#i spent like an hour on this lmao

[straycalamities]

this was supposed to be just a doodle erm

[kitsunespawz]

Morning on the Polar Tang

Background and canon compliant version:

[bryverros]

[jam-campasta]

Ω ~ Giving the besties matching Camp Half-Blood t-shirts cause they stay silly!! ~ Ω

Some close-ups!

[veil-of-lament]

he's fine (he's definitely not)

old little thing I kinda gave up on months ago, but oh well

[wolfythewitch]

Drawings from class today :D part 1 of midterms, the others will be later this week

[kiwifie]

naming wanderer

[hellamorte]

mamma mia here i go again with another chapter from my leander thesis 🤓 please accept my humble input on mc's curse, the importance of reading between leander's flirting lines and rss's wonderful storytelling details.

ngl when i finally chose not to touch leander's hand first (can you blame me, i'm weak for that man) i was bewildered at how strikingly different the options in this scene play out, and i, strange as it seems, like this one much better.

first of all, it's a parallel (even if it's not intended, the connection is still there) to the opening scene with a deranged traveler: the touch, the sensations, the (foreshadowed) strangling:

leander is definitely affected by the curse — possessed even, i would say, as if he was being told to strangle mc. notice how his actions line up with the traveler's, only in slo-mo, because leander was fighting to take back the control. and when mc calls out for him, he either snaps out of it or gets to the exact point when he takes a hold of the curse. this brings up a question: could mc's curse be sentient? alter the minds, you say? (more under the cut because it got long)

i've seen people speculating that mc's curse might bestow the enlightment but that's not true: mc was told that (and that's why this origin has me by the throat (pun absolutely intended): imagine living with so much guilt, thinking you were doing good, but in fact driving people mad… mmm tasty). it ties perfectly into every origin path where mc was being lied to, deceived and betrayed. however, there's definitely something more to the curse's nature that's yet to be disclosed.

my favourite moment though!! is this nuanced character storytelling!!

the very hand that was inches away from choking mc to death is quickly disguised as caring and soothing. wonder why? to gain mc's trust (non-verbally), to show that leander's in control, he's strong, he's there for mc, he'll take care of them. of course, leander, being a leander, downplays the whole experience of being possessed/affected by the curse, but he's being honest at once. he doesn't lie to mc — and that's also how he's gaining trust, verbally this time.

one more question that begs to be asked: why the hell all of this doesn't happen if mc touches leander first? it seems that the quality of the touch (😭) also plays an important role here:

leander must have felt the power of the curse, but he wasn't possessed by it, he could control it right away — why? because the touch was fleeting? or because it was mc who was touching him, not the other way round?

now hear me out (i might be wrong on this one, because i can't remember any more examples off the top of my head, but i feel like it's definitely a thing. let me know if something comes up!): we should pay closer attention to how leander says the truth (or half-truth), but it could be understood differently at a flirting angle (it's slightly different from this one, where he covers up his misstep). what i think he means here is that he controls the curse, but it sure is a difficult thing to do. "not due to your power" my ass, his need to look strong and heroic and weak at the same time is ridiculous, someone cure this man (ivolunteer.gif)

one more and last thing that's bothering me (it might play into the previous point btw): if you keep touching him, he tells mc that fissures on their hands match his golden pin. why??????? that's such a dumb thing to flirt about, such a weird comparison. what kind of connection is there? it's so out of place, it definitely means something more. leander spill

[silvermoon424]

Fellow neurodivergent ppl, do you ever get shocked at how fucking autistic you are

[stupidlittlespirit]

Please give us some Ford and medfetish head canons please 😭😭

I'm trying to keep my mind off of other stuff so I'm gonna get a little detailed under the hood to give myself a decent distraction..... If you know me irl and you see this then..... No you do not! Don't judge me, I am very normal and can be trusted at the doctor's office!

tw: medical fetish/experimentation fetish/anaesthesiology & drug administration/physical exams/dissection (potential gore?)/small and very vague mention of mild cnc under the influence of drugs

(this is all going to be post portal!Ford centric)

I think at a basic level, Ford would enjoy a good old fashioned doctor-patient roleplay.

He'd enjoy having his subject lie down on his examination table and go through the ins and outs of a standard health exam. He'd be kitted out, obviously: lab coat, mini torch, stethoscope, latex gloves, the whole shebang. I expect he might have a lot of biology-related equipment in the lab already from supernatural subject testing, but if he needed more specialist equipment he'd just order it ahead of schedule.

His subject would be nervous, of course; it's intimidating to be intimately exposed in a room where the only other person present is someone senior to you and is still fully dressed, but Ford would be quick to pick up on their little trembles and he'd reassure them that they'll be well taken care of.

I imagine he'd either film it or record the audio. Not sure why, just seems like it would be important to have for his 'records'.

Ford would start off with generalised stuff, including reflexes, before moving onto something more.... Erotic? Gag reflex, for example. He might use a notched, glass tongue depressor (these are pretty old school, they use wooden ones now I believe) to see how much the subject could take back into their throat, to test how deep they can swallow around the depressor. He'd use his torch to shine in to watch the subject's throat convulsions, too. I think he'd just appreciate watching the human body react.

Then, I think a breast exam would be fun for him. He'd measure and then go on to check the subject's nipple reflex etc, still monitoring and noting down the reaction to stimuli, both from his fingers and his mouth.

And of course, a gyno/penile inspection ("feet in the stirrups for me please, my dear...")

(This is going to focus on vaginal because anal is not for me, it is personally triggering for various reasons that I don't want to explain, but I understand that a Reader may prefer it or may not have a vagina, so try to just apply what I'm saying to anal instead of requesting I write it, just in case anyone planned to, thank you! :) )

Again, reflex and stimulation response, making sure everything is in working order. I imagine he'd expect to need to use lubricant of some kind but be pleasantly surprised that nothing is needed, so he'd move along onto penetrative response.

Fresh gloves applied and then we're onto digital penetration! Now, Ford Dr Pines would have some standards already set; One, two, three, four fingers? Easy peasy. He'd know that his subject could take that, that's amateur hour as far as he's concerned. What he'd be interested in is how much further could his subject stretch? Dr Pines has big hands, after all, with thick fingers, and with six of them he's going to be expecting to go big or go home. Pushing boundaries is his whole thing!

He'd ratchet the stirrups a little further apart and ease a fifth finger into his subject, moving them slowly and carefully until his subject is acclimatised to the width and taking them with ease. The entire time he'd be singing their body's praises, too. Not in a dominant way, but just in a genuine, loving 'I'm really into you, and biology in general' type of way.

He'd be sure to question his subject throughout the process, too. Just like a regular sexual health appointment he'd be requesting information on his subject's sex life and general health, most of them bordering on inappropriate in terms of details, but he'd assure them the inquiries were perfectly normal and to be expected.

Now, I'm not into fisting and so I'm not going to write that, but I think he'd be very pleased if he managed to get his entire hand inside his subject, just for a moment. There'd be something endlessly wonderful to him to see the one part of himself that is so personal to him meet with the most intimate part of his beloved subject.

I think he'd play with a little oral stimulation, too. I doubt I have to go into this too much, so I'll leave you with the concept of him applying varying pressures of mouth/suction stimulation and taking breaks to yap his observations to the camera/recorder, playing totally dumb to the way it's absolutely torturous for his subject to be wound up and denied release.

He'd pause if his subject was too wriggly, though, and probably put them in restraints. For their own safety and for his; this is delicate! He wouldn't want his subject to hurt themselves.

For penile inspection, it would be very similar. Sensation testing and sperm production would be test-worthy to him.

And then he'd go about doing a general check up, the normal sort of stuff that you'd expect etc etc, until he'd lead it into sex.

I actually think he'd prefer to jerk himself off while he performed each test, as opposed to going into full penetrative sex with his subject. Not to say he wouldn't like that, but I just find watching masturbation to be much hotter sjsdhdhsjsjd

Now. To the more intense stuff:

Gags are used sometimes in medfet. They tend to be close to/or are professional dental equipment, such as a Jennings gag or similar. Personally, however, I think Dr Pines would quite enjoy engineering some of his own creations....

I'm not sure how many of you are familiar with equine dental spectrums (not many, I'm sure) but they're weird devices that I've been kind of obsessed with since I got to use one on a horse years and years ago (a visiting equine dentist let me, a student at the time, help out with my own horse's check-up and it was very cool and interesting!). Now, these things are big, obviously, and clunky. Google McPherson speculum (sfw). The part that forces the mouth open can be cranked to a preferred width, and there are metal troughs that cup the horse's front teeth and prevent cutting the vet's arm.

So, let's say our lovely Dr Pines decided to engineer a smaller, customised McPherson speculum for his subject. He'd create one that wrapped around his subject's head and parted their mouth nice and wide for him. Maybe

He'd lower his exam bed until his subject was laying prostrate and inspect their throat and molar teeth. This would probably be a variation on the basic oral exam I talked about at the start, just with harsher equipment. Cue gag tests, possibly with a proper, more phallic shaped, glass instrument. Maybe even his own cock. Depends on his fancy.

Another area is needle play/play piercing. He might be interested in sensation play with them or just simply enjoy the aesthetic of them. We could get weird with it and include some suspension flesh hook stuff, but I think that kind of stuff would be more suited to research era!Ford, for obvious reasons..... It's quite extreme.

Anaesthesia play, for me, is also interesting. Now, in real life, you don't use actual drugs. You'd use hypnotic suggestion, poppers, OTC sleepy pills or breathplay etc. But with Dr Pines? Well, you'd be in safe enough hands to risk dabbling with some groovy substances.... He wouldn't want his subject out cold, however. Just on the cusp.

Ever had gas and air? Well, I have (in a medical context), and it's kind of very fun. It made me feel lightheaded and woozy, and really giggly. It's basically a whippit (no idea if this is much of a thing outside of the UK??) and although you really shouldn't use them in a recreational context, they're not going to kill you if you use them once or twice under the right supervision. (do not condone, do not do this! *wags finger*)

I think Dr Pines would enjoy plying his subject with some delicious nitrous oxide until they were well and truly under the influence, and then either engaging in sex/orgasm extraction whilst they were restrained on the examination table or.....

He'd move from there into cutting: So, cutting is what it sounds like. Typically, a person would make small, shallow incisions with a scalpel and do some blood play etc, then bandage or sew them up. But because this is la la land, Dr Pines is going to go further than that.

Dr Pines would prefer to administer gas to relax his subject, then numb an entire area (let's say his subject's forearm) and dissect it. He'd want to see the inner machinations of his subject's body, to see how they really ticked and also, there's something very romantic about knowing your lover literally inside out, imo.

Now I know irl a person would probably pass out if they saw their insides for real, but this is fiction and Dr Pines' subject is tough. They're going to be into it. Like, I N T O it.

And then he'd lovingly stich his subject back up and nurse them back to health through aftercare.

I know, I know, this is surgery-level shit. This is not practical. I do not care. I want him to open me up and rummage around in there. I think it'd be cool.

Scenarios to apply medfet to:

Doctor-patient

Dentist-patient

And my personal favourite is always going to be: mad scientist-test subject and unethical experiments, hence the use of 'subject' instead of patient throughout this whole answer lol. It suits him too well to ignore. I'm sure you agree.

I could also apply this with Ford as the test subject too. As I mentioned previously, I think a little fic where he's the one who is picked up by a curious alien scientist and tested on would be fun, too. It would give me room to play with him being submissive..... Food for thought.

We'll have a little doctor-patient play in the Spores sequel, though it won't be a proper kink set up, but I am probably going to write a full play scene inspired by this post. This was fun to think about and it's got me imagining more about this kind of stuff now.

I have no idea if this was what you meant when you sent this ask, so I'm sorry if this wasn't quite what you were looking for but I hope it's at least a bit fun! :) I had fun and I really needed this distraction. So thank you, anon.

[reds-skull]

PART 1 | PART 2 | PART 3 | PART 4 | PART 6

If you're curious, Soap and Ghost's final score is 28-3

Only one part left! (unless it turns out too long again lol). Honestly can't believe this is almost finished...

[transmasc-wizard]

showing people my art and my writing and my interests and being told "can't you like/do something nicer :(" makes meee. tired. it feels like all my technical skills in words or drawings or analysis just peel away and die because the subject is scary or gross or just generally on the darker side. "I'm calling a therapist" jokes don't make me laugh, they make me feel like my talents don't matter if the things I'm making are bloody or scary and that my actual real life morality and personhood is somehow made worse by enjoying these things. idk. the burden of the autistic horror guy is sisyphean

[buwheal]

I'm sorry, Spamton. I know you won't believe me, but I'm sorry we hurt you.

[mathias-wanabe]

Ok… so I know I did a poll n everything for who I should draw next for my deity redesign… and I know mind was NOT on it….

But I ended up doing mind anyways hope yall like it :]

Chat mimb is me real

[southern--downpour]

let's do this one last time...

[felix-lupin]

In Coraline, there’s a recurring theme with names and identity, and I personally don't think it's talked about enough. 

(As a note, this is dealing largely with the book, not the movie, although there are some hints of this theme in the movie as well)

Coraline’s neighbors constantly get her name wrong, calling her “Caroline” and not “Coraline”, to which she persistently corrects them. Despite her attempts, they never get it right, until chapter 10, in which Mr Bobo (Mr Bobinsky) finally gets it right.

"It's Coraline, Mister Bobo," said Coraline. "Not Caroline. Coraline." "Coraline," said Mr Bobo, repeating her name to himself with wonderment and respect. "Very good, Coraline."

It should be noted that, until this chapter, Coraline did not know Mr Bobo’s name either. In fact, it had never even occurred to her that he had a name. Up until then, she had just been thinking of him as “the crazy old man upstairs”, not as a person with a name. This moment, with her learning his name and him getting her name right, is a moment of genuine understanding and connection between the two, humanizing them both to each other.

Coraline’s other neighbors get her name wrong, which is representative of them not listening when she says anything, really, such as her telling Miss Spink and Forcible that her parents are missing and them literally not even acknowledging it at all??

"How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family." "Tell your mother that we found the Glasgow Empire press clippings we were telling her about. She seemed very interested when Miriam mentioned them to her." "She's vanished under mysterious circumstances," said Coraline, "and I believe my father has as well." "I'm afraid we'll be out all day tomorrow, Caroline lovely," said Miss Forcible. "We'll be staying with April's niece in Royal Tunbridge Wells."

Mr Bobo gets her name right after being corrected (only after being corrected alongside her using his name, mind you, showcasing her making an effort to listen to and understand him as well), which is representative of him actually making an attempt to listen and understand her. This point is further illustrated by a conversation Coraline had with the Other Mr Bobo in chapter 10.

As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right."

He equates those in the real world not getting Coraline’s name right with them not listening to her, and fundamentally not understanding who she is. So, somebody getting her name right, then, shows them actually listening to her, and being willing to understand who she is.

The mice in the real world know more than they should be able to know, and they also get Coraline’s name right.

"The message is this. Don't go through the door." He paused. "Does that mean anything to you?" "No," said Coraline. The old man shrugged. "They are funny, the mice. They get things wrong. They got your name wrong, you know. They kept saying Coraline. Not Caroline. Not Caroline at all."

They seem to know about the other world, somehow, on some level, and the dangers it presents. Them getting her name right represents them knowing more than they should know, more than they are told. Animals in general seem to have this type of quality in Coraline, actually.

The cat does not have a name. It says so in chapter 4, that cats do not need names. It says that this is because cats know who they are. But humans need names, because they do not.

"Please. What's your name?" Coraline asked the cat. "Look, I'm Coraline. OK?" The cat yawned softly, carefully, revealing a mouth and tongue of astounding pinkness. "Cats don't have names," it said. "No?" said Coraline. "No," said the cat. "Now, you people have names. That's because you don't know who you are. We know who we are, so we don't need names."

The cat shook its head. "No," it said. "I'm not the other anything. I'm me." It tipped its head on one side; green eyes glinted. "You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean."

This shows that, in humans, names are connected to our identities and who we are. Names are used to individualize and distinguish ourselves from each other. But cats do not need names to recognize each other, or be recognized.

"Oh. It's you," she said to the black cat. "See?" said the cat. "It wasn't so hard recognising me, was it? Even without names."

With or without names, it is still the same cat.

During the Other Miss Spink and Forcible’s performance, in chapter 4, they begin quoting Shakespeare. The specific quotes that they use are interesting to me when looked at under this lens of the importance of names, especially Miss Forcible’s.

"What's in a name?" asked Miss Forcible. "That which we call a rose by any other name would smell as sweet."

"I know not how to tell thee who I am," said Miss Spink to Miss Forcible.

Now, of course, this is just them quoting Shakespeare. But. Why these quotes specifically? They’re at the very least notable when discussing Coraline’s recurring theme of names. Especially the quote about the rose. It makes me think of what the cat said earlier, about how cats are sure of who they are so they don’t need names, about how Coraline didn’t need the cat’s name to be able to recognize it for who/what it was.

But, of course, this does not apply for humans. We need our names to be able to know ourselves, to be able to tell others who they are.

In chapter 6, Coraline wakes up and is disoriented. This disorientation is compared to the feeling one might experience upon being suddenly pulled out of a daydream. In this comparison, forgetting one’s name is equated with forgetting who one is and where one is.

Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in the fraction of a second have to remember who she was, and what her name was, and that she was even there at all. Now there was the sun on her face, and she was Coraline Jones. Yes.

The ghost children have also forgotten their names, and with it most of who they were. In chapter 7, when Coraline is locked behind the mirror in the Other World, one of the ghost children says that names are the first things that one forgets after death.

"Who are you?" whispered Coraline. "Names, names, names," said another voice, all faraway and lost. "The names are the first thing to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names. I still keep pictures in my mind of my governess on some May morning, carrying my hoop and stick, and the morning sun behind her, and all the tulips bobbing in the breeze. But I have forgotten the name of my governess, and of the tulips too." "I don't think tulips have names," said Coraline. "They're just tulips." "Perhaps," said the voice sadly. "But I have always thought that these tulips must have had names. They were red, and orange-and-red, and red-and-orange-and-yellow, like the embers in the nursery fire of a winter's evening. I remember them."

The ghost children may have their memories, but they have largely forgotten who they were. They may remember their tulips, and certain strong memories, but there is very, very little left of them, and they have forgotten who they once were, they have forgotten their names.

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we're nothing left of ourselves, only snakeskins and spider-husks. Find our secret hearts, young mistress."

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

The Other Mother stole their hearts and their souls and their selves. She stole who they were away from them, their identities and names and the names of those they loved, leaving nothing in her wake.

The same ghost that talked about the tulips and the names of the tulips struggles to answer when Coraline asks their gender, as well, and when they do eventually give an answer they seem somewhat unsure of it, as shown by the word choice of “perhaps” and “I believe”

"A boy, perhaps, then," continued the one whose hand she was holding. "I believe I was once a boy." And it glowed a little more brightly in the darkness of the room behind the mirror.

(I personally take this quote, specifically it "glow[ing] a little more brightly" after coming to this conclusion, to mean either that the ghost is happy at realizing that he was once a boy, or even to mean that he has become somewhat more tangible upon this realization; upon remembering something about his self, and his identity.)

As an aside, it's noteworthy to me that we never learn the Other Mother’s true name. She is simply “The Other Mother” and “The Beldam.” Never is an actual name applied to her, only titles. We do not truly know who, or what, she is. Beings without names are shrouded in mystery (or should i say mist-ery). The ghost children are benevolent mysterious beings, the cat is an ambivalent-leaning-helpful mysterious being, and the other mother is a distinctly malevolent mysterious being.

"Who are you?" asked Coraline. "I'm your other mother," said the woman.

"She?" "The one who says she's your other mother," said the cat. "What is she?" asked Coraline. The cat did not answer, just padded through the pale mist beside Coraline.

But in conclusion, names in Coraline are extremely important. I’m sure there’s probably more that I'm missing, and feel free to add onto this, but basically—

People need names to know and remember who they are, and forgetting one’s name is the first step to losing the rest of who one is. Names humanize a person; with a name, they are less shrouded in mystery, more clear.

Knowing somebody's name helps one connect to and better understand that person; it is the first step in getting to know them and see them as a full person, the transition from “the crazy man upstairs” to “Mr Bobo”. Names, to people at least, are one of the fundamental building blocks of who we are.