#i should probably uh

[kirbyderb]

Cute Dogday x Catnap ship fanart

Is this the SleepyDay you all wanted (/j) (/lh)

[lucabyte]

you dream of devouring your friends whole

[xxplastic-cubexx]

you open my Super Important Documents and its just pictures of charles xavier

[arolloyd]

Ykw scratch that tlnm and the Lego movie DOES take place in the same universe after all... I feel like most ppl don't really talk about this too much because tlnm is usually associated w Ninjago rather than the lego movieverse

[runningatypufullspeed]

Worlds most tragic victim to male pattern baldness

[darkmuffinstudios]

headcanons 2 electric boogaloo part 103 because i'm still not normal

(The first post cut me off in character limit, so here's the continuation :3)

(These can be general headcanons, found family, queer platonic, or poly if you want to interpret them in any way ^^)

There's couch that can fit then entire gang on it that everyone likes to sit at. Dust dislikes anyone taking his spot, Killer constantly keeps changing spots, Cross always picks his spot last, Horror sits on the floor, and Nightmare sits in a arm chair off to the side.

Killer forces all of the gang to watch movies every so often, typically when things become stale around the castle. The rest all act like they hate it, but Horror still makes popcorn, Dust collects all the blankets, and Cross helps set up the TV.

During the winter, the gang all huddle up in Nightmare's room for a large sleepover. The castle can be big and chilly.

Nightmare used to keep a moderate distance between his subordinates and himself. However, the first time Killer ended up in the infirmary changed that. It was only the two of them, and Nightmare realized the fragility of mortals that day.

Nightmare is a worrier for several reasons.

Nightmare mixes and matches his team in groups of 2, rarely sending any one of his men on solo missions (unless absolutely necessary). Safety in numbers.

Horror's love language is giving gifts and acts of service. He feels conflicted receiving it back, preferring touch instead.

Same with the last point, Horror is a cuddle bug- to Killer's delight.

Dust can't sleep in one, continuous stretch. This results with him taking 2-3 hour power naps at varying times throughout the day.

Horror snores in his sleep. Not loudly, but kind of like a soft rumble with each breath.

Dust likes Horror's snoring. It's therapeutic.

Killer sleeps like a corpse. Still and silent- which is strange when juxtaposed by his usual, lively demeanor.

Cross is an early riser and late sleeper. His circadian rhythm is exact, and runs like clockwork.

We're not going to talk about Killer's sleep schedule. He knows its bad. No one can fix it.

When Cross first joined, he felt extremely guilty for his chocolate cravings. After a while and some encouragement from the others, he finds himself indulging himself (at least in this one regard).

Cross loves sweets, not just chocolate. Chocolate just happens to be one of his favorite things/flavors though.

Cross keeps a mini snack stash in his pocket at all times. On missions, out and about, in his room, training, etc. You can look over at him and see him pop a chocolate kiss in his mouth. His one guilty pleasure.

Nightmare and Dust enjoy their fair share of alcoholic drinks. Nightmare has quite the collection- ranging from various years of quality, make, and base. Of course, they are all expensive.

Horror and Cross are indifferent to alcohol. They may indulge in it when there is a special occasion, but otherwise they don't go out of their way.

Killer is the only one that does not enjoy alcohol. If you see him drinking, leave him be. Bro is probably going through it.

Dust sometimes wears glasses to read. Depends on if he cares to put them on or not.

Out of the group, Cross is the designated driver. Nightmare not only doesn't know how to, but also doesn't have full peripheral vision. Horror and Dust would get stressed out/overstimulated on the road.

Killer is the backup driver, but there is a 80% chance of the car crashing at the end. Despite this, he's one hell of a getaway driver.

Horror likes to spend time out in the garden.

Killer is the only one which has explored every room/inch in the castle. He sometimes uses secret passages to scare the others, or cut his walking time in half.

Cross has a nervous habit of fidgeting with his heart locket.

Dust has claustrophobia. Small spaces, large crowds, feeling trapped? He'll come out swinging.

Everyone knows this and always is careful to make sure Dust has an easy out whenever they nap together.

Nightmare is always the one to attend to any of their wounds when they get hurt on missions. He fusses and lectures and rants the whole time he's bandaging them up, mending broken bones, treating illnesses. Everyone knows its because he cares.

Dust get sick the easiest. Because his own magic is trying to boil him alive from the inside out sometimes.

Killer is the least likely to get sick.

Nightmare can't get sick.

Okay, well, Nightmare can, but it would have to be like. the plague to end all plagues.

Nightmare doesn't let any of the boys buy apples.

The only times Horror wears his hood over his head is if its raining/snowing. His head gets itchy if he wears it up for too long.

Killer has a knife on him at all times. You can pat this man down, take off a couple of knives, and he can still shank you afterwards.

All of them, to some extent, have trust issues. They learn to trust each other over time, though.

Nightmare hangs up pictures of his boys up in his office. He even frames them.

Nightmare has a secret picture tucked in a drawer in his desk. It's a drawing that Dream had made for him (a crude drawing of the both of them in a field of flowers), one he had safely folded and tucked into his favorite book as a child.

After the whole apple fiasco, the book barely survived (the picture along with it) and Nightmare rereads it whenever he's feeling sentimental.

Killer is extremely nosy. If he can't get what he wants by asking/prodding, he'll snoop. Curiosity killed the cat, but satisfaction brought it back and all.

I don't remember if I mentioned this in the other post, but Nightmare's bed is HUGE. Like King Deluxe plus plus. It also has those fancy canopy, curtain things that can close around the bed.

Killer's bed doesn't have a bedframe, just a mattress.

Dust's bed is circular and decently big. It also has that drape canopy that can cover it, as well as a shit ton of pillows.

Horror gets cold easily.

Nightmare makes sure Horror gets enough blankets during particular cold nights. Maybe a heater too.

Killer has a bad habit of sleeping in other people's rooms. He just barges in and makes himself at home. Over time, the others have let him get away with it.

Lots of mirrors in the castle were taken down after Dust shattered the first few.

That doesn't stop Killer from having a full body one in his room though.

Cross has a favorite training dummy.

Horror names his weapons and kitchen tools. He tends to keep that to himself.

Killer, weirdly enough, knows how to repair clothes. Hole in your jacket? He can stitch it back fairly neatly.

Dust has ripped quite a few sets of clothes in his days. He's gotten used to shrugging them off and dumping them on Killer.

Killer always returns Dust's stuff with a little chocolate inside the pocket/with it (probably stolen from Cross's stash).

When Horror gets anxious, he starts to pick at the crack in his head. To stop this habit, he just sits on his hands.

Nightmare thinks its a little amusing that Horror sits on his hands. Hey, if it works for Horror, then that's all the king needs.

Whenever Nightmare needs to run errands, he always brings Cross with him and lets Killer hold down the fort in his absence.

Cross works hard with Nightmare every year to ensure that their realm can't be found by anyone else. Encrypting code, manipulating magic, etc. While this is an annual thing that they do, Cross checks up on the state of it every month diligently.

Nightmare and Killer like the ocean. They visit it sometimes.

Horror makes sure to create meals that are balanced, healthy, and to preference. Also likes to keep the fridge stocked up.

Cross and Dust sometimes play chess with each other.

The whole gang (minus Nightmare) love playing cards.

Uno cards are banned from the castle after Nightmare repaired the three large holes in his castle wall.

Horror puts all of his food scraps in a compost bin and recycles it into his garden.

Aaaaand that's the limit again.

Very silly to think about, but I might make a separate one concerning ships/bsp because my mind started to wander LMAOOOOO

Hope you enjoy these!

[hailsatanacab]

“To whom,” Alfred rasps, pausing to clear his throat and establish his sense of decorum, “May I ask, to whom do I have the pleasure of speaking?”

The creature stops, blinks its owlish eyes at him, and lets out a bark of laughter.

“Forgive me,” it says, still chuckling lightly, raising a hand to rub at the back of his neck. Alfred is suddenly struck by the feeling that this creature is not as timeless, nor as old or as wizened, as it wished to present itself. “I am making a terrible first impression. My name is Phantom, current High King of the Infinite Realms.”

Contractual Obligations by me

I couldn't get the image of Ghost King Danny out of my head, so here he is!! Acrylic on canvas, and I'm so happy with it - he came out a lot better than I thought he would 😅

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[s-lycopersicum]

[lucabyte]

Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*

But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.

They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.

My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.

As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.

Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.

*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)

Anyway.

[northern-passage]

a little update.. what i'm working on/prologue changes so far:

no prologue! it’s chapter 1 now

removed the option to leave clementine behind. you have to take them with you :3c

removed height options (sorry!)

in general, edited the cc to flow better

combat preferences have been adjusted-- all still the same but i've made it more obvious how each specialty works mechanically which will hopefully make fights more intuitive to win (or lose, if you want)

genderlocked the sibling. officially a Sister

edited a LOT of dialogue; hopefully it's an improvement and feels more natural

restructured the wraith fight so that it's consistent with the fight in blackwater. with the changes made to the combat preferences this should make the combat system overall cohesive now <- i'm still working on this currently but i am HOPING to finish it by the end of this month.

i have pretty much rewritten the entire prologue. wasn't my plan at the start but here we are... so things are quite different. but also the same. i also streamlined a lot of the choices & branches and cut/combined ones that i felt were just excessive.

i plan to update once i've finished making & importing these changes, and i will probably limit the demo to chapter 1 (previously the prologue) until i get through and edit chapter 2 (previously chapter 1) because i really don't want to have the demo be inconsistent for however long it takes me to get through the next edits. hopefully this will not take that long, and then i'll put chapter 2 & and part 1/what's already been published of chapter 3 back up. and then!!! i will move on to finishing chapter 3.

i know this probably isn't the update you all were hoping for but i'm excited for the next steps with tnp :-)

[lost-in-fandoms]

Thought i would be done but...yeah didn't happen. Part one here.

Living with Max is easy.

He doesn't whine when Daniel is taking care of his leg, he doesn't mind sleeping on some blankets on the floor, next to the fireplace, he offers to help around, and best of all he doesn't ask questions.

Well, not exactly. He asks so many questions. Once he gets over his initial bout of shyness and quiet, he asks questions about Daniel's vegetables, about his horse, about the woods, about the traps, about the animals. He offers his own opinions too, telling Daniel he's growing peas in too much shade and that he's cooking his meat for too long. And, much to Daniel's annoyance, he is often right too.

But he doesn't ask questions about Daniel. He doesn't know if it is because Max doesn't care or because he doesn't want to be asked questions back, but he appreciates being spared the trouble of telling him to mind his own business.

They also work surprisingly well together. Max is older than he initially seemed, dirt, hunger and exhaustion making him look younger, and he seems to know a little bit of everything. Even if he doesn't ask, Daniel is a little curious about what path in life brought him to have such a wide mix of knowledge. He seems to know how to move around the woods without scaring the prey, how to skin and cook animals, how to take care of the vegetables (better than Daniel), how to keep himself and the house clean.

It's nice to have a second pair of hands around, even if the pair of hands should sit down more often to let their leg heal. Not that Max ever listened to that.

And he's funny. Daniel hadn't realised how much he missed just sitting around the table after dinner, talking and laughing with someone else. How good it was to wake up and find the fire already stoked and the water pitch already filled. To have someone to say good morning to who would say it back.

Daniel hadn't been thinking of himself as lonely before, he was content with his choice of life, but he can admit that he likes this. He is glad Max decided to stay and he's glad Max seems to be having a good time too, at least from what Daniel could tell.

This is why, when about three weeks after Max's arrival he wakes up in the middle of the night to the sounds of him moving around the house, his first thought isn't Max is leaving, but something is wrong.

"Are you okay?" he asks, voice scratchy with sleep and way too loud in the quiet of the night.

He watches Max flinch, dropping something, before turning around to face Daniel.

"Go back to sleep," he whispers, too shaky to be a good order. There's something different in his voice, and it only takes Daniel's tired brain a few moments to realise that he had heard those notes before, in the woods about three weeks ago. Fear.

Daniel sits up, eyes finally adjusting to the silver darkness of the room, moonlight streaming through the open windows.

"What's wrong?" he asks again, voice lower, matching Max's whisper.

He listens to the sounds coming from outside, thinking that maybe the men Max was running from have come back, but he can't hear anything unusual in the late summer night.

Max is grabbing what he dropped on the floor, stuffing it into a bag that he must have taken from Daniel's things, but the moment, Daniel doesn't even care about the fact that he's very obviously stealing from him.

"Max, what is happening?" He's getting frustrated now, hates not knowing what is going on, worry and irritation growing together.

He stands up, taking a couple of steps towards Max, wanting to see him better, but he stops when Max flinches back.

"I need to leave," he finally says, voice raspy. It's not an explanation, and Daniel suddenly regrets never asking any questions.

"Why? Where?"

He doesn't want Max to leave. The knowledge of that settles like armor on his chest, safe but heavy. Living with Max isn't just easy, it's good. He doesn't want to go back to an empty house, not after the past weeks have been so nice.

"I...I need..." Max shudders, as if in pain, and Daniel's legs ache with the need of walking closer.

"Did something happen?" Did I do something wrong?

Max shakes his head, jerky and sharp. When he exhales, Daniel can hear him bite back a whine.

He doesn't want to scare Max, but he is confused, and he is worried, and he is not going to let him go without an explanation.

He steps between Max and the door.

"You owe me an explanation," he says, hating the way it makes Max stiffen, unwilling to take it back anyway.

"I don't owe you..." Max snaps, before interrupting himself with half a growl. "You haven't told me anything either!"

"That's different. I'm not running away in the middle of the night."

Max takes a step forward, back tense, and Daniel instinctively braces himself, eyes flying towards the table, where his knife always is, but Max doesn't attack him.

He shivers again, hands clenching around the bag and then letting it fall on the ground with a thump, shoulders slumping as all the fight seems to leave him.

"Please, Daniel, I need to leave. It's...it's not safe."

Max looks up, finally meeting Daniel's eyes, and he's suddenly reminded of what the man had said, so many days ago.

He's dangerous. Cursed.

Max's eyes look weird, blue brighter than ever, almost glowing in the moonlight. His face is twisted in pain and there's the glimmer of sweat gathering at his hairline. None of that would worry Daniel, but there's something...different in him. Something other.

Cursed.

The room seems too bright now. The moon is almost full tonight.

Cursed.

Max had said he hadn't killed anyone, but if this is what Daniel is thinking of...

Max closes his eyes, whole body shivering again, his edges almost blurring with it. Or maybe it's not just a trick of the light. Daniel doesn't know what to think anymore.

He doesn't want Max to go. He doesn't want this to happen.

He steps away from the door.

For a moment, they both stand still, looking at each other.

For a moment, Daniel hopes he'll wake up and it will be morning, and Max will be coming in with the last tomatoes from the garden.

Then Max whines, something low and pained, something animal, and bolts.

Daniel doesn't stop him.

He watches as his shadow changes even before he's fully reached the trees.

Then he sits on the doorstep and waits for the sunrise.

[meamiiikiii]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[arctic-bookclub]

oh also one thing that i realized just now: qbagi’s initial suspicion over what’s happening to qphil being tied to the federation is technically not wrong

you know what drew qphil’s deities’ interest to him and quesadilla island? the birdcage. rose said in her earliest message ”I could sense the bleeding heart of the one I once knew, far, far away”. the deities noticed qphil had disappeared, and maybe they were curious to know what had happened, but the thing that drove them to find him was rose’s want to help him. and if she really was the one that freed him from the cage (and it’s heavily hinted she was), that birdcage undeniably was the thing that launched all of this into action.

how the enderking figured out that qphil had been weakened? we don’t know, maybe he sensed it, maybe he had already been observing him, maybe he noticed rose leaving to look for qphil, it doesn’t really matter. what does matter is that the trauma qphil got from being locked in that cage is what gave the enderking the perfect opportunity to strike. and is what led us to where we are now in the story. so even thought the federation isn’t ultimately the one tormenting qphil right now, it can still all be traced back to them and their continual abuses of power :)

[velociheroviridi]

He came back, but at what cost...

Really happy with how this one came out!

[ube-bluebay]

sorry for the long post but ive been wanting to post these for a while but its kind of just been rotting in a server i've been intending to abandon