situations that devastate them..! I was like.. I should too...!!

It's so funny how an objectively small project became so important to me. I've built a little more respect for myself this year! I think that's a good way to start it off.

I feel really good about myself lately

[dungeons-and-dragon-age]

oo okay. okay okay okay cool. cool!

[hauntingblue]

ARCANE EPISODE 7!!!!

MY GOD I WASNT READY FOR ANY OF THIS!!! WHAT WAS THAT!!!

Also ekko wallpaper I got with my fries lmao

[tulipsnflowers]

They surely have to have something of her as well, you know?

[meggydolaon]

something that bugs me about Frieren is that the adventure of the Hero Party to slay the Demon King famously took 10 years... what about the return trip....?

[in-study-hell]

what am I even doing

[puddingapologist]

Pudding-Kidnapped Plot Significance Theories (interlinked, but each portion could be individually wrong)

1) Blackbeard doesn't know she has a devil fruit, and his purposes for kidnapping her are unrelated to her memory powers. My impression during WCI is that Pudding's devil fruit was VERY secret, and he wouldn't have had an opportunity to learn about it. Plus, if all he wanted was to steal it, he would have done it already. Why bother keeping her prisoner? He's much too practical-minded for that

2) Pudding is going to play a significant role in fixing Sanji's slowly-but-surely progressing Germa-fication. Specifically, I think once Sanji "loses his heart", her slice of his memories from WCI will act as a back-up save of him at Peak Romanticism. Probably not fully curing (since there a lot of other characters that would make for better "remember who you are!!" candidates), but definitely driving in a deep wedge to facilitate it

3) Blackbeard has plans to nullify each Straw Hat member individually, and i bet he's more than noticed Sanji's weaknesses to Women In Danger. So what better woman to leverage against him than the one he was *very publicly engaged* to? (Except he doesn't realize that Sanji's got the Germa-fication thing going on, and so it's not unlikely that this plan will COMPLETELY fall through for very upsetting reasons, assuming Theory Point #2 happens AFTER a Blackbeard Crew fight. Zoro will be trying to fulfill his "kill me" promise at some point, after all)

[ilovecoffeeandchemistry]

ooooh i woke up in a bad mood and it's so hard not to be a bitch about it