#i think setting goals is important. but i think knowing why is more important
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I really needed to hear that abt the social media thingy. I've spent quite literally years trying to be popular and be like every other famous artist I see and it has never helped, only I started hating my art more.
big hugs anon. i was talking about this to my best friend last night because i think believing the grass is greener on the other side is such a deceptively destructive thing. the desire to have popularity is something i really struggled to fully shake off before i realised that even when i achieved 'popularity' (i.e., when i reached the numbers i thought would give me satisfaction) i didnt feel any better. i didnt feel like i accomplished anything. in fact i usually just felt Worse, because i was like, wow, for years ive dreamed about breaking 1k on a text post and now that i have i dont feel any better. what's the point?
it made me realise that, without fail, anytime we crave something, it's because we crave whatever feeling we think it'll give us. to me, popularity meant allowing myself to feel loveable and valuable and like i could enjoy posting with the confidence that my thoughts matter. it meant feeling good about myself and my creations and like im always so excited to create, rather than feeling obligated. it meant feeling free and loved!! and as i embodied that more it was so funny how the physical manifestations of those things started showing themselves. and it didnt even feel like a big deal because i already had the feelings i wanted
sorry for such a long response zhdkska i just have. so many feelings about this. being trapped in the thought process that getting a specific thing will make me happy has caused me so much pain in my life, always after the thing actually happens.
#weight loss mention for these tags:#this hit me particularly during the worst part of my ed#because the problem had never actually been when my weight was far away from my goal#it was when i got closer and closer to my goal but i was frustrated that i wasnt feeling the accomplishments i was working towards#when i realised that my goal was actually attainable it was like my brain was so used to the feeling of chasing Something Else constantly#that it sabotaged me so badly#that's when the sickness was at its Worst. not when i actually weighed more and was just enjoying making healthy meals and working out#it's the same thing with social media i think#it's really fun when you have 100 followers to create an intense posting schedule and churn stuff out everyday#bc ur like look! im working towards getting popular and therefore Happy!#but when you suddenly have your notifications filled and you're scrolling through what you've been wanting for years#and it makes you feel Nothing#that feels so inexplicably bad#i think setting goals is important. but i think knowing why is more important#ask#anon
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undertaking a needlessly complicated writing "challenge" wherein the story is a villain protagonist redemption told sideways except the protagonist isn't a villain and the antagonist isn't a villain either but you're kind of supposed to think she's the villain because the core of the story involves embracing what you previously thought of as immoral or repulsive. i didn't have to write something this fucking complicated and i doubt i have the skill and if i ever finish and god forbid publish it, i can just hear the sound of The Point flying over people's heads
#levi rambles#writing dot fuck#it's an allegory for queer liberation that explores my own conflicting thoughts on responding to oppression and atrocities#and it's naturally impossible to really set down a binary of right and wrong views to have#both of the core characters have moments where they change / 'correct' an idea they previously held#because there isn't one universal Good Option#and those two aren't even the only ones with important thoughts on the matter#there are 3 more who contribute even more wildly conflicting ideas and my goal is to accept all of them#i dont want my audience finishing the story and thinking 'well i know what idea levi wants me to think'#NO NO!! not my intention. it's about this one specific guy finding out how he wants to do it and why his previous idea didn't work for him#every other idea present is neutral at worst
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Yandere Fantasy Villain
Imagine you’ve been transported to a DnD-Fantasy-like world. Quests, adventurers, and mystical beasts are everything you could dream of. You’ve already established your little troupe; becoming an important cornerstone of the group. Whatever your class, you’re excelling at they really rely on which is why things go badly when you meet him—-the recurring villain of this world.
“Oh my–oh my Zoth.”
“What? Do I horrify the little hero!?”
“No, you’re–”
“Worse than you imagined?”
“No, you’re–”
“(Y/n) stop freezing up!”
“You’re the most beautiful creature I’ve ever met!”
The group is horrified as they plan a tactical retreat, finding it easier to thwart the Fantasy Villain’s attacks which are suddenly less frequent. The group just assumes you’ve been enchanted because since you’ve locked eyes with him you’ve been unable to stand on your feet. Wide-eyed and breathing heavy you just can’t stop the heat climbing over your face and ears as you replay the moment you met over and over.
“You realize he’s a part of the ugliest most horrible race known to all of Azarothan.”
“If that’s ugly then I’m dead!”
“M-maybe he did enchant them?”
Meanwhile, the Villain’s returned to home base, shedding his armor and dismissing his entourage. Sat on his throne he replays the words you’ve said to him…over and over….and over again. His ears are turning a deep blue and he can’t help the involuntary reaction of the volcano attached to his castle bubbling with excitement.
“They-they think I’m beautiful?!”
He’s reeling with an overflow of energy and unknown vigor when he recalls your awestruck face as you fell to your knees clutching your enchanted tool. He can’t stop the thought of you in that same position but in a different setting. Cursing his lacking imagination he concocts his usual magic to spy on the troupe with his crystal ball but this time he’s focused solely on you.
“Surely they’ll brag about the enchantment they left on me…..and maybe talk about their own infatuation again.”
It strokes a different kind of pride when he hears you deny being cursed. The feelings are mutual. He’s over the moon all four of them. You have to understand the Fantasy Villain has never been told something so flattering.
“From another world….figures. This world could never make such…a perfect soul.”
Since their upbringing, they’ve been met with nothing but scorn and hatred. Vowing to rule and change the world that did that to him. If others did express interest it was because he had power or was literally about to kill them. Your reaction, your unadulterated feelings for him, the tug at his soul is the only sign he needs before his objective changes.
“I wanted to rule the world so I could change the world for me. But now I’m going to change the world so I can rule with them.”
He means it. The troops are given new orders, the deadly nightmarish beasts are given new tasks, and he’s already concocting a million different plans to attain you. He watches the crystal ball relentlessly trying to hear and see as much as he can to learn more about you. He realizes very quickly that he really hates those adventurers of yours.
“C’mon (Y/n)! Just because you’re attracted to the enemy doesn’t mean he isn’t trying to destroy the world!”
“Yeah (Y/n), you’ve got to get your head in the game. We need you!”
“I–your right…sorry guys…I just don’t think I’ve ever seen someone who fits my preferences so perfectly.”
“You don’t even know him!”
“But one look in his galaxy-like eyes and it felt like I did.”
He really hates them. Listening to them talk you out of your feelings for him. Before you arrived they were minor pests. Simply a small roadblock that he would eventually crush to shatter the hopes of the people when they needed them most. Now they were just obstacles in the way of his goal–you.
“Sire those adventurers you told us to keep an eye on are on the move. Should I give the order to attack?”
“No…summon the siren I’d like to take a different approach.”
He gets incredibly crafty, despite only meeting you once he can tell you aren’t heartless like he. He’s certain should you find him to be responsible for the death of anyone you’ve met you’d reject his love. So he’ll make it his plan to slowly break your little troupe, such spunky and erratic individuals may be just the only tool he needs.
“My orders, My Ruler?”
“Join their group. Do what you like with whoever you wish.
“?”
“Bring discord how you see fit.”
“Yes, My Ruler!”
His plan is perfect and the group isn’t nearly suspicious enough to reject his double agent. Who’s presence triggers the cracks that this group had always had. When the group splits apart needing to cool off you’re left alone, a perfect chance for a moment with you.
“Hello, little hero.”
“Whoa, what are you doing here? My troupe’s not too far! A-a-a-nd I–I’m willing to fight this time!”
“That’s a shame because I came to speak to you.”
“Really! Ahem, I mean about what?”
“About those words, you said to me….I wonder did you know what they’ve ignited.”
Taking advantage of your easily lowered guard, he speaks the truth. Coming in close enough to feel the heat escaping from your armor, he’ll share the tale of his past. Which as he predicted makes you so sympathetic and just as willing to sing his praises as the moment you met.
“But you’re not ugly or horrid like they all say.”
“No?”
“I think you’re beyond handsome. One of the most ethereal beings I’ve ever met.”
“Do you truly think so?”
“I know so… I’m just sorry no one else has told you that.”
“I’m happy it was you.”
When you let him dive in for a kiss, naturally you accept it. Returning his vigor in kind if not with sympathy or just your attraction, you miss how he places a magical mark on your neck. Or how he casually enchants your armor to protect you better. Or how he influences the flora and fauna of the forest to curve in the direction you came from essentially blocking the path back to your camp. When he reluctantly releases you he further promises he’s never letting you leave his grasp. Promising to one day have you on the throne beside him.
“I must return and so must you. Your friends will worry.”
“Oh…you’re right.”
“Don’t sound so sad, we’ll meet again.”
“Not just in my dreams.”
“Not just in your dreams.”
He leaves not only giddy with love but with a new plan in mind. He prepared to be faced with a struggle, to have to fight for your affection as the enemy you’d be fighting. But he wasn’t prepared for your heart to be swayed so easily. Licking your remnants on his lips, he knows that you can be deceived, and conveniently so can the rest of the world.
Fantasy Villain devises that if the history of his race’s banishment and exile were portrayed in a certain light. You could defect to his side without guilt and if some of the more stubborn adventurers were to also agree that’d make things so much easier. Pretending to be persuaded to sign some peace treaty after being gifted enough land to rule over with you beside him didn’t sound too bad.
Even if that didn’t work the Fantasy Villain has decided you will rule beside him whether he has to trick, drug, or force you to be his. Though he adores the honest love in your eyes when he looks at you and he’s going to do whatever he needs to have it.
#yandere x reader#yandere x you#lovelyyandereaddictionpoint#yanderexrea#yandere#yanderes#yandere original character#yandere oc x you#yandere oc#yandere oc x reader#yandere concept#yandere drabble#yandere fantasy#yandere isekai#yandere villain#yandere villain oc#yandere male#yandere writing#soft yandere#yandere x darling#yandere dnd#yandere fantasy villain#yandere x gn reader#yandere x gender neutral reader
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With all due respect sir, and I know you've been through a hell of a lot of elections, the politics of this country have been shifting more right wing for a couple of years now and I doubt .4% of people voting for a third party would have made a fucking difference when no one in this country even listens to the popular vote
I expected that many would miss the point of the post I made—even though I literally said in the post "The point wasn't to get votes for a third party candidate"—screenshot in case you missed it:
It is voter suppression. It is always voter suppression. That was the point. It is to keep people home. The third party candidates, the fantasy candidates ("How can you vote for x candidate when theoretical y candidate who isn't in this election is so much more liberal?!"), that's the distraction. It is always about getting voters to stay home and not cast a vote. I don't know how I can make that any clearer.
Even in cases where a specific third party candidate's vote total might have made the difference (in 2000 Bush won Florida by 537 votes while Ralph Nader, many of whose voters were more allied with Gore than Bush, received 97,421 votes), the answer is never "Why did you vote for a third party candidate?", it's "Why didn't more Floridians come out to vote?" After all, with many of those third party voters, IF they were forced to choose between two candidates only, maybe they wouldn't have voted at all, so it wouldn't have made a difference. In this year's election, most third party votes went to candidates that leaned conservative, so if they weren't there, maybe Trump gets more votes in those states, not fewer.
No, listen, I don't know how to make this clearer: THE PROPAGANDA IS TO GET VOTERS NOT TO VOTE. It is ALWAYS to get voters not to vote. How they do it changes with the election, but the goal is always to get voters to stay home.
Also, in case you think I'm blaming Gen-Z, I was hoping referring to the history would set the concern aside (they weren't there in 2000). It's not a generation's fault. It is simply failing to recognize propaganda and what it is ultimately trying to get you to do. In this case, it's the same thing every time: to not vote. The liberals vs. ultra-liberals thing is a fiction to drive down liberal turnout.
I know it's been said many times, but if voting weren't important, Republicans wouldn't care about it. Truly, when they don't care about voting, that's the time to truly be frightened, because it means at that point voting is no longer relevant to the process.
(Btw I tried to tag this post and the last one with enough tags to let those who don't want to see it filter it out. I hope I've done enough of them.)
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Okay time for the PBS Kids essay
Read it under the cut!
:readmore:
In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.
Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.
Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.
Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.
Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.
This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.
For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.
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Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.
Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.
Just one year after the debut of Mr. Roger’s came Sesame Street.
While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.
While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)
At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.
Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.
White actors were and still are a minority on show.
In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.
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It doesn’t get more explicit than this.
I want to point out this comment because it’s funny
You’re telling me this bitch isn’t Hispanic???
Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?
That’s right. Non-white focus.
These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.
Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.
It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.
Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.
Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.
A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”
One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”
There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.
Sagwa, the Chinese Siamese Cat
Created by Chinese-American woman Amy Tang
Dragonfly TV
Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups
Maya & Miguel
One of the network’s first Hispanic-led shows
SciGirls
I shouldn’t have to explain what the goal of this one was.
Molly of Denali
When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!
It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.
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Disney Jr. could never. (Other than trying to teach colorblindness, of course.)
I’m gonna have to cut this into two parts, since I just hit the image limit
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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN
The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear.
Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain. One of these stories fails, and the other succeeds. I will illustrate why under the cut.
BROKEN THEMES = BROKEN STORY
When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that.
Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate.
When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.
“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.”
I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level. The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?” This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story.
With Great Power… You know the rest.
My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game.
However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA. The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman.
The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be.
Now I’m going to drastically oversimplify what a character arc is.
A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth. The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end.
I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change.
The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending.
MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.” The hero shouldn't be allowed to win without first fixing this flaw.
From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”
All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.
Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero.
Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters.
"Can I save the villain?"
"Should I save the villain?"
"If I don't save the villain, then can I really call myself a hero?"
In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match.
I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.”
The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person. Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing.
How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.
Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character. However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others.
However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not.
Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem.
Edo: Can you even fathom that, Judai?
For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people?
Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities.
THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.
Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence.
seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash.
While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else.
Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai.
In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose. Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used.
Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road.
Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."
Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed.
There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes.
Should I save the villain?
The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison.
Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.
Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be.
Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others.
Johan: Judai, it was my dream to save everyone through my dueling!
The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection.
Should I save the villain?
Here the answer is "Yes", because wants to become more like Johan someone who uses their power to help others not just for themselves. Then we reach the third question
If I don't save the villain, can I really call myself a hero?
It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering.
People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends.
These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"
Was there ever someone you couldn’t save?
m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel. In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim.
Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.
Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored.
"I was suffering even as you came to forget about me..."
Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences.
It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored.
Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground. Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.
But you see, I couldn't possibly forget about you in the time that I've suffered...
Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other.
"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."
For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy.
They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship.
Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did!
Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.
They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.
Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.
Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today.
Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends.
Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices.
Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card. Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did.
In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship.
I just want to save my friend. That is all.
By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out. The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point.
I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.
Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?
Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?
Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.
I couldn't have lived with the heartache unless I felt that I was being loved...
At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator.
So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki?
It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them. In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable.
Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore?
That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.
Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.
Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about.
Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again. Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits.
"And even if that means I won't exist anymore... I don't care."
Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities.
Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.
Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.
And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.
The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness.
The story of how Deku became the worst hero.
I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless.
Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki.
Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain. The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him.
Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.
Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.
clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment.
For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did.
Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character.
What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another.
This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told.
Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog.
The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail.
The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?
Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:
Can Shigaraki be Saved?
Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him.
Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.
This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good. As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.
Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option.
Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.
Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable.
I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too. However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way.
Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant.
He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.
Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point.
It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant.
He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO. Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger.
Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things.
Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.
In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.
The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience?
Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live.
The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t.
We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?
I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals. He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable.
The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki.
Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.
Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.
Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.
Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.
Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain. As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).
When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki? In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend.
In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect.
This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki.
Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent.
On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder.
Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns.
There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.
Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life.
Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone.
Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.
Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.
In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back. When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way?
When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.
What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard.
I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.
"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"
Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.
Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"
Yubel is embraced and comforted, Shigaraki disintegrates into nothing.
One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.
The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.
Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100.
#mha meta#ygo meta#mha 423#bnha 423#mha 423 spoilers#bnha 423 spoilers#izuku midoriya#deku#shigaraki tomura#tenko shimura#judai yuki#yubel#soulshipping#yu gi oh gx#yu gi oh
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🍸Saturn in Houses🍸
A lot of people ask me about Saturn in houses so I decided to make a new series about Saturn in houses in general.
☕️Most important thing about Saturn is that Saturn represent time , age ,reward , growth but in some kind of different way than Jupiter. Also represents your way of coping with life,things that you are more serious about and more responsible with. It also represents holidays. The planet is known for its reality and practicality, but also for its tendency to excessive strictness. His expectations may be too high. A strong Saturn in chart can indicate that we want to control everything in our life to the point that we consider ourselves a failure if we fail to reach the goals we have set for ourselves. However, Saturn provides the desire for we develop the areas in which we feel weak and this weakness can therefore become our greatest virtue. Strong Saturn connection between two charts in relationship (especially if saturn is in aspect with the moon or the sun) indicates a serious long-term commitment that can last forever (whether we like it or not). Saturn can also be cruel sometimes because it is the planet of hard reality but it also the planet that help us the most to achieve something much more greater than that.
🫧Saturn in 1st house- in your early age you can have problems with yourself image ,with your appearance ,confidence & energy. It can also be hard for you to express yourself. With Saturn here you can feel weak sometimes. You can feel like you don't have that much power that other people do have or you can feel like you are not good enough. Many people may underestimate you. Many times you can give off a very different energy than it really is (especially when people meet you for the first time). You are a more closed person and you only give energy to those who deserve it.
✨Saturn in 2nd house- maybe it's hard for you to find your value or set boundaries for yourself. You have very strong and serious approach to money you will never buy something that it's like I don't know some random thing. Also a lot of people think that you cannot work with money or things related to money maybe people don't trust you with that but this is all because they don't really know how smart you actually are. Low self-esteem is a characteristic trait of this placement in astrology. Self-confidence doesn’t come easy to you, though.
⭐️Saturn in 3rd house- many people underestimate your thinking, expression, intelligence. U can usually get insecure about the way you speak or the way you say some things. I think the fear in this house is that you are afraid that you will say something wrong. You have to be confident in whatever thing you say and you should say confidently because you are intelligent ,you're smart. You can also be a good writer & speaker. Many people can pass their driving test late, but that's exactly why they drive much better than others. You can get along better with your siblings later in life. You are capable of seeing things in depth.
🎧Saturn in 4th house- you can have a lot of rules in your early years. You grow up with rules at home that you can stick to. Your parents are more strict with you and allow you to do certain things later. I just feel like that parents will buy you a phone later in life or something. People usually come from a family where they weren’t emotionally nourished. But it's not always like that because when it comes to family the Moon is great indicator for how you feel at home and how you vibe at home. So saturn doesn't mean that your family cannot be good. You can also be the person who grows the fastest in the family.
❄️Saturn in 5th house- dating life can be very serious topic for you. You cannot date people with whom you don't feel that you can have committed relationships with. Saturn brings a strong desire for fame, recognition, and success but may result in delays and disappointments in love life and artistic creations. U can also struggle to find love. You can also have very high standards when it comes to love because 5th house represent dating ,represent meeting people and flirting and falling in love so usually people who have Saturn in 5th house are very serious when it comes to that. In some cases, your partners are older than you. Often, your love life significantly improves after the age of thirty. Your best relationships will probably come later in life. As you become more carefree and spontaneous, you become more attractive to others.
🍃Saturn in 6th house- you can have a lot of struggles in the work. You feel that working is just anxiety for you or when you work, people are just rude or mean to you. You are always in the shadow at work. People find you like you are not good enough or you don't do the job good enough. You can also stress a lot about your health and you can also be obsessed with being in the some kind of routine or having some lifestyle. Being healthy all the time.
🐚Saturn in 7th house- there can be issues with your relationships. You can have relationships in your early years or you don’t have for a long time. You usually have many karmic relationships from which you can learn a lot. Saturn helps you to choose the right person for yourself and to be happy in the end. You are a person who is serious when it comes to a relationship (when you find a person, then that person is the one and only for you), you hate cheating, and when you decide to leave then you leave. Saturn can also bring a sense of responsibility and duty to relationships. The individual may take their relationships seriously and work hard to maintain them.
☁️Saturn in 8th house- there can be a lot of family secrets that family kept from you. People with Saturn in this house usually feel very lonely or alone in their soul. They have this mindset that you are all alone in this world. You are aware of the hard truth in life that people don't. You can fear the death of loved ones. If you overcome the challenges of your Saturn in the eighth house, you will be able to understand people very well. You can develop a talent to see into the soul. Saturn here gives you a deep understanding of life, death, crisis, transformation, and sometimes a talent for healing.
⚡️Saturn in 9th house- Saturn gives you a deeper view of the world in which you live. Saturn in ninth house people have very strict moral code. This placement indicated a religious person, someone who either follows the set rules or makes their own views. You meet new people and experience new activities that make you see the world from a new perspective. You can also meet a lot of people that change your perspective and your mindset. But there can also be a deep fear of new views. Maybe you don't feel like you're not smart enough or that you're not educated enough.
🖤Saturn in 10th house- You usually go over many obstacles to finally achieve what you really want. Many people have problems with whether they will ever be successful or achieve it. But in the end, they achieve even more. Many times people don't believe in you and see you as a person who will never be that successful and then you surprise them all. You can learn a lot from your father and your father can be your role model or a person who helps you through life. The best advice will give you your father.
🫐Saturn in 11th house-you can have a lot of karmic friendships and you can change a lot of friends in your life. Every friend that you have is the friend that you have to learn something from them. Your hopes and wishes are another important life area associated with this house. It shows everything that comes into your life and how your dreams can come true. Saturn in eleventh house suggests that you are quiet and reserved when in a group. Sometimes you feel invisible: it feels like no one hears you out in a group. In this lifetime, you have to learn how to have a healthy relationship with groups and how to behave in your social circle.
🥃Saturn in 12th house- The individual may experience a strong sense of responsibility towards charitable or behind-the-scenes work. Sometimes you don’t let even those the closest to you to see your weaknesses. As a child, you had to learn to hide your feelings, especially the negative ones. You absorb all the energies around you, and if you are surrounded by negativity, it can affect you badly. It can happen that you have a job that requires you to be isolated in some way. Maybe you work in a hospital or prison. You are often unaware of the reason why you are in pain. If you have planets in the twelfth house, you can benefit a lot from psychotherapy. But when you have Saturn return you can benefit a lot from it and you can become very spiritual opened and you can have a lot of blessings.
🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸
✨Ig-bekylibra✨
-Rebekah📀💘☁️
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Forever Longing Solivan Brugmansia /Reader
Synopsis: A small glimpse into Sol's elementary life, where he abruptly meets the single most important person in his life...You
Warnings: Mentions of violence
Words: 2553
Notes: Don't know how many more of these I'll write, but I'm hoping to get around three more done if not a few more.
Hope you enjoy this short story <3
Children’s happy laughter echoed loudly throughout the playground, as they began to spill out of the school building; marking the beginning of their cherished recess time. Kids ran freely playing around with friends, swinging giddily on the swing sets, and continuously going up and down the slide.
Well, all the kids but one…
A young, small, and quiet Solivan stood far away from the other kids, staring at the ground at his feet, avoiding any eye contact with anybody within the area. He knew he didn’t fit in with the others, given his introverted nature, he was considered an outcast amongst his classmates. People tended to overlook him, barely acknowledging his presence even when they were standing right next to him.
He was used to it, though…. He had his drawing supplies and stuffed animals, the only things that really made him feel anything close to happiness. The stuffed animals would never judge him, and, they’d always be around to listen to him when he needed it, an idiosyncratic concept to him growing up in a loveless household.
A soft tap on his shoulder causes him to lift his amber gaze from the ground and into the familiar brown orbs of his teacher, Mrs. Baker. A woman with a skinny frame and curly auburn hair that just slightly exceeded her shoulders. It took everything within him not to scoff at her arrival. She was keen on pushing him towards being more sociable with the other kids, a goal that would always fail in his favor. So why couldn’t she just leave him alone?
She crouched down to his height and spoke to him in her usual soft and steady voice, “Solivan, Why don’t you play with the others today? It seems they're playing a little game of freeze tag, doesn’t that sound like fun?”
Solivan spared a short glance toward where the kids were running wildly at each other, while some others stayed frozen in place, showing signs of annoyance at being frozen; he retracted his gaze back to the ground shaking his head, mumbling a small “No”
Mrs. Baker smiled understandingly at the timid young boy before her, “I know it might seem scary, but give it a chance, you might like it more than you think.” She attempted one last time to try to convince the boy to open up, even if it was just a little.
The boy remained silent, having lost interest in the conversation completely and hoping that his teacher would simply give up and leave him alone for the rest of the recess period.
Thankfully, it seemed fate was on his side, as he heard his teacher sigh next to him before standing up and walking away to a different part of the playground to supervise a group of rather exuberant children. Leaving him alone at last.
The little raven-haired boy sat on the ground, back pressed against the steel fence that separated the playground from the busy streets that lay not far behind. Settling down, Sol pulled out a small sketchpad from his back pocket; a notebook that was filled page to page in his numerous doodles, which he usually did during class time to pass the time.
Pulling out a pencil, Sol began to doodle, head buried in the notebook; heavily embarked on the mini sketches that required his utmost attention. After a while, he finally cranes his head back to admire his work; his sketch was that of a small horse with a small sketched figure of him seated cheerfully on its back.
He beamed at the drawing, proud of his work. While marveling at the sketch, the notepad is quickly ripped from his grasp. Startled and confused, Sol snaps his head up to look at the culprits. Standing above him, were three kids, obviously much older than he was, possibly four grades above him.
Sol was quick to spring up to his feet to try to get the notebook back, but to no avail, as the blond boy who held the item towered over him. He held the sketchbook high above his head, so even if the little boy tried to jump for it, it would prove pointless in the end
“Give it back!” Sol shouted at the kids as he continued to try to reach for what he considered to be one of his only sources of comfort. All three of the boys laughed at him, “Aww, is the little weirdo gonna cry.” a boy with red hair teased, pointing at him.
“You drew yourself riding a horse? What are you, some kind of girl?” The blond boy jokingly flipped through the pages of the book, briefly observing its contents.
“Stop it!” When Sol tried to reach for his sketchbook once again, the blond boy laughed, before tossing the book over to another boy; then that boy proceeded to also flip through the book and laugh before also tossing it to the next boy. Sol found himself playing in this miserable game of monkey in the middle; a game where he could only watch as his book flew through the air above him, out of reach, with no hopes of ever reaching it.
Eventually, Sol got the courage to defend himself from these bullies, and with all the strength he could muster with his tiny form, he tried to shove the bully who had the sketchbook in his possession. But, the shove proved unhelpful, as the bully didn’t even move an inch.
Sol could barely catch his breath before he was harshly shoved to the ground. A sharp pain pulsed through his body as his back was met with the hard ground; Sol opened his eyes to notice that his sketchbook had fallen next to his body, the bully had more than likely dropped it in outrage at Sol’s sudden rebuke. Sol swiftly snatched the book off the ground and held it close to his chest, shielding it from the bullies.
Sol lay on the ground in a fetal position, with his back facing his bullies, arms still tightly wrapped around his sketchbook. There was a sudden sharp pain on his side as a bully directed a fierce kick toward the young boy; another boy directed a kick, of similar intensity, toward his other side, leaving the little boy only to whimper in pain.
The group of bullies continued to relentlessly kick the defenseless boy, not showing any hint of mercy toward him. Tears ran down Sol’s cheeks as he could only endure the endless kicks that the bullies threw at him. He closed his eyes and hoped the boys would soon grow bored with this and walk away, or maybe a teacher would notice this assault and interfere.
It felt like an eternity that the kicking would continue, he almost thought it would never end…
Until a loud voice rang out and suddenly the kick stopped.
“Hey! Leave him alone!” Sol heard the unknown voice shout at the group of boys. He peeked from his position to glance at where the shouting came from; upon opening his eyes, he was met with his saviors back facing him as they spread their arms out wide to shield him away from the sight of the bullies.
“Get outta the way Pipsqueak! Or you're gonna be next!” He heard one of the bullies shout at the person before him. Sol noticed the stranger's visible shakiness as they stayed rooted in their spot in front of him; they were just as scared of these bullies as he was, yet they still chose to throw themselves in the middle just to protect him. He felt a surge of admiration for the stranger; this had been the first and only time someone stood up for him… his heart couldn’t help but skip a beat.
“No! I-I won't l-let you!” The stranger's words came out shuddered and breathy as if they were holding back tears. Luckily, their voice had been loud enough to possibly draw the attention of others nearby.
The twisted grins on the bullies' faces faded at the realization, and they looked around the area to see if anyone had caught the drift of what was happening.
“Shit!” Was the last thing Sol heard from them, followed by the frantic pattering of feet in the grass as the bullies quickly fled the scene. Leaving behind two frightened kids as a result.
Sol, who was still lying on the ground, breathed heavily, the fear coursing through his veins still running wild. He flinched when a blurry object suddenly came into his vision. As his vision slowly cleared, he noticed that the object was the outstretched hand of his savior; they looked down at him with a concerned expression, tears still lingering in the corner of their eyes.
Hesitantly, Sol took the hand, which helped pull him to his feet. He stumbled a bit but managed to regain his balance with a bit of effort and help from the person next to him.
“Are you okay?” The stranger asked him, their voice a bit hoarse from all the yelling yet still holding a subtle gentleness to it. Sol looked at them for a second, before shyly shifting his gaze off somewhere else and slightly nodding his head.
They smiled, their gaze landing on the item that Sol continued to hold tightly to his chest. “What’s that?” They pointed out the sketchbook, which, unknowingly to them, had caused the whole ruckus that just happened moments ago.
“... It’s my sketchbook,” Sol murmured under his breath, keeping his gaze away from the person in front of him. He never did well talking to people, never mind kids his age, this person wouldn’t be any different.
Their eyes lit up as he spoke, “You draw?! I wanna see it! Can I see pretty, please?!”
Sol was taken aback by their sudden interest in his sketchbook, his eyes were blown wide at them; he had never shown anyone his work before, nor had anyone ever asked to see it… this person was achieving a lot of firsts for him. He supposed he could show them, considering they had just saved him from a harsh beating.
“Umm… Okay.” Sol pulled the sketchbook from where it rested on his chest to hold it out between him and the stranger. He slowly navigated through the pages, properly allowing the person next to him to take in each piece of art. They were a bundle of excitement, commenting excitedly on almost every single little doodle in the book; it brought a small smile to Sol’s face, knowing that someone enjoyed his drawings just as much as he did.
“These are so good! You're so talented! Do you think maybe you can draw me something?” Sol felt his cheeks flush with an odd, unfamiliar warmth. They wanted him to draw something for them. Him? Out of all the people they could have asked? They wanted him to draw for them…
He fidgeted with the pages of the notebook in his hands, keeping his eyes glued to the ground, nervously. “Sure–”
“Wait! Before I forget, my name is Y/N!” They cheerfully cut him off, “What’s yours?” They talked a million words per second, which was a bit overwhelming, but Sol still found himself intrigued by them.
“My name is Solivan…” He spoke quietly, but loud enough for their newfound acquaintance to hear. “Solivan?” They tested his name out, “Well, Solivan from this day forward you are now my friend!” Sol stared at them dumbfounded. He never had a friend before, but didn’t think it would ever be this simple, yet here he was.
He didn’t get a chance to respond to their declaration when they continued to speak, “I’m thinking maybe a butterfly–No wait! A gecko… no…” They continued to list through a variety of animals, as Sol would stand and watch them in awe. He didn’t know what it was, but he felt some sort of connection to his new friend, it wasn’t unwelcome, but it was still strange.
“Oh, I got it! How about a dove? Mom says those are her favorite!”
Sol raises an eyebrow at them.“Like the bird? Are you sure?”
“Yeah!” They cheer.
Sol only nods his head in response, but a smile remains on his face at their jubilation. He sees the opportunity to speak after your moment of triumph and takes it, “I-um… thank you… for helping me. Not many would’ve done the same.”
They shake their head at him with a smile,“ Don’t mention it. You needed help…so I helped!”, the sincerity in their tone set Sol at ease. He wondered if had truly been missing out. If other kids acted just like Y/N, then maybe talking to others wouldn’t be so bad.
A mature voice suddenly rang out through the playground, catching everyone's attention, “Kids, recess is over! Start lining up with your class!”
“Aww man!” The child next to Sol groans, “Just when we were having fun, too!”. If their definition of fun was getting nearly trampled by a couple of older students, then Sol supposes he had the time of his life… Not really, though, but meeting Y/N was a nice surprise.
Children from all around the playground started to depart, moving to their designated class lines. Y/N started to make their way toward their line before they stopped to turn around to look at Sol one more time. “I’ll see you tomorrow, Solivan! Can’t wait to see the drawing!” And with that, the energetic second-grader gave him one last wave before running over to their class.
Sol gave them a little wave in return, watching as their figure got further and further away. It wasn’t long before he himself started making his way toward his own class, to continue the rest of his day. Of course, his attention wasn’t drawn toward that of his classwork, but rather that of the little dove drawing he spent the rest of the day drawing for that special someone he met.
~
Sol paid no mind as his art teacher rambled on and on about the importance of elements in art; his focus mainly on the small, worn-out sketch pad that lay open on his desk. He lazily drew his fingers along the delicate pencil marks of his old drawing from way back then.
Out of the drawings he had created during his entire childhood, that little dove that he drew for you in the second grade always held a special place in his heart. He remembers how bright your face lit up when he showed it to you the very next day; you insisted that he kept it in his sketchbook, under the circumstance that you get to view it anytime you want–which you would do on the daily.
He shifted his gaze from the paper to where you sat near the front of the classroom, trying your best not to fall asleep during the lecture. His heart ached for you to look at him the way you did when you were kids, now it was like he was a total stranger to you; another student who simply attended the same art class as you.
But with time, you’d eventually grow aware of his existence, you’d have too.
After all, you were his soulmate, just as he was yours.
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So you want leftist candidates? Here's how you get them:
First off, you have to understand that the far right didn't just wake up one day and say, "We should fuck up the country!" They have been OPENLY working for decades to fill literally every elected or appointed government position they could with Christian Dominionists and other right-wingers, and these folks show up to the polls EVERY SINGLE TIME.
When I was a kid in a far right church in the 1960s, they openly discussed how important is was to get their people into office who would help pass legislation to persecute/imprison/kill anyone who didn't follow their religion. If there's no one sufficiently right-wing running, they'll vote for whomever is closest, even if it gags them. And I cannot emphasize enough that they have long term goals that they are willing to take--and HAVE taken--generations to achieve.
The overturning of Roe v. Wade, for example, is a DIRECT RESULT of the decades-long effort by the far right to boost the most far-right-leaning candidates they could find. They've been talking for decades SPECIFICALLY about getting enough far right judges in SCOTUS to overturn Roe v. Wade. And these SCOTUS appointments are for LIFE, so these judges get to set policy for your GRANDCHILDREN.
So yes, the overturning of Roe v. Wade was only made possible because Trump was able to appoint three SCOTUS judges, in addition to all the other federal judges he appointed. Amd they're talking about going after same-sex marriage, minority rights, etc.
(Hell, the judge in charge of his secret documents case is one that he appointed--she has indefinitely postponed that case,by the way.)
And you don't think local school board elections are important? Have you not seen the news about all the anti-queer policies, and all the book-bannings? This, also, has a generational effect.
Meanwhile the left refuses to turn up to the polls because none of the candidates are pure enough. So guess why things are getting worse?
If the Left turned out for the most left-leaning candidate at EVERY SINGLE ELECTION, whether local or state or whatever, including primaries, we'd start seeing more leftist candidates. Yes, that means that if there's a choice between two extreme right wing candidates, you vote for the least extreme one.
I know I keep emphasizing that this is not just about POTUS, but POTUS does figure in, of course (among other things, who do you think appoints judges for congress to approve?).
So swallow this pill: Anything shitty Biden is doing, the shitgibbon will do MORE of.
"Not gonna vote Biden because he supports genocide, so I'd rather the guy win who ALSO supports genocide, wants Russia to invade more countries, thinks it's fine if China retakes Taiwan, wants a nationwide abortion ban, removal of civil rights for minorities, wants to overturn same-sex marriage (which the right-leaning majority in SCOTUS are already talking about), to cut back the role of congress in checking executive actions (including workarounds to avoid the need for congressional confirmation for presidential appointees), to remove federal employee protections so federal personnel can be replaced with Trump loyalists, and so on! That'll teach those Dems a lesson! THEN they'll be sorry. And fuck everyone the bad guys hurt, because I'll still be PURE. So what if top GOP officials want to actually NUKE Gaza?"
That's fucking kindergartner thinking.
Yes, Biden is a piece of shit, but I am not waxing at all hyperbolic when I say that a second orange shitgibbon term, with a far-right-majority SCOTUS--especially if the GOP manages majorities in both houses of congress--may be the end of what little is left of Democracy in the US. Not gonna argue about it, because I don't waste my time with petulant children.
Look at the GOP's plans for a Republican administration, and tell me you think it sounds better than another term of Biden. Hell, they've even set up online trainings and loyalty tests to narrow down potential federal hires to those who will commit to follow Trump without question.
I repeat: If you want more leftist candidates, if you want more worker power, if you want billionaires taxed, if you want to protect minorities and the queer community, you have to adopt the strategy that the right has used, educate yourself about what candidates stand for, and show up EVERY SINGLE TIME. Again, that includes primaries.
So many of us on the left would rather sit in the basement dreaming of some magical revolution that's going to fix everything, giving ourselves and others purity tests, and proudly announcing that we're... boycotting democracy by not voting(?), "because none of the candidates are a good choice."
Yeah, the left refusing to vote--or only voting in presidential elections--while the right turns up every time is exactly how we got here.
And you have to support the most left-leaning candidate even if it makes you gag, and even if "most left-leaning" means "not as openly fascist." This is the ONLY way you can be assured of candidates getting further to the left in the future. (Note that this means learning about your local candidates.)
"But voting won't fix--" I never said it was going to fix everything. There's no rule that if you vote, you can't volunteer with Food Not Bombs, or run for school board, or demonstrate, or circulate petitions. It takes more than voting, but voting has to be PART of our strategy.
You also have to accept that it may take decades to change course, and that you're not going to like every candidate you have to vote for.
The right didn't just magically get the orange shitgibbon into office overnight. It took decades of work. And if we want decent human beings in charge, we have to be willing to do the same.
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things that are bothering me the most:
antaam stuff makes no sense, full stop. it's also explained poorly/insufficiently.
most of what we see of rivain is completely uninhabited. i also don't care about more warden shit there, i was looking forward to more lore on rivaini people and culture, especially the seers obviously, we've been dying to know more about them for three games.
every elf we've met is ok with the huge revelations that their gods aren't what they seemed and this process happened offscreen. i would think there would be many different reactions to the spread of info about the evanuris, and i would think it would be extremely important to make it clear that info had spread pre-game.
the venatori are the same nonsensical vague useless boring cult with the most nothing goals. as incredibly lame as they are, it's even stretching my suspension of disbelief that they'd serve elven gods for vague promises of 'power' given tevinter's extreme history with the elves. i would think this would come up at least one single time.
the past two points are part of an overarching issue. the contentious and complex political landscape of thedas that makes the setting interesting feels flat. i'm supposed to believe NO ONE in super-elf-racist tevinter would blame the elves for their gods terrorizing thedas? even inquisition acknowledged this, w solas/inky showing concern that revealing the orb was elven would lead to elf racism.
i'm supposed to believe NO elves who've been oppressed by humans for centuries would think 'fuck them' and join up? what happened to the elves who joined solas at the end of trespasser when they heard he was trying to bring back their empire? at least inquisition had wacky cults for every side.
walking down the street in minrathous as an elf or qunari with no difference is simply absurd, i would literally rather never visit tevinter if they were going to implement it so toothlessly. where is the immediate opinion hit for being a mage/elf the inky takes in orlais???
yes the tone is off and a little shallow. yes the companions communicate too healthily for my tastes. yes i was dreading 'evanuris are behind everything' lore reveals and that's what we got. but i honestly think i could overlook those things if the above problems were solved and it felt like the same immersive, problematic thedas.
i'm so completely infuriated by the worldstate choices i'm going to make a separate post about it. but yeah i was concerned but made no noise, i was willing to wait it out and see how the three choices played out in game. and it's absolutely ridiculous that so far two out of fucking three have basically no impact, and the last one idgaf about unless inky romanced solas. i'm so so so so mad and disappointed about this, especially after staying open-minded when it was initially revealed.
everyone loves companion quests, so i don't know why the game feels like it needs to sell you on their significance. why did we get two different scenes of varric spelling it out to rook: do the companion side quests, or else they won't be able to focus! it's such a weird and superfluous tie-in. i don't get why they went so out of their way to clarify this when it didn't need to be clarified, companion side quests are expected in rpgs and their relevance to the plot is very easily accepted/overlooked.
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LET ME TELL YOU THE SETUP FOR MY BEAUTIFUL COOKIE CLICKER LOVE STORY
it's not everything but it's a decent introduction to the characters. I've been writing this summary for weeks. I'm hoping that feeling like I can reference parts in the middle will give me more ideas......
why does it hate my images...ok fine no images. god
•••
0 Ascensions:
Cookie is always on the lookout for new ways to bake ungodly amounts of cookies, so she approaches Kirschtorte after reading about the doctor's experimental portal research having once resulted in the retreival of a small amount of alien matter.
The first time Michelle Kirschtorte meets Cookie Cliquer, she does not touch a single morsel of the extravagant cookie spread that Ms. Cliquer made to butter her up. The same thing happens the second, fourth, fifth time they meet and discuss business, no matter what variety of cookies Cookie makes. At last Cookie subjects herself to the mortifying ordeal of directly asking Dr. Kirschtorte what kind of cookies she likes-- only to be shocked and horrified when the doctor says that she does not eat any cookies whatsoever.
Despite her inexplicable distaste for cookies, Michelle Kirschtorte is receptive to Cookie's business offer, but she remains unmoved by Cookie's sickly-sweet commercial persona. Secretly at first, Kirschtorte is deeply cynical about the whole arrangement; she was screwed over by her previous colleagues, and progress on her portal research has been stagnating for some time now because of it. Although she doesn't admit it to Cookie at first, the doctor feels humiliated by the prospect of turning to a baked goods corporation for funding. Michelle ends up accepting the deal under the impression that she is taking advantage of Cookie's deep pockets and naive enthusiasm for unorthodox theoretical baking techniques.
When the cookie-focused research initiatives start yeilding mind-bogglingly impressive results, Kirschtorte reassesses her portal research priorities and her impressions of her oddball benefactor. Cookies are, for some reason, the key to understanding and exploiting the greatest secrets of the universe. Even more impressively, Ms. Cliquer seems intuitively in touch with the logic behind these shocking cookie truths. What other great scientific discoveries could cookie research yeild? How does Cliquer think of this stuff? Why DOES everyone like cookies so damn much? Kirschtorte finds herself irresistably drawn in by these exciting scientific possibilities, as well as the much less sweet and more insatiably driven person she starts getting to know behind Cookie's crowd-pleasing public persona.
Despite a stilted start to their relationship, Cookie and Michelle get along very well once they find even footing. Both are driven to prove themselves through their work, both have been underestimated and cast aside by peers and superiors in the past. Cookie's obsessive drive to make and market infinite perfect cookies matches Michelle's obsessive drive to understand everything there is to know about the nature of the universe; both are deeply passionate about their work and typically striving tirelessly towards the same goal. Both believe that their ends justify their means, and that ethical concerns are a waste of time and a thorn in the side of progress.
Cookie has a knack for PR that Michelle has always lacked the patience for; Michelle understands and appreciates the true, transcendent importance of cookies nearly as much as Cookie does-- Cookie's business partners usually don't care about that part.
Cookie eventually achieves enlightenment and realizes the Secret of the Heavenly Chips, granting her the ability to Ascend. Cookie should be overjoyed at the cosmic knowledge within her grasp; great new possibilities in cookie production await her!
Yet Cookie drags her feet. She keeps finding excuses to stay where she is, keeps setting goals even as her progress slows to a crawl, and reaching those goals in this lifetime seems less and less feasible...
Still, the stress of failure and stagnation chips away at Cookie's resolve to keep dragging out her first iteration. The knowledge of how much she could be doing with the power Ascension would grant her makes Cookie increasingly irritable and bitter about the work which she's made her entire life revolve around.
Kirschtorte is stressed and angry about the slowed progress, too. She is increasingly afraid that age and death will catch up with herself and Cookie before they can discover everything there is to know about reality (and cookies). Michelle is vexed by Cookie's comparative lack of urgency-- or is it a lack of hope for any solution? Cookie has always been the most driven person Michelle's known, yet now Cookie's detatchedness toes the line of seeming resigned to failure. Michelle feels like everything she thought she understood about Cookie is slipping through her fingers, and she feels powerless against the onward march of time (DESPITE having access to time machines!), and she doesn't know how to cope.
The temptation of exponentially greater cookie production and the crushing agony of stagnation eventually outweigh Cookie's sentimental attachment to this particular iteration of her life. Cookie Ascends.
(Michelle lives the rest of her life feeling emptier in Cookie's absence, and never knowing why Cookie vanished.)
1st iteration to reach the Grandmapocalypse:
The first time Michelle Kirschtorte meets Cookie Cliquer, she is offered a slice of Black Forest Cake, her favorite. Somewhat suspicious of the COOKIE Magnate offering her cake, Michelle still can't bring herself to resist. Cookie is clearly delighted.
Kirschtorte doesn't take Cookie seriously at first and Cookie knows it, and finds it funny. Kirschtorte has to be convinced of the omnipresence and significance of cookies thru material evidence. Cookie is more hands-on helping speed along her research, but only ever reveals information in bite-sized pieces on a need-to-know basis. It becomes increasingly clear to Kirschtorte that Cookie somehow knows a lot about the most far-fetched characteristics of cookies before they're scientifically proven...and that Cookie has a suspiciously good intuition for knowing things about Kirschtorte herself.
Cookie is delighted by her extra power and knowledge at first. She's entertained by using her extra experience to tease Kirschtorte. Cookie enjoys getting to spend more time with Michelle, despite how one-sided the relationship is early on. Michelle is drawn to Cookie even more from the get-go, because of her strange intuitive understanding of Michelle herself, as well as Cookie Theory.
During the first Grandmapocalypse, Cookie is overwhelmed and focuses on trying to feel in control rather than seeking help from Kirschtorte. When Dr. Kirschtorte approaches Cookie about it, Michelle is surprised by how stubbornly Cookie refuses to bend even slightly to the wishes of the Grandmatriarchs, no matter how logical and cost-effective that would be. Not fully understood by to Kirschtorte, this is motivated mostly by Cookie's resentment for her own grandmother (who is now a parf of the Grandma collective, of course). Cookie insists that any compliance or appeasement would only lead to Cookie and her company being trapped under the Grandmatriarchs' elderly thumb forever.
Instead, Cookie is dead set on overcoming the Grandmatriarchs' sabotage by outpacing them through brute force. Michelle sees this as a fight she is doomed to lose, but Cookie refuses to consider any alternatives.
Cookie's seemingly pointless uphill battle convinces Michelle that cooperating with the Grandmatriarchs is the only way to keep cookie production and research moving forward at a viable pace (she is objectively correct about this). Michelle wants to trust Cookie's leadership, but the two of them are getting older (this is especially visible on Michelle, who is effected by constant proximity to Cookieverse Portals), and Michelle is beginning to fear they might die before they uncover and exploit all the cookie-based secrets of the universe. After all the work they've done, the thought of not being able to see it through upsets Kirschtorte terribly. The Grandmatriarchs subconsciously whisper things to Michelle which exacerbate these fears-- something Michelle is susceptible to due to her proximity to the Cookieverse Portals.
Eventually, Kirschtorte caves. Against Cookie's wishes-- but in Kirschtorte's mind, for Cookie's sake as well as her own-- Kirschtorte convenes with the Grandmatriarchs anyways by using the Cookieverse Portals. She asks them for knowledge of how to lessen the Grandmatriarchs' wrath, and she asks for them to help her understand the true nature of the universe. In exchange, the Grandmatriarchs' ask Michelle to bond her mind with them just a little (still retaining most of her individuality), and vow that she will continue to proliferate portals to the cookieverse as long as she lives. That seems like an easy promise to Michelle, and it makes sense that they would want this. She already makes portals to the cookieverse all the time, so no big deal. Cookie was probably being stubborn and mistrusting for nothing!
Michelle performs the Elder Pledge ("a simple ritual involving anti-aging cream, cookie batter mixed in the moonlight, and a live chicken"), and the Grandmapocalypse is halted. The Wrinklers and Flesh Highways withdraw and cookie production returns to normal, with the Research Facility's grandma augmentation benefits still at work.
Cookie isn't sure what to make of the sudden withdraw of the Grandmatriarchs, but she has a bad feeling.
The way Michelle's deal works is that Kirschtorte will die normally someday, but then the Grandmatriarchs will carry her consciousness and memories to another iteration of Kirschtorte who asks for the same deal, and their knowledge will be combined into 1 continuous consciousness. This will repeat over and over, with more knowledge added to the collective each time, and each new Kirschtorte never knowing about her past selves or the secrets they've uncovered before she complies with the Grandmatriarchs.
Kirschtorte asks the Grandmatriarchs if they can do the same for Cookie, and is shocked to learn that Cookie was never going to run out of time, and never told her. Was Cookie willing to waste the rest of Kirschtorte's limited lifetime arguing with a grandma hivemind?! Did the work they do together matter so little to her?!!
When Michelle confronts her about it, Cookie learns in turn that Michelle is permanently cosmically bound to the Grandmatriarchs. Cookie feels betrayed, but she mostly blames Grandma-- ignoring Michelle's agency in the situation, thoughtlessly belittling her to keep her on a pedestal.
They continue to have problems in this and future iterations, with Kirschtorte always spending a large portion of their time together unaware of all their past lives until suddenly becoming aware when she inevitably goes against Cookie's wishes and speaks to the Grandmatriarchs. And yet, as much as they both claim to be ruthless utilitarians who put their work above all else, it is always quite obvious how much they admire each other and how badly they always want to be together, even at their worst. With all the time they spend building and destroying and rebuilding a cookie empire over and over again, they come to know and understand each other very intimately. They're both insufferably weird about each other when they both have all their memories.
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𝐼𝓃𝑒𝓍𝓅𝑒𝓇𝒾𝑒𝓃𝒸𝑒𝒹 ❦
request or ask: “okay so like imagine f reader sucking on Tom’s fingers and calling him daddy we need a fic out of this”
pairings:2010 Tom x freader
warnings:finger sucking, teasing, briefly daddy mention don’t like don’t read.
A/n:guys this is crazy 3 fics out in a span of 3 weeks?? Must be back in my active era also I need to suck on his fingers fuck he’s so pretty. I hope you all enjoy cuties!! creds to @iwinbin for the divider
Under 15 Do not interact please.
Don’t steal or copy my work thank you.
You took a breath as you kneeled yourself infront of Tom, obviously you’ve had sex with him before and other times but you’ve never sucked a cock before you didn’t really think it was that important? you never told him that.
Tom’s fingers gently made their way down to your jaw. “You don’t look too ready for this liebe have you never sucked a dick before?” He laughed, “Uh no i didn’t well no one ever wanted to me too I guess.” You replied bluntly, Tom just looked at you a bit stunned but quickly nodded he lifted you back up on your feet.
Tom sat you on the bed with him sitting next to you “Well for practice why don’t you try sucking on my fingers?” His fingers tracing the outline of your soft plump lips, you looked at him your expression weary but who were you to say no?
“Open your mouth for me schatzi” his fingers tapping on your bottom lip, you didn’t know what to think he had such long fingers you were worried you were going to choke on them. (who wouldn’t be.) Knowing the asshole Tom can be that’d be his goal in end. “Come on sweet girl open up I want to see that pretty mouth of yours to good use.” his voice growing on a slight edge of frustration.
Hopefully not getting him more pissed off you slowly parted your lips, Tom carefully placed two fingers into your mouth gently massaging your tongue and the roof of your mouth he set a slow and smooth pace not trying to fully get you gagging. His other hand caressed your cheek for some slight comfort.
You didn’t know how to feel his fingers were quite long and they repeatedly hit the back of the throat causing a whine out of you, “Aw I haven’t even sticked a third finger in yet and you’re already whining” he cooed teasingly, you gave him a glare since you couldn’t say much. Tom then stuck a third finger in your mouth his fingers now forcefully stretching your mouth out.
His fingers were basically down your throat at this point you were fully gagging on his fingers, drool was now leaking out of your mouth tears were in your eyes so you know what else he did the prick went even harder, “Such a good girl for daddy hm? You’ll be taking my cock soon enough” he breathed out its like he’s never seen such a beautiful sight.
You tapped him on the thigh begging him to slow down but he just grinned his fingers went at a brutal pace now your cheeks were flushed your mouth was getting more sore by the minute whines and whimpers kept escaping your lips, Tom’s long fingers kept hitting the back of your throat while thrusting in and out of your mouth.
A minute later Tom’s fingers left your mouth with a slick pop his fingers coated in your salvia, you took a breath of fresh air your fingers carefully massaging your jaw, Tom got up from the bed his eyes locking with yours and you noticed the boner in his jeans, “You don’t think I’d only let you just suck on my fingers tonight?” Oh boy.
A/n:I hope you all enjoyed cuties I’m very proud of this keep sending requests in I love you all mwah!! <3
Taglist:
@itsmealaiahh @chinoslefttoehair @bambiwrites @jadedchar @memzyyy @ayeshascorner @jun3ee @rottinglilys @t0msvi4gra
#tokio hotel#itsangelll#tom kaulitz#billkaulitz#georg listing#gustav schäfer#tokio hotel x reader#tom kaulitz smut#smut#2010s
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What's going on right now? Need Clarity? A message from Spirit!
1-3
Choose a selfie! ☆
︻デ═一・・・・・・・・・・・・・・
Want to book a private reading?
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I 🫶🏾 y'all!
─── ・ 。゚☆: *.☽ .* :☆゚. ───
Pile 1- 9 of Pentacles, 9 of Wands, Princess of Pentacles, 3 of Cups, 8 of Cups, 9 of Swords, The Hermit, Ace of Cups, King of Cups, Ace of Wands, 2 of Cups, extra card- Prince of Pentacles.
Bottom of the deck- The Lovers
Hi my pile 1!
Today I feel like Spirit really wants to talk about you and your work. I heard something about planting roots, could be a literal 9-5 job we're talking about or even a relationship for some of you (I'm picking up on a masculine here), but I'm feeling like it might not be the way you want to to be right now, you're not seeing the results of all of your hard work but the Nine of Pentacles talks about having to climb that last mountain before you can reach the top and rest. This energy here is expressing though we may be so tired and want to give up it's very important you look back and see how far you've come in any given situation, how much you've progressed with maybe in a job, or something that really matters to you like finishing a book or even how much progress you've made in a relationship as well. (My phone buzzed as confirmation, I feel like there's a little bit about love in this reading which is crazy because I'm trying so hard to be diverse and not talk about romance so much but other forms of love too lol). Overall I'm getting don't give up, I know it's a struggle but sometimes it's good to sit back, reflect and remember our "Why". We just need that extra push of motivation, whatever motivates you, even if it's taking a small break before you decide to get back at it again, anything but quit! An example I could use is when I'm working on my Digital Art for a good hour and decide I still don't like how my drawing looks, I get tired but deep down want to finish it soo bad, so instead of giving up I take a break, let my fingers breathe and get a snack before going back at it again, sometimes it's okay to not break your back trying to finish projects no one's perfect.
So I feel like Spirit also wants to warn us of becoming too materialistic, it's clear this message is for someone who's worked hard to get to where they are now, but I feel like you haven't had the time to celebrate that because you're too focused on moving on to the next thing so quickly, we should appreciate and honor and celebrate all that we've done for ourselves even if you haven't reached the highest goal you've set, go out and celebrate with people you love! You deserve it!
So I feel energy like someone putting so much on themselves, I feel like you make yourself your main concern? If that makes sense? Like someone who gets frustrated at themselves because they quit something, someone here overworks their mind way too much, to a dangerous point. You're pushing your body to work so much because of a certain goal and I see here you see yourself as the problem. You are the very thing that crafts your reality but you can also break it as well. You know that saying less is more? I just heard it in my head, like if you stopped focusing so hard on this and live a little you might manifest it better not obsessing over it so much.
I'm picking up on two different messages, one is for someone who hardly has fun, I think the main message for you to overcome some things is to reach out more to people you love, spend more quality time with them! Have fun, go out and just go for a walk or sit in the park! Do something that doesn't feel like a job, you know? For others, I'm getting you might be more introverted, Spirit is encouraging you to branch out more, maybe work is something that you've just always known and been comfortable, but Spirit is encouraging you to go make some friends, step out of your comfort zone a little! Sometimes someone's companionship is all you need and you would've even realize it because if you're like me and hardly care for socializing it's something you can definitely live without, can't miss something you've never had right? Lol.
I feel some anxiety, negative thoughts and bad coping methods that are no longer serving you, but I feel like this anxiety is just coming from being scared, scared of the unknown especially. This energy doesn't serve you, focus on healing this and pushing this energy out of our consciousness, don't expect it, normalize it or embrace it.
I think as time goes on you could slip into a state of wanting to be alone a lot, I think this is a warning if you continue on you'll always be stuck in that energy. I think the hermit also reminds us to consider ourselves better, present and future, encourages to get to know yourself as well, take time to really understand and appreciate yourself.
I think you're a kind person, I'm seeing here you're represented by the Ace of Cups as well as how you see yourself, which means there is self love there, even if you don't see it or feel it's not impossible! Take it day by day, step by step, whatever that looks like for you! You have lots of joy and sunshine 🌞 maybe you're someone who likes to keep a positive appearance and rarely ever show your real emotions especially if they're negative.
I keep picking up on small messages of someone waiting for a specific love interest or maybe just waiting for your love life to get juicy in general.
I feel like someone's hoping for a connection, there's lots of masculine energy here. This is a special message so if you've been hoping for a specific person Spirit knows! I can't get much but maybe that's because it's not supposed to be a love reading, but I did get that message, Spirit hears you. Maybe this masculine is also a person some of you know, like they're in your life already and they have a heavy impact on you. I'm seeing for some of you it doesn't have to be romantic, could be a father figure for those of you wishing to get closer with your father's!
In conclusion, I don't want to say you'll never find a solution to your problems, but I will say life will always be throwing tough situations at us, at any given time, I think the highlighted message here would be that our mindset is the key here, you can't change your situation maybe but you can decide how you handle them. A strong mindset is always important, a clear and positive one. It's not an answer, no, but it's more like encouragement. I feel like Spirit wants to remind you as long as you have you, you'll never really be stuck or lost, you have the power to see the greater good of any situation or the power to visualize and manifest a life or outcome of a situation you want!
Hope you like this reading! Love you! <3
✮ ⋆ ˚。𖦹 ⋆。°✩
Pile 2- The Hermit, Judgment, Eight of Pentacles, Four of Cups, The Tower, The Star, Three of Swords, Nine of Cups, Nine of Wands, The hanged man and The World.
Back of deck: Queen of Cups
So the Hermit is once the fool, right? I feel this card is drawn today to point out that you need to focus on something with yourself. You're being pushed to learn more about yourself maybe, I'm getting this card also signifies someone who mostly spends their time alone, this could be because you're being drawn to focus more on yourself and this could also serve as a warning for some that you could be surrounding yourself with too many energies. Either way this card does signify a change does need to happen. A path needs to be taken. Something needs to be done, let's see what it is!
So currently it's healing, I'm seeing it's something heavy on your mind and heart. Well, with the Justice I hear that you have the option to heal right now, you maybe have been wondering what does healing really mean? and I'm hearing that the Angels Gabriel maybe are present with this card and that the path to healing is about to basically open up for you to take. I want to go into great detail about what I mean but can't find the best words, my book describes it like 'an opportunity to scrape off any remaining bits of mud clinging to your boots'.
I feel like someone here is very focused on healing for the greater good, you have a desire, strong will and determined just to do better for you and with the Eight of Pentacles it serves as kind of a confirmation that your guides do see and hear your efforts. Some of us could even be manifesting greater things, better days and your guides definitely do hear you! Makes me feel like they're hinting that your wish will be granted soon, the judgment card does often hint at justice! ;)
I know it might be confusing or some of you are probably like "what?" But I'm hearing that you'll just get random downloads and be like "oh yeah, duh! I should totally try doing that." A specific message for a few of you lol.
So the four of cups makes me feel like your guides are just pointing out more the need to kind of take a break away from everything and everyone. Maybe you're around people who don't have your best intentions or don't really serve you or your healing journey and spirit warns to watch who we keep around, it might be time to cut some people off. Some of you might be getting invited out, it's okay to reject them and let them down easy, take time for you, it's okay to not be bothered and be in the comfort of just yourself! <33
Right now I feel like you're carrying a lot of tension, anxiety and there's a call to release all of that, a change, I feel like being around people might be causing this anxiety because this is supposed to represent your external energy and you got the tower card, but so far all I'm getting is isolation is good for you, which is making me think there might just be a specific person causing this anxiety, if they make you feel bad they're not worth having around, i had to learn that the hard way whoever needs to hear this 😭 🩷
So we're letting go of burdens, anything that's holding us back, we're getting into really good energy! I love this pile honestly lol. You got the hope card! While all of this is happening, you're going to be passing through really heavy energy I bet, it might feel like you got hit by a bus even but your guides want you to remain hopeful! Try to stay as optimistic and positive as you can be, showing gratitude can also help right now! But good job! You're looking at every corner of your shadow self, you're doing a really good job too!
Okay, see! The three of swords is heavy energy but it does signify ✨ NEW 😍 and BETTER 😩 things for us! If you keep going this road, you're going to find something that really brings you contentment and life will feel good again for you! You're getting justice baby!!! I'M TRYING TO GET YOU HYPED BECAUSE YOUR GUIDES ARE PROMISING EVERYTHING YOU'VE WISHED FOR!! 😍😍 Lol whatever that might look like for you, like lately I've really been wishing for a new apartment, so when spirit says my wishes are about to be granted I'd get real excited because that means I'm gonna find a way to get that new apartment soon! Lol.
So right now I feel like you know you're able to manifest these good things all on your own. I feel like a few of you are like me and it maybe took you this long journey to get where you are now, maybe mentally or also in a physical matter, either way you look back and see how far you've come, you still want so much more and maybe you kinda pick on yourself when you realize that but your working on being content and grateful and moving forward now that you really understand how to now!
So I'm hearing that you might have some fears about never seeing progress, or maybe you're grinding very hard I'm talking day and night and you haven't seen the results you want, but you'll get there! I'm hearing the only way you don't is if you give up on yourself. As long as you have the consistency, motivation and power to keep showing up you will definitely see the results you want!
You got the world card as your outcome! This is a possible outcome, the world represents completion usually all things of a happy ending basically! Which means this is how your outcome will be! You do big work and receive big rewards from the universe! You're going to be sooo happy, you're on your way to your biggest achievement yet I feel! Congratulations! 🤭😍
I also heard a message about someone needing to further develop their spiritual growth!!
Hope you enjoyed!! 🩷 Love you sweetie piez
✮ ⋆ ˚。𖦹 ⋆。°✩
Pile 3- Eight of Cups, Temperance, Three of Cups, Seven of Cups, Princess of Wands, Ace of Cups, King of Swords, The Emperor, Princess of Cups, Ace of Swords, Two of Cups.
Hii! ☺️ So there's a message for you in pile 2! Specific for some of you, maybe if you felt drawn to more than one pile I highly recommend checking it out because I could not stop channeling that!
Let's get into your reading now!
So you're currently in an era of change right now, moving away from toxic energies, environments, mindsets and/or situations, I'm hearing it's because you're embarking on something new and you want to have a fresh clean state basically. Good for you! I totally resonate with that, it's a very good example of bringing home a new puppy even though you already have a dog, you still buy the new dog it's own toys and personal items because you can't just take the old dog's things and give it away, you have to start all over again and buy fresh items, you know? Weird example but this is the best I could explain it 🤣 I don't even have a dog so bare with me lol.
So I see that you're currently questioning how to go about this, and I get the feel that the Temperance card is telling us that we have that answer within. I think Spirit really wants to remind you to listen to your inner child as well, not only that but all parts because it's very important, even our shadow selves. So I feel like that's something you're going to be going through, mental clarity. This energy is a lot like pile 2! There's an overlapping message! Pretty soon you'll be gaining insight, like you'll be receiving downloads and messages from your team and everything will just "click" for you, yk? 😭 Lots of magical energy in all of the piles today it's crazy. I think you're also going to be learning how to balance yourself out, you're going to Intuitively just know because you've done the work searching every part of yourself!
So I see some tension and desire around three of cups, maybe someone here could be wishing for healthier connections, maybe there's some fear of being alone even and it's triggering some healing to be done around that area.
So like I said earlier, you're going to be receiving some intuitive messages that will bring you lots of clarity which is confirmation with the Seven of Cups, it'll just come to you, you might receive an important dream soon! So just keep on keeping on lmao basically stay true to your goals and keep forward on your path!
Okay okay I see you working on moving into your Princess of Wands energy! So the Princess part is like someone who's still learning, so you're going to be in an energy that you're in control of! I feel like you're already represented by the Princess of Wands energy and you're just working on being Queen now! You're going to learn how to utilize your personal energy, creativity and sexual power. Okay so you're going to need this new energy for the path you're going down, you're going to shine through it, literally you're a star whoever you are lmao other people see your energy too, you're someone people look up to! You're embarking on a new journey, I feel like I keep repeating myself a lot but even in my tarot book it says the exact same thing in the card description as the messages I'm channeling from Spirit 🤣 I've gotta start a YouTube so I can show you guys more! Or would you guys prefer if I just included pictures? I don't for aesthetic purposes but let me know guys!
Anyways, back to YOU lol,
So I see you wishing for lots of abundance like love maybe, doesn't have to be very deep and serious like marriage but I feel like a few of you want a baby and someone that loves you and it's a dream of yours, but you're probably putting that dream to the side right now to work on yourself which is good! That way when you are ready to receive you'll know exactly what to do with your gifts, treat them nicely lol! I do see a promising future for you where you receive all of that plus the self love from yourself which will already come first before anything, I think it's really beautiful energy I really like this pile 😭 I love you whoever you are, you feel so sweet!
OOO I see a King of Swords in someone's future? I feel like this is a romantic for a few of you because you also have the Two of Cups as your ending card which represents union to me. My book describes this person as fascinating, and talkative, they'll be very good at providing you emotionally and physically wise! I feel like after all of this work you're finally getting the connection with someone you've been waiting for!
Gender doesn't matter here, but you might see yourself as the Emperor, even if you struggle to, the outside world does too! You're a born leader, you're strong and intelligent enough to LEAD the team! People respect you I feel like, you're very hardworking, you like to set goals, some people might call you a nerd lol 🤓. I feel like in school you were the one who took control in group projects, you're very outspoken and an outgoing person, people love to be around you!
You might not have had many relationships, I'm hearing you might be kind of scared of love and have some hope and fears around it, you'll be discovering your own love language I hear ☺️ how precious omg.
So someone around you with the Ace of Swords suggests that someone you've already had your eye on someone for a while, a few of you might even be in the talking stages still! Either way you might already know who you're coming into union with 🤣 Crazy! For others of you, you will be meeting this person soon! A complete stranger you'll just bump into within divine timing on the weirdest day of your life!
So the Two of Cups is your outcome! With the two of cups it means you'll get the perfect person you've been waiting for! Which is what you've been wishing for, right? (Me too😭) I'm seeing that picturing your perfect person will help manifest them! Some of you could be dating after heartbreak as well I'm picking up on, for those of you who are single you'll be glowing! People will notice and compliment you a lot more. You're just ready to receive while being in your Queen energy! Real hot girl shit 😍 lol I love that omg.
Lots of water energy, someone could be a water sign, Pisces, Scorpio or Cancer or have those placements heavily in ur chart. Someone here could like the color blue or purple or those colors might be significant for you. The number 4 might also be significant. Someone could wear red a lot.
I hope you enjoyed this reading! Love youuu!!!
#pac tarot#pick a card#spirituality#tarot#pac love reading#tarot cards#tarot reading#tarot love reading#tarot messages#spiritualgrowth#tarot guidance#tarot commissions#tarot card reading#channeled reading#channeled message
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Weird Dreams - Part 2/10
Original story by Tortilla_Feliz on wattpad so go support them!
Shoto Todoroki x Bottom Male Reader
Where Shoto (again) has weird dreams about his male friend (You)
Warning: Smut (The character are 18+)
This is part 2
★★★★★★★★★★★★★★★★★★★★
You were studying with Shoto because you were doing relatively badly in everything, you were still wondering how the hell you had gotten second place in the first exam they gave you at the beginning of the year
-Fuck, I don't understand anything- You grumbled, You really hated studying but you had to try harder because Shoto had set a goal for you for the first time, the older guy had offered to go get you ice cream afterwards -hey -you said
Todoroki turned his gaze to you
-Endeavor is not here?- You said without further ado since you tried not to give importance to the problems that his family had, you preferred to treat your friend as one more and not treat him in some "special" way, something that the older one liked in a certain way, it bothered him to be treated in a special way
-why the question
-I was just saying that because you offered me the ice cream, you always prefer us to stay
-Oh
-Yeah, idiot - You said
Time continued to pass between the two of you, clearly the silence was winning thanks to the concentration that studying entailed
The older one positioned himself behind you, you were kneeling but not sitting, you were on your legs, your face was of absolute concentration, you really wanted that ice cream, the older one put his hands under the loose shirt that you had
His hands wandered over your soft skin, carefully touching the scarred spots you had. He could feel how your abdomen was certainly warm, then he continued raising his hands to your chest, carefully caressing your nipples, eliciting a moan from you
-W-What are you doing - You murmured
-Keep studying, you can't be distracted- He whispered near your ear, causing you to shiver
You could feel Todoroki pinching your nipples making them harden, you felt your cock getting hard, you tried to silence your moans because you were in Shoto's house and you didn't want anyone to hear you and him doing "that", it was a stranger's house and you felt like a complete pervert, clearly that made you blush even more
-T-Todoroki, stop it- You moaned as you felt your pants and boxers being pulled down, leaving your ass in full view for Todoroki
-You know, it looks delicious- You murmured, spreading your ass cheeks, having a direct view of your hole
-F-Fuck wait what are you thinking of d-doing - You turned a little, just enough to be able to see Todoroki without hurting your neck, he had a look full of lust, you were afraid he would be rougher than other times
-I told you to keep studying, if you fail you'll do bad- he stuck a finger inside your ass causing you to start moaning -Why is this loose? Don't tell me you jerked off - an arrogant smile formed on Shoto's face who began to quickly move his finger quickly touching your special spot inside you that made you see stars
-mgh S-Shoto- You whimpered feeling how he pressed his finger again and again that part that you liked so much, you felt like you could cum even though you hadn't even touched your cock
-I like it when you say my name like that, it makes me want to eat you out you until you can't continue- he buried his head between your ass cheeks, introducing his tongue inside your hole -Why don't we try this other times, you taste delicious- he made his tongue enter and exit your entrance easily
-Don't do t-that man- You bit your lips trying to contain your moans
-You showered a while ago, I'm sure you fingered youself, but tell me, are you satisfied? Right, you can't cum without my help- he mocked, continuing that sensual kiss
-P-Please man I-I-I mghh!, I want to cum!- Your eyes were filled with tears from the pleasure he caused you
-Don't scream too much, they might hear you, honey - he separated from your ass, suddenly inserting two fingers
-I can't take it anymore, I'm r-really cumming!
-Does the fact that they might hear you turn you on? You're such a pervert, little one - three fingers went inside, causing you to slowly begin to reach your orgasm
-i-it's not like that f-fuck!- You screamed as you reached your climax
★★★★★★★★★★★★★★★★★★★★
Shoto woke up, again that kind of dreams continued to torment him but, why did he like so much the way you moaned although he didn't even know if that was how your moans were, you had become his friend a few days ago and the fact that he dreamed about you moaning like that made him feel like a complete pervert
He was about to get up to the bathroom to jerk off but he found you lying next to him and remembered, you and him had studied the night before for the exams and since it was getting late his sister offered you to stay overnight, maybe that's why the setting of the dream
He carefully stood up and walked to the bathroom to jerk off
#bottom male reader#gay#gay boy#gay smut#smut#male reader#x reader#shoto todoroki#mha#mha shoto#shouto todoroki
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Writing Notes: Detective Story
References (Elements; Subgenres; Tips; Some Vocabulary)
Detective story - one whose plot hinges on a crime that the characters investigate and attempt to solve.
Also called “whodunnit” stories or crime stories.
Most detective stories are written from the point of view of a detective.
5 Basic Elements
A Detective
Usually featured as the protagonist.
Spend time thinking about your detective’s personality, their motivations, their background, their strengths, and their weaknesses. You’ll want your detective to be unique among the other detectives out there.
A Crime
Most detective stories revolve around a central crime or string of related crimes.
Since the crime will be the catalyst of your short story or novel, it should be interesting, memorable, and seemingly unsolvable—that way, readers will be so tantalized by the mystery of it that they’ll need to keep reading.
A dead body is a very common crime in detective fiction, but there are plenty of other options—from robberies to disappearances.
Suspects
Many detective stories include an array of suspects that could have committed the crime (either they have weak alibis or have a history of lying).
Your suspects are a vital part of your detective story; they serve as red herrings (or distractions) that will direct readers’ attention away from the true culprit.
Some mystery novels don’t have any suspects—this is a deliberate choice by crime writers that serves to heighten the tension in the story, but if your story doesn’t have any suspects, find creative ways to keep the case from going cold.
An Antagonist
The person whose goals are in direct conflict with the antagonist’s.
Traditionally, the antagonist is the true culprit for the story’s crime (or crimes), but that’s not who your antagonist has to be; the antagonist of your story could be a police officer who wants to solve the crime first or someone who knows the identity of the culprit and is trying to cover it up.
A Setting
The setting is a very important part of any detective story because the action in most detective stories takes place on the streets of its location.
Therefore the stories are inextricably linked to the time and place they are set in and are memorable because of those details.
5 Subgenres
Here are just a few subgenres that fall under detective stories
Police-department procedurals. Focus on police work and often feature homicide investigators and other departments of a local police force.
Cozy mysteries. These have a lighter tone than traditional detective fiction and avoid explicit depictions of the murder. They are often set in a small town and focus on puzzle-solving rather than suspense.
Hardboiled detective stories. These stories are usually dark and explicit, featuring a veteran detective who treats violent crimes matter-of-factly.
Thrillers. Emphasize suspenseful storytelling, often featuring chase scenes or murder sprees that the detective must stop before the time runs out.
Locked-room mysteries. Feature crimes that, at the outset, appear impossible—for instance, a murder taking place in a seemingly locked room with no other way in or out.
5 Tips for Writing a Good Detective Story
Interesting Motivation
The motivation of the culprit is one of the most crucial and prominent parts of detective work—what readers want to know even more than who committed the crime is why they committed it.
Nothing spoils a good detective story more than an uninteresting or unbelievable motivation (for instance, a serial killer who is just “pure evil” and has no discernable reasons for murdering) or an unmotivated confession.
In the same vein, your detective should also have a strong motivation for being in this line of work—it’s not easy, and many people wouldn’t be able to stomach it.
Learn about Detective Work
Readers want to feel immersed in the world of your detective story—whether it’s the world of the law or the seedy underbelly of a small town.
That’s why it’s so important to get the details right when crime writing—so you can keep the reader’s attention with believable plot points.
Do the research to make sure that you know who would be the first to make it to the scene of a crime, how detectives would go about tracking people down or questioning them, and what role forensics would play in your crime scene, so that your readers don’t spend any time wondering if what they’re reading is accurate to real life.
Too Easy
Readers pick up detective fiction because they want to be intrigued by a good mystery—so if your crime is too easy for them to solve, they’ll get bored and likely not finish the story.
Trust in your readers’ ability for logical deduction and don’t give too much away, leaving them guessing and really shocking them.
A Payoff
Try to avoid an outcome where readers will feel let down by the answer.
In the words of S. S. Van Dine, a famous mystery-novel-writing art critic, “A crime in a detective story must never turn out to be an accident or a suicide. To end an odyssey of sleuthing with such an anti-climax is to hoodwink the trusting and kind-hearted reader.”
By that same logic, try to avoid any “deus ex machina”— an impossible-to-solve situation is suddenly resolved with little or no effort from the characters.
Experiment & Innovate
Read lots of detective fiction and then subvert the tropes—
What if your main character is the person who committed the crime, and your bad guy is the detective or official investigator working to solve it?
Or what if your character’s love interest was the victim?
Common Terms in Detective Fiction
Establish a working vocabulary will help improve detective fiction writing
accusation - statement that places blame on a specific person or persons
alias - an alternate name used to conceal identity
alibi - an explanation that removes a person from the scene of a crime when it occurred
angle - specific strategy or way of looking at facts as employed by the detective during an investigation
autopsy - the medical examination of a corpse to determine cause(s) of death
booking - the process whereby a suspect is officially arrested and charged with a crime
case - the investigation of a crime from the time it is reported/ discovered until it is resolved (closed)
charges - specific crime(s) a person is accused of
circumstantial - indicative but not conclusive
clue - anything that sheds light on a particular case
collar - the actual arrest by a police officer
corpus dilecti - the actual body that proves a murder has been committed
crime of passion - a crime committed in a rage of anger, hatred, revenge, etc.
culprit - the “bad guy;” criminal
D.A. - district attorney; works for the government
deduction - conclusion reached through a logical progression of steps
defense - the argument made to show the innocence of the accused person
evidence - material that will prove innocence or guilt
eyewitness - someone who actually observes a crime and/or criminal
felony - major crime (i.e., armed robbery, murder, rape)
foil - the detective’s “right hand man;” he/she is usually quite different in nature. Ex: Holmes/Watson; Nero Wolfe/ Archie Goodwin
frame-up - deliberate trap set to lay blame on an innocent person
habeas corpus - accusor has to produce a body in order to hold a suspect
homicide - the act of murder
hunch - guess; instinct
informer - relays information to police/detective for money (usually)
inquest/inquiry - legal questioning concerning a particular event or action
lead - something/someone that may help move an investigation to a solution
malice aforethought - criminal was already considering a hostile act before the crime occurred
manslaughter - accidental killing
misdemeanor - minor offense
modus operandi - method of operation (m.o.) that a criminal employs during his crimes
morgue - city government building where dead bodies are kept during investigations
motive - reason for committing a crime
perpetrator - offender; criminal
post mortem - the report from an autopsy
premeditation - deliberate intent to perform a crime before it occurs
private eye - private detective
prosecutor - attorney working for the District Attorney; person trying to prove guilt in a courtroom
red herring - a false clue that usually misleads the reader (and often the detective)
set-up - a trap that is designed to catch a criminal or victim
sleuth - detective
statement - official document containing information supplied by witness, suspect, or any other person involved in an investigation
stool pigeon - informer
surveillance - constant visual or electronic monitoring of a person’s activities
suspect - someone who may have reason to have committed a specific crime
tank - jail cell
third degree - intensive questioning of a suspect
victim - person who is hurt or killed as a result of a criminal act
Sources: 1 2 Writing Notes: Autopsy ⚜ Word Lists: Forensics ⚜ Law-Related
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Been thinking recently about the goings-on with Duolingo & AI, and I do want to throw my two cents in, actually.
There are ways in which computers can help us with languages, certainly. They absolutely should not be the be-all and end-all, and particularly for any sort of professional work I am wholly in favour of actually employing qualified translators & interpreters, because there's a lot of important nuances to language and translation (e.g. context, ambiguity, implied meaning, authorial intent, target audience, etc.) that a computer generally does not handle well. But translation software has made casual communication across language barriers accessible to the average person, and that's something that is incredibly valuable to have, I think.
Duolingo, however, is not translation software. Duolingo's purpose is to teach languages. And I do not think you can be effectively taught a language by something that does not understand it itself; or rather, that does not go about comprehending and producing language in the way that a person would.
Whilst a language model might be able to use probability & statistics to put together an output that is grammatically correct and contextually appropriate, it lacks an understanding of why, beyond "statistically speaking, this element is likely to come next". There is no communicative intent behind the output it produces; its only goal is mimicking the input it has been trained on. And whilst that can produce some very natural-seeming output, it does not capture the reality of language use in the real world.
Because language is not just a set of probabilities - there are an infinite array of other factors at play. And we do not set out only to mimic what we have seen or heard; we intend to communicate with the wider world, using the tools we have available, and that might require deviating from the realm of the expected.
Often, the most probable output is not actually what you're likely to encounter in practice. Ungrammatical or contextually inappropriate utterances can be used for dramatic or humorous effect, for example; or nonstandard linguistic styles may be used to indicate one's relationship to the community those styles are associated with. Social and cultural context might be needed to understand a reference, or a linguistic feature might seem extraneous or confusing when removed from its original environment.
To put it briefly, even without knowing exactly how the human brain processes and produces language (which we certainly don't), it's readily apparent that boiling it down to a statistical model is entirely misrepresentative of the reality of language.
And thus a statistical model is unlikely to be able to comprehend and assist with many of the difficulties of learning a language.
A statistical model might identify that a learner misuses some vocabulary more often than others; what it may not notice is that the vocabulary in question are similar in form, or in their meaning in translation. It might register that you consistently struggle with a particular grammar form; but not identify that the root cause of the struggle is that a comparable grammatical structure in your native language is either radically different or nonexistent. It might note that you have trouble recalling a common saying, but not that you lack the cultural background needed to understand why it has that meaning. And so it can identify points of weakness; but it is incapable of addressing them effectively, because it does not understand how people think.
This is all without considering the consequences of only having a singular source of very formal, very rigid input to learn from, unable to account for linguistic variation due to social factors. Without considering the errors still apparent in the output of most language models, and the biases they are prone to reproducing. Without considering the source of their data, and the ethical considerations regarding where and how such a substantial sample was collected.
I understand that Duolingo wants to introduce more interactivity and adaptability to their courses (and, I suspect, to improve their bottom line). But I genuinely think that going about it in this way is more likely to hinder than to help, and wrongfully prioritises the convenience of AI over the quality and expertise that their existing translators and course designers bring.
#alright getting off my soapbox now#apologies if this is not particularly coherent - i was very much working through my thoughts as I was writing#but yeah tl;dr i am not huge on LLMs especially for language education and am deeply disappointed by the way things are trending#anyways if anyone knows any learning tools that are similarly structured i'd appreciate the recommendation#being able to easily do a little bit of study on a regular basis helped me a lot and i've yet to find anything similar#duolingo#language#language learning
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