Duolingo Sucks, Now What?: A Guide
Now that the quality of Duolingo has fallen (even more) due to AI and people are more willing to make the jump here are just some alternative apps and what languages they have:
"I just want an identical experience to DL"
Busuu (Languages: Spanish, Japanese, French, English, German, Dutch, Italian, Portuguese, Chinese, Polish, Turkish, Russian, Arabic, Korean)
"I want a good audio-based app"
Language Transfer (Languages: French, Swahili, Italian, Greek, German, Turkish, Arabic, Spanish, English for Spanish Speakers)
"I want a good audio-based app and money's no object"
Pimsleur (Literally so many languages)
Glossika (Also a lot of languages, but minority languages are free)
*anecdote: I borrowed my brother's Japanese Pimsleur CD as a kid and I still remember how to say the weather is nice over a decade later. You can find the CDs at libraries and "other" places I'm sure.
"I have a pretty neat library card"
Mango (Languages: So many and the endangered/Indigenous courses are free even if you don't have a library that has a partnership with Mango)
Transparent Language: (Languages: THE MOST! Also the one that has the widest variety of African languages! Perhaps the most diverse in ESL and learning a foreign language not in English)
"I want SRS flashcards and have an android"
AnkiDroid: (Theoretically all languages, pre-made decks can be found easily)
"I want SRS flashcards and I have an iphone"
AnkiApp: It's almost as good as AnkiDroid and free compared to the official Anki app for iphone
"I don't mind ads and just want to learn Korean"
lingory
"I want an app made for Mandarin that's BETTER than DL and has multiple languages to learn Mandarin in"
ChineseSkill (You can use their older version of the course for free)
"I don't like any of these apps you mentioned already, give me one more"
Bunpo: (Languages: Japanese, Spanish, French, German, Korean, and Mandarin)
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As someone who works with social history for a living, I feel like I’m the aggressive opposite of an anti-vaxxer
I fucking LOVE vaccines, friends. Give me the science stab. I’m so ready. it’s a beautiful day to not die of a Bajillion and one diseases that carried off like half the population before they had even reached age 10, and a significant portion before they made it to old age, 150 years ago
I go to the old cemetery. I see the vast numbers of infant and child and young adult graves. And then I go to my doctor and get injected with Potion of Fuck That Noise. This is beautiful and miraculous and I do not remotely understand how some people can reject it – not just for themselves, but for their children
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looking at (vetted) gofundmes for people trying to escape palestine and i don't know how many of you actually click on the gofundme links you reblog but i would like to point out, for what it's worth, just how amazing it is that so many have raised so much money. it may overall feel like a drop in the ocean but the fact that several gofundmes have raised tens of thousands of dollars is amazing. it is so expensive to leave gaza right now, and people still need money after they escape. but regardless of what propaganda the US, UK, canada, and other western nations are trying to pump out, people across the world are doing what they can to help these people survive. many of them are still very far from their goals (like this one and this one and this one) and some of them are very close to high goals (like this one), and some of them have reached almost double their original goal.
and that's not even addressing direct aid or organizations that take continuous donations for distribution of food, menstrual products, etc. the PCRF has raised $16,000,000 of their target goal of $20,000,000 to fund current aid and long-term relief efforts in gaza. ANERA's febuary 13th update discusses the material ways they helped palestinians today:
(ANERA donate link)
my point is, it often feels like the world is turning a blind eye to palestine. but i would like to point out that there is an important difference between "the world" and "western political leaders and media narratives". a breathtaking amount of real people, the people who make up the world, are trying to help. in the face of israel attempting to commit genocide, the world is saying No. These people deserve to live. and literally sending millions of dollars internationally, through the internet connection that israel has desperately been trying to destroy.
it may not feel like it matters in the grand scheme of things. but to the people who get fresh clothes, or a hot meal, or blankets, or the kids who get new toys, or to the people who are able to bring their families to safety, it matters to them. go make someone's day better. i've linked so many options with ways to do that.
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"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
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so much of the horror genre is informed by the metaphor of queer/transness as monstrousness. especially emphasizing the amount of horror that depends on the audience's repulsion at seeing a human body changing into a new, other body. I Saw the TV Glow is about the horror of NOT transitioning. the horror of static. the horror of looking into yourself and being terrified of what you see. the horror of seeing who you are and choosing to do nothing about it. the horror of looking away. and by god is it terrifying.
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I've seen pieces from this extra comic before, but never read the full thing until today. And holy shit does it hammer home just how much the story is about class.
Multiple times, when food comes up in this comic, it’s also in context of money:
I've seen this last panel on the right brought up before in context of like, dungeon meshi's relationship with fat and eating, but in the full context of the comic it really hits how much adventuring directly consumes bodies for money.
As much as this has been part of the story the whole time, showcased as early chapters 19 and 20...
It never fully hit me before how often adventuring comes down to having no other way to make money but to throw yourself into death repeatedly. To be used, whether it’s by individual selfish people (like the resurrection group that is happy to try and get Kabru's group to kill each other to get extra gold from them in chapter 32), or by the greater cog of the Dungeon Economy in general.
Which, to be clear, is all too often how things work in the real world, too. So many jobs burn through the health and lives of workers. Dungeon Meshi just makes it literal in a new way: by making the healing and resurrection, a core part to the adventuring loop, directly use fat, muscle, and energy from the body being healed.
Imagine Amazon, but if you got injured at work, they could literally burn up some of your body to get you back to working sooner. And that was seen as an advantage of the job.
And then you have Laios, thinking about eating monsters:
Not just because he likes monsters a lot. But because it would help. He says something similar in the actual manga too, during the chapter discussing his dream with the Winged Lion
Laios wants to be able to make a home for Falin. He wants to give her a place where she never has to eat alone. And when he gets a party, he wants to give them a way to eat well. And when he runs a country, well…
He wants to ensure that everyone has enough to eat.
Food is political. Food ties into class, and money. What is deemed "proper" to eat, what is a luxury, what is crass… so much of it comes down to money.
Being judged for eating what's available, when what is “proper” isn't affordable, is already a thing that happens. People forced into work that consumes their energy is already a thing that happens.
Dungeon Meshi has a lot of fantastical elements, but boy is its examination of food and class very real.
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