#i still need to finish the game

[perse0ni]

Shadow the Locksmith Hedgehog

(He looks more like a barista to me tho)

[insensible-waters]

KatanaZERO is pretty fun actually, even tho I'm pretty bad it

[terastal-luxray]

I always thought if I somehow get the bad ending in Smile for Me, I could just be all like "Nah bro, Dr. Habit ain't dead. He's just hiding/sleeping."

This post was a lot funnier in my head.

[emerynn-art]

was feeling kinda down this morning so i drew max six times and that seemed to do the trick

[psin314]

happy n7 day! :) a little meme redraw for you. i hope i'm not late hehe.

[timethehobo]

May have finished the game but he’s still on the mind. This is also my 200th Emmy doodle. 🫣

[ruby-static]

Welcome to another episode of “Riley’s curiosity gets the better of him, and now he has to experience situations™.”

This time, he’s gotta deal with the Twilight Zone mad scientist crater.

[pixlokita]

Wait I’m just realizing how funny it is that springtrap/ William and all his variations see an unhappy child with brown hair, brown eyes and striped shirt and immediately goes … yes I must have him as my own like 🧍‍♂️

[crabjest]

Postal posting I Fucking Love Yucky Men

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[willowser]

31 year old soggy loser touya that can't drive or stay out after curfew and that was released from prison 7 months ago and has to keep his job at ace hardware and has to go to his meetings and is figuring out how to both apologize and forgive and is so far behind socially among his peers because of all he had to endure during his child/teenagehood my beloved

[lagunapoint]

I've been thinking about something. Lavellan is the only woman in Solas's life who knows his contemplative, serene, and solitary-melancholic side. That part of him that outwardly yearns for peace and love, isn’t it? A woman who never manipulated him but simply listened (or didn’t) to his advice and sought his help. She didn’t know about his past, and he could present himself to her as he wished. It was a big opportunity for Solas to remember something forgotten about himself. Of course, he loves Lavellan, and the phrase about a "rare spirit" takes on a deeper meaning. Lavellan believes in the best in him, while everyone else around him sees only a brilliant strategist for achieving their ends. And this plays so well in contrast to his relationship with Mythal, who saw him as a means to an end, no doubt. She led him down the path of war. She nudged him, approved, and let him make choices leading, at the very least, to genocide.

Solas’s phrase, one of his regrets, when he asks Mythal to leave the Evanuris. Could it be that Solas admits he has doubts about what he’s doing and is ready to turn back? But then Mythal hooks him with the word love and he melts again. If she approves, then everything’s okay.

And here he is, left without his power, without his people, in a world where no one knows him, and where he knows nothing. And he meets a woman who is, for many, a symbol of faith, a deity. She begins to build her own order, faith around her strengthens, the power of the Inquisition grows, and I think Solas might have felt a sense of déjà vu in many ways here. However, this woman doesn’t choose the path of "achieving her goals through death." Perhaps it wasn’t only Lavellan herself who served as an example for Solas that there are other ways to overthrow a false god obsessed with the blight (hello corypheus, hello evanuris), but also the entire Inquisition, with all its advisors, companions, and the final victory, showed him that goals can be achieved differently. Maybe in moments of silence, he wondered how things might have turned out if Mythal had been like Lavellan. Maybe they wouldn’t have touched the Titans at all, and nothing would’ve happened. Or if instead of Mythal, it had always been Lavellan? I like this version better. Solas would have had an entirely different path. I don’t know, just an idea my head is such a mess.

And I can't shake the thought that Mythal wanted to remain the supreme deity, and that the true god of betrayal and deceit is her. This fits the logic of the updated lore good gods = bad gods. And if that were true, how cunning one would have to be to deceive wisdom itself.

Thoughts?

[fraternum-momentum]

Hello! Do you have that drawing of Whitney's picture from the Aimee info pagw without the doodle and the writing covering it? I'd ask for the others but his is the only one being covered T-T I need to stare at it without interuptions!!!

yay polaroids \(⌒_⌒)/ idk if the idea was clear but i wanted to make it seem like aimee asked them to sign it bc i wanted to try penmanship stuff

blanks under the cut!

here u go anonnn

[magpie-sphinx]

in short: i decided to scry yesterday's daily exalt bonus. i now have a new g1 (brief edit. not 24 hours had passed and i had completely gened the beast)

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[lilirulu]

Peeled Aoi Well less Peeled and more just disrobed.