#i think im doing everything right
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captain-k8kat · 2 months ago
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Tried playing voices of the void and I can't figure out how to download for the life of me. The output data keeps going from 100% to 0% so fucking fast and all these tutorials I'm reading just make me feel like I'm stupid for not understanding what I'm doing wrong. I've been at this for hours. Perhaps I was never ment to play the spooky alien game 😔
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hinamie · 4 months ago
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spiraling
#my art#jujutsu kaisen#jjk#jjk fanart#jujutsu kaisen fanart#jjk art#megumi fushiguro#fushiguro megumi#gojo satoru#jjk spoilers#jjk manga spoilers#the minute i realized how tg coded the composition n colours were i decided to turn it up to 11#i was racking my brain trying 2 figure out how to get the layered tissue paper look tht i talked abt ishida's cover art having#cycled through all my usual layer modes n nothing ws Quite right#until wouldnt u know it . divide n subtract!!!!! i NEVER use divide or subtract bc theyre impossible#but fr this??? its like they were made for it oh my god#it makes the greys look translucent n all my textures pop in a way that makes them appear splotchy n Bruised#which ws the whole point thts the Look god i am so PLEASED#when the layer modes tht notoriously get No love finally find their niche <33 peace and love <333#filing this away fr later i am going 2 have a lot of fun with this new information i think#im very happy w how the colours look n i dont think anything else wld have kept the right Mood#but i am always so >:/ when i have to use a palette tht forces me into giving megumi blue eyes#had to set aside th green eyed megu agenda fr the Aesthetic unfortunately#anyway i knew from the minute i saw it that i wanted to do smth involving the opening panel of 268#bc that panel is S tier#i figured tht if nothing came 2 me i wld just redraw it as-is bc it's alr so good but as i ws sketching i was like#u know what u havent done in a while? art tht looks like u r going Insane#art tht makes ur family ask whether everything is ok#so i once again tucked megumi's knees up 2 his chest and apologized insincerely to him fr making the third megumi angst piece in a row#:)
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m4g0hun · 3 months ago
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lost child
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inkskinned · 2 years ago
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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mossy-aro · 4 months ago
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ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.
when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!
that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.
but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!
joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.
and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.
tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.
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cowlvent · 7 months ago
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obsessed w the doctor fully turning his back on clara after this statement (physically and emotionally cutting himself off) and, feeling unmoored, pulling the console lever to exert some kind of control over the situation. he then continues to put space between himself and clara only to spin around, having undone several jacket buttons, and specifically shows off the red lining interior—symbolic of his emotional vulnerability in this moment. he asks her what she thinks of him (as a person), disguising it as a question about the new outfit.
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torchstelechos · 5 months ago
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I love that Isabeau is the one to bring up the "what do we do if you die" conversation cause its a very good insight to his character at the very start of the game. Isabeau is practical, smart, and loves everyone dearly and wants to know how to help them when shit goes sideways. He's the one to ask about Bonnie too, which is a delightful read on how he thinks because everyone else shuts that down instantly as a "That wont happen and cant happen" but we see later in the game it can happen which is such a startling thing for a game to do but justifies the foreshadowing of Bonnie can die what do we do if that happens? Isabeau, despite everything, is also the one who gets to the heart of the matter even if its not something must people are willing to talk about. All without it being part of his friendquest, thats just him naturally. Which! Says so much about him and how he is! His character when its not about his relationship with Siffrin is a very intriguing thing because it feels like a very classic hard intellectual stance that's been softened after many years of learning to better communicate healthily with others. A reflection, if you will, of Odile but in a very drastic direction. I find him fascinating and I also want to scoop his brains out and study them under a microscope to see all his little brain thoughts.
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bogkeep · 8 months ago
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thoughts, repeating.
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chronologically-challenged · 5 months ago
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I think that the party's communication issues can be summed up as "man, is it awkward to tell someone that you want to spend the rest of your life with them if you've only know them for a few months? Probably."
#isat#isat spoilers#in stars and time#listen they will kill for each other but also its such a short time???? like??? thats part of the tragedy tbh#like!!! yeah theyll go back to their previous lives bc who in their right minds throw out everything they were doing before for people youv#only known for a few months and it turns out all of them do bc theyre insane for each other but!!!! like!!!! thats still a big ask!!!!!#yeah lets throw out everything we've ever know to be together lets fucking go and then they do in the end!!!! but!!!#thats because theyre all are ride or die to the extreme for each other!!!!!! far more than siffrin thinks anyone will ever be for him!!!!#anyway I have a lot of feelings about the party and just how bonkers (affectionate) they are#yeah no siffrin I too would not expect people to put aside their previous lives especially if its clear they have other plans#'yeah im gonna invite myself over to your house to live here lol' yeah no I would not assume that!!!!!!!#the issue is more that issue doesnt communicate what he really wants because if they do and his family says no then... being together truly#will end so he doesnt ask so they never will get a no so it never has to end (and has his reason to keep going)#this is turning into an essay in the tags but like. God its a wild set of circumstances so#tbh Siffrin not thinking the party wants to travel together is not wild to me neither is family not communicating#them wanting to be together ALL OF THEM wanting it is... unbelivable in these circumstances#but they do bc theyre all insane and ride or die but the extent of which is a mystery to all of them#anyway thats my essay in the tags#just read the no loops fic where the adults minus siffrin all offer to bring bonnie to bambouche and had FEELINGS about it#my posts
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how I look trying to convey how insane it makes me that fugo spent his entire life being adultified for being very smart- first by his parents, then by that teacher, then by Bruno (hear me out), and possibly even by himself. No one treats him like he's another kid like Giorno or Narancia or Trish. I would argue even the fandom perception of him doesn't treat him like a kid.
Why is he responsible for Narancia? Why doesn't he get the same backlash from Bruno when he joins the gang? Isn't he younger than Narancia, and just like him has no business entering a gang? I would argue that because of his intelligence even Bruno always saw him as capable of keeping up with the adults, and therefore did not offer the same resistance to him joining the gang. Either that, or Bruno simply needed his intelligence and didn't care that he , too, was a child who should have been protected from becoming part of a freaking gang. Neither of these options paint Bruno in an appealing light.
I don't know. I have feelings on this that I can't properly articulate. It just bothers me that people gloss over how it seems the only person who saw Fugo as the kid he was was probably Abbacchio (based on what little we saw of their dynamic in PHF and VA). Idk. Raaagh
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elirium · 5 months ago
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another timmy doodlr
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hinamie · 3 months ago
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"I'll show you every day that choosing to live was worth it"
some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3
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ratislatis · 11 months ago
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I'll find you. Wait for me.
hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!
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puppyeared · 21 days ago
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oooh wait so the plot hole of “why doesnt a spirit medium just channel the victims spirit” is literally bc the DL-6 spirit channeling cant be repeated huh
#im so fucking slow I was brushing my teeth thinking abt Gregory edgeworth in mayas clothes#and I haven’t played aa1 so I don’t actually know the details of it in case I get to play it for myself#but they brought up the spirit channeling mistake with misty and how it basically shot down the kurain techniques credibility right#and like. I guess trying to do that again would be a repeat of that incident which ended up with an innocent person being convicted#so Phoenix not only has to channel Mia because she’s the smarter better lawyer but also because summoning the victim#isnt exactly the first time it’s happened and gotten someone the guilty verdict. huh#replaying justice for all 2-4 so the case with Maya spirit channeling#and after playing aa3 I can really appreciate how much thought they put into the fey family and how a lot of the games events#revolve around it.#Mayas powers arent a ‘long lost ancestor’ as an excuse for her having powers. it is clearly and heavily expanded on#and the infighting makes so much sense when you consider the power differences between branch and main families.. and Mia becoming a lawyer#to find out what happened to her mother AND after being aware of that bloodshed and what it means for Maya#the way she chose Maya and didn’t want that for them. the way she put distance between them on purpose so they wouldn’t become like that#and Pearl is acknowledged as having more power than Maya but she’s fucking eight and loves Maya that she doesn’t see that as any#kind of power imbalance. heck when Morgan uses her for her plan in bridge to the turnabout Pearl was happy to do it#because Morgan said it was for pearls good and Pearl assumed that meant it would be good for Maya too and I 😭😭#the branch system was originally made so that even if you weren’t chosen as the master you could still support the family by protecting the#main branch. and the irony of that being the reason why main family members are targeted to be usurped#iris outright rejecting the notion of communicating to the dead and everything the fey clan stands for#there’s so much fucking lore to this and I don’t see it talked abt enough?????????!?????#yapping#ace attorney#as
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corviiids · 9 months ago
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light: when i was talking to ryuzaki he--oh by the way ryuzaki ive been saying "he" but what do you prefer L: interesting. do you think this could be relevant to the kira case, yagami-kun? light: no, just curious. light: (is this a trap? would kira care about something like masculinity? no... kira is a paragon of justice. he would never misgender someone.) L: maybe yagami-kun thinks that a name and a face are not enough. does he think kira may also need a gender? light: interesting theory. is that why you don't have pronouns in your bio, ryuzaki? light: (ive got him. the other officers will never respect him if they find out L is a transphobe! wait, they're cops. damn it. has this all been for nothing?) L: ive actually taken the liberty of making fake pronoun pins for everyone in the squad, to ensure your security. here, yagami-kun. or should i say... yagami-chan. light: neopronouns?! (do i give off nya/nyam/nyaself vibes? or is this another clever ruse? he still hasn't even told me his own pronouns...) ryuk: hey, light. don't forget about the deal. the shinigami eyes would let you see anyone's pronouns at a glance. light: (forget it! im not giving up half my life just to they/them ryuzaki!) L: id just like to flag for the audience that im aware this is a stupid bit but don't worry it's over now
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galacticlamps · 8 months ago
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ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--
But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.
And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.
That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.
Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.
And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"
So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.
Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.
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