#i put in my basic strategy in the post so others could give it go if they want

[spookyjarchivist]

sometimes i think about how we don’t actually use the hobbit characters real names (and probably more i haven’t done much of a deep dive),, like bilbo’s real name is bilba, we know this, it’s canon, we just call him the fake translation bilbo bc we see that version used throughout the books, ive seen one or two people in fic make their real names their real names in a fake “hobbitish” language and then have their fake names be “westron”-ized outer name versions like the dwarves do, which is a wonderful way to squeeze it in, but it’s a bit weird we never just use their real names, like yeah tolkien was basing it off of the translation style of his time, but it’s also a bit of a translation faux pas nowadays, so theoretically we should be using their real names if we’re in keeping with the evolution of translation standards, which is a very fun way of looking at it, a bit tempted to do some thorough research and make an “updated translation” version of the books, which is wholly unnecessary and no more than a fun novelty item type of thing, but it feels like the exact sort of nonsense tolkien would love, the main things that would change besides names would likely be some turns of phrase or minor words and proper nouns and such

[shirecorn]

Your reindeer designs give me such childish joy I can't wait to see the rest. What's your process (aka any advice) for designing from scratch with something like just a name or concept?

Redbubble (buy reindeer swag) || Patreon (see all early!) || Ko-fi

See more free tutorials!

You can see my process unfold in real time by joining any tier of my patreon discord. Which doesn't even have to go through patreon! If you want, you can just pay me $20 and let you in for a year (and then lose track and probably keep you anyway)

Here's a preview using comet! (nevermind the preview thing I wrote you a whole lecture lol)

initial sketches in 2021:

Revisited in 2022 and 2023

I was constantly asking which design was the weakest, why, and how to fix it. Whenever I tested without the magical comet behind it, people could only guess who comet was by process of elimination.

I didn't want to rely on throwing icons into the design. I wanted each one to communicate through shape and silhouette alone. It would be like drawing a little cherub with a bow and arrow floating along with cupid. If you have to include a nametag to communicate, your design can be improved.

So I tried a few different strategies to say "comet" before I realized I could twist the antlers into any shape I wanted. I was worried I would have to discard the drawing and restart from scratch! Which is what I did for rudolph about 6 times before I had a breakthrough.

Then I gave my patrons a brief lesson in antlers to explain where and why I was placing the tines. When I stray from the caribou structure, I do so knowingly in order to achieve something that cannot be achieved within the caribou shape, like dancer's tutu. Know the rules before you break them. My goal is to make animal nerds (myself chief among them) happy when they see species-specific anatomy instead of cop outs.

I tried a few things before figuring out antlers could become comet

Another thing that often caribou have is an unsymmetrical "spork" that comes forward off only one antler. I figured this out by looking at hundreds of reindeer pictures and saving them to my reference folder. A few of my designs have this, that's what the little spiral is in the final comet antler design.

When I put comet in my lineup, I realized that the antlers I drew were way more stylized, chunky, and "tribal" than the others. I had already changed the proportions on one of my designs to match, so then I had to hack away at the basic comet rack to make it look natural.

I already knew that comet's colors would be easy because a basic reindeer already Has the big comet on the shoulder. But here's a peak at all the reindeer images I posted for my patrons to look at.

As you can see below, I chose reindeer markings for all my designs instead of other deer or animals. Even vixen is tied to actually possible reindeer patterns rather than copy-pasting a fox. Almost all of my designs have light-colored anklets on dark colored legs, which is very common with caribou of any color. This is the sort of thing no one tells you; you have to observe it yourself.

Ft cupid's early design! I was continually testing out my reindeer silhouettes and colors on new people, taking their feedback, and fixing what wasn't clicking.

I know I could have made vixen sexy and curvy to play into a recognizable trope, but I really wanted them to be scary and fox-like. Sometimes you gotta do what you want and not what you think will appeal to audiences. Reindeer Days is a purposeful exercise in audience resonance. Most of my art is 100% me and what I feel like doing with no regards to anyone else. So it was a fun challenge!

My patrons also got to see me making fun of corporate designs for recognizably/cliches at the expense of literally anything good

One of these is going to get a lot more "that must be vixen!" results from people who aren't constantly thinking about animal colors, markings, hunting strategies, and teeth.

And one rocks.

Vixen changed the least from the initial 2021 concept!

A Vixen is a female fox. In english slang, it means a cunning, fierce human woman, and sometimes sexually attractive or promiscuous. Quite often an insult to someone because she won't date you!

But to me, a vixen is an animal. A predator.

When designing to reference something, I like to hit it at multiple angles, referencing obscure trivia about something to delight and educate. This is done by researching a topic deeply, far below surface level and beyond what you think you need to make your design. Or in my case its just knowing a bunch of animal trivia already.

After researching/dredging your knowledge, sit there and Think. Don't draw anything. Come up with several ideas and then throw them all in at once for the ultimate trivia design.

Trivia about red foxes:

They have Long bushy tails

They have teeth that include large sharp canines, flat incisors, triangular premolars, and chunky molars with points on them that slide scissor-like with the molars above to cut meat via chewing

They hunt rodents in burrows under the snow by jumping into the air, arcing, and slamming down with their face through the snow

They are orange

They have a dark vertical stripe on their snout

They have black legs, with the backs and bottoms being orange

Translated into the design:

Pose based on a fox jumping, about to land in the snow

Antlers twisted to resemble teeth

Long (for a reindeer) bushy tail

black mark on snout

Some adjustment to the pose to be at the top of the arc and flow better.

Tinkering with the design to make it recognizable but not 100% copypasta fox

I was finally happy with a design that absolutely showed "fox" while still being creative and plausibly caribou shaped. This would absolutely communicate who it is! I thought!

The most obvious one of the bunch! After all, everyone knows what a vixen is!

Nope! No they do not

Want to be part of the design process, help me with WIPs months before everyone else, see exclusive doodles every day, and join a funky little community?

(you also get to see photos of my dog)

Connect your discord to your patreon and join any tier to automatically get added to the server. Not a fan of patreon or monthly subscriptions? message me here, on ko-fi, or via email (shirecorn.art@ gmail.com) and ask if you can pay $20 to get put in the server for at least a year and longer if we work it out later!

This was supposed to be a preview to get you to pay me but instead I wrote an entire lecture for free because I can't help myself.

Want to thank me for the free info? Tag me when you use what you learned! Comment and give feedback! If I could pay rent with attention I would never need anything else in life.

You can also thank me by tipping my ko-fi! I use it to buy pens since I die if I have caffeine. But could you imagine??

[oneatlatime]

Bitter Work

Life took me out at the knees for a couple of weeks but I'm back! I'm hoping this is a nice restful episode after the relentlessness of The Chase.

I have to say, Toph's nicknaming skills are on point. I never would have thought of Sugarqueen, but it fits perfectly.

This is me. Every morning.

Full nose plant from Appa.

And the beat up Sokka quota is fulfilled. Very funny Toph, but completely uncalled for. If someone had catapulted teenage me 50 feet into the air while I was trying to sleep, it would have been fully justifiable homicide.

Aang is always trying to run before he can walk. What was Iroh always saying to Zuko about basics? Aang needs that speech too.

I was really on the ball in my post about how airbenders aren't homicidal, actually. Rock is a stubborn element. Yay me!

Aang earthbends = Earth bends Aang.

Seriously, how did he mess up that badly?

Cozy.

Thank you Zuko for the incredibly obvious exposition that's somehow completely in character. Interesting to see that Iroh and his son had brown hair, but Zuko seems to have black hair. More hair variety in the Fire Nation than I thought.

Tangent time! I love the contrast in social intelligence (I guess that's the term?) in this scene. Zuko wakes Iroh up with an infodump, some bad tea, and then gets straight to discussing strategy. Iroh's first actions are to compliment the bad tea, then dispose of the refill in a way that won't hurt Zuko's feelings (probably not necessary, as Zuko seems to be the type that's oblivious to all things other than the task at hand when he's focused). Iroh, injured and awake for all of 15 seconds, jumps straight to actions that help look after his nephew. And Zuko is trying! That's why he made tea! But still, he doesn't even ask if his uncle's feeling ok. Zuko has such a massive gap in his education - he can probably reel off the specs of all Fire Nation battleships, but he doesn't know how to be a human person. Contrast that with Iroh, and especially Katara, who makes friends and connections with such aggressive forwardness that she's at times more steamroller than teenage girl. It's funny how privilege plays into this too - Zuko comes from probably the single most privileged (on paper) family in the world, yet it's the children of the impoverished water tribe who have the more well-rounded education/socialisation.

"She's crazy and she needs to go down" go a full belly laugh out of me.

"What if I came at the boulder from a different angle?" Jesus I was REALLY on point with my post about the airbenders. Credit where credit is due, this show has such good writing/worldbuilding that viewers have picked up what Toph is laying out in this episode already. Also a little bit of stealth character work in there - since Toph is putting into words what we've been thinking this whole time, she now reads as trustworthy. This show is so good. So thought out.

Maybe it's just VLC being weird, but methinks Katara is having some trouble with her eyeball.

Katara STOP BABYING HIM. This is why I don't like Aang having a crush on her.

Honestly it's refreshing to have Toph giving it to Aang straight, no softening the blows.

I really like this texture.

Sokka's club is a giant bottle opener. Or at least a multitool.

ROCK SUITS

wait

ELEMENTAL FASHION

oh this is going to be haybending all over again.

They are totally going to have to nerf this girl. She could defeat the Fire Lord right now.

Earth beats water tribe

Someome who knows more about tea than I do: Why are both pots necessary?

"requires peace of mind" well that's out. Sorry Zuko, we'll have to get you a taser instead.

"So we're drinking tea to calm down?" "not it's to get the nasty ass taste of the sludge you brewed out of my mouth. I mean yes." For what's looking like an extended training montage, this episode is far funnier than it needs to be.

I pretty much don't notice Zuko's scar anymore (it's just part of his character design) then every so often a certain frame of animation will come out of the blue and remind me that this kid's missing half his face. I don't know if it's intentional on the part of the animators, but his scar is prominent this episode.

So it sounds like bending lightning actually corresponds with how lightning in our world works. Neat.

In an absolutely Shocking turn of events (pun absolutely intended), Zuko fucks it up. Fucking shit up: the autobiography of a Fire Prince. Has a nice ring to it.

Toph I know you go hard, but maybe apply a sense of proportion to this?

It kind of looks like Aang's about to be run over by a giant scoop of caramel ice cream.

Toph is such an interesting mishmash of bluntness and emotional intelligence. I don't think I've seen a character like that before.

Zuko being self aware for once! Everything always does explode in his face. Except when he's being the Blue Spirit. Seems he's more capable then.

It's a tragedy that this boy wasn't around for the emo movement. He would have single-handedly sustained Hot Topic.

Zuko going "WHAT TURMOIL?!?!?" is like Katara going "I'M COMPLETELY CALM!!!!!" last episode. Also got a laugh out of me.

"I'm as proud as ever." OF WHAT?!?!? What could he possibly be proud of? He's a homeless fugitive with a stolen horse bird and a half-dead uncle that he can't even properly brew tea for. The self-delusion is strong.

Is pride the source of shame? Honest question, I don't know.

There's a surprising variety of trees in this part of the Earth Kingdom. Where Zuko and Iroh are there are fluffly hardwoods, probably deciduous; Toph's training ground is ringed by cartoon pines.

This whole bit is too cute for words.

"Now come back boomerang" This is a training episode, it's not supposed to be this funny!

Are there voice acting awards? Like voice acting oscars? Sokka's actor needs one. Or several.

I should have waited to answer the ask about airbenders and just copy pasted Iroh's speech here. Except for the water = change bit. That doesn't make sense.

What can I possibly say about Iroh's speech? It's the thesis for this show in a single paragraph.

Pretty.

Are characters' eyes a different shape this episode? Aang's eyes change colour all the time, but everyone's eyes seem more cat-like.

I do love me some constructive bullying.

Sokka is so refreshingly self-aware while still totally oblivious. He is meat and sarcasm, but he's so much more!

"Have you got any meat?" He said that in an Irish accent.

"You're gonna pull my fingers off and I don't think the rest of me is coming!" Do you ever come across a sentence that is so obviously an innuendo that your brain trips over itself trying to decipher it?

Sokka's hair must be so fluffy. It's got so much volume.

Why can't he go get Toph? I think being stuck in a hole outranks avoiding an awkward encounter.

FOO FOO CUDDLYPOOPS

"You must not let the lightning pass through your heart, or the damage could be deadly." Foreshadowing?

Today in 'things Zuko thinks it's acceptable, nay, expected, for parental figures to do' - attempted murder as a teaching method! What went on in that palace?

Is this the closest Sokka's come to dying?

He's earthbending the air! Doing air but earthlike. You know what I mean.

I thought she was levitating.

Toph is so smart. She does the airbender thing and comes at the problem from a different angle. Telling Aang to stand up for himself doesn't work? Fine. Let's bully him into standing up for himself. And it works!

This episode's MVP is Sokka's patience.

"You tried the positive reinforcement, didn't you?" uhhhhh sure!

Appa getting vengeance for Sokka. Nice.

Theatre kids.

I wish Zuko would just have the breakdown he's obviously hurtling towards so we can get started on the rebuilding arc. Every time I think he's a rock bottom, he keeps digging.

Luten is Katara. Let's not read too far into that one.

Final Thoughts

I defy any episode from this point on to fulfill the Beat Up Sokka Quota as thoroughly as this one did.

In a lesser show, the 'Aang learns earthbending episode' would have had Aang & Toph as the A-plot, and Sokka & Katara doing something completely unrelated as a b-plot, and probably no Zuko at all. Sokka does have his own thing going on this episode, but the fact that they managed to weave in both water tribe siblings so organically is so satisfying. Of course a team member struggling to learn a new skill would seek out his friends. Of course his friends are in the area, observing the lesson to varying degrees. It feels so much more real to have the characters who aren't 'useful' that episode still there, rather than conveniently absent.

Zuko was very Zuko this episode. He's correct that he needs more training for his inevitable next encounter with Zuko jr., but Iroh is also correct that Zuko is a bundle of issues held together by a different bundle of issues. Not to jinx it, but I thought I detected a hint of self-awareness from Zuko this episode, although it seems to have occurred despite his best efforts to suppress it.

Iroh's Zuko-wrangling skills were sharp this episode, despite being injured. And his wisdom was off the charts. Zuko was also not as annoying as I usually find him, and unlike in Zuko Alone where I found his quieter self to be out of character, it fit this episode. Maybe he's turned over a new, quieter, leaf? I loved "she's crazy and she needs to go down" both as a joke and as a statement. Shared blood doesn't trump someone's actions, and I'm glad to see a show meant for kids acknowledge that. Although, given that this show has no problem depicting objectively BAD parents and families, I can't say I'm surprised.

In a testament to Jack de Sena's skill, Sokka get a soliloquy this episode and pulls it off flawlessly. Kudos to the animation team for making Sokka's face fit the words so well. Double kudos for whoever had the balls to approve 'stick Sokka in a hole and put an apex predator on his head to force self-reflection' as a plotline.

There was a lot of exposition from a lot of different characters this episode, but it's mostly unnoticeable. It just makes sense that that's what they would be talking about at that point in time.

I think I said it above, but I'll say it again: the worldbuilding in this show is phenomenally well done. How do I know this? Because I was able to construct most of Iroh's monologue before watching this episode, just by paying attention. This show rewards focus and attentiveness. (Almost) nothing that Iroh said was not something the audience has already observed for themselves. Not heard, but observed. That 'show, don't tell' thing.

This episode was way funnier than it needed to be too. Not just the obvious stuff like *inhales*

FOO FOO CUDDLYPOOPS

but tiny one-liners buried mid-conversation and character interactions too. Momo turning into a reed didn't have to be there, but it was, and it was funny. It wasn't exactly restful, but it was a relief to have an episode that really didn't move around after The Chase.

What I like most about this episode was that it went farther than it had to. This was a training episode. It could have been just training. Anyone familiar with training episodes would expect just training, and be satisfied with just training. But Avatar said 'nope, we'll do better than that' and organically incorporated a heap of character stuff, worldbuilding from multiple perspectives, humour, multiple characters undergoing self-reflection, the next step in the domestication of Zuko, what I'm hoping wasn't a heap of foreshadowing, and pretty backgrounds as the cherry on top. They didn't have to go so hard, but Avatar always goes hard. I like that.

[biggaybunny]

Thinking again about the original Spyro games and 3D space in games.

The move to 3D was a tough one for platformers. I think we can all agree on that. Even fondly remembered titles from the era of the N64 and the PS1 were known for having tough or clunky platforming controls. Camera problems, awkward character control, issues with depth marking, difficult gaps; there were all sorts of problems. Hell, the platformer genre shrank to near-nonexistence in the coming generations of games; Mario Sunshine for the gamecube, the first 3D mario after 64, is considered one of the weaker entries, despite having gone to extreme lengths to try and compensate for the difficulty of platforming in 3D (they gave you the ability to hover in air and correct missed jumps, this wasn't by accident).

But back to when platformers were first breaking out into 3D, you can see that a lot of different strategies were used to try and compensate for the difficulty introduced by the new dimension. Crash Bandicoot is well-known for its tactic of restricting the player to two dimensions at a time, giving you obstacle courses of various types to run through, but mixing them up between and even within levels so you still felt like you were playing a 3D game. Other games would give you a double jump to help correct yourself, though the examples I can think of were games that came out a little later (like ratchet and clank for the ps2), so they had the benefit of seeing what worked and what didn't for the first wave. Mario 64, interestingly, simply toned down the difficulty of the platforming challenge, as well as the punishment for failure in all but a few areas (mario had never had a life meter in the 2D games, and certainly wouldn't survive falling in lava in those). You might expect me to say "and that's why Mario 64 was more successful" or something, but that's not my point, and honestly, I think discussing that would be beyond the scope of what I'm trying to get at.

So what I'm trying to get at is that the move to 3D required anyone who wanted to make a platformer to think about space. How they wanted to handle space, how they wanted the player to interact with space. For the platformer, space itself, the geometry of the game, is crucial. Now, obviously, every game is affected by its geometry. A shooter is drastically different if enemies can only come at you from a corridor or from any direction. I'm not saying it's not important for other genres, I'm saying it took even greater importance for platformers. Because it's not enough to say, okay, the player can move in any direction. You have to go a step further. How can they move through every direction? What limits them? What details are there to the geometry that aid or impede that? How many directions can they move at any given moment? In a lot of platformers of the day, a lot of the actual challenging platforming sections tended to happen against walls, or in areas where the player had only to move forward and back, or side to side, at one time, neither both at once (you see this in basically everything Rareware made for the n64).

Spyro (remember what I originally said this post was about? lmao) embraced the possibilities of 3D like no other early platformer did, in my opinion. While Crash put up guide rails and Mario slowballed the challenges for you, Spyro was about using the depth and breadth of the 3D world. Other platformers jump vertically, but Spyro went horizontally. Your challenges weren't above you, they were over there. Yes, way over there. In the distance. Yes, all the way over there. You can't translate Spyro back in to 2D because it actually used all 3 dimensions. What you could see, you could get to, and not by walking over there, but by using your skills. For me personally, as a child, I never even saw the draw distance limitations as a downside. Gliding over a vast chasm and watching treasure and enemies "come into view" as I got close was exciting! It was exploration! Seeing a place and figuring out how to get over to it was a challenge. Trying to eyeball a trajectory and see if I'd make it was exciting. It was all made possible by using the distance and depth of the world, and the relative height of regions of the land. The entire 3D landscape was there, for you to traverse in fun and interesting ways.

There were some drawbacks, yes. Missing a jump in a traditional platformer is often something you find out quickly, and you can quickly learn and iterate on your mistakes. Missing a glide in Spyro often wouldn't be apparently until the 14th second of a 15 second glide, and by the time you got back to where you jumped from you couldn't be sure where, exactly, you had jumped from and if you just needed to try again. The level design was also often hit or miss with clueing you in to the existence of hidden jumps. And by necessity, levels had to full of large open gaps most of the time, which often make the world feel empty and kind of eerie. But I think these are all things that could've been solved with a little bit of iterating on them and some cleverness. Just take a look at how well Crash 4 works after the first 3 Crashes kind of hit a wall with their formula.

I really think that even modern entries in the 3d platforming genre struggle to take advantage of the potential of their world as well as the original Spyro did, at least conceptually. It's a shame the series has been mismanaged as badly as it has for as long as it has, but then again, even the original trilogy was getting pretty bad by the 3rd one. It's just a really hard formula to get right, it was probably a lot easier to copy what everyone else at the time was doing and add more gimmicks and minigames and side characters. So instead of getting to explore rich magical landscapes with a unique moveset as a cool little purple dragon, we got to go skateboarding with Hunter.

I fucking hate Hunter.

[greentrickster]

Before Binghe starts actively courting Shizun he realizes that he’s going to have to deal with his most dangerous opponent in this goal: Liu Qingge. He is a powerful adversary who has an (annoying) amount going for him and also those four years Binghe wasn’t there to bond with him. This will take strategy, and a deft hand.

Binghe: (pointing at the third slide of thirty-six slide presentation on why it would be better for Shizun to marry him first) Furthermore, Big Bro Liu is a skilled warrior, but has demonstrated no ability or training in keeping house or entertaining company, both of which are key duties of the first spouse. I, in contrast, have been training for such things my whole life, and would in fact prefer to be the one to handle such things-

(Slide seven gets into how LQG, being a war god, would be better suited for protecting Shizun from enemies and finding him cool monsters via night hunts)

(Slide nine allows for the possibility of LQG taking Shizun along on night hunts, but Binghe gets to come too because he doesn’t trust LQG’s cooking skills)

(Slide fifteen is just “Can you even balance a budget?”, that’s it, that’s the whole slide, it is accompanied by a pointed look and nothing more)

(Slide seventeen gets into how two balance two peak lords being married to each other and living arrangements)

(Slide twenty-two I’m the caretaker, you’re the provider, and Shizun is spoiled rotten, this is how things should be)

(Slide twenty-five admits that Binghe and LQG will probably have to start getting along if they want this to work since Shizun likes both of them)

(Slide twenty-six adds that, as a husband instead of househusband, LQG has 0% right to wearing a character apron. He can have a regular one to help around the house if asked, if he has complaints learn how to do laundry, the character apron is a privilege, not a right)

(Slide twenty-seven puts forth a potential breakdown of timetables for when they should each start courting and how they should support each other in these endeavors)

(Slide thirty-five relents that this is, of course, all hinged on Shizun being willing to marry either of them - Shizun’s word is law)

(Slide thirty-six: Questions?)

Liu Qingge has many questions and much confusion, especially over the fact that Binghe seems to be making some legitimately good points and have some decent ideas in here, especially regarding both their strengths and weaknesses.

And, while I do enjoy a nice throuple with these three, a good ol’ equilateral triangle relationship, in this AU I like the idea of Shen Qingqiu being in romantic relationships with both Binghe and Liu Qingge, and Binghe and Liu Qingge in a queer platonic relationship with each other. The idea of them somehow sliding into this quiet, mutually supportive relationship laced with non-sexual intimacy and shoring up each others’ weaknesses. And Luo Binghe stays home while Liu Qingge comes and goes as he needs and pleases, and they all give and receive different things from each other.

Thinking about it, it might be interesting if Liu QIngge was actually more comfortable with Binghe visiting his dream realm than Shen Qingqiu, just because in his dream realm there’s the whole environment to communicate what he wants to say instead of just words, which he has a hard time with. Possibly Binghe could teach him a little about controlling his personal dream realm, maybe learn how to send messages in dreams so he has a way to call for help if something happens on a mission or night hunt and there’s no one nearby to help him. In return, Liu Qingge helps Binghe re-hone his sword skills (regardless of iteration, this world they live in is dangerous and fighting skills are basically a requirement, even for a househusband), since he and Binghe are both physical cultivators in contrast to Shen Qingqiu’s spiritual cultivation...

...also this was meant to be a semi-humorous post about Binghe trying to get Liu Qingge to go along with his plans via a slideshow, when did it turn into serious relationship development and exploration between the two of them and how this relationship fits into this AU...?

Anyway, point is, these two can be super hot together, but I’ve enamored myself with them quietly leaning on each other in this AU as they care for the man they both love in their own ways.

[literaticat]

hi jenn! im in the very fortunate position of having multiple offers on my book. what sort of questions/things should i look out for to choose between—what seems like—two stellar agents? thanks!

Congratulations! That's definitely a "champagne problem" :D

The other day (week? idk) I wrote a post about what you might expect on "the call" with a potential agent, and there was a link in there to potential questions to ask. (There is LOTS and LOTS of advice on the internet about what to ask a literary agent, too, so I won't reinvent the wheel by writing it all down here!)

Basically, though, just go into each call with an open mind and see what they have to say. You can by all means have a list of questions like the ones in that link above -- but I bet they will answer many of them before you even have the chance to ask. You can absolutely compare and contrast their agency agreements. You can absolutely ask to be connected to a couple of each of their clients to ask them what THEIR experience has been. (Caveat that obviously they aren't gonna give you the info for people who hate them, so it's likely the clients will give nice recommendations -- but still, it's useful to hear!)

Remember that this is about YOU and YOUR needs and YOUR book. So don't base a decision solely on "this agent/agency is more flashy" or "this agent is more internet famous" or whatever -- I'd listen to them both and see if you like their communication style and agree with their assessment of the book. Does one of them seem to "get it" more than the other? Is one of them more "editorial" than the other (and do you WANT that)? Does one of them have a big track record in that kind of book specifically? What are their thoughts about a strategy for YOUR book?

Let's say one of them says, "oh, this will sell for six figures tomorrow, I'd send it out as is" and the other one says "well, I think this needs some revisions" -- the first one, I'd raise my eyebrow at a little, tbh, because I don't give a shit who you are, NOBODY can guarantee that a book will sell quickly and for a large pile of money. (In THIS economy???) -- the second one, I'd want to know what kind of revisions -- major, minor? Do you agree with the general thrust of them? Do they, in talking about the book, seem to be nailing things that you have actually thought about already? IF SO, that would make me feel like... yeah, they are probably right! And I'd lean toward Agent 2 in that scenario. If, on the other hand, I really wasn't feeling the revision they mentioned, maybe that would make me lean toward Agent 1 -- I'd just temper my expectations by putting a large grain of salt on the "six figures tomorrow" business! ;-)

After you talk to them both about themselves and their agency and their feelings on the book, and you've asked every question you can think of or find online, and you've compared their agency agreements, and you've spoken to their clients -- well, it could be that they are both perfectly excellent in the exact same ways -- but I'll BET they are both excellent in slightly different ways. So sleep on it. What does your gut say? Does one just FEEL right to you?

(If after ALL that you truly can't decide, well, they both must be great, so really, it'll be fine either way! So at that point, I guess you do what I do when I'm trying to decide what to eat for dinner. Get a coin. Agent A is heads, Agent B is tails. Flip it. Whichever way it lands, what's your instant reaction? Do you feel satisfied? Or kinda disappointed? That's your answer!)

Good luck! Yay!

[starryjkoo]

Alright, not to get too caught up in the MHJ drama, but I’m crying because I just reread my now deleted post-Golden rant complaining about BSH, SB, and my issues with their strategy and I got to this part

😭😭😭

No but I was right. Say what you want about MHJ, but NewJean’s was truly HYBE's only other major success outside of BTS and it had nothing to do with BangPD and it turns out that it absolutely did piss him off LMAO. I knew it. You don't have to believe everything she says, but the elevator thing was basically confirmed and there's no normal, well adjusted adult who would ignore young girls like that if they weren't an immature, petty asshole.

Not to be messy and reopen this can of worms, but it does make me think it's even more likely that he might have been a little bitter over LC hitting #1 considering he couldn't take credit for it. He had that whole article in billboard that came out around the same time talking about how they were going to get the next #1 through their connections or infrastructure or however he put it, which was clearly referencing SB & HYBE America. I think he was trying to make it seem like this whole Scooter A&R strategy was ingenious and vital to Western success based on how hard they kept pushing and talking it up. So if MHJ was telling any amount of truth about his attitude and how he acted towards NWJN's, I just can't help but feel like he must have felt at least a LITTLE negatively about LC hitting that #1 right after he was talking such a big game about how his system (that he spent a billion dollars on) was going to be vital to that next #1.

LC was a Korean song Jimin made with a small in-house team so it must have been a little embarrassing for him to say all that to billboard (and probably investors lol) and have it be immediately invalidated. And LC so clearly demonstrated that BTS and the members could still pull off these big feats without him or his ideas and massive investment and personal involvement. And yeah, billboard did target LC right after that to try and smear it's success, but I think this argument still holds up. Especially because if LC was given any extra care or support it could have kept charting. And what billboard did in it's second week was insanely dirty.

(I’m not saying he was MAD about it, or that he didn’t talk it up to investors after, or that he sabotaged Jimin like a vengeful cartoon villain, I’m just being petty and speculating and saying I don’t think he was thrilled about it considering the circumstances)

Likewise NewJean's released music that did have a good chunk of English but was still Korean, and they managed to break a bunch of girlgroup billboard records as well, and that's ANOTHER project that BSH didn't have his hands on at all. In fact it was one he didn't believe in. Yes, ILLIT broke their record for getting their debut song on billboard quicker, however BSH followed the formula that MHJ created and apparently didn't even consult her or give her any credit while creating a group that was clearly inspired by her work (I genuinely love ILLIT and think they have their own identity! But they do follow the formula that MHJ popularized). So it's not like he got another group on billboard with his genius, it was again just following a formula someone else created (Magnetic was a bop and I loved the whole EP, so I'll give him that!).

I honestly don't even know what SB brings to the table that's so helpful because all they need for a pop song to succeed is basic charting tools like CDs and remixes and playlisting, which they could get before him, and basic decent promotions for visibility. And he's not doing anything interesting or helpful for the non-pop releases even though there's a massive market here for indie, alternative, R&B, and rap. Why wasn't CBTM on college stations? He's useless because the pop releases don't even need much to be successful. And none of JKs promotions were new or unique or something they couldn't have gotten before SB either. And if he's doing something else behind the scenes, I don't think that's worth it either.

JK did have more GP tuning in, but his solo debut was still heavily carried by ARMYs who took advantage of every provided tool, so nothing revolutionary they couldn't have accomplished pre-SB. It wouldn't have worked for anyone else like I said before either, a good example being TXT and their Jo Bros collab which flopped. BSH was all overconfident (top 10 on billboard lol) about it because he thought the secret to success was simply - western producer, western collab, english - but their fans didn't care for the song and therefore it didn't do well. So yeah, at the end of the day it's about good music and/or having a big fandom willing to carry (and that very rare charisma the BTS members have). Not whatever stupid synergy strategy BSH thought he unlocked. Honestly I wonder if he's really that stupid to think that they could get a hit with just those things, but I'm starting to think so. Genuinely what good decision has he made lately that wasn't just following trends?

Won't rehash everything again but this MHJ drama did make me look back on all this discourse even though I swore I was done with it. I'm not as bothered by all of this now, I just think it's interesting to look back on and compare some of her criticisms of HYBE & BSH to many of our own criticisms and speculation. While I take her words with a massive grain of salt, I do think there's a lot of outside evidence to back up some of her claims about the company and their issues (and I'm not her fan or excusing her actions or saying she's always truthful either).

Of course I could be totally wrong, just my thoughts. I'll go back to looking forward to Jin returning and upcoming projects because at the end of the day the BTS members are the ones responsible for their own careers and they have to be the ones to advocate for themselves and deal with their company, but the plus side of this situation is that I hope at least some K-ARMYs are approaching the company with more scrutiny and hopefully holding them accountable for certain things, although I won't hold my breath. It was hilarious seeing HYBE's quick response to their complaints about Jin's hug event though. I wish I-ARMYs would stop being such company stans (you can criticize HYBE/BH without being a manti you know) but not getting my hopes up.

I just sincerely hope that this whole SB creative strategy won't carry over into BTS music, or any more of their solo work. I wouldn’t care if the quality was there, but imo it’s too inconsistent (I definitely enjoy most of Golden! Seven is a bop, SNTY is 10/10). It’s not about creating art or good music for them, it’s about trying to design a song that they think will chart. And songs like that will almost always lack in some way. So I hope this doesn’t become a pattern and the members retain their creative freedom and recognize that they definitely do not need to rely on those people for a hit (ofc unless the want to work with them).

[straw-beret]

what's up with the pacman machine in the link click opening?

well friends, I'm about to cobble together some information that is so irrelevant to the main plot!!

(also: i came up with this theory prior to episode 11 coming out, but when it did, it only really solidified it for me).

more under the cut :) and spoilers for the most recent episode of link click (episode 11 season 2)

if you know me from my most recent link click post, you'll know i am unnaturally obsessed with the claw machines of the season 2 opening.

But wait, what's that third machine in the middle? The yellow-ish one that's sort of dimly lit?

it's a fucking pacman arcade machine.

a pacman arcade machine that doesn't appear in the show itself.

being me, i had to go on the most unnecessary deep dive into what the hell the relevancy of this pacman machine could be. it's jammed between two of the claw machines in the intro but mysteriously absent in the episode itself. and while i don't have an explanation for THAT (if anyone has an idea, pls lmk!!), i do have some info on the game.

when you start up a game of pacman, this is the general visual you're going to get:

In my opinion, the most important thing to note is the colours of the ghosts. Notice we've got three in that box: blue, pink, and orange. And outside we have red. Do these colours happen to remind you of anything— or rather, anyone?

that's right. the link clickers are the ghosts in Pacman.

All jokes aside, I do think there's at least a bit of merit in this observation. Because red— i.e. qiao ling, is isolated from the power users.

(pink could be either of the Li twins, for convenience's sake i'm just going to assume it's Tianxi for one bit of speculation i'll explain later).

Why isolate one of the three original mains from the other two, and instead have a new character take her place?

Because, as I speculated before in my claw machine theory, qiao ling is not safe!!! in both the claw machines and Pacman, the symbol/motif associated with Qiao Ling has been positioned on the outside of the box.

Now, a character being in the box doesn't guarantee safety, you'll know this especially if you've seen the most recent ep (s2e11) and the trailer for ep12. However, it does provide something of a line of defence— i.e. the box is sort of a symbol for the fact that CXS, LG and LTX are power users.

Qiao Ling was the very first person to get possessed by red eyes, she is the most 'vulnerable' of the OG 3 in that sense. aside from her martial arts realness, she can't defend herself on a supernatural level. she no way of teleporting out of a fight like CXS or seeing into the future to predict her opponent's moves like LG could.

qiao ling, as a normie, is isolated from the power users and thus more at risk to being harmed by the enemy. For the ghosts, it's Pacman, and for the link clickers, it's this motherfucker:

crustlord of the century Qian Jin.

I think pacman is supposed to symbolise him on account of 1. the yellow eyes and 2. the fact that he's out to get basically every single one of the ghosts:

QL

CXS

LG

LTX

Hence why this theory works a lot better with LTX as the pink ghost instead of LTC— Tianxi betrayed QJ, and the one thing he hates most is betrayal.

I feel as though the AI patterns of the Pacman ghosts sort of align with this too:

"Each of the four ghosts has their own unique artificial intelligence (A.I.), or "personality": Blinky (Red) gives direct chase to Pac-Man; Pinky (pink) and Inky (blue) try to position themselves in front of Pac-Man, usually by cornering him; and Clyde (orange) will switch between chasing Pac-Man and fleeing from him"

"Each ghost's name gives a hint to its strategy for tracking down Pac-Man: Blinky always chases Pac-Man, Pinky tries to get ahead of him, Inky uses a more complicated strategy to zero in on him, and Clyde alternates between chasing him and running away."

^^ those two quotes are from the Pacman wikipedia page, a robust source indeed. in the first quote I put the colours of the ghosts in bold and by their proper names for reference.

If we assume Pacman is QJ and Red ghost is QL, and we remember how she bitch slapped QJ in episode 3 season 2:

I'd say that at the very least the AI behaviour + QL's actions are somewhat correlated. And i'd say that the AI behaviour of the other ghosts lines up with their respective characters, LG being strategic and CXS being a bit more chaotic in his approach. As for Xixi, well, we kind of haven't seen enough of her to say.

but "via," i hear you say, "Li Tianxi got fucking murk'd in episode 11, AND she's the one with red eyes! why isn't she the red ghost, and not qiao ling?"

I see you and I hear you. Both QL and LTX have associations with both red and pink, and in fact upon first coming up with this theory i thought LTX was the red ghost as well. But considering the placement of the Pacman machine (between the claw machines+around the rabbits, see my previous post for details on the stuffed rabbits and their relevancy) as well as official art and in-show costuming, I figured that it made more narrative sense (and theory sense) for QL to be the red ghost. Plus she's just more heavily associated with red than either of the Li twins, who are costumed in more light pastels

for reference, I put TC both in and out of drag above^^ and in his xixi cosplay, he wears almost entirely pink.

back to the theory. Qiao Ling's ghost is on the outside; and the stuffed rabbits that I'm almost positive symbolise her are piled on the outside of the claw machines. Surely this isn't a coincidence, right?

this all comes back to my theory that Qiao Ling, as the outsider of the group, the only one without powers, and the last to be informed of all the supernatural happenings, is going to meet a certain fate either by the end of s2 or around the start of s3. And I think the show has tried to set it up from the start.

Although Qiao Ling didn't become incredibly plot significant until I'd say about halfway through S1, we saw a few glimpses of her that were framed to highlight her vulnerability. Off the top of my head, I can definitely think of the horror-movie esque way s1e3 opened, where a strange man, later revealed to be Chen Xiao, approaches her from behind after appearing in a dark alley. Plus there is of course, her possession by LTC in s1e11. So from the get-go, she is framed as the odd one out of the main 3, and the most at risk.

then we get to the intro of s2, with the stuffed rabbits and the pacman machine, and it starts to come together, as stupid as that may sound. the writers are foreshadowing that something is gonna happen to Qiao Ling, and given the way everything connects, I'm of the opinion it could be death, or possibly grave injury.

that's all i've really got to say! curious as to what others might think of this, because it's all founded on the colours of a fckin Pacman game lol.

_

having seen the e12 trailer for s2 and qiao ling looking like she was gaining a power, I wonder how the finale is going to play out and if it will fit with the visuals and symbolism in the intro. oh well, we'll see!

also good LORD these posts take a long time to make!! let me know what you think, and also if you've got any clue as to why the Pacman machine appears in the intro but not the episode. Maybe IP reasons, although i don't see why they'd end up including it at all in the intro if copyright or IP was a concern. anyways, that's all!

[myimaginarywonderland]

F1 is killing itself. It started years ago and it has continued on ever since.

How you might ask? Well for starters let's talk about broadcasting. I can only speak for my country (Germany) but F1 has been taken off any market and made an exclusive Sky sports product. Which is terrible considering it was basically never before behind a pay wall and the TV commentator team had been there for such a long time that even my parents/grandparents knew about them. When you have such a well established commentary team and then not only take that away but also basically put F1 behind a paywall, you are going to lose viewers.

Then, F1 marketing has someone been some of the worst it has been in years. In theory when you have something like DTS it should be an opportunity, a chance to show some of the behind the scenes. Instead, what you get when you watch it is made up drama, fake rivalries etc. Yes it might attract viewers but it gives a compleltly wrong picture of the sport and almost all of the drivers.

Adding onto that, there's the Vegas GP. I think everyone knows that Monaco is prestigious, the F1 track that is probably most considered flashy but F1 is trying to do that with the Vegas GP. Why? No one knows. Also no one cares. The reason why most people are excited wasn't even the race, it was because a driver who currently isn't even driving wanted to have a race there. Fans do not look forward to racing there, instead the most anticipated thing is the stories that might happen outside of all racing. That tells you everything you need to know about that GP. Yeah, they want to attract viewers with it and visitors and oh, what was that? No one in their normal life could afford those tickets. Yeah, that's what I thought. Going to F1 GPs has become so expensive that many people can't even afford it and adding even more expensive venues to that is not going to help in any way.

While we are already talking about GPs, how about we acknowledge the fact that having the current season is absolutely insane? Not only are there's weird small gaps between races not enough to give drivers a rest, we also are harming the mechanics life more and more by basically not allowing them to see their family or be able to take a break. Not to mention how insane the spread out of races is to make them even more inaccessible and environmentally damaging.

While are already talking about tracks, maybe it's time to acknowledge that this calendar is for the most part boring? Sure there are some good tracks but by removing so many beloved tracks that have brought actual great racing, F1 is further digging itself a deeper hole. And also, don't call yourself a world championship when we still have no races in Africa. (I will mourn this until it changes especially now having seen with Formula E how well the Cape Town race was visitied.)

We could also talk about other things like how a crash that could have killed a driver should not be nominated for any award or how Abu Dhabi was a fundamental moment that marked the sport priorizing spectacle over safety but that's just going to make this post longer and longer.

So, let's talk about why we removing free practice is one of the worst ideas possible and for me personally will lead to a point where F1 can't return from.

Free practice might not be watched by many fans because it is on a Friday, a workday. And depending on where the timezones are going to complicate that further which is totally alright. Free practice doesn't need to be watched by everyone. It however for fans gives them an opportunity to get familiar with the track or in some cases is even maybe the only way a fan might come to a race considering the tickets for Friday are the cheapest. It offers new fans an opportunity to have a look at the track layout and not be thrown in complelty without any knowledge. Furthermore it's an opportunity to learn for maybe more strategic fans how possible strategies might look like, what things might be taken advantage of etc.

But that's not even what it is about. Free practice first and foremost is for the drivers and engineers. It gives drivers time to test out different setups, offers engineers to opportunity to test race strategies, is a chance to see how much conditions have changed etc. It is important for the safety of the paddock as it gives drivers to opportunity to get familiar again with the track and test limits before actually having to race. It helps to get out of the vast majority of unknown conditions and get into a territory where drivers feel comfortable with the track and the car. It is crucial to the safety first and foremost.

Getting ride of free practice would not only be a huge lose for fans but it would also mark the final point of no return where drivers safety truly stops being a concern.

Getting ride of free practice would be the final nail in the coffin and would be another reason we can later out to a list of all the things that probably led to a fatal accident.

F1 claims to know things aren't what the fans what and yet I have not once seen them even approach fans to ask for their opinion. Instead of gaining fans with their actions F1 is actively pushing them away.

[seraphicghost]

Talk about mhastuck, I beg of you. 🙏

the god tiers and why i picked em kind of a long post so im putting it under the cut

Deku - Heir of Hope

Heir: Passive manipulation class. One who is changed by their aspect or inspires change in their aspect.

Hope: Control over positive emotions and hope itself. Metaphorically it represents belief.

well its obv. He is the one who inherits hope. He bends it to his will and inspires those around him. hes the leader because of the faith he has and wants to everyone to feel like that too! its not too difficult to find his classpect. In terms of character, i think deku would naturally want to motivate his friends throughout the game and when he eventually goes grimdark, hes just VERY firmly having faith but in a pissed off way. Hes just a good lil guy C:

Bakugou - Prince of Time

Prince: Active destruction class. One who destroys their aspect or one who destroys with their aspect.

Time: Control over time itself and the purity of the timeline. Metaphorically it represents patience.

i think most people jump the gun to give bakugou the aspect of rage but thats not really who he is. Bakugou is not built on hate, hes just grouchy and super impatient. As a Prince of time, he'd be the one who destroys time. to me, itmimics the damage explosions can do but more so in a grander scheme of things. His ability can straight up fucking destroy time as he he'd like but i think as bakugou, he'd know exactly how to use it over time but it'd take learning given his impatience. Princes are also bossy mfs and thats him! Destruction and regret are riddled inside him! he'd be wishing he could go back and leave everyone with doomed timelines until he gets a grip. Bakugou destroying time also just sounds fuckin cool.

Shoto - Knight of Heart

Knight: Active exploitation class. One who makes use of the aspect given to them.

Heart: Control over emotions and the soul itself. Metaphorically it represents one’s inner self

i was told he'd be a better blood player but to me that doesnt make any sense. The whole point of shoto is to break blood bones (as my bestie put so well). His entire character is built on becoming his own person and making his power his own. Hes emotional and wants to understand his inner self. He's empathetic (i.e the "hes just like me" scene) , hes understanding. as a knight of heart, he makes use of that. He would struggle with it as first but overtime become amazing at it. He'd be able to provide stability to his friends emotionally and create bonds with them. His understanding of his friend's emotions would help him know how to get them to act in just the way they'd need to survive.

Ochako - Maid of Space

Maid: Active creation class. One who creates their aspect or one who creates through their aspect.

Space: Control over size, speed, and placement within space. Metaphorically it represents creativity.

From what i know, Maids tends to struggle with their role as a person. I think Ochako would be in the shadow of others until she's able to understand her own worth. she has insecurities will struggle with that until later. And Space because 1. gravity duh. 2. its a creative aspect. Its the inverse of time (BASICALLY i want her to scruff bakugou when hes being an idiot). She'd be tasked with fixing things. She'd had to get bakugou to get a grip, she'd have to be the one who shakes the grimdark out of deku, she'd create paths for them and herself and just go apeshit! I think deku would be the lead of the team, bakugou the strategy, shoto would be support and ochako would be the rock. she'd keeping them all together while also paving her own.

idk the other four yet but also from my understanding, a game cannot be truly successful without a time and space player so two of them had to be it and deku was already hope and i got attached to knight of heart shoto. also sorry if this is DUMB lol i just love writing about godtiers even if im a lil wrong :L

[tedturneriscrazy]

I have now completed Sea of Stars, including collecting all the Rainbow Conches and unlocking the true ending. Here are some assorted thoughts about it (spoiler warning for those who haven't finished it):

I like how the game encourages you to use everything at your disposal, which includes skills and healing items. The MP recovery with basic attacks combined with live mana is a good stopgap for when you're tapped out, and allows you to develop a sort of rhythm to combat. Recovery items are also relatively easy to get between the recipes and abundant ingredients, including the best ones in the game.

The Lock system offers a great deal of complexity and strategy to combat, and encourages you to use pretty much all skills and party members to the fullest

The combo system is great and offers a wide variety of techniques and abilities that helps keep the combat fresh and exciting. The fact that it clearly harkens back to Chrono Trigger doesn't hurt, either. (Just an FYI, I will likely be making a lot of comparisons to CT, because a) it's inevitable given it's a direct inspiration and even brought on Yasunori Mitsuda to compose a few tracks, and b) it's my favorite game, so yeah)

That said, I feel like each of the party members could have had two additional base skills to vary the combat a bit more outside of the combo system. Speaking of which, I kinda wish there were 3-way combos, as well. Just imagine what they could have pulled off with those...

On another critical note, there's a curious lack of status effects, which I felt might have added some nice flavor. I feel like this was mostly replaced by the Lock system, and odds are incorporating status effects might break the flow of the game. That said, I wouldn't mind seeing stuff like poison or sleep or whatever. This might just be a personal taste thing, as I'm sure plenty of people are glad that this was omitted.

The folks at Sabotage managed two incredible character feats imo: They managed to create a character who is widely beloved both in- and out-of-universe without going overboard (Garl), and they were able to have a character who is literally a cyborg ninja pirate without it being silly or cringeworthy, and in fact is one of the more serious and narratively dense characters in the game (Seraï)

In fact, I would say most of the characters are quite memorable and likeable, and it's easy to become attached and invested in their arcs. The main exceptions are, unfortunately, Valere and Zale, who I think suffer a bit from generic main character syndrome and being tied to a Chosen One narrative. Also, B'st comes in a tad late into the game for him to have much impact, and his whole trait of having a strong will kinda falls flat when not much time is given to his backstory or development. That said, these are relatively minor gripes on my part, and I definitely don't dislike any of them.

The soundtrack is fantastic, naturally. Standout tracks for me include Encounter Elite (boss battle) and Mountain Trail, though plenty of other tracks are also great.

I was able to recognize the Chrono Trigger-inspired narrative elements (time manipulation, post-apocalyptic future world, going back to a moment in time to swap out a major character to save them from death), and it made me happy to encounter these.

The art direction and character design are immaculate. To put it in as few words as possible, everything is appropriately appealing and appalling as is called for.

Overall, I enjoyed this game immensely, and it kept me occupied for a good long while. I would highly recommend picking it up for your platform of choice. If I were to give it a numerical score, I'd say 9/10.

[no-psi-nan]

@disgruntled-twig I've posted about Akechi and Kuboyasu specifically a couple of times (uh. wait a few years lol) and a few more times as a general "all the Psychickers have a huge crush on Kuboyasu" ship haha! It's on my ship chart and everything XD

I just think it would be SO funny if the Psychickers simped for Kuboyasu HARD on main and he's just completely oblivious and thinks they're platonic besties for like. Years.

The Psychickers aren't even mad about it because Kuboyasu's internal limit for what is acceptable to do with homies has been highly skewed by being in gangs from all-boys schools (imo), so they get to cuddle with him whenever he comes over to hang out. They put on their cutest fits, fight over who gets to sit on his lap this time, and flirt like hell and Kuboyasu is just like "hahaha these guys are great!".

It's just a total clown show and it's so so funny to me personally. They'll eventually get him in the polycule but the journey is long and hilarious.

So this is a thing that will canonically happen in my Moving Forward universe (I think it's already been mentioned that the Psychickers have lil crushes on him in Extra Love Stories 2 iirc?) and I've doodled it because it tickles my funny bone so much:

But as for Akechi and Kuboyasu specifically, I totally think they could have chemistry, but they need to spend more time together for that to happen.

It seems like Akechi can definitely dial down his chatter if he wants to– note how he behaves himself with Saiki's mom! So I think once Akechi officially joins the friend group post-canon, he'll try to limit his monologuing at first to give them all a chance to get used to him lol. EXTREMELY difficult for him but worth the effort since these are his Kusuo-kun's beloved friends.

Kuboyasu will be getting more patient over time, plus he'll be able to put up with Akechi a lot more once he learns to trust him and isn't on the defensive. That's the shadow leader's homie after all, if Saiki trusts Akechi then that's enough of an endorsement for him!

Once they're comfortable around each other, I think they'd get along really well! Kuboyasu is curious and kind of a romantic by nature, so I think he'd be fascinated by Akechi's knowledge of the natural world (as seen when he identified the bug in the sweet potato episode).

Akechi's nature knowledge seems to be based mostly on encyclopedias vs personal experience, so it would be SO fun for them to go hiking and find all of these creatures and plants in nature together! I usually include Nendo and Mera in the hiking club, but there's no reason why they can't go on solo adventures together haha.

Also, we know Akechi likes Cyborg Ciderman, which is an advertisement disguised as cheesy action anime (is it an anime in-universe actually?? hsfjdlshfks hard to tell). So I bet he'd have fun watching action flicks with Kuboyasu, and Kuboyasu would definitely like watching anime with Akechi, he clearly likes Dragonball and I can see them talking fan theories and stuff!

Another point of connection, and I've posted about it before but I can't find it, could be self-defense. Akechi would definitely ask Kuboyasu for some fighting tips n tricks, so he doesn't have to resort to ...chemical warfare... any more. And Kuboyasu wants to be a teacher, so this is good practice, and they start practicing and sparring.

Akechi isn't physically strong, and he'll never be as fast as Kuboyasu, but his ability to predict the opponent's moves are uncanny and he's clearly good at strategy, so he might be able to dodge and land hits unexpectedly. Not enough to rival Kuboyasu but enough to keep himself safe and be a fun challenge!

Anyways, I think it's an interesting and fun ship! Plan to write some formally eventually, just have a LOT of WIPs already and I've been more on a comics kick lately than writing so we'll see lol. Thanks for the ask!!

[yakuzabrainrotlive]

Couldn't play Y4 today because I was studying and taking care of irl stuff, so I'll just write my Akiyama first impressions post now, as promised! I've played up to the first cutscene with "Lily".

This was supposed to be, like, a surface-level thing where I kinda guess stuff and do some basic observations, but according to Microsoft Word I got... around 1200+ words deep. So yeah. Good for you guys who like to read my rablings that I didn't take my meds today! But also... this IS my unmedicated self's ramblings, written at 10-11pm so... (attempt to) read at your own peril!

For those of you who want the short version, TL;DR is provided (and highly recommended) at the bottom!

So, Akiyama! What a guy.

-He's low-energy and has trouble taking care of himself, his work and his surroundings (laid-back or depressed? maybe it's a little bit of both - as a treat. Maybe executive dysfunction?). This is clear in how messy his office is, how Hana reminds him to eat and brought him lunch (implying he regularly forgets to, or just doesn't eat), and how it seems to be a common occurence that she has to encourage him to do his work. And yet, despite the chill vibes and slow pace he keeps, he manages to also be chaotic in the way that he's unpredictable to those around him, in terms of his business strategy, and in how he makes quick decisions on the spot – ones that don’t make sense to people around him, based on what they (think) they know about him.

-In front of most people, Akiyama pretends to be all laid-back and just this… guy who just does his own thing because he’s quirky and doesn’t care, but he's not fooling me at all; he cares, and he cares a lot. About many people. He's literally looking after the homeless in town - so much so that they feel safe enough to let him into their space to have a chat and drink with them, and ask him for things.

^This is probably no small feat, considering how the homeless are treated in Kamurocho (there's literally groups who hunt them for shits and giggles) and how uncertain things are for them in general in that area. They seemed genuinely happy to see Akiyama.

-Now, an argument could be made that he's doing it for his own benefit: having the homeless population on your side can be an advantage (for example: the Florist used them for discreet info gathering), but... I don't see it. I think it’s because he’s been there and he feels a great amount of empathy for them. Now. Why do I think he wants to have a mask of indifference in the first place? Well, to put it simply - shit’s dangerous. He has enemies in the money lending industry, which probably includes numerous Yakuza groups too. Can’t be caught caring, y’know. Both for his sake, and theirs.

-And so. We get to the neon yellow elephant in the room that has to be addressed; the way he handles his loans. I think Akiyama only takes on clients who he sees as either A: having the potential to make it big - the ones he can later maybe benefit from, or who he simply sees as benefitting from his loans the most, or B: - heavily speculating here - good? (decent?) people who are down on their luck. Ones who, he thinks, deserve a second chance, people who don't have anyone else to ask for help. If he was in the business for money and other benefits alone, he’d be charging interest out the ass like all the others, but he doesn’t. He merely tests people to make sure they don’t grab the money and leave the country, or waste it and never pay him back. He wants to see these people succeed – at least the ones he thinks will use the money to get back on their feet or to become successful, that is. People who could be more, who could FLOURISH, had they some extra help from outside. The tests including stuff like volunteering and caring for the elderly further point to a possible more altruistic side to his business.

He can't just go giving money out - he'd go out of business very fast. So he lends, with no interest. Just a test of trustworthiness, and terms that he finds will give him some benefit back, as well. He is running a business here, so him wanting to get something back from the customers instead of them paying interest is fair. Terms will also motivate the lendees keep themselves on the right track AND probably ward off the worst of the bunch, the ones looking for the easiest, quickest money they can get.

-People genuinely think Akiyama is weird - crazy, even - because of how he runs his business, and he seems totally fine with that. Which further makes me believe he’s purposefully built up this a mask of an uncaring and sort of ...unhinged man. He could explain himself and openly state the goals he has for the clients to dispel this negative, 'crazy person' image people have of him. But... that’d just be suicide; he’d openly admit to competitors/enemies that he has people he cares about and that he wants to see his lendees succeed. That’d be like ASKING for extortion and for terrible things to happen to the people who have visited his business in the past or who will do so in the future.

-He's good at keeping his cards close to his chest, too: in one cutscene people wonder why lendees don't ever lend from him twice. And what's the answer to the question that we hear? Something to the effect of "I don't know. They probably wanna avoid interacting with that nutjob ever again". People have NO idea why he does things the way he does. They know he lends money to people he sees as having potential to succeed in the future, but they don't even consider the possibility that some lendees he's simply helping get back on their feet.

-As for his goals? No clue! Besides keeping the business running, I don’t feel like I have enough information on him to parse any long-term goals out of this guy. Maybe keeping Kamurocho as chill as it can be? To prevent unnecessary bloodshed? He did go out out of his way to settle the dispute between the… the uhh… *has to google the name* the Kanemura peeps and Ueno to prevent escalation of the situation? But then again, Arai seems to have been a long-time friend, so maybe it was just to make things easier for him? As of now, he doesn’t feel particularly ambitious.

As for speculation on his background? Since my facial memory (even for fictional characters) is total garbage, I’m not 100 % sure, but I think maybe he was in the photograph that was in his drawer? He seemed quite well-off in that one. So how does he end up homeless? I feel like he either joined the yakuza and the family he joined disbanded, leaving him with nothing. OR he suffered a career- or family-related setback that landed him on the streets? Him being ex-yakuza would make sense since he seems to be quite informed on all the relevant lore and relations between families. But he also DOES work quite close to the... darker side of things with his business being what it is. But... he also fights very well. We’ll see! Maybe they explained it aready? If they did, am sorry! I was playing the game too late into the night so I was kinda eepy towards the end. Gonna re-watch the cutscenes from late chapter 1 and early chapter 2 when I keep playing.

Now, any relation to characters from previous games I wanna speculate on? I don’t see any real reason to think he knows Kiryu; he only referred to him with his DoD moniker and didn’t seem too interested or thoughtful about it. It was just him referring to a famous person. Majima? Don’t see it either. Anyone else? I don’t really have any reason to think he knows anyone from the past games as of now.

TL;DR:

According to my, at-times very faulty, sensors that are prone to overcooking:

Akiyama is a kind person trying to give others the second chance they deserve (as he himself got), while also trying to disguise himself as a chronic IDGAFer at the same time because he has enemies. He's a kind man living in a world that tears people like him apart.

Mans is probably depressed or at least suffers from executive dysfunction or like... low blood iron levels, based on how low-energy he is and how little he seems to look after himself and his office, and how he seems to have a tendency to… go at his own pace at work. Hana keeps (or at least tries to keep) him functional - or that’s what it seems like, at least.

He probably offers loans based on if he thinks lendees will get back on their feet, or if the loan will make them flourish business-wise.

Ended up homeless, maybe because he was ex-yakuza or because of a setback in a civilian career or family life.

Can’t say how he ties to characters from previous games, or if he even does at all. Besides Nishiki unknowingly acting as form of divine monetary intervention, that is.

[fan-art-ic]

I still can't believe Rick did that to Percy that author really kicked the shit out of his oc not even letting him get a full school year of no war drama fucking his life over at age 16. Percy is only fucking 17! He would be learning about trig and failing to read a shakespeare classic in class, if he ever could be in class!!!!! I started this post to re write the hoo events let me re route

This actually got super long so ha! So glad mobile had read mores now

So what I think would have been great is if Rick really had to bring in a Roman camp and all that shit then I would have him START at the Roman camp! The first book should open with Leo, because he's already favored by Hera cuz she babysat him, having a demigod dream around the last day and day after of the titan war, because we are going to start RIGHT AFTER

Leo, however, is missing his memories and is on a bus with Piper, who is a daughter of VENUS (isn't the whole thing with, um not Remus and Romulus but Adonis right? He was a founder of Rome right and a son of Venus? It just works) and the bus is attacked by monsters. Hedge is a faun, he's Roman, and basically calls for back-up, the closest Roman patrol shows up but not before Leo has to fight monsters off himself. He kills one dramatically and Jason is the first/last face he sees

In this, Jason is not Praetor. I'd like to imagine he managed to beg off being made Praetor until he turns 16 next year, because the idea made him want to bite people and he did bite Octavian and Reyna. Reyna, in my eyes, is like 17 going on 18 while Jason is 15 going on 16. Jason has an oblivious crush on her and she likes him as a faithful companion, like if her metal dogs could give tactic strategy feedback and make her laugh with snitty comments. Much more student who is a black belt but not a teacher and then a student who's a brown belt. I don't know back on track that's why Jason is on border patrol and not doing boring Praetor things

Also that nicely sets Jason up to go through the war and come out the other side as the Praetor so he might actually enjoy it this time

Back from that commercial break, the first book would basically be the quest from the lost hero but with changes to suit the divergences I've made but still mainly following that plot. They return to Camp Jupiter and celebrate and Leo finds Bunker Nine, hidden in the San Franciscan hills. I remember reading something about Rome loving Vulcan but could totally be mistaken, but that all would gel really well. On Pipers side of things, Tristan has moved into New Rome after Enceladus concussed him so hard he is blind so the Mist isn't bothering his vision. It's really hard because her father just got horribly injured, but now can be with her more often and not do stupid films, of course he wants to return to Hollywood so it's a lot of tense non arguments and treasured quality time

Book 2 would then open with Percy, the entire book is a classic fully him book like the og series. Something like: Look I don't want to waste my time or yours, we both got plenty to do. You know everything since last summer back. The more recent stuff, this past school year was okay! I got put into a couple of remedial classes, and had to deal with plenty of remedial monsters, but overall August to May? No big problems. Even arriving early back to camp had been no problem. I did it to help all the other counselors and Chiron get camp ready to shift from half-gear/winter mode to full gear/summer mode with easily quintuple the campers ready to show up. As the only Poseidon camper and the living hero of Olympus' everlasting ass, I probably could have gotten away with not helping. Annabeth asked me to, so it was a no brainer. June though? Oh boy."

And in JUNE they get Grover bringing back two demi-gods (usually he's busy being a teenage satyr equivalent lord of the wild [HE IS 28 IN TLT RIGHT BUT THATS SUPPOSED TO BE EQUIVALENT TO A HUMAN 12! HE STILL SO YOUNG]) but he ran into these two and uhuuhhhhh needed to bring them right away. And it's Frank and Hazel!!! I love Frank but the fact that he comes out a somewhat legible and not totally weird character is a miracle. He is the son of a minor god, who didn't want him going to CHB because of the shit conditions for non Olympian kids but then Frank somehow befriended a monster kid but then the monster parents tried to eat him and now that he knows his scent has gotten stronger and just bc demigods can't use phone doesn't mean monsters can't they can text their cousins and be like hey fresh meat coming your way. They probably love playing mobile video games and doing crypto trading. Anyways

On the run, he runs into Hazel. She is our lost Roman! Hera took her time with Leo and unfortunately did a rush job with Hazel. She got memory wiped, but Hera ran out of time to set up her arrival to CHB properly, and just drops her in Frank's path. (Tangent: With Frank and Hazel, I've made my feelings pretty clear, canon ages can't date, at least not till they're in their 20s. Again, like that's not something I have a problem with, bc 3 years isn't enough to really view that younger kid as baby comparatively the age just doesn't match up till their 20s. but.......) given they are demigods, I would space out their relationship the full five years to the end of the second series, so she's 18 at least.

That's right, FIVE YEARS. don't try to fucking do all that shit in one year!!!!! You're saying Gaia is this huge big bad but in a span of ONE year where no one actually fights HER she doesn't seem nearly as good a villain as Kronos! He had the pizzazz!!! The villainous razzle dazzle!!!! Because he was given time (ha...ha). I expect at LEAST as much for a BIGGER BAD. It just fucks with the pacing.

Anyway! Hazel has always had dreams and a connection to the Earth, so she's enjoying the newly constructed Hades cabin (where Nico is really fucking confused but really happy?) And also having terrible nightmares and sometimes sneaking off into the rockiest area of the woods like it's in a stream but huge boulders like st peters village creek and she sneaks off there sometimes but that's only after sleepwalking there after the dreams. She is really worried about this possible...familiar.....danger and protective of her new family so she goes back out there repeatedly to think and try to meditate

Percy, both really enjoying befriending Hazel but also somehow the only one finding her suspicious, is working himself into a tizzy because you know how he is with friends and with Silena's death and everyone else's anniversary coming close he has. A lot on his mind. So one night he's out at the wider part of the creek practicing his 'waterbending' and generally being upset, and he does have a sense for Earth so being so close he can feel the small tremors Hazel is putting put and he tracks her upstream

Confrontation time

Percy is already freaked out and Hazel is already in a weird place so she thinks he's a monster through her earth sense, yes she can have that she deserves it, so with her eyes closed she send a little rock spike at him out of fear, which he thinks is her attacking, so he fights back, Hazel comes to/opens her eyes and gets frightened and accidentally entombs Percy. She's able to bring him back up after a second, but oh man that second was possibly the single scariest second ever completely pressed in by dirt on all sides. Suffice to say he gets more fighty bc that's who Percy is, but Hazel manages to freeze his foot and explain herself and Percy calms down pretty well. Really fucking miffed and still has shivers running down his spine every heartbeat, but he's a reasonable guy, a nice dude. He has also been having visions, and between the two of them, figure that something is going to attack this other camp that exists, somewhere on the West Coast, and by a Giant and it's army

Phew! End scene, sheesh. Can you imagine how fucking long this would be if I actually wrote it out? Christ in hell.

They go to sleep! As all good demigods should at Night. The next day, Percy and Nico shove their tables together and Annabeth crouched in as does Frank, because his parents cabin hasn't specifically been done up yet. Oh hm maybe he could have his mortal soldier (booooo) mom and Nike? Doesn't matter, he still likes archery and still eventually figures out his shapeshifter shit. His candle, I think I want that honestly would work better as like, if Frank chose to save someone and took their punishment and he was given that candle. Or something. So at brunch they figure out the pieces, and then when Chiron comes over they think he's going to reprimand their shitty pavilion tableware manners, but nope he just says Rachel needs to see them in her cave

NOW Rachel gets to make a nice little debut with her cave. I honestly. Honestly. Honestly can't remember how it went it tlh if they went to her cave or the big house. Ik Jason went to the big house at some point but it's not relevant to the current topic. Anyways I get to spend an ungodly amount of time waxing about a the artsy fartsy/hippydippy sacred oracle cave of a teenage billionaire heiress which I don't care if there's a kind of canonical description this is my Rachel's cave now. So that would be like, at least half the chapter, the other half is her giving the prophecy after winning at just dance 3.

Anyways then they have a prophecy so they are sanctioned to go to find new Rome! Given the dreams, Nico Hazel and Percy go on the quest. Originally it was going to be Frank but "There's no way I'm letting you go off on another quest with my sister without making sure she's safe myself". Oof, sometimes I understand what writers mean when they say the characters have their own voice sometimes. So whenever they iris message to camp, Frank and Annabeth will be (not) enjoying figuring out his demigod abilities and just generally Frank gets to enjoy camp a little (but barely because he's very worried about his camp crossing buddy being out there without him, despite being protected by two mega powerful demi gods and being pretty strong herself, he still wishes he could message her every day, but it's not practical. Only when the questers can afford to.)

Now in New Rome: Leo, flames, Jason, wind, Percy, with a real big cool boat, they honestly make short work of the whole Alaska situation. That's more of a side thing that Percy signs himself up to do. I think they get incredibly weird in the way a bunch of future openly bisexual men would as traumatized super powered teenagers with a duty and repression around other teen like them who are also hot. NOTHING really happens, Percy is SOLIDLY dating Annabeth at the time, and Jason is too Roman and Leo is too repressed. But yknow. Solidly gay lockeroom vibes like if any of then ever saw that one id magazine of the jock and skater dude their minds would shut down for at LEAST 2 meals worth of time. But yeah they just have a fun jaunty time freeing Thanatos.

Back to Percy, he is enjoying seeing Nico come out of his shell, but also Nico is acting strangely too, but in a completely different way then Hazel. One is entangled in something dangerous, while the other is withholding something dangerous. It's driving Percy batty because after getting paranoid about Hazel earlier he doesn't want to say or push anything, and Nico is his little brother, and Hazel is his little sister, so this is practically a family road trip as far as he is concerned (he hopes) (desperately) (trying to distract from the alternative). Percy doesn't witness this, but at some point Nico comes out to Hazel and reveals his crush on him, and Percy just picks up on "something" being different. Obligatory questers send off at the Jackson household, filled with cookies and great parenting. Really a good way to lower everyone's guard to all the bullshit about to hit their ass. At this point, they are just trying to get cross country, and trying to link up with the Romans and warn them. They arrive on the same day Leo completes the Argo and Octavian butchers, like, 30 build-a-bears. Special edition ones too. Nico, at this point, has left because Hazel is pissed. She eventually remembered Nico at Camp Jupiter and there's a whole thing about that (fun little throw in about Norse and Egyptian from Percy's experiences in the ensuing conversation) so soon as they arrive safely to New Rom, he leaves immediately back to Camp Half Blood, reports, and, I dislike Nico going to Tartarus and getting captured so for right now he has been locked in his room by Hades for mentioning even doing that and he is a having a gay fume

Back in Rome, Hazel is recalling her life there, she had been there for several years, she had a few friends, and Reyna had begun to mentor her on the horse before Hera kidnapped her. As much as she loved CHB, she had never expected anything else and had put work in to feel at home among the golden hills of New Rome.

Okay also while I'm thinking of it. The fact that older Romans don't serve in the army but all the trick or treaters do? Fucking lunacy. But I want to worldbuild on this bullshit before I yank it out: what if the divinity in a demigod is strongest the younger they are, the closer their share of divinity is to the god. this is how you can get a baby Percy killing a snake in his cradle. But usually this means that a demigods peak years is 5-18, instead of a mortals 18-30. Like, of course just because they get older doesn't mean their power completely fade or anything, and of course in examples of extremely powerful demigods no one knows exactly, but, just spitballing, that's why so many monsters come after the kids, when imo they should be stronger when they are adults. So they are just less tasty as they grow through whatever divinity they were given, like expired jerky instead of filet mignon. So the 15 year old demigod serving in New rome's army is going to be to an aged out demigod of the same parent what Percy is to usual demigods. Just that much more in tune. The alternative is totally keelhauling the system and installing adults everywhere but I'm disinclined to that option

So Annabeth and Frank are in CHB, Hazel and Reyna are in New Rome, Jason Leo and Percy are in Alaska, and Nico is MIA at the moment. At this point, the prophecy of 7 is given by Rachel and after picking up Hazel, the Argo swings back to Long Island and then onto Greece.

Nico pops back up in New Rome, with warnings and looking to apologize to Hazel, but everyone is over the Atlantic. He accidentally ropes himself in to helping Reyna as Octavian is getting unruly. I think my Octavian is a total bastard but he isn't conspiring to get Rome and Greece to fight he is genuinely fucking concerned about them fighting and is acting out

I don't get why Annabeth had to get the Athena Parthenos at the exact same moment the whole Gaia is awakening it seems very stupid of Athena, so unless I'm forgetting something this is my made up reason: Athena gives Annabeth the OPTION of undertaking it at the same time or, if everyone survives, doing it later. It would be best to do it now though because she will already be in the Ancient Lands and then if Annabeth is able to recover the Parthenos it will allow Athena to regain complete control over her Minerva form and then, she SAYS to Annabeth, she would be able to help the questers since she won't be spread in two different directions. THAT is what convinces Annabeth to try and find it because Athena's aid would be invaluable for the rest of the quest

Then, when Annabeth and Percy fall into Tartarus and the Parthenos is recovered, Athena is able to manifest in front of the 7 (five). She is expecting to congratulate her daughter and bestow her blessing upon her and give everyone else a little boon, but then no Annabeth. This actually really pisses her off, and when she notices Percy is gone too and asks and they say he DELIBERATLY went in after Annabeth, well this helps boost the worthiness of the sea spawn in Athena's eyes, although this totally fucks everything up bc those two are basically the power players of the 7.

I'm kind of wishy washy on the minutiae of the of the house of hades, I honestly only gave a shit about the 411 in tartarus so no big change ups for the 5 just generally their shit goes easier with Athenas help

Annabeth and Percy are going through it of course. My personal theory is that the rivers of the underworld mess with peoples mortal souls and bodies when people interact with them. the cocytus leaves a more lasting mark on their psyches, and the phlegethon actually slowly eats at both of their mortality. If a normal person tried to drink from it, their human soul would wither away (like peeing on a flower), but with their divine side much more durable, both Percy and Annabeth's souls are growing unbalanced. Percy even more so, as I think when the Styx blessed him it burned away all but that anchor of mortality, and then when the Little Tiber washed away the blessing (which is BULLLLLLLLLLLSHIIIIIIIIIIIIIT) his mortal soul is already spread thin and that's why when they get to Akhyls, he is able to crack past his mortal barrier and develop his powers in ways he shouldn't be ABLE to. MY Annabeth, also, doesn't have that shitty reaction to Percy SAVING them. Her mortal soul is boiling and releasing steam vapors it will never get back, so her mind has both never been more tortured but also never been clearer and faster in her life. She is able to get Percy to back off, but just so she can manipulate Akhyls properly and get her to actually help them with Percy as the knife to the throat. In/After Tartarus Annabeth is very much the cleaning/sharpening/and polish to Percy's sword edge.

Annabeth also messes with Bob/Iapetus, poking at his memories and paving the way for him to remember Percy, but doing it in a way so that Iapetus which actually like them by the time he remembers. This is mainly to show off Annabeth being different from her usual self, to have a Percy pov of him being uneasy of Annabeths ability to turn someone around and re-arrange their thinking with just some conversation. This is also because I want Small Bob to go up to the surface and be her big murder cat and if Iapetus genuinely liked her I can see him giving them the cat monster as a token of good faith and fRiEnDsHiP but it ends up being something that gives Annabeth part of her humanity back because she realizes the real impact she had on him and now she has a monster pet to take care of just like her boyfriend (this set up parallels very nicely I'm loving this now)

The Blood of Olympus would probably end up being REALLY different just because the canon book sucks so hard. And I think I'd make a plot point of Zeus breaking the Styx promise to free Calypso, I'd have it become that all of this is actually his fault because by not following the promise the consequences were Gaia waking up enough for all this to even happen. Actually this would set up nicely a next series of dethroned Zeus look at how easy that all falls together fuck I love this idea. It would take so long to write though maybe after I retire I could write it. Also how stupid is it for the gods to work with their own kid against the literal BANE of their existence? Fucking switch up the teams!!! It doesn't make any sense to me and then you could get some really interesting fight scenes and dynamics like I would have it so Percy ends up fight alongside Athena and Annabeth alongside Ares, Jason with Poseidon and Hazel with Zeus, Frank with Hades more on and so on

For that last paragraph I wanted to elaborate so I looked up a list of Greek mytho giants, but it had so much more fun info then I was expecting and has lead me to realize that the defeat of the giants should be a collaborative effort between both the Roman and Greek camps and the gods that would truly be the best way to tie up the huge finale of evil bosses, would free up some of the huge hitters to actually fight Gaia directly, and would be a fucking great fight finale that would unite both camps under one banner of the gods and OOOOH THIS is so smart my brain is shaking like a chihuahua

And then yeah! Series wrapped. Take that Rick, longer time frame, more drama, more battles, and doesn't clumsily fumble everyone's character

If you have read this far I am kissing your cheeks and hugging you thanks for having fun with me!!!!

[tokiro07]

Cipher Academy ch.46 thoughts

[Welcome Home, Cheater (Affectionate)]

(Contents: shipping, Yosaimura analysis, Kogoe analysis, Anonymity analysis, predictions)

Whoa whoa WHOA! You're telling me that Nakigara, the girl we'd never met whose face we couldn't see was actually Anonymity this whole time??? Who could have possibly seen that coming?!

But seriously, the only thing surprising about this reveal is the speed. We've been in the metaverse for, what, five chapters now? And we're already seeing both Anonymity and Yosaimura come back? We knew we'd see them, but I figured it'd be more of a last-minute twist, y'know?

Not that I'm complaining, of course. As everyone knows by now, Anonymity is easily, without contest or any moment of wavering, my best girl in this series, and I'm always happy to see her. Yosaimura's definitely top five for me too, though her place is still being determined, but getting yuri moments with Anonymity definitely helps her standing

I mean, did you see the look on Anonymity's face when Yosaimura took her hand??? There's no straight explanation for that. Also, the official Cipher Academy Twitter posted a color image of Yosaimura recently, and shockingly (serious), Yosaimura's a blue girl! I had her pegged as a blonde or a silver, but nope, she's an icy blue, not unlike Kogoe, making a nice contrast with Anonymity's burnt orange. On top of that, they've got a real butch-femme look going on, especially in their last panel what with Anonymity putting a flower in her hair. Actually, if anyone is good with flowers, can you ID what kind of flower she's got? That's not a kind of lily, is it? Is it???

Anyway, yuri goggles off, there are actually a good few topics to discuss in this chapter, short as each one is. The first thing I want to address is that we've seen a good chunk of the floors between 1 and 200 now and there hasn't been a single sign of monsters or creatures, it's all basically been escape rooms, which comes with pros and cons. Naturally, it's not that visually interesting to just present everyone with a puzzle and ask them to solve it, but on the flipside, the fact that we've only seen like two of the actual puzzles in action up to this point is a pretty clear indication that the puzzles aren't what we're meant to be focusing on here: this is a character study. Koshibai teaching Iroha to have fun with the metaverse, Iroha sharing a chunk of his backstory, Yugata challenging Kubinashi, everyone coming up with their own strategies for advancement, Yosaimura defending Anonymity, these are all character-driven story beats, whereas the puzzles themselves would be plot-driven story beats, and the former is always going to be a lot more engaging

However, this chapter DOES give us a bit of a glimpse into what kind of fantastical visuals we could get to see as we go deeper into the metaverse. Dekiai's virtual body allows her to effectively shapeshift, so there's no telling what kinds of modes that she or the other AIs might be able to take if they end up becoming the encounters for our cast as we go forward. Here's hoping that Nisio and Iwasaki let us see more of that; I love these character interactions, but I really want some more inventive visuals like Anonymity's false nameplate getting cut in half diegetically

Next, Yosaimura gave us a couple of fascinating glimpses into her character and backstory. We now know that she was telling the truth (or at least partially) in chapter 2 when she said she wanted to avenge her older brother, as she actually does have a deceased older brother, Gokaku Yosaimura. Whether she's actually trying to avenge him, or if she's doing so for the sake of her younger brother, is unclear, but Gokaku is dead, as confirmed by Kogoe being in possession of his bones. I don't know what "unsinkable air graveyard" means, whether it means a graveyard aboard an aircraft or a graveyard at sea kept afloat by air, but the fact that Kogoe was using them as leverage suggests that Yosaimura wasn't able to reach and salvage them and has likely been visiting an empty grave this whole time

Of course, when offered said bones, Yosaimura gets pissed, showing her first big display of emotion in the series. More interestingly, this is the first show of anger that Yosaimura claims to have ever experienced. If that's true, she honestly handled it well, as she was clearly able to restrain herself from actually hurting Kogoe. Sure, she was extremely threatening, with easily the scariest face I've seen from anyone in this series so far, but she ultimately got across the lesson she was trying to impart to Kogoe

Speaking of, Kogoe's tendency to manipulate people when a more straightforward approach of just asking for help would be more useful speaks volumes about her. Iroha was pretty trusting of her up front, presumably so was Toshusai, and Yosaimura acquiesced once Kogoe was honest about her feelings. Kogoe clearly has lived her life thinking that she needs to have leverage over people to get what she wants, that she needs to have a contingency plan for every occasion (spreading the glasses weapons throughout Class A instead of putting her all behind one candidate), and that she needs a sense of control over every aspect of her life. Visually this is represented succinctly through her Earth-shaped glove, putting the world in the palm of her hand, and narratively this is reflected through her status as a warmonger, controlling the flow and development of the world via the cessation and triggering of "inconvenient" and "convenient" wars

Yosaimura's reaction immediately makes it clear to Kogoe that this is not someone she can control, at least not with her usual methods. Yosaimura saw through Kogoe's intentions, that she thought she could control her by dangling the right carrot in front of her nose, and let her know that was not going to fly here. Of course, no one likes to be manipulated, but other people might find Kogoe's offers to be opportunities to take advantage of - not Yosaimura, though. To her, it was an obvious attempt to control her coming from someone who didn't understand what it means to ask for help. Yosaimura correcting Kogoe instead of either walking away or outright harming her speaks to an immense level of patience and forgiveness on her part, especially if she really doesn't know how to control her temper from a lack of experience

I'm sure Kogoe will continue to be manipulative going forward, but I hope that this moment will come to mind for her going forward and serve as the beginning of a lengthy character arc for her

Speaking of brief moments coming back in a character's development, Anonymity refuses to thank Yosaimura for helping her, only to remember that she did the same to Iroha before he jumped out of a tree with her tied to his back. This memory prompts her to thank Yosaimura after all and even go so far as to apologize for her behavior during Leaky Poker

The really fun thing about this, though, is that while it could mean that Anonymity is growing as a person and learning to associate her usual nasty behavior with unsavory consequences, it could also just be indicative of her "anything goes" personality, having the moral principles of a jelly donut and the willingness to betray herself in the interest of self-preservation. Of course these aren't mutually exclusive, and she might self-preserve herself ass-backward into positive character development, or she might end up doubling down and burying herself into a deeper hole until someone (likely either Iroha or Yosaimura) needs to yank her out and force her to see how much of a nasty personality she has. Either way, she's always been a riot to watch, and after this display, I know she's going to continue to be for the foreseeable future

It does look like we're going to be taking another break from them, though, with this chapter mostly serving as a way to tell us that they are also pieces on the board to account for while we focus on other groups. Next time, though, we're apparently going to be seeing a Karigane/Hanagoromo team-up against Iroha/Koshibai/Kasuri, which ostensibly they've done before. Was it against another student or group of students? Has someone else been eliminated? We haven't seen Aen, Mengatasuzume, or Togenanafushigi yet, and all of them were between Kasuri's starting floor and now, so unless they snuck past or were let go, there's a chance that any of them got knocked out by this duo. Of course, it's also possible that them being a duo is something that's been true from before the expedition - in fact, how do we know that Hanagoromo didn't have someone on the inside helping her hide under all of those tables during the first arc?

That's all I'll say on the subject for now since we don't have anything more to go on, but I hope that they'll become our next yuri coupling, I really like Hanagoromo and I really want to like Karigane if she'd only get a bit more shine. Fingers crossed that that's what we can expect from ch.47!

[sanstropfremir]

Hello, A rover, A gambler, A libertine. I just wanted to say that I really love your blog and all the info you give on stage designing and outfit styling, and basically any other info you have to share about what work goes into making a performance/video look the way it looks. It's really informative and I always love food for brain so mwahhh thank youu.

That being said, I'm very new to the k-pop scene and even newer to being a SHINee fan, but I am already pretty deep down the hole and I absolutely adoreee them and your insight on them (specially Taemin) has made me appreciate them as artists sooooo much moree.

So if you don't mind could you share some thoughts about the Hard era styling? I would love to hear your thoughts on it!! I hope you're doing good <3

not the full government name slfjlskjdf you can just call me d! thank you for sticking around and reading 😊

as for the hard styling, i'm a fan! a lot of people have compared hard and dcm for various reasons (mostly negative ones bc they both are proving to be controversial shinee tracks) but i'm going use the comparison to talk about the styling bc i think the intentions were really similar, but hard was more effective. a thread that's been present in shinee's post military cbs is 'shinee twist on a modern industry trend', which is not a wrong way to go about anchoring cbs, especially since it does work as far as attracting new fans goes, but it does have a built in flaw where if the contemporaneous trends themselves don't have a strong thematic basis then............obviously trying to do any kind of twist on them takes a lot more conceptual work. this is the problem that dcm had; dcm was very much a 'look we can do what the kids do!' but what the kids were doing in late 2020/early 2021 was very formless and right before the crash of the 'fourth gen hardcore bg' trend, so it was a lot of disconnected but persistant loose threads from the entire fourth gen era that had culminated into a mush. so in the shinee's stylists' attempt to make some kind of sense of it they kinda also created a mush. but a different kind of mush. my hypothesis is that the stylists and creative team didn't want to commit seriously to a specific concept bc that wasn't on trend at the time, and so that's why dcm had several different promising ideas but then botched them all on the landing bc the creative team got cold feet about going against the grain for the first cb back in three years. personally i don't agree with their strategy bc there are a lot of flaws with dcm and the whole reality/fake reality concept ended up being racist when they could have very easily not done that, but the strategy DID work and it seems that the creative team were right about fans not being as interested in concept based cbs bc atlantis got paid dust. anyways.

how does this compare to hard? well, hard has the same ideological footing: shinee twist on a current trend. and the current trend this time is an actual concept! so already hard has an easier base to stand on because there IS something there thematically to work with. all the threads are very clearly anchored in the 'y2k' but the shinee twist is that it's more based in late 90s/early 00s hiphop, which is both sonically relevant and different from the hyperpop esque candy crush that a lot of the y2k stylings have become. the oversized shapes and loud logos are all prominent in early hiphop styling (and thus popular culture on a 5ish year delay), and elements like neon colours, layering unconventional garments together and repurposing military looks are all hallmarks of subculture fashion from the 00s, namely skater/emo/punk. the styling feels coherant and put together bc it's drawing from historical evidence (feels fucking WEIRD saying that about the 90s oof) and trends that did actually exist and were worn by real people. but of course with the typical kpop level of exaggeration, obvs.