#i tagged ppl who liked that one posts i posted abt liking being tagged on

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[lovesickeros]

☆ you sow; & thus you shall reap what you are owed

{☆} characters tsaritsa {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings blood, violence {☆} word count 0.8k

You are dying.

Gold melts into the dirt, bleeds into the very earth that you'd molded by your own hands – a familiarity you do not understand the source of – you know it to be true, yet you do not remember it as Teyvat does. It weeps, in turn, for the way you bleed upon it, the way your lungs strain for breath.

It is fury and sorrow and fear and hatred so raw that your mind buckles.

You will die.

"A dying godling and its judge, it's jury – it's executioners," The voice is hollow and cold, sweeps across your broken body like the first chill of winter, "Archons who saw themselves Gods, now brought to heel by their own hubris."

A cold hand upon your cheek, the brush of a thumb across your lip, the gentle caress of cold across your skin. You know her – you don't remember, you shouldn't recognize her but you do – and she knows you. The cold beckons and you follow, let her kindness settle in the hollow space of your chest. You want to speak, to cry and scream and rage, let the world burn around you in a fit of flames so hot even she cannot contain it – but she silences you, quiets the anger seeping into your blood, quiets Teyvat itself.

"Do not speak, little godling. Guide my hand," She is cold; her hands are not gentle, yet it is bliss compared to the callous, cruel hands that have shattered you. She is cruel and cold and brutal but she is love in the way she kisses the crown of your head. She is love in the way she is the bulwark between you and the world that has scorned you – she is fury in the way she brings them to their knees. "And I shall enact judgement most divine."

They will pray for forgiveness, and they shall find themselves wanting.

"It wasn't our fault!" They cry, but you cannot recognize the voice – it breaks and cracks like glass. "They were too human. How were we meant to know? We– we thought they were.."

Silence.

You watch your judge – the executioner, the blade that shall carve their sins into the very marrow of Teyvat, stand above you like death. As cold as winter and just as brutal. Your temple has been painted in the gold of your divine blood, and she shall complete the masterpiece with their own. The Archons shall become the grandest art in the world – this temple the canvas, their blood the paint and their bodies the palette. The cold that cuts sinew cradles you – it sings to you, whispers sweetly in your ear and carves bone from body in the same breath. The cold presses it's lips to your wrist and it cradles a heart within it's palm – judges them and finds them guilty.

It is her spear that rests between their ribs, her sword that dissects and her dagger that carves – the cold devours.

In the breadth of this divine sanctuary, the Archons dwindle. They become the pieces of a divine work of art, they bleed and bend and break upon her hands. She shakes the heavens and carves mortality into the bones of the divine – your word is Law, and you weave their deaths into the roots of Teyvat itself.

They shall know of their grand folly in every moment henceforth and longer still and they shall weep.

And as the curtain falls, as the world crumbles beneath fist and blade, she cradles your face between hands too cold – as gentle as a shard of ice between your ribs, as brutal as the kiss of gentle snowfall. The world buckles at the loss of six, but she alone does not allow it to break – you will have to mend the wounds of the world when you are well, but today you weep and Teyvat weeps with you.

And alone, the cold remains.

Stone has eroded, the wind has ceased, the flames have been extinguished, the storm has been silenced, the forests have gone quiet and the seas go still.

But the cold remains, bathed in gold.

It wraps you in thick furs, cradles you against the winter storm that brews beneath a veneer of composure. It brings you home – lets the world settle into a stillness and silence that inspires only dread and still she presses a kiss to your brow.

It is cold, but there has never been something so warm.

Where hands have broken you, she drapes you in furs, wipes away the thick gold that clings to your skin. She pieces you back together where you have been shattered, reshapes you where you have been bent – makes of you something new. Not a god and not a mortal but something wedged between them.

But you are yourself.

And you are where you belong.

They shall put you back together and you shall know only the worship worthy of the divine. They shall carve this world into your image, tear out and burn away the rot that festers.

All you need to do is say the word and they shall be your tools to make this world your own.

One word and those who wronged you shall burn, too.

Just one word. That's all it takes, and they shall take away your pain.

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[khattikeri]

the thing about wei wuxian’s victims is that calling them wei wuxian’s victims in the first place is nebulous.

that isn't to say those who died or were bereaved after nightless city or the first siege of the burial mounds weren't hurt by wei wuxian’s retaliation. but calling them "wei wuxian’s victims" while ignoring that cultivation society scapegoated and hunted him down, and that wei wuxian never attacked without being threatened first, is a massive oversimplification.

sure we have minor characters like the cultivator who lost his leg or the cultivator who lost his parents, and sure mxtx writes them as part of a mob of more unreasonable people who were largely not even present for these events, but the thing is... there are major named characters who were present, or who had loved ones there, and their grief and pain are given full attention by the story. they're called jiang cheng and jin ling.

my sister/my mother died at nightless city because of you! except no, jiang yanli actually died because an entirely different nameless cultivator stabbed her, and she intentionally pushed wei wuxian out of the way to protect him out of sincere love. it wasn't the first time. she already demonstrated this when she stood up for him and called him her blood brother in front of her fiance and his family at an event they were hosting, when she had zero backing support and could've easily been dumped and had her marriageability ruined for speaking out of turn.

who's to say that jiang yanli's death wasn't the only instance of cultivators dying at nightless city from friendly fire during all the chaos? we don't know. the one thing we do know for certain is that once it was all over, the survivors attributed the (dubiously counted) thousands of casualties to wei wuxian alone.

saying that wei wuxian was the sole cause is overly convenient for cultivation society. in particular the major sects politically did not want to help the wen remnants and were content to mistreat them in forced labor camps. they thought that wei wuxian was too dangerous with his unique ghost path of cultivation and use of resentful energy, so they gathered everyone up and tried TWO different times to assassinate him. the first time just killing wei wuxian alone. the next time, taking all the remaining wens out with him.

there's a lot left unsaid about these major battles and sieges which leads to a lot of our discourse as fans to begin with-- we have such limited information about all these major events of the past! and unfortunately for us, that's the point!

that's the thesis of the book! the details of the pain and grief you go through don't actually matter! regardless of it, you have to eventually move on. you have to actively choose good, to do what you think is right for the sake of doing the right thing, and not just to act based on your idea of fulfilling debts or deserving to be repaid a certain way!

what everyone claims as indisputable facts about wei wuxian are actually skewed not only by rumors, but by politics. mxtx doesn't depict these various randos to give them a brief beat of sympathy. nor does she do it just to make wei wuxian look better.

they are there because they are also angry and bitter, stewing in the past looking for someone to keep blaming (wei wuxian; the cultivation world decided thirteen years ago it would be wei wuxian) and demanding recompense from him. jiang cheng does the same for the entire damn book.

jin ling breaks the cycle; in spite of the rocky start he eventually chooses to trust wei wuxian and argue on his behalf even in front of his elders. even though he's the heir to a major sect. even though he has been taught his entire life to despise and be angry at wei wuxian for orphaning him.

mdzs is a complex story. it also happens to be a black and white story without gray morality. there are many what-ifs, actions that went poorly or circumstances that would've shifted the course of events if only things had gone well for everyone, but nobody acts in a legitimately morally grey way.

throughout the novels there is a clear delineation between good and bad, righteous and wrong; wei wuxian is clearly the former in both cases not because mxtx wanted to more easily depict her protagonist as a good guy, but because she consistently bases these dichotomies upon the fulcrum of hypocrisy.

supporting the use of resentful energy via ghost cultivation to kill your political enemies in wartime and then immediately turning on the person doing so for you once the war is over, blaming all evils on him and trying to get him killed because he's trying to help the few survivors of the opposing side (both because it's the right thing to do and to pay back a life debt he secretly owes that only two or three people know about, oops)-- that is hypocrisy.

if wei wuxian does it and we like it, it's expected of him and he deserves no praise, though he handles it all with charm and stride befitting the son of the illustrious cangse-sanren.

if wei wuxian does it and we don't like it, he's a murderous evildoer, the ungrateful and dangerous son of a servant (whose name we conveniently never say even though we all know who wei changze was).

mdzs is a book about the hypocrisy of the upper class. mdzs is a book about grief. mdzs is a book about society and rumors and politics and the pitfalls of chasing after what you are "owed". mdzs is a book about love and sticking to your own path and principles. wei wuxian is its protagonist, and by the novel's own values, he is indisputably good.

[trannydykes]

Y'all need to SHUT UP about "transandrophobia/transmisandry". I saw a post the other day I haven't stopped thinking about, about transmisogyny, and like most the comments were going "Isn't that just transphobia?" (Which is already wild, 'cause it isn't. Since transmisogyny is the overlap of two very real oppressions: Transphobia & Misogyny)

But one was like "Sees post abt transmisogyny, checks blog, transandrophobe. like clockwork." When literally there was no posts on OPs blog that were hateful toward transmascs/men... just posts talking abt OPs experience with transmisogyny. (even if there were it wouldn't be "transandrophobia" cuz its not real, it would just be either transphobia or bullying/harassment depending on if their transness was attacked)

If you see people talking abt women's issues and think "This means they HATE men!!" (trans or no) you need to stop an think for a moment. Women on this site can't make ANY exclusive post (Transmisogyny, Lesbianism, or just talking abt being women) without guys coming along and going "How can I make this about me?".

And I know it's mostly trans men who are suffering through dysphoria and thinking about women makes them ick. But consider for a moment that you don't need to verbalize those thoughts, especially under posts that aren't about you/your experiences.

Please refrain at least from doing it under other ppls posts, I'm begging.

OPs note: I'm not being hostile/trying to start shit. Im just upset and wanna talk abt it. I'm transmasc myself (tho not a man).

[writer-room]

Honestly Rayla is equally 100% ride or die for Callum too.

That's so true I almost mentioned it in that post. They're so ridiculously feral for each other it's hilarious to watch. Callum's the legitimate "we ride AND die together" whereas Rayla is the "I will ride and die FOR you" sort of deal yknow?

Could be literally any situation, no matter how dangerous, and she's already decided she will die here. Does it ensure Callum lives? Then batter-up buckeroo we're going in swords blazing! Everyone cheer and clap for her human or she'll blow this whole place up. Kinda person who says "even if you hate me I'd still lose everything if it meant you were okay". She thinks they're in a tragic love story where she's always at risk of losing him but that's okay as long as it keeps him safe and happy like y'know Viren parallels, she'd risk losing her very self for him over and over. Except Callum would wait until the end of the world itself, and even beyond, and she wouldn't even have to ask.

The difference between them, really, is that Rayla will die for Callum on any given day. Callum will kill for Rayla on any given day. Something something matching sets

[seaweedstarshine]

Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —

Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —

Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —

Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —

Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —

Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —

Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[lillotte17]

..

[dimiclaudeblaigan]

I really hate the inconsistencies that exist just to make SB (and CF technically) work, but also how hard Petra basically simps for Edelgard to the point it deconstructs aspects of her character.

In Houses she mentions her siblings being in danger if she died, but in SB she just doesn't even make any mention of them in this situation. She's just willing to possibly die all of a sudden for someone who never actually treated Brigid like its people were independent (which she could've done at literally any time from the moment she became emperor). She was relatively vocally I guess you could say "good" to Petra, but the way the writing handles Petra's response to all of it feels like Petra's just been brainwashed.

Petra says she would always choose survival and makes a point to emphasis that, but in SB she's completely and carelessly willing to risk her life and possibly throw it away... for Edelgard? Who still has not actually officially freed Brigid? And if Petra were to stop being Edelgard's ally?

"Reconsideration". Because Brigid was never freed and now they're not going to be as long as Edelgard is in charge, because their queen is no longer bending to her will and fighting for her. If she was ever truly planning to free Brigid, Petra's decision alone not to fight for her shouldn't have changed that fact (especially since she supposedly gives her the choice in Houses to fight for her or not, and on non CF routes she does this by sending a letter, to which Petra refuses).

It should, of course, be obvious with this that everything is very not hunky dory between Adrestia and Brigid, but then...

...eh wot hooligans???

I mean sure, if you considered forced vassalage to be "peace" and not being a free people "peace" then sure. But like... it's not a peace her people want and she should know that, but the game tends to do this back and forth with this topic. I hate it though because it makes it come across as being forced into submission and not having the means to fight back is "peace".

I know this game has lots of issues with uh, if you're attacked or if you were defeated by another military force you should submit and be happy about being taken over, and when you can't fight back anymore that's "peace" because nobody's fighting... but uhh... why is that only an issue with the Empire? I mean, we know why - the devs wanted to walk with her and they admitted it! But like... they should still know when they're writing something reeeeally icky.

Duscur doesn't have this problem and they're not under Edelgard's foot. Anything under Edelgard's foot though is treated like they should be thankful for her control and/or invasion(s). That just overall sends a really nasty message. I don't know that the devs meant to do that as far as an Empire, but I do think it's because they went a little hard with the Edelgard bias and somehow forgot what it would look like to an audience playing the game.

It's like they know it's not a good thing but they keep pushing the "Brigid isn't actually free but it's still peace because nobody is fighting" narrative.

Like... I don't care how much you love a character you're writing. You can't tell me that oppressed nations would just call oppressions "peace" or that their leaders would be more than happy to fight and die for the leader of the nation oppressing them. It gets even worse when you get into the racial territory of it, but that's a topic I've already covered so I'm not gonna go over it again here.

[nightmare8-420]

i feel like a part of my soul has been ripped from my chest and i dont know why.

[goldentigerfestival]

I love the vocal nuance in this exchange, but also posting this for my differences posts because this is one of the changes that infuriates me the most. Yuri didn't threaten Ioder, did not threaten him with a weapon, and just said he'd punch him in a lazy, half joking voice (half joking as in, he really doesn't want to hear that - that's just his way of saying so; but that's not the voice of someone who is super angry and threatening).

My other huge grievance is that this is a recurring issue between them in the dub. Yuri is pretty much always vocally rude to Ioder. Ioder has done nothing to wrong him or anyone and has only ever done good for the people where he's able to.

Yet despite Ioder being nothing but sincere, honest and polite with Yuri, in fact even happy to see him here and there, dub Yuri is outright tonally rude to him leading right up this scene where he threatens Ioder in this dark voice. Meanwhile he's actually just supposed to be… lazily telling Ioder he'll punch him in his Yuri Lowell way of saying "I don't want to hear that".

The dub really just wanted to turn Yuri into this dark edgelord and I hate that for my goofy, silly boy.

[yaoianimeremade]

Soon im rly gonna do it

[arolesbianism]

I may be failing my plan to not make any isat aus. So there's this guy her name is Euphrasie right. What if I took her and combined what could be 3 separate au concepts into one. And in the process forced myself to go back and reread a bunch of shit to make sure I know how to maximally fuck over this sad wet puppy of a woman

[gibbearish]

so like i want to talk more abt what suicidal means but the problem is "suicidal ideation presents in two general forms, active and passive. the thing most people think of as suicidal is the active version, where the person *actively* desires to be dead and/or is making a plan to get there. the passive form however gets almost no attention in media so many people experiencing it are unaware they are even depressed, much less passively suicidal. some examples: not wanting to experience death but feeling like you wouldn't mind if you didn't wake up tomorrow or just stopped existing; feeling deeply exhausted with just the entire concept of being alive; even feeling like you want to run away, change your name, and start a whole new life; none of these look like suicidal ideation to most people because they don't involve actively doing anything to get from point a to point b, especially the more abstract ones like the start a new life thing - but remember that in order to truly start a whole new life, you have to destroy your current one. it's not suicidal as in wanting to actually DIE die, it's just. wanting something close enough to scratch the itch. but just because you haven't booked the ticket doesn't mean you don't still revisit the 'vacation activities at point b' tab occasionally to daydream, yknow?" is i think very informative and specific, but its also quite long and run on-y so people are v likely to tap out like a third of the way through it, whereas "suicidal doesnt necessarily mean wanting to die" is way shorter and therefore catchier, but is also the kind of nonspecific phrasing that gets you a thousand angry anons about how you said all suicidal people are just pretending they actually want to die or some dumb shit. so it's a fun line to toe

[jefferythejelly]

foolishfreckles you are my safe space on this cruel cruel app full of karl haters. love is indeed stored in the foolishSharkheart.

aw i'm glad i can be that for u anon. we certainly seem to be a minority on dtblr as of late but at least we can always just talk to each other lol 🫂