#i still don’t know how to tag things what am I doing

[nsharks]

bleeding blue | apocalypse au

part thirty-two —other parts

pairing: Simon “Ghost” Riley x fem!reader words: 5.1k tags: death. blood and gore. zombies of course. AFAB reader. single dad ghost. enemies to lovers. SA and implication of child SA (very subtle). summary: After losing your companions, you run into a skull-masked man and his daughter. They are your last hope for survival. a/n: clearly I am bad at estimating how long this story will take lol

The tray of food crashes to the floor at her feet. Salome gasps. Her hand shoots back, fumbling for the doorknob, and her lips part, ready to call the guard you know is just outside.

"If you call for the guard," you stop her, "I’ll cut deeper."

She clamps a hand over her mouth. "Please—stop! Hurting yourselves is a sin, a great dishonor to the body God gave you—"

“It is,” you agree calmly. You press the shard deeper into the cephalic vein, ignoring the bite of pain. Blood spills in a fresh, startling curtain down your arm, the wound mimicking the severity of an arterial cut. “And she’ll blame you for it. You’re the one she entrusted to watch over us, and you didn't notice we broke one of the mugs."

"I did not think you would—"

"What happens to you,” you cut her off, pointing the bloody shard at her stomach, “—and your baby when the two new child-bearers die because of your failure? Because I will die, if I cut any deeper. This artery,” you lie, tapping the wound for emphasis, “is important. If I finish slicing through it, I’ll bleed out in less than a minute. Not enough time for you to get help. Not even enough to try saving me yourself.”

Her lashes flutter rapidly through a swell of tears. "You could have a good life here—"

"Answer me. What happens to you if I die?"

She swallows hard. "She’ll punish me," she whispers frightfully. "I have seen what happens to those who fail her. She might take my child and I will... never see them. Please, don’t do this—”

"Why should we care about you and your child when you are okay with them killing an eleven-year-old girl tomorrow?"

A flash of shame crosses her face. "I'm sorry. I-I didn't know Maman would want the girl. The offering has never been so young before. But it is God's will, there is nothing I can do to—"

"What you can do is open the cell. Open it and we will kill Maman, then you won't have to worry about anyone taking your baby. But if you don't open it, then we die in here and you will face her punishment."

Her lips part, but nothing comes out. She looks between you and Nereida, eyes darting wildly, fingers twitching against her stomach. 

"Decide before I bleed out!"

"I... I can't," she says pitifully.

With a glance at Nereida, she takes her cue, digging into her vein.

"Open the cell," Nereida urges far more soothingly than you can, blood dripping to her elbow. "We won't hurt you. We want Maman gone, not you."

Salome whimpers under her breath, but her fingers move before her mind catches up, reaching inside her robe to retrieve the key, gripping it like it might burn her. She shuffles closer but pauses, inhaling deeply before finally reaching the door. Her hands shake so violently that the key rattles against the lock. It slips against the metal, failing to match the hole, and your finger twitches when she nearly drops it.

"Mais si elles ne parviennent pas à la tuer..." The whisper leaves quietly, lost beneath the veil. "Sa punition pour moi sera pire."

Then, her hand curls back around the key.

She swallows hard—and steps back.

No. 

You see red.

A growl curls at your mouth and you snap forward, grabbing onto her dress through the bars before she can retreat too far, and pulling her flush against them, her forehead banging into the metal. Before she can scream, you clamp a bloody hand over her mouth and then press the piece of broken mug to her neck with just enough pressure to make her panic. She gasps into your palm, struggling. You dig it harder, forcing her body to turn still and rigid.

"Twix—"

"I tried doing things the nicer way," you speak in a low snarl, veering off the script you and Nereida conjured. Round, glossy eyes stare into yours. "You should have made up your mind before getting within my reach. Now give her the key. I’d hate for my hand to slip."

Another sharp press into her skin wrings a squeak from her, her breath coming out jagged and uneven against your palm. Trembling, she extends an arm through the bars, offering the key to Nereida.

The moment Nereida takes it, she fumbles to find the lock from the outside, her fingers searching blindly. The key scrapes against the metal—once, twice—before a soft click finally reaches your ears.

The door swings open.

You don’t hesitate. Keeping your grip firm over Salome’s mouth, you shove through the opening and swing around to the other side. Before she can react, you force her back into the cell, driving her onto the bed. The veil tears free from her head as you pin her down, your weight pressing her into the mattress, the sharp fragment still poised at her throat. When her legs begin to flail helplessly, you order Nereida to grab them. She clasps Salome's ankles to keep her from bucking you off.

"You were afraid of the wrong person," you hiss, your nose nearly brushing hers. "Maman may have spared your life because she values her baby makers—but I don’t. Answer everything I ask, or I’ll show you just how merciless I can be."

The dishonest threat rolls off your tongue with enough force to make her nod frantically, fear widening her eyes. But what she doesn’t need to know—what you won’t let her see—is the part of you still holding back. Because even now, even as you pin her down and press the shard to a vital piece of her throat, you’re careful. You don’t dig hard enough to damage. You don’t let your weight bear down on the swell of her stomach.

"I'm glad we understand each other. I am going to lift my hand, and you're not going to scream. You're going to tell me everything we need to know about the guards out there."

Her lips are puffy and raw when you set them free. 

"There is only one outside the d-door," she sputters in a whisper. "B-but there are more... more by the... h-homes and the keep."

"The keep?"

"Where they keep the new m-males," she chokes out, snot dripping from her nose.

"That's in the old slaughterhouse, right?"

She nods.

"How many guards are over there exactly?"

"I do not know." At your glare, she rushes out, "B-but there are less after d-dinner ends. Many go to sleep, and switch shifts at sunrise."

You mull over the information, eyes darting across her face. “And the child—the offering? Where is Maman keeping her?”

A terrible look of fear ripples through her eyes. "Only few are allowed near the offering b-before her ascension. 

"So you're telling me you don't know?" you seethe in her face.

She sobs. "I know they... they will offer her to the démons right before the sun rises. The night is when God’s wrath is strongest, but it’s in the morning—when hope ascends—that we seek atonement."

Despite further pressing, that seems to be the extent of what she knows—or she's still withholding. Either way, you're satisfied enough. You rip strips of the sheet, using one to gag her and two more to bind her wrists and ankles. You and Nereida wrap your wounded wrists tightly to stop the flow. Then, you remove her white gown. You’ll need something to wear that doesn't easily mark you as an escapee, but there’s only the one white dress and veil. You hurriedly slip into them, making sure all of your hair and face is hidden, leaving Nereida still in the thin slip. The shoes Salome wears are thin and made of unsupported leather, but they are all you have to tuck your bare feet into.

Salome said there will be fewer guards after dinner. You and Nereida listen carefully to every sound that bleeds through the window. When you hear a few exchanges of bonne nuit, you figure people are starting to retire for the night. You take this as your cue to grip your makeshift weapon. The guard outside the door is expecting Salome to leave at some point, giving you the perfect opportunity to catch him off-guard while dressed as her.

You quietly open the door to the warm summer night, the long gown ghosting around your ankles. As expected, a well-built man leans against the side of the building, arms crossed languidly. No one else is in sight, which brings you some relief. When his gaze shifts to you, he raises a brow.

"Tout va bien, mademoiselle? Vous êtes restée là-dedans un moment."

The last word barely makes it out of his mouth. Within a heartbeat, you spring at him like the head of a snake, one hand over his mouth and the other stabbing his neck with the shard, then sweeping it through the thick of his trachea. A gush of blood oozes out in one thick stream, before he gargles out a strangled choke and turns to dead weight against the wall. 

With Nereida's help, you quickly push his body inside the building to keep anyone from spotting it. 

"Wear this," you usher, already starting to undress him. Like the man who visited you, he's wearing a grey cloak. Though it's too big for her, and bloodied, it will be enough to keep her discreet in the dark, her long hair safely tucked beneath the hood.

Two things race through your mind: the ticking time toward sunrise and the fact that you still don’t know how many more men you’ll have to take out to reach Ghost, Price, and Kyle. The knife you find on the guard adds a small weapon to your shitty arsenal. You have no idea where they could’ve stored the guns and ammo they took from you, or your bow. How you'll manage to fight through a community of cultists without those is a worry you can’t afford to dwell on right now—one step at a time.

After a few minutes of collecting yourselves, urgency pulls the two of you outside, free from the barred enclosure for the first time in almost four days. In the blanket of night, you quickly scan the area, taking in what you’re up against. The community appears fairly spread out, with only six small farmhouses like the one you just escaped from, along with a few larger structures in the near distance—likely where they house the men. You catch a glimpse of a fenced pasture’s perimeter and the unmistakable stench of cattle fills the air. Despite the faint shuffle of hooves and grey plumes of smoke from a few of the chimneys, everything is eerily still, leaving an unnerving amount of quiet for your heart to shatter through.

From what you can see, there aren’t many places to hide Blue, but there could be more to this place beyond what’s visible, especially since the chapel you first saw is nowhere in sight. But none of that matters right now; you need to find the others first if you’re going to have any real chance of saving her and getting out of here.

The next male you encounter spots you first as you make your way up the gravel road towards the barn, the sound of his boots making your hand tighten on the knife's handle. He greets you unassumingly in French, causing Nereida to startle beside you as his shadow approaches. Then he stops in front of her, his shoulders tensing and his hand hovering near a knife at his waist.

"Que fais-tu avec la femelle? C’est interdit!"

Again, you go for the throat, desperate to silence any screams that could cause alarm. You get a good swipe at the base of it, but he is at least a head taller than you, making it difficult to stab fully. He grabs you by the waist, clearly in shock that a veiled female just sprung on him with a knife, but swipes a fist at your face nonetheless. The force spreads through your temple, thrusting your head to the side. 

"Take the knife from him," you hiss at Nereida through the pain, who until now was effectively frozen. She finally moves, using the distraction you've caused as he clutches his bleeding neck, and snatches the knife still hanging at his waist. Once she has it, you leap at the disarmed man again, this time stabbing his liver. With a muffled grown, he face-plants into the gravel, quickly soaking it with blood. 

"The body," she stutters worriedly. "We need to hide it."

You look around, spotting stacks of chopped wood.

"Over there. Help me drag him."

Once the body is heaved behind the logs, you pat him down in search for anything else, but there's nothing.

"Keep that on you," you tell her, and she gives a quick nod, hiding the knife under her sleeve.

You keep following the road up to the fence, your white dress splattered with crimson, resembling the dotted stars overhead. The 'keep' is somewhere by the barn that man said, but you notice smaller buildings to the right and to the left of it. Which one looks like an old slaughterhouse? It's too difficult to tell even when you squint, so you grab Nereida's arm and quickly lower by a bush.

"Watch that one, and I'll keep an eye on this one. Whichever building has more guards patrolling is probably where they're holding them."

"Okay," she whispers, peering around the bush.

Minutes pass. The building on the right has more shadows skirting around it—three guards total. You take a moment to study their movements. One is stationed near the back, the other two at the front.

"I want you to take the one at the back and wait for me. I'll handle the other two."

"How do I take him?" she whispers uncertainly. "He’ll see me coming."

"You’ll come at it from an angle." You point toward a stack of hay. "Sneak over there, quietly. Once you're behind it, circle around and approach where he can't see."

She hesitates, rubbing the back of her hand across her forehead. "I’ve never—"

"Never killed anyone?" 

The way she grips the knife, her fingers white on the handle, confirms it.

"These people deserve it, Nereida," you say, forcing her to meet your gaze. "John is in there."

She closes her eyes, and for a moment, the weight of it all presses down on her. When she opens them again, her jaw is set, and her grip on the knife tightens.

After reminding her where to strike, you pause for a moment, watching as she sneaks over to the hay. Then, you move toward the other two, slipping behind a tree for cover, but your foot catches on something and you almost trip, catching yourself against the bark. Your breath hitches and you steal a peek at them to make sure they didn't hear you. No—they are too busy murmuring to each other, laughing in a low exchange.

When you glance down, you spot a shovel half-buried into the ground, its handle sticking out. Carefully, you wriggle it free, having to grit your teeth to fully remove it. This will let you stun one while you deal with the other. Inhaling deeply to center yourself, palm tight over the splintered wood handle, you close in on the two guards.

The shorter one with curly hair spots you just before you take a swing, his eyes widening. The shovel slams into his skull, effectively making him stumble to the ground, but slips from your grip from the force. The other guard whirls around, hand slapping for the pistol at his belt. You deliver three consecutive stabs to his stomach, heart, and cheek. The gun never leaves his waist before he falls dead.

You suck in a gulp of air just as the curly-haired one regains his footing. His head is still heavy from the blow, and before he can draw his knife, you shove him in the chest, sending him crashing to the ground. You pin him easily beneath you, his movements sluggish and weak. The two of you wrestle in the grass, jagged breaths mixing with frantic, scraping nails, until, with a snarl, your knife finds purchase in his neck, stealing the life from his eyes in an instant. You stab him again and again, shaking, until the ticking urgency pulls you back into control. With a deep breath, you steady yourself and wiggle the knife lodged in his trachea, your hands slippery with blood.

"You got death," you spit in a whisper, thumbing his lids shut.

You lift up.

Now you have a single gun.

It is an old thing. Outdated and far from the military-grade weapons Ghost has. It takes a moment to figure out the parts—your fingers fumble for the small magazine, which is stocked with three bullets. You pull the slide to chamber a round with a click and keep it ready in your hand as you circle the building toward the back, praying that Nereida managed. When you find her, she is stood over the man's body, a deep cut oozing on her cheek.

"He saw me," she says, swallowing. "But I did it."

You nod. "We need to hide them before we go in."

All three bodies are hidden behind the hay stacks. You cover them with manure to mask the smell, not wanting a horde of Greys to materialize. You'd spotted a door at the back and hope it may be more discreet then blazing in through the front, given that you don't know who all is in there. Finger ready on the trigger, you hold your breath as you lead Nereida into the old building, instantly met with the rich smell of pennies. The space quickly unfolds into an old butcher house, rusted hooks hanging from the stone ceiling, the air cramped and cold. 

"Une femme? Maman ne voudrait pas de toi—"

The voice echoes in your ear as you round the corner, and then a fiery bullet rips into the owner's chest. Nereida flinches. Another guard comes barreling over, shouting, but you slide the chamber and shoot him in the head.

You don't linger by the bodies, itching to check the first steel door you see. You lower the gun only to pull at the handle, but it won't budge.

"Check him for keys," you motion to the dead guard.

Nereida crouches, hands rifling through his pockets until she yanks free a ring of keys. Her fingers shake as she tries them one by one, the lock stubborn—until, at last, it gives. With a sharp tug, the door groans open, revealing a windowless chamber. In the center, a lone captive hangs from chains.

It’s Price. Shackles bite into his wrists, his bare chest mapped with deep bruises against pale skin. Beaten, but unbroken—his gaze sharp as it lifts to meet yours. Nereida chokes on a sob, ripping the hood off her head and sinking to her knees before him, cupping his jaw.

A weighted baritone manages: "Duchess."

"There is nowhere I will not find you," she croaks. Teary kisses find the corner of his mouth. "I'm here, I'm here."

"How did you—"

"We got out. Where are the others?" you ask.

His jaw grits. "I haven't seen them since they knocked us out."

"They must be here somewhere. We need to move quick before someone notices the bodies."

After finding the small key to undo the manacles, you leave them to each other for the moment, continuing down the hall until the next door. An undeniable pull rises in your chest, something that has nothing to do with the adrenaline rushing through you—something you can’t quite name. But when you open the door, your heart falters with unwelcome disappointment at the sight of Kyle. He looks equally battered, but still aware enough to lift his head as you step in.

"Who are you?" 

You lift the veil.

"It's me," you answer, the words almost lost in the rush of emotions. Only when you fully take in the room do you notice Ari, curled in the corner. They’ve put them in here together. While there are no obvious injuries on the boy, the sight of the open Bible on his lap, and the empty dinner plate beside him, sends a cold shiver down your spine. You touch his cheek, feeling warmth, and reassure him he’s safe.

You release both of them. "Price and Nereida are through the door down the left. I need to find Ghost. I’ll be back."

Kyle rubs his wrists and manages to stand despite his black eye and shaky legs. "I’ll come with you."

"No. I’ll get him." The words come out sharper than you mean to, but you turn away before he can question them.

You are pulled further through the tight, cold hallway, movements turning more hurried as you look around. There are a few more half-opened doors, but they only lead to supply closets filled with whips and metal batons and empty chambers where old blood stains the floors. Something sharp tugs at your heart, and for the first time since initiating your escape, your fingertips succumb to a tremor of fear. 

Where is he?

The hall spits out into a room where dried animal carcasses hang from the walls.

One final door sits on the far end.

The rusted lock resists, swears hissing from your lips—until a sharp kick forces it open.

The smell thickens with fresh blood, and a cold pit sinks into your stomach at the sight of him—bound in chains, his body slumped haphazardly. Unlike the others, he doesn’t lift his head. You rush forward, a shaky breath catching in your throat as you take in the blood caked on his shoulder blades, deep welts splitting through the inked skin. His back, too, is covered in wounds. He looks worse—so much worse—that a bite of anger swells moisture in your eyes.

"Simon, you idiot. What did you do?" The words slip out on a sharp inhale as you lower yourself in front of him. "Simon," you whisper again, silent tears hot against your lips. You thread a hand through his hair, tilting his jaw up with careful fingers. His eyes are heavy, but relief finds you when they flutter open. He’s alive. The reddened whites flicker over your face, unfocused—until something strange sharpens the haze. A flicker of fear.

"It's me, Simon. We're getting out of here."

The brief fear shifts into shock when he recognizes your face, and only after you fumble with the key ring does understanding click into place, causing his jaw to flex. "Where... where is she?"

"I don't know, but we need to hurry. They have her." You undo the manacles, and his body rolls heavily into you, face falling onto your collarbone. You struggle to hold him up, gripping his shoulders without touching the wounds. A low groan bleeds through his teeth, and his eyes flutter shut again. No, no, no. "Please, you have to... you have to get up, Simon. I can't—she's going to fucking die!"

His upper chest rapidly expands with a breath, and he musters the strength to lift his weight off you and slap a hand against the wall. As he leverages his weight up, you help by grabbing beneath his other arm, until a final rush of adrenaline gets him on his feet. Urgency snaps tension into his limp shoulders, and he growls out another, more steady, breath.

"Price," he says.

"He's alive. Come on."

It takes some effort to help him walk at first, but eventually, he manages on his own. You guide him to the first room, where the others are pacing, murmuring in low voices.

"Simon, Jesus," Price mutters when he sees him.

Ghost brushes it off, his eyes narrowing. "They're going to kill her."

"At sunrise," you add, your voice tight. You pull out the pistol and show it to them. "I have one bullet left. I don't know how many more men are in this cult, but we've killed six so far."

"We have one shitty old gun." Kyle growls in frustration. "They took all our shit. How are we going to—"

"We find the weapons. They must have stored them somewhere," Price says.

"We can't just go searching through every building here. We don't have the time," you press. "And how are we supposed to get it back without everyone noticing we're gone?"

"I don't give a fuck about the guns. We find her first," Ghost grits, nostrils flaring. 

"We can't help her if we don't think things through. We can't just start a war with these people empty-handed, Simon," Price says.

"We find her first!"

"Simon," you say, reaching for his arm, but he pulls it away, clenching his bloody fist. The energy radiating from him would scare you if you didn't feel the same way.

Just then, there is the faint sound of a door opening and footsteps clanging through the hall. You tense up, two male voices shouting in echoes, one of them vaguely familiar.

"Quelqu'un les a tués ! On doit régler cette merde avant que Maman découvre quoi que ce soit."

"Les putains de prisonniers!"

Before you can react, Ghost snatches the pistol from your grip. The second they rush toward the open door, he launches at them—an elbow to one’s face, the butt of the gun breaking the nose of the other. Price uses Nereida's knife to stab the fallen guard, while Kyle helps Ghost subdue the second one. You only recognize him as the man who made you strip when they forcibly drag him toward the manacles, the sight of his blonde hair making your nails curl into your palms.

"You stupid fucking Brits!"

Ghost strikes the gun into his left eye, making him jerk within the constraints, howling as the socket turns into bloody pulp. 

Kyle grips the man's scalp from behind to hold his head up, while Ghost presses the gun into his cheek, where you notice a wound shaped like a bite mark.

"Tell us where she is," he roars. "Or I'll take the other eye."

Nereida cowers into the corner, holding onto Ari's arm. 

"I don't know!" the man spits blood, and Ghost digs the gun into his cheek, ripping it open further until the bitten flesh hangs as a torn flap, exposed all the way to his eye. The scream that follows feels inhuman. "I swear, I don't—I don't fucking know!"

Fresh blood drips to the floor. Price, much more calm, lowers at the man's side. "How many people live here?"

The man grits his teeth, struggling to answer, "T-thirty males, and six females. Plus the infants."

Twenty-two now, you count in your head.

"And the weapons we had. What about those?" Price questions further.

When only staggered, pained breaths fills the room, Ghost tosses the bloody gun and grabs the knife from Price, stabbing the man's kneecap without hesitation. Another scream ensues, and there is the small itch to cover your ears, but you steel yourself against the wall to keep watching.

"Answer the fucking question." Ghost twists the knife in his knee.

He cries out, more bloody spittle flying from his mouth. "All of the ammo is hidden. Only A-Alexandre knows!"

"Who is Alexandre?"

“Maman's son, he enforces her commands and oversees the males.”

"Where is he?" Price asks, voice hard.

“He… he resides in the work shed, while the rest of us sleep in the quarters within the barn.”

You step forward. "We saw another building outside with just one guard, that must be it."

There is a beat of silence as Price processes the information, giving Ghost a satisfied nod. With pain still contorting his face, the man's eye drifts past Ghost's shoulder toward you. His lips twitch into a faint, bloody smirk that makes your skin crawl. Ghost follows his gaze, snarls, and abruptly slashes the man's throat from ear to ear.

B

It is still dark when Eloise comes to awaken her, though Blue's eyes never once fell shut with sleep. She spent the short-lived night alternating between staring at the crescent moon outside the window, and fiddling with the knitting needles left on the table. There is a new dress in the woman's clutch, beautiful white fabric embroidered with flowers, and a pair of beautiful leather shoes in the other hand.

"See? I told you the dress would be nicer." She smiles and hands it over, as if to offer something to be thrilled for. "You must change quickly. There is a lovely breakfast of framboises and milk waiting for you. Put these on as well." She sets the shoes on the floor.

Blue thinks it strange, to bother feeding her just before her death. Blankly, she asks, "How many people will be there? To watch me die."

Eloise's smile quivers slightly, a slight crack in her composure. "Not too many, I assure you. Only a few of us women, and one or two worthy men. Most are still sleeping." After a pause, she adds even quieter, almost ashamed, "Be thankful you don’t suffer through childbirth instead. It is... a painful thing. Long, too. At least this pain will be honorable and swift."

Blue's fingers tighten around the dress. "Okay. Do you mind if I change alone, please?"

Eloise bows her head. "Of course."

She casts one last gentle glance her way before shuffling out of the room, locking the door behind her and leaving Blue with only the dress and shoes. Once the door is closed, Blue quickly slips the dress on, shuddering as the cold fabric caresses her limbs. It’s more beautiful than anything she can remember ever wearing, and that disgusts her. Swallowing the churn in her stomach, she grabs the needles and sits back on the bed.

The wounds on her feet are shallow, her fingernails only able to pierce the thick skin slightly. Using the needles, she digs into them deeper, trembling from the pain that throbs as fresh blood begins to seep from the soles. She cuts and cuts furiously, teeth gritted, praying it’s enough to soak into the shoes she slips on over the new wounds. She covers the blood stains on the sheet with the blanket, then stands, almost crying out from the agony of walking on her torn feet.

"Please dad," she whispers, closing her eyes briefly, before calling to Eloise that she is ready.

"But if they don't manage to kill her... her punishment for me will be worse." "Is everything alright, miss? You've been in there for a while." "What are you doing with the female? It’s forbidden!" "A woman? Maman wouldn’t want you—" "Someone killed them! We need to fix this shit before Maman finds out anything." "The fucking prisoners!"

[sleepingdiaryzzz]

ᴇᴄʜᴏᴇs ᴏғ ʀᴇɢʀᴇᴛ

ʙʀᴜᴄᴇ ᴡᴀʏɴᴇ x ɴᴇɢʟᴇᴄᴛᴇᴅ! ʀᴇᴀᴅᴇʀ

I keep seeing neglected reader on my tags so I just wanted join in 🤗

ᴍᴏʀᴇ ʜᴇʀᴇ!

The Batcave was eerily quiet, the usual hum of machinery and the occasional rustle of paperwork replaced by the soft sound of a child’s muted whimpers. Bruce stood in the shadows, his eyes fixed on the small form curled up on the couch, barely visible beneath the pile of blankets and pillows. The child, no longer the one he'd once pushed aside, seemed to exist in a world far beyond his reach.

His heart clenched when they shifted, those silent tears that fell like raindrops that he'd never quite been able to catch. He hated that he couldn't fix what he'd broken, no matter how hard he tried. All the wealth, all the power, none of it could mend the distance he'd created. But now, in this cavernous space where shadows ruled and secrets whispered, Bruce was trapped in his regret.

“I’m sorry,” he whispered, voice softer than he'd ever let it be before, as he approached the couch, bending down to meet their eyes.

Reader's gaze was fixed elsewhere, lost in the memories that lingered like ghostly echoes. A broken sigh left their lips. Bruce had made mistakes, but this—their distance—was one he could never bridge with words alone.

“You don’t have to be sorry,” they murmured, their voice almost inaudible beneath the weight of the years. “Nothing will change it now.”

They curled deeper into themselves, the soft rustle of fabric only adding to the bitter silence. Bruce frowned but kept his distance. His hands twitched with the desire to reach out, to hold them close, but he was well aware that doing so would only bring more pain. The walls they'd built were taller now, sharper. There was no way in.

It hadn’t always been this way, of course. Once, they had trusted him—believed in him as a father, as the man who could protect them from anything. But those days had been forgotten in the cruel labyrinth of his own failure. He'd seen it, watched them grow from afar, sure that his way of loving them—distant, reserved, and ever cautious—was enough. But he hadn’t realized that love was not a thing to be claimed, a thing to be controlled. It was something to nurture, to build, to protect with patience and understanding. Something he'd lacked.

He took a step forward. “I know I failed you,” he said, but this time there was no deflection. The words were heavy, real. “But I am trying to make it right, and I’ll keep trying. You don’t have to be alone.”

The words fell like a hollow echo in the stillness of the cave. Reader shifted, pulling the blankets tighter around them. There was a coldness in their gaze when they finally looked up at him.

“I don’t need you now. I didn’t need you then,” they whispered, their voice steady but laced with a bitterness that cut deep. “I had another family… one that didn’t abandon me.”

Bruce’s breath hitched, the pain of the truth settling deep in his chest. The weight of their words pressed against him like a thousand stones, heavier than any enemy he'd ever faced.

"Don't say that," he murmured, his hand reaching for them, but they pulled away, the rejection too swift, too sharp. The distance between them seemed vast, a gulf that no gesture could cross. "I know I made mistakes... but I’m here now. You’re not alone anymore."

They stared at him for a long moment, as if weighing every word he'd spoken, every action he'd taken. They’d been so small when he'd first met them, so innocent in their trust. He thought back to the days when their laughter had filled the Manor, when they'd looked at him like he was their world. It felt like someone else’s life now, a time when he wasn’t as broken as he was now.

“I miss my dad,” [name] said softly, so quietly that it almost seemed like a plea. Their eyes were distant, lost in memories Bruce would never be able to share. “I miss the family that actually cared about me.”

Bruce’s hand faltered, falling to his side as the weight of those words crushed him. They were right. He hadn’t been a father to them, not in the way they needed. His life, wrapped up in Gotham’s shadows and the endless pursuit of justice, had left no room for the most important thing: them.

A wave of guilt surged through him, drowning out everything else. "I’m here, baby girl," he whispered, though he knew how hollow it sounded. There was no magic in those words anymore. They had no weight, no warmth. Just the coldness of regret.

[Name] didn’t look up, didn’t acknowledge his words. Their gaze was elsewhere—lost to the past, to the family they had once known, the family who had cared for them when he couldn’t. The emptiness in their eyes spoke volumes, far more than any word could.

"I never needed you to come back," they said quietly, as if the words were simply a fact now, not an accusation. "I survived without you."

Bruce stood there, struck mute by the truth of it. The echoes of his failures rang louder than anything else. All the money, the power, the endless resources of the Wayne family had never mattered when it came to the one thing that would have truly made a difference: love. The kind of love that nurtured, protected, and understood.

He didn’t know how much time passed before they spoke again, but the silence stretched on like a wound that refused to heal.

"I don’t want your pity," they murmured, their voice so small that it cut him to the core. “You can’t fix me now. You can’t fix this.”

Their words were quiet, but they were final. The finality of it hit Bruce harder than any punch. He had been a hero to Gotham, had saved lives, had put down enemies. But when it came to the one thing that mattered most, he had failed utterly.

They were slipping away from him, even now. And there was nothing he could do to stop it.

Bruce stepped back, the weight of the truth settling into the hollow space between them. For a moment, he allowed himself to feel that emptiness, to understand just how much he had lost. He had missed out on a life that could have been, a life he could have shared with them if only he had been there.

He swallowed hard and turned, the overwhelming weight of regret pulling him deeper into the shadows.

"I’m sorry," he repeated, even though he knew it would never be enough.

But the words hung in the air like a fragile thing, doomed to fade before it could truly be heard.

And [name]? They simply lay there, wrapped in their own world—a world Bruce could never return to.

[helloyesthisispapermario]

#no same im still surprised when i tag something for my own organization after the first 5 tags and it gets attention#from folks who don’t follow me. you weren’t supposed to see that. now i gotta post it and go back and edit to have tags ig#but not showing up in your own blog. girl what are the tags FOR at that point#i know it cuts you off from typing them at a certain threshold but i forget how many that is#idk why it wouldn’t cut you off at 20. unless it does and op is talking about reblogs using the xkit thingy on desktop?#where you can just kinda type whatever forever without realizing you’ve been cut off

--

just to be abundantly clear to anyone wondering: i'm not talking about the xkit thing (though i am aware of it, love that feature), or even about /search, really, i mean like

if you make "#myart" tag number 21 on your post, and i go to your blog, and i type in blogname.tumblr.com/tagged/myart, i am, in fact, not going to see your art. because tumblr doesn't register any tags past number 20, apparently. the post i discovered this on was from 2018, and i stumbled on it the day i made this post. ("#myart" was tag number 25 on the post, for complete transparency)

chances are that few people are going to run into this, because tagging your art posts with every game (related or not) and every nintendo console is a little overkill, but like. some people like rambling in the tags and going on rants! for them, it's pretty important information to know that if you do that then you need to make sure your organizational tags occur BEFORE number 20 or they won't function as organizaton at all: which is why i made this post lol

and for artists, it's important to know that the 20 tags you get for reach are ALSO the 20 tags you get for blog organization, which is why "#my art" and "#specific project" are tags that need to go higher than number 20.

no hard feelings @ anyone, just addressing a handful of comments i've seen in the notes + these tags were most relevant + i liked them. this post is for the oldies, for real.

(NEW?) TUMBLR TAGGING PSA:

heads up, folks! it looks like - EVEN AND ESPECIALLY ON YOUR CUSTOM BLOG VIEW!!! - tumblr only counts the first twenty tags! on a post! after this, the post won't show up in that tag, not even on your blog

so if you have a personal art tag but you put it at the bottom of the post under all of the #switch #nintendo #mario #bros #64 etc etc etc bloat tags, it doesn't work.

please put your most relevant tags first! having an art tag that doesn't have all your art posts in it is basically useless, after all

there used to be a saying that tumblr search only counted the first five tags on a post, which is why crosstagging for reach was pointless. tumblr has since updated to count twenty tags - at a cost. any tags after #20 apparently do not show up in that tag on your own blog.

i found this out because i was looking at someone's cool mario 64 art project, and because they put the tag for the project at the very bottom of their tags, the final post NEVER showed up in their tag for the project when i was browsing it ON THEIR BLOG (very different tumblr behavior than it used to be years ago!). i did finally stumble on the final post of the project, thankfully, and realizing what happend, i started counting. tumblr counts the first 20 tags, but tag #21 and all after are useless.

psa!

[truelovepolinator]

State of the Ship Address: Where we stand after the Hard Launch

Well, this has certainly been an interesting week, hasn’t it?

Last Saturday, I was the happiest of shippers, sharing why I’m so sure it’s Luke. By Wednesday, I was sharing my thoughts on why Nicola’s “just a friend” comment was nothing to worry about. Yes, truly, Nicola’s comment was a hit to the ship. A very palpable hit. Yet, we sailed on. Then on Thursday, well, the ship very nearly sunk with Luke’s Hugo Boss “hard launch” of Antonia. Nearly.

There’s one thing I’ll say I know for sure. Nicola knew she was getting that question about fans wanting her to marry Luke and she had her answer prepared. I have no doubt about that. In all likelihood, her people asked him to ask that question. Otherwise, it’s out of the box for that kind of industry/awards promotion interview. It’s not an interview for the fans, it’s for the voters. She WANTED to dispel the idea that she and Luke might have fallen in love on set because that perception would hurt her chances at the SAG Awards.

There’s no question that Nic and Luke decided together that the time had come to send an armed nuclear torpedo into the ship for once and for all. And so, they did. Indeed, it’s only thanks to our wits, grit, and some very skillful maneuvering that we managed to keep the ship from sinking to the bottom of the ocean. We may be taking on water, but we’re bailing it faster, and we’re still afloat, if only just.

This does not, however, mean that I’m ignoring what they’ve said this week. On the contrary, I’m paying very, very close attention. I’m paying attention not only to their words (or in Luke’s case, the story he’s telling with that hard launch), but also to the subtext, the backstory, the character histories, and the outtakes. I’m paying close attention both to what they’ve told us and to what they haven’t.

I’m thinking about every bit of it. I am, by nature, very analytical. In the Lukola intelligence community, I’d say I’m more of an analyst than a detective. I don’t go out there gathering information (tracking every tag, monitoring friends, family, adjacents, finding old, hidden content, etc.). I don’t even know how to get metadata from Instagram. I’d be grateful if someone could tell me.

But when the detectives bring me evidence, I analyze the hell out of it. There are great detectives out there, but that’s not my skillset. I’m great at sitting at my desk and studying the evidence presented to identify patterns, interpret clues, and assemble those clues into a watertight case.

I thought that’s what I had, a watertight case. And you need your case to be watertight when you’re sailing these rough seas, right?

Then this week, Nicola and Luke decided to tell me my case had fallen apart, and to be honest, I’m not sure how I feel. I’m not as devastated as I thought I might be. I think that’s because I’m still not sure I believe them. They’ve both told us the same thing this week, that they are absolutely, positively not together. They’ve told us in no uncertain terms. And I always thought I would believe them if that time came. And yet, there’s something just a little too suspicious and convenient about the timing for me to trust it entirely. It doesn’t quite pass the smell test.

To be clear, I’m not saying I definitely don’t believe them. I think it’s very possible they’ve told us the truth this week and we simply have to live with it. We have to shift our ship back to “endgame” mode, and out of “happening now” mode.

In some ways, this would be a relief. If I actually accepted that they are not together at all at this point, I could begin to let them go. If I don’t see their launch coming, why hang around? The wait for endgame could be eons. I love them together, but I could do a hell of a lot of other things with my time in the meantime. Why do I need to follow and discuss their every move if it’s not headed to the only result I care about? I could check out completely and let them do their thing.

I’ll watch Bridgerton, and their other work when it looks interesting, and otherwise peace out. I don’t have to be “a fan” to enjoy their work. I have loads of favorite actors whose work I love, and I follow very few of them on socials. I could simply shift NicLuke into that category and move on.

I don’t actually have to care so much about them. All this parasocial bs takes a lot of time and energy, and while that investment of time and energy is good for them because we keep them in the public discourse, it’s not necessarily the highest, best use of our time for ourselves, is it? I could just let it go. We could all just let it go. Wouldn’t that be a relief?

The problem is that I do care about them. They got us hooked during that World Tour and now we’re invested. I’m invested. I’ve put a lot into them and I’d like a return on my investment, thanks. I want to see them happy. Together. I want to see them happy together. Many of us do. So, what if we don’t get that?

Well, I’ll come back to that question. But right now, I’m more interested in the question of WHY. Why did they decide now was the time to torpedo the ship? After all these months of weird, yet skillful combination of utter silence and semi-explicit hints and breadcrumbs. Why now, after a year of active shipping, seven full months after the WT ended, long after Bridgerton 3-month ratings were locked, why spontaneously this week? And why did they do it in such a coordinated way? The SAG nomination, yes, but is there more to it?

I have more theories and variations on theories than I can count. But here are the four key interpretations I want to explore.

It’s exactly what I said this week with Nicola’s interview and my quick post on Thursday. They are still together, with major life changes ahead, and Nicola is up for a SAG. They need more privacy than ever AND Nicola needs to distance herself from the “they fell in love on-set” narrative so that she can be taken seriously as the terrific actor she is, who acted her ass off in Season 3. She doesn’t want to be seen as someone who was only that good because she was “really falling in love.”

They’re genuinely not together, Luke is actually with Antonia (whether on-and-off or all along) and they decided to shut down the shipping now purely because it was impacting Nic’s SAG nomination (see 1 for details). Or maybe L also decided it was time to launch to take the invasive scrutiny off his family.

They’re not together, L is with A, and Nic knew he was going to take her to the HB event, so she prepared fans and pre-empted any “poor, rejected Nicola” perception by saying what she did during her interview.

They were together, and now it’s over (not mutually exclusive with 2 or 3).

You’ll notice none of these theories turn on Nicola’s hypothetical romantic relationship with Jake. This is largely because I have always said that simply isn’t a romantic relationship. And regardless, it’s not relevant to this week’s developments as the state of her relationship with Jake is unchanged from the past few months. That’s not a new factor in this week’s decision.

Obviously, number 1 above is my preferred explanation. It still continues to be the only explanation that makes sense of absolutely everything we’ve seen. INCLUDING Nicola’s words in that interview, and even Luke taking A to that event if you follow the logic of protecting themselves at a critical time both personally and professionally. It’s easy to forget all the extensive evidence pointing to this, but a review of my recent posts will refresh you. There is much to this saga that literally only makes sense if Lukola is real and the other apparent relationships are PR fakery/fuckery to keep our eyes off the truth.

However, this week, they have actively told us that is not the case. So, we owe it to ourselves to be emotionally and intellectually honest and to be open to the other possibilities as well.

Okay, so let’s talk about options 2 and 3. Both posit that Luke and Antonia are really together. Or at least casually dating. It is certainly possible that Luke simply wanted or needed a date to this event and Antonia is a casual date. Certainly, their body language is not particularly close or affectionate in most of the photos or videos. And A clearly does not calm Luke’s anxiety and event nerves like Nic always could and did. And they didn’t seem to hold hands naturally, nor did their arms around each other seem particularly close or natural in most of the photos and videos we saw. And yet, they did walk and pose arm-in-arm as a couple. No arguments there.

It has been widely noted that the Daily Mail story featuring Luke attending this event with his “girlfriend Antonia” was published mere minutes after the first event photos were published. And the story talked way more about A and her vague resume/background than about Luke. For all the world, it sure looks like this appearance was designed to give Ant a PR boost with a story pre-planted and ready to roll. But that doesn’t necessarily mean they aren’t together.

There is one video recorded inside that shows them in a different light. They seem to be enjoying themselves together, laughing, smiling, and talking close. However, there was loud music, it seems, so all talking needed to be close. We saw this when Luke talked to David Beckham as well. David was leaning in and Luke was talking directly in his ear, so clearly, volume was an issue. But he did have his hand on her back and she even copped a feel of his celebrated lukey newts butt. Yes, that video looked very couply indeed. Again, no arguments.

Did I like it? Of course not. Obviously, I hated it. I loathed it even. Do I wish the whole evening would crawl away and sink itself into the bottom of the ocean in lieu of our very leaky ship? Yes. But that video still exists, as does the other photographic and videographic evidence.  So, it’s irrefutable, right?

Almost. There is one thing that rankles a bit in that video. And indeed, about all the Luke & A stuff that came out so quickly. Literally, it all dropped faster than even the Beckham stuff, and Beckham was the host of this event. Why did it all hit so fast? Okay, sure, we already established it was at least partly planned PR for A. But why was that video so exclusively focused on the two of them specifically? What was the videographer doing shooting them from behind, ostensibly “in secret and candid,” for so long? Why so much footage (edited from pieces, therefore taken over time) of the two of them specifically, including that saucy, little butt grab?

If indeed this evening were intended to launch A with the explicit intentions of 1) blowing up the ship and 2) promoting A as the official girlfriend, then it’s not hard to imagine Luke’s PR handler/escort for the evening whispering a little encouragement in his ear. Something like, “It’s not really playing yet, you need to give it more. You two need to get cozy, amp it up, and we’ll get it on video.” Of course, it’s also entirely possible that this “canoodling inside” video was always planned as the final blow to seal the deal after the red carpet content hit.

And, to be fair, it’s also possible that they simply relaxed once they got inside and started having fun. If theirs is a real relationship, whether long-term, serious or a casual dating one, then that would make sense. But why were they so tense on the red carpet to begin with if they’re so close? Why did they look so uncomfortable? Either way, it seems someone had a very clear intention to capture “proof” of the relationship.

Now let’s shift gears and talk about Nicola briefly. Let’s start with this. Nicola is a terrific, gifted, hard-working actor. She deserves all the accolades. She’s worked hard to achieve the success she’s now enjoying and she sure as hell deserves her SAG Award nomination for her beautiful, delicate performance that was by turns moving, heartbreaking, heartwarming, and hilarious. She’s the real deal. And she’s unbelievably, ridiculously beautiful. To my eyes, many times more beautiful and sexier than the other woman who appears in this saga, for what it’s worth. That’s perhaps beside the point, but I wanted to throw it in anyway because what can I say? I’m feeling a little petty and in the mood to spit truths.

She’s also a woman with a right to privacy. And a woman with a career to maintain and grow. And an award nominee who’s campaigning for a win, knowing even if she doesn’t win, the nomination will open doors for her as long as she is taken seriously. And maybe, just maybe, a woman with big life changes coming up fast. I fully support her in doing what she needs to take care of herself and those she loves. And knowing what I know, having seen what I’ve seen, believing what I believe about her, I still believe she would absolutely do what she needs to do in this critical moment.

So, I’m just going to be honest and say I simply don’t know what to think at this point. I still believe number 1 above makes the most sense, both logically and emotionally. But… but… sigh.

There’s also another very real possibility, which is that Lukola has indeed been just as real as we all believe – and now, sadly, it’s over. I actually believe this could be a very real possibility, though this possibility breaks my heart most of all. But I think it’s distinctly possible that they tried and it just didn’t work out for any of the millions of reasons couples don’t make it all the time. Plus, as I’ve written about before, all the reasons they have extra challenges because of their lives and jobs. So maybe the shipping was sweet to them while the relationship lasted, but is painful now that it’s over.

I wish this didn’t feel so valid as a possibility, but it does. And this, too, would make sense of just about everything, unlike the alternate versions where the adjacents (or at least one of them) have been real partners all along. But who knows? As ever, none of us (and none of the Jakolas) knows them, so none of us will ever know anything for sure. Unless they one day decide to come clean.

I’m a big fan of the show Castle. Castle and Beckett, or “Caskett,” is one of a small handful of fictional couples that I have shipped with devotion. I LOVED Caskett and could not wait until they finally got together. The delicious tension, the longing, the near misses, the banter, the micro expressions that broke your heart. They were perfect together. Unfortunately, in reality, they grew to hate each other by the end, but onscreen, they were fire. I will never not love Caskett.

Lukola is my one and only real-world ship, and I will never not love them. Unless they really blow it with too much BTS fuckery. I feel as if they are continually jerking me around and playing games, and I’ve been A-OK with that as long as I knew where it was headed. I was willing to ride the waves of the choppy seas because I knew where the ship was sailing and I loved the destination. I didn’t begrudge them hiding behind PR fakery (or fuckery) because I had faith it was in the best interest of their careers, privacy, and more recently (once I settled into my personal opinion regarding the delicate matter), their family.

That may yet be the case. And if it is, I am 100% there for it.

But if it’s not, if Antonia ends up being a real relationship, that’s going to be very, very hard for me to accept. I’ll do my best to stay the course for Luke as an actor, but the side I see of him as someone dating her is not the same good guy he sold us on the tour. Not the same sweet Colin-alike that the cast has told us he is. Not the same perfect man Nic has told us he is. Because the choice to be with her – based on what I know of her (as well as her youth) — reflects poorly on him, in my opinion. I’m not sure about his “treatment” of her because there’s so much we don’t see and a lot of assumptions are made on that front. But simply based on who she has shown herself to be through her posts and the jobs she’s taken, I can’t respect the choice. I would accept him with many people who aren’t Nicola, but not her.

And my feelings about Nicola would also be dented because she’s posted so many of the crumbs that have (intentionally) kept me hanging on. And if, by some strange twist, she is dating Jake, well… I have a higher opinion of Jake than Antonia. I have no real issue with Jake. From what little I’ve seen of him speaking, he seems like a good kid, earnest about his work, maybe even sweet. But like Antonia, he’s so young. Setting aside aside all the other reasons I don’t believe they’re dating, he’s still 13-14 years younger than her, and just starting out while she’s sailing the heights. I have to be honest and say that the age difference and the power differential do make me uncomfortable.

Her relationships are still not my business. Nor are Luke’s. But as a consumer of media, I do get to have feelings about the people I stan and where I choose to devote my energies. As I said, Lukola has been my one and only ship. I’ve loved them individually as well, but if I’ve been played for a prolonged time, if they’ve been stringing me along with a fake ship, how can that not sour me on them as individuals?

So, yes, if these particular, adjacent relationships are real, my respect for each of them will take a hit. But they can date other people. I’ll get over it. I’ll be disappointed. I’ll think they’ve missed out because they clearly have something truly unique and special, maybe more unique than either of them realizes yet. I still believe they’ve gotten together at some point, but if they’ve now moved on, I’ll sigh and move on as well. And hope that one day, they find their way back to each other where they belong. That’s what endgame means, after all.

However, I will say again that I am not yet entirely convinced that the adjacents are anything more than I’ve long thought they were, decoys and distractions. Or that these latest hits to the ship (the mom comment, Nicola’s interview, and the “hard launch”) are anything more than ramped up efforts to camouflage the truth at a crucial time.

But the one thing that is crystal clear is that they want us to back the fuck off. Whether it’s out of a time-sensitive need for greater professional separation for career reasons (awards consideration chief among them) and greater privacy for family reasons… or because it’s actually true that they are not together at this time… either way, they’ve clearly decided to shut down the shipping this past week.

And this brings me back to Castle. If you know Castle, then you know there was a long-running throughline story about who murdered Kate’s (aka Beckett’s) mother. For years, Kate was obsessed with finding who was responsible and what happened, and more than once, that fierce dedication led her to go too far on the job. She’d stay on cases when she had a clear conflict, she’d hide things from her superiors, she’d go rushing into danger in a ruthless pursuit of the truth. Needless to say, this behavior eventually led to a suspension even though she was the best detective in the precinct. But instead of accepting the suspension, Kate tossed down her badge and quit, because OBVIOUSLY, she was going to go right on investigating privately.

So, am I going to pull a Kate Beckett and charge forward, despite every warning, to investigate every lead until I get the truth? No matter what it costs to me or those I love (namely, Lukola)? Or will I sadly accept my suspension, hang my head, and take some time at home to catch up on my Netflix until the clock runs out? Hmm… Maybe, a little of both?

Here’s what I’m going to do. Keep watching. Keep collecting information, analyzing, and seeing how I think the picture most clearly takes shape. And I will keep sharing my thoughts with all of you.

But since they want us to back off, I will slow roll those observations. For my part (NPC that I am), I will politely take a step back and give them the time that I believe they need for certain very specific reasons. If they need folks like me to back off, then I will. At least for now. And I’ll see what the next couple of months bring.

At some point down the line, depending on how things shake out, I may feel comfortable going full force again with my thoughts and opinions. But right now, it’s my belief that there are things important enough that I’m willing to take a step back to support them, because my intention has only ever been to share my thoughts and bolster the spirits of my fellow shippers. Never to harm Lukola.

In the meantime, I won’t disappear entirely. I may blog a little less, and maybe shift a bit to lovely Polin. Or maybe I’ll end up blogging more with short, fun stuff in lieu of the analysis. Who knows? Got to keep busy somehow, at least unless or until I decide to step off the ship entirely.

Actually, now that I think about it, it may be time to rewatch Castle. At least I know Caskett will never let me down.

[inseobts]

A New Perspective

trafalgar law x reader

law turns into a woman and suddenly you're having at lot of fun at the view.

words count: 2.3k

tags: minor spoiler(?), gender switch, romance, bisexual reader, funny

masterlist // ko-fi

The Polar Tang cuts through the sea, its steady rhythm the only sound until a sudden crackle of energy fills the air. You barely have time to react before your entire body feels like it’s been flipped upside down. A flash of light, a sharp tug, and—

You blink.

You’re staring down at yourself in utter disbelief.

“Wait a minute…” you mumble under your breath, staring at the unfamiliar body in front of you.

Gone is the familiar curve of your body, now you’re standing there, with the body of a man. You glance down at your broadening chest, the flatness that replaced your curves, and the new set of muscles beneath your clothes. Your voice comes out lower than usual when you speak, still in shock. “What the hell just happened?”

Suddenly, you hear a familiar voice calling your name.

“y/n, are you okay?”

You spin around to see Law, but…

What the hell?

Instead of Law’s usual sharp, masculine form, there stands a woman, still with his signature demeanor, that same authoritative presence, but now in a woman’s body. His—her—eyes lock onto yours, scanning you in equal confusion.

“What’s going on?” Law says, voice strained as she glances around, clearly just as disoriented as you are.

“Well,” you chuckle, blinking a few times to make sure you’re not seeing things, “this is… new.”

You step closer, trying to take it all in. And, damn, Law looks good as a woman. Her legs are long and toned, the frame lean yet feminine. The sight of her—him, but as a woman now—has your heart racing. You can’t deny it; she still has that Law confidence, just wrapped in a more delicate package.

You curl up on the ground, trying to hide the redness of your face.

“Is something funny, y/n?” she snaps, her eyes narrowing, clearly uncomfortable in this form.

You can’t help yourself. You grin. “I’m just trying to figure out how you can look so good like this. Honestly, I don’t think I’m complaining.”

Law’s cheeks flare red in an instant, and she crosses her arms, clearly trying to remain composed. “This is not the time for this, y/n”

You take another shy step toward her, eyes flicking down to her long legs. “Come on, Law, you have to admit you’re kind of… hot and beautiful right now.”

Her eyes flash “Cut it out. I need to figure out how to reverse this before you get a nosebleed”

You chuckle at her discomfort but can’t stop the rush of attraction that surges through you “Oh, I’m sorry, am I making you uncomfortable, Captain?” You look her up and down again, letting the blush spread across your face “It’s just—” You pause, your voice dipping into something more flirtatious. “You’re looking really good. I mean, what do you expect me to do? You know I’m bisexual, and my beautiful boyfriend just turned into a beautiful version of himself as a woman. You can’t understand how that feels right now.”

The words hang in the air, and for a moment, Law’s eyes flash with something that almost seems like frustration—or maybe… embarrassment?

“You can’t be serious,” she mutters, trying to maintain her usual stern tone but failing as her face betrays her. “You can’t just say things like that.”

You step closer to her again, letting your gaze linger on her, enjoying how she squirms beneath your stare. “Oh, but I can. And honestly? I’m loving it.” You take another deep breath and let the words slip from your mouth, relishing in the playfulness “You don’t know how good I think you look right now, Law.”

You can see the flush deepening in her cheeks, her hands clenching in obvious frustration. But then, out of the corner of your eye, you spot Bepo, Shachi, and Penguin all standing nearby, watching the exchange with wide eyes. The crew’s eyes flicker between you and Law, amused by the situation but clearly awkward.

You turn to the crew, raising an eyebrow, still grinning “Don’t act like you don’t see it, guys,” you say, voice almost playful. “Law’s looking fine right now.”

There’s an uncomfortable silence, and then Bepo scratches his head awkwardly, glancing at the others. “Well, uh… it’s true, she does look pretty cool…”

You let out a laugh, turning back to face Law. “See? Even the crew agrees.” You pause, then add, “I’m just saying, though… You’ve really got my attention right now, Captain.”

Law lets out a growl, clearly fed up. “You need to stop with that. We need to figure this out, and I’m not going to—”

But you cut her off, stepping even closer, your voice low now as you tease. “Okay, fine. But I have to ask…” You pout at her “Do you think I look handsome? Do you think I’m, uh… fuckable like this?”

There’s a sharp intake of breath from Law, her eyes locking onto yours in sheer disbelief, and for a split second, she doesn’t say anything. Her gaze flickers to the crew, who are now looking at you both with wide eyes and nervous chuckles.

“You—what?” Law stammers, her face completely flushed.

You grin wickedly, clearly enjoying the flustered look on her face. “Just curious. You’ve seen how you look now, so I’m wondering if I’m equally as handsome in this form” You add a wink for extra effect and trying to flex the muscles that you actually don't have.

Law stares at you, her expression a mixture of irritation and something else, but before she can reply, you see her posture change, that familiar frustrated sigh escaping her lips.

“You’re impossible,” she mutters, though there’s a hidden smile tugging at the corner of her lips, betraying her usual stern nature.

You raise an eyebrow, a teasing smirk on your face “You can’t deny it. I look good, right?”

“Well, of course you look good, you idiot, you're still y/n after all” she snaps, but the words are softer now, almost affectionate. She takes a step back, obviously still flustered, but you can tell that the playful tension between you both has shifted.

“I guess I do,” you say, voice lowering. “But, for the record, you still look way better than me.”

Law shoots you a sideways glance, her lips curving into a small smile. “I’m not going to say I enjoy hearing that, but… Fine. Whatever, y/n.”

You step closer one last time, your eyes locking onto hers. “You know, I might just keep you in this form a little longer if you keep getting flustered like this.”

Her eyes narrow, but this time there’s no real bite to it. “I swear to God, you’re never going to let me live this down, are you?”

You grin, shaking your head “Not a chance.”

You step closer to Law, your grin widening as you take in the flustered look still lingering on her face.

“So,” you start, your voice teasing, “before you turn back into a man… would you mind giving me a kiss?”

Law’s eyes widen, her cheeks flushing a deeper shade of red. “W-What?” she stammers, clearly caught off guard. “You can’t be serious.”

“Oh, I’m dead serious.” You cross your arms, smirking. “I mean, if you’re gonna be all hot and bothered in that body, you might as well give me something to remember you by, right? A little kiss, maybe? Just one. Even a fast one it's okay. Before the magic wears off and you turn back to your usual, grumpy self.”

Law looks like she’s about to refuse, but the playful glint in your eyes seems to challenge her. Her lips press into a thin line as she glances around, trying to maintain her usual, no-nonsense demeanor.

You take a step closer, lowering your voice to a soft, almost flirtatious whisper. “C’mon, Law. I’m not asking for much. Just a little kiss. This form makes me brave enough to even flirt.”

Law takes a deep breath, clearly weighing her options. She meets your gaze, and for a moment, the playful tension in the air thickens. Her eyes flick to the crew in the background, and she sighs, rubbing her temples. “This is insane,” she mutters under her breath before lowering her voice. “I’ll give you a kiss. But not here. Not in front of everyone.”

You raise an eyebrow, a mischievous smirk still playing at your lips. “I wouldn’t dream of embarrassing you in front of the crew. Just one little kiss, and then we can get back to this mess.”

Law takes one more look around at the crew, who are doing their best not to make eye contact, awkwardly pretending to be busy. With a huff, she grabs your arm and tugs you toward the corner of the ship, away from the prying eyes of the crew.

Once you’re out of sight, she finally turns to face you, her eyes narrowing in irritation, though you can still see the traces of warmth there.

“Fine,” she says with a sigh. “One kiss, but only because I’m about to lose my mind from your teasing and only if you promise you will stop”

You grin, feeling victorious. Slowly, you lean in, letting the moment hang in the air between you.

Law hesitates for a fraction of a second "I'm not gonna enjoy this at all" and then she leans forward, her lips brushing against yours in a soft, quick kiss.

It’s over almost as soon as it started, and before you can fully react, she pulls back, quickly straightening up, her face now a deep shade of red.

“That was… you’re impossible,” she mutters, crossing her arms tightly across her chest, clearly embarrassed.

You chuckle softly, your eyes glinting. “I’ll take that as a compliment, Captain.”

Before she can say anything else, you both hear a noise from behind. You turn just in time to see Bepo, Shachi, and Penguin awkwardly glancing in your direction, trying not to make it obvious they were eavesdropping.

“W-What happened?” Bepo stammers, his ears twitching nervously.

You laugh, trying to hide the grin that’s spreading across your face. “Oh, nothing. Just a little kiss between the Captain and me. No big deal.”

Shachi and Penguin exchange looks before awkwardly muttering, “Uh, okay…”

Law gives you one last glare before turning to the crew, shaking her head. “You’re all idiots, I wanna die right now” she grumbles, but even she can’t hide the small smile tugging at the corner of her lips.

The crew too shocked by what was happening in front of them to even notice their bodies also changed.

In an instant, everything shifted back to normal.

Your body, once again your own, feel right in an instant. The familiar curves and weight of your form returned, and you look over at Law—who now stand in front of you, the sharp edge of his usual confidence returning as his tall, masculine form was restored.

You both share a stunned silence, then slowly, the truth hits you.

You're back to normal, but in your mind, the embarrassment hits you like a ton of bricks.

The heat from the blush that hadn't quite faded from earlier is still present. You can't stop replaying the teasing words you’d said to Law. Some of the things you said were borderline ridiculous—and downright embarrassing. But there is no time to dwell on it. Not when the crew is in the middle of a tense situation.

"Oh God…" you murmur, your face turning a deep shade of red, thinking about everything you had said and done earlier when Law was in his female form.

Law, who clearly feel the same wave of awkwardness, ran a hand through his hair and gave you an unreadable look. "Well," he said, clearing his throat awkwardly, "that was an experience I’d rather not repeat."

You look away, unable to make eye contact with him. The memories of your flirtatious teasing, the way you had openly complimented his (her?) body, and your playful taunts feel a hundred times worse now that you are back in your own body.

“I… I didn’t mean it like that. It’s just… it’s not every day I get to see you in a different light, you know? I didn’t mean to—”

Before you can finish stumbling through your apology, you feel a firm hand on your shoulder. You look up to find Law standing right there, his expression softening.

“You don’t have to explain yourself,” he says, his usual calm tone still holding but with an undercurrent of reassurance. He pulls you into a gentle, almost reluctant hug, enveloping you in the warmth of his tall, solid frame.

You let yourself relax into his embrace, feeling the steady rhythm of his heartbeat against you, as if everything in that moment just made sense. Law’s presence, the way he always seems to know just what you need, made everything feel okay again.

“It’s okay,” he murmurs, his voice low, his arms strong around you “I know you didn’t mean anything bad. You don’t need to be embarrassed.”

You bury your face in his chest, your hands gripping his jacket as you let out a sigh of relief. “I just… I said a lot of things, Law. And you were—well, you were a woman. I didn’t mean to… make things that weird”

There's a brief pause, and then you hear a soft chuckle come from him, causing you to look up in confusion. “You’ve always been a little bit of an idiot,” he says with a gentle smile, but there's no malice behind it—only fondness.

You blink, the corners of your lips twitching as you feel the last of your embarrassment start to melt away. Law is always the one to make things feel less awkward, even in moments where it is impossible to avoid.

“You look even more beautiful now, if I’m being honest,” you mumble shyly, not able to fully stop the words from escaping. You figure he probably can’t be any more uncomfortable at this point, so you lean into the embrace a little more.

Law’s arms tighten around you, and the next thing you know, he is pressing his lips to the top of your head. “You’re ridiculous,” he mutteres affectionately, but his tone soft, a small but genuine warmth in his voice. “But you’re alright.”

[h-sleepingirl]

Dolly in the Art Gallery: A Charmed 2025 Scene Log/Recap

“Art is how we decorate space, and music is how we decorate time.”

I first heard this Jean-Michel Basquiat quote in a rope class from Barkas, in the context of how we play within both space and time in a kink scene. I think about it frequently, especially as I feel more and more passionately about the brutally human impulse to create art.

I have been coming to hypnosis events since 2013, before Charmed existed -- my first event was packed with my own manic energy, held in a dungeon where people could hypnotize me basically at will. No hotel staff, no sneaking back to a private room. I developed a reputation as an aesthetically pleasing subject, often put on display in subtle and overt ways.

I have grown up in this community. Essentially my entire adult life has been spent involved in going to events and cons. I'm 33 now, and as Charmed celebrates its 10th year I've perhaps been unconsciously influenced to reflect on myself aging.

I feel so much older than that 21 year old exhibitionist. I'm more reserved, quieter, more selective, and certainly smarter. I like who I'm becoming, but I do miss parts of who I used to be -- that confidence, that energy. 

On Friday evening I looked at the schedule and saw there was going to be a Gallery of Living Art -- it's been a staple at Charmed for a number of years, but I'd never done more than peek inside.

I thought to myself: “Why not try to get in touch with that playful younger self? Why not show everyone who I am nowadays? Why not live out a fantasy?” 

Surely I’m not too old. Surely I haven’t grown out of this.

The time comes and I connect with my partner about it. He knows that one of my absolute favorite things is being totally frozen. We decide against anything complicated. No one will touch me or trigger me or anything like that. It’s the most “negotiating” we've maybe ever done, but I still leave all details to him. I tell him: “I was really just thinking this is an opportunity for me to sit blank and still for a long time.”

We walk into the room, and it’s overwhelming. People are setting up intricate exhibits with lots of creative interactions. There is a sheet we need to fill out to describe what our “art” is, which my partner writes on cryptically.

“Dolly can't talk. Duh…”

“Dolly is precious -- don't touch!”

Under “Artist”, where he is meant to put his name, he writes a question mark.

I am so in love with him, watching his mind work on the spot.

We find a place in the loud room and look at each other. We are a fluid force of nature in a bed together, spontaneous and wild. This planning doesn't feel like us. This hypnosis isn't a formality, per se, but it just feels sort of like “We both know how this is going to end on some level -- so how do we spend this time?”

He gingerly removes my name tag and starts murmuring to me. 

Being a dolly is such a luxurious treat that the moment he suggests it, I crumble, gripping his shirt with my weak little fingers, moaning too softly to be heard by anyone but him.

He poses me. He fixes my gaze blank and forward. He lets me practice standing and sitting. This kind of rehearsal is unfamiliar for us, and I almost relish doing something that feels a little awkward.

I am a dolly when he leaves me, frozen and posed, but I know it is going to take a couple minutes to settle in. I am a dolly getting comfortable, a dolly with twinges of self-consciousness. After a couple minutes he walks me over to a different chair, one that is highlighted by empty space around it, and I sit, and I know this is truly where I am supposed to be on display.

Finally, total stillness rushes over me like pure relief. 

I sit, and I stare, and I don’t do anything else. My mind is blank, and sometimes all there is inside my head is “I’m a dolly, I’m a dolly,” in my little dolly voice. It is pure, simple bliss.

People begin to come up to me to look at me. I am a good dolly and I am silent and I do not move even my eyes. They patiently read my sign and then observe me. I cannot change my body position to be any more or less appealing to them, I cannot hide nor flaunt myself.

Some people say things to me, little compliments and appreciations, and I can’t really process their words. The little dolly voice in my head screams in pleasure when I’m spoken to and given attention.

I have ADHD, I’m addicted to my phone, I’m a fidgeter. But there is nothing that carries the unique pleasure of being frozen and still. It reminds me of Quaker meetings, of spiritual silence and meditation that makes one feel time itself as though it has a sensory texture.

Rabbi Abraham Joshua Heschel talks about the Jewish sabbath as proof that it is not intuitive for us to sanctify time. But nevertheless as Jews we must learn to do it to make shabbat holy every week. Shabbat is “a cathedral in time,” he says, and I’ve been thinking about how much that applies to my experience of hypnosis. Hypnosis is not a physical object. We may sometimes have props but we cannot touch trance and it leaves no marks. It is time that is the sacred dimension in hypnosis, the time that we set aside (“kadosh” in Hebrew) with another human being.

Heschel says we are slaves to space and material things. And in this moment I feel like I have gotten as close as I can to releasing that. I am not even moving my physical body within the physical world. I am just relishing each passing second of stillness, building my cathedral in time.

Of course, sometimes I think sacred space and objects are very important. After all, I am in a space that is incredibly rare, that only exists very briefly, that I had to travel at length to get to.

And I am an object -- art -- inside of it. I am literally decorating the space, as Basquiat would say.

Am I thinking all of this as I sit there motionless? No, not with any sophistication. I truly feel blank. But I am feeling flashes of this as abstract mental sensations that I will untangle later.

Something else strikes me very quickly that I observe within. When people walk up to look at me, something inside me tenses up. I realize that I am unconsciously preparing myself to talk to them. I have been coming to cons for so long, and especially since beginning to write books I always meet a ton of new people every year who come up to me to talk, which I adore. But right now I am in a space where I literally cannot have a conversation with anyone. I don’t even have my nametag on anymore -- my partner was so clever to remove it.

It is the opposite of vending books, where I sit in a chair and am helpless in the sense that I must engage in conversation with the people who come up to meet me. Now, I literally cannot talk to anyone, and they cannot talk to me, and most people may not even know who I am.

It is a hit of extreme objectification, more real than it has ever felt. I am not sleepingirl -- I am a dolly. “Who” I am doesn’t matter. I am art.

My partner also is not sitting there receiving compliments for me. He is nearby, in eyesight, just watching. But he’s anonymous too. And there is something about this mutual anonymity that makes me feel even prouder about us as a couple. There is no performance of who we are. I don’t know how to describe it, but obviously it feels more authentic than public play usually ever does. Like a little secret we are sharing a corner of.

And he looks ever the artist, sitting back and watching me. I feel very strongly that this little scene isn’t the art -- it’s me. Our relationship is what’s really on display. All the work he’s done over 7 years of brainwashing me, real work on my personality and identity, my wardrobe, every single way I express myself and who I am. The people coming by are seeing his bimbo, his dolly, his [x] -- without necessarily knowing who either of us are.

The rhythm is addicting. My mind babbles my self-given dolly mantra over and over, I luxuriate in the stillness, and I stare. I only can sort of half-see with darkened vision, though my eyes are wide. I love when people notice me sitting there -- their expressions change as they observe me. They step into my metaphorical space, which is eerily silent compared to the revelry of the creative demonstrations that fill the room. They are no longer “being entertained,” and no one can communicate to them what I am doing -- they must engage with me out of their own curiosity.

Sometimes they decide to talk to me. I can’t process most of it, but I remember a few interactions.

Someone says, “What an excellent dolly.”

Someone else notices that I’m wearing a bracelet that says “bimbo,” and says, “Even the details on this one are exquisite.”

Someone else says, “Wow, I don’t think I’ve ever seen sleepingirl play before.”

That last one hits me in the gut with memories of a time now long past: Play in public spaces was universal at cons; I couldn’t move from one place to another without someone dropping me into trance; absolutely everyone knew what I looked like when hypnotized.

Even now as I am on display, I have a mask on, and the people can’t see my gently parted lips.

It is a rush of emotion that is very complex for my simple little dolly head, but it goes away.

For a long while, I just exist as a thing in bliss while the room -- the whole world -- bubbles with activity around me. 

Eventually even as I sit frozen and blank, a little timer starts ticking in my head -- I could sit here for much longer, but I don’t want to make him wait for me, and I have other things I want to do tonight.

Reading Heschel has been helping me release some of that odd panic that bubbles up when I awaken from trance -- the feeling that magic is slipping through my fingers, memories are slipping out of my mind, and I can take no memento from it. I sometimes write, draw, or make music to try to capture the things I feel in hypnosis with my partner. I think it is from that impulse to be able to touch and hold hypnosis, to make it a “thing” in space as opposed to something of time.

But I do think there is something else, just a human drive to create art about this transcendent experience that we engage in together. I need to create art to try to communicate the perfect way I don’t move and my eyes go glassy. I need to express my emotions, my desires, my dreams, my love. I am only human, a human blown away by this very human thing we do that we call hypnosis.

Only my partner sees it, and he does see so much into the soul of it for me. But this is exactly what I have wanted -- a chance to publicly communicate the beauty of what he and I do. To make this art by performing it, living it. To engage in a human act of creativity by having my humanity stripped away from me.

I am a bimbo, a dolly, I am art -- and that doesn’t go away when I get up to tell him I am done sitting here. I am his art. I am a manifestation of his creativity in this world, and he has a beautifully creative mind which I love so dearly.

This is serious for me, this is real for me, this is so highly personal and jealously guarded as my own precious identity.

Ten years ago I laid my head on his lap and he transformed my eyes into dolly eyes and told me that someday he would turn my whole body into a dolly body. And as we laid together in a bed after the Gallery on Friday he talked about how I had those dolly eyes again in that room. But to me, it’s not about being a dolly, or even being a bimbo. It’s about creating art together, art with a power imbalance. And fucking respecting that as sacred and exciting.

I don’t have much else to say except extreme heartfelt gratitude to Mazirian for running the Gallery, and everyone who came by to look at me and said nice things to me and joined me in my world for just a little while. 

(If you’re curious, I was sitting there for about 30 minutes.)

[writingsoftarnishedsilver]

have you heard of cute aggression i imagine mc having a case of this with sebastian and he's like well at least it's cus she loves me

At Least She Loves Me | Sebastian Sallow x Reader

Omg ofc I know what cute aggression is and I LOVED WRITING THIS. ID CHOMP SEBASTIAN TOO IF I COILD.

Words: ~700

Tags: Reader Insert, Female MC, No Y/N, No Hogwarts House, Fluff

Sebastian Sallow had no idea what he had done to deserve this.

It wasn’t that he was complaining, necessarily. He liked when you paid attention to him—sought it out, even. But the way you were staring at him now, like a kneazle about to pounce, was putting him on edge.

He tried to ignore it at first. He really did.

But he could feel your gaze burning into the side of his face, your fingers twitching like you were physically holding yourself back from doing something rash. He did his best to focus on the essay in front of him, quill scratching steadily against the parchment, but when you huffed—a dramatic little exhale that was so very you—he finally snapped.

“You’re staring.”

“Mm.”

Sebastian lifted his head slowly, as if moving too fast would provoke you into an attack. “What now?”

“You’re being too cute again.”

Sebastian blinked. Once. Twice. Then, just to be sure, “Pardon?”

“You heard me.”

He set his quill down, eyeing you suspiciously. “I really don’t think I did.”

“You do cute things, Sebastian.” You gestured vaguely at him, your hands moving like you were trying to physically pluck the words from the air. “And it’s making me lose my mind.”

Sebastian leaned back against the couch, stretching his arms along the top of it as he smirked. “Go on.”

“See?! This! This is what I mean! You’re all smug about it, which makes it worse!”

He chuckled, thoroughly enjoying himself now. “So let me get this straight—you think I’m cute and that’s a problem?”

“Yes,” you deadpanned. “Because it makes me want to shake you.”

Sebastian raised a single, unimpressed eyebrow. “Shake me.”

“Yes.”

His smirk widened. “Like, out of frustration or—?”

“Sort of!” you blurted, hands twitching as you tried to explain the feral energy currently buzzing in your veins. “You’re just—you! And sometimes you look so stupidly handsome and do little things like chew on your quill and sit there all Sebastian-y, and it makes me want to—”

“What?” He was grinning now, utterly charmed despite himself.

You struggled for the right words before blurting, “Bite you!”

Sebastian’s expression instantly shattered into disbelief. “I’m sorry—what?!”

“Not hard!” you added quickly, waving your hands as if that somehow made it less unhinged. “Just—like, a little chomp! Affectionate!”

Sebastian gawked at you, floundering for a response. “You—you want to bite me because you love me?”

You swallowed, fighting the heat creeping up your neck, and doubled down. “Yes!"

Sebastian just ran a hand down his face, as if trying to process how this was his life.

“I don’t know whether to be flattered or afraid.”

“Both.”

Sebastian huffed a laugh, slouching dramatically against the couch, as if this was the greatest burden he had ever borne. You, however, were still buzzing with too much feeling, and now that the topic had been breached, your hands were itching to do something about it.

So you lunged.

Sebastian barely had time to react before your hands were on his face, squishing his cheeks together.

“You’re so cute and it infuriates me,” you growled, mushing his cheeks even more.

Sebastian made a muffled sound of protest, eyes widening in mock betrayal. “Hey!”

“This is your fault,” you declared, now aggressively ruffling his curls.

Sebastian finally wrestled your hands away and pinned them to the couch, breathless as he glared at you with flushed cheeks. “You menace!"

“You deserve this.” You were grinning, utterly delighted by his suffering.

Sebastian laughed, dropping his forehead dramatically against your shoulder. “Why am I in love with someone so insane?”

You beamed. “I don’t know but it’s too late now.”

Sebastian groaned, flopping back onto the couch with the resignation of a man who had lost every battle but still somehow won the war.

He sighed, eyes slipping closed as he let himself relax. You, now thoroughly satisfied, settled beside him, head resting on his shoulder.

And as he absentmindedly reached for your hand, intertwining his fingers with yours, Sebastian thought, at least she loves me.

Even if you did want to bite him.

[loquaciousquark]

you have been my #1 favorite fanfic author of all time for like 7-8 years now for your fenhawke and ive always thought "god i would give anything for quark to write solavellan" but i respected that it wasnt your thing. so imagine the pure unbridled euphoria of checking in on your blog this week to see that he finally got to you. i actually screamed. whatever you come up with i know it is going to absolutely change my life and i am so excited <3

i’m so. sad. i'm SO sad. i was so happy for a decade just being mildly annoyed every time he crossed my dash and now i am having feelings and opinions and i don’t WANT THEM and the only way to get rid of them is to write them out of me, this is why i don’t love fenris or astarion at all anymore obviously

and like, I still don’t love Solas! I still think some things he does and some goals he has are really, really stupid! but this character I created to love him really loves him, and I really love her and want her to be happy even though she lives only inside my head, and that means I need to lay down some structure around her romance to get the shape of it, to build something I can make sense of. I may not love him, but I like him much more than I did, and I certainly understand him better than I did the first time around.

And to be honest, there’s a part of me glad I’m coming to it as late as I have. I don’t think I’ve ever read a single Solavellan fic in my life (I actually had to pause here to check the spelling). I have NO idea what tropes are popular with him or what interpretations are the biggest. I have a lot of opinions on how his personality and identity work in a romance with this particular character I’ve created, but because I’ve been so siloed I have no idea if I’m bucking the grain or not, which is fine by me.

Plus, it helps I’m not going to have ten years to build up a lot of personal headcanons and jossable thoughts before playing the new game. I’m not someone who easily ignores canon when it clashes with my imagination for the major things, so I think this will (hopefully) keep me from major disappointments.

It's kinda funny; earlier today I was going back through my DAI tag and reminding myself of all my impressions from the first time I played the game. Some of them I definitely still stand by; others have completely changed. I even said twice that a Lavellan/Solas romance would be my next playthrough, which was true if ten years late.

But it's things like: apparently the first time through I loved Solas and Sera, both of which certainly were not true going into this replay. (I barely even have a memory of Solas and Priory ever being in the party together, though the historical records say I took him to Adamant.) I apparently had a lot of hopes Gideon Emery would be voicing Fenris. I originally thought Priory was going to romance Bull, which is very ?????? after all this time. (I did still, even then, know Here Lies the Abyss completely broke her as a character, and ten years on I never could fix her for good.)

I really did not expect to change my mind on Solas going into this replay, I guess is the point. I replayed because knowing the story of DAI and Solas, I felt it was a story most personalized to elves and specifically a Solas-romancing Lavellan, and that was the worldstate I wanted to take into the new game. I played it out because that's the kind of person I am (I can't just invent characters wholesale in my head) but I really thought it was going to be a perfunctory playthrough as a stepping stone to a different game and a different PC and (presumably) a different romance. I didn't expect to love this character as much as I do, and even if I don't have ten years to write her out the way I did Hawke, I feel like I still owe it to her & her doomed romance to give her a little time in the spotlight. Lucky girl!

[passionartx]

Hi!! Firstly, I LOVE your Tangled AU, so glad to see Tails getting more focus in AU’s. I wondering: Do you have any general Tails related headcannons?

Hiya! 💛✨ Thank you so, so much! And ooo this is such a fun question. Tbh, I have too many, I could write an essay! This account isn’t as popular as my au blog since I’m pretty inactive on it so probably only like 3 people will see this… but I hope those hypothetical 3 people enjoy my inevitable waffle and chaos! <3

Will also use this opportunity to hype up some friends and people who’s work I admire!!!

A few of my favourite Tails Headcannons! :

- I love the idea that him and Sonic were 4 and 11 when they first met.

- Sonic will always be Tails’ big brother first and foremost… however, as Aosth Tails put it: “You’re my mom, you’re my dad and you’re my picket fence!”. Sonic having accidentally become the closest thing Tails has to a parental figure has a hold on my heart and I love how writers like @chaoxfix and my homie @myyla-x portray this in their fics!

- After having first met (and honestly even a few years in) if Sonic ever had to leave Tails alone for a while for whatever reason, maybe to protect him from a particular battle, Tails would deal with hardcore abandonment issues. Poor lil guy would fear Sonic wouldn’t come back, that he didn’t want him around anymore (which is made 10 times worse if you headcannon he was abandoned by his parents). Lil guy wouldn’t know what to do with himself <\3

- Tails reminds Shadow of Maria. Probably my favourite Tails headcannon! Though I guess it’s more of a Shadow headcannon… am I using this as an excuse to talk about it? More likely then you’d think. But ahh, those blue eyes, yellowish fur, sweet gentle childlike wonder, love of life and learning + Ian flynn has confirmed given her upbringing Maria was prob a bit of a science kid. Ah <3 Plus that brings the idea of Sonic and Tails’ dynamic reminding him of his with Maria’s and that makes me want to cry. I actually have a WIP fic about this headcannon but it’s been a wip for like a year… hopefully one day I’ll finish it cause I’m literally obsessed with the idea and want to see it through.

^ Also extra nostalgic about this headcannon cause my friendship with @sh-0-w-1-sh literally started cause they were looking for art ideas and I was like TAILS REMINDING SHADOW OF MARIA!!! And here we are almost a year later!

- For better or for worse he’s picked up a lot of his big bros traits. I’m talking puns, poses, that lil nose rub and foot tapping, occasional cockiness, being self sacrificial, the list goes on. Once he realises this or anyone else especially Sonic points it out, he’d probably be super embarrassed and deny it <3

Speaking of picking up habits…

- While he would definitely be scared by certain situations like this ( << the Starline issue 35 and 36 situation being a good example with other people being at risk and him not really understanding the situation or his role in it ) I think Tails would be pretty desensitised to being kidnapped or hostage situations at this point. He’d probably just find it an inconvenience more then anything or be entertained by the hypothetical villains incompetence. Me and @myyla-x had a conversation about this idea once and… it’s been like 6 months and we’re still talking about it. One day that’ll make sense. We got a lil carried away. Just a lil. Anyway someone get this kid therapy. <3

- An already pretty popular one but I felt the need to mention it cause I relate, but he gets so sucked into projects and his inventions that hours and hours can go by and he just zones out and forgot to eat… well, anything but mints at least.

- Tails is a theatre kid. :D Is this self projection? … maybe. If nobody else gets me @guiltypandas gets me <3 :,)

- I think Tails would be in denial if Sonic died. As smart and logical as that little guy is, given how Sonic has beat the unbeatable, has come back before and seems invisible… yeah. <\3 I think he’d always hold onto the hope that it would only be a matter of time until Sonic comes back… even if this time that wouldn’t be the case… my friend @whitecatindisguise actually wrote an amazing fic about this when we talked about the idea called He’s (Not) Coming Back (which if you haven’t already you should totally check out cause it’s amazing! And a heart breaking! The best kinda fic :,) )

- I think Tails has a heart of gold…but I also think depending on certain circumstances if he hadn’t have met Sonic he could have gone down a much darker path (which I guess ended up being somewhat proven with Nine in Sonic Prime!). Me and @casperangel have screamed about this too many times then I can count and it haunts me.

- Tails is a sweetie, a cutey patooty, like an adorable little house cat… but similarly (and yet again as proven thanks to Prime!) Tails definitely has a feral side. Especially if he hasn’t gotten enough sleep or gets his mints confiscated. @dunkinbublin and @studioboner ‘s accounts are absolute goldmines when it comes to Tails multitasking being an adorable lil guy and a feral lil menace!

- Tails and Tangle have sibling energy! I mean, Tails is basically everyone’s adopted little brother, Knuckles and Amy especially, but I think him and Tangles dynamic isn’t talked about enough and I’m super glad we’ve had some sweet moments with them in the comics! @pocketscribbs is feeding the Tails and Tangle nation fr <3

This was super fun! Thank you so much again for asking and I hope you have an amazing day! And if someone actually read all of this… you’re a trooper :,) <3

[stark-lord]

Constantly plagued with thoughts of Edwin now knowing he enjoys being courted and Charles (compulsive charmer) with a whole new arsenal up his sleeve (laser focus on Monty’s whole deal)

“I mean, my smile is prett-y convincing” yeah yeah okay I can see where this is heading. Outlook not so good (for me)

[legendoftherisingtide]

autistic becoming a neutral/positive adjective in todays culture would make my younger neurodivergent self so happy and hopeful (and i hope others can find that too:))

[pilonciillo]

lol didn’t think someone giving money would give me anxiety

[ahalliance]

how do i turn qantoine’s spontaneous marriage proposal to qetoiles into evidence of his early-days fear of qfrench drifing away and keeping secrets from one another

[crossbackpoke-check]

tagged by ko @tofumilanesa for wip wednesday! big shout out to writevember for making me feel like i can actually call any of these works in progress… your guide to my emoji code under the cut

wip!

🪻🐈‍⬛ - the doc title is still just. YOWLING but i am like 7/8 of the way done with omega yamo fic and hopefully salem isn’t reading this so i can just drop it over a year later with no warning <3

🫃2️⃣ - DEWEY^2 P2!!!! she is almost done (i am lying) but she is so close i can almost taste it. sorry to my pwp that grew its own feelings baby

😇🤭 (🕒 -> 🕜) - rip i’m not telling you about this one until it’s posted but it IS complete aside from being ao3 formatted and the eight billion edits i inevitably do right before full-sending it

☁️💧 - cloud petey fic, which exists mostly as an embarrassingly large tag on a different blog and is condensing into a narrative about as well as water at 30° N/S. the time loop fic also falls under this description

eternally in progress (short list)

🌑🐕 - tyler borzoituzzi exists… there is an index of scenes/plot points… it plays like a movie in my head…

💯❕- fantastic! ‘verse

👁️👻 - stevie brandon seeing ghosts au, which has eight different (now nine i guess but you haven't seen the mustache adam post yet) plots. sorry

just. rotating like a microwave

🍎 - because they didn’t have a pomegranate emoji, this is what i used for the fic that feels like it should be a 50k connor bedard character study hanif abdurraqib/cathal kelly thesis about legends and mythmaking in sports and eating your young. yes i know pomegranates aren’t actually pomes and apples are but it’s fine

🦈 - the one cat da fuck they doing over there meme but about the sharks just like. in general. more on this at five

tagging @colap1nto, @songsandswords, @whitenikes, @gordiemeow, @acheronist, and anybody else who wants to share!!

[itspileofgoodthings]

one of my fave things about teaching is that I’m NOT a counselor and I don’t have to get into the weeds with a student but also I’m part of their life every day and i see when they’re struggling and I can ask how them how they’re doing and make sure that they know I see them on a steady, daily basis and it will be healing for both of us

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D