#i think i was looping epic

[swampythesweetsketch]

Where did those flowers come from?

[askblueandviolet]

Isnt there some way to i dunno dilute the immortality peach so its less "immortal" and more of a life extention medicine?

Ask Box is Open again! 4-6 slots as always :))) Until I reach that amount the box will remain open.

UPDATE: 7 hours have passed and unfortunately I have to close the box ｡⁠:ﾟ⁠(⁠;⁠´⁠∩⁠`⁠;⁠)ﾟ⁠:⁠｡. Thank you to everyone who submitted something, I will answer them all soon :))).

MASTER POST

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[anipwrites]

Me, literally just doing anything, literally just existing:

My brain: tHIS IS THE SON OF NONE OTHER THAN TROY’S VERY OWN

PRINCE

HECTORRR

[genderqueer-karma]

just remembered the fact that images are compressed for no fucking reason on mobile. fuck this site.

[pentimint]

i'm taking the stray cat scene away from kira/shinobu likers and putting in their hands the bath scene

[foldingfittedsheets]

Hands down one of my worst experiences in high school was when the seniors decided to extort the entire school by using tactics that were banned by the UN to get them to pay for the senior party! If that sounds like a wild sentiment stay tuned because this shit got crazy.

I was living in Arizona at the time and I was a freshman. Our campus was largely open air, with walks between class room buildings and some covered outdoor tables. Our event began with a morning announcement. The seniors were collecting donations for the senior party, and when they reached their goal, their fundraising method would stop.

Their fundraising method:

To pipe the entire schools speakers with "If You're Happy and You Know It" on loop. To this day, I cannot hear this song without experiencing a degree of rage and madness that is frankly alarming. One of the worst parts of the entire thing was that the recording they chose had the female singer do a little clap and say "Yay-ha-hey," at the end. So it wasn't just the song, it was this awful little cooldown stinger at the end.

If this sounds a lot like psychological torture you'd be extremely correct! This practice has been banned in some countries, but the good old US hasn't ruled it a human rights violation, and what a fun silly way to raise money, that definitely wasn't damaging to adolescent psyches!

Every morning for 15 minutes before school began, every passing period, every lunch, and after school for another 15 minutes they blasted that fucking song on unceasing repeat through every speaker in the school. Everyone found different ways of coping with this and mine was to observe my classmates descent into madness and categorize the stages.

The first stage was almost completely consistent, and it was a smug almost exasperated eye rolling phase. Often accompanied by derisive comments about the song or the tactic, this phase was extremely mildly annoyed. Most people figured it would blow over soon, and no one anticipated this continuing for a week and a half, creating a miasma of fraught tension.

The second phase was elevated annoyance, starting to snap and be less amused characterized this level of irritation. People would try to cover their ears or put on headphones, humming aggressively to block out the syrupy repulsive children's performer with her loathsome little clap. This phase had people picking their absolute least favorite part of the song. Her inflection on certain words, her timing between verses. I think it's pretty clear already which part I hated most.

The next phase was a bounce back out to absurdity. It became funny how annoying it was and people would sing along as if to challenge the song's authority over their psyche. This paired exceptionally poorly with people in phase two as they'd often lash out at the people giving more voice to their hell.

The fourth phase was a dead-eyed madness. People would stare straight ahead and their lips would silently mouth the familiar words. The song had pounded its way into their very soul and was inextricably linked to auditory output. They often didn't even realize if they began chanting along.

The fifth and final phase was pure uncut pubescent rage. Kids would scream, attack each other, and in a truly epic end to the event hurl a cafeteria chair with such force at the speaker in the cafeteria to irreparably damage the sound system.

The seniors got funding for a party, but some of it had to go to repair the damages, which were substantial.

[arcane-trickster]

Typically I don’t do angry tumblr rants but this gbbo smore shit has a cold rage burning in the fireplace of my soul and the words ‘sacrilege’ and ‘heresy’ bubbling up from the depths of my being to be played on loop in mute horror like a scratched record.

So.

This monstrosity is what gbbo was trying to pass off as a smore.

This is not a smore. Look at it. It’s downright undercooked. That’s not even marshmallow. Or chocolate. It looks cold. This is about as much a smore as Cris Pratt is a voice actor. As a corgi is a wolf. As gbbo is apparently competent at research.

Also me to explain what a smore is.

For anyone who doesn’t know what the fudge a smore is, it’s a typical summertime treat often made at summercamp, when camping, or if you live in a place with a fireplace/assess to a campfire sometimes you’ll use that.

Basically it goes like this; it takes five ingredients, gram crackers, any chocolate bar with rectangular pieces you can break off (traditionally Hershey’s as it’s the cheapest and smores tend to be made in bulk, it’s one of those things a group of people make together otherwise it won’t taste right) large marshmallows, an open flame, and as previously mentioned more than one person to make them at the same time. If you make smores alone, the smores too will be sad and alone.

First you take two gram crackers and break off 1 to 2 sections of chocolate. Place the chocolate on each side, so both sides are all chocolatey. Then you take a marshmallow and skewer it on either a pointy stick from the ground or a metal skewer specificity made for roasting marshmallows/hotdogs depending on if someone has any.

Next you, well, roast the marshmallows. If you’re doing this at a campfire this involves a lot of moving away from the direction the smoke is blowing well and minor amounts of giggle-filled pvp as everyone jostles for the best spots around the fire. Mellow roasting is one of those things that is kind of the point of making marshmallows, the epic highs and lows of seeing how close to the fire you can get yours and how long you can hold it there before it either falls off or catches fire is integral to the entire experience.

Once you hastily blow out the one-fire part of the marshmallow, you slide it off the stick and between the gram crackers and chocolate. Then you squish it a bit to get the chocolate all nice and gooey, and bite in.

It’s gooey, it’s very messy, and the closer it gets to midnight the more it’s delicious.

So now we have established what a smore is, allow me to explain how UTTERLY BUTCHERED that abomination of sugar is.

First, we have the ingredients themselves. Paul Bitchwood describes the middle as ‘Italian meringue’.

Italian meringue.

Italian. Fucking. Meringue.

*deep breath*

IS NOT A MARSHMALLOW.

It does not share THE BASIC PROPERTIES OF A MARSHMALLOW.

YOU CANNOT STAB MERINGUE WITH A STCK AND HAVE IT STAY ON THE FUCKING SICK. HAVE YOU EVER EATEN A MARSHMALLOW BEFORE MR BITCHWOOD???? WOULD YOU LIKE ME TO THROW THE TOP OF A LEMON MERINGUE PIE AT YOU TO DEMONSTRATE “PAUL”?! IF IT DOESN’T BOUNCE ITS NOT A FUCKING MELLOW AND THE EFECT ON YOUR FACE WOULD BE ONE HELL OF AN IMPROVEMENT!

So already we have the single most important ingredient straight up ‘substituted’ (if you can even call it that) for an entirely different food with a completely different texture, taste, consistency, and behavior under heat.

But there’s more!

See, that chocolate? It’s not melted chocolate like you might think at first glance- no no no, that’s fucking GANACHE.

YOU KnOW, The THing With THE CoNsistenCY of FroSTING???? :) :) :)

The thing that you expressly don’t want to melt when using it in cooking on pain of death?

Thus removing THE ENTIRE PURPOSE CONSISTENCY FLAVER AND TEXTURE OF THE INGREDIENT

AGAIN!

and then. Ohhhhhhh and then.

Those are no gram crackers.

Those are ‘digestibles”

WHAT THE FUCK ARE DIGESTABLES

THATS WHAT HAPPENS TO ALL FOOD ITS NOT SPECIAL DUMBASS

WHAT THE FUCK KIND OF RICH PEOPLE SHIT ARE YOU EATING THAT YOU NEED TO POINT THAT OUT IN THE NAME

WHAT THE FUCK

AND IT AGAIN HAS A DIFFERENT EVERYTHING THEN GRAaM CRACKERS

WHY

YOU DIDN’T EVEN HAVE TO DO THAT IF YOU WANTED IT TO SOUND FANCY YOU COULD HAVE JUST MADE GRAM CRACKERS FROM SCRATCH IVE NEVER SEEN ANYONE DO IT BECAUSE WHY THE FUCK WOULD YOU BUT ITS AT LEAST POSSIBLE AGHHHHHHHHHHH

And then. To add insult to injury after FUCKING injury.

It’s a circle.

It’s A CiRcLE.

WHY IS IT A CIRCLE.

IT SHOULNT BE A CIRCLE-

In conclusion; Paul Bitchywood is a fucker and a Tory and I don’t put stock in god but by whatever powers may be I hope hell exists because this fool is running a marathon to it’s center.

[emacrow]

So you know the movie Ponyo

What I'm really trying to ask is do you know the mother and the father are like a little thing where the mother looks like an epic Sea Goddess cuz she is and he looks like a sad sickly old man

I'm just imagine that Klarion and Danny

Like Danny looks like an epic beautiful star Death god powerful in the way he moves but it's subtle like he's slowly comforting you to death

And Klarion looks like a crazy witch boy with a cat who look like he's out right feral and about to throw a pipe bomb at you just because he can

I'm just imagining what happens is Young/Dark Justice is worried about Klarion he's been gone for a while and they're wondering what he's planning I imagine they're surprised when they see him with a Lazarus pit

It's a specially surprising when electric entity sticks their head out of the Lazarus pit and starts talking to Klarion as the JLD and YJL hide there waiting for Klarion into demand help our power they watch this being completely start flirting with Klarion

I imagine Klarion and Danny's conversation going like this

Danny: Hello there my amazing chaos what have you came to talk to me about this time

He puts his hands up to pick up Klarion and bring him closer to his face

Klarion: It's that stupid Doctor Fate it's like he doesn't understand too much balance can ruin the order of the world I might love chaos but that would cause a chaos I couldn't even control

Klarion sits down and Danny's hands rubbing his head on one of Danny's fingers as comfort

Danny: Oh my love I could always talk to him and get him to try slow it down a bit if that's what you need

Danny's face turns into one of concern as he says that slowly starting to move around in the bigger than normal Lazarus pit that Klarion found for him

Klarion: No starlight me and Teekl have that old fart handled how about you tell me about your day instead did you find any more stars how is the balance between life and death doing for you

Danny puts him back down as a twinkle goes in to his eyes as he lays down in Lazarus water slowly starting to swim around as he say

Danny: oh Klarion life and death has been amazing and there's a new Star nursery that I found out there it's just wonderful

After Danny says that he pauses for a moment and presents to go underneath the water he comes out looking smaller with white hair and still wearing the same clothing he was wearing when he was larger surprising Klarion by grabbing his hands

Danny: oh Klarion my dear I have an idea how about we let Dr.Fate have what he wants for once in his miserable life let him have order without the balance that he needs that should show him that he needs you should it not

Klarion takes a second to think through It after he does he grabs Danny's hands right back

Klarion: that's an amazing idea Danny I'll stay with you in the infinite realms let's see how Dr Fate work without chaos helping him keep the balance

After that Danny kisses Klarion on the cheek using the the Lazarus pits to take him and Klarion to somewhere called the infinite realms

I'm sorry this is my first time really writing out Klarion I don't know how to write out characters that well I hope it was good that is what I really like is YJ and JLD was just reacting to this conversation since like the plan was listen and find information

You bet damn right that Dr Fate would have trouble keeping the balance, and would probably have the justice league trying to find Klarion because he thinks he up to something but in reality Klarion is in the middle of deep space, playing around with the stars as Danny is molding and feeding the baby star nursery to build a new universe in the making.

Dani is probably with him doing looping loops playing with star dust while Dan beat up any asteroids that had bad bacteria and let some of the good meteorites in that has good bacteria, and frozen water inside of them.

By the the time Justice league figured it out, probably the Green lantern, Hal. He probably gobsmacked and godsmacked straight back where he came form accidentally by Danny's star fueled cape.

[cryptotheism]

I've been digging into Steven Crowder's older content and man. Conservative comedians are some of the most obnoxious and unfunny people on the internet, but Crowder is so loudly and powerfully unfunny that it almost loops back around for me.

Back in 2016, during the height of the whole Anti-SJW crowd thing, he would do this bit where he would just go "HEY FEMINISTS!" And then play that meme diarrhea fart sound effect.

That was it. That was the whole bit.

No feminists were listening. He was just playing a diarrhea sound to show his displeasure at feminism. Every time he did it, he would lean back in his chair like he just whipped the most epic burn imaginable.

Fucking kills me. It's the most light speed unfunny thing I can imagine. It's like a Tim and Eric parody of a conservative grifter shithead, and Crowder clearly thinks he's being not just funny, but provocative and boundary-pushing in some important way. By playing a diarrhea noise.

[elexuscal]

The "Top" fics in fandom are not the "Best"

I've seen a couple of posts here in there implying that the ways to find the best fics in fandoms are just to go to ao3, and sort by 'Most Kudoses', 'Most Bookmarks', 'Most Comments', etc. I've also seen some folks say they feel like their fics are failures if they don't make it to the front page(s), or at least near there.

But the simple fact: this is not true.

Now, I'm not saying that the top-rated fics in a fandom are bad.

Far from it! They're often very popular for a reason. Well written, fun dynamics, cool plots, etc. A lot of my own favourite fics have made it to the first page when you sort by "Most Kudos"-- but then, a lot of mine also haven't.

Why?

Because those selections are inherently biased.

What do I mean by that? Just that there are other factors influencing what stories accumulate the most comments/kudoses/etc in a fandom, meaning none of these serve as a neutral metric of quality.

I'm going to explain some of these biases briefly, just so folks get a sense of what I mean:

Age Bias This, I think, is the easiest to grasp. A fic that is three years old just has had more time to gain views than a fic that's three days old. Also, consider that pretty much any fandom needs time to grow. If you're in the first days/weeks/months of a fandom, there probably just isn't that much content being made. If there's only 10 fics on the archive, then 11th one stands out. It'll get a lot of attention. But if that same fic were to come out a couple years later, when there were 11 fics published in a single day, well, people are more likely to miss it. If you doubt me, take a look at the front page of 'Most Kudos' for a fandom of your choice. You'll probably see a lot of the stories there are on the older side- and this is exactly why.

Multi-Chapter Bias There are a lot of ways people find new fics to read, and one of the most basic is just: look at the front page of the most recent updates. Now, this way of sorting fics is exactly what it sounds like. A list of fics in order of when they were most recently posted/updated. But, obviously, if a fic has multiple chapters, it's going to appear on that front page way more often. A 50 chapter epic has 49 more chances to get seen this way than a one-shot. This issue becomes even more intense when you consider the Most Comments sort option. For a one shot, a person is probably likely to only comment once. Maybe if they really love the story and revisit, they'll leave a second or third. But multi-factor fics? By design, people come back every update. And that means a lot of people leave comments every single time. (Or at the very least, after big plot developments and twists!) This is what leads to long-running multi-chapter epics dominating the 'Most Comments' rankings in most fandoms.

Popular Pairing Bias Again, this is just obvious. Some pairings are more popular than others. A rare-pair fic can be just as soulful, hot, and well-written as a story featuring the fandom's powerhouse fic, but if only 30 people are interested, well... [shrug] Less people will click on it, kudos it, and leave a comment. To a lesser extent, you can expand this to any trope. 'Coffee Shop AUs' just seem to be more popular than, say, '1930s Mobster AUs'. That effects what tags people search, and what fics they find. But shipping is such an important element of many fandom cultures I thought it would be the most illustrative.

Positive Feedback Loop Bias And honestly, this is maybe the real clincher. Because I've established some of the things that can cause a story to start gathering lots of kudos, comments, and bookmarks in a first place. But once that starts, you get a positive feedback loop going. Because what's one of the first things a person does when they're looking for good stories in a fandom? They sort by 'Most Kudos'. And then they select the first story on the list, and they like it. So they leave a comment and kudos and... Yeaaaah.

So... What do we do about it?

Well. Nothing really. This isn't really a problem. It's just something to be aware of.

Any attempt to put metrics on something as subjective as art is going to fall short. So don't go rating the quality of your own stories about how well it performs, and don't go chasing those coveted top spots. You'll have a lot more fun if you just write stuff that you enjoy, make some friends, and recognise a lot of factors influence fanfic statistics beyond just quality.

Searching via most comments/kudoses/bookmarks remains one of the easiest and quickest ways to start diving into a new fandom. It's often the first things I do, and found stories I love that way.

That said: I highly encourage you to search for fics beyond just that method. Here are some of my suggestions if you want to figure out ways to get started:

Search up Fanfic Rec Lists. Lots of people put them on their blogs, and websites like TVTropes even have that as a whole feature

Ask for fic recs! Seriously! Post about it in the fandom's tumblr tag, join Discord communities, etc, and just say, "Hey, I'd love to read a story where... [insert the general themes, characters, or plot points you like". People will be EXCITED to share.

Search by specific tags Like, do you really, really love time loops? Search the 'Time Loop' tag in your favourite fandoms. A lot of specific tropes, AUs, etc. are canonized, so you can find a lot of stuff up your alley that way

Browse the most recently updated fics Yeah, I know, it's old school. But seriously, you can find some awesome stuff there-- including stories from new authors just starting out, who could really use a boost!

And hey... if you find some stories you like... Consider writing some fic recommendation lists of your own. Spread the love!

[raven-at-the-writing-desk]

Hi! Have you seen the new Mickey Mouse Rebrushed trailer??? Twitter is goin crazy over it and how it’s related to twst 😭 just wanted to hear your thoughts on it

I did spot quite a few parallels with TWST from the Rebrushed trailer! I'm not familiar with Epic Mickey at all, so I'll just be commenting on what I noticed right away. You'll have to excuse my limited knowledge.

Firstly!! This design of Mickey is the exact same as the one we see in TWST. Most noticeable is his white face, which is a fleshy peach color in most modern iterations.

Mickey is reading Alice in Wonderland’s sequel, Through the Looking Glass. Of course, Twisted Wonderland has Wonderland in its title, and even opens with an Alice in Wonderland inspired dorm. Yuu and Mickey also connect via their dreams and through the mirror shared in their rooms.

The theme of dreams is very present and upfront here; Mickey wakes up from sleeping and then creeps to his mirror, which appears to be a portal into another world. Hmm... dreams, mirrors, and traveling to other worlds, now what does that remind you of? You'll also notice that Mickey's room is the exact same as Yuu's room in Ramshackle, right down to the "inverted" room that appears when Mickey passes through the mirror. Everything up until this point is very similar to what is depicted in the 1936 short, Thru the Mirror.

Next, Mickey spies on a wizard carefully using a magic paintbrush over what seems to be a diorama of a bunch of buildings on a plot of land. When the wizard leaves, Mickey fiddles with the paintbrush, causes a mess, and calls forth some kind of black ink monster with green light coming from within it. This seems to be a very close parallel to Overblots, particularly since the most recent OB has a signature neon green color. If we really are to connect Epic Mickey to TWST, this scene also seems to allude that Yuu, Mickey, and/or the "wizard" have parts to play in bringing these Overblots to life. And who do we know that is a powerful wizard that is aware of the corrupting power of blot and runs a large chunk of land... say, a campus? Crowley. This goes hand-in-hand with the theory that Crowley is intentionally allowing these OBs to happen or is even puppeteering his students into OBing.

I find this visual in particular to be very ominous; again, we have the colors that match a certain OB dragon fae but also the map itself reminds me of Twisted Wonderland's and the eerie visual of Malleus's thorns digging into Sage's Island and aiming to go way beyond it.

Anyway, the ink monster is temporarily contained while Mickey returns to his own world. We then get a montage of various Mickey media passing by, as well as a lot of imagery that would imply the passage of time (clocks, the date on the calendar changing, etc.). So... what? Is that implying not only parallel worlds, but also a time skip? Or maybe a time... loop? Like time loop theory???

The ink monster somehow eventually escapes and makes it to Mickey's world, with the blot dripping from the ceiling waking Mickey up from his sleep. It drags Mickey away into a hole drenched in ink. Kind of foreboding when you realize Yuu has also had prophetic dreams... Not of OBs, but of the events leading up to them. And being dragged away into an inky... opening? Like an... abyss? Like book 7, Ruler of the ABYSS?

That's how the trailer concludes!! Gotta say, there's definitely a lot of shared elements between this and TWST. If I recall correctly, Epic Mickey was a game that existed on the Wii waaay before TWST. It even has largely the same cinematic trailer (just with older graphics), so to me it feels like TWST probably took inspiration from Epic Mickey rather than the other way around. There are definitely too many parallels for it to be a coincidence. If that's the case, then we can probably pull some hints for what awaits us in the rest of book 7 from these cinematics. (This is a video comparing the two side-by-side if you think that might be of use!)

[stardustdiiving]

The way some people talk about “misogynistic writing” with the female genshin archons—specifically Nahida & Furina— kills me a bit, because while i do feel there’s valid criticisms of genshin’s writing to be made (especially regarding Ei, who I do feel was done a massive disservice writing wise), often I see people seem to come from a place of not understanding the writing/characters well, and/or leaning into like…very reductive ideas of what makes a female character “good” that honestly says more about their biases than Genshin’s

For example, a common complaint I see against Nahida & Furina is about them being made to be “weak/unserious” and how this is bad writing because genshin is unwilling to take their characters seriously—but the way this is argued seems to suggest Furina & Nahida would be better characters if they were more physically powerful, mature, or “cooler” in some way. But I really dislike the notion of girlbossification being seen as the one standard of good writing for women. A girl being strong and independent and able to punch things really hard isn’t a marker of inherent good writing

Nahida and Furina not being physically powerful or completely sure of themselves is the point. Their lack of life-experience-based maturity and overpowering physical strength are intentional and points of strength for their character writing, not flaws or weaknesses:

Nahida is the God of Wisdom—her primary source of strength is her intelligence, which comes from her curiosity about the world that is intrinsically linked to her being very caring by nature. The reason Nahida is at a disadvantage in physical strength with the antagonists—Scaramouche and Dottore—and doesn’t have an epic moment where she brute force overpowers them, isn’t because Genshin is treating Nahida like an incompetent joke, it’s because her character highlights the overall theme in Sumeru’s AQ that power isn’t everything and strength/wisdom comes from many places.

She outsmarts both Scaramouche and Dottore through her ability to strategize—if you’re trying to sell Nahida as a character who embodies wisdom, it’s far stronger writing wise to have her use her wisdom and mind to overcome narrative conflict than have her be all powerful. If you don’t think Nahida revealing she’s trapped Scaramouche in a dream loop after he tries to rip her gnosis from her, or her standing her ground against Dottore and forcing him to bargain with her when he attempts to intimidate her into giving him what he wants doesn’t make her “cool” or interesting….idk ! Maybe it’s not the writing and just your personal preference for character appeal

Furina —without getting too deep into 4.2 spoilers—has an arc revolving around the loneliness & conflict of needing to mold yourself into a performance for a greater purpose, and grappling with personal identity and autonomy in the aftermath of performance and repression shaping your life. I really don’t understand how people watch how she’s handled and come away with the conclusion her character gets bent around Nuevillette’s man pain/the fact he’s just so ~much more competent than her unless you’re just really not interested in trying to engage Furina’s writing or taking it in confusingly bad faith

Her struggling with lacking the physical power/competence a god “should” have is, again, the point of her character and they are very clear where that lack of ability comes from within the writing. Her narrative actions follow an arc that revolves around this internal conflict she has—she feels very established to be her own person and they certainty don’t shy away from expanding on Furina’s emotions without it only being done as footing for other (male) characters

I think Nahida & Furina were just not what people were expecting the Dendro & Hydro Archon to be like, I also see a lot of complaints that neither of them “act like gods” or “seem very godlike” but see, in my opinion, one of the central themes to genshin overall is to examine the relationship between humanity and the divine. Part of this also includes calling into question what a god should be, especially in relation to humans/having a sense of humanity

The center conflict within Nahida & Furina’s characters is that their sense of humanity is at odds with being held to what being a god “should” be. Nahida is imprisoned by the Sages who treat her with disdain for being a child and not being inhumanly perfect enough to be useful to them as a deity. We see Furina try to engage with her people earnestly in a more human way before realizing she needs to put up the performance that proceeds to shape her life & state of deep loneliness for the next 500 years to be taken seriously and fulfill her duties. You aren’t supposed to look at Nahida or Furina and think they’re all powerful otherworldly divine beings. You’re supposed to view the, as people—people who are young and inexperienced regarding their position in life. Venti and Zhongli act like people in the same way—the only difference is they have more experience and have had the time to accomplish more feats as original members as the Seven

Again, it’s not that I don’t think there’s criticisms to be made. Genshin to me sets up Ei to be a character who requires a lot of self reflection/growth and thought with handling her moral dubiousness, and then out of desperately worrying she won’t be likable enough, seems to bend over with trying to insist on Ei being palpably appealing while not following through on a lot of what her character really needs to feel well handled. (I feel they barely even address Ei needing to rebuild trust with her people and it’s only more clear when you now see Furina spend a lot of time handling something similar despite doing less um, government oppression thsn Ei did for instance HDJNDJDJ. But I guess me pinning where my personal dissatisfaction with her writing comes from is another post in of its own and more based in general issues with Inazuma vs viewing it as misogynistic writing alone) The trend of not letting a female character grapple with her morality and try to push her being livable at the expense of addressing her complexity does honestly feel it falls into a misogynistic writing trends. I am really bummed out with Ei’s execution when genshin has proven through other characters along with Nahida and Furina they are capable of handling a character like her writing wise imo

But I really think, again, if someone thinks none of genshin’s women are engaging or interesting, or that Nahida and Furina aren’t taken seriously enough narratively while seeming to not really understand the intent of the characters’ writing, or want to take them seriously unless they’re cool/girlboss-y enough, I feel it may say more about their ideas of handling women in fiction than it does about genshin. I get personal preferences and not being really into a character, but people so frequently frame it as a possibly misogyny pattern with how genshin writes the female archons and I can’t help but disagree. I think sometimes people don’t consider what the story is trying to say with the characters vs what they think is cool or want (and of course what we all think is cool or may want/expect narratively is always informed by our own biases). There’s a level of subjectivity in how you can interpret writing and narratives of course but they’re just not interpretations I feel fit into what’s presented in the text !

[salty-ironstrange-shipper]

Hi. I saw this post asking for a fic that changed one's brain chemistry. Now there are a lot of fics I like; over 2000 bookmarked on ao3. And a lot of fics I love; I have 400+ of those fics tagged 'fave'. Of those 400, there are only around two dozen I would say legitimately changed me as a person. 1% changed the way I saw relationships and the world, changed the way I read and write. And I couldn't narrow it down to one - or ten - and didn't want to dump in OP's tags. So have this list of fics that permanently changed who I am as a person.

Warning: I love long fics, and some of these are the same specific tropes that I love or that really affect me personally (ex. arranged marriage). Expect angst, and especially angst with a happy ending. That said these fics are all objectively amazing.

(sorry to people who don't like long fics, but we are simply not the same. and that's OK.)

listed in order of fandom, then length.

Banshee In A Well - 43k, complete, DC, Tim Drake. Childhood trauma, childhood trauma, came back wrong/can't stop coming back! Tim is a little FREAK and I luv him.

straight on 'til morning - 102k, complete, DC, timkon/Kon-El. This is within the niche genre that for some reason appeals to me specifically, of characters having a LOT of feelings about sex and dealing with it poorly.

variations on a theme - 5k, complete, MCU, ironstrange. This is one of the fics that made me truly love ironstrange. Stephen sees through millions of possibilities and in doing so, falls in love with Tony. Evocative, beautiful, succinct.

The Art of Losing - 33k, complete, Red White and Royal Blue, firstprince. This fic made me cry. This fic BROKE MY HEART. And I WENT BACK TO IT. Multiple times! This is a breakup fic that breaks you down then puts you back together. You will come out different, and only you can say if it's for the worse or the better.

With so much of my heart (that none is left to protest) - 65k, complete, Red White and Royal Blue, firstprince. There are so many firstprince fics that essentially translate the events of the book into a different setting. And I love all of them. (My own fic, then fucking have me, also does this, self plug self plug self plug). I had to narrow this selection down to just one, and this is probably my absolute favorite.

You Don't Have To (Say Yes) - 192k, complete, Star Trek, spirk/Jim Kirk. This is within the niche genre that for some reason appeals to me specifically, of characters having a LOT of feelings about sex and dealing with it poorly (yeah, again).

THE MARRIAGE OF TRUE MINDS - 262k, complete, Star Trek, spirk. Star Trek arranged marriage epistolary fic. I read this 4 years ago, and I STILL think of a line from this fic constantly (we're aligned, we're aligned, we're aligned). If you don't read anything else for the rest of your life, read this.

DON'T THE WAVES PULL THE SAND? DON'T THE MOON PULL THE TIDES? - 58k, complete, Star Wars, finnpoe. I don't even go here. And yet. And yet. This is within the niche genre that for some reason appeals to me specifically, of characters having a LOT of feelings about sex and dealing with it poorly (yeah, AGAIN).

Not Part of the Plan - SERIES, 8 works, 337k, complete. Supernatural, destiel. This is an arranged marriage fic au series, that started with a oneshot pwp, and somehow grew into a sprawling, world and character building EPIC. And that to me is always a marker of quality. You KNOW it's good if the author couldn't stop themselves.

wander your own land - 379k, incomplete, Yellowjackets, shaunajackie and others. I told you I like long fics. Girl survival situationships, cannibalism, jealousy, cabin fever, hallucinations, trying to keep a fucking baby alive in some of the worst possible circumstances.

Infinite Variations of a Summer Day - 76k, complete, X-Men, Pietro Maximoff. I love Pietro, he is one of my favorite characters of all time, and this is such a great character fic. See Pietro slowly driven insane in a time loop that examines his relationships with himself, his team, his family, and his powers.

drop your own recs in the notes. and if you have any suggestions for griddlehark/the locked tomb, pLEA- *gunshots*

[ze-writing-qprs]

Angel Dust x Husk

Headcanon List [QPR 🩷]

Queer-Platonic Relationship (Can be read as romantic for most of it)

TW: May contain slight cursing

They are adorable your honor

They definitely get mad at each other a lot, but apologize almost right after

Angel tones down the crude jokes after they get together (only uses them when he wants to piss off Husk)

Angel is the instigator in the relationship, he makes it his official job (good and bad)

Both get comfort from each other after a long day

Angel likes to loop his arms (2-6 arms) around Husk from behind and nestle his chin on top of Husk’s head

Husk will either lean back in contentment or get a soft look on his face, will never pull away unless Angel is doing it to provoke him (ex: making dirty jokes when Husk is NOT in the mood)

Husk will hold or place his hand on top of Angel’s

Sometimes he will move a wing around Angel in a protective manner

They like to shoot guns together

Husk teaches Angel how to throw knives (and maybe even shows him how to use his throwing cards)

Epic fighting duo

Literally in perfect sync somehow

They very rarely plan hangouts/dates, it is always spontaneous or spur of the moment

Ideal date would be karaoke

Sometimes the singing turns into a whole performance (dance and all, they get really into it)

Late night walks in the city is a must have

It’s where most of the deep conversations and emotional moments are had

Very rarely does Husk make dirty jokes (Always has that stupid grin on his face when he does)

When his does this Angel pauses in shock (or spits out his drink to cackle like a madman)

If they decide they would like kissing to be a part of their relationship, Angel most definitely likes to hold onto Husks suspenders or uses them to pull him into a kiss

Husk likes to hold Angel’s face for sure (even when just cuddling)

I feel like they would be the type to kiss softly, probably not super big on making out (Husk just doesn't seem the type and Angel probably enjoys the change of pace from his job, it makes him feel loved)

When sitting next to each other they definitely make sure to be touching (usually with their legs ex: hooking their ankles together, Angel placing his legs on Husk’s lap, etc etc)

Even though Angel is you know, Angel, they are both not fans of PDA when it isn’t a joke

I think this is especially important to Angel that he gets to have something like this be private and just for him

Husk likes it because it helps them both feel safe and lets them fully enjoy each other’s presence

Oh and Husk purrs while cuddling for sure (it was embarrassing for him at first)

Angel likes to sit on the bar table when Husk is working and just look at him

Husk thinks this is adorable

Anyways

They better be canon next season.

[lurkingshan]

Hii, hope you're doing well!! I've been meaning to check out more c-dramas. I've never really watched any, but I keep seeing them on my dash and want to start giving some a shot since I watch every other type of drama (BL or otherwise lol). I saw you post often about c-dramas, so I wanted to ask if you had any other recs besides Tender Light (which I'm planning on watching when it's done)? I'm more curious about c-dramas in general rather than any specific genre, since I'm so new to them

Hello, thank you for the ask! I'm glad my obsessive Tender Light posting has got you curious about cdramas. Some of my all time favorite dramas are from Mainland China, and I would be happy to share some recs! Since you are looking for a general sense, I am just going to give you a sampling of some of my personal favs.

Tender Light

Obviously I will be taking this opportunity to talk up this drama some more, which will be ending its run this weekend. This is, hands down, my favorite drama of the year and easily going on my top 10 dramas of all time list. It's one of the most gorgeous and precise and unflinching pieces of media I have ever seen. This is definitely one for people who love smart mystery writing, dark themes (I mean this for real, if you have a lot of triggers ask for CWs), and explorations of the human condition. It will be staying with me for a long time.

Go Ahead

Another of my all time favs (and with cast crossover from Tender Light), this is a family drama that digs deep on the meaning of family, finding your people, and resilience through intergenerational trauma. I love it so so much (I am actually rewatching it right now).

Lighter & Princess

A fantastic romance and owner of a coveted spot on the ride or die drama couples list. In this story you get to watch these two fall in love twice, first in college and then as adults, and both times it's epic.

Reset

How about a time loop thriller? This is one of the best I have ever seen, and its relatively short run keeps it tight and tense all the way through. There's a romance in this one, too, but kissing is definitely secondary to finding their way out of this death trap.

The Rebel Princess

Let's dip our toe into historicals! Granted, I still have plenty of gaps in my historical cdrama watch list (there are just so many and they're so long, I am doing my best people!) but this remains my all time favorite to date. It's epic, it's shockingly well written and paced for its length, the characters are excellent and compelling all around, and it has one of my all time favorite male leads and drama couples (another from the ride or die list!). Don't let the episode number intimidate you, it will fly by much faster than you think.

The Untamed

You watch bl so I am assuming you already know about Wei Wuxian and Lan Wangji, but just in case I will also include this drama as a much watch. It's likely the best live action danmei we will ever get.

Love Between Fairy and Devil

Have you ever wondered what it would be like if a show put all your favorite fanfic tropes in a blender, cast beautiful people to act them out, and put them in lavish costumes? Well, here is your answer.

Love and Redemption

This one's for us angst with a happy ending girlies. An epic love story with lots of pining and struggle and strife, and it's so worth it.

Falling Into You

Back to the modern era, this is a classic sports drama with a noona romance. Very unassuming but full of charm and very well executed.

Fake It Till You Make It

An unusually mature take on adult romance from a cdrama, this one is about two career focused permasingle love skeptics who meet, realize they actually like each other, and try to figure out what the hell to do with that. I love it a lot.

That should be enough to get you started! There are many many more recs to be had, so once you give some of these a try and figure out what you like, feel free to hit me up for more!

[henrysglock]

Local Man Uses The Cyclical 27-Year Torment Nexus To Try And Change His Fate [EPIC FAIL COMPILATION]

You probably guessed that this is the time-travel post I've been slaving over. You'd be right. This is the newest and most formal iteration of my long-standing time loop theory (I have drafted flowcharts back from February that actually predicted a dimension/time fuckery event in 1943 in relation to Brenner, which was made canon by TFS). So...Let's just dive right in. Note: I'm planning to keep calling TFS Henry "Henry" here just for simplicity's sake.

Now, fair warning: There are a few big "bear with me"s in this post. I promise they make sense, I just need you to hear me out.

It all started with Henry's self-proclaimed superhero name: The Stardust Spider.

Some of you may have seen my original post about The Rise and Fall of Ziggy Stardust and The Spiders from Mars (here).

Before anyone says "Oh, but that album didn't exist yet", a reference in 1959 about a Bowie album that wouldn't be recorded until November of 1971 is in keeping with TFS's habit of directly referencing things from the '70s that "don't exist yet".

However, all that aside, there's a specific piece I want to return to, because it bugs the living daylights out of me.

There was a cut song that was meant to go on the album The Rise and Fall of Ziggy Stardust and The Spiders from Mars titled "Shadow Man":

For obvious reasons in relation to Henry in The First Shadow, this song already stuck out.

Specifically, though, these few stanzas hit me weirdly:

You should call and see who answers For he promises to come running Guided by the truth For the Shadow Man is really You Look in his eyes and see your reflection Look to the stars and see his eyes He'll show you tomorrow, he'll show you the sorrows Of what you did today You can call him foe, you can call him friend You should call and see who answers (see who answers) For he knows your eyes are drawn to the road ahead And the Shadow man is waiting 'round the bend ('round the bend) Shadow man is waiting up ahead

The Shadow Man is you from the future. He's waiting up ahead to show you the the truth/the consequences of your actions.

Considering that the TFS version of Young "Henry" has a direct connection to both the Shadow and Dimension X from a young age, and he also experiences what seem to be Vecna-type visions, this becomes particularly interesting to me...Especially seeing as said fates are not only possible for future "Henry", but also canon for future "Henry". (See: Vecna guy vs Mindflayer guy)

So, when I see an almost comical number of lines in TFS relating to rewriting known, undesirable endings (here are a few of my favorites):

And when we revisit some of the on-film classics:

I start to think it's time we revisit the concept of time-travel and trying to change your own fate.

It's always hard to know where to start with posts like these, so I'm going to kick things off with the technical aspect: The Cycle.

Something I've talked about in the past year, mostly on Discord, is this concept of a time loop. Not just any old time loop, though. A 27 year cycle, specifically.

Not 20, not 30...

Now, we all know the TFS timeline is messy as hell and doesn't actually align with anything that's possible in filmed canon...or within its own time span, even.

For example, the attack on Mr. Newby happens both some point after October 1st, 1959 and before November 20th, 1959...but the papers for the incident report it on March 20th, 1958:

The timeline we're given also largely fabricated, as I pointed out in relation to the newspapers with dates that don't actually exist.

However, much like NINA, the sequence itself being fake doesn't mean the events didn't happen. It's just not happening in the time frame we're told it's happening in:

It's a set of real events, just portrayed on a different time scale.

So, with all that in mind, I want to lay out a timeline, starting from Season 4 and moving backwards in time:

— Vecna opens the rifts, and El opens a gate to Dimension X in NINA, both in 1986. The March 1959 Creel Murders occur exactly 27 years before the Rifts and NINA's Dimension X gate open in 1986...at which point the Mindflayer is shown to be active.

— Mothergate opens through to Dimension X at some point between November 1983 and October 1984, this being somewhere between 16-28 months prior the Rifts opening. The paper about the attack on Mr. Newby, dated March 20th, 1958, is released exactly 610 days, or 20 months, prior to the Creel murders on November 20th, 1959. It's not necessarily the exact dates that are important here (again, these dates are relatively unreliable), but the gap between the dates.

When put in accordance with filmed dates (i.e. setting the release of this paper exactly 610 days prior to March 22nd of 1959), the paper for the attack on Mr. Newby would have been released on July 20th, 1957. This would be in line with Edward Creel's move to Hawkins in the spring of 1957...while also occurring 27 years before July of 1984, at which point Mothergate is open, and the Mindflayer is active.

This July date is especially funny to me considering we get "throwaway" lines like this...with shots in filmed canon from summertime:

Top: Joyce and Jim beginning their investigation into the attic attack. Hopper Sr. is questioning why Joyce and Jim are investigating, rather than attending school. Bottom: Alice and Henry with the rabbit death scenes in filmed canon, the setting showing full foliage and both children in summer clothing. "Is it summer break?" I don't know. You tell me, Chief.

Per TFS, Henry went missing in a cave system near his home town of Rachel, Nevada (hold that thought) at some point in the year prior to the attack on Mr. Newby. We've been told that Dimension X was involved in this event in Nevada, something happened there that left "Henry" altered physically. He was also flayed at some point around this time.

This all coincides with Henry's dramatic mood shift from a "normal and good" boy to one suffering from Mindflayer-induced psychosis. This change happened in tandem with the Nevada incident, dating back 10 months prior to the attack on Mr. Newby:

If we set Henry's initial disappearance in line with filmed canon like before, it becomes September of 1956, which is just over 27 years before Will's disappearance in November of 1983, at which point we know at least one gate is open.

We also have 1952, at which point TFS Henry would be 7 per his age as a 14 year old/freshman in play canon. This exists in a 27 year interval against 1979, when El opens the original gate that sends One to Dimension X, where he subsequently shapes the Shadow into the Mindflayer.

Here comes the first "hear me out".

My questions are:

Since Henry/Vecna/The Mindflayer/etc. in general don't show any capability for opening gates before 1986, then how the hell is the Mindflayer possessing anyone in 1959?

How did "Henry" get involved with Dimension X in Nevada in the 1950s?

Unless, by some chance:

Dimension X exists all the time simultaneously (i.e. it's a space outside time)

The gates exist simultaneously across time and space in the Right Side Up in 27 year intervals. By which I mean: A gate that opens in, say, 1983 would exist simultaneously in 1956, so on an so forth.

There's the disappearance of Captain Brenner and the USS Eldridge in 1943, which would, interestingly enough, align with 1970, the supposed year of El's conception.

Then, 1952. Now, I'm not sure what's special about 1952, when TFS "Henry" was 7, because they don't actually say what happened to make that year important! They make a point to show it to us, though, meaning something happened...we just don't know what. All I can say is that 1952 does exist in a 27 year interval against El's 1979 gate. Hold that thought.

Those addressed, let's fast-forward 4 years: 1956/1983.

Now, to be fair, there is some uncertainty in my mind about whether this specific gate incident stems from Brenner's involvement with Project Rainbow in Nevada pre-1957*, or if it stems from Mothergate in 1983, or if they created some kind of wormhole between the two locations 27 years apart...but that's a concept I need to explore more thoroughly in a another post.

In short, though: Did a singular El open a singular Mothergate? Did El open mothergate? Did Mothergate actually open on November 6th, 1983...or are we just supposed to assume it opened the same night Will went missing/the demogorgon came through? We're never given a concrete date for when Mothergate actually opened.

* In TFS, Brenner claims he's dedicated his life post-1943 to Project Rainbow with the goal of finding Dimension X, and that he's doing so in pursuit of knowledge regarding the circumstances of his father's death in connection with the Philadelphia Experiment. The USS Eldridge, Brenner Sr.'s ship, disappeared into Dimension X briefly on October 28th, 1943. "Brenner Sr." was the sole survivor. "He" returned to the Right Side Up with a completely unique blood type, supposedly altered by his travels into Dimension X. This is what ultimately led to him succumbing to his injuries, due to his body rejecting all forms of blood transfusion. Brenner Jr. tells us that about 10 months prior to Henry's first stay in HNL, a scientist from Project Rainbow escaped Brenner's lab carrying a container of a dangerous material, and ended up near the same Nevada cave system Henry disappeared into. We don't know how or when this material was collected, or what it was, but we know they found Henry's Captain Midnight spyglass next to a body (identity unspecified) with no trace of that dangerous material. We get no further detail about the Nevada Disappearance.

Anyway, someone opens a gate in the fall of 1956 and/or 1983 (my money's on it being directly linked to an El in 1983 either way). No matter who did it, though, someone opened a gate at both time points, showing us this 27 year link between the 2 dates, 2 key locations.

"Henry" goes missing in Nevada in 1956, and ends up involved with Dimension X...Which aligns with the choice of song surrounding this version of the Creel family while they move into their new home:

Coincidentally, 27 years in the future, so does Will, in Indiana. Their experiences are linked across those two spaces via that 27 year period.

We know that regardless of the gate in Nevada...Mothergate, at least, stays open until from fall 1956/1983 to fall 1957/1984. That covers exact time frame that the adjusted dates for both Henry's accident with the boy in Nevada and his accident with Mr. Newby fall in (as well as Will's time between his disappearance and his flaying).

The closer we get to Will's flaying in 1984, and the closer the Mindflayer gets to crossing through Mothergate, the more TFS Henry sounds like One (post-1979) while he's possessed in 1957, the more strangely he behaves in general (almost as though the Mindflayer is more enmeshed in his everyday life/closer to the surface), and the stronger the possession attempts seem to become overall. He begins giving nightmare visions to other people, namely tormenting Virginia with spiders and her past. He has his final and most powerful "Vecna" vision on the night of the attack on Mr. Newby.

Any kind of reciprocal gate irt Mothergate in the '50s would have gone unnoticed, since the papers in TFS indicate that HNL wasn't established until Brenner showed up to take Henry in.

Mothergate closes briefly, only for a gate to open in July 1958/1985 in the underground location of the future Starcourt Mall. This, in 1958, is during our unaccounted-for 20 months between the attack on Mr. Newby and the Creel murders. (Something rattles about this and the scene where Henry nearly makes full contact with the Mindflayer, when he has a handful of duplicate lines re: his 4.07 monologue self, but I don't have sufficient evidence to make that claim with any certainty.)

That gate closes, until Vecna opens gates in Hawkins in March of 1986, and El opens a Dimension X gate briefly and simultaneously in both Hawkins/Nevada in September of 1979 (September of 1952) and Hawkins/Nevada in March of 1986 (March of 1959) during NINA, concurrently...at least one of which may have gone unnoticed, since the Rainbow Room and the surrounding labs seems to have been abandoned entirely after 1979, and HNL as a whole has once again been abandoned after the events of 1984 ("unnoticed" and "abandoned", I say as if the building isn't still being surveilled by Brenner/Owens et. al...I just mean that the building isn't in use by the government at that point in time.)

We're shown the Shadow activating all the way in Russia due to one or multiple of these events. 27 years earlier, in March of 1959, the Mindflayer once again becomes active, per TFS's adjusted dates. Chaos ensues.

At this point, "Henry" starts swapping between sounding like his young self and sounding like his 4.07 Monologuing Adult self again, doing that kind of "I've seen the future" foreshadowing talk with Joyce that his visions did with him:

Here, he also sounds distinctly like ST3 flayed Billy, specifically in the way of the scene with El in the cabin when "Billy" outlines the Mindflayer's plans for her, her friends, and all of Hawkins while crying.

The rest is, well...history. Whatever fuckery went on, it doesn't seem to have made much of a difference. After all, TFS is a "canon event", meaning it had to end the way it did.

Remember those thoughts I asked you to hold?

TFS being a "canon event" means it had to end with Henry in the lab alongside baby El...thus completing our loop, which starts again with the events of 1979/1952. A 27 year loop. TFS may be indicative of a time loop.

Hence:

Out of place dates from the 1970s start to bleed into the 1950s: - A town like Rachel, Nevada, which wasn't established until 1978, now exists circa 1952-1959 after El opens a gate to Dimension X circa 1979 in Nevada circa 1986 via NINA, which exists...about 40-50 miles from Rachel.

- An album like Ziggy Stardust and the Spiders From Mars (November, 1971) or a song like "Chuck E's In Love" (April, 1979) gets referenced circa 1957-1959. - An article about a "younger, more handsome" alien clone of Elvis appears in a 1959 Weekly Watcher paper about the Creel murders, despite Elvis having been 24 at the time...making this an article more likely to have appeared in the '70s or later, likely sometime around Elvis' death in 1977.

2. The Shadow is always depicted as the fully formed Mindflayer circa 1956-1959, despite the shaping event happening in the 4 years between 1979-1983:

3. Henry has Vecna-type visions, despite being the only vision-giver we know of circa 1957-1959.

4. 6 different guys later in the HNL massacre: 2 with the original baby El, 2 with teen El via NINA, and 2 in an as-of-yet unseen product of NINA's Loop (see: the final scene of TFS).

All this laid out, some questions remain:

Why do Henry's visions show him the genuine, terrifying reality of his future?

Why are these visions generally lacking in coercion?

Why are Vecna chime sounds heard before the major supernatural events that deal with visions, even though we never actually see the clock? (They're heard before Virginia in the attic, before the attack on Mr. Newby, before the Creel murders, and in the basement when Henry monologues at Joyce while viewing the corpses of his family.)

Why don't these chimes play when the Mindflayer alone is present, e.g. when no visions occur? (See: Henry contacting the Mindflayer in the lab)

And we don't really get an answer to any of these. Not an easily spotted outright answer, anyway.

But what's really fascinating, which I mentioned just a second ago and takes me back to the top of this post, back to the "Stardust Spider" and Shadow Man, is the fact that despite occurring concurrently with the possession attempts...none of these visions contain an ultimatum. There's no "If you don't obey me, I'll hurt someone you love", no "I'm showing you what's going to happen if you don't obey me", nothing of the sort.

The closest we get to coercion is the bathroom vision, when Henry fights off a possession attempt in the school bathroom and ends up in a vision regarding Patty. When "Patty" starts to talk to him about his future, about how Henry's going to kill her and so many others, Henry says "you're not Patty...what are you?" Then he gets into a physical brawl with her, which is surprisingly well matched. Vision Patty encourages him during that fight, saying things like "That's it!", "We want the same thing!", and "We can have her!"

Those seem like pretty straightforward "the Mindflayer's encouraging Henry to kill" encouragements, right?

Yeah, at first glance. However...lets read that back right quick, but with Moral Objectivity Goggles on this time. Henry openly, verbally identifies that Vision Patty is "not her, not Patty", but is, in fact, something else. He does this multiple times before he lunges at "not Patty", and he is subsequently encouraged by not-Patty...who tells him they want the same thing. That's not suspicious at all. The motives here are definitely crystal clear and totally aren't conflicting in any way.

There's the straightforward surface aspect, and then something else piggybacking on it, complicating it. Hold that thought.

Other than that instance, the negative parts of Henry's visions are all just...information. They're showing him what will come to pass...almost like they're motivating him to fight the Mindflayer. Hold onto that thought too, it buddies with the previous one.

Henry's freaking out about Prancer because he's getting close with Patty, and he's worried he'll hurt her?

His vision informs him that he's going to kill more, that he's going to hurt things, that he's going to kill Patty if he stays around her and/or gives into the Mindflayer's desires. And then it happens. All of it. He kills more animals. He hurts things and people, the pets and lab animals, Mr. Newby, and Inmate 58361 being prime examples. He gives in to the Mindflayer's desire to kill and kills Virginia. He does, by the extent of his perception, kill Patty in the accident.

The same goes for his vision in the attic. Henry's up in the attic using his powers to find someone/snoop on them, fearful of opening himself up for a possession attempt?

The vision version of Patty's mother catches Henry and tells him she "wants to tell him a secret" while his body is being puppeted to attack Mr. Newby. The next time the curtain rises to show us the inside of Henry's mind, he's seeing himself as Vecna, strung up on the tentacles and strangling people with them...just like the end of Season 4. Once again, he's seeing the future that will come to pass...should he fail to fight the Mindflayer off.

We can tell it's a vision, not what's physically happening in reality, because: a) Henry's watching himself in the attic from the stage below. b) It's got the messed up red lighting c) They show us reality just moments before, not a tentacle in sight and without Henry on the stage there observing:

d) The ending of the vision doesn't match with reality:

At the end of this vision, Henry passes out both in the void and IRL, while the vision version of Henry remains crouching. That is a different guy, entirely separate from IRL/Void Henry. There is at least one other person in the visions who is not a product of the vision itself.

Remember those thoughts from a bit ago that I asked you to hold?

Well. This also happens to be the sequence where we not only get Vision-Patty repeating Henry's own words from just after Prancer's death ("It's not real. It's not real. It's a nightmare") back to him, a phrase IRL Patty has never heard, but we also get:

Visions Patty telling Henry how to fight and evade the possession, as if she knows what she's doing ("It's your dream, remember? Anything is possible").

Vision Patty telling Henry she loves him as the last-ditch effort when his "good dream" memory of the real Patty fails to save him from the possession.

These are both things IRL Patty wouldn't know or think to say, since IRL Patty fully believed that Henry attacked her of his own volition out of malice, and she needed to be shown a drawing of the Mindflayer by Mr. Newby in order to abandon that belief.

IRL Patty's behavior is not the behavior of someone who a) knows the ins and outs of Henry's situation with the Mindflayer, and b) coached him through overcoming a possession attempt a little while earlier. It's just not.

Just like before, we're seeing contradictions and complications between vision-selves and IRL selves, along with a sense of piggybacking within possession attempts, wherein the vision serves as motivation for Henry to fight harder in resistance to the Mindflayer...while the Mindflayer is possessing him.

It's starting to become my favorite thing in the world: A pattern of behavior.

In summary:

Henry's are visions are visions of his future, and they're being shown to him by someone.

They are separate from, but piggybacking on, the Mindflayer's possession attempts.

The purpose of the visions isn't solely to torment Henry or coerce him into doing the Mindflayer's bidding. In fact, the content of the visions seems curated to make Henry fight harder in resistance to the Mindflayer.

So if, for example, Vision Patty ≠ IRL Patty, but she's acting against the Mindflayer's best interest/in support of Henry...then...

I think my answer to the questions of "who", "when", and "how" should be at least somewhat clear by this point:

Someone...from the future.

Specifically, someone from 1979-1986 who has access to the gates from the Dimension X side, someone with both vision-giving and time-related abilities who's directly connected to the Mindflayer/the Hive Mind, but who has a vested interest in countering the Mindflayer, saving Henry Creel, and trying to change the course of the future.

A traitor. A spy, if you will.

"A spy...from the future?"

[gestures at the Signs] Yeah, you heard me.

A spy from the future.

So, on that note: The point in this section wherein I ask you to hear me out.

I get the feeling TFS Henry is being told and/or shown what will come to pass in the future by himself...the Mindflayer.

And you're probably going "How do you figure that one, James? Isn't the Mindflayer a villainous force?"

I mean, yeah. Of course it is. However...

There are clearly multiple forces at play within the Mindflayer (hive mind!), and TFS shows us that Henry Creel wouldn't choose to be a villain.

Thus I think the visions in TFS are situations where, as in the 4.07 rabbit scene, things look really damning on first view. They play on our empathy using small, visibly-frightened, helpless victims and shocking, violent circumstances to guide us into making the assumption that everything about the situation is inherently malicious.

We're shown this poor little guy, "Henry". He's 14 years old, he clocks in at 5'5", he's skittish/scared of (ha) his own shadow, and he's geeky to the nth degree about comic books (just LOOK at that Captain Midnight salute? What an cute little nerd). He's immediately lovable. He's also, we find out rather abruptly, plagued by horrific visions and murderous fits of possession.

The immediate response is to go "He's being psionically tortured by some sick, sadistic son of a bitch who hungers for nothing but blood and control", just like Nancy and the ST fandom collectively did with Young Henry's rabbit scene...only to be proven wrong about Henry's intentions via TFS.

I mean, does anyone (anyone who's able to read this post, anyway 🤭) look at TFS Henry, filmed Young Henry, or even Orderly Henry and go "Yeah. He totally wanted what he got, and if he had the chance, he definitely wouldn't try to save himself from that fate"?

No.

TFS Shows us that "Henry" was a terrified, traumatized boy who wanted it all to stop. He's kind, brave, and stronger than he seems. We're also shown that he's capable of overcoming the Mindflayer to issue warnings to people he cared about (i.e. telling people to run, or prophesying dangers he'd seen via the visions). He was trying to survive with next to no help while causing as little harm as possible. He was a good kid, and he certainly wasn't evil.

So, all that said...I think that, via the Shadow's hive-mind capabilities, Henry's "fronting", in a manner of speaking, in order to show this version of himself the future. Probably as a warning, probably as motivation to fight the Mindflayer, and all with a nice side-dish of "here's how you fight this thing off so that my current future doesn't become our future" before someone else tapes over the figurative laptop camera.

[coughs, drops this Brenner-Mindflayer collage on the table in front of you, and then scurries away]

With that said, I'd like to loop all the way back to the top of this post: The "Shadow Man" may be Henry from the future. He's waiting up ahead to show his younger self the true outcome of his choices.

We all know how TFS ends, though. Hence:

[EPIC FAIL COMPILATION]

This brings me to my final "bear with me" point: The matter of the strange double-agent vibes from the UD in every season.

I'm not sure if anyone else outside the unholycule has noticed this, but in every season there's at least one instance of the UD just...offering up information.

"It does?"

Yup! Let me explain.

On first glance, we look at things like Nancy's vision and even El's vision with Billy in the cabin, and we go "Oh, it's because [insert "the bad guy's cruel/he wants to scare her/his hubris will be his downfall/all serial killers want to be known for their crimes" etc here]"...but maybe that's not the case.

For example: Vecna told Nancy his backstory, and then he immediately went

"Oh hey, so not only am I revealing my identity (Which may help you find out more about me via lab records later on, things like...maybe a list of my abilities, or my weaknesses, like the fact that I have a nut allegry. Allegedly.), but I'm also gonna give you a sneak peek of my apocalypse plans. For free. As a treat. Don't use these to prepare or anything. I'm totally not giving you a head start".

Terrifying, yes. A taunt and a threat on surface view, yes...but also showing his hand. "I want you to tell Eleven everything you see" Why. Why would he want that. He may be confident in his plans, arrogant, even...but he's not that stupid.

I'm serious, though. Check it out in comparison to Henrys visions of the future. The pattern is patterning:

We can track that back to El's cabin scene with Billy, wherein he tells her she shouldn't have looked for him, warns her that they all can see her, and that they're going to be coming after her...and he cries about it. That's vision Billy. That's someone else who piggybacked into El's mind from Billy's mind. That's not real Billy, just like how Billy in Max's vision wasn't the real Billy. The person giving El that vision warns her. Why on earth would he tell her that they can see her, that they're coming for her? That's sensitive information! It would be smarter to let her think she's safe and use that false sense of security to catch her off guard.

In fact, this pattern patterns so well that I'd like to argue this: Henry's TFS visions, Nancy's vision, and El's vision are all the same type of behavior displayed in NINA's chess scene, just in different contexts.

Henry ("Henry") gives some kind of scary prophetic information ("He and the others are going to attempt to kill you", "I would very much like to show you where I am going", "You're going to kill me, aren't you?"), and then we're left to question if it's a scare tactic, manipulative misinformation, or helpful inside information.

It's not that the Mindflayer or Vecna can't hide things from people (see: "Somewhere he didn't want me to see")...like, say, the fact that the Mindflayer is now able to see El, or that Vecna's planning to open 4 gates with his 4 kills.

It's always this miraculous "Huh! Weird info-dropping behavior from the UD's side. Shouldn't look that gift-horse in the mouth though. It's probably just a writing oversight or a shoehorned exposé, so really there's no need to question it." situation where it's just...information that's offered up with no real explanation.

Some of my favorite examples:

...and it's all topped off with Max's line:

"He's been telling us his plan this whole time".

That is to say...You're telling me:

The first message from the Upside Down isn't any of the messages that are concretely Will's, but instead it's the one that's a repetitive Henry line...and it's conveyed in a distinctly not-Will style? A message that saves Joyce, something that's definitely not in the UD's best interest given her tenacity in finding her boy...but is definitely coming from the UD nonetheless?

Will, who fell total prey to the Mindflayer in less than 3 days, was not only able to figure out how to defeat the Mindflayer, but was also strong enough to convey it in Morse code? The Mindflayer, who is able to keep secrets (see below), just...let that information slip?

El, who acknowledges that the Mindflayer is more than able to hide things from her, is suddenly released into Billy's memories and allowed to find the source unimpeded?

The Mindflayer, as Billy (Remember: not actually Billy, because Billy can't give visions or invade minds), is telling El that because he's able to see her now, she shouldn't have looked for him? The Mindflayer, which was supposedly building the Fleshflayer to track El down and kill her? Suddenly he's telling her she shouldn't have done the thing that allowed him to find her more easily?

Vecna's giving up all the information about himself and his plans before he's even gotten the 4th gate open, despite him being so secretive about it up until that point?

Henry's visions in TFS are going to scare him into resisting the Mindflayer, making it less likely that he's going to upgrade to killing humans, i.e. the very thing the Mindflayer wants him to do?

None of that makes any damn sense...until we hit this last point:

Orderly Henry is known for giving inside information about "Papa" to El with no clear motive other than getting her to leave the lab.

Now, if you know my page then you know Em's been talking about double meanings in phrasing recently (see: this post about "who"s and "what"s).

So, with that in mind, I'd like you to chew on this:

"He's been telling us his plan this whole time." vs "He's been telling us His plan this whole time."

By which I mean: "He's been telling us some other man's plan this whole time."

[Mike voice] Superspy.

As a parting thought, I made it all into a nice, neat set of collages:

Not to mention this final, parting bit: