#i otherwise hardly

[fatherfigurefusion]

When it comes to my mental Jane Doe designs, I keep flip-flopping between:

1. A tall and gangly redhead Raggedy Ann Jane (Inspired by Scout Graham and Jenelle Catherina, primarily)

2. A short and chubby Jane with a shaggy auburn bob that hides her big doe eyes (Inspired by Em Flosi)

3. Same as 2., but tall and gangly like 1. (inspired by Mary Jane Oken and Clare Salazar)

4. A Jane with a white bob that has patches of black near the front, freckles on her cheeks, and heterochromia. Inspired by Amy Parenteau, Hayden Howe, and Emily Reusswig)

All of them have facial cracks like Mary Jane’s does.

[pianokantzart]

Here we go here we go here we go now

[bumblingbabooshka]

TUVOKTOBER Day 2: Lunch Break [Interrupted]

[askblueandviolet]

Are y'all Bai He's father figures?

MASTER POST

Asks Start 💙💜🩷

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[varilien]

(character uses he/they)

recently got to give bg3 a try n kinda just used it as an excuse to work on a design ive been struggling with. reminds me a lot of making murder lizards in skyrim as a middle schooler it's fun :3

[thalassomania]

what is “what happens next” about if you don’t mind me asking? :)

i've been sitting on this ask for a while now because WHERE! DO I! BEGIN!!!!

ok. so. what happens next is a currently ongoing webcomic by max graves, beginning late in 2021. it is a story told in multiple chapters about multiple characters, but one could argue that its protagonist is milo holliday. milo is a trans man, pastel blogger, toy customizer... and accomplice to a murder.

one of the first panels of the comic is a screenshot of the dni page on milo's tumblr, which got me IMMEDIATELY interested in the comic because it's such a unique way of storytelling:

[image description available for the above]

and we get a lot more pages like this that are screenshots of websites, social media profiles, and the like. the comic is a mixture of in-person interactions, online communication, and occasional flashbacks, all of which are important pieces of the story.

so when they were teenagers, milo's best friend griffin petty killed two people, and milo helped mutilate one of the bodies. while griffin was sent to prison, milo spent years in a psychiatric institution that stunted his emotional growth and forever altered his view of the world. a drawing he makes while institutionalized provides a window into milo's perceptions of the event:

[image description available for the above]

the whole comic is an uncomfortably accurate reflection of mid-2010s tumblr culture, right down to the sanrio traumacore and crytyping. milo's suffering is multifaceted: in reference to the people harassing him online, he says "it doesn't feel like they hate me for what i did... it feels like they hate me for the way i am," referring to his being an autistic trans man. and given that many of his detractors seem to come from sites like kiwifarms (notorious for its transphobia and ableism), he isn't entirely wrong! but at the same time, his relentless depictions of himself as the victim erase his contributions to haylie's death and the ways he's made himself and others' problems worse.

not every part of the comic is about milo, though! i'm only scratching the surface of it here: all of those pages and links are for the first part, titled "dog names." in the second part, "someone else," we're introduced to gage ludemann, a gore blogger and true crime fan who has entered a long-distance relationship with griffin, and once again, screenshots are used to masterful effect:

[image description available for the above]

but screenshots and characters' drawings are one thing, and max's art is another. starting in the third part, "no matter what," panels are shown in full color, and his color choices are great. what i really love, though, is the amount of detail max puts into character design and facial expressions. i could show you so many different panels that i think show off max's art, but i'll try to narrow it down to one:

[image description available for the above]

soooo yeah!! i have SO MANY THOUGHTS about this webcomic and i keep trying to get close friends to read it, haha. i've read a lot of webcomics and i can say with certainty that there is NOTHING out there quite like what happens next. it's a story about true crime fanaticism, psychological trauma, social media presences, existing as a transgender person, and so much more. the comic is currently on its fifth part, "you'll all be sorry," which seems to be about the characters vikki escamilla and xandra blumberg. if you decide to check it out please feel free to tell me all about it! i'm not connected to the comic at all, but i really love it and i think everything about it is just fascinating.

and max graves, if you're somehow reading this... hiiiiii i'm a huge fan!!! love your work!!! i hope i've represented it at least somewhat accurately here!

@kukai

[repurposedmeatlocker]

Anyone else get kind of annoyed when people appear to purposely use eloquent vocabulary as a way to conceal the fact that they have nothing important to say?

[sammygender]

i just rewatched the rapture ohhhhh my god. such a good episode the jimmy stuff is actually fucking horrifying somehow even worse remembering claire grows up to be a hunter. then dean and bobby at the end locking sam in the panic room oh i hope they suffer. forever. he shouldve never spoken to their asses again

[hestzhyen]

Chapter 44 Museposting

Hello internet void. What a great conclusion to a fantastic arc! I'm locked in and ready to spend the rest of my life with this manga now. ...Maybe. No matter how the manga proceeds from here, I'll hold the Rakuzaichi arc close to my heart for it's nuanced examination of family and duty. And for introducing my favorite character in ages.

Hakuri the precious unhinged bean is STAYING! Another rescued abuse victim for the goldfish bowl, hooray! I hope he isn't shelved after this arc but my goodness he definitely deserves a break. The whole cast does, yeah, but this boy still has a lot to process.

I love how Hakuri's character arc is resolved here - he's finally free to choose his own path after everything he's been through. Ice Lady broke him out of the Sazanami mindset, Chihiro proved there was hope for him, and Shiba gave him an opening to leave his cage behind. Now he can truly find out what's waiting for him beyond the misery and despair he lived with for so long. Oh Hakuri, you deserve all the happiness you find.

And once again, Chihiro's empathy is on full (if somewhat subdued) display. The scene of him wanting to encourage Hakuri as he says he's lost now that his dad is dead squeezed my heart into pieces. Yeah, Kyoura was shitty. But losing an abusive parent isn't a ticket to sudden happiness and purpose most of the time. They were still your guiding star, as Hakuri himself says- for better and worse. Especially if they only became overtly abusive later in your life. The grief that comes with their passing is hella complicated and often leaves you feeling worse off even if your life will be objectively better from now on.

Hakuri was in survival mode for so long thanks to Kyoura that he doesn't know what to do now. He and his remaining family are better off without each other too. Chihiro probably doesn't grasp the complexities of this kind of grief but he does know what it's like to lose everything and be set adrift in the world far too young. So he gently reminds Hakuri of the potential waiting for him outside of the cage...

... and Hakuri responds so sweetly:

Aaaah my heart. You shouldn't talk about yourself like you're property, Hakuri!

This gives me some hope that we're not quite done with him yet. Hakuri's free now but he (understandably) has a low opinion of himself. He still feels the weight of failing the Ice Lady and Chihiro trading Enten for his life and wants to do more. Be more. Feel worthy of what they've done for him. And who better to help him make the most of his new lease on life than the guy he sees as hope incarnate? The grief might overwhelm him at times, and the effects of the abuse he endured won't fade for quite some time. But he'll be alright as long as he's with his samurai.

This is Chihiro's story above all else so I don't think we'll get another deep dive into Hakuri unless it's to further our protagonist's character. But I'm waiting to see what he's set up to do going in to (what appears to be) the Kamunabi arc with baited breath. I hope he really does get to be Chihiro's equal instead of learning the art of Offscreen Sorcery from Shiba. And even though it'll probably be Hiyuki's turn to shine next, I hope she doesn't overtake him in terms of importance to Chihiro's story and the narrative as a whole.

I'll save the doomposting for another time (if it's even warranted). I've got a ton to say about Hakuri now that the arc is over, but that'll probably be a separate post made while we all succumb to brain rot during the break. But yeah. Hakuri. I love him so much. I just hope I'm not pining for scraps of him after all the work the author put in to making him so endearing.

No dwelling on what-ifs! Onward! What about that random shot of a drum?

I think it's interesting that we get a small panel of taiko/wadaiko. They have nothing to do with any major themes in the arc itself, other than the sticks used to hit them being called bachi (Hokazono probably patted himself on the back for that one). I think it's used to lend a sense of finality to the end of the proceedings for the Sazanami clan. These drums have a variety of uses through their long history in Japanese culture, but the one most relevant here I think is in theater and performance arts. Small taiko drums are used to help accentuate performances by setting the mood. Here in Kagurabachi, I think it's specifically linked to Kyoura's line at the end of Ch. 39:

Yeah, the origin of the meme. The EN translation is apparently pretty conservative while the original JP line had more of a showman flair to it. "The show must go on" or along those lines. I'm not a pro at Japanese by any stretch, but it would tie in nicely to the continued use of performance-related terms in this week's chapter. The cruel spectacle is over for good. The curtains are drawn and it's time for all the living participants to go home.

2/2 on destroyed buildings marking the end of an arc. Let's keep it up!

But what is next, indeed? How many people expected Chihiro to try joining the Kamunabi, anyway?! Definitely wasn't on my short list of things that could happen, but I'm really warming up to the idea because of what it says for him as a character.

Normally, a shounen protagonist is someone who is reacting to the plot as it happens. Even if they're out to change the status quo, something has to occur to give them an opportunity to act (yes, even after they've answered the Call to Adventure). Bad guy acts first, something happens to a loved one, natural disaster strikes, etc. The universe gives them an opening and the protagonist strikes. But here, Chihiro creates his own opportunity.

Hiyuki and Tafuku could have just taken the blade away from him in his weakened state and left him at square one trying to find leads. Most authors would take this development path I think! But this is Kagura-fucking-bachi so we get to see another fascinating side to Chihiro instead.

Chihiro recognizes that he doesn't know as much as he thought about his dad's legacy. And that he can't continue his crusade without some serious power on par with the Hishaku clan. So instead of doing the typical shounen protagonist thing and resolving to push through adversity with friendship and sheer force of will, he adjusts his tactics. His resolve is intact but his strategy is changing.

This was indirectly foreshadowed courtesy of Shiba in ch. 12 and reinforced by John Hishaku in Ch. 32:

Don't you love it when characters consistently actually act how we're told they do? Chihiro's always thinking and learning; he's not waiting for fate to give him a chance. No matter how strongly he feels about recovering the swords, he's able to accurately assess his own situation and make the most rational decision (hot-headed moves fueled by deep empathy for others being an exception). I love a protagonist that recognizes when they're out of their depth and adjusts accordingly, man. No practicing slamming his head against a brick wall until it breaks for this guy- he'll find some scaffolding to climb over it instead. Or ask a badass woman to punch a hole through it for him.

I also think it's quite significant that Chihiro's directly asking others for help now. In the beginning he seemed uneasy about letting others share the burden of his father's legacy, but now he's trusting Hiyuki and the Kamunabi to help him manage it. Obviously he's asking to join because he won't let them take full control and responsibility, but he's still facing reality head-on. How will that play out for him? Opening up to Hakuri and trusting in him paid off massively, so maybe it'll work out again?

The last time he worked with the Kamunabi, most of the squad was wiped out by Sojo though. I would not be surprised to see a grudge match of some kind between Chihiro and Kazane despite both of them being on the same side in the same org this time... but we've gotten a few glimpses of all kinds of potential inter-group conflict since very early on. It's not surprising that the Hishaku may want to exacerbate those fractures by letting the Kamunabi get a hold of Magatsumi:

Ch. 7

Ch. 11

Ch. 18

Ch. 22

Ch. 24

So as of Ch. 44, it's clear that internal politics will play a major role...

Chihiro I love you for being able to put the pieces together yourself instead of relying on someone else like other protagonists often have to do.

I expect that working within the Kamunabi will help Chihiro form a firm opinion on whether or not they can be trusted to help him in the long-term. It'll probably also be Hiyuki's development arc as she reconciles her ideals, what she sees in Chihiro, and what she's witnessed at the Rakuzaichi with how the group operates.

I don't want to speculate too much on exactly how it'll all play out but I'm so freakin' hyped man. This is also a great chance to learn more about Kunishge, Azami, Shiba, and the Seitei War...! Oh man! LORE! WORLDBUILDING! I live and breathe for this kinda stuff when it's done well. The war criminals' different takes on the Kamunabi have had me interested in the org for a while now so I wonder what Chihiro will think of them by the end of the arc. Will he be able to work with them for the rest of the series? Will they splinter due to their internal conflicts and the Hishaku's machinations? Will Hiyuki stay with them or go her own way? I want to know! Hmm... on the topic of working with the Kamunabi... I know I said earlier that Chihiro's been opening up since he met Hakuri and is willing to work with the Kamunabi full-time now, but I don't believe he's at the point where he's willing to fully entrust the dangerous, painful parts of his dad's legacy to other people yet. Chihiro's still feeling personally responsible for the deaths the sword WMDs are causing while putting all the pressure to succeed on his own head. He's letting other people help him out but it's his duty alone to minimize the damage. I won't be surprised if this is touched on either in the Kamunabi arc or a later one. Keeping Shiba's "you'll break" line in mind once more, I think Chihiro learning to share his pain and burden could be a major turning point for him.

I don't want to say it must or will happen -I'm not the writer. I just think it's a very potent thread that's had some buildup since the start. Who can Chihiro trust to help him with more than logistics and fighting? Does he even need someone like that or is he going to become strong enough though learning from his enemies? I'm really interested in seeing if the little family he's building will be able to do more than cheer him on from offscreen at the very least... I've got some worries about the story structure going forward but I want to wait and see what happens in the next arc before letting my hopes be crushed.

Seriously, I'm not going to doompost yet. Really. I'm just going to fucking die waiting an extra week to see what happens next.

[r3dlif3]

The akatsuki having two people heavily tied to religion is kinda iconic. You obviously have hidan with his jashin stuff and sacrificed but I never really see people mention how konan can just straight up turn her origami into angel wings and it's her most famous/ well known move within the fandom space. The thought of konan and hidan making sly (passive aggressive on konans side) comments towards each other about their practices and religions..we could of had it all

[viric-dreams]

A quick little thing set off by all the dancing going around that got away from me. Lt Roberts absolutely loves to dance. It's one of those few times that he's able to let loose and blow off some energy, and one of the few times he can acceptably be physically close to people. In earlier days, before many of the promotions and before his dreaded reputation had fully set in, he'd loved going for a spin on the deck on a festive evening. This had largely tapered off over the years.

I'm not sure under what circumstances Nite rediscovered this skill, but the morning after was one of the few in which Roberts woke up still exhausted, but for once feeling better.

[khattikeri]

i'll be honest every single fic i read where nie huaisang is written as wei wuxian’s best friend, especially any that aren't set during the cloud recesses era, i'm like. what book did we read. where is wen ning

[beastsovrevelation]

No, but Crowley/Muriel has such hurtfic potential. She's punished by Heaven for sneaking a demon in, while he's left as her caretaker, consumed by guilt, and not sure whether she'll survive.

[x-enocyon]

I wish I had more energy to consistently post art and interact but unfortunately. Things keep occurring

[icerlyn]

small , probably one paragraph starter call !

[okaioh]

I'm never going to sleep again WDYM I missed chayanne and richas hanging out and cellbit absolutely drunk talking about lore and fanfics of lord of the rings with missa and bad