#i should probably do that now.

[froggowivdagudvibes]

Ive been meaning to post this for a while, so uh.. ye.

Ok before i start, its stoopid o clock and im incapable of wording rn, so bear with me.

I am very much confusion.

Um

So im questioning the possibility of being a demigirl?

Im afab and up until maybe a year ago, have felt pretty comfortable as a girl. Then i started feeling more nonbinary-ish but also female, but i was convinced i was just overreacting. I thought i was just subconsciously making it up for attention (idk how else to describe it, but hope dat makin sense). I was just tryna squish all those feelings down bcuz i was sure they weren't real. I didn't realise it was a thing, to be both non binary and female, and i felt just so invalid.

Then the other day me and my friend were talkin abt her new oc, and she said they were a demigirl. I asked wat dat was and she explained to the best of her knowledge. I just stood there open mouthed and while i didnt say anything, i was screaming inside.

WAIT WTF THATS BEEN AN OPTION THIS WHOLE TIME. WHAT. THE. FUCK. WHAAAAT.

That night i did sum research and i thought i was definitely a demigirl. The feeling comes and goes tho, and sometimes i feel more nonbinary, but for the most part i feel much more female. I still feel like im probably a demigirl, but im just kinda confused.

Idk why i made this post, ig i just needed to tell someone, cuz im not ready to tell anyone irl (partly cuz i still dont trust my own feelings) (i mean wut i said. theres sum weird shit goin on in my head lol)

I guess i also wondered if theres maybe sum demigirl/boy (or anyone rly) out there, to just tell me that my feelings are valid (or that theyre complete bullshit, if thats the case).

And if youre homophobic/transphobic/just dont agree with the concept of demigirls/boys, then i dont need your input. Its really not helpful.

Anyway, uhh ye. Bye ig.

Fuck i needa get sum sleep—

[ionomycin]

heartblood

[xxplastic-cubexx]

alternate apocalypse ending or something who the hcrist knows anymore

[voiider]

Okay alright I'm tired of giving more children to Bruce Wayne I think we need to start taking some away 

Tim getting kidnapped (but in a way they don't announce Tim Drake-Wayne as missing??) and is given Something that induces amnesia but he escapes or maybe just literally wanders away but like he's in the middle of Ohio and he's walking down the road unsure of his own name or where he is and a weird looking camper pills over and a large man leans out the window and says “you doing alright there, sonny?” 

And he doesn't really know so he sorta shrugs so they pick him up and the man introduces himself as Jack and this is his wife Maddie and their two kids Danny and Jazz and they're just heading back from a camping trip and they can take him into town (Amity?) and take him down to the station and help him get things figured out 

The police take his picture and upload it to a “found” database or smth but there's no active or recent cases in Ohio for missing persons (or teenagers) matching his description 

(But also, Amity is pretty disconnected from the rest of the world digitally. They mind their business. Sure they run this boy's face in the newspaper and let the neighboring precincts about him but there's not much more they can do until this kid gets some memories back)

So he goes to stay with Jack and Maddie (idk how i don’t care about LAWS) while they wait to see if they get any hits or until he gets some memories back and they register him under Alvin (“hmm maybe... Tom? No, definitely not. Caroline? Alvin? That sounds the best I guess”) Fenton at the local high school so he can keep getting an education (and Alvin isn’t sure why, but this sort of feels like a waste of time, he already knows all this math stuff and why would he want to read Of Mice and Men he’s pretty sure someone told him John Steinbeck was a hack. Or maybe not. He can’t remember) but it’s simple enough and he likes the Fentons even if they keep trying to convince him ghosts are real 

And maybe they are. Actually. Real that is. He saw one the other day and had to double check if knowing ghosts were real is a common knowledge thing that he forgot of if he never knew in the first place. Jazz tells him that ghosts are pretty much an Amity specific thing but that they appear other places and then Jack and Maddie set him down and give him the entire history of ghosts that night and then show him their lab which is pretty cool

And maybe he accidentally suplexed someone who startled him in the halls on his first day and also fell asleep in science,but give him a break! he’s going through a lot right now

But his new brother roommate friend? Is helping him adjust at school by telling him who to avoid and what not to eat from the cafeteria and Jazz is in most of his classes but also he’s not sure why they’re trying to act all sneaky about this Inviso-Bill/vigilante situation because like. That’s clearly just Danny with white hair? He looks the exact same? Also he literally saw Danny walk through the bathroom door last week if it wasn’t obvious enough.

So Tim really isn’t expecting Danny to be surprised that he picked up a thermos that Phantom dropped when he and his friends ran off to fight another ghost

[angelnet23]

falin from dungeon meshi doodle

[tonydaddingham]

how the hell does michael sheen do it? no seriously - how does he look utterly besotted and wary at the same time, immeasurably old and inconceivably young simultaneously, learned and naive in equal force

i don't understand but i would like it bottled and i would like to buy it, but someone needs to have a word with him and tell him to give 👏 it 👏 a 👏 rest 👏 please 👏✨

[poorly-drawn-mdzs]

If I was in a lucid dream with a ghost, I would simply impress them with my blunt rolling skills

[tblsomedoodles]

Here's an art/info dump about this stupidly cute idea that's been rotating in my brain for three day.

(the first comic here is just how they first met. they ended up in the same alley, pestering the same cat without noticing. Then the cat left and they notice they're not alone lol)

(Second is Donnie 'talking' with Mikey for the first time. He only uses Mind Mend to communicate and is just as surprised as Mikey to find it worked on him. (it has only worked with Leo before this))

I'll put the rest under a break b/c i will be going off about this and i don't want it to take up your entire feed.

I'm jokingly calling this "Mikey's Imaginary Friends" though that might change if i continue this.

Basically it's this, the twins grew up with Draxum while Raph and Mikey grew up with Splinter. Neither set knew about the other (b/c splinter though they were dead and didn't want his two remaining kids to worry about it, and Draxum was too focused on fixing his lab to pay much attention to the twins.) So, imagine Mikey's shock when, at age 8, he's out exploring topside (having snuck out) and runs into two more mutant turtles (who also snuck out and are exploring.) Thus begins an ongoing sneaking out to meet up thing between the three b/c Mikey's excited to have new friends and the twins are just as fascinated with Mikey as he is with them.

And before you ask, "hey, why doesn't Mikey tell his family about the two other turtles?" he does. Raph thinks he just made up some imaginary friends so he plays along but doesn't believe they're real. Splinter, on the other hand, thinks he's talking to Hamato ancestors due to some very big miscommunications (that i'll probably draw out at some point b/c it's silly)

Twins background wise, i'm still thinking through a lot of it, but i'll put my thoughts down anyways.

Draxum knew that training the twins at a young age would be counterproductive, so he doesn't train them beyond some basics a few times a week. Other than those sessions, he leaves them alone with their less-than-stellar caretaker, in favor of rebuilding his lab. The caretaker doesn't do much for them beyond give them food and very basic school like lessons. Beyond that the twins are left on their own.

they come to the conclusion that the only people that will care for them is themselves. They discover Mind Meld very early as a result of this and will not talk verbally b/c they found out early on with their caretaker, that if they tried to talk, they were just ignored anyways, so what's the point.

(I'm also thinking Donnie might be deaf or hard of hearing in this, with the pair of them using Mind Meld as a way for him to temporarily hear through Leo and thus keep Drax from finding out. but i'll have to do some more research before i decide for sure/figure out the specifics)

as for Meeting Mikey

That's why they became so fascinated with mikey. B/c mikey was the first person that treated them like a person and not a job or an incomplete experiment. (He's also so happy and bright, they can't avoid getting drawn to him lol)

Mikey's probably the only one they verbally start talking to, even after they teach him mind meld. (though Leo's the one to pick up on that more than Donnie. Donnie doesn't do much talking at all outside mind meld).

They also come out of their shells (hehe) a lot as they interact more with Mikey. Before they met him, they acted more like automatons, even when alone. The more they socialize with Mikey, the sillier these two get. Leo learns about puns and starts going mad with them, Donnie starts happy stimming about thing (which he has either been suppressing or just never had the urge to do before.) Basically they stop acting like little creepy statues and start acting like kids.

Honestly, it's just a cute idea with the kiddos meeting each other and Mikey inadvertently socializing his not-well-socialized brothers.

(also, the twins wear masks b/c Donnie doesn't like the smell of the city and he's worried about germs. Not for any ninja reasons, what so ever.)

Alright, that's it for my info dump. maybe more later? Maybe not? Depends on how much longer these kids keep my attentions (though right now, they're doing a pretty good job at it lol)

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[dodecatemoria]

feeling very normal about them (<- lying)

[try-set-me-on-fire]

Eddie drunkenly calls Buck from wine night, confesses some things. On ao3 here.

Eddie calls him at 11:34 pm, and it’s a Thursday, so that means a few things. It’s wine night, the biggest thing. It’s wine night, at Hen and Karen’s, and he knows those start around dinner time so Eddie’s got several hours of alcohol in him. It’s 11:34 pm and Buck got off work at 10:45, another thing, so it’s a toss up whether Eddie timed the call to when he was walking through the door (a feat possible after years of going back and forth between the station, the loft, and the Diaz house at all times of day and night) or if it’s just a drunken coincidence.

“Hello,” Buck answers the phone, dragging out the first half of the word, tossing his keys into the bowl on the counter.

“Buck,” Eddie says, voice bright and not very slurred, but he’s only said one word so far, and Buck sometimes secretly thinks he could probably say his name pretty steadily no matter the situation. Buck is pretty sure he could be all drunk or half dead and still be able to say Eddie just fine, anyway. “Hello. Are you home from, did you get home from work?”

Ah, so, somewhat drunk then. “Did indeed. You still at the Wilsons?”

“Did you, uh- was there fire?” Eddie sounds like he’s trying very hard to sound normal. Buck bites his lip against a snort.

“No fires. Just a half shift, remember. Pretty boring one, honestly.” I missed you probably isn’t fair to say, Buck covered the shift of his own volition, he could have been at wine night if he really wanted. But Donovan’s sister had a baby, what was he gonna do, not let the guy meet his niece? “Hope you had a better time.”

“Great time,” Eddie says, enthusiastic. “They had, uh, mini quiches.”

Buck grins at the empty room. “You’re a man who loves a mini quiche.”

A few seconds of whooshy silence where Buck assumes Eddie is nodding enthusiastically. “The- uh- they had the bacon kind. The kind, and with the- you know, there’s spinach? Can we go to Costco?”

“Sure,” Buck agrees, opening his admittedly pretty sparsely populated fridge. “Could use a grocery run.”

“And get the, get more quiches?”

Buck grabs a protein bar, smiling as fondly as he wants to with no one around to see him. “Yeah, Eds, we’ll get more quiches.”

“And you’ll take the spinach ones? And I get the good ones?”

Buck laughs. “The spinach ones are good. You can barely even taste the spinach, they’re just, like, warm and eggy.”

“Mmm,” Eddie says, doubtfully. “It’s not nice to lie, Buckley.”

“I’m not fucking lying,” Buck cackles. “Your spinach hatred is so unfair, what’d it ever do to you?”

“Taste bad,” Eddie says, adding a blegh sound for emphasis. “It’s like- like- it’s gross, I don’t believe you actually like it, actually. You just want to eat grown up food.”

Buck snorts. “Man, I hate to break it to you, we both turn 34 this year.”

“And I don’t feel like I have to prove that to anybody by eating nasty food,” Eddie says, nose definitely in the air. Buck shakes his head and takes a bite of the protein bar.

“Whatever, man. You just have to live with the fact that Chris is the one sneaking vegetables into your food.”

“You’re so mean. I’m not letting you have any of my actually good quiches.” Empty threat, they always end up sharing, both of them know it. “That’s not even what I called about. That’s not even-“ Eddie huffs so hard it sounds all crackly in Buck’s ear. “I called to tell you that I love you.”

Buck grins. Oh boy, affectionate drunk Eddie is here. He’d wondered just how much wine they’d got through and it seems like Eddie must be nearly a bottle in. “Aw, love you too, bud.”

“No,” Eddie says, and Buck can see the frown from here. “Buck. Listen. I’m in love with you.”

Oh. God. Oh god. “Uh-“ Buck says, stomach swooping all over the fucking place, “Uh- I don’t think this is a conversation we should be having while you’re-“

“Oh, fuck off, shut up. Shut up. It’s fine.”

“Eddie-”

“Buck,” Eddie says, in the annoyed voice he uses when Buck is trying to get him to eat yogurt with his fruit in the morning, or even a dastardly spinach quiche. “It’s fine. It’s fine. I knew you’d- why- stop it. Listen. I feel like this all the time. It’s stupid that I’ve never, like, I never just say this all the time. You’re, like-”

Eddie cuts himself off and Buck waits — sort of fearfully — for him to continue, but the silence keeps stretching on. Buck knows the other side effect of this level on the Eddie Diaz Drunkenness Scale is heightened distractibility, so he probably noticed a nice color or perhaps a bug. They spent a good twenty minutes hanging out with a grasshopper at Hen and Karen’s wedding towards the end of the night, because it was a lovely shade of green and a funny little guy. Oh god, Buck thinks again. I love this man. I love this man a ridiculous amount and we should absolutely wait to talk about it.

But: “You’re tall and you’re in my house,” Eddie says before Buck can do anything to stop him.

“I’m-” Buck glances around the loft. “Eds, I’m at my place.”

“What?” He sounds so indignant that Buck has to cover his mouth to hold a laugh in. “Why?”

“‘Cause I live here?”

“That’s stupid. You should live with me in my house.”

“Should I?” Buck asks, laugh escaping a little bit. “Also, wait, what does me being tall have to do with it?”

Eddie sighs, long and exasperated. “If you live with me you never have to go home and leave me because you’re already at my house. Your house. If you live with me you never have to go anywhere.”

“Never have to go anywhere?” Buck thinks he’s in shock, maybe, about all of this, but teasing Eddie is something that’s always easy to fall into. “I don’t have a job in this scenario?”

“Well you’d go to work. And other places. But you just come back to me all the time.”

“I’d like to come back to you all the time,” Buck says, choking a little on how simply it explains every ache in him. “Eddie-“

“And you’re tall because… it matters because you’re tall because…” Eddie’s voice is soft, his breathing is soft. Buck wonders where he is in Hen and Karen’s house. In a hallway, tucked away from everyone, the nice light from the stained glass lamp they have there warm on his face? On the back porch, out in the cool night air? Buck wants to tell him to come home, wants to make sure he’s warm. “I never had to look up at anybody before.”

“I’ve got like two inches on you,” Buck replies, but his voice is pretty quiet.

“It’s a big two inches,” Eddie says, just as soft. Then, also quiet but of an entirely different flavor, “That's- Sorry- that's what she said.”

“That's-” Buck snorts. “What-” and then giddy laughter bursts up out of him, baking soda and vinegar, foamy and ticklish. He cackles till he’s breathless, listening to Eddie’s responding chuckles over the line, and sinks down to the floor, back against the kitchen island. “You’re so fucking stupid.”

“I scored better on my certification exams than you.”

“That’s not even true!” Buck protests over Eddie’s continuing laughter. “Only in two categories!”

“Overall percentage was higher!” Eddie reminds him, as he does every time they have this argument.

“Well, I remember building construction and related hazards better than you and that’s written down on official paper somewhere.”

“Not fair,” Eddie says, as he always says. “You- you did- you built those. Unfair advantage.”

“I think you’re overselling the kind of experience I got in a few months working construction like a decade ago.”

“It wasn’t a decade when you took the tests,” Eddie points out. “Whatever. Nevermind. And I don’t want to sound like- you’re good at remembering things. You’re not stupid. I don’t want to sound like you are.”

Buck taps his boot against the sink counter in front of him. “I know. You’re not either.”

“I know,” Eddie says, soft again. “But your hands are big, and… you’ve got stubble sometimes, and…” he trails off into just breathing on the other end of the line for several long moments. “Buck,” Eddie whispers in sleepover voice. “Have you ever kissed a boy before?”

“Yeah,” Buck says, knowing Eddie knows this, but playing along anyway. “I have.”

“What's it like?”

Buck hums, closes his eyes. He thinks about the few guys he’d made out with but never followed home when he got to Los Angeles. Thinks about the room he’d crashed in with Connor in Peru, with it’s one mattress and both their clothes living in suitcases because they were too broke to buy any other furniture. He’s still got a t-shirt for a school he never went to, a few sizes too small. The way they hadn’t shared a room once they were in LA, the girls Connor started seeing. He thinks about John from the ranch who left town the next day. He thinks about high school, Len McGuinty under the bleachers in the summer before senior year, both of them giggling and half terrified and the way they’d pretended to barely know each other when school started back up. Hard jawlines and stubble and muscles and height. Having something, for however long you get to have it. Wanting something, very badly. He opens his eyes and it’s almost a surprise that he’s still in the loft. That he’s not at Eddie’s house. All the time in the world there wouldn’t be enough. “It’s good, Eddie. It feels good.”

“Buck,” Eddie breathes, shivery.

“I want to live in your home all the time, and never have to go anywhere,” Buck says, repeats. “I’ll kiss you, if you want.”

“Buck-”

“I’ll love you, if you want.” Eddie is still drunk, Buck tries to remind himself. But it might actually kill him not to say it out loud when Eddie had said he feels like this all the time. How could he not say he feels like this all the time, too? “I’ll love you back. I love you back. I’ll eat all the spinach quiches for you.”

“Buck,” Eddie says, and Buck doesn’t know what expression is on his face, doesn’t know what look is tied to this tone of voice. Is desperate to find out. Quiet down the line for a few moments. And then: “It’s late.”

Buck pulls his phone away from his ear for a second to check the time. Nearly midnight. “Yeah.” His hands feel clammy. It was too much. They should have waited to talk. Eddie wants out now, and that’s fine. Buck will —somehow, skin of his teeth — find a way to be fine with that.

But: “I want to go home,” Eddie says. “Buck. Come and take me home.”

“And then-”

“And then stay.”

“Okay,” Buck gets to his feet, tosses the half eaten bar in the trash. Eddie’s house has food. His home has things to eat.

“Okay,” Eddie says, confident now, everything decided, everything for sure. “I’ll see you soon.

“Minutes,” Buck says, grabbing his keys, half running to the door. “I’ll be there in minutes.”

“Minutes,” Eddie says back. And Buck can hear his smile.

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[luckynumberthreed]

Is this something?

[xxplastic-cubexx]

you open my Super Important Documents and its just pictures of charles xavier

[zaacoy]

Short freenoodles focused comic inspired in part by takakmimi's freenoodles post on twt!!

[mettywiththenotes]

Noticing that Jax hasn't gotten to do what he wants for 2 episodes (at least not fully, he's usually held back by the others to a frustrating degree) and at the end of both he is forced to see right before his eyes that the people in the circus care about one another and he noticeably brushes off or avoids that fact

I just think these expressions are very interesting