#i really do hope you actually get a life

[eydilily]

would you bite the hand that feeds you?

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[princeofcyberpunk]

hi motorcity fandom is this anything

i was not expecting the cartoon about teens with cars to genuinely change how i view the world

[zehl0w]

Zenitsu agatsuma has got to be the biggest egg I have ever seen in my entire life

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[spookythesillyfella]

remember when i had that dream where you [Y/N] have a sleepover with tumblr sexyman tony and sketchbook where you guys just end up in a polyamorous relationship ??? well . i tried to find a fanfic that would even slightly line up with the description. even if it was only vaguely

but uhhh ....

there were none . so i had to do it myself

[hamofjustice]

nemona feels like an obscure blorbo instead of the main rival character from the latest pokemon game because to get to her really good content from people who really get it, you first have to wade through the ocean of yandere pervert obsessive stalker annoying punchable bimbo amazon goddess interpretations of...

... a neurodivergent and possibly disabled high schooler who's desperately trying to make any friends or get any support from her rich neglectful family - while everyone in her school is jealous of their own imagined version of a privileged asshole version of her they made up - who deeply and platonically loves and supports the one new kid who agreed to take the time to get to know and respect her and her special interest without having to hold back her true self

unlike her, it's not great!

kinda feels like she has the same problem in our world that she does in hers.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[hailsatanacab]

@the-ghost-trader - ooooh, i love this! it has the potential to be so incredibly sad, too, like poor Damian just trying to carve out something normal for himself only for it blow up in his face

BUT, shockingly, i'm not about the angst today! not yet anyway 😇

---

“So, how was your day?”

Despite his answering groan, Damian likes this. This. This whole… thing he has with Danielle. With Ellie. 

And, yeah, he’s not exactly told any of the others yet, but can you blame him? For wanting to keep something, anything, to himself. Wanting to keep this small little slice of goodness he’s managed to carve out, untouched and unmarred by his family, by their other lives, by the rogues, the vigilantes, the assassins, everyone.

“That bad, huh?”

Being with Ellie is freeing. That’s the best way to describe it.

She knows. Damian surprised even himself when he told her—not about the others, mind, but he supposes it’s not hard to put two and two together and Dani has always been smarter than most—but it’s the best decision he’s ever made, and no matter what the niggling little voice in the back of his head says (the one that sounds suspiciously like Father), he can’t bring himself to regret it.

He won’t. Because having Ellie know gives him freedom.

She’s a safe place, a hand to hold, a warm, welcoming presence when things inevitably turn ugly. It’s the freedom to just be normal when everything else in his life spirals into stranger and more stressful missions.

“Richard is being insufferable again. I do not understand his incessant need to know everything about my life.”

“Oh? What’s he done now?” 

“I was subjected to an hour long interrogation about my love life, like it’s any of his business. It’s infuriating!”

“Ugh, tell me about it. I get the same thing from Jazz, constantly. It can be suffocating.” Ellie says as she curls herself tighter into his side. “But it’s just how they show they care.”

“Yes, well, sometimes I wish he wouldn’t—”

“Hey!” Ellie pushes herself up to glare at him, punctuating her shout with a soft whack to his arm for good measure. “What have I said about using that word?”

“Yes, yes,” he placates with a roll of his eyes, “‘Be careful what you wish for.’ I apologise, it won't happen again.”

“Damn straight it won't.”

She maintains eye contact with him for a second longer before tucking herself back into his side, squirming around with a long, contented hum that Damian can feel rumble through him. He smiles and doesn’t complain even when he has to shift to give her more room after a particularly strong elbow jabs him in the ribs. It means leaving the warm patch on the couch, but he’s rewarded with another long, happy moan as she settles and Damian can’t bring himself to mind.

Ellie constantly makes noises. Little mews and hums and laughs and songs known only to her. It reminds him of a cat, sometimes. He likes it. It calms him down; it means she’s happy, so he's happy.

They settle back into the cushions and Damian lets the subject drop, not wanting to spoil the moment. Outside, the wind changes direction and from where he’s laying he can watch as the snow starts to come down thick and heavy. Hopefully it’ll mean a quiet night's patrol.

“Is that why you haven’t introduced me yet?”

“What?” He can't help it, he stiffens at the thought of losing his secret, of the scrutiny he'll be inviting if he lets anyone know.

“Are you worried I’ll embarrass you?”

Damian’s eyes snap down quick to reassure her, only to see her light, teasing grin. He lets out a breath of relief. It figures she wouldn't worry about that.

“Of course not, don’t be absurd. You could never embarrass me.”

“I don’t know,” she muses, her voice taking on a dangerous lilt, “that sounds like a challenge.”

“Believe me, having been subjected to Father’s Brucie persona at every gala I’ve been to, it would take a lot to embarrass me.”

“Alright, bet. I’ll get you, just you wait.”

“You’ve already got me.”

She flicks him on the nose. “You’re such a sap.”

He hums his agreement, enjoying the tinkling sound of her laughter. And then, before he can think otherwise, he asks, “Is that why you haven’t introduced me?”

“That’s different,” she scowls. “You know how hard it is to get there, there’s no signal, and Danny only gets a break like—oh, Ancients!”

Damian gets another elbow to the ribs as she bolts upright, a manic grin on her face that has him laughing.

“What is it?”

“It’s the holidays! It’s nearly Truce Day! You know I said I had a family thing around Christmas?”

“Yes?” 

“Well, do you want to come to it? I can introduce you then! I mean, it’s going to be a bit formal and you’ll have to meet everyone, not just family. There’s going to be some banquets, you’ll have to sit through some long speeches and you have to be on your best behaviour at all times, okay? Absolutely no fighting, it’s called Truce Day for a reason!”

“What?”

“Yeah, it’ll be perfect! I think Jazz is going in a couple days earlier to help with the preparations, so I’ll get her to let Danny know—and fair warning, he will try to give you the shovel talk, but this is great! It’s Truce Day, so he can’t actually do anything about it!”

“I’m sorry, but you're going to have to explain a bit.”

“Yeah, I know, it’s a bit much—but that’s family, right? Danny can get pretty protective over me, which is why going on Truce Day is the best time to do it! He can’t even command the Fright Knight to stab you! It’s genius!”

“Ellie, what?”

“Like, yeah, sure, he’s the king, but even he has to obey the rules of Truce Day—and then once you’ve spent all day with him, he’ll see that you’re a fantastic, wonderful, kind, brilliant, smart, strong, capable person and he’ll get over himself and everything will be good!"

Damian collapses down onto the couch, the wind knocked out of him. This is… He had not expected anything like this at all. For all that Ellie talked about her family, she had never mentioned this.

“Did you… did you say your brother is a king?”

“Yeah! High King Phantom, have I…” The manic grin slips off her face as she turns round and notices Damian. “Have I not mentioned that before?”

“No. No, you have not.”

“Ah. Sorry. Probably should clarify that I’m also a princess.”

“Right. Yes, that follows.”

“And I’m not really his sister, I’m his clone.”

“What?”

Damian blinks and tries to say more, but he has no idea what he’s meant to do with… any of this information. 

Normal. He thought she was meant to be his normal. Nothing could have prepared him for this.

Not that it changed anything, of course, of that he was certain. It’s just… a lot to take in. Overwhelming. But it's okay! He takes a deep breath, and another, and a sense of calm washes over him. Ellie makes one of her little hums as she cocks her head to the side to consider him and he can't help but relax at the normalcy of the sound. It'll be okay, he's dealt with stranger and he can deal with this.

“I’ve, uh… I’ve told you that we’re half ghosts, though, right?”

“What?”

[ruvviks]

Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force. Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out. [SEASON ONE HERE]

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[celestialecho]

🌦️&💤

on childhood best friends.

via ill give you the sun by jandy nelson // via the art of ponyo by hayao miyazaki // jack johnson, we're going to be friends // a message from my childhood best friend // mitski, i guess // via a little life by hanya yanagihara // adventure time, island song (come along with me) // via unknown // abba, chiquitita

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[fala-alfredo-pasta]

One of the most weirdest things to me about the fandom is the idea that Nagito would be extra-warm towards Hajime upon waking up, due to Hajime retaining all of Kamukura's talents. To me I think it would be the total opposite. I think there'd actually be a lot of angst deriving from just how alienated Nagito feels around this Hajime, who's not quite the same person he fell in love with anymore. Taking into account what 2.5 implies about his true feelings about talent (that deep down he's always resented what talent has done to the world and his life), I think it could be especially aggravating if Hajime tried to act as if there's no power imbalance between the two.

"...Stop pretending like I'm still your equal. I'm a talentless freak with a brain that's falling to bits, and I'll be gone in a few years. You're the most talented ingenious human being on Earth, and you've probably got a life expectancy of like 250. You don't get to reap all the benefits of being the Ultimate Hope, and then act like you're still an average joe just because you had some profound revelation in a computer world about how okay it is being talentless."

Yeah I feel that. Though it's understandable fandom would run with the "Talent-sexual" Nagito joke given how much he fawns over those with talent and to then apply the logic to "the more talents = the more Nagito will like you". The moment in the anime when he's overwhelmed with adoration simply being in Izuru's presence for the first time also doesn't quite help in this regard, though pretty sure that was put in there more so for fanservice and comic relief.

Funnily enough, as you mentioned, the anime also brought into question how much sincerity Nagito's love for talent truly is. So then it makes you think--if Nagito actually resents talent, then applying the earlier logic: wouldn't the more talents = the more Nagito resents you? Both things are somewhat of a flawed logic, but it's interesting to explore that side of Nagito because it really paints a picture of how deeply entrenched his delusion with hope and talent are. How many layers of denial and repression do you have to be in order to act so sincerely and consistently with your fake ideal that talent=hope and the Ultimates are destined to bring forth that hope? To the point that you circled back around and gaslight yourself into believing it to be a fundamental truth?

At what point did that resentment arise? Did it grow alongside his admiration for talent? Every time he felt his resentment towards talent did he push it back down with positive thoughts of talent instead to try to "look on the brightside/find the silver lining"? Did it get to the point that his resentment was so incredible that he had to think talent positive thoughts 24/7 just to keep it at bay? Is he doing this because otherwise all he'll have left will be hatred, despair, and a bleak view of the world being cruel and unfair? And he'll constantly be wondering why some are blessed with advantage and prodigy while others are seemingly born to suffer and stay stagnant despite their best efforts? Why does the world continue to favor some and crush everyone else? What has everyone done to deserve the life they have?

Honestly, this just further proves that Nagito's obsession with hope and talent are his last ditch attempts at giving himself purpose in a world cursing his existence. Ironically, this unhealthy coping mechanism is the better of two mindsets he chose to follow. Really goes to show that Nagito, despite everything he says, has not given up on himself if he's trying THIS damn hard to keep up the facade and have a reason to keep going everyday. And this is the reason why that OVA is my favorite episode from all the anime as that one line adds so much more nuance to Nagito's already complicated ideology.

Sorry, I sorta derailed things to ramble about Nagito but what did you expect from a Nagito simp after all? He's been rotting my brain for over four years now. But to come back on topic, this post-game Nagito with his looser chokehold on hope and talent would most likely have to contend once again with that resentment, but now with a weaker shield. As such, I do think he'd have mixed feelings about Izuru/Hajime. Part of him would probably sympathize with Hajime's pain from the surgery and the fact that he'll never quite be only Hajime anymore. Izuru is and will always be there. Learning to live with the permanent changes to his body and mind is something Nagito knows intimately--way before he became a remnant. That being said, well....Hajime did get the best case scenario for his outcome. Even some of his emotions returned despite the physical improbability of it happening. And yeah--he gets to keep all those useful talents now too. He's also in better physical health than most of their other classmates and his real name isn't inherently associated with Ultimate Despair. He could go back into society looking the way he does with his legal name and no one would even know he was ever involved with Hope's Peak.

So yeah, that sympathy Nagito has would not be enough to squash down his resentment. I can't imagine him fawning over Hajime post-game given everything that's happened and especially after finding out how Izuru was created (as I talked about in a previous ask). There will definitely be an adjustment period where in Nagito may even be passively hostile towards Hajime. But I think a part of Nagito--the part that white knuckled that silver lining for talent---would try its best to look past that and accept Hajime as a sincere friend. It's just going to take a while for him to get there. But he'll try. Doesn't mean he won't be a snarky passive aggressive guy through out it though. I do think he'll be more blunt about his honest feelings towards others whether they like it or not. Talent be (slightly) damned.

[spaghett-onaplate]

depression is really weird actually wdym i spent 2.5 years of my life in bed

[possiblyfunny]

I forgot how to make posts, but don’t worry guys, I’m still alive-

Ghostly Assistance

Heyyy! I finally drew Leaf! (Plus a slight Aster redesign-) This took way too long, and I apologize for the delay and the overall messiness. She had been sitting in my drawing program as a sketch for two months 😅 but with the Flashbacks up starting in Missing Numbers, I finally got the will to finish it!

Leaf Aoyama belongs to @creatively-cosmic. They have a blog called @themissingnumbers, which you should check out, like—right now.

[Sketch + Extras below the cut!]

Here’s the cover of the book, if you wanted that- (I know it’s crap but I’m tired)

[And for those who are curious, some notes about the art:

-The book is Aster’s. He’s read the book cover to cover well over 25 times. It’s his favorite book on flowers, but he’s more than happy to lend it to someone who wants to learn about flora.

-The content of the art (because there was intended to be a background that got scrapped-) is that Aster was showing Leaf around his secret garden deep in the woods, guiding her so that she wouldn’t get lost and showing her the different flowers and such. (That’s why she has the book-)

-You know how in some video games, you can press a button and whatever special companion you have will show up to give you a hint? (Ex: Navi, Fi, Rotom, Olivia, etc) That’s what Aster is doing right now. Whenever Leaf had a question—he had the answers.

-And if you’re wondering—Yes. Aster did make her a flower crown afterwards. And Yes, he thinks she looks very beautiful with flowers in her hair.]

[indecisive-v]

forgive me, i've really gone down the p5x rabbit hole now