#i think i'll do it like this? so it doesn't clog up tags of characters with small speaking roles

[numberoneanika]

Honestly the roleplay blogs are stronger than I am because if I saw a post where people were saying my blog was annoying and calling me corny I would jump in a large pit and rot away

[asordinaryppl]

A3! Main Story: Part 4 - Act 13: Budding Spring - Episode 3: One Step Up

Kumon: We’re back~!

Juza: We’re back.

Taichi: I’m so hungry~

Tenma: Seems like it’s Omi-san’s turn today.

Tsuzuru: Kinda smells like demi-glace sauce…

Omi: The beef stew will be done soon.

Kumon: Yay~! I wanted to eat meat~!

Kazunari: Seems like the fairy boys have suddenly increased in energy~

Muku: Even though it’s actually just Kyu-chan that joined them.

Yuki: He counts enough for two or three more people.

Tsumugi: How’s uni life, Kumon-kun?

Kumon: Super fun! Unlike the classes in high school, I don't feel like I gotta cram like crazy.

Kumon: Also, I’m with Nii-chan!

Banri: I thought you’d decide immediately based on that, but you took your time pickin’.

Kumon: I had a lot to think about, y’know.

Kumon: I had to carefully think about which university to attend, not only based on where Nii-chan is.

Azami: The growth of the Bro-con.

Yuki: Though in the end, they ended up in the same university.

Kumon: I mean, Nii-chan and Tenma-san make it seem like it’s lots of fun!

Tenma: I can guarantee that much.

Juza: I’m glad you got accepted.

Taichi: He worked hard on the essay and when preparing for the interview~

Kumon: Hehe, it’s thanks to everything Nii-chan and Tenma-san and Taichi-san taught me!

Chikage: Seeing Tenma take on the tutor’s role was deeply moving.

Tenma: Thanks for that.

Kazunari: *Yawn*~...

Tsuzuru: You seem sleepy, Miyoshi-san.

Kazunari: I had some urgent job due yesterday, so I didn’t get much sleep~

Tsuzuru: Good work.

Muku: Kazu-kun seems like he became an adult in a blink.

Kazunari: What I’m doing is pretty much an extension of what I did as a student, but I guess my mindset’s changed a little since graduating.

Omi: I get it. The work increases as the responsibilities do, but it’s also quite fun.

Tsuzuru: Is that so…

Kazunari: You might understand come next year, Tsuzurun~

Izumi: Omi-kun was like that, too, but your image changed after you graduated.

Azuma: I look forward to these changes every spring.

Homare: Well, there are groups of people that have not changed much at all.

Azuma: Thanks to everyone, I can properly feel spring’s arrival.

Tasuku: I mean, the changes might not be big, but haven’t you guys also gotten busier?

Guy: You also seem to be getting more requests to appear as a guest.

Sakuya: Ah, actually, I think I might also get an offer to appear on a rather big stage—

Tsumugi: Really? I’m so happy for you.

Tasuku: This is the result of the experience you’ve gained so far. It’s proof of how far you’ve come as an actor

Sakuya: Thank you very much!

Citron: I have also had to do arts and culture-related jobs here and there~

Itaru: I’ve also started being treated like I can carry the company on my shoulders, it’s a pain…

Chikage: It’s your fifth year, of course you are.

Guy: That reminds me, the work I can leave to Mikage has also increased.

Hisoka: I can make some snacks now…

Tasuku: Like roasted marshmallows and marshmallow pizza?

Hisoka: Those too, but other stuff too.

Homare: To think you can make dishes unrelated to marshmallows… What remarkable progress!

Misumi: Speaking of new things, my friend Mii-chan gave birth to a kitten~

Muku: Congratulations to her!

Yuki: Doesn’t that have nothing to do with you, though?

Izumi: Just as everyone is moving forward and changing, the theater company is also changing.

Izumi: Speaking of which, the kid we met today also said he started high school this spring.

Kumon: Heeh~, what kinda kid was he?

Tsuzuru: He was a pretty interesting kid.

Masumi: Rather than interesting, he was just a pain.

Itaru: He was a passionate Masumi fan.

Izumi: He used to live in the countryside, and supported us through streaming.

Sakyo: So that’s MIZUNO Ent’s power…

Sakyo: As we expected, we’ll require continued efforts to reach as many people as possible.

Izumi: He also said he can’t wait to see a live performance.

Tasuku: Watching plays live has its benefits, after all.

Sakuya: That’s true. Since he said he’s looking forward to it, I thought we’ll have to do our best not to disappoint.

Izumi: Ah, that’s right! I had this idea after talking to the kid–

Izumi: What do you think about holding a workshop for beginners as our next event?

Izumi: Learning that there are people who became interested in theater because of MANKAI Company made me realize, we should do more activities that are about spreading theater to others.

Izumi: I think sharing the joy of acting together will be a beneficial experience for us as well. 

Sakuya: That does sound good!

Citron: That sounds fun!

Chikage: But if it’s about teaching, rather than the Spring Troupe, wouldn’t members with more experience, like Tenma, or Tasuku and Tsumugi, be more suited for it?

Tsuzuru: True, we’re all novice actors, and a few years ago we were amateurs, will it really be okay for us to do it?

Masumi: I can do it.

Itaru: Not the guy least qualified to teach.

Izumi: That’s exactly why. You all remember what it felt like when you first stood on the stage a few years ago.

Izumi: You’re the most suited to convey theater from a beginner’s point of view.

Izumi: It won’t be a workshop for actors, or a workshop like Yuzo-san’s focused solely on teaching…

Izumi: I think just enjoying acting together and looking back on your old selves would be good.

Izumi: It can also be an opportunity to expand our fanbase…

Izumi: I think trying to get people to learn more about theater is something all of you can do at your current state.

Sakuya: I see… You’re right. Up till now, we’ve only focused on improving ourselves, but now…

Itaru: That’s true. We can probably have fun together.

Chikage: And it can also be a source of inspiration.

Tsuzuru: We might get a hint for our next performance.

Citron: Everything’s a challenge!

Izumi: Alright, it’s decided!

Izumi: Once we settle on a date, can I leave the design to you, Kazunari-kun?

Kazunari: Ofc!

Izumi: I’ll do the printing and distribution.

Masumi: I’ll help.

Itaru: We also need to announce it on social media. I can do that.

Chikage: Wouldn’t it also be good to announce it on the theater bulletin board?

Izumi: Then, I’ll leave the announcements to you two… Sakuya-kun, Citron-kun, can I ask you two to come up with the outline for the workshop?

Sakuya: Yes!

Citron: Let’s think of a chilling workshop for everyone~!

Manager: Ah, everyone, it’s almost time~!

Kumon: I’ll turn on the TV!

previous episode | masterpost | next episode

[am-i-the-asshole-official]

Obligatory, I don't think I'm technically wrong, but I know I could be an asshole, I think I'm justified, I wanna know what other ppl think, etc,

This is mult. fandom related and I'm 25 and have been on Tumblr for approx 10 years so I'm not speaking as someone new to either Tumblr or fandom spaces

AITA for reporting art and fic as spam when it's tagged as something else in a tag I'm searching for?

This applies to many fandoms I'm in not just one so I feel no need to list them since it's not like personal beef or fandom specific drama but basically as I'm sure many people do when I want to see fan art or even the occasional fic for my favorite character I'll go into their character tag via Tumblr search, it's one of the few things I enjoy about this website is it's semi functional tagging and search system. But more often and usually lately I've been finding a lot of stuff in say character A tag that doesn't have character A in it, it's a drawing of character B that's been tagged with the main fandom tag, B, and every other main character. I know its so the art or fic gets more views but it's annoying ESPECIALLY if it's fic because not to generalize but fics tagged like that usually dont have a read more either so I have to scroll past this massive block of text that's not only a fic I'm not interested in, but one that's incorrectly tagged for a character I'm trying to find content of so they're the ones I tend to report as spam the most over art which is easier to scroll past ill admit

Even on ao3 it's a feux pas to tag characters that just "appear" if they're not central to the fic so they already shouldn't be tagging any character mentioned in their fic

This USUALLY tends to happen with people's oc posts as well and nothing against OCs they're just not my thing and if I were in the main tag I'd happily scroll by since I recognize their place but just like the other two I'll notice it's just a drawing of someone's oc or their OC's profile and it's tagged with the full main cast, thus showing up in the character I'm looking for's tag

Or character x readers and character A (and C, D, E, F, etc) will be tagged on a B x reader fic, obviously I have no interest in reading a fic like that especially when again the entire cast has been tagged not because they appear in the fic but for engagement

Also I'm not dumb I filter for fandoms so like if the tag I'm in is just "Steve" obviously I know it'll apply to multiple fandoms like Minecraft or avengers since that's a super nonspecific name/tag I'm talking about deliberate tagging within the same fandom

I also don't report the post if they're like "this is my OC his name is James Bond" obviously that's gonna show up in like the James Bond tag which while more specific would not count as spam since that's still a proper tag that would apply, it's the OC's name that just happens to be the name of another character

So, while I don't feel bad because I find these people annoying since they're obviously tagging things like I mentioned on purpose for attention but on the other hand I feel a little guilty because fan art and fan fic is important to any fandom but just, that is one of the definitions of a spam post is something improperly tagged on purpose

TLDR: I report posts in my favorite character's tag as spam when they don't have my favorite character but are tagged with them because they clog up the actual tag with garbage

[t4tstarrailing]

As someone who thinks they might be a stone top, I’d love to hear more of your thoughts on them because there really isn’t a lot of x readers that fit that category

finally getting around to answering this because something crazy hasn't come up.

stone tops are fucking fantastic. i love stone tops. for people who don't fully know what a stone top is, a stone top is someone who strictly only gives in sex. so topping, oral, fingering, etc. but never receiving and this can be due to a plethora of reasons. it can be due to sexual trauma, dysphoria, whatever, and each person has an individual boundary. so, for example, one might be okay with having lie their hips touched, but another may say "absolutely no touch at all unless i am the one initiating it". each stone top has different boundaries and restrictions, but ultimately it's all about the person you're talking to. you can also be a sub stone top if you're introducing power dynamics, and you can even be a stone top for a power bottom.

note: some people think this is relegated to only butches and mascs, but stone femmes also exist and are very much loved. no matter what someone tells you, topping does not equate gender identity or gender presentation!

this may not be exactly what you were looking for anon, but the reason you don't see a lot of "stone top" type readers is because fandoms are very very cisheteronormative despite liking to act like this bastion of queer sex and identity lol. the majority of the x reader community consists of cishet sex, so the concept of "stone" doesn't apply in these situations. and, chances are, people that do write mlm, wlw, etc. aren't fully aware of "stone" identities or, in worse case scenario, mock them for being weird or "too much" in terms of boundaries. fandoms in general are uhhhhhh very weird about atypical queer presentations that deviate too much from "the norm" (eg. the smaller and more feminine one is typically the bottom, the bigger and most masculine one is typically the top), if i'm gonna be frank with you.

i have a few characters that i write/headcanon as being stone tops, and i'll probably make an entirely separate post for them because i don't want to clog up the tags with this whole post lol. ik i've written blade in the past as a t4t strict top and, looking back at it, he's definitely a stone top lol.

characters i see as a stone top in one way or another: trans!m!blade (t4t), trans!m!luka (leans towards t4t), sugilite (he is a strict stone top to me atm, but i am still debating on gender stuff with him), pre-bottom surgery trans!m!jing yuan, trans!m!gallagher (debating on making him a bear or a trans masc butch or both), trans!m!ratio (when i used to write for him), trans!f!soft butch sunday, trans!f!high femme robin, i could see trans!f!kafka being a stone top in some situations tbh, ruan mei

i also personally love the idea of a stone top!reader with a power bottom!capitano. stone top!reader/pillow princess!feixiao and stone top!reader/pillow prince(ss)!arlecchino are also great dynamics imho.

for shits and giggles, here's my pillow princess/prince headcanons: trans!f!himeko, post bottom surgery trans!m!jing yuan (he's a vers, but when he bottom he doesn't do anything), black swan, aventurine borders on a pillow prince with partners that he's really comfortable with, i could also see kafka being a bit pillowy if i'm gonna be honest lol, trans!f!luocha, feixiao, arlecchino

let me know if there was anything specific you were wanting to know my thoughts on anon!

[atla-confessions]

I've come to vent about my relationship with Rozin of all things. I must warn that this is NOT anti Rozin confession! There's literally nothing wrong with this ship, but...

For a long time I thought it was the only genuinely good and interesting ship out of all ATLA and LOK ships. Despite having little to no screen time, I was nevertheless hooked by Roku's and Sozin's dynamic. And how could I not? Childhood friends turned into bitter enemies with all the angst and heartbreak it entails? *chief kiss* Rozin just had that kick that other ships didn't have to me. I mean it in the nicest way possible, but everything just felt bland and boring in comparison. Most likely because I'm a drama queen who loves screwed up stuff. In my head and private notes, I would make Rozin WORSE, I would add things that didn't happen in canon, that would NEVER happen in canon, that would plunge those two into a new dark abyss I made just for them. In my head and private notes, I would make Rozin BETTER, I would give Roku and Sozin a chance to reconcile, to learn from one another, to finally have a relationship they couldn't have in canon. I would come up with crazy AUs, one of them even became a baseline for my main crossover story.

I mean it genuinely that this ship was IT for me. And it was like that for 5 years...

Until it just... Wasn't anymore.

The overall ATLA fandom, unfortunately, doesn't share my sentiment. The arts and fics and hell even meta posts that would examine Roku and Sozin's relationship was extremely rare. All those things I did with Rozin privately ? That was basically all that I had. I kid you not, Rozin felt more like a fandom joke, than an actual ship. The ship tag was clogged with the same repetitive "haha, Roku and Sozin were exes" "haha, Roku and Sozin were gay" shit. A joke that was repeated over and over and over and over and over and over and over and over and over. With no changes, no new punchline. It was funny the first couple of times, then it lost the punch, then it became annoying and then... those jokes became enraging. I was becoming SICK of them.

I would much rather have there be no new Rozin posts, than the ship tag being cluttered with. the. same. shitty. unfunny. repetitive. joke. At least the lack of content would motivate me to actually share the AUs and hcs I made in private. It would be a challenge, a drive. But, the fandom is dead set on seeing them as "just angsty exes, lol".

Oh, but that's not why I decided to write here. You know what I'm about to say. The upcoming Roku centric book, that, of course has scenes that are almost hand-crafted to pander to Rozin shippers.

I know I should be excited. I should be happy. My ship is finally getting attention! Getting official interaction since, what? Over a decade of NOTHING?

But, I felt nothing.

At first.

Then, when I realized that I felt nothing I felt... rage? Sadness? Despair?

I used to LOVE Rozin. What happened? I should be excited. Why am I not?

It has been 5 years of that. Of Rozin being worse than nothing. Not even a ship, but an inside joke among ATLA fans. I would've been fine if the book interactions contradicted my hcs, I would just make new ones or change the old ones a little. But, I got tired. At this point, I feel nothing for the ship. Maybe annoyance. I definitely think I don't like it now. And it's sad. It's almost tragic.

I love Roku and Sozin as characters. And I used to love shipping them, as another way to explore and study them as characters. But now, I think, I will just block Rozin tag and dismiss any ship context if I do happen to start posting my ATLA fan art again and people would ask of I shipped them or not. I don't. Not anymore. If you really want a ship content with them, well, I suppose I have my OC x Roku ship, but, I'm certain no one would be interested in that, so I'll just keep it to myself.

Sorry for the long rant. Sorry that it sounds so dramatic or pathetic. But, I feel better after writing everything here. Maybe I can finally leave this all behind.

X

[uselessheretic]

Harm Reduction in the OFMD Fandom: Izcourse Edition

I keep wanting to write something up about this, but getting stumped on how to even begin. Largely, because I already know exactly what bad faith arguments are going to be made off the bat, and I feel reluctant to clog down my writing trying to dispel every weird take about things I didn't say. So, it is what it is. If you have questions please ask politely and use a bit of critical thought beyond trying to find anything to grab hold on to contradict.

The Izzy fandom gets harassed. A lot. Nobody here understands why either. When referencing harassment, I'm most likely referring to either direct abusive messages such as anon hate through Tumblr, or talking about the OFMD through a holistic view that includes harassment through Twitter of common dogpiling, stalking, spreading of false rumors, the occasional doxxing, and other things. I'm including Twitter in this conversation because the world doesn't revolve around individuals on Tumblr, and for some of us, it's beneficial to talk about the greater context of fandom without assuming that we are blaming random Tumblr users for Twitter drama. That said, a lot of people use both platforms and the two of them are closely linked, especially since a lot of meta from Tumblr gets poorly replicated on Twitter.

So we're on the same page, the way I'm defining harassment is: The continuous or severe targeting of an individual or group through harmful behavior that includes physical threats, name-calling, impersonation, spreading malicious rumors, and encouraging others to harass a target. This is not an all-inclusive list, but I want to create a baseline for what I'm talking about. This also means things such as stating you dislike a character, responding to another's post to disagree, or speaking positively about a character. This also means that instances of conflict are not inherently harassment either, although this is murkier as we move through the gray area of "continuous or severe."

I'll also be using the terms "Izzy likers" and "Izzy crit" since those seem to be each respective sides more preferred terms and things like "Izzy stans" or "Izzy antis" can hold negative connotations. I'll also be referring to the anon hate received as from a singular person, unless noted otherwise, and as "L anon."

So, I guess let's dive into it?

I've seen the question posed a few times "Well, what do you want us to do about it?" when Izzy likers have brought up the topic of harassment or alluded to the fact that Izzy crits as a group contribute to this. It's true that our individual ability to stop harassment completely is an impossible task, however, there are actions that can be taken as a collective to reduce the amount of harm being done. I don't believe it's true that harassment is an aspect of fandom one must accept to be within it. I also don't think it's right to equate messages telling Black people to get lynched as the norm in fandom everyone has to deal with. I understand that anon hate is common throughout fandoms, but the vitriol and noticeable escalation of L anon is an anomaly that deserves to be taken seriously.

Actions I'm proposing (and will elaborate on) are for Izzy crits to STOP:

Minimizing the harassment of Izzy likers

Separating this harassment from greater conversations of misogyny, transphobia, racism, and antiblackness

Engaging with L anon unless it is to very clearly condemn him without caveats

Encouraging the association of liking Izzy as being an indicator that someone is racist, abusive, homophobic, etc

Using the #Izzy Hands tag as a place to post character hate, criticisms of Izzy likers, or to find meta focused on disliking him.

Minimizing harassment and distancing identity

This includes things such as suggesting that the harassment might not exist, that it isn't that bad, it's just a troll, turn off anon, everybody deals with this, and the idea that people are using discussions on harassment as an excuse. Minimizing harassment normalizes the behavior and continues a narrative that Izzy likers should expect to get harassed online. Downplaying the effects or severity dismisses the victims of it, and refusing to recognize that this is a form of passive endorsement.

I feel some type of way about this personally because I don't appreciate my experiences of racist harassment being treated as something I should just get over or normal in fandom. Like sorry to keep bringing it up I guess lol but like?

This isn't okay and it goes beyond "normal" fandom harassment and I feel like I'm going crazy having to argue that this isn't just something shitty that happens to everyone, but an awful, violent, and frightening message(s) to receive. It genuinely concerns me to see white people in fandom brush it off and make a choice to instead focus on the implications of shipping Izzy with his boss. It points towards a trend of dehumanization online where we no longer see people as people, but characters in our screen who have lesser value than our favorite blorbos. I cannot believe I have to say this.

Purposely separating L anon from identity is another way of passively justifying abuse. Whenever people brush off L anon, it's often in the context of anon hate happens to everyone and ignores the fact that more marginalized identities are getting the brunt of this which includes rape threats, suicide baiting, and overt antiblackness. It can often be followed with reminders that Izzy crits of color also receive racism. The thing is, saying that Izzy likers are receiving racist harassment, doesn't mean that other groups of fans do not. The harassment Izzy likers gets still matters, even if you don't view it as unique. It's concerning to hear white allies especially utilize this rhetoric as if they have a limited capacity of caring for poc.

Engaging with L anon

A lot of people do straight up delete L anon asks. On the Izzy likers side at least, there's been an uptick in people posting the hate they receive or collecting screencaps before blocking out of a necessity of proving that the hate exists. I think a lot of us would prefer to not have to do that!

It would help if Izzy crits made an effort to stop engaging with the anon unless it was to condemn his actions. Certain forms of engagement can be viewed as encouragement whether intentional or not, and it feels noticeable that in the last few weeks L anon has gotten increasingly violent.

You don't have to tell L anon that "I'm not even an Izzy stan so you have the wrong blog anyways" because this normalizes the idea that he should be focusing his attention on Izzy likers. You don't have to argue and justify to L anon that you actually dislike Izzy or prove that you're critical of him for the same reason.

You certainly don't need to tell L anon "I don't care if you harass Izzy stans" and it's insane to pretend like this is anything but a dick move.

Telling L anon "you act just like an Izzy stan!" or that they're "Izzy coded" reinforces to him that Izzy likers are abusers and racists, therefore affirming in his mind that they're acceptable targets.

Seriously, if your response is anything other than "sending these messages is fucked up and nobody in fandom deserves this for liking a character" then just block and delete the ask. Any amount of attention can be twisted into positive affirmation and adding on "harassment is bad" doesn't negate the impact of confirming to anon that you view Izzy likers as racist abusers.

Encouraging the association of liking Izzy as being an indicator that someone is racist, abusive, homophobic, etc

It sucks stop doing it. We can draw a difference between Izzy the character and Izzy likers. In the end, your interpretation of a character is yours and nobody can stop you from having it. Putting thought into how you frame meta, however, could help lessen this association.

Be careful with your language and ensure that you are referring to the character when discussing the show. "Izzy stans refuse to see that he's X" is an unnecessary statement when it can just be that "Izzy is X which you can see from scene Y." When there is a specific trend of harassment being justified via claiming a group of people is bigoted, it's worth the effort of minimizing feeding into that assumption.

Saying shit like "Izzy likers who are poc are desperate for white approval" is like for one really shitty lmao? But also feels bad in a climate where people are being called Candace Owens race traitors who should be killed.

There's a great article that touches on this and the way that even when someone isn't directly harassing a person, their separate posts in combination with others, reifies the idea that the victim in an appropriate target.

The author further elaborate in her research about third order or indirect harassment.

The examples she uses here are a bit more extreme, but this is the same framework she's utilizing in her article discussing harassment on the left and in queer communities.

When you answer L anon and say shit like:

or respond to concerns about racist targeting like this:

I am in fact going to feel some type of way about a week later seeing L anon increasingly escalate his behavior until I get six messages in my inbox calling me a race traitor bigoted cunt. It doesn't matter if you say "it's bad to be racist" when you're already confirming the idea that Izzy likers are the main exporters of racism in fandom which is explicitly L anon's justification for sending hate.

Tagging character hate

I still can't believe that this is an argument when it's a basic courtesy within fandom and has been for years. Tagging character hate doesn't constitute as harassment. However, it does exacerbate an already hostile climate between fans and allows for more conflict that could be easily avoided.

If a meta post is in the character tag then people are going to respond to it. It being tagged communicates that this is something people can respond, especially when you encourage people who agree with you to comment.

If you want less Izzy likers to respond to your Izzy meta then just stop tagging it as #Izzy Hands. It will greatly decrease the amount of interaction! Putting posts into the tag ends up baiting people into responding, continuing to draw out a conflict that nobody wants to be in.

If you don't like Izzy and you think he's too popular a character or his fandom is where you end up seeing the most toxicity come from please consider not going through his tag. If you instead look through tags of characters you like, you will be rewarded with content of that character. The character tag will not function adequately as a place to locate critical content for them, so just cut out the middle man, and stop using it because it's just pissing both sides off and "I have a right to be here!" is the dumbest hill to die on.

Using alternative tags for organization literally just makes things easier for everyone. Tagging things with #Izzy crit or something like #Dizzy Izzy allows you to have a space to locate similar posts without having to expose yourself to a group of people you don't like. It also provides an easy tag for people to block and avoid seeing on their dashboard. This is better than people just having mute the tag to filter out when going through his character tag, because it doesn't require an entire community to cater towards your need to post things in a tag on principle. People who are new to the fandom and just happen to like the character also don't have to be confused by seeing chara hate in the tag and going to argue with it.

It is good to center your fandom experience on things you like instead of being set on asserting your right to be within a space you don't like! I promise!

[lost-in-lamentation]

thank you for 500; an event!

hi friends (´ω｀)

me when i said i was going to do a __ follower event except i'm going getting around to it now ahahah anyways! welcome to the event! i'll be posting the list of prompts a little bit later, this'll just be the instruction post so that the event masterlist doesn't get too clogged.

it'll be a series of emojis that correspond to story elements that you can ask for! you're allowed to combine up to 3 emojis too, so you can mix and match the stories heheh so basically, ask for a character + whatever emoji combo you would like me to conjure up!

note: characters you can request are the brothers and dateables. no luke (unless you plaster all over your request that it's platonic and you would like to adopt him), and no raphael, mephisto and thirteen, unfortunately. my writing cannot extend to their characters just yet.

requests are now closed, thank you everyone who participated!! see you on the finished fics ♡

all the stories will be tagged under #aris hits 500 🐈‍⬛

i think that's all! feel free to drop into my inbox if you wanna clarify something!

oh, and thank you for being here. consider this event my handwritten love letters to all of you from myself (´ω｀) ♡

prompt list is here.

masterlist is here.

as always, reblogs are really appreciated (´ω｀) ♡

[gonzo-rella]

Just so this post isn't useless and doesn't clog the tag without giving good places for you to donate your money to, I'll list the charities I've donated to so far:

MAP (Medical Aid for Palesinians)

PCRF (Palestine Children's Relief Fund)

Anera

So, I want to see if I'd be able to do something to raise money for Palestinian people who are suffering right now (specifically charities like Anera, PCRF, and any reputable charities that you suggest that can be vetted), and I was thinking that I could do fic commissions via Ko-fi where any money made from it will be donated to Palestinian charities.

I tried setting up some rules for commissions not long ago but I wasn't really happy with it and no one seemed that interested, so I decided to delete it.

That said, if anyone would be interested, let me know. I was thinking of charging £2 or more (i.e. minimum £2, but donate as much as you want) for headcanons and ficlets, and £5 or more (i.e. minimum £5, but donate as much as you want) for one-shots that are over 1k words. I'd be offering to write reader-insert fics or fics just with canon characters.

Full disclosure, I have no experience with commissions or selling services via Ko-fi. For example, I'm not sure if I'm legally allowed to sell fanfic as a product in my Ko-fi shop, or if I should just use Ko-fi as a way to have money sent to me. So, if anyone with more experience would be willing to help me, please send me a DM!

(Also, let me know whether or not this is an actually good idea lol)

[sunriseverse]

complaint time? complaint time! let's talk about my annoyance relating to sapphic, especially lesbian, characters, relationships, and mxtx! because apparently, i love kicking hornet's nests these days (this isn't new, i just usually confine it to dms). this got long, my apologies, so it's going below the cut.

first off, i'd like to clarify that i am not talking about fanfic that makes mxtx characters sapphic/lesbians. i think that's great. i love rule 63. if you want to write these men in an au where they are sapphic, i have been there and support you wholly. this isn't what that's about, though—this is specifically about mxtx.

i've seen the same sentiment over and over trying to go through the chinese gl tag (baihe): people wishing mxtx would write about sapphic characters, wishing that mxtx would write sapphic novels, etc. and honestly, this pisses me off for a few reasons: my thoughts on how mxtx handles lgbt characters generally, the way that these posts clog the tag, and, finally, the way people going "wish mxtx wrote sapphic novels :( too bad she didn't, i guess there's no sapphic cnovels!" cheapens the extant, vibrant baihe field.

one: my thoughts on how mxtx handles lgbt characters

first of all, i'd like to preface this by saying this is only going off of what i know about mxtx, and mxtx works. as far as i'm aware, mxtx is a straight woman, writing about same-sex male relationships. she's the author of svsss, mdzs, and tgcf. i don't know if she's written anything else, but for this post, that doesn't really matter. let's go over these, shall we? mdzs' main couple has a rape kink, svsss' main couple is a teacher-student relationship, and tgcf's main couple is a man who saved a young child who later grew up to worship him. this isn't a judgement—i am a tgcf fan, so i'll be upfront about that; i think the way that specific scenario is handled in canon makes sense, and isn't objectionable to me specifically because of the way it's handled. i haven't finished svsss, and i haven't read mdzs, so i can't make commentaries there. i simply say this to point out the fact that, generally, mxtx couples play into a number of uncomfortable stereotypes about gay men, especially that their sex lives must be particularly "freakish", or that they must be older men pursuing younger men, especially those who idolise them. whether or not this is the message intended in these works, and whatever the characters themselves may think about these situations, they are not their own, real people; they are characters created specifically to be the way they are, by an author who is not a gay man. you can probably see why i, as a lesbian, do not want her writing lesbian characters specifically, and sapphic characters generally.

point two: posts like these clog the tags

any time i scroll the baihe tag, i inevitably run into at least one post where people wish that mxtx would write sapphic characters. while i understand wanting your favourite author to write about characters you feel better represented by, the truth of the matter is that when people make these often-one line posts that aren't actually related to baihe content in any way, and then tag them as #baihe, this leads to the clogging of a tag meant to be specifically filled with content about and surrounding baihe works.

point three: these posts draw attention away from extant baihe (chinese sapphic) works

as surprising as it may be, sapphic cnovels exist! there's actually a decent number of them, in fact. not many are fully translated, but there's a few big ones that are—and, i would say, the quality of the ones that have been translated are at least as good as extant mxtx fantranslations. baihe suffers from being ignored by the mainstream and official english-language publishing/translation houses, for a number of reasons that would take an entire post to even begin to try and unpick, but it does exist. however, when there's a bunch of people acting like no baihe exists and wishing their favourite danmei author would write baihe so it would exist, it creates the false illusion that baihe doesn't exist, drawing attention away from extant baihe—and thus perpetuating the tendency of those in fandom spaces to only ever talk about and promote male-centric works, and erase or marginalise female-centric works, as well as sapphic fans themselves.

in conclusion: i don't have a solution to this. i'm just frustrated by the tendency to act like mxtx is the paragon of lgbt fiction in cnovel spaces, and the way that, rather than looking for extant sapphic cnovels and characters, people seem far more willing to wish that mxtx would write sapphic novels, something that i, as an individual lesbian, think is a foolish idea, and just a generally annoying sentiment.

[funtxmequeen]

Rules

I am on mobile, so my tags are very minimal.

Do not reblog threads you are not apart of. This also applies to my headcanons, but I'm confident that the only people who reblog those are ppl who find it and don't realize this is an RP blog.

I'm lenient about this, but do not reblog art or memes from here, as it clogs up my feed.

Don't poop on the floor

Foxy is transfem. While I do not mind IN CHARACTER transph*bia for the sake of conflict and angst, I have an absolute ZERO TOLERANCE for ACTUAL transphobia. As such, anons who do not make it clear if the transph*bia is real or fake will be ip blocked immediately. (Ideally, send in an emoji of some sort so I can identify you, or if you're a mutual trying to stir up some drama, dm me ahead of time so we're on the same page.) Hate towards me or my muse will not be tolerated whatsoever.

IC transph*bia posts will be tagged "Transphobia," as a catch all, but if I need to make a specific tag, please tell me. I want the drama, but in no way do I want to make this blog unsafe for you. Any actual tr*nsphobic content I receive will not be posted.

If, even after all my efforts, this blog still does not feel safe to you, but you still would like to interact with me (not Foxy), DO NOT SOFT BLOCK ME! Some of you already know this, but this is not my only blog. Instead, please inform me that this blog makes you uncomfortable and you don't want to follow it. I will gladly reach out to you on my hub blog, and direct you to my other fnaf rp blogs. Your safety is more important than our hobby.

You never know what you're going to get with me. You may get a multipara starter/reply, you may get a few sentences. I don't expect you to match my length, especially if I've written a behemoth of a starter... but I do ask that you try to match my effort. If I'm writing a huge reply and you respond with something that doesn't match the setting or context, (and do this consistently,) I'm more than likely doing to drop threads, and if this keeps happening, I'll just soft block you. Yes I do this for fun, but I put abouts and rules and everything you need to know for a reason, and if you can't be bothered to put in the effort to read it, or properly read my responses, then don't even bother.

I am a mobile user. Maybe once in a while, I'll pop onto a computer at the library to fine tune posts like this, but it's hard, if not impossible for me to use the site to its full extent. As such, icons will not be used, tags will be scarce, and trimming posts will not be done the way I like.

Trimming posts are a strange area. I have adhd and autism, so the best way for a thread to be trimmed is with the last response still attached. This way I can remember what's going on in the thread, which will lead to an overall better rp experience. If posts don't get trimmed, I'll just have to make the reply and hit that big red X button that deletes everything before my response, so take that as a warning.

RESPECT MY FUCKING BOUNDARIES. I've had some issues with one individual who sucked me into this Fandom, they refused to take no for an answer, and forced me to rp an incest ship. This has scared me away from the rpc for years. If I say no, it does not mean "convince me," it means no. I have a three strikes your out policy.

I have a full-time job as a daycare teacher. I am not always online. Do not pester me for replies.

I like to talk in the DMs!! Please don't think that this is a passive aggressive attempt to get you to reply, as eager as I get, this is a hobby, and I will not rush you intentionally!! Please tell me politely if I make you feel rushed or don't want to talk via dms. (I personally just think that writing is more fun when you know your partners.) That being said, I do not want you feeling like you are responsible for my personal feelings, and vice versa. You are allowed to say no, I am allowed to say no. If you try and guilt trip me, that will count against your three strikes. (And I will warn you dw.)

In addition to this, if you do NOT like communicating via dms, please tell me, and I will stop. If you just ignore me or ghost me, I'm either going to continue to try and reach out, thinking you forgot or didn't get notified, or I'll become intimidated, and think I did something wrong. We're all adults here, we can use our words. You don't have to follow me if you don't want to interact.

I have kept up with the lore moderately well, but if I don't know something, or have forgotten something, do not bully me. I have zero tolerance for it. You respect me, and I respect you.

If you want to let me know you've read these, go ahead and like it, but it's not required, I use an honor system anyway.

[babey-dragon]

Intro post

...hi. i'm BP, and I am so scared right now.

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-He/They/It pronouns

-I don't know how little I get, but if I had to guess, I'd say about two.

-Please do not follow/interact if you are a kink/nsfw/not safe for littles blog. Regardless of what account I am on, big or small, I will block you. I am also a minor so just don't please? I'd also prefer if TERFs, MAPs, and proshippers kept their distance.

-While this doesn't count as a DNI there are some medias I do not like and don't want to be asked about. Please do not bring up: Hazbin Hotel, Helluva Boss, TADC, DSMP(or any MCYT for that matter), SAMS, and while I don't personally dislike Homestuck, I don't know anything about it, and I'd rather not deal with the consequences of THAT.

-Body horror mention is okay because I can handle a massive terrifying flesh beast when I'm little, but not swear words, for some reason.

-I might make a cg application form soon because hoo boy do I want to be held.

-I might post art, if I get less scared of the possibility of the big side of these communities attacking me for doing so.

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My fav medias are:

-TMA

-TSP

-HLVRAI

-Pizza Tower

-ULTRAKILL

-Half Life

-Kirby

-Regretevator

-Can't think of anything else, will update with time.

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Tags(Eventually):

#baby bp speaks - Posts when I am regressed.

#big bp speaks - Self explanatory.

#bp vents - Also self explanatory. Can range from complaining to crisis. Will tag accordingly.

#bp draws - Any small doodles/big art pieces I make surrounding regression. Other art will be posted on my main tagged in my bio. (Is that what they call it? I'm new sorry)

#bp habpi momence - Any general life updates that aren't drastic. Like eating pancakes or playing with my plushies.

#cereal talk - Any serious updates/announcements.

I'll make more as I actually post on this blog. I'm very scared of sharing my regression, so I'm hoping this will help me open up more.

I encourage asking me about my headcanons for various characters, infodumping is one of my favorite things. Though I won't be tagging any main tags since I doubt other fans want me clogging up the tags.

That's all, I think.

ASKBOX: Open!

Askbox rules: No nsfw, no incredibly personal questions, no (sfw)RP is preferred but I might make exceptions, and for the love of all that exists please do NOT get weird about my coping mechanism. If you're genuinely curious and don't understand, go ahead and ask! If you're just going to be ignorant, scroll on past.

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(Banner made by me)

[souglias]

thank you so much for reading my works 🥹💙 i get so self conscious cuz they’re literally just like stuff i keep locked away in my notes dungeon and i usually write things just for myself but the gintoki tag was looking so sad i was like WAITT.. let me just… i do also write gen gintoki introspective stuff because woah i just 😫 I JUST NEED TO PICK HIS BRAINNNN??? thank you sm!!! i will DEFF be clogging up ur inbox and dms if that’s okay now 🙈 i’d love to interact w some fellow authors as u can tell i’m just a little bit of a recluse…

wait you also write gen gintoki aaaaaaaaaaaaa I would love to read them if you did post them! If it's inconvenient to link them all, you can just recommend me the titles of your favs!

I want to pick his brain too I feel like there's still much more about him for me to think about 0-(-(

and yes of course you can send me stuff!! I may take a while to reply sometimes but I'll be happy to get them

I hope you don't mind me replying to your other ask here as well

(Don't mind me putting the rest of this under the cut I'm a little concerned about the length this post will be on dash if I didn't put that)

I've read up until chapter 3 of 'You Can Sun if You Want To' AND JUST JFKHJFGKSJHGAGJFGEIJRFIERHRJVIEUHNVR it is so toe-curling (you knew what you were doing when you made Gintoki say wife) and the interactions between Gintoki and reader are so adorable and wholesome.

It makes me so happy to know that you enjoy how I characterise Gintoki, but aaaa please don't feel self-conscious!! Gintoki IS a poopy man (I say this affectionately <3) and your story has so much charm to it. For one, you write the silly parts of the characters so well and at the right time such that it doesn't make the more serious parts feel undermined.

Sometimes I actually feel like I'm writing a little too seriously,,, in regards to both the story and Gintoki's character and I feel like maybe I have to loosen up otherwise he'd end up too ooc HAHA. So really, your Gintoki fics are lovely (I'm currently sending u power so you don't give in to deleting any potential fics) and it makes me super glad to know you enjoy my characterisation so, thank you once again for letting me know <3

[captainkirkk]

I think tags are used in two major ways that are sometimes at cross-purposes. For "Tagging-as-Warning", warn for shit from the get-go, so someone doesn't have to bail halfway because of a sudden appearance of [squick].

But there's also "Tagging-for-Seeking". If I search for a fic tagged with Nick Fury, it's because I want to read about Nick Fury. If I read eight chapters of a WIP that is tagged with Nick Fury, but does not yet contain Nick Fury, I'll get a little irritated.

I don't think there's a single set of guidelines for fic tags that can satisfy both general categories but I think it's an important thing to think about while tagging and then just use your best judgement, idk.

Good point. This is also a reason why some people advocate for less tags. If a character appears for 300 words out of your 50k fic and says maybe 5 lines of a dialogue, do you really need to tag them, or are you clogging up the search results?

But like you mentioned, tags as warning/triggers/squicks are pretty important.

[ask-pinkie]

Ask blog for my original characters

main blog: @pinkieglitterheart

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This is a ask blog for my original characters. It might not be to active and it will take awhile for me to answer.

Some characters might be rude to my other ones or to you if the ask bothers the character. do keep that in mind.

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If your ask is to mature in nature for here I'll not post it here.

rules:

1: Nsfw type asks are fine to send but don't be explicit. and don't send any of this type if your under 18.

2: Sending things to the characters is aloud. however some may be restricted.

3: roleplay on with this blog isn't aloud. this is so it doesn't clog up the blog and all.

4: when sending asks all of them go to the Original version of a character, but if you want your able to send asks to au versions of them as long as you specificity the aus name within the ask.

(your aloud to send them to the original version from in the past to for both au and main canon.)

5: violence or rude asks directed to characters is aloud to be sent. Don't direct it at me however and make it clear it's for a character.

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Characters from different stories like Counting Decades, Royal Blue , and Dollhouse cannot interact with each other within their own canon. Same goes with them doing so with others outside of it.

Having it be a au or alt for when they do interact outside of their story is fine and I'm for that.

if I can think of more I'll add them.

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Character list

In general most of my characters may be open to asks. Some aren't due to them not being to important or I'm not sure how to answer.

Counting Decades character list:

Aden, Jack, Henry, Axis, Alex?, Samuel, Ash, Dex, and Ham.

Roya blue character list:

Klayden, Xaviar , Lily , Izzy, Richard .

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CONTENT WARNINGS

These warnings are in place of things that might be show, mentioned, or implemented. Avoid posts tagged with these if any are uncomfortable to you.

The list may be added to if I feel it is necessary.

-

-

Murder Talk, Death, Violence and Blood

[lizzybeth1986]

Quick Thoughts on The Royal Heir, Book 1 Chapter 1

• We're back! Hopefully with a better series this time, but I'm not going to keep my hopes too high.

• If my QTs are clogging up your dash, I recommend you block these particular tags: #trh quick thoughts, #trh qts, and optionally #long post.

• Much like my Book 3 QTs, I will be exploring as many playthroughs as I possibly can to see how each LI's route is being written. Last book, this experiment definitely helped me figure out that they were putting more effort into some characters and less into others, and I'd still like to keep an eye out for these things as much as possible.

• I feel this QT might be shorter than my usual (edit: joke's on me - it's not!! 🙈), mostly because the opening chapter itself is...pretty light, and is mostly meant for us to spend time and have fun with our chosen LI. Plus a tiny smidgen of buildup to the premise, which is having a child in Cordonia. But I do have a theory about the overall theme that I'm going to be expanding on towards the end of the chapter.

• Okay that's it for preliminary explanations, it's time for me to start with the chapter! XD

• Ooh. Oooooooh. This loading page now has tidbits about Cordonian society!! Interesting.

• Title: Happily Ever Afterwards

Alternative Title: Be Grateful We're Letting You Have This Much Sex For Free This Week, Because That's The Last Time It's Happening.

• I'm extremely offended they're making me wear that Pepto Bismol outfit again.

•

...thanks so much for reminding me you still don't care about Hana, PB! 🙄 Everyone else remains to be some version of "loyal", but Hana is still considered more for her skills than for her own steadfastness, even though she was the most hardcore-loyal of the four (SHE LEFT HER FREAKING HOME. HER FREAKING FAMILY. FOR YOU. While the other three were certainly loyal and honorable to the MC, they definitely didn't have to completely cut ties with their families to do right by the MC).

• The "fairytale" aesthetics of the frame story were what drew people into TRR in the first place, so it's not too surprising that the LIs and MC give a nod to the flagship series with a "once upon a time". If you're with Liam, it goes straight from "falling in love with the Prince" to what his relationship with her taught him, before the happily ever after. If you're with one of the other three LIs, it specifies that she came there for Liam but fell for someone else. Sounds a lot like Maxwell's book 😄 In Maxwell's playthrough, in fact, there is a reference to it when the MC calls him a "famous author".

•

(Screenshots organized as follows: 1 - Liam, 2 - Drake, 3 - Maxwell, 4 - Hana. Liam's and Hana's are my own. Drake's from @thefirstcourtesan, and Maxwell's from Kaitlyn Walker's YouTube channel).

The other interesting thing to note is that in Liam's playthrough, he leads the narration. While in everyone else's the MC is the one who steers it. One reason I can think of is that the narrative still treats this story as Liam's story as much as it is the MC's (if I'm right about the theme) - which...has honestly always been a sore point with the fanbase in TRR. That would depend on how us and our baby are now further involved with Cordonia in the story. Another factor for why she leads the narration...could be that essentially, the MC took initiative in the other three relationships, while in Liam's case it was he who took a more active role by proposing to her.

• The little story ends with this question from the MC:

Question: But what happens after Happily Ever After?

Answer: Mess. In Cordonia it's always mess.

• Cordonians (specifically the upper classes, since I don't know enough about the common populace to tell, since they're, yknow, practically invisible) are addicted to tea, apples and fucking shit up where they don't even need to.

• ANYWAY. What (literally) happens after 'happily ever after' is a tropical honeymoon on Liam's private island. In the case of the other three, he allows them access to the place and gives the staff instructions on making the stay comfortable for them.

• Now, since Liam owns the island and has probably visited it a could times, he shows more familiarity with it. He tells his wife that on previous trips the island had more rustic accommodations, but the villa they're now staying in was prepared recently. Additionally, the butler welcomes Hana, Maxwell and Drake as newcomers to the island, considering it's their first time. With Liam, there is an air of familiarity - he calls the butler by his name (Javier) and enquires about him and his wife (Mariana) - to show us perhaps how familiar he is with this holiday spot.

• Why the hell does everyone call Liam "Your Highness"? It's been two whole books since he became King, and the proper title for a monarch is "Your Majesty". How is it that Constantine gets to rake the MC over the coals for calling him Your Highness, yet Liam has to hear this from practically everyone. From Javier to freakin' Protocol-Monitor-Madeleine! The disrespect, I tell you!

• Okay so we're having a candlelit dinner by the ocean, and we get our first OOTD. Cute beach dress, has bright flowers and some crochet work on the bodice. I bought it because I couldn't bear to have Esther stay another minute in that Pepto Bismol of a dress.

• LOL @ all the LI responses to "this spot is right where the sharks are!"

• Tuna sashimi and pineapple aioli, huh? I have never had either so idek what that's supposed to taste like (someone on this writing team likes pineapples). I remember having to cut down on tuna during pregnancy, which meant no more Subway sandwiches since the tuna sub was the only one I liked at the time. IIRC most of my family were also cautioning me against pineapples and papaya during my first trimester!

• My gosh this butler doesn't waste much time jumping into assumptions huh?

• Also Javier, why is Cordonia's future so dependent on the well-being of my foetus even if I'm not ruling the country?

• Does Cordonia have sex ed? My money is on no. (esp in the Hana route).

• So there are two parts to the way the premise of wanting to have kids is built up in this sequence. In the first part, the LI impresses upon the MC the need to have children soon after the wedding. The second part addresses the urgency - the "why right now?" factor, and explores the LI's personal emotions towards having children. This bit also feels a bit like a follow-up to the Valtoria balcony scene in Chapter 15.

• The first part is pretty similar for Drake, Hana and Maxwell - all three of whom are now married to a Duchess and are aware that securing the duchy is important. They word it in their own distinctive styles, but the gist is pretty much the same. In Liam's case, since he is the king of the country, he speaks more about Cordonia and its tensions with neighbouring countries.

Take note of this because I'll be returning to this point later. (also who are the writers trying to convince about Cordonia's size. "Small kingdom" my ass).

• I'll be going by the LIs' personal reasons to have a baby now, one by one, along with a summary of their views on children in the Valtoria balcony scene last book (since this scene clearly references that diamond scene if you've bought it last book).

(Screenshots: Liam's and Hana's screenshots are mine, Drake's is from @thefirstcourtesan and Maxwell's is from Kaitlyn Walker's YouTube channel)

- Liam: Liam's love for family and need for children is well-known throughout the series. In Book 1, he's dropped hints about wanting to have a different kind of family dynamic from the one he'd experienced as a child, and in Book 2 there were multiple references to wanting to not be Constantine - both as a King and as a father. In the balcony scene in Book 3, Chapter 15, Liam tells us a number of things - about the value of having more heirs for succession, of him always dreaming of having at least 3 children, about Kenna, Cordonia's most legendary warrior queen which leads to an interesting factoid about how the rules of successions for both the throne and duchies are not gender-specific (he also cites Olivia and Penelope as being in line to inherit their duchies). In this sequence Liam undoubtedly has more to say about the political aspect of having an heir than the personal, but his statement about "someone missing" in their lives is of no surprise when he's been enthusiastic about kids for three books straight.

- Drake: Drake perhaps gets the lengthiest 'personal' bit of all, revolving around his eagerness to be a father and his own family history. This scene has Drake speaking of wanting a child with "your eyes and my hair", but most of all of Savannah and her little family, and wanting the happiness his sister is experiencing now. The writing often manages to tie Drake's thoughts about his future family with his past: in the Valtoria balcony scene, his memories of his father and his desire to bring up his own kids the way Jackson did are dominant in the conversation on children. He speaks at length about the absence of a proper 'home' so far in his life (stating that his room at the palace always felt like "a room in someone else's house") and how high on his priority list the prospect of having children is. The Valtoria scene shows him eager to have kids asap, and this scene builds up the same urgency. You're left in no doubt that he wants those kids now.

• Maxwell: Maxwell's route of this scene soundly pretty sudden, tbh. In his Valtoria scene, Maxwell expressed doubt and nervousness when it came to children, citing the example of Bartie ("I love palling around with little Bartie and everything, but if he bonks his head or something, I can just hand him back to Savannah. When it's your kid, you're the one people hand him to."). While this is referenced in TRH's dialogue when Maxwell jokes about forgetting diapers and baby socks - it's a pretty big jump from the man who didn't exactly feel ready to have children yet, and not enough work was done to justify that shift. This could be somewhat excused in the beginning of Book 3, when the narrative had just begun to treat him like an LI, but they've had an entire damn book and several months after to reflect on how to write him properly. That is...if they actually gave a damn.

- Hana: They don't even have the excuse of "relatively new LI" in Hana's case. Because she is the lone female LI married to a female MC, her scene should have been a lot more extensive and explored her urgency to have children so soon after their wedding, a whole lot more. There are tiny changes, like the one where she hints at the "logistical concerns" that come with two women considering a family, and where she speaks of giving her child the childhood she never had (which, frankly, is an extremely vague statement and could be applicable to more than one character in Cordonia). But there is urgency that, again, isn't properly explained in the scene. Even Hana's Valtoria scene doesn't have much that would explain why she would want a child barely weeks after her wedding. The Valtoria scene does have her outlining her dreams for the duchy (along with a joke about her enacting "Beauty and the Beast") and her happiness at the thought of being a mother (she maintains that out of the things expected of her, motherhood is the one she looked forward to). They could have spent some time thinking up a reason for why Hana would rush this, even before anything has happened, or outlined something personal and not ultra-generic. Both Maxwell and Hana deserved a lot better than this.

• Maxwell speaks about possibly forgetting diapers (PLS NO MAXWELL NO) and baby socks (um okay not as bad but depends on the climate), and one of the MC's dialogue options is to say..."diapers and socks are overrated". Guys your kid won't care how much fun you are when they have a bum rash.

• A-ha! Diamond scene. First-chapter diamond love scenes always come cheap in these series' (12 diamonds) and are usually quite a steal.

• ESTHER HAS NEW LINGERIE OMG I'M SO HAPPY I'D BEEN WAITING FOR THIS MOMENT FOR SO LOOOOONG 😭😭😭😭

• ...and it is also matches Liam's underwear. Maxwell's too 😅

• The scene is nice, there are variations between the ways the LIs work up their appetite before they finally roll in the...well, sand 😅 Maxwell has what they call an "ocean duel", Hana's fulfills her lifelong dream of carrying and spinning around her wife on a secluded beach, Drake chases the MC through the water...and Liam just enjoys being a huuuge tease, okay? 😂

• Oh God, why are they still using the old LoveHacks sexytimes music. That "DHUM-boom-ta-doom-DHUM" beat drives me nuts, and not in a good way. You have better music now, PB! Like the sexytimes tunes from RCD and PM. Use those!

• My gosh this entire group is quite horny for dominant duchesses, aren't they. Every last one of them. Each playthrough has these four gazing at the MC in wonder and telling her some variation of "I think you ordering me around is hot". Olivia could trample over them all with spiked heels and they would thank her!

• As always, when something suspicious happens, my dumbass MC goes ¯\_(ツ)_/¯ and never thinks about it again until shit actually goes down. This woman will never learn, will she.

• Anyway! We now move on to the rest of the honeymoon, summed up in three-four varying scenes per LI:

(Screenshots: Liam's and Hana's screenshots are mine, Drakes is HIMEME's YouTube channel, and Maxwell's is from Kaitlyn Walker's YouTube channel).

- Liam: Focused and dedicated. And insatiable as hell. Sex on a bed (SHOCKING!), sex after his wife points out what could be an apple constellation during stargazing (the MC effectively killed Liam's boner for Cordonia, I see), sex after having chocolate strawberries at a sunlit pond, sex again on a bed (Why is he getting four? 🤔). While the staff is still around somewhere on the island. This is a man with a mission.

- Maxwell: Fun and playful - kind of a "let's live wild and do daredevilry while we can!" vibe. In one Maxwell and the MC cliff dive into the ocean, debating over the wisdom of such risky adventuring when they may possibly be having a baby. In another, the MC watches, concerned, as Maxwell eats a raw squid appetizer. There is a nice callback to Maxwell's House sigil - the kraken - when he tells her that a squid would never hurt a fellow squid. The third shows them playing Strip Monopoly in the comfort of their bedroom.

- Hana: Adorable, caring and looking through every detail. Hana's three scenes involve her showing the MC the sights around the sunlit pond (which Hana and the MC lovingly call the "Hana Lee Honeymoon Itinerary"), watching the sunset under blankets, and this little scene of them choosing sperm donors for their baby:

It's a nice addition, but it still doesn't explain why they couldn't have waited a few more months. Nothing has happened yet in the timeline of the story, the women are (they believe) finally safe and happy, and while Javier seems to believe that babies born to a couple that consists of two women pop out of nowhere, I'm hoping the denizens of their duchy will have at least a little more common sense (this is Cordonia, so "hope" is the operative word).

- Drake: Langorous, relaxed and contented. Stargazing on the beach (I wonder whether this was a nod to the meteor shower scene in Book 1), whiskey on a patio/balcony/whatever in the afternoon, and eating roasted pork by the fire. Plenty of sex but also lots of outdoors, which means lots of the stuff Drake enjoys doing.

• Aaaaaand it's time for sexy scene 2! The couple are now relaxing in bed on the last day of their honeymoon, and the LI proposes a momento in the form of a sensual photoshoot (which comes with artwork of the LI in their underwear, posing for the MC) The male LIs pose with their hands at the back of their heads, smirking at the camera, while Hana strikes a coy pose, leaning against her hand. It's a quick, fun scene that's supposed to squeeze as much alone-time out of the couple as possible, because from here on the focus may shift to other things. Basically this chapter is meant to be one giant (but largely safe for readers) smutfest. I like the artwork - it's different and I guess meant to be a little more realistic than the usual full-page art in the books (like the engagement and wedding photos with your LIs last book), which is why I think it takes a little getting used to. I know it took me some time!

• Maxwell got an underwear upgrade too!

• We've now come to the end of our honeymoon, our bags packed and ready for our return to Cordonia. The chapter ends with us seeing a "familiar face", who could either be Liam (if you married someone else, and he doesn't show any expression) or an unspecified person (if you married Liam, and he looks ultra happy). Now that could either be related to some paparazzi-related stuff, if the flash of light was paparazzi-related, or it could be a fake-out and he's actually brought along the rest of the gang to surprise you. Idk and I don't want to speculate too much on this, mostly because something more interesting caught my eye.

• So that's it for my thoughts on the scenes themselves! On to the "general thoughts" section.

• General Thoughts and Potential Theories:

- As a first chapter for a new series that is still tied to an older one, it worked. It mirrors the light feel and sensibility of TRR's very first chapter, in that both chapters build an illusion of a fairytale-like place, with hints of the darkness within emerging the next chapter onwards (in this series though - since we're already familiar with Cordonia - the darkness is lightly hinted at this chapter itself). In a lot of ways I think we're going to see a lot of parallels between TRR and this new series.

- Unfortunately, one of those similarities also includes the imbalance in the writing for the LIs. Specifically with Maxwell and Hana. It's the most glaring in the dinner scene, which builds for us the premise on which this entire book stands (the topic of pregnancy). There are ways you could have them make the jump from nervous about having kids to excited, if you tried - there are elements in their storyline that could have helped us understand their urgency.

- I played Liam's route first, and was happy overall with it but I still have my misgivings. The good in terms of Liam's story is that he gets importance because the story is also about him and his country, where we are staying. He gives us some very important details in his route, and personally I like that his role as Guide To The Intricacies And Nuances of Cordonian Society still exists...but you can't deny that there were things in his storyline which should have been addressed and never were. I hope those are addressed this book. If they do the same this time around, it will only be to their detriment.

- Also, I find it highly ironic that Drake is the one to mention Savannah and Bartie when it was MAXWELL who was more involved in helping her with the child. Sure, he was - as he confessed in that Valtoria scene - more the "fun uncle" type, but he was still pretty heavily involved. Still keeping track of what Savannah needed and what Bartie would want. In his own final Book 3 scene, Maxwell is shown having an amazing rapport with little Bartie, playing peekaboo with his nose. I can barely count scenes involving Drake and Bartie with the fingers of one hand. Why couldn't Maxwell reference that last moment in Book 3, drawing up some inspirational moment from it? Like spending more and more time with Bartie changed the way he felt about kids? Or maybe that Savannah or Bertrand said something regarding the joy children bring to him. Anything that gives us some idea of when this shift happened.

Maxwell may have been new last book. It may have been a struggle to know what to do with him last book. But that isn't the case right now. By now they should have settled in their writing of him and figured out ways to make his story make sense? To give him more depth rather than simply reducing the man to the court jester? Maxwell's story was supposed to be about him growing, the scene in Valtoria was supposed to be about wanting to be a good father for his future children but fearing he might fail...yet the writers have the same man say the exact opposite. Maxwell's family history was thrown away for no good reason last book, and was replaced by Savannah drama. There was more space given to Savannah's love story with Bertrand (which didn't NEED the entire book to gain fruition) and Drake (optionally) enjoying humiliating Bertrand. That time, energy and effort could have gone in building up Maxwell, getting an insight into what happened to the Beaumonts that they became so poor...but no. The only Beaumont that mattered seems to be Savannah (and we know exactly why). And going by the fact that they're going to force an entire wedding storyline involving Bertrand and Savannah down our throats, that still seems to be the case.

- Hana's is even more worrying considering that it was poles apart from the rest of the playthroughs and therefore SHOULD have had more thought. Yes Hana loves the idea of being a mother. Yes Hana loves children and has a nurturing nature. But the urgency is still the same as the others' in her playthrough, and it made absolutely no sense. There was a clear dissonance between their current situation and the rush these two were in.

Hana's deserved at least some more time in her dinner scene. Maybe one where she could speak about growing up an only child, with no companions and not even toys. She could explain the loneliness involved in having a small family with parents who gave her more duties than affection, and then speak about giving her kid a better childhood. There isn't even any discussion about which of them should be the person carrying (we know it will be the MC, but why it has to be her in their case is anyone's guess).

What the team have done here is give Hana the bare minimum, after an entire two books of giving her even less than that. I know I'll probably be judged for thinking negatively rather than being cautiously optimistic, but the fact is that the moment this team feels they can get away with tossing scraps or less than that, they can and will do it. It's not stopped them before: not from botching up Hana's storyline, not from giving Hana fans a reception full of goof-ups and shoddy writing, not from pairing her with her bully. Perhaps last year I would have been happy and grateful to see Hana and the MC calling each other "my wife". This time...I refuse to settle for just mere scraps. If you can give thought and care to Liam and Drake's storylines, you'd better be able to do the same for Hana and Maxwell, otherwise what's the point of reviving this book? What's the point of using Hana specifically in two of your ads as bait for your lesbian/bi/wlw fans?? Might as well let the entire series rot in the trash where it belongs in that case.

- I've heard theories about our child becoming heir to the throne, thanks to a possible future arc that may make Liam unable to have children. I personally hate this possible plot line for two reasons:

1. As it is the MC gets more importance than she deserves, whether or not she actually puts in the work. She becomes a front-runner during the social season even if she fails. She becomes a Duchess even if she lacks even the most basic skills, while Hana who has done way more than she ever had for the country gets nothing, not even a needle-point's worth of land. She becomes Champion of the Realm even if she is literal garbage throughout that book, when that title could have easily gone to Olivia or Hana instead if she didn't earn enough to get it. And now to have her kid be made an heir to the throne? For no good reason? Get outta here.

2. Forcing Liam into yet another storyline that is tragic and painful (and I'm pretty sure the writers will find yet another excuse to write a thesis on Drake Walker in the time they could be using to let Liam actually break down, or vent. If they couldn't be bothered to explore the man's feelings when his own father died, do you really think they will bother with him in this??) on top of whatever else he's had to experience so far? At this point I can do with less of that. I'm honestly sick of storylines that put Liam in very uncomfortable, painful situations with very little space for him to air out his grief. Give the man a fucking break. Let him have some breathing space to rule his goddamned kingdom, get him a fantastic therapist and get him better friends while he's at it. Pushing him into yet another messed-up situation when you've barely even scratched the surface with what his experiences have done to him, is really just drama for the sake of drama, nothing else.

- Nonetheless, since this is about a pregnancy and a future heir, I believe there will be plenty talk about succession, and about the importance given to fertility and children in Cordonian society. But as with the social season in Book 1, the engagement tour in Book 2, and the wedding + Unity Tour in Book 3, I believe the pregnancy itself is a frame story. The kind of story that justifies the glitz, the glitter, and the glamorous events...that can serve as a temporary gloss to cover the conflicts within. All while the inner stories reveals those conflicts, layer by layer (again, if it's done right. Book 3 is a good example of a great premise ruined by bad writing. I sincerely hope this book does not go in that direction).

- Remember those screenshots I put up in that dinner scene from Liam's route? About Cordonia's tensions with its neighbouring countries, and how the country may be viewed as vulnerable? I think that's where the actual theme of the story lies.

Books 1 and 2 mostly revolved around the illusion of Cordonia - the fairytale kingdom - before the MC herself is confronted with the tensions brewing within. Book 3 was about strengthening Cordonia through resolution of internal conflict. It was about learning about the intricacies of the country, its most powerful duchies, their histories and identities, Cordonia's messy, complicated history - to tackle the problems that lay within.

I feel like Book 4 would be taking a natural progression from resolving internal conflict to finally standing united as a nation against outside forces. Constantine - in his conversation with the MC in Shanghai - hints not only at groups within Cordonia that wanted to destroy the monarchy, but also foreign powers ("suffice to say there are those who envy Cordonia's prosperity...". Not the royal family's - but "Cordonia's").

Keeping a united front and showcasing strength through pride in the country - ergo 'patriotism', or perhaps 'national integration' since Cordonia is home to many different cultures and geographical locations (I originally wrote 'nationalism here, but now realize there may be negative connotations attached to that word in today's times: thanks @musicallisto!) is often viewed as an asset against alien forces. The MC is now a part of the monarchy/nobility, and will be irrevocably tied to the country's future - so it makes sense that she will now dig into the deepest and most intimate parts of Cordonia's history, and go several steps further in helping to unite the nation.

- Why do I theorize 'patriotism' or 'national integration' as being a theme? There are several reasons for this:

The Unresolved Storylines: We still have a ways to go in understanding Cordonian history. We don't know which other forces were involved in previous assassinations, and we don't have a clue what happened to Liam's mother. All we do know is that other people and groups that we have probably not even seen yet, may have been involved. Francesco (who also knew Liam's mother) and Xinghai, the only foreign delegates/visitors that we got to network with in Book 2, have minimal roles so far but SEEM to have had some influence when they were introduced earlier. Francesco particularly could have some sort of role to play, given what we were told about him in Book 2. Now would be a good time to explore why he needed contacts with these people (other than the fact that Xinghai is Hana's dad). It's possible that nothing will happen and we may not even see these two, or exchange any important information, but I'd still hope that there is some importance to their appearances in Book 2.

The Connections We Made In The Engagement Tour: Meeting Francesco in Capri was related to getting access to EU markets for Cordonian products. The engagement tour itself revolved around grabbing international attention towards Cordonian problems - one of which was the tsunami that hit Portavira, which we learn more about in Book 3. There is a possibility that these threads may be picked up in the future.

Both the above points hint at possible threats, or allies. At this point we can't exactly determine who is friend and who is foe, but it is clear that neighbouring countries - and indeed countries we have associated with in the past - will play a pretty big role in the way we view Cordonia, and in the way we direct the narrative of this country.

The Artwork: I love this part of my theory because it is the most based on actual evidence rather than guesswork. The idea of a nation depends as much on items of familiarity and symbols, as it does on history. It's why countries have national animals, anthems, fruits. Why art depicting national and local legends can often be considered almost sacred. The book has barely even begun yet, and already it is FILLED with all kinds of things symbolic to Cordonia.

Let's first take a peek at the cover art:

Now let's ignore Liam's and Drake's (busted) faces in this cover and focus on what the three are holding.

The MC holds a rattle in her hand, and the jewel within the rattle looks similar to a ruby, which has been associated more than once with apples in the story (Cordonia's most valued variety of apple is the Cordonian Ruby, Liam's wedding gift to the MC is a ruby in the shape of an apple. The same rattle shows up in the second cover [on the left] as well. It's a stretch, I know, but I've got better evidence. Stick with me).

Liam holds a onesie with a crown design on the front - and we know that "for crown and country" is a popular phrase, especially for toasts, in Cordonia. Drake holds out a toy lion: the lion is the national animal, and holds a place of pride in the national Coat-of-Arms. The throne on which the MC herself sits, is blue and gold - both considered national colours. That's at least 4 symbols related to Cordonia vying for our attention on the same cover!

I mean, even Book 3 had just two major symbols - the apple (related to Cordonia) and the phoenix gown (related to Valtoria) - featuring on its cover.

The biggest proof to me, however, is not the cover, but the loading page. To be more precise - what is written above that loading page. A number of Choices books (BB, for instance) write little factoids about the world they are building above the loading bar, which players can read while they're waiting for the chapter to load. This wasn't a common practice with TRR, but they've definitely started it now! Some of the commentary is usual stuff - about gaining advantages through outfits, welcoming you back to Cordonia, etc...but THIS TIME there are tidbits of information given to us as well. And 80% of those involve apples!

Here are a few I managed to catch. One fact on the importance of apples in Cordonian culture, two specifically on the Cordonian Ruby itself including a rare recipe, and two old proverbs (this isn't the only time we've heard apple-related proverbs in the books - in Book 3 for instance, Bertrand refers to their trip to Fydelia as 'slicing two apples with one knife'). Proverbs in general often give us an idea of what people within a region hold up as important, as so connected to their life experiences that they can use those familiar objects as motifs for things that they see in daily life (eg. proverbs in my home state, Kerala, often refer to things/animals we find locally: jasmines, coconuts, jackfruit, dogs, elephants).

The fact that the apple features so often and with such emphasis in the loading page itself - and we have already seen what this simple fruit means to Cordonia - indicates to me that this national symbol - and the idea of the nation itself - will be of great importance. Not only will we be exploring foreign relations, IMO, but we'll also be learning how to build a national narrative that will benefit and strengthen Cordonia.

What's also interesting is that the apple symbolizes fertility to the Cordonian people as well - the apple cutting ceremony during a wedding (as explained by Regina to Leo's fiancée in RoE) is "a symbol of the fruit the tree will bear - you being the tree, of course", and there are chances that the fruit may feature often within the context of pregnancy/having children as well.

• That's all for now, guys. I hope to write more and theorize more as the chapters progress! Until then, I hope you enjoy this one, and I'd love to hear what you have to say.

• I did the Hana screenshots for this chapter, since the first chapter allows me to play repeatedly within losing keys, but I won't be able to do so from Chapter 2 onwards. If there are any Hana fans out there who keep screenshots of scenes in their route and are interested in sharing, I'd love to hear from you and will definitely credit you for the screenshots I put up!

• If you'd like to be tagged in future QTs, please let me know! Tagging @nikkisha16 for now since she asked xD

• Until Saturday, folks!