#i think it would have a lot of alliteration

[weaselandfriends]

What makes prose good unto itself (and not just as a delivery mechanism for plot/character)? Despite being an English major I never really grokked this, beyond basic advice like "use significant images."

I would break down prose quality into two major parts, each of which is very broad and can be achieved in many different ways.

Part 1: Is it good aesthetically?

This is very simple. Does the prose sound good? This is usually achieved via a lot of high school English test terms, stuff like assonance, consonance, alliteration, rhyme (internal or not), meter, repetition, etc. but can also be a factor of syntax and word choice: "dismal" is generally a more evocative word than "bad," for instance, though given context one of those words might sound better than the other. Bad is shorter, harsher, more abrupt, compared to dismal which has the S and L sounds that glide. Dismal also sounds more British, which comes with its own array of connotations that can affect how the reader reacts to the word. Compare "I pray you burn in the flames of eternal damnation" to "I hope you die in a fiery death."

Punctuation, sentence length, sentence structure all make some kind of change to the way a sentence reads. Parentheticals, abrupt stops, sentence fragments. They influence the aesthetic experience of reading the text, and the best prose wields all these tools (and more) strategically to create the greatest aesthetic impact. If someone is specifically trying to make their prose unobtrusive to the semantic content of plot and character being conveyed, they are surrendering aesthetic control.

Part 2: Does it contribute meaning?

It's one thing to craft a beautiful sentence, but if it's beautiful simply for the sake of being beautiful it can often come across as needlessly indulgent. (The purple prose criticism, though in my experience most truly purple prose is aesthetically bad.) The best prose is also contributing to the meaning of the work through its aesthetics. The most obvious way this is done is through tone. Tone is how a story feels, and in many ways is far more important to a work than plot or character. A horror story has a certain tone. A comedy has a certain tone. To an extent tone can be conveyed via plot (i.e., a story where people are murdered will innately have a different tone than one in which they are not), but most of the heavy lifting on this front is done by the prose: a dark, oppressive atmosphere will put a reader on edge, even before someone is slashed in the attic.

Beyond tone, prose can provide insight into character (especially in free-indirect discourse, AKA close third person, which is extremely popular in contemporary literature) or theme. Symbolism, metaphor, various other literary devices can be used to this effect, or even simply more mundane elements like sentence length. Cormac McCarthy wrote two novels about brutal, violent journeys through utter waste lands - Blood Meridian and The Road - but the vast differences in the prose of those two novels make starkly different statements about what that violence means. Blood Meridian being a work of excess, of hedonism, while The Road is a work of restraint, of emptiness, of lack. And this is even with both works doing many of the same of McCarthy's goofball punctuation gimmicks.

I don't think anything I said here is very deep or difficult to grasp, and in other artistic mediums correlated concepts are taken for granted. In film, if you want to convey information in the easiest-to-understand method, then just do shot-reverse shot as two characters talk. It's simple, basic, and if what the characters are saying is interesting, nobody will notice. But the best films use blocking, dynamic camera angles, and varied shot length and composition to subtly make statements about character, setting, tone, and theme, while also simply looking more aesthetically pleasing. That's what prose can do for a work of literature. And the truly best prose stylists, the people pushing the boundaries of what can be done with language, will come up with prose compositions that I would never even expect.

[charliesinfern0]

now I wish I knew how to write music and lyrics because how cool would it be to just write an entire theater style song for my cats oc

[loveyjelly]

Raw Roulette

CW // MDNI, SMUT, foursome, handjobs, blowjobs, piv, creampie, slight mentions of exhibitionism

(I changed the title because i love alliteration)

"Regretting inviting all of us over for dinner?" Rafayel teased, crawling over to you and trailing kisses from your collarbone to your neck. As much as you want to maintain your composure, you give in and let out a whine.

"Doesn't sound like it to me." Zayne smirked, as he kept your back pressed to his chest, both of you sitting up on your bed.

"Are you enjoying this?" Xavier's hand rested on your thigh, sitting on the edge of the bed and occupying the across Rafayel. He pushed the hem of your dress up to move his hands to your inner thigh.

The overwhelming sensation is starting a fire in your lower abdomen. "This wasn't supposed to happen." You sharply inhale, trying so hard to contain yourself. What would they think of you when they find out that you're enjoying being aroused by three men at the same time?

You didn't think that the night would end up with you being surrounded by barely clothed men vying for your attention, vying for you to make them feel good.

"Do you want us to stop?" Zayne's hot breath tickling your ear is getting you more worked up. Your breath hitched and you involuntarily squeezed your legs together, accidentally trapping Xavier's hands between your thighs. He gently moved one of your legs to separate them.

"Yes or no, Love. We need to hear it from you." Xavier's eyes still shined of innocence even in the dark lighting that matched the soon-to-be carnal atmosphere.

"Don't stop" You mumbled, unable to properly get your words out.

"Speak up, Princess." Rafayel took one of your hands and kissed the back of it.

"Please don't stop."

As if their brains synced together, they resumed with what they were doing except now there was nothing holding them back from having their way with you.

Rafayel started licking and sucking on your neck, marking you as if that was the only way he could make it obvious to the other two that he needs you more than they do.

Xavier's hands roamed across your thighs. He couldn't get enough of how they feel against his palm and how you shiver and gasp whenever his fingers would brush over your panties.

Zayne enjoyed when you arch your back from the pleasure since your ass pressed against his bulge every time you did. "Would you even be able to take all of us at the same time?"

"We can't make her too tired, she's going on a date with me tomorrow." Rafayel smirked as he watched the other two pause.

"Wait you said you were going to help me with a mission tomorrow." The grip Xavier had on your thigh tightened as he looked at you with a slight pout.

"And you promised me that we'd have lunch together at the restaurant near the hospital." Zayne's arm starts to snake around your waist, every inch of your back covering his chest.

"I didn't realize I had those plans all at the same date." Trying to explain yourself was a lot harder with the three of them looking at you, expecting you to either choose between them or come up with a compromise.

"I have an idea," Rafayel said. The grin on his face tells them that it was going to be something so outrageous. "Why don't we play Russian roulette with her pussy?"

"Elaborate" Zayne's interest was piqued. He's been waiting for your shared lunch for a few days now, no way was he going to let anyone else have your time but him.

"We take turns fucking her and the last man she cums on gets to have her precious time tomorrow."

"That sounds good to me, I'm surprised you were the one that came up with that idea." Xavier's soft but nonchalant tone made the comment sound more condescending.

"Are you okay with that?" Zayne looked for your approval. He didn't want to do anything that would make you feel uncomfortable.

"Mhmm" You're already at your limit from the anticipation.

"Use your words, Miss" Rafayel coaxed.

"I'm okay with it" You obeyed, barely getting the words out without whimpering.

"You just don't want us to stop touching you, do you?" Xavier moved his hands to the soaked fabric of your panties. "Mmm already so wet for us, maybe we should let you cool down first."

"Yeah, if we keep going then you might cum as soon as you get one of our cocks inside you." Rafayel rubbed one of your arms as his lips tickled your neck while he spoke.

"I won't" You were just being delusional at this point. Having this many hands touching you and the filthy words being thrown around the room was enough to make you spill out.

"We're gonna hold you to that. Now, how do we pick which one goes first." Zayne's hands traveled from your waist up to your tits, earning a gasp from you.

"The last one that got here, should go first" Rafayel grinned at Xavier.

"For just 20 minutes!" He protested. "But I'm fine with that, I know she'll be a good girl and hold it in for me, won't you?" He gently grabbed your face to make you stare at his eyes as if it was to serve as an unspoken promise.

Xavier swiftly removed your underwear and immediately glided his fingers through your folds. Looking up at you again, he brought his fingers to his mouth and licked off your slick like it was nectar.

"I can't take it anymore, please just let me have it." Your whole body shivered as Zayne started unzipping your dress, Rafayel helping him raise it above your head.

"Let you have what?" Xavier hasn't taken his eyes off you.

"I haven't heard her be this needy ever, I think I might get addicted to how you sound right now." You couldn't handle how Rafayel kept speaking while his lips are just a hair away from your neck.

Zayne remained quiet. He felt conflicted, you look so divine when your eyes are glazed with pure lust and ecstasy but he hated sharing you with the other two. He hated how they made you feel good too. Hearing you beg for Xavier just made him want to fuck you rough and raw in front of them and let them know that if you ever needed a good fuck, he'll be the one you'd call. Just him and no one else.

"Are you sure you want to skip that part?" Xavier asked. He loves eating you out but if you want him inside already then he can't deny you that. To him, your words are gospels that need to be fulfilled. If you want him to fuck you how you want it, then he's more than glad to do that as long as you don't cum.

Rafayel finally peeled himself off your side and reached something from your nightstand drawer. "I knew you'd have it here, maybe you were expecting this to happen." He handed you the bottle of lube and was stuck at your side again. "Go on, if you want him inside then you're going to have to help him out a little bit." 

Xavier was surprised Rafayel was helping you out when it came to him. He always saw him as a self serving diva or maybe he's doing it just for you.

You tug on the waistband of his boxers and pull them down, revealing his cock already so hard for you. "It's all yours, Princess. Come here." He pulled you away from the other men and positioned you on top of him, your hips hovered over his thighs to give you space for what you needed to do.

Xavier heard Zayne click his tongue and Rafayel sighs. He shifted his focus back to you, watching your hands as they shake while pouring the lube onto your hands.

"Relax, it's just me." His hand enveloped your wrist to stop it from shaking so much.

"We're here too" Rafayel grumbled and Zayne let out a soft chuckle at the comment. You turned your head to face him but Xavier used his free hand to cup your cheek and guide your sight back to him.

"He'll have his turn later. But for now, your attention is all mine." He leaned in and brought his lips to yours to give you a quick kiss for encouragement.

You heard Xavier's sharp inhale once his cock was in your palm. 

"Move your hand." He gently instructed, trying to focus on you despite the coldness of the lube and the warmth of your hand mixing.

The rustling of the sheets brought Xavier's attention to Zayne who is now getting closer to you again. "What? I can't let you two have all the fun" He places his hand flat on your shoulder blade, making you flinch from the sudden change in temperature.

"Don't overheat, Angel. You have a whole night to get through." He snuck up behind and planted a light kiss behind your ear.

"Don't leave me out!" Rafayel was right behind you but you can tell by the tone of his voice that he was pouting. "They might make the whole night all about them if we didn't interfere." He rested his head on your shoulder.

"Don't look at us like that, Xavier. We're just here to offer some...support." Something mischievous flashed in Zayne's eye. "No one said the others should stay back while it's someone's turn."

"Fuck" He muttered, the whole time your hand your hand stayed stroking his cock.

The banter between the three of them helped ease the tension that previously built up in your chest.

"Less nervous now, Love?" Zayne noticed that you weren't as shaky as before, stroking your hair and giving you a small smile.

"I can't wait any longer, can I put it inside?" Xavier got harder the more you stroked him. He felt like he couldn't breathe until you said yes to his plea.

You took your hand off his dick and nodded, preparing for what position he'd fuck you in. It was like you were their personalized and shared fuck doll. 

"I'm so sorry, Princess. I'm gonna have to be a little rough." Xavier was so worked up he couldn't even bother to ask anymore but he knew you'd tell him to stop if you weren't fine with it.

He flipped you over on your hands and knees. The view was a little embarrassing if you were going to be honest. The other two looked at you and you couldn't help but feel small.

"Didn't know you had that in you, Xavier" Rafayel mused. "Aw, little miss has watery eyes. Are you that needy for a good fucking?" He reached for your face and caressed your cheeks using his thumb.

"She deserves one." Xavier's tip was teasing your entrance.

"Xavier, please." You squeaked out.

"Oh, I can't wait until she's begging for me." Zayne grabbed one of your hands and placed your palm on top of his erection. "I'll have to settle with this for now."

Xavier slowly pushed his cock inside you, his movements got more urgent and firm but he still observed your reaction to know if he should continue.

A loud moan escapes your lips as he pushes himself in, making you take it up to the base. He started thrusting in a quick steady rhythm that made you grip the sheets. It had completely slipped your mind that your other hand was holding Zayne's dick.

"Easy there, Angel. Come on, you can please one more man, right?" He slowly guided your hand in an up and down rhythm that intentionally matched Xavier's thrust. He closed his eyes and pretended that he was fucking you already.

"Mind if I use this one?" Rafayel hooked his thumb inside your mouth prompting you to open it wider. "I know you'll take it so well." He scooted closer so you don't have to move, placing your free arm on his thighs for support.

"Ah, that's it. Take it at your own pace, Baby." Rafayel put his hand on the back of your head and enjoyed the sight of you swallowing his whole length. "Fucking impressive, you're so good at this." He praised your skills.

"You're clenching around me already." Xavier huffed.

"My turn." Zayne interrupted and put his hand on top of yours, stopping you from jerking him off. "I need to have this pretty little thing now." 

The three rotated positions. Like clockwork, you immediately had your hands on Rafayel's dick, stroking him at the same pace that Zayne had you do. Xavier had you in the same position as Rafayel but this time he's holding your hand.

"Mmm your mouth feels just as good, Princess." Xavier threw his head back from the immense pleasure. He never felt this good using his own hands. Maybe he can call you for help whenever he needs to masturbate.

You can hear Zayne's groans as he drilled your pussy like his life depended on it. "You're getting wetter. Don't tell me you're getting close."

Your moans are muffled by Xavier's cock, making it harder to tell Zayne that you're seconds away from cuming. You feel Zayne slow down. "Does my Angel want to cum?"

You couldn't answer back, you were too preoccupied. "Look at me" His voice was stern but still had a hint of gentleness behind it.

You took Xavier's dick out of your mouth and turned your head to look back at Zayne. He wished he could pause time right now. You looked so brilliant in your current pose. Your eyes are all watery, lips swollen, a mix drool and precum trickling from the side of your mouth, and two other men panting from the pleasure you gave them.

"I'll let you cum right now if you promise that you'll reschedule our lunch to a date that doesn't include other plans. Do I make myself clear, Angel?" His cock stayed buried deep inside you, it made it so hard to focus on what he was saying.

"I promise" You mumbled.

"Louder"

"I promise, Zayne. Please let me cum" You begged.

"Good girl. Now get ready to be fucked the way you deserve to be fucked." He starts thrusting again, his body remembering the tempo it was following earlier.

"Letting yourself lose just for her, how noble." Rafayel just had to poke fun at Zayne. Too bad he almost couldn't get the words out since he was panting like a dog that just played fetch for an hour.

"My Princess cuming on someone else's cock? I should've just forfeited earlier." Xavier tried to give you a cute pout but failed. Your mouth felt too good to joke around at the moment.

Zayne's cock was repeatedly hitting your sweet spot. You can feel your orgasm building up, coming in waves in your lower abdomen.

"Just let it all out, Angel. I'm close too." He kept the beat of his thrust the same to help you get to your peak.

"Zayne!" You exclaimed as you arch your back from the satisfaction, sending shivers all over your body. Your limbs twitched and you had Xavier and Rafayel help you hold yourself up. He continued going in and out until you felt him grip your hips tight, his warm cum covering every existing inch of your walls.

"Did that feel too good, Baby?" Rafayel grabbed your face and lifted it up to meet his gaze. You nodded. "I can tell, you couldn't even focus on us anymore."

"It's okay, Princess. But now we'll have to be a little selfish." Xavier kissed your shoulder and pinned you down on your back, your head barely on the mattress.

"You ready?" He positioned himself on top of you, slapping his dick against your pussy.

"Ready" You whispered.

He slid his cock inside, pushing out Zayne's cum. "Feels good to be back."

"Don't forget about me" Rafayel's fingers grazed your throat. He gets out of the bed and stands near the top of your head.

Xavier figured out what Rafayel wanted to do. He grabbed your waist and pushed you out of the bed by a few inches.

"Perfect." Rafayel wrapped his hand on your throat and slowly let your mouth and tongue do their thing. He had to get you used to that position first.

Zayne laid down and reached for your hand. "You did so well, Angel." Taking the back of your hand and tenderly kissing it.

Meanwhile, Xavier was barely hanging on by a thread. The sweet sound your moans make alone could've made him cum but fucking you was an option so he took it.

The original game plan has been derailed but none of the boys could complain. The sound of your gasps, whimpers, and moans echoing off the walls were like music to their ears.

You didn't have to move as Rafayel moved his hips and used your throat as a pussy. "No matter what you do you always feel so good." He pushed his cock down the back of your throat and held it there for a few seconds just to hear you gag and gargle spit.

"Oh, does that turn you on more? I felt you clench." Xavier thrusted faster, ready to give you another orgasm.

Zayne loved this lewd side of you. It was like you were their personal fuck toy just for this night. He can't deny that he had fun fucking you in front of other people. You really do bring sides of him he didn't think he had.

You couldn't tell Xavier that you were about to cum. The next best way was to put your hand on his forearm and squeeze it.

"I'm about to cum too, Princess." He said, it's like he read your mind.

"Fuck, me too." Rafayel moaned. "Squeeze his arm if you want all of us to cum with you, Baby."

You squeeze Xavier's hand until your nails dig into his skin.

"She says yes." Xavier and Rafayel shared a smirk.

In just a few seconds, you let go and experience another round of ecstasy. Your senses were almost non-existent after being pounded and choked by multiple cocks.

Xavier and Rafayel let out several loud moans as they slow down their thrust after reaching their peak. Both of them slowly pull out and immediately reach out to you to make sure you're okay.

The content look in your eyes and smile was a good enough answer to their question.

Rafayel scooped you into his arms and placed you in the middle of your bed. "Take all the time you need to rest, okay? You did such an amazing job." He reassured you, giving you a soft kiss on the forehead.

Despite the guys being breathless and tired too, they still went out of their way to make sure you were well taken care of after. They'll also have to figure out how they'll fit into your schedule next week since the game didn't go as planned.

The thoughtful gestures, sweet words of affirmation, and future plans will have to wait because their favorite girl just fell asleep.

(Alexa, play Love Talk by WayV on loop)

(Technicallyyyy Rafayel won)

@queenashen

buy me coffee

[alexa-fika]

Hi again first you're a teacher?? Me too soon 😂

Anyway I thought of another weird idea

A child that can see dead people 🏃‍♀️ and he sees corazon when he's with law

Or any other character

I will write a lot of ideas sorry if it's annoying 😅

🐼💕~

A/N:I am a teacher! Im a preschool teacher, that is why writing this in that aspect is really easy because I see their behaviors and shenanigans everyday. What grade will you be teaching??

Also, absolutely not! I love your ideas they are incredible, it will never be annoying trust me, receiving these makes me giggle and kick my feet like a little girl

Dividers by @/saradika

Clumsy Ghostly Guardians ( Law x gn!child!reader x Corazon)

“Dad, Dad!” The child could be seen once again running through the hallways of the submarine, their screams bouncing off the walls as they ran towards their father

Law looks up from his reading as the familiar sound of his child's footsteps approaches him. He sighs, returning his attention back to the medical journal in his hands.

“What is it?”

“Dad, who is the tall ghost who always follows you around?”

“Tall ghost who always follows me around?”

Law puts down his book to give his child his full attention

“What do they look like?”

He watches as the child changes their focus from him to next to him, attentively staring at something

“He’s really tall, he has funny lips, he has a big coat, and he falls a lot too.”

Law's brows furrow as he is genuinely confused by his child's words. However, Law gets a strange feeling in his gut that what they are seeing is none other than Corazon

“…Did they tell you their name?”

“He said his name was Rosinante, but he said you call him Corazon.”

Law's jaw hangs open as he stares at his child. Law never told his child about Corazón, and the fact that reader knows his real name and even his alias...

When the child had eaten the yuta-yuta fruit, the possibility was always at the back of his mind, but he had always brushed it off, thinking that Corazon was either following Doflamingo or Sengoku.

“...how long have you seen him?”

“Since I ate yuta-yuta”

“Since you ate the....”

Law's face goes pale with shock. He has a look of disbelief on his face

“...did he talk to you?”

“Mmhm, he said dad was the cutest when small, said you still have a gloomy expression now.”

Law's expression softens, and he sits down next to his child, trying to process everything that has occurred. He puts a hand on their head, ruffling their hair

“...what else did he say?”

“He said he’s glad you’re safe, what does that mean dad?”

Law shakes his head, trying to keep his emotions under control. He did not expect to encounter such profound news today. Law turns his attention back to his child and gives them a tight smile.

“...he means that he is happy we are safe. Did he say anything else?”

Law strokes their hair with his thumb

“He said that he is proud of you

Law's cheeks blush as tears stream down his face.

“Ah! Dad, why are you crying? Corazon, do something! You made Dad cry, meanie!”

Law covers his face with his sleeve; he struggles to regain his composure. Eventually, his heart starts to slow, and the tears stop

“Don’t worry about it; I’m just happy, Reader-ya.”

“Ah, Corazon fell again”

“Seriusly?!” He groans

So I did made this gender neutral but in Japan a Yuta is a female spirit medium and I couldn’t find a word for medium that would fall within that 4 or 3 alliteration format that the fruits have other than with yuta, and even that was stretching it but yeah, just wanted to let you guys know 😂.

Taglist:

@imaginarydreams

[buckets-and-trees]

Welcome Home, Pumpkin [spiced]

Characters/Pairings: Lloyd Hansen x curvy Female!Reader Word Count: 1.9k Summary: Bad ethics. Zero impulse control. This is what everyone says about him. What will it mean for you tonight?

Content/Warnings: dubious consent, soft!dark story, use of pet name "Pumpkin," explicit smut (fingering, unprotected vaginal intercourse), orgasm denial, groping, light choking, bondage

Notes: This is the second of three in a set of short stories with Lloyd served three ways - soft, soft!dark, and dark. The three feature the same setting, overlapping themes, shared thoughts, and bits of dialogue. Spiced is the soft!dark version.

sugar pumpkin | smashed pumpkin

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

You shut the door behind you and sigh, happy to be home after a long day - a long week, really. 

You slip your shoes off, hang your bag on the hook by the door, and turn on some music before making your way down the hall to your bedroom, ready to change from your professional clothes to something comfy to lounge in the rest of the evening. 

You jump when a deep, serious voice you aren’t expecting says, “Welcome home, Pumpkin.”

Your heart rockets into your throat, and you grip the doorframe. “Lloyd Hansen!”

He chuckles, rising from the spot he’d been perched on the edge of the bed. 

“You’re not supposed to be here.” 

He makes a show of bowing slightly, “And yet, here I am.”

You hesitate in the doorway, studying the face of the man you are now so familiar with. The steel blue eyes, the sharp jawline, the ridiculous mustache you hoped to avoid indefinitely. 

He looks you up and down slowly, then sits back on the bed. “Did you think I would really be stuck in a Lithuanian prison?”

You narrow your eyes slightly and chew the inside of your cheek. His eyes study you as much as you’re studying him, and you don’t want to give anything away. 

“Aw, you did. That’s cute,” he says, voice dripping in saccharine sweetness. “You should’ve known I’d be able to work myself out of there in two or three days, at most.”

You shrug. “A girl can hope.”

“Only one night, by the way, since I know you won’t ask,” he says, clearly wanting to boast. 

“And that was six months ago,” you counter. “I finished the job and got the paycheck.”

“The job might be done, but we have unfinished business, Pumpkin. And it’s more fun surprising you like this when you thought you’d never see me again, isn’t it?” he simpers. 

He might have been biding his time to drop in on your life again, and you can sense he’s eager, a bit impatient, but you also sense he will play this out the way he wants now that the two of you are in the same room together again.

And you hate the way you’ve been drawn to this man since the day you two first crossed paths. He is dangerous and untrustworthy. You operate in the daylight and occasionally step into the shadows, but he lives in the dark, revels in it. 

“Are you going to tell me what you’re keeping from me? Why you took the contract in Kaunas in the first place?” he asks, lifting his chin just a fraction. 

And oh that look does something to you - the delicious swoop in your stomach that made you weak in Eastern Europe and traitorously eager for him now. 

“No,” you finally answer. Slowly, you take measured steps toward him. 

“Fair enough. But I might get under your skin enough to change your tune, wind you up, have you singing all sorts of secrets for me.”

“How much time did you spend thinking up that line? The imagery, the alliteration? Impressive.”

“Not the only thing that’s impressive about me,” he responds without a second thought.

You scoff, but there is an impertinent flutter in your chest you try to tamp down. He talks - a lot - but from the brief time you were in each others’ orbit in Lithuania, you learned he could back up his bluster with brains and brawn. A dangerous player on the board.

“How much time did spend you think about my fingers deep in your pussy like they were in the closet in that day in Kaunas?”

His words hang in the air, a bold challenge that sends a shiver down your spine. Your mind immediately flashes back to the last day in Lithuania, when you had been alone, hiding in a closet and his fingers had boldly started to explore your body. You can almost feel the heat of his touch, his breath on your neck, and his hard body pressed against your back like they were that day. The memory floods your senses, the smell of wood and dust, the creaking of the floorboards as the hired goons patrolled up and down the hallway just on the other side of the door. And now, here he is, asking how much time she had spent thinking about it.

You couldn't deny to yourself the way your body responds to his words, his presence, craving that same intense pleasure again, but you can deny it to him. You have to.

“I didn’t want you then, and I don’t want you now,” you reply simply and walk over to your dresser, bypassing him on the bed. Methodically, you begin to take off your necklace, and then your watch, as if he’s not there.

“Want, need, crave…”

“Lloyd!” You gasp because those words are murmured directly in your ear, as Lloyd has moved with silent precision right behind you. 

“…those are all different things,” he says. He presses his hard body up against your back, pressing his pelvis up against your ass, knocking you roughly into the drawers, pinning you. “You may not want this, but need it? Crave it?”

“No,” you whimper when he grinds against you again. 

“Mmm, you made some pretty, soft sounds when we were hidden in the dark before. Wonder what sounds I can get you to make now that we’re not trying to be discreet.”

“We’re not trying to be anything,” you argue, squirming against him. 

“Anything with labels, no, definitely not,” he agrees. “But you’re itching for it, aren’t you, Pumpkin?” 

One of his large hands gropes your breast, and the other moves to your throat. He squeezes in both places, and you groan, a shiver ripping through you. 

He chuckles, “I see we like that.”

“No,” you whimper. 

“Boring!” he barks. 

In one swift motion, Lloyd hefts you up, flips you around and has you on the bed pinned beneath him, body pressing into yours. He growls into your mouth as he claims you in a filthy kiss. He props himself up slightly on one arm, and his other hand reaches to tear the front of your shirt open, rending the fabric in two. 

You look up at him, chest heaving, waiting with bated breath. 

He unbuttons the top of your pants and drags down the zipper, all the while looking in your eyes. 

“I find you wet, and I’m not stopping,” he insists, tone low, calculated. 

You could press your thighs together, try to squirm away from him, but he’s too strong, and you know what he’s going to find. You could even turn your head and look away, but you don’t want to give him the satisfaction. 

His fingers dip into your panties, and he goes straight for the cut of you, slick and wet for him, and slips a finger inside. 

“I knew it,” he whispers. His thumb presses against your clit, rubbing in slow circles.

You moan, arching into his touch, unable to resist the pleasure he’s giving you.

“Such a sensitive little thing,” he murmurs, adding another finger and thrusting them inside you.

You wriggle and writhe beneath him, unable to control your body’s response to his touch. He watches with dark satisfaction as you lose yourself in the moment.

“Lloyd,” you moan his name, and he chuckles softly.

“You sound so sweet when you say my name like that,” he coos, increasing the speed of his fingers inside you.

Your breath hitches as your orgasm approaches.

But then he pulls his thick fingers away, and a whine escapes your lips before you can stop it. Your body surges up, pelvis seeking his.

"You'll give me what I want," Lloyd purrs, his voice low and dangerous. He brings his slick fingers to his mouth and sucks them clean, maintaining eye contact with you the entire time. The sight makes you shiver involuntarily.

"Never," you breathe, but your voice lacks conviction.

Lloyd smirks, clearly not believing you. "We'll see about that."

He leans down, pressing his body against yours once more. His lips brush against your ear as he whispers, "I always get what I want. And right now, I want you."

Before you can respond, he captures your lips in another searing kiss. His hands roam your body, touching, teasing, igniting a fire within you that you've tried so hard to extinguish. You hate how easily he can affect you, how your body responds to his touch without your permission.

Lloyd's voice is a low rumble against your ear as he pins you to the bed. "You'll tell me everything I want to know."

You struggle to catch your breath, still reeling from the sudden loss of his touch. "I told you, I'm not giving you anything."

He smirks, trailing a finger down your cheek. "Oh, but you will. Your body's already betraying you. I think you’ll give me everything."

You think there’s a possibility he could end up being right, because while you didn’t think of him much after Lithuania, the truth is you did think of him. You thought of him on some of the nights alone in your bed when you had your best orgasms.

"What's the real reason you took that contract in Kaunas?" he demands.

You clench your jaw, refusing to answer. Lloyd's hand slides back to your throat, applying just enough pressure to make you gasp.

"Come on, Pumpkin. Make this easy on yourself."

Your breath catches as his fingers tighten ever so slightly around your throat. The pressure sends a thrill through you, desire boiling in your belly despite your best efforts to resist.

"I won't tell you anything," you manage to choke out, your voice strained.

Lloyd's eyes darken with a mix of frustration and arousal. "So stubborn," he murmurs. "But I did hope you’d choose the hard way."

He takes off his belt and binds it around your forearms. He yanks the clothing completely down and off your bottom half, and then he’s between your legs, cock out, and pushing his thick, blunt head against your entrance. He leans down, his breath hot against your ear. "Last chance to tell me what I want to know."

You turn your head, refusing to meet his gaze. "Go to hell," you spit out.

He chuckles darkly. "Oh, we're already there, Pumpkin."

With one powerful thrust, he buries himself inside you. You cry out, overwhelmed by the sudden fullness. Lloyd groans, his fingers digging into your hips.

"Fuck, you feel even better than I thought you would.”

You moan and push your bound forearms at his chest.

Lloyd growls, grabs your wrists, and pins them above your head in one of his giant hands.

Then he proceeds to fuck you.

Slowly.

He gives you what you won’t admit you want.

Over and over again he gives it to you, until you’re boneless, voice hoarse, throat raw, limbs aching, babbling, but somehow still fighting against giving the one piece of information he’s seemingly desperate to have.

When dawn is about to break, dazed and delirious with pleasure, you wonder which of you will break first - or if neither of you will.

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

all Welcome Home, Pumpkin stories

Aaaaah! So with the second one, what do you think? Was this anything like what you were expecting? Did you catch the repeated lines?

...and will you be ready for the third and darkest of the three?!

[runningfrom2am]

cold nights // part thirty-two

summary: the end.

pairing: coriolanus snow x fem!reader

wc: 2.9k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, depictions of mental illness, also she's is very smart (as she should), district twelve!reader.

a/n:

the end!! omg!!guys thank you so much for being here through this whole story and this was LONG!! over 110k words of a lot of nonsense but to anyone who's made it this far,, ilysm. i'm gonna miss them!! stop they were everything to me :(

ANYWAY same with LTPF if you've read that, there will be an epilogue coming soon and also definitely more oneshots and maybe bonus content that i wish i included in the original series but just didn't make the cut. so stay tuned for that!!

if you liked this series, i'm obligated as well to plug my NEXT series that's coming soon, 'requiem'!! i am so excited about it so please follow me for updates on when that will be posted!! def soon!!

just one more time i wanted to say ily, and thank you :')

see you soon!

my asks are also open to talk about this series! (i do have emoji anons open now too!)

send me any and all of your thoughts! here!

series masterlist // playlist // pinterest board

You keep your books tucked firmly to your chest as you walk into your first class, wearing the spare clothes you brought to Sejanus's house on Friday just in case you had to change. In case you spilled something on your white dress, or just felt the need to change- ironically enough.

Your normal seat in the front centre of the room is obviously free, considering also that you were quite early this morning. You had some readings you needed to catch up on anyway, in order to be prepared for midterms which were apparently coming up quickly.

It isn't long after you open your book before others begin to shuffle in, and much to your surprise, you feel the chair next to you pull back and see someone sit down. "Hi, Victor." The boy's voice says, forcing you to look up from your book.

Dark hair and dark eyes, you think you remember his name was Cancor. "Oh, my name is Y/N." You correct him kindly, adjusting nervously in your seat.

"I know that." He says, eyes merely slits as he seems to look past your own eyes and into your soul.

"You're... You're Cancor, correct? I don't believe we've properly met." You add, sitting up straighter.

"Crane." He states. "My last name is Crane."

"That's... yes that's a lovely name." You smile nervously, unsure what to say but still wanting to fill the silence he seemed so comfortable with. "Alliteration is such a fun thing to consider when naming a child..."

"It means spider." He states. "Did you ever meet my sister?" He asks, ignoring your nervous ramblings.

"No, no I don't believe I have. What is her name?" You ask.

"Arachne." The boy says, raising an eyebrow at you expectantly while you take a moment to wrack your mind to place it. He's acting as if you should know her, and suddenly you feel like you do.

You tilt your head slightly, allowing the memory to hit you like a freight train.

The funeral.

All you really remembered until now was being chained to a truck and paraded down the street you now recognize as the Corso, the body of his sister's tribute swinging above you while people screamed and cursed at you. Then, Coryo sang the national anthem.

"Oh, yes. Of course." You nod slightly, a frown settling over your features. "I am so sorry for your loss. Truly."

"No, you're not." He spits. "You don't care, and the fact that you're pretending to is just vile. She meant less than nothing to you and those animals- otherwise, she would still be here!"

You stammer, pushing yourself back in your seat as you grip the bottom of the chair. "No, no- I am sorry, I am. That should not have happened. It- It was horrible."

"Cancor." You silently thank the universe for your professor's quick intervention. "If you wouldn't mind returning to your usual seat and leaving Miss Y/L/N alone."

"We were just talking." Cancor replies, suddenly sweet as honey- cool and collected as if he wasn't just berating you over your faults in his sister's death.

"Go." Dr. Nero tells him again, nodding up toward the back of the lecture hall. "Before I am forced to ask you to leave."

The boy sighs in quiet frustration, slightly aggressive about his movements as he grabs his bag and stomps up the stairs.

You look up to your professor who greets the look with a curt nod and the smallest of sympathetic smiles.

It does nothing to quell the lightness you feel that usually signifies the trembling of your hands, which would soon spread. You close your eyes trying to take deep breaths that wouldn't come, but all you can see is the bodies of Arachne Crane and her tribute by the bars that had separated them. You have to open your eyes to remind yourself you aren't standing in the street, wrists still shackled to a truck. You can feel the chains weighing your wrists down to the desk as you think about it. You had almost entirely forgotten about the whole event- and the guilt of that was suddenly clawing its way up your throat. Cancor had never had the privilege of forgetting the way you had.

Quickly, you shove your books into your bag and stand, heading for the door. "Y/N." Dr. Nero's voice forces you to stop and you just turn to look at him, knowing full well you're unable to speak. "It's 8:58."

You nod slightly, looking down at the marble flooring that lay between you. "Start without me." You mumble, not giving him the chance to respond before you're leaving, accidentally bumping shoulders with some of the final students to enter.

You hadn't missed a single class yet, attendance was important, but right now you couldn't care less. Why should you even have the privilege of attending classes at the university in place of some of the academy's brightest minds who never got the chance? Like Arachne, and the three other mentors who were killed because of the games. You knew it wasn't necessarily your fault, but you understood Cancor's anger being directed at you. In a twisted way, you felt like you deserved it. They were meant to survive, you never were. Yet, here you were- a walking reminder to those students' friends and families that for some reason, they had to lose someone they shouldn't have.

You quickly pace down the nearly empty hall, trying to hold back your tears as long as you could. Feeling like you can't breathe is making it exponentially harder, and you wonder how you even walked out of the arena as it was. Adrenaline is a crazy beast- and you wished you had some leftover now. Sometimes, in moments like this, you wonder if you had used up your life's supply of the chemical the last time you were here in the Capitol.

Coryo was already running late after spending probably far too long conversing with your brother in the car, but he couldn't resist taking a detour into the arts building. He would just pass through, past your room just to glance inside and see if you were really there. Just to get a look at you.

He doesn't need to, though, turning a corner and just catching a glimpse of your hair as you disappear with a left turn at the end of the corridor. He was sure it was you.

Walking past your classroom he looks anyway, just to double-check, and as he suspected, you were gone.

He quickens his pace, taking advantage of his height difference over you to try and catch up with more rushed steps. "Y/N?" He calls out as he turns the same corner, but you're already hidden from view and the door at the far end of the hall is slamming shut.

As he continues down the corridor, a furrow knits its way into his brow. You must be headed to where you normally eat lunch, that is all that would make sense.

Without thinking, he follows. The courtyard is almost empty, aside from your frame curled up on the grass, knees tucked to your chest and bag discarded halfheartedly beside you on the damp grass. The sun casts a shadowed glow where it isn't blocked by trees or buildings in its path of rising, the grass is wet under his shoes as he quickly approaches you.

"Hey- hey, Y/N/N, it's me." He calls out as he walks up behind you. You turn your head, and then stand quickly.

"It- It's okay. I'm fine." You stammer, wiping your cheeks frantically. "You should g-go, you're already late."

"I'm not leaving you like this." He shakes his head, holding a hand out toward you as you avoid his eyes. "Tell me what happened, love. Talk to me."

You shake your head, shoulders backed to an invisible wall as you hold your palms over your face. You can't look at him right now- especially right now, when all you want is for him to hold you.

"You're okay. I'm not gonna hurt you." He whispers, taking a hesitant step closer. By now, you know full well he wouldn't hurt you. Not in the way he's saying, at least.

"You should go." You choke over the words that feel heavy in your mouth.

"Y/N, love, I told you, I'm not going anywhere." He repeats calmly.

"I want to go home." You sob. "I shouldn't have won, I shouldn't be here. I shouldn't even be alive!" You say, voice picking up in frustration. "It's not fair. Nothing is fair, nothing."

He frowns as you lower your hands, clenching your fists at your sides. "Of course, you should be here."

"You don't get it!" You snap, and you hardly even sound like yourself.

This was it. This was your breaking point.

Coryo is taken back by your outburst, almost flinching at the abruptness of your shift. He had never seen you angry- he didn't even know it was possible. Of course it was. He'd spent all this time, all this energy trying to convince people that you were human. Anger comes with that, hand in hand like your cat and the fur that's clinging to his clothes at this very moment. You couldn't have one without the other. "Then explain it to me." He urges you, trying to sound anything other than defensive.

Your eyes soften, as if you're suddenly realizing that your anger was not entirely placed on him. You shake your head. "It's not... I cannot explain it and that is the worst part." You sigh, but the rage flashes in your eyes again as you look down. "Why was it me and not any of them? Why did so many of your classmates have to die? Why did Marcus escape only to face a worse fate than the rest of us, when he tried to help me too? Why am I enrolled at this stuffy university when my spot belongs to Arachne Crane in rights?"

"Arachne Crane?" Coryo mutters, eyes widening with confusion while he wonders where on earth that came from. He shakes his head quickly to dismiss the thought. "Marcus tried to save you, yes, that could have been you who escaped, that's true- but you were too busy trying to save me. And you did." He knows better than to accuse you of regretting that. He knows you don't.

When you don't reply, just staring at him head on now, frustrated and confused, he continues. "If we're going by this unexplainable logic of the universe, I think that it was you because instead of saving yourself, you saved me. And you did it again in the arena, when you went back for Jessup when I was looking at the screen and begging you silently to just ditch him. Same exact thing when you tried to get little Wovey up into the rafters with you, and hell! When you stared down the barrel of my gun, shaking head to toe from fear just to save the life of the Mayor's daughter, who was nothing but awful to everyone!" He says, gesticulating wildly to get his point across. "I've been trying to tell you for months, Y/N. It was you because you are the only person in this whole damn country who cares about someone other than themselves."

You just shake your head, and it's frustrating to him that you're unwilling to accept what he knows to be true. "It didn't work." You sniff. "You're the only one who survived me."

"Listen to me," Coryo says, reaching out and holding your face in his hands- throwing caution to the wind regarding how he knows to handle your panic attacks. "I survived because I had to learn how to love you."

You look into his eyes, flitting your own back and forth between them in an attempt to place any signs of deception. Blue, baby blue. You find none.

"And I did. And I'll love you every day for the rest of our lives. I don't want you to think for a minute that I'm embarrassed by that fact." Your eyes are squeezed shut by the time he finishes speaking, his thumbs swiping over the tear stains left down your cheeks by anger.

"It's not your fault." You mumble, shaking your head under his hold. "I do not fault you for being embarrassed."

"I'm not." He says again. "Look at me, please, love."

You pry your eyes open to face him.

"I've... I've had all this pressure my whole life to be perfect, and now it's worse than ever and I should have never let that get pushed onto you. I want you to be happy, that's all. I want you to be free to do whatever you want, and right now, the cost of that comes with who we are in public. Do you understand?"

"Yes." You say softly, but he can see that's not fully true.

"Here, in the Capitol, everything is a social ladder. We cannot marry who we wish, we marry who we should. Rarely ever do kids here date for fun."

"Like Lucy Gray and the silly mistakes she made over and over again with Billy Taupe." You comment, trying to lighten the tension you feel radiating off his body.

"Yes." He chuckles, smiling hopefully at you, relieved that you understood. "But I want nothing more on this earth than for you to be the one I spend my life with. I want to make you happy, but first, in order to do that, you have to be someone that they will accept. And I am so, so sorry I didn't explain this to you sooner, but I want you to know I've never wanted you to change."

"We don't need them to like me to be happy. That will be an endless uphill battle, Coryo." You shake your head slightly, placing your hands over his as they slide down onto your neck.

"It will be uphill but we can do it." He assures you quickly. "You're already well-liked, we're-"

"Were you not happy in Twelve?" You ask, a sad look in your eyes.

He stops, tilting his head slightly at you. He was happy in Twelve, now that he considers it. He hadn't thought about it, he was so focused on hating everything but you that he just assumed it was awful, but really, it wasn't. Not in hindsight."Is that what you want?"

You smile in response. No one had asked in months what you wanted. What you really wanted.

"What do you want, love? I'll pack up and move us back to Twelve tomorrow if that's what you really want." He says again, nothing short of desperation in his tone.

Faced with the option, you're really not sure. Yes, of course, you'd like to go home. It was very tempting. But Coryo was right, this education was important. You imagine for a moment the life you could have back home if you stuck it out a few more years. And maybe by then, you'll be better accepted here. Maybe by then, the Capitol will be a different place, and you'll be truly happy here. With him, and he will have the power to make the games go away.

"No, no." You shake your head. "I want to do something splendid...something heroic or wonderful that won't be forgotten after I'm dead. I don't know what, but I'm on the watch for it and mean to astonish you all someday." You say, and he can tell from your change in notation that the words are not your own. It was something new, unlike what he had heard from you before. He smiles. "I want to be with you, first and foremost."

"You'll always be with me. Where you go, I follow." He assures you. "I was happy in Twelve, if only because I had you."

"That should not be enough, though." You insist.

"It has been for you, hasn't it?" He asks, and you nod, biting your tongue.

He grins. "Then I promise, love, that would be more than enough for me."

"O-okay." You agree, suddenly flushed by his stare. Coryo smiles, looking briefly at your lips as you speak. To him, they seemed more tempting now than ever.

He starts to lean in and you move your head back quickly, a worried look crossing your face and you look around. "Coryo, we-"

"I don't care." He says quickly, gently pulling you back to him and pressing his lips to yours. Consequences are the last thing on his mind right now.

You take hold of the front of his delicately pressed shirt, pulling him closer with his hands on your neck. Here, in the middle of the university courtyard with the sun shining down on your back, everything is okay and at least for now, the cold night has given way to a warm, sunny morning.

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okay suddenly tumblr isn't letting me tag more people than this so i just made some cuts unfortunately :') i just left the max amount of people i could whose users i recognized and see in my notifs all the time :) if you're not on here and you should be i'm so sorry!

also this taglist is closed now!! if you’d like to get a notification when i update, turn on my post notifications!! i promise i won’t spam y'all :,)

[etrangeres]

The Curious Case of Kaitou Kid

We love alliteration in this household.

To start with an anecdote, I went to the main Animate store in Ikebukuro some 2-3 weeks after M27 began showing in theaters. I had two reasons to be there: hopefully grab some copies of the Magic Kaito Treasured Editions, and grab what movie-related merch I could. The former I managed, but the latter was a lot harder. Despite them devoting nearly an entire wall on the right side of the first floor to Detective Conan merch, every single piece of non-blind box Kaitou Kid merch had been snatched up already. This trend of Kid’s merch being sold out seemed to continue for at least a couple weeks afterward, at least in and around Tokyo.

This demonstrates something I think we all already know: Kaitou Kid is a crazy popular Detective Conan character.

…Detective Conan character? Yes, but… No. But definitely yes. But… yes?

Kaitou Kid - real name Kaito Kuroba - is such a funny character if you think about him for more than a few seconds. So I chose to think about him for a few, uh. Days.

When I say he’s funny to think about, I don’t necessarily mean in terms of who he is as a character - which is admittedly also fun, because I think Gosho Aoyama is the king of gap moe - but more in terms of his placement in the greater DCMK canon. I mean, the fact that we have the “DCMK” acronym at all signifies the importance of tying these two series together. Even though they technically take place in different worlds. You know. Technically.

So I want to (mostly) chronologically go through Kid’s history in Detective Conan, how it relates to his origin as Kaito Kuroba in Magic Kaito, and amuse myself with the strange relationship he (and his source manga) has with the juggernaut that is Detective Conan.

Before we jump into this, some basic notes:

-I don’t mean for this to come across like some academic thesis. Nor did I actually think this would hit nearly 17k words. I’m just Like This.

-Any translations you see here are done by me, from the source Japanese.

-There will be concrete mentions of events from M27. They are comparatively trivial in terms of the mystery the film offers, but there will be spoilers for certain major parts of the plot as they relate to Magic Kaito elements. This will be clearly demarcated, should you wish to avoid those spoilers.

The MK to DC Pipeline

So I don’t know how many people actually need this information, but for completion’s sake:

Magic Kaito is Gosho Aoyama’s debut serialization (important distinction), and it began in June 1987. Though roughly the first two volumes’ worth of chapters were published at a fairly consistent monthly rate, it grew more and more irregular after that due to the popularity of both Yaiba and (more importantly for our discussion) Detective Conan. Due to it still technically being an ongoing series, it is currently Weekly Shonen Sunday’s longest running manga. This just so happens to be followed by Detective Conan, and they lead this particular ranking by a fairly wide margin.

The manga as it currently exists came out of the one-shot “Nonchalant Lupin,” which he submitted to Shonen Magazine’s manga contest after his editor told him to “draw the story you most want to draw” (Treasured Ed. V5). The one-shot won an honorable mention. His comment in Treasured Ed V1 also mentions that he “all but became a mangaka because I wanted to write about a high school kaitou,” so he’s clearly attached to the concept. He’s also clearly attached to Magic Kaito itself; a number of excerpts from the Gosho Aoyama 30th Anniversary Book, for example, talk about how a greedy part of him immediately thought of Kaitou Kid on the silver screen when he heard about the first movie being greenlit, or how he thinks Detective Conan will one day end but Magic Kaito may not because that’s what he really wants to be writing.

Back to our timeline: the Kindaichi Case Files were gaining steam in the early 1990s, and Weekly Shonen Sunday wanted its own version of the boom. Gosho himself was approached by the editorial team at Sunday to do a mystery series, and he accepted, not thinking it would last very long - not only because he wasn’t all that interested in the idea, but because he didn’t think there would be enough material to last more than three months.

It has lasted 30 years.

I say all this not to indulge in the depressing truth that Magic Kaito only has just shy of 40 chapters, but to specifically highlight the synergy Magic Kaito has with Detective Conan - despite the existence of magic in the former - due to their shared inspiration of Arsene Lupin. Things like Sherlock Holmes and Kogoro Akechi are pretty obvious inspirations for Detective Conan that I don’t need to go into in much depth, but the idea of a “high school kaitou” still very much bleeds into aspects of Conan’s character. Many of the things Kaito is either capable of naturally or has to deal with due to the inherent nature of his position are things that are also reflected in Shinichi.

Feats of physicality (Comes naturally to Kaito due to genetics and practice; enhanced for Conan via Agasa’s inventions)

Master of disguise (A practiced skill with makeup and voice changing for Kaito; use of a voice changer and aid from people in his life to deal with disguises)

Secret identity (a flipped perspective version: Kaito has a straightforward secret identity, while Shinichi has to keep his survival a secret)

The “bumbling police” (A good kaitou story will have a morally upstanding but kinda dumb detective that demonstrates the sheer skill of the kaitou in question while putting a contrast to their morals. Nakamori is this to Kaito; though not a one-to-one, characters like Megure or Kogoro serve similar roles to Shinichi to demonstrate his skills as a detective.)

“Why are you like this????” (Admittedly the most Vibes of the list, but there’s a level of gray morality. We root for the main character while knowing that what they’re doing is at times questionable. Kaito goes without saying, but Shinichi is more likely to engage in suspicious behavior like breaking into cars, bugging people’s houses, or even stealing evidence after becoming Conan.)

Motive (The most interesting - and sometimes the funniest - overlap is the fact that they’re both after a shifty organization. It’s a bit surface level at first, but there’s a suspicious level of overlap between not Shinichi and Kaito, but Shinichi and Toichi.)

All of this is to say that pushing DC and MK into DCMK is almost comically easy once you adjust for tone (and, uh. remove Akako, I guess) because Shinichi is BUILT from the kaitou framework and tweaked into a detective. So it’s no wonder Gosho decided to throw in a Kaitou Kid cameo that turned into the character asserting himself as a recurring sub character, as opposed to a quirky crossover character.

Even if he’s still both. And also a secret third thing.

The Last Wizard of the Black Star

So, there’s not much to mention about Magic Kaito’s early run. All chapters in the pre-DC era are stand-alone stories, with the plot starting and concluding within the span of a single chapter. It was a bit of an “anything goes” era, with the genre fluctuating all over the place and a lot of things we consider “standard” in any given Kaitou Kid story not yet being fully codified. Many of these weirder chapters have their own charm if you allow the gag manga energy to take you for a ride, but if gag manga isn’t your thing then it feels like these chapters are where Kaito himself is at his most…incongruous with the character that would eventually show up in Detective Conan. (Let it be known for the record that I personally find these early chapters SO silly and would kill for an animated adaptation of Clockwork Heart, the truly bonkers third chapter.)

The biggest “what do you MEAN that wasn’t there from the start?!” is by far Blue Birthday, which is the chapter of Magic Kaito that was published immediately before Detective Conan began serialization. It took about half of the currently released chapters to introduce Pandora, a now fundamental concept that is likely to be included in ANY one-paragraph summary of Magic Kaito’s plot. It isn’t the only thing, of course; though Kaito’s card gun debuts in the very first chapter, his hang glider doesn’t show up until Chapter 10.

The other major thing worth pointing out in the pre-Black Star era is the general pacing and fundamental makeup of the stories themselves. Very few case-only (or heist-only, as it were) characters show up in these chapters. When they do show up, they tend to be pretty flat, are often ridiculous, and are there to facilitate the hijinks of the day (the gun-crazy detective, the weird robot inventor, the irresponsible prime minister).

This changes with Green Dream, and it’s an immediate change. Detective Conan has been in serialization for over half a year by this point, and already its formula is bleeding into Magic Kaito. There are multiple new characters per heist, and multiple pages with two to three times more text than before are dedicated to setting up a fundamental conflict. Kaito is also more likely to take a stance in this fundamental conflict and use his talents and status as Kaitou Kid to lead it to a conclusion. Behind all of that, though, Kaito himself is still the cheeky little agent of chaos we all know and love throughout these chapters. (As an aside, the Kid mark used on his advanced notices debuted in this chapter!)

The big watershed moment is very obviously Black Star - the Detective Conan version, in this case. In both this and the Magic Lovers case (despite his very little screen time in the latter), readers of Detective Conan are introduced to a FAR more serious version of the Magic Kaito character. This is largely because what we’re seeing in Black Star specifically is a 100% outsider's perspective. Though we’ll very shortly find out this is not Shinichi’s first meeting with Kid chronologically, it is the first time he not only hears his name, but also has any real interactions with him. Kaito wears the mask of his father in his performance as Kid, and you could very much argue his guard is WAY up around probably the weirdest child he’s ever met. So in a story from Conan’s perspective, we have no way of seeing behind that mask.

Personally, I always put a bit of an asterisk next to DC’s Black Star. This is the case that feels the most like a “crossover” than any other Kid case after this, and of course it would. It’s the very first one! It’s the Kaito and Aoko cameos that really bring this vibe for me personally; great care is taken in Detective Conan not to pull much of anything from Kaito Kuroba’s personal life except in a few stand-out cases, and those  almost never involve anyone in our core cast directly. And I don’t even mean in the “he’s only ever shown in his Kid costume” way, because there are plenty of times where he shows up not wearing that. They key for me is that Kaito is always “at work” as a disguised Kaitou Kid as opposed to as Kaito Kuroba - the hat, the darker clothes, the low-effort disguises as police or staff. That kinda thing. But the appearance of Kaito and Aoko in their casual wear or school uniforms here really makes this case stand out in a way that later cases simply don’t joke about.

Detective Conan shows us Kaito at work. It’s why he comes across as so difficult to grasp and almost intimidating in these earliest of appearances. Those vibes obviously continue into The Last Wizard of the Century, the third theatrical release and Kaitou Kid’s very first movie appearance! His grand total screen time is only a fraction of the movie’s full run, but the vibes have a heavy overlap with that first conversation Conan has with Kid on the roof in Black Star. Though there are debates regarding the movie’s canonicity, this also marks the point in at LEAST movie continuity where Kaito figures out Conan’s identity, so there’s that precedent set. (Put a pin in that, by the way.) This also marks the first time Kid disguises himself as Shinichi.

What’s more amusing to me is that Magic Kaito’s Black Star seems to have been published to coincide with the movie’s release. Magic Kaito’s very first chapter after Kaitou Kid’s appearance in Detective Conan brings Shinichi Kudo to Magic Kaito. This is his only appearance in Magic Kaito to date, whether it be as Shinichi or as Conan. Gosho mentioned in his note on the Yaiba vs Kaito chapter that he really likes crossovers (same hat), so I have to think that the limited run of Magic Kaito is likely why we don’t see more DC characters in MK. Though in a Q&A he did toy with the idea of Conan showing up in Magic Kaito one day, so…

All that said, every time I think of MK’s Black Star my brain shoots off in two directions. The first and easier to articulate direction involves Akako’s presence, but we will get to that in the next section. The second direction is the very existence of this chapter at all.

As I mentioned above, this is the first new heist for MK after Kid showed up in DC. It is also the first multi-chapter heist, which indicates even more influence is bleeding over. It was also published alongside the movie, probably as part of a promotional stunt. Something about it feels like a doubling down of sorts on the stapling of these two series together. Kid showing up in Detective Conan is a fun reference; Shinichi showing up in Magic Kaito instead of the more recognizable Conan feels like a statement of shared worlds, largely because of how it makes you think about the timeline. The Akako issue aside, it really feels like he wanted these worlds to collide. If you have your own Lupin analogue AND your own Sherlock analogue, why wouldn’t you want to pit them against each other?

Add More Staples!

It’s at this point that updates to Magic Kaito get… particularly sparse. But there are a couple of things I find personally interesting about these few years despite that.

We start off with a back-to-back bang. The Twilight Mansion case introduces Hakuba into Detective Conan. Which would be fascinating by itself, but this was also Hakuba’s first appearance in EITHER DC or MK in TEN YEARS if you don’t count his one-panel cameo in MK’s Black Star. The framing of his introduction in Detective Conan is interesting, because the paneling and composition very clearly tell the reader that the character that’s about to be introduced is either 1) important, or 2) already known. In Hakuba’s case it’s clearly the latter, but this would make very little sense to someone that isn’t as aware of his place in Magic Kaito. 

Enter The Gathering of the Great Detectives, the animated adaptation of the Twilight Mansion case that was turned into a two hour special and opened with MK’s Black Star. There are ways in which it’s an odd choice, given Hakuba barely appears in Black Star at all. But I think Hakuba’s status as yet another Magic Kaito character being introduced into the narrative provided an opportunity for them to adapt a Magic Kaito heist for TV broadcast, and the chapters featuring Shinichi were the easy choice. The Yaiba vs Kaitou Kid vs Conan OVA had come out shortly before this, so it’s technically not the first time a Magic Kaito chapter had been adapted. But that was more of an altered gaiden OVA compared to this, and this TV adaptation seemed to hit you over the head even harder that there was merit to delving into Magic Kaito if you were a fan of Detective Conan.

But now we finally get to talk about Akako. Oh, Akako. Bane of the DCMK world. Sole reason we must argue that they take place in parallel worlds despite how ridiculous that sounds.

In the manga, Akako gives Kaito her premonition about the Demon of Light coming after the White Sinner. This is also in the episode, if memory serves. But in the episode as aired on TV, Akako features very little after that… because they fully cut the scene of her attempting to use magic at the base of the clock tower. Magic does not exist in Detective Conan, after all. It was eventually put into the episode another ten years later on the bonus DVD that came with certain versions of the Treasured Edition of Magic Kaito Volume 4.

More broadly, Akako is clearly a sticking point for the combining of these two “worlds” into one. Gosho himself takes the easy way out by ignoring Akako’s existence entirely in the Detective Conan canon, just as the TMS adaptation of Black Star did. He’s often brought up the concept of the two taking place in parallel worlds where the only major difference is the presence of magic in one and its lack in the other, as in his comment on Akako’s intro in Treasured Ed. V1: “In truth, the biggest bottleneck when it came to introducing Kaitou Kid into Detective Conan was the inheritor of Red Magic herself! So please just accept the two series as parallel worlds (lol).” He’s much more straightforward in his comment for Sun Halo in Volume 5: “You really gotta have Akako use Red Magic! (Please just assume Akako does not exist in the Conan world…lol)”

Despite this insistence she doesn’t exist, Sky Walk features an almost blink and you’ll miss it reference to her. Nakamori brings up the idea of Kid’s assistant being in play, to which Conan shows surprise at him having an assistant at all. Nakamori replies that there are multiple reports, some of an “old man” and others mentioning a “young woman.” The old man is obviously Jii, but the young woman is very likely meant to be a reference to the stunt Akako pulls in Akako’s Delivery Service, a very early Magic Kaito chapter.

As you’ll notice, Akako is still very much a practitioner of sorcery as of something as recent as Sun Halo, so it’s not as though Gosho has simply opted to phase her or her magic out of Magic Kaito. But considering there are MULTIPLE DC cases that deal with debunking the supernatural, her presence would most certainly complicate things. That being said, Magic Kaito’s world and plot do not seem to hinge on magic in an intrinsic manner (unless Pandora is literally a magic gem, as opposed to the tale of the gem being a metaphor for something), so I personally don’t see too much of an issue with magic being very rare, even in Detective Conan’s setting.

To keep with Magic Kaito for a little while longer, Golden Eye was the single heist released during this period. As far as its significance is concerned, I actually think Gosho said it best in his comment in the Treasured Edition: “Magic Kaito may be a thief story, but it’s also a magic story, so it was incredible to finally be able to mention the actual legend Harry Houdini. Even so, there’s an awful lot of deduction going on, so in this story you can also really feel how it’s been corrupted by Conan (lol).” It was a thought I had about Golden Eye even before reading his comment, so I’m a bit amused to find he actually called it out to be honest.

The following Detective Conan cases - Sky Walk, Three Instruments, and Four Masterpieces - and the movie Magician of the Silver Sky are all more along the lines of Black Star in terms of Conan and Kid’s relationship, but with an extra added pinch of “coming together for a common cause” in the movie. Sky Walk specifically also introduced Jirokichi to the mix, and he becomes the only Detective Conan character whose purpose in the narrative is tied exclusively to Kid. It’s in this way we begin to create a Detective Conan-exclusive environment for Kaitou Kid, which in turn establishes him more and more as simply “a Detective Conan recurring character” as opposed to the main character of another story that’s here for crossover shenanigans.

There’s a Pandora’s Box reference in Three Instruments that makes me want to pull my hair out because don’t say Pandora that word is important, and Four Masterpieces is a lot more “murder mystery involving Kid.” They happen very rarely in Detective Conan, but they happen basically NEVER in Magic Kaito (Dark Knight doesn’t count), so this lowkey feels like another way we’re shoving Kaitou Kid into the rules of Detective Conan.

In Magician of the Silver Sky, Conan expresses a level of shock when “Shinichi” passes the pinch test. This then marks the first time (in movie continuity, at least) that Conan is aware that Kid naturally resembles him.

But the funniest thing about this series of cases (and the movie) for me is the cracks in Kid’s mask, whether that be for Conan himself or for the reader. The final confrontation in Sky Walk ends on an almost comical note with Kaito being blasted off again via gasoline fire, and there’s a stinger at the end of Four Masterpieces showing a pathetic Kaito after Conan has just shot a mecha-powered soccer ball directly at his stomach. And that’s not even getting into the movie, whose entire first act drops us into a tense confrontation with a very suave Kaitou Kid before rewinding back to when he put on the least convincing act ever as a disguised Shinichi Kudo.

Have I mentioned he contains multitudes yet? King of gap moe. 

But we aren’t truly there yet. He’s a little silly for sure, but there are still times where the mask is on about as tight as it can be in Conan’s presence.

The last two stories mentioned here - Detective Koshien and the movie The Private Eyes’ Requiem - are actually a lot less about Kid and a lot more about Hakuba. So let’s talk about the cosplay detective for a little while.

Hakuba is interesting to me, for a couple different reasons. One is the cadence of his appearances in Magic Kaito. He is introduced late into the pre-Blue Birthday run and is in a total of three chapters. Those three chapters speedrun his discovery of Kid’s identity… and then he’s gone until his first Detective Conan appearance. Golden Eye is his return to Magic Kaito in a short but fairly significant scene that fills out the contours of his relationship with Kaito with regards to that identity, at which point he is in all but one case thereafter.

The other reason is that he seems to slip through the cracks of “significant Kaitou Kid relationships” unless you consider yourself a Magic Kaito fan. But I think this is largely due to the line in the sand we shall not cross: Kaito Kuroba’s personal life is off-limits in Detective Conan. As a result, Hakuba is framed far more often as a detective in his own right that just so happens to have some manner of connection to Kaitou Kid in his few Detective Conan appearances.

This connection is made fairly obvious in Twilight Mansion by both having him introduce Kid’s presence in the case, and having him and Conan highlighted as the two people that are after him at the end of that case. But his next appearance, Detective Koshien, only implies a connection in passing and chooses instead to focus on contrasting him with Heiji in preparation for the movie. In an interesting move, the plot developments of the case actually give Hakuba an excuse to avoid wearing a school uniform like the other students because he ultimately settles into the “foreign detective guest” role. There are, as a result, zero indications that he and Kaitou Kid’s civilian identity are actually classmates - or that he attends a Japanese school at all.

As for the movie itself, Hakuba was Kid in disguise the entire time, so there’s very little we can discuss when it comes to Hakuba himself. But after Kid’s frankly poor performance as Shinichi in M8, his performance as Hakuba in M10 is almost uncanny levels of spot-on (which admittedly turns into a very funny contrast with his Hakuba disguise in Green Dragon).

All in all, this selection of chapters, episodes, and movies pulled more of Magic Kaito into Detective Conan (when those details weren’t flying in the face of it), while Kid himself began to more closely resemble the Kid of Magic Kaito in the small moments. In Magic Kaito, meanwhile, we’re starting to see far more obvious influence from Detective Conan in the writing and pacing of its heists.

But the gates have not yet been thrown wide to truly allow the silly in.

Throw Wide The Gates That We May Sillie

The collection of chapters that start this portion of the list are, in a word, fascinating from a Magic Kaito perspective. 

We start with Shinichi’s Childhood Adventure, which does a couple of notable things. First, it confirms that Toichi was the magician that taught Yukiko how to use disguise makeup for her acting career. It was implied to be him in a very “if you know, you know” fashion in the Golden Apple case over 200 chapters prior, but this makes it inarguably clear. The extension of this confirmation is that Toichi also taught Vermouth the art of disguise, which is a particularly interesting connection to think about. As obvious as it sounds to say, this chapter is also the start of confirming that many things we know of Magic Kaito’s plot and backstory remain consistent in Detective Conan as well. The case ensures you don’t need prior Magic Kaito knowledge to pick up on Toichi being the first Kaitou Kid. That he meets Yukiko with Kaito in tow also means (unless my memory is failing me) that this is the first and only time Kaito’s name is spoken within the Detective Conan manga. It also confirms that the author that named Kid was, in fact, Yusaku.

The big part of this case that people tend to bring up in the wake of the M27 reveal is the “I’m your younger brother” conversation from Toichi to a young Shinichi. Now, 2006 is earlier than what meager sources I’ve managed to find that seem to indicate he had the familial relationship in the back of his mind, so I’m personally not sure how much stock I place in this conversation as any form of foreshadowing. What the entire case does seem to indicate regardless, though, is that Toichi and Yusaku are aware of each other on more than a surface level. At the very least, we’re meant to take away a passing of the baton, from father to son, in their relationship as friendly rivals. It has, apparently, always run in the family.

All in all, this case is a far more intentional mixing of Magic Kaito with Detective Conan because it deals with past events. It says “these things were always here, intermingling” and concretely refutes the idea that the modern Kaitou Kid was the first point of contact, retroactively entrenching the character even more into the world of Detective Conan.

We switch back to Magic Kaito for a heist with Dark Knight, which Gosho acknowledges in his Treasured Edition comment is “another story with a strong mystery feel, and a dark conclusion that isn’t very Magic Kaito-esque.” This also happens to be the first Magic Kaito case to feature Superintendent Chaki, a Detective Conan character and Nakamori’s boss as introduced in Black Star.

The following series of four Detective Conan cases all look at slightly different aspects of Kid that haven’t really made themselves known in DC yet. First is Purple Nail, a personal favorite and the case that arguably leans the most into the idea of a magic show. The focus on having an audience and the employing (and challenging) of Thurston’s magic principles give it a slightly different vibe to other cases. In relation to Thurston, Kid actually opts to approach Conan ahead of the heist to personally challenge him. In the manga, it’s the first clear look at Jii in Detective Conan. But the thing that stands out to me is the sheer level of emotional expression on display from Kid. It’s not in a small moment at the end of a case anymore, but in various moments throughout. You see his panic when Conan shows up above the building, or his sense of satisfaction when running through the crowd in the middle of his trick. All of it combined makes it feel much more like, by this point, Conan and Kid are engaged in a game.

After that is Iron Tanuki, an amusing oddball of a case. That Jirokichi used a fake notice to send a secret message to Kid pleading for help is interesting enough, given it displays a level of begrudging trust the former has in the latter. But more amusing is Conan’s choice to facilitate this upon realizing the truth of the situation, as well as his choice to stay behind and ask Kid if there was anything he could do to help to open the titular safe. If Purple Nail was their first real game, then Iron Tanuki is the first time they really came together in anything resembling a cooperative stance.

Kirin’s Horn seems like an outlier at first - and it sort of is, since Kid thought a little shock and awe was in order - but the case also demonstrates a level of familiarity. Conan remains flat on the ground because he knows how Kid works, and knows figuring out why he’s chosen to knock him out this time is the key to the case. There’s also a level of gag to this case via Kid’s choice to disguise as Genta, and the stinger of Conan getting the last laugh via something as silly as a paper taped to his back.

The fourth case, Ryoma’s Gunbelt, is where the real fun starts. Despite the rather nonstandard premise of Kid opting to return stolen goods, the general flow of the case is fairly standard for a Kid case in Detective Conan. The standout of this case, in my opinion, is the final conversation between Conan and Kid. They speak of their respective mothers in a conversation that reveals key details about each other, and do so surprisingly candidly. There’s an argument to be made that Kid knew of Conan’s identity by this point; regardless of that argument, that Conan spoke of his mother with such identifying details once again indicates a level of trust. Kaito implying Phantom Lady is his mom, while not particularly identifying, returns that trust. And that’s not even getting into the fact that a Kid case in Detective Conan is introducing a pretty important fact about Kaito’s mom.

Skipping ahead a bit, what makes this case notable is not the case itself, but rather its pair: Phantom Lady, a Magic Kaito heist published a year later that serves as an immediate prequel to Ryoma’s Gunbelt. This is the first time since Black Star that Magic Kaito picks up on a Detective Conan case in any capacity, and arguably the first time at all it does so with such a direct connection. The mentions of the Black Star served as a vague framing story for the clock tower heist, but Phantom Lady ends with a shot of the three treasures that assumes you know exactly where things go from here.

All of these cases do much more to peel away the mysterious veneer from Kaitou Kid, and give him a more candid and open relationship with Conan.

But the big thing of this stretch, and a turning point as a whole for Kaitou Kid in the franchise in my opinion, is The Lost Ship in the Sky. Now this? THIS is a Sillie Movie. Kid is playing around with goats, smirking like a fool with Conan before jumping out of a helicopter, and making the most inappropriate sounds when Conan’s hand wanders a little too far. He and Conan are actively seeking each other’s help and indulging in silly banter, even as Kaito makes a fool of himself with Ran. Speaking of Ran, this is the movie where she first fully realizes that Kid naturally resembles Shinichi. And as a cherry on top, we also get a shot of Kaito Kuroba himself.

And I think it’s worth considering what aired the very same day the movie came out: Secret Birth of Kaitou Kid, the first episode of TMS’s adaptation of Magic Kaito.  After years of teasing the door open on who Kaitou Kid is behind the mask, TMS adapted the first chapter of Magic Kaito and aired it in the Detective Conan TV time slot. It, too, is an incredibly silly episode of an incredibly silly first chapter of an incredibly silly gag manga. THIS IS KAITO KUROBA, Detective Conan said. OBSERVE HOW SILLIE HE IS.

Testing the Waters

TMS eventually made 12 of these episodes. Based on the air dates, I can only assume Secret Birth of Kaitou Kid was meant to be a one-off, or at the very least it was a testing of the waters. Whatever the case, the remaining episodes got greenlit and were aired over 2011-2012. The most interesting change to the second half of these episodes is the addition of new plot points related to Magic Kaito’s organization, chiefly the new member Spider. They were introduced alongside Hakuba, who I imagine they wished to give a larger role in the episodes he did show up in. Another major takeaway from the TMS adaptation is their decision to animate Akako’s Delivery Service in The Witch, The Detective, and The Phantom Thief, albeit edited and extended to deal with the new anime-only plot points. In terms of Akako’s feelings for Kaito and Hakuba’s discovery of his identity, it’s a fairly significant chapter. Despite that, this is the only animated adaptation. I have some… complicated feelings regarding this, but now is not the time. 

As for the manga, we have a major arc in Mystery Train. This is not, in all technicality, a Kid case. If anything, his presence is pure coincidence, given he was only there to stake out the train ahead of the actual heist. Though this is a purebred Detective Conan plot, with the Black Organization’s involvement, Kid winds up a key part of their plan to convince the Organization that Sherry is well and truly dead.

Though his appearance in this case would be referenced in the future, this would be the first and last time Kid was directly involved in a major Detective Conan plot beat. This chapter was released before I had an active interest in Detective Conan, so much of what I’ve seen are second- or third-hand accounts from Japanese fans who went through the arc’s release. In short, reception was very mixed to Kid being such a major part in the resolution of this conflict. While there are those who enjoy his inclusion, either because they’re fans of Kid or because they accept the manner in which he was dragged into the plot halfway through, there are also those who consider him a “cheat” character who taints the worldview of Detective Conan by his presence alone. Gosho himself has also mentioned that he won’t be involving Kid in Black Organization plots anymore, either, due to the backlash.

My personal view on Kid’s involvement in Mystery Train is that the arc felt very much like a capital-E Event, so I bought it. There was a clear amount of luck involved in his presence there, so I could see how some may think the entire thing contrived, but it’s that coincidence that sells it for me. It’s Conan needing to fly by the seat of his pants to ensure Haibara makes it out alive, and further impresses upon us that they were half a step away from potentially fatal consequences. Nevertheless, this seems to be a case of an attempt to integrate Kid into the greater Detective Conan narrative that ultimately failed, so he returns to being largely divorced from the overall plot.

Despite this, though, there appear to be multiple chapters after this that focus on systematically introducing Kid to members of the extended cast. This starts with Blush Mermaid, Sera’s first presence at a Kid heist. What’s also unique about this chapter is the small but significant scene at the end that actually does continue the overall main plot - in this case, Sera’s misgivings over the death of Akai. Though Kid will not be overly involved in the main plot from here on out, his chapters do start featuring B Plots that touch on said main narrative. It’s… a half victory, of sorts, in terms of integration.

The other major takeaway from this case is a continuation of Conan and Kid apparently keeping a score of sorts. Due to Kid’s assistance during Mystery Train and the lack of a real theft, Conan lets Kid go. We’re in real “friendly rival” hours now.

Twin Bets pits Kid against Kyogoku, a frankly long overdue confrontation considering he’s Sonoko’s boyfriend. There’s a half-argument to be had that this also involves Kid in a major B Plot for the series as a whole, since this is a romance plot with a major recurring character. There’s also a level of intrinsic amusement in a Kid vs Kyogoku confrontation, since it comes down to (to quote my girlfriend) “guy who is literally from another manga but feels like he belongs here vs guy who somehow belongs here but definitely should be in another manga.”

Twin Bets also serves as the very first time Kid looks at the gem of the day under the moonlight in a Detective Conan chapter. It's the first case post-TMS Magic Kaito where it's applicable for him to do so; he's a bit busy with other things in Mystery Train, and he calls out Blush Mermaid for being a fake. This trend would continue in every case afterward where the plot wasn't otherwise preventing him from doing so (like the murder in Azure Throne).

Normally, this particular stretch of chapters would include quite a few more due to how many of them follow this “Kid, meet [Character]” format. But some of you may have noticed that, despite all the ample opportunities I’ve had to speak of it, I’ve avoided mentioning a certain number…

1412

Thousands of words earlier in this retrospective, I mentioned that Detective Conan’s Black Star felt the most like a crossover chapter. What I didn’t mention at the time, however, was that it also feels like one of the most fundamentally necessary Kid cases in Detective Conan. Not because it’s Kid’s first appearance, but because it introduces a piece of information about Kaitou Kid that eventually becomes baked into his identity despite the fact that it was introduced outside of his source series.

1412, the Interpol criminal code assigned to the internationally renowned phantom thief that was subsequently transformed after an author misread a journalist’s hasty scrawl as “KID.”

It feels like no small coincidence that the A1 adaptation of Magic Kaito added “1412” to the end of its title not just to differentiate this adaptation from TMS’s Magic Kaito specials, but to also indicate that this version of Magic Kaito would be the marriage of its namesake manga and Detective Conan.

In this regard and more, Magic Kaito 1412 modernizes aspects of the original story.

Technology, for example, was updated to reflect what a high school student like Kaito would be doing. Instead of reading the news in the papers, he’s scrolling through news sites on his phone. This is the most common kind of update that you see across adaptations of all stripes, so it’s the less interesting change.

The anime also modernizes with regards to itself, looking inward to find out what people associate with Kid in the modern day and adjusting the story - and the order that story is told - to account for that. This is expressed in ways both large and small. Blue Birthday, for example, is pushed way up to episode 2 of 1412 to introduce Pandora to the audience as soon as possible. Given Blue Birthday is also an Aoko-centric episode, it’s equally fitting that she gets the second episode. Jii’s significance is heightened by reworking the scrapped chapter Hustler vs Magician, a chapter that also coincidentally focused on an aspect of Jii’s past, into episode 3. This focus on major characters continues into episodes 4-6, which introduce Hakuba (chapter 15), Akako (chapter 6), and Shinichi (chapter 23), in that order.

There are also minor changes, likely made for pacing or simply content reasons. One small but frankly fairly significant change involves Kaito’s card gun. He’s shown using it in the first chapter of the manga, which also means he’s using it in the first episode of TMS’s adaptation. Since it eventually comes to be a signature weapon for Kaitou Kid, 1412 prevents Kaito from using it while in his civilian identity (like when he’s panicking about the fish with Aoko). Due to moving Blue Birthday up to episode 2, heists that originally weren’t really bothered with holding the target up to the moon include scenes of Kaito doing just that. Jii is suspiciously absent for most chapters until Black Star, so 1412 inserts him into animated adaptations of older heists, such as helping Kaito prepare the fireworks for Blue Birthday or providing an anime-original explanation of magic vs sorcery. There are similar one-offs with other characters as well, like a short scene of Hakuba being inserted into Akako’s introductory episode.

As a proper series in its own right, as opposed to a series of animated specials, 1412 also had to decide on a unified tone. Though TMS’s adaptation fluctuates wildly, 1412’s tone is a bit more even across the board. It’s comedic and dips its toes in gag vibes without taking it to absurd levels. While TMS’s adaptation of the first episode includes an entire apparatus outside the classroom window in episode 1, Kaito simply jumps out the window and makes it to the ground after running around the classroom in 1412. Though it also pulls away from some of the more atmospheric moments of TMS’s adaptation, it pulls back far more from the gag energy.

As a result of the above two points, many chapters are shuffled around or cut entirely. Chapters like Clockwork Heart, Japan’s Most Irresponsible Prime Minister, or I Am The Master are a level of absurdity that doesn’t fit with modern Magic Kaito’s energy, so they were completely cut. The Police Are Everywhere (chapter 2) was pushed back and adapted as The Princess and the Thief’s Improv (episode 15), because the emotional core of Nakamori potentially getting removed from the police force simply doesn’t work that early in the story outside the gag context. Akako’s Delivery Service was also unfortunately cut… Whether it be because of Akako’s appearance as Kid and the subsequent punchline or because of the technology Hakuba used to ascertain Kid’s identity, they apparently determined it was either too outside the tone or too difficult to adapt. Hakuba’s call in Golden Eye truly comes out of nowhere as a result, though, and that’s one fewer episode for a character that already had a bit of a spotty appearance record early in the manga’s run.

When the anime was announced, there were 30 chapters out. Seven of these were ultimately not animated, and many of the two chapter cases could be easily adapted into a single episode. They needed more material to fill out the remaining episodes, so they did this in two main ways.

The first is by reaching into some key Detective Conan cases. Black Star is a bonafide Magic Kaito case, but shifting it and Shinichi’s appearance in this adaptation to episode six - right after a series of core cast introductions - is actually very telling. 1412 was not only concerned with adapting the manga for modern sensibilities, but also with adapting Detective Conan for a Magic Kaito audience and further strengthening the connection between the two. This “adaptation” resulted in anime-original retellings of Ryoma’s Gunbelt, Sky Walk, and Purple Nail from Kaito’s point of view. Personally, I wouldn’t be surprised if this was a decision early on in the anime’s development, and if it was their existence that necessitated the tone of 1412 be evened out via not adapting the more “out there” chapters of the source manga.

The second thing they did to fill the run time was for Gosho to write an entirely new heist to function as a finale for the anime. This was Midnight Crow, the first heist to really touch on the driving plot of Magic Kaito (outside of Snake showing up to be ineffective) since Blue Birthday. Gosho’s comment on this case in the Treasured Edition is… a lot.

After a standalone anime adaptation was greenlit, the topic of what we should do for the final episode came up at our first meeting, so I said “Why don’t I write the ‘Black Kaitou Kid’ story I have saved as a trump card in Sunday and use that in the final episode?” Thus I wrote Midnight Crow! I’ll never forget how surprised the members of staff looked when I bluntly told them that Toichi is actually still alive (lol). (…) Though Chikage made Kaito work as Kid in Phantom Lady, she tried to get him to quit in Midnight Crow because of everything that happened in Las Vegas… But that’s a story for another time (lol).

The story itself has plenty of hints that Kaitou Corbeau is a Toichi-Chikage tag-team, but actually seeing him spell it out so casually sure is something.

Speaking of spelling things out, though, I also want to take an aside to touch on the Magic Kaito 1412 novelizations. Six volumes were published roughly concurrently with the anime’s run, and though there isn’t anything drastically different from what we already know from either Magic Kaito or Detective Conan, sometimes the narration can be quite enlightening. For the purposes of this, though, I specifically want to touch on that pin from earlier.

In the movie continuity, there is very clearly a moment where Kaito figures out Conan’s identity in The Last Wizard of the Century. There is no concrete equivalent to this in either Detective Conan or Magic Kaito, and 1412 doesn’t really expand on this either. I mentioned the possibility that Ryoma’s Gunbelt would have given Kaito ammo to figure out who Conan might be, but it’s not the most compelling argument. I’ve heard tell that Gosho once implied Kaito may have simply come to this conclusion on his own outside of the movie continuity, and I’ve personally always taken this stance given he seems to recognize Conan as a “high school detective” in Fairy’s Lips - and simply DOES know, no arguments, by Azure Throne.

Taking novelizations like these as fully canon is always a bit of a risk, but there’s a very interesting expansion on this particular issue in Volume 3, during the Ryoma’s Gunbelt adaptation. After Kaito runs into Conan while under disguise at the museum, the novels go into a brief explanation of how Kaitou Kid came to be known as such (aka the 1412 thing), followed by a flashback to Kid and Conan’s first meeting in DC’s Black Star. The narration then turns to what happened after the fact. This is fairly long, but as far as I’m aware these novels aren’t available in English, legally or otherwise. As such…

***

Kaito investigated the child that was on the roof of the Beika hotel - the young boy who called himself a detective, and with whom Kaito fought during the Black Star incident.

His name was Conan Edogawa.

He was a distant relative of Hiroshi Agasa, inventor and scientist, and was currently freeloading at the house of Kogoro Mouri, the famous detective “The Sleeping Kogoro.”

…And that was all he really figured out about him.

Conan Edogawa was full of mysteries.

But there was one thing that bothered Kaito.

Kogoro Mouri had a high school daughter named Ran. And Ran Mouri was the childhood friend of Shinichi Kudo.

That Shinichi Kudo.

The very high school detective that cornered Kaito during the clock tower heist.

Before his run-in with Conan, Kaito had looked into the young man that had aided the Metropolitan Police Department.

At a certain point after that clock tower incident, he had apparently gone missing.

He was not officially registered as missing, nor did it become a massive incident. But he stopped attending Teitan High School and disappeared from his home. He was apparently gone because he was busy chasing after some case a client had requested of him, but…

The elementary schooler Conan Edogawa appeared before both Ran Mouri and Kaitou Kid as if taking his place.

Shinichi Kudo, and Conan Edogawa.

Due to their mysterious nature, the two detectives continued to fascinate Kaito.

By the way…

The certain young novelist who had given Kaitou Kid his name was currently a world-renowned mystery writer.

His name was Yusaku Kudo.

Shinichi Kudo’s father.

Then there’s his mother, Yukiko Kudo, who was an essayist. She was a former actress, and once studied under the magician Toichi Kuroba to prepare for a role. Kaito had even once met her alongside his father in his childhood.

A strange turn of fate connected the Kudo and Kuroba families across multiple generations.

Did Kaito realize…?

Did he know that Conan Edogawa was actually Shinichi Kudo, who turned into a child after being forced to take a strange medicine?!

-

Professor Agasa was aware that Conan Edogawa was actually Shinichi Kudo… and it was likely only a select few others knew this. Not even Ran Mouri, his childhood friend, knew.

If Shinichi Kudo was keeping his identity a secret… then the reason he became a child must be pretty dangerous. Something that involved crime and the underworld. Just knowing the truth could put your life in danger.

It was only obvious that Kaito kept his identity as Kaitou Kid hidden.

But Shinichi Kudo must be living an even more troublesome life.

***

The narration of these novels knocks on the fourth wall fairly often, explaining that middle bit of this particular excerpt. It never confirms for sure whether or not Kaito managed to connect the dots, but the aforementioned questionable canonicity of novelizations like this means that was probably the safe choice. That there’s extra information here at all about Kaito looking into both Shinichi AND Conan is a pleasant surprise, as far as I’m concerned. But it’s also a bit frustrating that we don’t yet have even a hint of how this occurred in the manga when we now have two potential sources of that knowledge in the movies and these novels.

Which you opt to take as the more likely canon is probably up to personal interpretation, but I think I’m personally a bit more willing to go with a version of the novel’s events. I prefer to include the movies as a level of canon unless they outright contradict the manga (like M10 does, tragically), but the novel’s versions of events is probably the safer option.

But it’s the inclusion of extra scenes like these that further connects Magic Kaito - especially this particular iteration - to Detective Conan. They are holding hands so tightly now.

This all eventually culminates in Sunflowers of Inferno. Though M14 is the more obvious turning point with regards to Kid’s general behavior and personality in Detective Conan movies, Sunflowers of Inferno is a slightly more interesting turning point: all three movies after 1412 airs involve aspects of Magic Kaito, whether it be in its story or in its theming.

For this movie, it’s a very obvious example of the former. I think the plot of M19 is… strictly okay, but Kid’s motivation throughout being related to Jii is something I really enjoyed about the film. You know, assuming you don’t think too hard about Jii’s age as it relates to the timing of the flashbacks. Outside of that, Kid’s behavior in the movie almost looks as though it’s walking back from M14, but that’s only because Kid is playing the villain for most of it. Once that facade is dealt with he’s fully cooperative with Conan, to the point that the latter trusts the former with Ran’s safety. The opening scene with Kaito in his dark heist garb is also a nice bonus.

All in all, I think 1412 airing actually has the biggest effect on the movies. I’m not sure if that was intentional - movies 23 and 27 have the same director, so it could just be that her artistic vision includes MK in it - but for Sunflowers of Inferno it was almost certainly intentional as a show of fireworks after the ending of the anime. As for the manga, 1412 airing actually seems to have had very little influence on the Detective Conan chapters featuring him. Though Kid is a lot more likely to resemble the version of the character from Magic Kaito now, the manga seems a bit more concerned with introducing him to the new guard.

Meet The Fam

The Detective Conan cases in this section continue the general trend from after Mystery Train of either 1) introducing Kid to a significant sub character, or 2) running parallel to a B Plot that is concerned with the main narrative.

Luna Memoria does a couple of interesting things. First, this is the first time Conan explicitly asks Kid about investigating the jewel of the heist, since he knows Kid is on the search for a “special jewel.” Kaito is very candid in his response, telling Conan he ran into the deceased owner as the readers get a small flashback to Kaito Kuroba reverse pickpocketing the necklace. It’s an interesting conversation to have in the first Kid case since 1412 aired, especially since this aspect of Kid’s MO hasn’t really been discussed in any concrete way in DC before this point.

The second thing it does is have a small but nonetheless amusing B Plot with Okiya. While taking pictures of potential targets for his disguise, Kaito inadvertently gets a picture of Okiya’s voice changer. So Okiya joins Conan in confronting Kid in the bathroom and Very Nicely requests they get that picture back. Kaito has an “oh shit” moment, gets the heck outta dodge, and the chapter ends on a comical note when Kid can’t escape because Nakamori refuses to stop looking for him.

The next DC chapter, Fairy’s Lips, does a little bit of 1 and a little bit of 2. Surprisingly enough, Heiji has not had a significant confrontation with Kid in the manga before, and now Kid is getting himself involved in his and Kazuha’s romance plot. This chapter is retroactively significant because it’s the key jumping-off point for Heiji and Kid’s relationship in M27. But it’s also surprisingly significant for the MAIN main plot of Detective Conan by bringing in Koumei as a secondary detective that’s working to capture Kid… because he’s in Tokyo to receive a mysterious envelope addressed to him. The truth of the envelope’s contents is an Extremely Big Deal, and though by this point in the manga I was fully aware that plot developments would often happen in otherwise standalone cases now, I was personally not ready for that in a Kid case. So there’s that.

Between these two cases is the Magic Kaito heist Sun Halo, which puts a focus on Aoko for the first time in a while. It’s also very minorly a Magic Kaito version of a suspicion arc - the first one since Kaitou Kid’s Busy Day Off - though it ends with a return to the status quo. This chapter, as mentioned way earlier, also features some magic shenanigans from Akako in a more concrete way than we’d seen in a while. There’s some stuff about these chapters that are more disturbing the longer you think about them (what do you Mean Kaito just carries some blood neutralizing spray around with him so people can’t figure out his identity based on his blood), and the general tone is a lot more somber because Kaito is suffering from both pain and blood loss. It feels like an extension of Midnight Crow’s tone, in that regard.

After these three chapters is our next Kid movie, Fist of Blue Sapphire. This movie features a romance subplot between Sonoko and Kyogoku, and thus brings Kid back into it via certain aspects of the movie plot. As a post-1412 movie, the major feature of this movie is not the plot, but the thematic underpinnings of said plot.

Many post-Blue Birthday Magic Kaito heists tend to overlap aspects of Kaito’s situation with that of the characters introduced in the heist. The feature character of Red Tear is a woman who has grown to hate magic after the untimely death of her parents. The titular Dark Knight lives a double life as a notorious criminal for his son’s sake, and Kaito works to make sure his son never finds out about that double life. The thief in Golden Eye is attempting to salvage her father’s legacy. If they aren’t straight parallels, then they present what-if scenarios or twists on what Kaito is going through.

Fist of Blue Sapphire pulls something similar with Rishi, one of the movie-original characters. He’s torn up enough by his father’s death that he chooses to dirty his hands in order to get his revenge. After Midnight Crow, where Toichi himself wants to ensure that revenge is not Kaito’s only driving force, this presents a what-if scenario - an alternate path that Kaito might have chosen, had his admiration for his father not won out over his grief at his death. It’s interesting to see this particular thematic through line in a Detective Conan movie because it’s never been shown in a Detective Conan manga case before, and it’s one of the reasons I’m particularly fond of Chika Nagaoka’s Kid movies.

Another major aspect of this movie is how the sheer amount of screen presence Kid has gives the movie ample time to show what more involved cooperation between Kid and Conan looks like. The second Kid is framed for the crime, he chooses to go to Conan; if Kid looks to be in genuine danger, Conan begrudgingly comes to his aid. They spend time talking over the aspects of the case, and work seamlessly together during the climax. It’s by far the most actively cooperative they’ve been before or since, but it doesn’t come out of nowhere (and the spirit doesn’t quite go away, either). The clearest indication of this change in relationship is the line spoken by Kaito after he’s dealt with his wounds on the roof: “A magician makes you believe he holds something within his clenched fist, and a detective guesses correctly what they hold before it’s ever revealed.” It’s a stark contrast to probably his most famous line from Black Star about phantom thieves being artists and detectives being no more than critics.

Fist of Blue Sapphire happens to be one of those movies that I personally have any concrete info about via things like guidebooks. I don’t want to bloat this more than it already is, so there’s only two things I read that I want to share. 

The first is Kappei Yamaguchi’s seeming reaction to the script during recording, specifically in regards to his laugh. Normally, Kid in Detective Conan has had a sort of booming, open laugh, but twice during the recording for Fist of Blue Sapphire he opted to go for a version of the laugh as written out in Magic Kaito - an “ahaha” vs a “kekeke” kinda difference. He talks about this in the Kaitou Kid Secret Archives, but an online article on the movie from Movie Walker expands on this from Nagaoka’s point of view:

This time, we have a lot of aspects from “Magic Kaito” and Kaitou Kid’s true face in this movie. The moment I thought “This is just Kaito” was during ADR, when Yamguchi Kappei-san laughed like ‘hihi!’ Kappei-san said to me “I did it even though I thought it’d be struck out.” (lol) I could tell in those words that he met this movie with his own interpretation. I was impressed. We have a very cool Kid as a result.

It’s also in the Secret Archives interview that we get the “His speed may be at 100, but he has zero combat ability at all” comment from Gosho to Nagaoka, which is… extremely funny.

The other major thing from the Secret Archives interview (and elsewhere) is an anecdote about a certain regret. Nagaoka herself seems to be a big fan of Magic Kaito, but after M23 was released to theaters, Gosho lamented that he should have had Kid allude to Aoko. This was brought up again in a more recent Animage article: “Actually, back during Fist of Blue Sapphire, Aoyama-sensei had told me something akin to ‘We should have had Kid say “I have a better sapphire (Aoko) already” when he returns the blue sapphire,’ and I responded ‘You’re going to tell me that now, Sensei?!”

This is all to say that, despite the lack of any obvious elements akin to Jii in M19, they were clearly thinking of Magic Kaito while making M23.

The subsequent DC chapters continue the “Kid, meet [Character]” trend with Amuro (and Kazami) in Queen’s Bang. He’s a fairly active part of the process, not the least of which because Kid belittled his card trick skills as they were lining up to enter the museum. Though this chapter doesn’t have a relevant B Plot, it is the first reference to Kid’s presence in Mystery Train since Blush Mermaid - and a pretty significant one at that, since Amuro was the one that actually had to deal with “Sherry.”

Siren Splash’s main character introduction is actually Azusa, which feels a bit like a follow up on the minor role she had in Queen’s Bang. This case has a couple of fun things that sort of cover the entire spectrum of ways in which a Kid case could be fun for our purposes. The least significant of these is Kid’s skates, which (if memory serves) haven’t been seen since chapter 10 of Magic Kaito. Gosho mentions wanting to use them again in his Treasured Edition comment on that case, so it’s a lot of fun to finally see them show up again.

Going up to slightly more significant, there’s a Very Ominous Comment from Kanenori about his left eye, which serves as foreshadowing to information we find out about him about a volume later. And then we have the end of the case, which is a little difficult to talk about because we don’t have any elucidating information yet. Regardless, I’ve always been amused that, despite Conan being the talk of the various police departments, he’s largely avoided being in the news… except where Kid is involved. It seems that’s finally coming to a head with the older gentleman that is none too pleased about the news story covering Conan’s victory. We don’t know what role this man has yet, but if this has ties to the main plot, then this is a very amusing way in which Kid has affected the main plot.

There’s not much else of note to say about this series of chapters, because it’s largely continuing the trends of the era that led to 1412’s release and codifying a less mysterious Kid, and an (at times) more cooperative Conan. But it’s also a comparatively sparse number of chapters; in the over seven years since 1412, Kid had only featured in four chapters here. You probably wouldn’t expect any major developments from a precedent like that, right?

…Right?

Erasing the Line in the Sand

We have now entered the modern era - specifically, the immediate lead-up to M27. Recency means some of these things are going to be a little bit harder to extrapolate on, largely because we have no idea if this is the start of something new, or perhaps just an outlier in the general trend. Regardless, some of this stuff fully makes my brain spin. Never mind brainworms - I have brain bees, and they will not stop buzzing.

We start with the most-recent Kid case in Detective Conan as of this writing, Azure Throne. This particular case is significant for multiple reasons, besides just being a good time. First, it’s Hakuba’s first appearance in Detective Conan since Detective Koshien, which means it’s been a whole seventeen years. Help. It’s arguably also the closest it comes to a proper Hakuba vs Kid case in Detective Conan, since Twilight Mansion is a little too busy with other aspects of its plot to spend much (if any) time on Hakuba’s relationship with Kid. Hakuba is also just a little insane, given his plan was to airlift the entire observation deck and sink it into a pool to trap Kid… There’s some minor Magic Kaito gag energy in that idea, and Hakuba’s never done things by halves.

Next, we have yet another reference to Kid’s presence in Mystery Train. Queen’s bang was only a couple years ago, and in Conan Publishing Time that’s no time at all considering Mystery Train was back in 2012. It’s interesting to get two references to that particular case so close together. 

And speaking of references, my third point of interest for this case is that it straight up references Golden Eye. There’s even an illustration of Cartier, the security company manager that Nakamori is thinking about when he responds to Jirokichi’s comment. Magic Kaito has certainly referenced Detective Conan before, and 1412 itself pulls heists whole-sale from it to fill out its runtime. But this is the first time it’s gone the other way around.

It’s also, somehow, the very first time Kid has assumed the Shinichi Kudo disguise in the manga. And even more surprisingly, it’s done so at Conan’s request. Sure, Kid was the one begging Conan to free him of suspicion for the murder that just happened, but “disguise yourself as me and make sure Ran doesn’t find out” was the condition Conan put forward for his cooperation.

This connects to the fifth and sixth points that I’m concerned with. The fifth point is Ran herself; she has a comment toward the end about how she can’t forgive Kid for “disguising as Shinichi every single time.” Which is, you know. Kinda weird, if all we’re considering is manga continuity. This is his very first time assuming this disguise in the manga! So in Gosho’s mind, at least, the movies aren’t not canon. Considering more recent movies are more likely to require “homework” to fully enjoy them, I wouldn’t be surprised if they were more carefully written to slot into canon more easily than early movies were.

The sixth and most hilarious point is a single aside in a conversation Kid and Conan have.

Actually, why do you look so similar to me?

Why would I know?! Maybe we have a shared ancestor or something. (To be honest… I’m not even changing my voice much, either…)

Now, the addition of that voice comment makes the whole thing sound like a gag - they do have the same seiyuu, after all - but their similarity has always been a bit of a gag… In the movies. Thinking back on it, I’m not sure it’s ever really been brought up in the manga, so this is a joke that feels almost necessary after Conan requested Kid to disguise himself as “Shinichi,” which Kid managed to do despite being not at all prepared for it.

And, you know. It’s also foreshadowing now. Not by much, considering the movie was only a few months out, but still.

tl;dr: There’s a lot going on in Azure Throne. It is probably the densest of the Kid cases in terms of its relationship to itself and its relationship to Magic Kaito. As a result of that, there’s something about this case that feels like the purest mix of Magic Kaito and Detective Conan. It also feels pretty clearly written with the movie in mind, considering it not only had the aforementioned foreshadowing, but also brought in ideas from previous movies into the manga to create synergy between them.

After that we have Green Dragon, a Magic Kaito heist that ran through M27’s theater release. Meeting Aoko’s mother is certainly a standout of this particular heist, but what I personally find more interesting is the tone. It eschews the steady creep of drama into the narrative by pulling back to something more comedic, and in some ways feels a little like a return to form. Kaito’s fear of fish is brought up again for the first time in ages, and Midoriko gets a whole host of muscle men to corner Kid.

The chapter also opens with a reference to the crimes (as Midoriko would prosecute them) Kid committed in Queen’s Bang. In terms of time, it’s been over ten years since the last MK heist referenced DC in any meaningful way. But in terms of heist count, Phantom Lady was only three heists ago.

It is at this point I must discuss the movie, The Million-dollar Pentagram. As the movie is not yet out on Blu-ray as of this writing and the international offerings were a bit spotty (especially outside of Asia), I want to give another spoiler warning for the information I’m about to go into. I mentioned earlier that later movies require a bit of “homework” for full enjoyment, and M27 is no exception. It has also turned into one of the more common complaints I see from casual DC movie enjoyers, at least on the Japanese side of things - because yes, there is a whole audience of people whose only exposure to the franchise is the yearly movie. While the most easily recognizable pieces of “homework” for this particular movie are clearly cases like Fairy’s Lips or even M21 for familiarity with Momiji and Heiji’s attempts to confess to Kazuha, it is also very much arguable that the second major pillar of this movie requires a working knowledge of Magic Kaito. Like, not just knowing who Kaitou Kid is, but knowing who Kaito Kuroba is.

Which means I’m going to be talking about a lot of this movie in concrete detail. The main thrust of the movie is, to put it very simply, a treasure hunt. What I discuss will give you very few clues as to how or why that mystery is solved, but it will end up touching on key events, motives, and emotional beats. If you’d rather keep yourself unspoiled so as to enjoy those aspects as well, please skip to my discussion on FILE.0. You can find that by scrolling to below the second horizontal line, or doing a Ctrl+F search on “FILE.0.” That being said, there will also be more concrete references to the post-credits scene everyone knows about by this point in the final section of this retrospective as well.

——

There’s a lot I want to discuss with regards to M27, but it’s frankly hard to conceive of how I’d go about it. Going through the movie chronologically would take far too long, so I think I largely just want to list up a few interesting elements and then dive into what significance I think those elements hold. For the curious, I saw this movie twice in theaters: once about a week after premier, and again when they were running English subtitles at certain locations.

Let’s start at the beginning, with the most amusing thing this movie did before it was even released: the lack of a pre-screening. Movies like these usually have a seiyuu event of some kind attached to an early screening of the movie that fans can attend via lottery a little while before the official release, but they used the framing device of Kid “stealing the pre-screening” to avoid holding one at all. This isn’t strictly related to anything I’ll discuss further, but it is amusing to think that they believed the information presented in this movie was important and significant enough that they didn’t want to risk people talking ahead of the official release. And, you know, it WAS, but we’re not getting into that just yet.

Also somewhat minorly was the cover of an-an being Shinichi and Kaito, as opposed to Conan and Kid or even Shinichi and Kid. There’s also been a handful of DC merch that includes both Kaito and Kid in the lineup, and I don’t think stuff like this has happened since 1412 aired. It’s clear in hindsight they were focusing on his civilian identity because of his motive in the film and the reveal in the stinger.

As for the movie itself, I want to start REALLY basic, and actually talk about the score of the movie. The Million-dollar Pentagram is the first Kid film since Yugo Kanno took over from Katsuo Ohno for the movie soundtracks. This normally wouldn’t matter too much, except for the fact that Kaitou Kid has utilized a variation on the same two themes since The Last Wizard of the Century. There was apparently quite a bit of back and forth as to how to handle this aspect of the soundtrack, but in the end they went with a completely new theme: The Grand Circus (華麗なるサーカス). If you’re reading this and somehow haven’t heard it before, I highly recommend you give it a listen. It serves as his calling card throughout the movie and is a much more playful tune. I can’t help thinking about Toichi’s conversation with Kaito in Hustler vs Magician about how the pierrot is the most important member of the circus (yet another reason I’m glad this chapter got salvaged in the 1412 adaptation). I definitely don’t dislike his old themes, but I do enjoy that the vibe of this one expresses a side of Kid in Detective Conan that has seen more screen time lately, but has until now had no musical motif to express it.

Another amusing part of this soundtrack is a certain melody, only a couple bars long, that repeats throughout the entire score. This melody just so happens to play during the final major reveal of the movie: that Toichi had been disguised as Yoshihisa Kawasoe the entire time. Kawasoe is a local detective that is in and out of the movie for almost its entire runtime. Toichi was, in essence, with us the entire time. Just like this melody was, weaved in and out of the soundtrack. It’s a nice touch. Kanno mentions in the Toho Cinemas guidebook that there’s very little impact to a melody introduced in the final moments, and that he wanted to inspire a sense of deja vu alongside surprise by accompanying that final reveal alongside a melody that had played the entire time. It’s kinda neat.

As for Kid’s behavior in this movie, it’s informed entirely by his desire to discover why his dad apparently went after this “potentially world-destroying” treasure, found it, and then left it alone. There’s an overlap between this and his motive in M19, considering both are more personal in nature, but M27’s motive is also far more fundamental to Magic Kaito. Kid is mentioned multiple times to have an assistant of some kind in Detective Conan chapters, but the only mention of his dad is that 1) he exists, and 2) he was the previous Kid. He’s not at all connected to Kid’s search for Pandora or his reason to be the second Kid in the first place, so bringing his dad into things as a motive feels more poignant if you know Kaito’s always been chasing him. Which is to say, it relies a bit more on knowing Kaito’s personal story from Magic Kaito.

The plot leans into this “if you know, you know” vibe by having Kaito only ever indirectly refer to his dad. When he explains why he’s searching for these swords to Conan and Heiji, he only refers to “a certain thief.” In a moment of respite, he only just barely gets to say the first sounds of “dad” before he’s interrupted by one of our culprits. It’s not said in any capacity until the very end of the movie, when the treasure is found alongside Toichi’s glove and a notice from Kid the first: “Wake not a sleeping lion.”

Going back to Heiji and Conan, he’s not openly cooperative with them until they save him from near death. It’s at that point they share info and Kid ropes them into solving this puzzle because it’s what they do best. The rest of their cooperation in the movie usually takes the shape of a “2+1” format. Conan and Heiji are obviously working together while Kid comes in and out via a number of disguises. There’s a comedy to his disguises in this film, since they’re almost too easy to see through. It’s likely in part so Heiji and Conan can be aware of his presence, since they’re technically working together. Minami Takayama also picks up on this in her movie pamphlet interview, adding that he “seems more open and honest this time, probably because that’s just how badly he wants to solve this mystery” and that it feels more like “Kaito Kuroba and Shinichi Kudo have taken a step closer” as opposed to it just being Kid and Conan this time around. Kappei Yamaguchi in the same set of interviews says he’s “basically Kaito” with Conan, even if he still mostly behaves as Kid with Heiji.

To summarize, Kid’s behavior in this movie is far more open due to the goal being tied to his dad, and with Conan specifically the mask is basically off. Add this to the comedic touch of his disguises throughout, and you’ve got some good Magic Kaito vibes despite his reduced screen time compared to M23.

But that only lays the foundation for those vibes. There are plenty of other reasons why it feels more Magic Kaito-y, given key aspects of this movie bring in more aspects of Kaito’s civilian life - and certain emotional beats rely on your knowledge of that.

To start with a more minor beat that wraps up things mentioned above: Toichi’s glove. Kaito takes it with him after discovering the treasure, and there’s a short scene while he’s flying through the sky (after a more significant moment we’ll discuss later) that sees him looking at the glove with a frankly mixed expression. The novelization of the movie mentions him smiling happily as he soars through the sky, but that is not the expression we actually see in the movie. He has Thoughts about finding his dad’s glove there, but the audience is left to guess what they may be. It’s a hole that’s nearly impossible to fill without knowing Kaito’s backstory (and, arguably, without knowing about Midnight Crow).

And we’ll get to Midnight Crow’s significance, just you wait.

The second beat I want to talk about is Nakamori. First (and more minorly) is his engagement in some true gag Magic Kaito energy. A short scene with a disguised Kaito at a hotel alongside Conan and Heiji ends with Nakamori up against the window, looking in with multiple police officers behind him, as he realizes he’s found Kid. Kid then runs, and Nakamori and his officers run across the screen as Conan and Heiji continue their conversation. Real goofy hours.

But the actual most important story beat with Nakamori is him getting shot by one of our antagonists. He’a shot while on duty and escorting another principle character, and the framing of the movie puts us in Kid’s shoes as he discovers a gun aimed at the both of them just a little too late. This decision carries with it a couple of interesting tidbits, whether they be for our purposes or for how it seemed to affect the people that worked on it.

I want to do the latter first, since the snowballing is less extreme. Yamaguchi has talked about this scene a number of times, whether it be in interviews or during seiyuu events. As a voice actor, he was surprised at his own performance as Kid yells out Nakamori’s name. It was desperate and loud in a way he’d never been before, but it still felt natural to him; he thought it was indicative of just how important Nakamori is to Kaito, and that this was less Detective Conan’s Kid and more Magic Kaito’s Kaito Kuroba.

Related to this is a comment he made at a stage event that in his heart, he’d wanted to say “ojisan” instead of “Inspector Nakamori.” But he felt that it would be too difficult to display their relationship that way, so he went with the latter. There’s a lot of character interpretation you can do with regards to what Kaito chose to say in the moment, but I also can’t deny the possibility that it simply comes down to the “Kaito and Nakamori” dynamic not appearing in Detective Conan at all. Well, at least in part.

The other major ramification of this narrative decision is actually Aoko’s appearance in the movie. Nagaoka recounts in multiple interviews, such as in Febri or Animage, that she originally felt the tension in the movie was a little too slow-going, so she suggested someone get shot. The original plan suggested shooting Nishimura, the Hokkaido police detective, but Gosho said Kid wouldn’t save him if that was the case. It was here Nagaoka suggested Nakamori, to which Gosho agreed. He then added, though, that if he was in the hospital, then Aoko would likely show up.

Thus we have Aoko’s first theatrical appearance, and her first appearance in Detective Conan at all since Black Star. Her appearance in this movie grounds Kid’s emotional narrative in Magic Kaito; it implies the existence of Kaito Kuroba in ways Hakuba or Nakamori never could, because her significance rests entirely in his civilian identity. There are scenes dedicated to Kaito watching over her in disguise as she waits for her father to wake up, only leaving once she seems to be okay. He’s on the phone with her in one of the last scenes in the movie, and his smile when he ends the call is the softest it’s ever been in Detective Conan.

That’s not all, though. In a cute example of the movie affecting the manga, Gosho told Nagaoka later on that a gesture Aoko performs - a two-handed clap to the face that helps her psych herself up - was brought back into Magic Kaito for his April serialization. We see Midoriko do the very same gesture when she wakes up after her quick nap, as it turns out.

There’s something else I want to mention about Aoko, but that fits better elsewhere. So before we talk about the elephant in the room, I want to mention the theme of the movie. Both Nagaoka and Takahiro Okura, the script writer, have described the movie as dealing with “parent-child relationships” and “inheritance.” All of the antagonists follow after their forefathers in some way, but it’s an idea most obviously expressed by Hijiri Fukushiro, the main movie-original character. The complicated feelings he has about following in his father’s footsteps, and the things he does as a result, can all too easily be compared to Kaito’s own struggles. As I mentioned earlier, Nagaoka does something similar with M23, but it’s even more powerful here because Kaito is just as determined to chase after his dad as the many other characters in the narrative are to deal with the legacies their forefathers left them.

So. 

Elephant in the room. 

The ship-breaking shot heard round the world.

Shinichi Kudo and Kaito Kuroba are cousins, and their fathers are twins.

I want to just trace this thread throughout the movie, in as brief a form as possible.

It starts with the very first confrontation between Kid and Heiji. When Heiji gets the upper hand and knocks Kid’s monocle off, cutting through the brim of his hat in the process, the moon peeks through the clouds and gives Heiji a clear view of Kid’s face. He’s immediately shocked to discover he resembles Shinichi.

Heiji has a couple of moments following that clearly illustrates he’s ruminating on this. When he first sees Conan, he crouches down and takes Conan’s face by the chin, examining him. When Kid and Conan banter on the train, Heiji sits behind them, a confused but thoughtful look on his face.

Shortly after the above, Heiji confronts Conan: “Do you have any siblings?” He brings up the physical and vocal resemblance Kid has to Shinichi, but Conan brushes it off. “It’s a coincidental resemblance. It happened by chance.” Heiji drops the subject, but there’s an argument to be had that the way Conan says that last line sure is suspicious.

The movie follows the main plot until Aoko’s introduction. In one scene with her, Heiji, and Conan, she watches the latter two talk with interest. She crouches to the ground and stares at Conan, telling him that she’s reminded of her childhood friend’s younger years when she sees him. This is the first time their resemblance has ever been phrased as “You look like Kid/Kaito,” as opposed to the more common reverse. Nagaoka remarks in an interview that Aoko’s presence in this movie presented the perfect chance to further thread the foreshadowing of their resemblance throughout the film, and personally I rather enjoy that one aspect of this foreshadowing comes from the Magic Kaito angle.

Post-credits. Yukiko is surprised to discover Yusaku has an older twin brother. Yusaku is a little…cagey, in my opinion. He expresses mild surprise he hasn’t mentioned it before, says they keep in regular contact despite not seeing each other in over 20 years, mentions he receives gifts every once in a while (including the extremely plot-relevant missing sword) and hints to Yukiko that she’s likely met him before. As she continues to guess who it might be, Yusaku attempts to change the subject to his new book; he wants her opinions on it. This is when he receives a text praising his most recent novel, signed by “TK,” and Yusaku smiles. The scene cuts to a skyline view and Kawasoe standing atop a tower of some kind. He looks at his phone: “Thank you, Nii-san! YK.” He laughs, and the disguise comes off, revealing a smiling Kaitou Corbeau.

Now, I mentioned Midnight Crow earlier, so I want to recover that pin now. Midnight Crow is a Magic Kaito case. It is the case that very strongly implies Toichi’s survival. Absolutely none of this is brought up in Detective Conan in any capacity whatsoever. Not even a REFERENCE to a “Kaitou Kid in black.” I’ve seen multiple stories, whether they be about themselves or about others they went with or saw in the theater, about people that were simply confused as to why THIS was the stinger in this film. I even have a personal anecdote myself, given I dragged my roommate with me to the movie and what surface knowledge she had did not do anything to help her understand what the heck was going on in the post-credits scene.

Within the film, in the vacuum of this one movie, the connection between Kawasoe and “the guy that wears a monocle like Kid who seems vaguely threatening” is actually really well foreshadowed! It’s even BETTER foreshadowed if you know Magic Kaito, because the relationship between Hijiri and his dad has parallels to Kaito and his dad. Because Kaito’s first disguise in the movie and Toichi’s disguise throughout used the exact same method: taking advantage of someone’s vacation, and thus their absence. Because you know this man is Kaito’s dad, the thief who found this treasure before and chose not to steal it, and is now taking advantage of Kawasoe’s klutzy nature to give Heiji and Conan information so they can find and protect it.

As far as Kaito and Shinichi’s resemblance is concerned, it was always used as a joke in previous films. Considering how long this running joke went, I imagine that made their blood relationship that much harder to accept. It was clear they were doing something different with it from the very start of this movie, though, when Heiji’s reaction to the resemblance isn’t played for laughs and it just kept coming up.

This also doesn’t necessarily come out of nowhere. The earliest piece of info that I can personally confirm is from a six-page interview with Gosho in a 2011 issue of Hayakawa Mystery Magazine celebrating the release of M15. After the interviewer implies that the similarity between Kid and Shinichi may be due to Kid being written first as a protagonist (further implying it’s a stylistic “protagonist” thing), Gosho replied, “Their resemblance is not just because of the order they were written in, but because there’s a secret backstory. There’s no way someone that looks so similar exists, you know? (lol) As for why, look forward to it, I suppose.” In the No. 22-23 2024 issue of Shonen Sunday, Gosho also has a little cheeky comment saying he’s relieved he was finally able to talk about Kid’s secret…

The other comment complicating the timing of when Gosho would have first considered this is a comment from Yamaguchi during a later screening of M27 alongside the seiyuu. According to fan reports, he mentioned being told that Kid had a “secret backstory” when he was given the offer to voice him. Combined with the fact that Gosho had apparently specifically chosen Yamaguchi despite the latter already being onboard as Shinichi, and Gosho choosing to go with a Kid cameo in DC in the first place because he wanted to introduce a regular rival… Maybe the idea of them being related existed well before that 2011 interview.

You might be able to tell, given how much I have written about M27 alone, that I think it’s a very interesting movie from a Magic Kaito perspective. It borrows from it the most by far, and I have to agree with the Febri interviewer when they said this movie has the biggest crossover between the worlds of Magic Kaito and Detective Conan by far. Because aspects of the theme, Kid’s motivations, and the entire post-credits scene are frankly lost on you if you’ve never bothered to read Magic Kaito. It’s a very funny thing for the “yearly event movie” to do, if I’m being honest, but this movie relies on the strengthening ties the two stories have made over the years. It sure did break box office records, though, so it seemingly worked out for them.

My only question at this point is whether further media, manga or movie, will pick up on the movie’s main revelation.

——

Since merch releases and promotion for M28 are ramping up, I wasn’t expecting much out of the Magic Kaito or Kaitou Kid mines for a while. Imagine my surprise, then, when FILE.0 was finally released as part of the special rerelease of Volume 1. At a mere four pages, one could barely call it an extra chapter; if it could be called anything at all, it’s more like an omake of sorts. Here we have Shinichi taking a trip to Tropical Land to plan out his date with Ran - and with Fate, of course.

It’s honestly pretty cute, the way he’s likely taking way too many notes on what he could do there. But what ends up happening is Shinichi stumbles upon a scene from Magic Kaito (Kaitou Kid’s Busy Day Off, to be exact), right as Kaito says his embarrassing line about ice cream being as sweet as it is cold. Shinichi is taken aback at how cringe this guy’s being, but he likes the idea of ending his date here by the fountain, so he takes notes regardless.

Did we really just put Shinichi in a scene from Magic Kaito for a rerelease of Detective Conan’s inaugural volume? With Kaito and Aoko, right there? It feels so small and so silly, but I still can’t get it out of my brain. The last time Kaito and Aoko showed up just as normal people in front of our main cast in any capacity was in Black Star, and I’ve already mentioned that this appearance makes the chapter feel even more like a crossover. But now, after everything that’s happened, they show up again. Maybe the line in the sand is still there, but I think it’s moved.

Final Thoughts & Hot Takes

The very nature of Kid originally being from another older series means I have no idea where we actually go from here with all of this. I have no major expectations at all for when or how or IF Shinichi and Kaito being related will be brought into the manga in any capacity, largely because there’s very little precedent for it. You have things like Ran already knowing Momiji in the manga even though they only ever had a “first meeting” in M21, or James Black knowing about Akai’s survival first being confirmed in M18, but stuff like that that’s a pretty rare occurrence. Even so, Takayama and Yamaguchi discuss the idea themselves in an Animage interview. She mentions that the movies seem more connected to the manga nowadays, while he muses at the idea of Fairy’s Lip leading into M27, which may very well then lead back into the manga.

Regardless, I don’t think anyone would argue if you said Magic Kaito felt more integrated into Detective Conan now than it did 20+ years ago, when Kid was first appearing in the manga and movies.

So to cap everything off, I think some Hot Takes are in order.

The cousin reveal isn’t actually all that bad. I’ve admittedly been on this particular train for a decade, so this was like every national holiday and then some rolled into one. I definitely have some questions about things like Shinichi’s Childhood Adventure or Yukiko’s relationship with Toichi, but for me personally none of them really snap this reveal in two. Nor do I think it dampens the way they were brought together as detective and thief, especially since I think you could reasonably argue that Toichi and Yusaku maintained their distance not only due to the divorce, but because of Toichi’s new profession. “Over 20 years ago” puts them at probably no more than a couple years before Toichi became Kid, when he was likely traveling for his magic show, as opposed to the young age they apparently were when their parents divorced. It’s also made fairly clear in DC that Yusaku knew who Kid’s civilian identity was… or at the very least, that’s how I read that interaction. If they intentionally kept their halves of the family from meeting, then it’s pretty incredible Shinichi and Kaito met at all. If the manga touches on them being related in any capacity - and again, I have no clue how likely that actually is - then it’s not going to suddenly supersede the relationship they have now. It’ll just add to it, assuming they chose to entertain it at all, and that complexity could be fun. This is all admittedly personal, of course; my shipping preference leans very heavily into “weird platonic relationships,” so that informs this particular take by quite a wide margin.

1412 is the ideal way to consume Magic Kaito. I don’t know how much I even like this hot take, but I can’t help thinking it’s true regardless. It more closely resembles Detective Conan in tone and vibes than it resembles its own source manga in a couple of key ways, so I do actually think this - over either the manga or the TMS adaptation - is the way they want people new to Magic Kaito to consume it, especially if they’re coming in from Detective Conan. That Gosho created a new finale for it, and did so by pulling out the “Toichi is actually alive” card, is also fairly telling. And if people like it enough and want more, the manga is still plenty available.

Magic Kaito has become a Detective Conan spin-off. I think I also hate this take, but I also believe it to be true in any way that functionally matters. We must respect that Magic Kaito came first - that Kaito and Aoko and Hakuba came first - but Kid’s modern popularity can be almost entirely attributed to Detective Conan. And honestly, I have to wonder if it’s still running, albeit irregularly, because of that. Phantom Lady jumps off of Ryoma’s Gunbelt, Green Dragon references Queen’s Bang and takes a quirk from the movie for both Aoko and Midoriko. The tone does a clear shift after DC begins serialization as well, and goes even further into mystery solving after Kid makes his first appearance in DC. If you didn’t know any better, you might think it was similar to something like Zero’s Tea Time: a spin-off for a crazy popular character. It’s not, and it never actually will be, because Magic Kaito came first. But I think it sort of has become one.

The line in the sand is not bad, until it is. I don’t actually mind the parallel worlds argument, largely because I can understand what kind of slippery slope Akako is for the logic-driven Detective Conan. There’s also a part of me that doesn’t really mind Kid plots being largely stand-alone, with little to no involvement with the main plot. I could even also buy the two shady organizations actually being different, if and when we ever get information about MK’s organization. But after coming this far, and developing Conan and Kid’s relationship to the level that you have, I think not delving into who Kid is when he takes off the costume becomes the more contrived option. Gosho’s said before that solving the DC plot will not simultaneously solve the MK plot due to those organizations being different; I don’t think that means Kid should be verboten from Black Organization plots entirely. I don’t think it means Kid shouldn’t maybe suffer a consequence or two for being so open and casual with Conan, or that we can’t have a running side plot involving him. But then you run into the problem of Magic Kaito being its own series, and if you erase the line in the sand - if you let Kaito Kuroba be in Detective Conan - what do you do with Magic Kaito? The two worlds have overlapped so heavily with M27 that I almost wonder if we’re at a breaking point. Maybe this is the real Pandora’s box.

Kaitou Kid is a Detective Conan character, but Kaito Kuroba might not be… yet. I think DC has claimed Kid for its own. Especially the performance of Kid as displayed by the man behind the mask. But that mask has been chipping away, and Kaito himself is usually the one speaking to Conan at this point in both the manga and the movies. Even so, to so many people, that’s still just Kaitou Kid. I’ve seen disappointment expressed at that suave gentleman thief from the Black Star and M3 era being nowhere in sight in modern times, and it’s because it was always an act. You can’t keep up that act when you choose to trust someone, and they trust you back. You just… start becoming yourself. But he’s not truly himself in DC yet, despite the few scant appearances of Kaito himself we’ve received. For some reason, Kaito Kuroba still feels like a crossover character, and his appearance some special event, compared to Kaitou Kid. FILE.0 was a surprise in this regard, but in relation to the above, I have to wonder: Should Kaito himself ever feel as entrenched in DC as Kid is?

Kaito Kuroba - who many and more know as Kaitou Kid - is such a funny character if you think about him for more than a few seconds. His popularity in the Detective Conan vacuum is more than warranted, given his back and forth with Conan, but I really do want to believe that it’s the duality of his appearances in Magic Kaito and Detective Conan that contributes to this popularity. If M27 and some of the recent trends in both DC and MK are anything to go by, maybe I’m not so far off the mark.

We’ll likely get more stuff to enjoy in the meantime, but I’m currently looking ahead to Magic Kaito’s 40th anniversary in 2027 and hoping we get another movie… Or maybe another major manga arc. If you’ve managed to read all of this, you have my deepest gratitude! I hope this adventure was as enlightening for you to read as it was for me to write.

[thereweredragonshere]

Dragon with a metal as fuck (literally) prosthetic wing!!

More Prosper content :D I feel an indescribable amount of love for this dragon. And the cool ass wing designs I can give her.

Even though the entire concept of this prosthetic functioning is quite literally impossible, I still put some actual thought into the design’s fictional functionality (hey that was alliteration).

The wing is piloted with a rod that is connected to her remaining organic wing that synchronises the movements (think Toothless’ automatic tailfin). The fingers of the wing are connected together at the top and don’t all independently move, it’s based on a rig that is controlled by the very outer finger. If that one is half folded in the other 5 fingers will correspond with that, if it is fully extended the other five will correspond with that etc etc. The fact that her wings have to by synchronised is by no means easy to operate. She cannot do most basic manoeuvres in the air, even turning to the left/right whilst in flight is extremely dependant on her secondary hip wings and her tail fins. It is nowhere near having a real, attached to her body wing, but it still gives her the ability to fly again. And long distance flying is still a pain in the ass because the massive scars all along the right side of her body get irritated after a while.

A lot of the thought behind the design came from how odd it felt that httyd 3 just… got rid of Toothless’ disability? Like yeah he was still missing a tail fin but it might as well just have grown back. He has a new, fully functional, doesn’t need to be taken off, apparently doesn’t even need maintenance, fire proof and extremely durable prosthetic that just allowed him to function as if he wasn’t disabled? In the Viking age as well?? Even in the modern day we don’t have prosthetics that can fully restore permanent, none skin irritating, doesn’t need to be fixed up ‘replacement’ limbs. Yes there are some very high quality prosthetic limbs that can restore a lot of functionality and give a very good quality of life, but it is not a new limb. It’s a prosthetic. It doesn’t change the fact that there is a missing body part. It doesn’t completely replace every single functionality of a real limb? The film just entirely disregarded that fact that Toothless had a disability. Just slap a technologically impossible bit of gear work on his tail and BOOM he’s fixed. No that’s not how that works you fucking idiot 😭 His skin would get irritated, the fin would eventually need to be repaired because again IT WAS THE MEDIEVAL ERA. I know Hiccup was smart but girl he was not smart enough to invent an indestructible replacement body part. We can’t do that in 2024, let alone 1000 or whenever the fuck httyd is set.

Anyway going off that rant, whilst Prosper does regain the ability to fly, it is very limited, not for long periods of time and kind of painful. Because that’s what happens when you get a whole ass limb torn from your body. It tends to hurt and not be ‘fixable.’

[blueishspace]

Looped Sun 14

Loop #427

Tango: Jimmy!?

Jimmy: Rancher!?

Pearl: Oh wow, they look adorable.

Scott: Yeah...

Pearl: ...who shit in your coffe today Scott?

Scott: What!? Uh??

Pearl: Why are you being weird about it?

Scott: Excuse you, I'm not.

Pearl: Uh huh.

Scott: I'm not... lying.

Pearl: Huh, if you're sure.

Scott: ...

Pearl: Listen Scott, I don't care if you are jealous but don't let it become a problem.

Loop #429

Scott: Pearl, Pearl I fucked up.

Pearl: What's wrong!?! What happened.

Scott: I let it become a problem.

Pearl: ... What did you do.

Scott: I ... Poured water into Decked out 3.

Pearl: YOU DID WHAT!?

Scott: I didn't mean to but I just so ... tempting.

Pearl: Do you know how much time Tango has put in on it!?!

Scott: I know!

Pearl: That was multiple loops of work

Scott: I ...know.

Pearl: ...

Scott: I'm ...sorry.

Pearl: Listen Scott, you are one of my closest friends but that was really fucked up.

Scott: I don't know why I did that... I didn't think that-

Pearl: You didn't think at all mate... Why did you come here?

Scott: ... I'm going to tell Tango.

Pearl: ... And? Why tell me?

Scott: I... don't know. I guess I wanted to know what do to. And now I do.

Loop #430

Tango: ...

Scott: ...

Tango: So?

Scott: I dropped water in Decked out 3.

Tango: ...That's it? Scar does that like 5 times a week, It's annoying but accidents happen-

Scott: It wasn't an accident.

Tango: What do you mean?

Scott: It wasn't an accident, I did it on purpose.

Tango: But why would you do that?

Scott: I... don't know. I didn't think.

Tango: ... Are you sorry?

Scott: I am.

Tango: Are you willing to help fix it?

Scott: Yes.

Tango: Then, a truce?

Scott: Truce?

Tango: I think I know why you did that, so truce, for Jimmy's sake at the very least.

Scott: Alright, truce. For Jimmy.

Loop #433

Grian hated yhs loops with a passion, he really did. Taurtis was an enabler at best most of the time and Sam... Yeah. Accidentally going sun titan mode and being mistaken as Amateratsu was new... To be fair there was much that he wanted to avoid so all things considered this was actually a pretty ok loop. Still getting worshipped always felt unconfortable...very unconfortable.

Loop #438

The Narrator: You are on a path in the woods and at the end of that path is a cabin and in the basement of that cabin is a watcher. You are here to slay it, it will be the end of the world if you don't.

Mumbo: ...

The Narrator: Hello? ...

Mumbo: I feel like this is a meta joke of some kind.

Loop #441

Tango: Let me guess, Scott?

Scott: Tango?

Tango: Is it so obvious?

Scott: Your villain name is literally fireburn.

Tango: Listen, creativity is hard ok?

Scott: So, guess fire powers?

Tango: Fireficating, yes.

Scott: Sooo, why the visit?

Tango: Jimmy is a hero in this loop.

Scott: Oh? I have to see this.

Loop #443

Scar: Ok, what if I also went insane this time.

Pearl: Uh?

Scar: I could be uh... Scarlet Scar!

Pearl: I hate the fact it's an alliteration.

Scar: Oh, it could be so fun!

Pearl: Hmm... I have an idea.

Pearl: Prepare for trouble!

Scar: And make it double!

Pearl: To protect the world from devastation.

Scar: To unite all people within our nations.

Pearl: To denounce the evils of truth and love.

Scar: To extend our reaches to the stars above!

Pearl: Pearl!

Scar: Scar!

Pearl: Team Scarlet blas off at the speed of light.

Scar: Surrender now or prepare to fight.

Tilly: woof woof woof woof! (Woof, that's right!)

Loop #446

Tango: Being a gem is... Weird.

Scott: Comes with being a being of light. Pearl told me about it but it is a lot weird when actually in it.

Tango: So you are a uh...

Scott: Sapphire, guess you are a carnelian.

Tango: Yeah... overcooked too.

Scott: Ouch. Jimmy is a lapis lazuli this time around.

Tango: That's the water one, right?

Scott: Yeah. I can being you to him. You could say sapphires are good runners.

Tango: Jimmy is so bored lately, I don't get it.

Scott: It's part of the loops, happens to me to. Sometimes we feel a little numb.

Tango: We should do something interesting but I don't know what.

Scott: Actually I have an idea.

Scott: Jimmy!

Jimmy: Scott, Tango, what's going on?

Tango: We have someone we would like you to meet!

Jimmy: Oh uh...sure...?

Scott was actually pretty light Tango had to admit, it only took a twirl and and a dip and they were both engulfed by light.

Jimmy: U-uh!... H-hi? Y-you look great! I mean good I mean nice.

???: Oh don't be shy, you look great good nice too.

Jimmy: A-ah!?? Uh??

The fusion didn't last that long considering the tension still present between the two but Jimmy's glowing face was worth it.

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[familyabolisher]

hi!! i hope you’re having a lovely day :-) i really enjoy reading your blog and how you pick apart Things & was wondering if you have any tips and guides for reading and analyzing poetry? ive always struggled w forming coherent thoughts abt poems and would love to know how you approach it. thank you sm for your time ✨

so the big thing that made poetry "click" for me was realising that i was trying to read it the way i might try to read a novel -- identify a discourse taking place, look for points in the text that supplement my argument, construct a position on what the piece is "about" based on these points -- all very undergrad essay-core and frankly a v boring way to think about novels as well, but like, completely mind-numbing when it came to poetry. i think a better approach is to interface with the poem at the level of language and technical construction. i find that it helps a lot to know the technical terms for particular phenomena in the language of poetry, but even without that shorthand knowledge, you'll get a lot out of poetry when you start looking at the choices being made at the level of individual words or even syllables. so instead of asking "what is this poem about?", we can start to ask, for instance:

what is the tone of this poem? is it sparing or loquacious? emotional or detached? asking questions or answering them? what's the vantage point - is this a detached omniscient third-person narrator making observations, or are we as the reader being guided towards a particular perspective on the part of the speaker?

what is the mouthfeel of this poem? can you find any 'shapes' -- any assonance, any internal rhyming, alliteration, anything that causes you to pay attention to particular words, phrasing, etc. why is your attention being called to those moments?

what is the rhythm of the poem? is it free verse -- if so, can you find any points in the piece where more or less attention to rhythm is being paid? why does the line break on this particular word? are the sentences short or long? how is the poet interfacing with their chosen meter? what does this meter lend to the poem? if you're reading multiple works by the same author, compare their use of meter -- do they use the same meter regularly or switch it up, and why were those switches made?

if you can annotate a poem, do so. note down anything which seems linguistically interesting, even if you don't know the "correct" technical word for it -- any clusters of words with similarities whose placement might be interesting (eg. what words are rhymed!), any noteworthy rhythmic discrepancies, placement of line breaks, anything that sticks out. i like to think of reading poetry as a playful exercise -- you're playing around with the words, seeing how they work, enjoying the rhythm and texture of the piece as it comes to you, and trying to construct "a reading" only after the fact.

i think there are times when the reading-for-a-discourse approach can be v helpful and illuminating, but it's best to stumble on those opportunities organically rather than focusing all your energy on trying to answer the "what is this trying to say?" question. if a particular discursive component of a poem sparks your interest (like eg. you read the rime of the ancient mariner and notice how the poem interfaces with contemporaneous abolitionist discourses as well as colonialist ideas about polynesia, just as an example), you've obviously got a compelling hook from which you can anchor a reading, but going in expecting such a reading to jump off the page will often just result in frustration.

this doesn't mean that we don't take the discourse of a poem seriously, or that we don't understand the "rules" of poetry to be postdiscursive phenomena highly contingent on social context. if anything, understanding poetry at a mechanical level opens up significant doors for answering these types of questions -- we can understand, for example, the reactionary nature of the academic revolt against free verse and the desire to return to metered poetry better once we understand the function of form and structure in fascist aesthetics. similarly, spending this kind of time with a poem makes it a lot easier to get a handle on what it might be "about," and what sort of choices are being made to render that "about"ness coherent.

also -- and this is true of anything, including poetry -- if a poet isn't working for you, try reading somebody else. a lot of poets that people will say are good and interesting are neither of those things. poetry has the advantage of being (usually!) a quick read compared to novels, so it's far easier to shop around, read widely, realise what you like and dislike, and engage accordingly.

one of my favourite pieces of literary criticism and examples of the value of this sort of reading practice comes from nabokov's epilogue to lolita, in which he both defends the novel in question against accusations of salacity and speaks very disparagingly of efforts to read a thesis statement into it. he writes:

Every serious writer, I dare say, is aware of this or that published book of his as of a constant comforting presence. Its pilot light is steadily burning somewhere in the basement and a mere touch applied to one’s private thermostat instantly results in a quiet little explosion of familiar warmth. This presence, this glow of the book in an ever accessible remoteness is a most companionable feeling, and the better the book has conformed to its prefigured contour and color the ampler and smoother it glows. But even so, there are certain points, byroads, favorite hollows that one evokes more eagerly and enjoys moretenderly than the rest of one’s book. I have not reread Lolita since I went through the proofs in the spring of 1955 but I find it to be a delightful presence now that it quietly hangs about the house like a summer day which one knows to be bright behind the haze. And when I thus think of Lolita, I seem always to pick out for special delectation such images as Mr. Taxovich, or that class list of Ramsdale School, or Charlotte saying “waterproof,” or Lolita in slow motion advancing toward Humbert’s gifts, or the pictures decorating the stylized garret of Gaston Godin, or the Kasbeam barber (who cost me a month of work), or Lolita playing tennis, or the hospital at Elphinstone, or pale, pregnant, beloved, irretrievable Dolly Schiller dying in Gray Star (the capital town of the book), or the tinkling sounds of the valley town coming up the mountain trail (on which I caught the first known female of Lycaeides sublivens Nabokov). These are the nerves of the novel. These are the secret points, the subliminal co-ordinates by means of which the book is plotted—although I realize very clearly that these and other scenes will be skimmed over or not noticed, or never even reached, by those who begin reading the book under the impression that it is something on the lines of Memoirs of a Woman of Pleasure or Les Amours de Milord Grosvit. That my novel does contain various allusions to the physiological urges of a pervert is quite true. But after all we are not children, not illiterate juvenile delinquents, not English public school boys who after a night of homosexual romps have to endure the paradox of reading the Ancients in expurgated versions.

It is childish to study a work of fiction in order to gain information about a country or about a social class or about the author. And yet one of my very few intimate friends, after reading Lolita, was sincerely worried that I (I!) should be living “among such depressing people” —when the only discomfort I really experienced was to live in my workshop among discarded limbs and unfinished torsos.

[malaierba]

Remember that it was explicitly stated that Toshiro was trained in ninjutsu?

(HE WAS SIX. LIKE, BY THE WAY)

(the way he has that fucking flashback always sends me btw. I know my man felt the floor sink and everything)

And most of people trained under his family's residence are ninja-coded. Since his dad has those dark, ambiguous links with powerful people, so he's likely the same.

So why is Toshiro's attire and fighting style like a samurai's?

Strictly speaking, ninjas were essentially historical mercenaries, and samurai were nobles who fought under the shogunate without a fee. They were famously guided by the Bushido Code, while ninjas were expected to be shady and fight dirty.

Essentially opposites. Which makes me think that there's a few likely intentions behind that choice:

Maybe she just wanted to drive home more clearly the culture clash between laishuro. Like Toshiro just so happened he wanted to dress like a samurai in his adventure. Maybe he's trying to avoid being recognised? Could be, but I don't think that's it

Maybe Toshiro's training and general upbringing changed as his dad became more influential. Maybe there was a possibility that he could marry up, or get adopted into noble society, who knows, thing is there was a political reason that justified trying to raise Toshiro so he's more of a diplomat than his dad probably is. But then that'd mean that his dad regretted the switch when he deemed his son "a dull man"? I'm 50/50 here, there's always a possibility that in this fantastic alliteration of Japan has some overlaps between samurai and ninja, and maybe ninjas can be nobles after all. Feels too counterintuitive to be logical though.

Maybe it's meant to highlight how different Toshiro is from his family. So visually, it singles him out and associates a certain set of values with him; And then within the story, it lends itself to some compelling ideas like: Did he do it on purpose, was it somehow decided for him as a weird punishment or something? If he did it on purpose then that'd be the very first big decision he took for himself, to say "I want to embody this". Very bold of him since it sends a clear message to everyone. It'd be kind of cool if he made the switch after his father accused him of being dull. He could feel responsible for inheriting the family and having a lot of people to his charge, but at the same time he has such a negative opinion of the type of leader his father is that the only way to reconcile his conscience would be to become the new head of the family but also lead completely different to his dad. OR maybe it was a silent way to say that he never felt like being in that position of leadership anyway. Quietly quitting, in a way? Or maybe it didn't even happen consciously. Toshiro naturally seeked role models that embodied a type of man that he could actually look up to, and slowly molded himself to that standard, for better and for worse. Strong sense of responsibility and all that.

I guesssss it could be that Toshiro's family really is nobility, but they train their servants in all of those special skills as a private bodyguard force? Hien expected Toshiro to propose to her, would that union be allowed if Toshiro's family was nobility? It's even said in one of the art books that the reason why Toshiro's dad didn't marry Maizuru is because he met her after marrying his wife. Besides, why train Toshiro in ninjutsu too? And then there's those moments when it's hinted that he's familiar with some darker dynamics. I keep thinking about how he knew what Laios group had to do in order to lose the cops fkdkkd. Anyway I can see the logic in the argument, I'm just not sure Toshiro's family isn't hiding something sus. I see it as very mafia coded. Honestly, that might be just it

In any case, it does overlap some interesting elements on Toshiro. There's an expectation on him from his family, the way the household projects an image of strength but also some shadiness, that contrasts with how he presents himself, how he's treated by his charges, how the image he projects is of a mild mannered, stoic, diplomatic man.

[blues824]

Twisted Wonderland's Housewardens with a GN!Saiki!s/o; reacting to the news that they're a psychic.

Riddle Rosehearts

Even though he would prefer to be isolated from others, he is sad that you don’t accept anyone as your friend, much less your significant other. This is when you use your telepathy to tell him that you can read minds. He is very embarrassed, so please let him know that you return his feelings.

He understands your sweet tooth, as he has one himself. He will try and get Trey to teach him how to make coffee jelly so that you don’t have to keep buying it from Sam’s shop. The effort was heartwarming, and really piqued your interest. 

You both can talk to the hedgehogs and flamingos in different ways; he knows their language and you can speak with them telepathically. The flamboyance and the array all love you (much to your slight annoyance), and you have to admit that they are adorable. Whenever Riddle sees you interact with the animals, he just gets a warm feeling in his chest.

Leona Kingscholar

Sarcasm at its finest. You both like to be alone, so you tend to be alone together. Whenever he’s asleep, you can see his dreams, and a lot of them are about you. This fact does make you blush just a tiny bit, but you never tell him that you can until much later in your relationship.

He does not understand your sweet tooth, but he will have Reggie supply you with some coffee jelly. Leona prefers more savory foods like meat, so he will find it annoying whenever you do anything for your beloved treat. He swears you love it more than him, and it’s probably true.

You have the ability to talk to him telepathically, so you both don’t even have to be near each other. You can hear his thoughts, and you can speak to him through his mind. It’s actually very convenient for the two of you, as you don't have to look for each other or make the effort of texting each other.

Azul Ashengrotto 

Oh, please don’t tell him that you can read his mind. Other than being concerned with matters consisting of his multitude of contracts, the tweels, and the Mostro Lounge, 95% of his thoughts are about you. Mans would grow more red than Riddle’s hair if you informed him that you were psychic.

His favorite dish is fried chicken (can’t blame him), so he has a preference towards savory foods. However, sometimes he wants something sweet. That’s where you come in and convince him to add coffee jelly to the Lounge’s menu so that you can enjoy it freshly made. 

You have the ability to talk to the fish in the tank, as does Azul. It’s very intriguing for you to hear them speak, since you made it so that the cecaelia could actually hear the marine life saying words. A few of them were angry that other fishes did something, so there were a lot of curses.

Kalim Al-Asim

I feel like he would be the kind to have his head empty, which makes you panic because you can’t read his mind. However, you can tell that he’s very genuine in his joy (alliteration goes crazy sometimes). If you told him that you were psychic, he probably didn’t understand what that was.

He likes coconut, right? He likes sweeter things, if I’m correct. That being said, he can’t blame you when you get a sweet tooth. He is probably your main source of coffee jelly, since he would order some just for you. He tried it once and didn’t really like it, but you love it and he loves you.

If you talk to Jamil, you’re already talking to a snake (/j, but not really). Anyways, you can talk to any of the animals that Kalim gets on a whim, and they’re all annoyed that the young Asim doesn’t know when not to spend money on impulse. Honestly, all of those animals are just a mood.

Vil Schoenheit

His mind never turns off. He’s always thinking about something, and it honestly gives you a headache. As the two of you often sit with each other to squeeze in time to be a semi-normal couple. You can tell that sometimes he’s not present because he’s planning his day through. You often have to tell him to slow his mind.

If I remember correctly, he likes smoothies. You like coffee jelly. Vil knows that it’s not the healthiest, so he tries to offer you a deal: you both can enjoy it once a month so that you can think of it as more of a reward than a treat. He is aware that you can off him with a single thought, but he doesn’t care.

You like to brighten up his day by talking to him telepathically whenever he’s too busy. It’s a bit out of character for you, but you know that it makes him feel a bit better. Knowing that you support him even from far away is comforting for him.

Idia Shroud

Please don’t tell him you can read his mind, Part 2. Mans would panic. Like Azul, his mind is constantly thinking about you, and maybe a new anime he watched or a new video game he played. His hair along with his face grows bright red when you tell him that you are psychic.

Idia likes candy, so he completely understands your little (huge) sweet tooth. Whenever you tell him telepathically that you are coming over, he makes sure that he has coffee jelly on hand so that you continue to like him (he’s insecure, so he uses your love of food to his advantage). 

You often like to spook him by just using your telepathy to tell him something, especially when he’s out for a club meeting. The cecaelia he likes to play board games with is often confused when he sees the eldest Shroud brother jump because you scared him.

Malleus Draconia

He thinks your powers are amazing. What’s amusing to him is how you constantly fight with Sebek because you were a very sarcastic (borderline rude) person. Malleus often had to calm his knight down after every single fight you both had, but the prince couldn’t help a small smile that appeared on his face.

Malleus enjoys ice cream, but he wouldn’t mind trying his beloved’s favorite dessert. He doesn’t dislike it, but he prefers to stick to his favorite. However, don’t be surprised if you see an elegantly wrapped package of coffee jelly at the front door of your dormitory, signed M.D.

Whenever you decide to use your telepathy, it’s usually when he gives you a sign that he can’t get away from his retainers. You both have full-blown conversations with each other and neither Lilia, Silver, nor Sebek notice because his face would be great in poker.

[dsknsk]

My personal headcanon ‘human’ names for the gang. Japanese because I’m a shameless otaku.

(Gotta say it was really, really hard to find somewhat neutral names that also still related to their color, especially with orange.)

Names are family name first as per Japanese customs.

The Second Coming: Sairin 再臨 再臨 = second coming I think it’d be very funny and fitting to have TSC be the only one with just a single name that is just literally the Japanese version of “the second coming” because it stands out a lot.

Green: Midorikawa Matsuri 緑川 松里 緑 = green 川 = river 松 = pine tree 里 = location Pine trees are evergreen trees, meaning they always stay green. Alliteration is always nice.

Red: Kouya Akane 紅夜 茜 紅 = red 夜 = night 茜 = red (specifically a type of red that’s called ‘rose madder’)

Blue: Aoharu Mizuki 青春 水月 青 = blue (the word 青 itself can also be interpreted as green as well as blue. It typically depends on context; though it is ‘teal’ in a technical sense and ‘azure’ in a poetic one. It’s an East Asian thing) 春 = spring 水 = water 月 = moon I just think 水月 is a cute name. Two characters I know are also named 水月 and they’re both blue-themed as well.

Yellow: Kise Hikari 黄瀬 光 黄 = yellow 瀬 = current 光 = light Redstone can be seen as a sort of current that runs through other blocks to make them work in a poetic kind of sense.

Purple: Fujiwara Yukari 藤原 紫 藤 = wisteria 原 = field 紫 = purple In this case, 紫 is also intended as a shortened form of 紫苑, the tatarian aster flower that means “I won’t forget you” in hanakotoba.

King Orange/Mango: Sayu Hachirou 小百 八郎 小 = small 百 = hundred 八 = eight 郎 = son

Now I know this one is a bit unusual and I might’ve bent the language and what is considered a name just a bit to make it work. But that’s all because I put quite something in it, and I think that it’d only be fitting for it to be unusual. As a first, to tie in with Purple, his name contains 小百, which is part of 小百合, the orange lily that means “hatred” and “revenge” in hanakotoba. 百八 is also the number 108 together, the number of temptations a person has to withstand to reach nirvana.

After redemption he would change his family name to 百日(hyakuni), swapping the position of the 百 (to show a turnaround) and subsequently inducing 百日草, the zinnia flower (which also comes in orange) that means “loyalty”.

百 can also be pronounced as “momo”, a homophone with a pronunciation of the word 桃, “peach” which has pink flowers, secretly linking him to Purple’s mother (and indicating him as Purple’s new family/parental figure depending on your interpretation).

(You might also have noticed that 百 has 3 different pronunciations. That’s a thing.)

[snapscube]

your spidersona is so cool omg,, are there any specific things that inspired you/things you took reference from with that design?

so my first thing was like.... okay what's the GIMMICK yknow. i wanted it to be personally resonant to me but also there has to be a gimmick cause i wasn't just gonna make a self insert and call it a day yknow i want her to be like a Character. so i just starting brainstorming different things that are meaningful to me. voice work, coffee, music, etc. when i landed on music i was like ohhhh yknow what a sort of music-focused spidey who kinda uses spider sense in tune with the rhythm of her own playlist would be cool, baby driver/hi-fi rush style. though i didn't think of the hi-fi rush connection until well after i had come up with the full idea, it's become a decent reference point.

after i had the Gimmick down i was like okay so i want her to be named Olivia. for reasons. so i was like damn okay what's the last name then. i REALLY wanted it to be an alliteration. Olivia Octavius is of course a spider-verse character already. and not a lot of like, real-world surname inspiration was hitting. and then i was like oh shit. Osborn. that's a thing in the spidey universe. so then i thought to myself "would i fucking dare make a spider-sona that was a part of the Osborn family" and the answer was "yes" because THEN that clicked every other thing into place.

her powers? they came from an Oscorp tech accident. her aesthetic? it's because Oscorp in her universe is a consumer tech company like Apple (though a bit more fantastical, thus the superpowers) so she's very Sleek and Modern and her whole thing really revolves around the MP3 player, aka the Ospod. her spider logo? well if i design an Oscorp logo that uses an "O" and a "C" shape in such a way i can make it look like a spider, especially if i strap it to the big battery pack behind her that i ALREADY wanted her to have.

so yeah :)

[waspcup]

catalytic converter is a banger name for something. i don't know what exactly but it's fucked up that it's a car part and not something cooler than that. if i could go back in time and influence my parents' name decisions for baby me i would have them name me catalytic converter. i could always change my name now but it gives you a built in cool/funny story to tell people ("yeah my parents named me catalytic converter lol it's on my birth certificate and everything isn't that fucked up") and of course i could just lie about that but i can't exactly tell everyone in my life that i'm changing my name to catalytic converter. i couldn't just only tell some people either it'd have to be an all or nothing type deal. i could always fake my death & skip town etc but i don't really want to do that to be honest. i'd much rather be catalytic converter from birth. lots of cool nicknames from that and it's got a nice ring to it what with all the alliteration and hard sounds and all. i think it would be a good band name too if i ever start a band i'll call it catalytic converter. if in 10-15 years a band gets really big or even medium and it's called catalytic converter just know that it's me wasp waspcup playing the drums.

[dedalvs]

Random question:

So a while back I read something where someone was talking about how if English spelling were reformed so every sound had a unique symbol that we’d lose the “visual alliteration” of Cape Cod.

I cannot figure out what that means. Are those /k/ sounds not both [k]? The only difference I’ve been able to notice is a feeling of the airstream moving outward in “Cape” and inward in “Cod”, but I can’t tell if that’s due to vowel influence or what.

Let's back up. The "someone" who was talking about this was either (a) wrong, (b) uncooperatively pedantic, or (c) imagining a very specific, non-alphabetic spelling reform of English (e.g. spelling English with logographic or syllabic glyphs).

Assuming (b), the only way that English spelling could be reformed such that the C's in Cape Cod would be different is if the spelling reforming was as sensitive as a narrow IPA transcription. If that was the case, then there are some transcriptions of English that would transcribe the first as [kʰʲ] and the second as [kʰ]. This level is detail is phonologically important for some languages. English is not one of these. A sensible spelling reform would spell those the same, whether C (because all instances of [k] become C) or K (because all instances of [k] become K). A nonsensical spelling reform would actually spell aspirated and unaspirated voiceless stops different, but even then, these two would be the same, as they're both aspirated.

The airstream is the same for both (egressive). What you're feeling, I expect, is the very slight movement in tongue position as the initial [k], which is palatalized, moves backward to an unpalatalized position. The reason you feel this is the tongue doesn't have to do anything in between the onset of the first word and the onset of the second. The tongue gets in position for [e], and in this position you can pronounce [k] well enough, then with [p], your tongue doesn't have to do anything; the lips take care of it. This means your tongue body can remain in place. For "Cod", it moves back as the tongue prepares to pronounce [ɑ] (or whatever back vowel you have there). Notice also that the tongue body has to go down, the tongue tip retracting slightly to pronounce [ɑ]. That's all part of it.

Now, assuming (c), yeah, that's indeed going to happen. Consider Japanese katakana. This is how "Cape Cod" is spelled: ケープコッド /keːpu koddo/. The relevant characters—the ones that begin each syllable—are ケ /ke/ and コ /ko/. And, yeah, they're different, so you do lose the visual alliteration. However, what you lose in visual similarity you gain in economy. To write /ka, ke, ki, ko, ku/ in an alphabet you need 6 different letter forms and 10 total glyphs. To write the same thing in katakana you need 5 different letter forms and 5 total glyphs. Consider an old style text message, which had a hard character count. A syllabary allows you to fit more letters in than an alphabet because each character encodes more information. When it comes to sheer character count, then, the Japanese writing system is much more efficient when it comes to writing Japanese than the English Romanization is.

Of course, that's for Japanese. For English it doesn't make as much sense because of our overabundance of consonant clusters. Typing lava in an alphabet takes 4 characters; in a syllabary, it takes 2. Typing straps, though, requires 6 characters in an alphabet and 5 in a syllabary. That doesn't save you a lot space—and a syllabary like Japanese's throws in extra vowels that have to be there, even if they're not pronounced, destroying its efficiency by, essentially, adding extra noise to the signal. Returning to straps, you have 6 characters, and all elements are vocalized. In katakana, you'd have to do ストラプス /sutorapusu/. You save a character with ラ /ra/, but then you have a whole bunch of vowels you have to remember not to pronounce.

Long story short, if you were going to reform the English spelling system, I don't think a syllabary (or even an abugida) makes sense, and a logography would be quite a thing to drop on the unsuspecting populace, even if it would be more equitable. This is why I guessed that what you overheard wasn't (c) and was likely (b).

Anyway, that's my 2¢. Hope it helps.