#i think i got that idea from somewhere

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[a-chaotically-small-lunta]

Okay hear me out. Imagine a story where a scientist is leading a tour of kids through his lab, showing off all the inventions that will hopefully one day help humanity! In this tour is his son, who is very excited to be with his dad at his job, while also technically going to school? Win Win!! His dad has been a bit overprotective of him, but he sort of enjoys the attention. Although he isn’t too keen on his classmates who bully (perhaps one of the bullies is his brother or something) him for it, still poking and teasing him during the tour.

After awhile the dad shows off a portal machine which can open a portal to a whole new world, or at least that’s what they think it leads to anyway. The lab hasn’t fully tested it and is making a robot to send in first. The kids all ask if they can see it and the science team agrees as long as no one goes over the rails towards the portal, cause it seems to have a suction. (You can see where this is going I bet) The science team flips on the machine and the portal lights up, and while everyone is distracted the bully decides to have some fun, whispering into the Scientist kid’s ear something like “Maybe you’ll see your mom over there” or “Perhaps I should just take out trash like you. You’re just wasting dad’s time anyway” before the kid can really process what happens he is pushed over the rail into the portal, disappearing. The machine shuts off with a clunk and the dad is pissed. He is shouting at the bully about how stupid that was and how they have no idea if it’s even life sustainable on the other side! A guard nearby says that the kid is in real serious trouble for so many reasons, only for the dad to chime in that the bully better hope his kid is alive cause if he isn’t, he’ll get a murder charge. The bully explains he didn’t mean to only for most of the class saying that the bully always does this and one student even repeats what he said before he pushed the kid in. They decide to end the tour early and send everyone home, while the bully is escorted out by the guards and won’t be going home soon.

The science team asks what they’re gonna do and the dad says they’re gonna make something. Perhaps a suit or vehicle so that he can go into the portal and find his son. The team nods and quickly gets to work, they know it’ll take more than a few weeks, but maybe if they are lucky the kid will be okay, and maybe they can get it done faster.

Meanwhile, the kid flies through the portal and lands on a soft ground. Panicking he sits up and looks around, only to notice he’s on a huge bed. The portal sent him to a world that was way bigger than his own. Fear strikes him as he realizes where there is a big bed, there’s a big person. He’s right when he looks over across the room and sees a huge person sitting at a desk mumbling to themself. He’s frozen in fear and can’t move, even when the person swings around from their chair and walks over to their bed only to pause and stare at him.

The giant just stared at him, confused as to why there is a tiny child in their bed. They swear they didn’t put them there and are about to say something when the kid just burst out crying and the giant panicked. They quickly kneel by their bed and try to hush the child and tell them that it’s okay. The child keeps sobbing and soft hiccups can be heard, but eventually the kid quiets down a bit. The giant carefully asks how the kid got there, and the boy answers between sobs. The giant listens and the boy eventually bursts into tears again, crying out that they want their dad. The giant gently scoops them up, and holds them close saying “hey, hey, it’s going to be alright. You said your dad was a scientist…sooo he must have seen you get pushed in. I bet he’s trying to get back to you, he just has to figure out how to.” The kid sniffles and asks if the giant really believes that and they nod. They then reassure the kid that they won’t hurt them and that they’ll watch and care for them, until their dad comes to save them. The boy nods and the giant pauses and asks if he likes movies. The boy says yes and that he likes action like movies. The giant then decides that maybe they could watch a movie, to help the boy calm down, they’ll even let the kid choose the movie. He gets a little excited over this and the two of them go and do exactly that. Through this we learn that the worlds are almost identical, but some things are changed like Superman is Aceman, and Ice Cream is Frost Gel. All still the same thing, just named differently, which both the giant and boy find amusing.

The boy stays with the giant for little over a week, getting used to the large surroundings and the movements of the giant. The giant provides a small house to the boy, made of a box and Legos, which the boy had fun playing with and designing that part of the little home. In the other world the dad and his team finally finished the suit. It was built to survive space, acid, lava, and other possibilities. It had a backpack built into the back that held food rations, weapons, tools, and other things for survival. There was also the case, which contained all the parts for a small return portal back home. Which had been tested multiple times….just not cross dimensionally. The suit also had a built in camera that would send live video feed back to the team while the dad, who wanted to be the one who went through, was over there looking for his son. He’d also do some science stuff, like take samples and explore a bit.

The day finally arrives and the dad walks through the portal. He finds himself behind a large plush wall, and he starts to walk around it when he hears booming voices. Meanwhile the giant is laying in bed scrolling through their phone. The kid is sleeping in their little house for a quick nap. Then out of the corner of their eye they see something move out from behind their pillow. The dad looks up and catches the giant’s eye glancing at him. He freezes, and then grabs a weapon from the bag. This causes the giant to freak out and quickly flop out of their bed and onto the floor. The dad runs over and, using the mic in his suit, shouts “WHERE IS HE?!?!?” The giant, confused as hell, asks that the “crazy living action figure dude” please put down the weapon, while also asking what he means. The dad just shouts “IF YOU DID ANYTHING TO HIM I SWEAR I’LL..” the threat falls from his lips as the giant rises above him and cautiously walks over to the little house. They open the top and reach in, carefully waking the boy up and whispering that they have a surprise. The dad, still in a fighting stance, watches as the giant approaches with something in their hands. He’s about to fight, when the giant opens their hands and reveals his son, causing him to freeze. The boy pauses, not recognizing him cause of the suit, but once the dad rips the helmet off, the kid jumps off the giants hand and rushes to embrace his dad.

Both the kid and the dad just tightly hold onto each other as the giant just smiles softly, watching them. They then comment how much of a strong and loving dad the kid has and how the dad has such a brave and smart son. They both look up at the giant, who gives them a sweet smile. The dad explains they can go back home and the son is excited to tell his dad everything he learned about the place. The giant asks if there is anything they can do to help, which the dad asks if there is a safe place to setup a portal device somewhere that isn’t, well, a bed. The giant nods, and offers their hand to the pair. The son quickly hops on and the dad, carefully steps on after a bit of encouragement from his son. The giant takes them to their desk and says they can set it up in the free space near the wall.

After some time the portal is up and running and the dad has some samples, including a hair from the giant, and the small pair is ready to go home. The giant remarks that they’ll probably be seeing more of the tiny people, but says that they are welcome to visit. The boy hugs the giants hand and thanks them for taking care of them. The dad also thanks them for watching over his son, and says that he’s glad that the giant was the one to find his son. They take their leave and the story comes out in their world about what happens. The bully is still charged for some things, mostly messing with official government science stuff, but everything seems fine in the end. Plus the boy made an amazing friend, and the dad found someone he can trust to watch his son.

Anyway, basically what if a portal led to a giant world similar to our own, but it was discovered because some kids decided to mess with a kid. Resulting in the kid getting lost in that world, having to wait to be found or find a way back themself?

[drawnfamiliarfaces]

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[wandixx]

About Amity black out, movie style

It's a great idea, I like it as a way to explain why JL never came to checki it out/why Amity Park never asked for help if we go with two way route.

But.

There is no wall that's perfect. And whoever had put up a black out (probably before JL was formed or else older people would probably try to contact them after bigger attack) had to know this. Some info would slip and if it was truly iron curtain, no info in or out, people would realize something was of.

So they did they best to filter out stuff that people shouldn't know, i.e. heroes and later, ghosts.

And if some article or message somehow slipped through anyway?

It's about movie. It's a way to sell a new superhero/supernatural movie.

I remember few years ago I watched YouTube video about movie from late 90' or early 00' that was announced like this. I'm, like, 70% sure it was "Blair Witch Project' but I have no idea. Point is, instead of trailers or anything like that, marketing team or whoever got this idea started making articles and stuff around the internet about things that happened in the movie/were clearly connected, framing it as a truth. A lot of people bought it. Actors weren't well known at the time so before premiere they went missing for like two weeks or so.

Whoever put a black out around Amity does the same but in reverse. If some smallest bit of truth gets past their defences, they put all their efforts into making it look like innovative marketing idea though with not as great execution since it's obviously a marketing trick.

Unless someone who shouldn't met hero/ghost on their vacation out/in the city, they could assume that this place is milking this upcoming movie like a golden cow or something. In some circumstances, even meeting the hero/ghost could not break their belief.

I'm not sure how to go about when ghosts affected world outside, like Ember or Undergrowth thing (though, in YJ cartoon was this thing about Poison Ivy getting some boost and sending some weird plants all around the world maybe it happened at the similar time and they never realized there were two plant villains at that time, idk, I know norhing more about these fights other than that these two things happened xD). I'm sure someone with actual knowledge about both universes would manage to find something

But yeah, that's the idea. Every info about JL and hero/villain bullshit looks like movie trailers in Amity while ghost mess when it happens, looks the same to the rest of the world.

Up to you is how the containment is breached (though, how about it's not Bats or Constantine? I like them lot but maybe let's give others time to shine)

[daswarschonkaputt]

so a few select people know that i've been working on these bad boys for a few weeks now. this collection started because @mortimerlatrice had the audacity to try and tell me that fem!kinn wouldn't wear skirts and dresses and i pretty much broke my tablet pen in the rush to prove her wrong. also i felt like redesigning my fem!kinn and fem!porsche ideas. beneath the cut are my thoughts on these outfits plus the fashion collections they're inspired by/referencing.

fem!kinn businesswear looks

fem!kinn i feel like is the type of person who weaponises her gender expression. every part of how she presents herself is a carefully cultivated power play. she smokes cigars and drinks scotch and can talk at length about stocks and cryptocurrency, but she wears high heels even though she had to teach herself how to run in them, has long hair even though styling it is a nightmare, and is never seen without make-up, because every part of her must straddle a line of being masculine enough to be respected without being dismissed as butch, or a transgressor of gender norms. so: power suits and heels.

most of these are just riffs on the show's suits, so no real reference images, though hilarious @elnotwoods and i managed to parallel brain the exact same corset + suit look bc we are bloggers of TASTE.

fem!kinn occasionwear looks

the product launch -- upon rewatching clips from this episode i realised that the product launch apparently has a roaring 20s theme? which be wildin'. i spent so long looking at pictures of 20s style dresses until i found eliza jane howell who is a tiny british designer who has an entire collection of 20s inspired gowns. the inspo for kinn's dress was the miranda dress from her eveningwear collection.

the diamond auction -- i've drawn fem!kinn in this dress before, and i stand by it. this is a dress from ralph and russo's fall 2015 couture collection, specifically look 12. i first saw this dress months ago when i was looking for clothes for a project i was working on and it's lived in my brain rent free since.

date night i and date night ii -- both of these dresses i saw on pinterest somewhere and forget to save the link bc when i do art i usually have abt 50 billion tabs open. (i make firefox weep each time i open a new one.)

looks that almost made it in: michael cors rtw fall 2022 look 24; and schiaparelli couture spring 2022 look 24.

fem!kinn misc looks

okay so the theme for this one was actually "iconic kinn looks" and you know what? the towel was iconic. there i said it.

the sleepwear look -- *cries in detail work* yes all that lace is hand-drawn YES MY WRIST ACHED SO BAD AFTER FINISHING IT, this one is just conjured out of my head, no inspo look

the suspenders -- real ones know which kinn look this one is based off. just google kinn in suspenders or something i guess because we were ROBBED that it wasn't in the show. ROBBED.

the towel -- since drawing it multiple ppl have told me that they think fem!kinn would just wear the towel on her hips, tits out, no shame, and they are all so valid.

family portrait -- when i was drawing this, i got sent a look by siv that i initially discounted because it was a skirt suit and fem!kinn all about those power suits. and then i was looking for thai designers and i saw the same look and i was like, "okay but she'd only wear this in a family portrait," and then i was like hhrrrrnngngn family portrait outfits for all of them, so now it's a category. this is a recoloured version of poem bangkok's fall 2022 rtw collection look 19.

fem!porsche "pre-kinn" looks

okay so my thoughts on fem!porsche are as someone for whom gender is almost an afterthought, whose main friends are all guys, who drinks bear and kicks ass and cuts her own hair whenever it gets too annoying, who buys male toilettries because they're cheaper, who's made a career out of being rich girl's experimental whirl into lesbianism, and who can get them off real easy but isn't so good at getting herself off. she's hooked up with her fair share of guys, and considers herself more of a male-leaning bisexual. like, girls are fun and all, but she tends to have a better time when she hooks up with guys. (kinn's gonna blow that out of the water, hahaha.)

the fighter outfit -- originally this was going to be just a sports bra + jeans, but then i saw a pic of a cropped hoodie and my brain just sort of blanked out and when i was done the art was finished. porsche's abs are very important to me. as are her arms. and her thighs. she's an itty bitty titty committee member tho and i stand by that.

the bartender outfit -- i've drawn this one before, but yes! all the buttons undone! cheapest black shirt and slacks! converse!!! YESS

the casual outfit -- bike shorts, big t, big shirt? yes. fem!porsche sits somewhere between jock and gonna-fix-your-appliances on a fashion basis and i am here for it.

fem-porsche "kinn era" looks

one of the big ideas i had going into this project was the idea that porsche feels divorced from her femininity in a way that she's not altogether satisfied with and that kinn helps her reconnect with it. because, like, let's be real: porsche has no major feminine influences in her life growing up, and she's literally always got bigger concerns. she defo plays up the idea that she's above it all, whilst also completely lost as to how to get to there. kinn is probably both an object of envy and attraction for her.

(also i have in my head that the sauna conversation goes something like: porsche: do you have a boyfriend, then? kinn: i've never once found a man that truly wants a powerful woman. porsche: huh, that's weird. i've had no trouble finding guys who want me to hold the up against a wall.)

anyway it's important to me that kinn makes porsche feel dainty and feminine.

the bodyguard look -- hrrrrngngng waist. that is all.

clubbing with tankhun -- you know how i said somewhere between jock and owns a monkey wrench? meet porsche out clubbing. love it for her.

first public date with kinn -- so the background i had imagined for this outfit was that porsche and kinn are going public, and kinn sends her a box with a dress to wear plus heels, only porsche can literally not stand for more than two seconds in the heels and hates them, so she wears her converse instead. this is almost a direct copy of look 12 from monse's spring 2021 rtw collection.

black tie date with kinn -- obvs this is a dress that kinn picked out for her, so i thought long and hard about what kinn would choose. in the end, i figured kinn would probably want her to look regal. i looked at so many dresses for this one, esp bc there was a secret requirement where i wanted the skirt to be loose enough that kinn could eat her out in it. look, i just think it would be gender if kinn dressed porsche up in this dress and porsche felt all pretty and feminine and then kinn ate her out in the bathroom at the event or something. you know. girl things. this dress is look 6 from valdrin sahiti's spring 2022 bridal collection and i had to download a pdf to get a reference picture, so appreciate my work. also shoutout literally the only time porsche is wearing heels. kinn had to give her like three hours of walking lessons.

fem!porsche minor family head looks

michael kors collection saved my bacon here. i really struggled to figure out what fem!porsche's overall aesthetic would be for her minor family head position. i wanted something distinct from kinn, but didn't think she'd go full androgyny. in the end i settled on a well-tailored suits with a military flare in their cut.

first business look -- this one is based on look 19 from michael kors collection's fall 2022 rtw collection. dem arms.

second business look -- same song, different verse. same collection, but look 7. the thigh-high boots were added by me, though. i wasn't drawing lesbian kinnporsche without putting one of them in thigh-high boots.

visiting mum -- a couple of things. this one is based on this photo i found on pinterest, because i just really liked the neckline. details you might miss: this is arguably porsche's most femme outfit here, but she doesn't have the perfectly styled hair that she has when she's on mafia business, and she's still wearing her ratty beat-up converse. she's feminine, but trying to be authentic. it's a specific kind of messaging she's trying to get across to her mum. she probably agonised for hours over what to wear. kinn definitely really likes her in it.

family portrait -- again, plucked from my own imagination. the original inspiration for this look was look 9 from altuzarra pre-fall 2020 but if you click that link you'll probably be able to tell i went completely off-script. the more i drew it, basically, the more the altuzarra look looked too japanese, which is understandable, because that collection's whole thing was about blending modern and traditional japanese fashion. in the end, i pivoted, and brought it more in line with kinn's look, because i really did want them to have similar vibes. (couples outfits? couples outfits!!)

near misses -- these ones almost ended up involved: altuzarra pre-fall 2020 look 6 for the family portrait; michael kors fall 2020 look 60 also for the family portrait; michael kors fall 2020 look 30 for minor family mafia business; look 17 from alexander mcqueen's 2011 pre-fall collection also for mafia business; this look from pinterest for mafia business that got discounted bc i was going in a different direction; and this dress from rouba.g's spring 2019 rtw collection for the black tie dress which literally only avoided inclusion here because i couldn't make the sheer fabric look right.

anyway the takeaway here is don't get into an argument with me because i will bring receipts. mort learned their lesson, don't worry.

also @yeetlegay i gave you adequate warning. you knew it was coming.

[storm-driver]

i was trying to describe kingdom hearts to a friend who doesnt like the square enix catalogue that much. and it was a calm discussion, we were chill. but they asked me a question that really made me like... think about my adoration for kh.

they asked me "is it the game you love or the potential of it all?"

i think the obvious answer is a mixture of both. i enjoy kingdom hearts for what it is, flaws and all. the funny gameplay moments of BBS to the wild af lines that they say in DDD.

kh has a glimmer that few games in the current market can give to their active playerbase. nothing in the titles feel soulless or half-baked. these games go ALL OUT with their premise and they deliver 9/10 times. there's moments that make me sigh and shrug, but they're few and far between. the stuff that encapsulated me is still here and it's strung across the christmas tree in a blindingly beautiful glare.

but that being said, how much of my love for kh actually stems from what i wish it could become? i can't argue that the games are flawless and have given me exactly what i wanted. in denial of the blatant only paints you as ignorant. and sometimes, these games fall right back into bad habits. with either gameplay or story, there's rightful criticisms to be spoken of every title.

so, it's only natural for me to think of the potential it all has, yes? to see what was perhaps poor writing choices eventually meet a satisfying end? or maybe a character who i didn't think much about is given new story to play with? perhaps there's a system from previous games that gets refined and optimized for newer consoles.

maybe there's routes the story could take and drives of motivation that im sychronous with and would love to see written out. there's a story unveiling and i have my own theories about it. i wanna see if the writers go down these roads and what kind of choices they make.

then my friend asked.

"is that potential, or are those your expectations?"

and i had to sit there for a moment. and just...think.

[dingoskidneys]

How much of the self is present in the ancestor?

[tartarduck]

every time i see your drawings of luke (especially the chibi ones) i filled with the urge to get a torso sized plush of him and hug it until his shape is permenantly warped by love and affection

you... wouldnt bully a poor little plushie, would you?

[cherry-treelane]

everytime i feel bad and stressed about my life i remember that i might be in a troubling situation and having a bad time but im not season 4 fiona gallagher in the clink after leaving crack on the counter which my 3 year old baby brother happened to ingest resulting in a fatal near-death experience thats wracked me with never-ending guilt and forever altered my life

[samuraijackenjoyer]

dude I was looking through clips for a reference image and it literally makes me sick with anger that Genndy chose to portray Africa like That. Literally racist caricatures like come onnnn man. The worst part is that I really want to LIKE that episode aside from the art direction. His mentor is a very sweet guy and I like Jack’s little rivalry with the other kid. I dislike that Jack has to save everyone and the other tribe is portrayed even worse, but at least Jack isn’t fighting by his fucking self the whole scene. there was so much potential in this episode if Genndy hadn’t been so fucking racist with his character designs. I do not fucking understand why he chose to make them absolutely pitch black in color. That’s not what humans look like. It’s like how he colors Jack straight up yellow sometimes. I know during the time this came out it was not very likely for bigotry to get called out but that had to have made some people uncomfortable. Jeeeeesus Christ. The guy portrayed China more respectfully than he portrayed literally any other culture including Japan lmao. Actually I take that back he gave quite a few Chinese characters racist accents. The man wanted a ‘multiethnic’ feel to his show but could not fucking stop being white and racist for it

[orcelito]

Actually, on the topic of the baby fever. God it's so frustrating. Bc when I was like 14 ish I was Adamant that I never ever wanted kids. And my dad said smth around the lines of "that'll likely change" (probably from his own experience with this) and I was like NO. it WONT.

And then eventually, age 21-22 ish, I admitted that Okay, I still don't want to have my own kids, but someday maybe I'll adopt...

And Now, 27 years old, I got the general baby fever on occasion. It Did fucking change. And I don't know if I actually WILL bother with having my own kid (I still don't want to go through the hassle and massive body changes). But god. I do see a fucking baby and feel that stab of longing. It's almost like my damned hormones betrayed me or smth. Maddening!

I shall simply write fanfic about it.

[sundial-bee-scribbles]

I've been looking for this one au where Len basically becomes a mad scientist and turns his friends into robots one by one for a while now, and I'm beginning to realize that I just read through your blog while half asleep a few months back and mixed together my memories of your flower hivemind and composite au

this is very funny to me. i'm absolutely honored this blog's posts were enough to evil-farming-game an entire vocaloid au into your memories 😂

i can give you this doodle; it's composite au but i'm sure it'd fit very well with this theoretical mad scientist len au lololl

[quaranmine]

random firewatch au detail that has basically no impact on the story unless you want to psychoanalyze fw!grian even further than i did as the author, but it's very intentional that i always refer to both of mumbo's parents but only grian's mom. did i give him daddy issues? i guess so, but not in a way where i really deeply examined the implications as meaningful to the story. it was just a detail i stuck with from the beginning as a way to keep fleshing out the story's background subtly. the idea behind grian's dual citizenship was always that he was born in america to an american dad and british mom, and that his mom moved back to the UK when he was very young since she wanted to be closer to her family. perhaps his dad didn't go with them? or perhaps his dad did, and then later they split and he went back to america? whatever the cause, grian never even mentions his dad in the story, and it wasn't because i intended him to be dead (because that would have come up in a story about grief) if you get me

[trans-xianxian]

hold on did I completely fabricate wei wuxian being the one to invent the ritual mo xuanyu uses to sacrifice himself

[catominor]

the funny thing is he didnt even go tunicless entirely for mos maiorum reasons. it was to train himself to stop feeling shame for being a shirtless shoeless freak in public