#i only have one and a half more episodes

[dontwanderoff]

okay the music in we are lady parts is already insanely good, but bisma's cover of don't let me be misunderstood has hit a spot in my brain

[dominosecho]

they’re filler episodes TO YOU. to me they’re little windows through which i watch my favorite characters make the stupidest decisions imaginable

[picnokinesis]

Thoughts on Different Types of Representation in Doctor Who (and how fandom responds to it)

So I watched Rogue last night and - okay first, oh my days, absolutely ADORED it, this is definitely my favourite episode of this season, it was just so much FUN and it hooked me right from the start. And then the queerness! I was actually thinking to myself whilst watching it how wonderful it was because it felt like a queer story in a way that wasn't like, showboating about how progressive it was? [editorial aside: this is not comparing it to anything in particular, just a general observation]. The characters were just queer, within this wild and wonderful sci-fi story, but also their queerness wasn't the Only Character Trait they had and their story didn't resolve around their queerness, but their queerness was crucial to the plot in a way that was just lovely to see - and as a writer myself, it's personally the way I love to see our stories being told.

But then I made the mistake of going into the tag - always a foolish thing to do, because for some reason everyone loves to praise this era by criticising the previous era (as if it hasn't been criticised enough...like we know most of y'all hate Chris Chibnall for committing no worse crimes than Moffat and RTD before him...we know). And I found a couple of folks talking about how this episode alone did more for queer representation than the entirety of thirteen's era, whiiiiich at first really Peeved Me Off - like didn't these people understand how important Yaz's arc (especially Eve of the Daleks) was to a LOT of people? But then I was like 'well actually this is interesting', right? Because I think there's two very different kinds of representation going on here - and they're both very important in different ways, but one tends to get lauded as brilliant rep and one always gets put down as not good enough, or even bad rep. And what's the main difference? Whether the characters have a gay kiss or not.

So I just thought I'd share some of my thoughts and feelings on this, and why I think both these kinds of rep are equally important! To be clear from the get-go though - this is definitely not me ragging on anyone who likes more about one than the other (in fact, I think everyone likes one more than the other). This is merely a personal essay about it and the frustrations that comes when people in general do lift one up over the other. I'm gonna put it under the cut though, because it might get a bit long!

So, back when Eve of the Daleks aired, I remember having a lot of conversations about the representation in that episode - in particular with a very good friend of mine, who is a lesbian. And we realised that when it came to rep, we both actually wanted pretty different things. I'm aroace and genderfluid, and so a lot of what I saw in how thirteen was written - especially in terms of her gender (or lack thereof), and also her apparent lack of attraction (at least, in how I read it) was just incredibly affirming to me. I've never EVER seen a character on screen that I could see myself in both in terms of sexuality and gender. Whereas my friend saw things quite differently - thirteen was a lesbian, and they wanted to see that kiss between these two characters, because for them too, it was so rare to see that, and, in their words, they wanted to have their cake and eat it too. And we both realised that the reason that queer representation can feel so intense and important is, simply, because there isn't enough of it. We're all desperately reaching for the same small portion - and none of it is ever going to please everyone, or resonate with everyone. The stakes are too high.

So then, when there wasn't this dramatic romantic ending to Yaz's story, when there was no queer kiss, I was very sad for my friend, who didn't get that representation, but so painfully relieved for myself - because I got mine. So then it sucked a lot to see a lot of people getting really angry that this wasn't queer representation, that this was even homophobic - I even had someone tell me that aromantic representation in this regard was always going to be homophobic, because no-one would ever write it to be aro rep, and would instead only ever write it to avoid writing a gay kiss. And the thing that got me the most was that, REGARDLESS of whether they kissed or not, regardless of how you read either of the characters, there was one thing that was certain:

Yaz was queer. In text. Her emotional plotline centred around her realising that she was attracted to the Doctor (who was presenting as a woman - although, again, I don't think she really identified as such). The fact that she and the Doctor didn't get together by the end does not erase that fact.

They didn't kiss - but so what? Are queer people only queer when they're kissing someone of the same gender, or having gay sex? Are queer people not queer in their day to day lives, when they're not doing any of those things? Are queer people not queer when they're not dating? Are queer people not queer when they're trans, when they're ace, when they're aro, when their queerness doesn't resolve around attraction to the same gender?

And, to be honest, I think a lot of my feelings around this stem from the sort of exclusionist rhetoric that we saw a LOT of towards the ace/aro community back in 2012 that we still see now, that we're seeing towards the trans community now, that we're still seeing towards bi people, for pete's sake. It's this in-community infighting, pushing each other down to try and get up to the top, to keep all the "resources" for "the people who really need it", and it causes a serious amount of harm - but the truth is (and to bring this back to doctor who) that it all comes back to what me and my friend were discussing. We're all scared, all desperate to be seen - and when we are seen, it's the most incredible experience and the idea of losing that (or having someone else undermine it) feels inexpressibly awful. Having the thirteenth doctor...I suddenly realised this is what all the straight cis white dudes get all the time. She was like me, and that was indescribable. And then losing her - and having RTD not even be able to have a man wear her clothes because he was too worried about what the tabloids would say to be able to show a gnc person on tv...and then constantly described her as The Woman Doctor for the next entire episode - that hurt. A lot.

I've spoken to other friends who felt so seen in the character of Yaz - those people who realised they were queer later in life, those who fall in love with people and it doesn't end up going anywhere, those who don't get the whirlwind queer romances that people often call 'good representation'. Myself and many of my aspec friends have felt so seen in thirteen's almost entirely romance-less arc, and myself and my trans/genderqueer friends felt very seen in the way that thirteen's character would have been exactly the same if she'd been a man - the only difference was how the other characters around her interacted with her. Gender was something that happened to her. And when I watch episodes like Rogue, even though I don't relate to that representation, I just feel overwhelmed with joy because I know how important it will be to others that I care about. I think my sadness then comes from the fact that the way Thirteen and Yaz were written are just as important to me and many people that I know, but because they didn't kiss, it's not considered queer enough. Am I not queer enough, then? Are my friends not queer enough?

We need more episodes like Rogue, like The Parting of Ways, like Praxeus, like The Doctor Falls, because they are unquestionably and unapologetically queer, in a way that can't be avoided. We also need more episodes like Eve of the Daleks, like The Haunting of the Villa Diodati, like the rest of thirteen's era where the representation is an undercurrent throughout the whole story - but also undeniable, in a way that Yaz's story arc is, even if it doesn't end in a kiss, even if it doesn't end neatly and happily. Personally, I definitely would love to see more stories focused on aromanticism and on transness (especially ones that are written by trans people for trans people, rather than by cis people for cis people), but that's probably going to be down to people like me and other writers that I know actually getting into the script writing industry - and that depends on the people who are already there letting us in. One thing that I've always appreciated about Chibnall is that, after leaving Doctor Who, he began a programme for training up new showrunners with ITV, because: "showrunners are the gatekeepers and too many of the gatekeepers look like me."

Anyway, I probably have more thoughts that I've forgotten, but that's generally the gist of it. I think the more we fight over whether rep is 'good' or 'bad', relating to whether we see ourselves in it or not (rather than 'is this genuinely harmful or unhelpful', which I think is a more crucial question) the more the waters get muddied. We have different needs and wants, and no single episode is going to represent every facet of our community. But each episode, each story like this is a step in the right direction - and even rep that isn't perfect (I have thoughts about The Star Beast, for example) is still extremely positive and important, and definitely something that should be celebrated, even as we keep looking to the future for what we would like to see done differently, done better. And some day, I hope, there'll be so much queer rep, it'll be so normal, that those stakes won't feel so high anymore. It won't feel like everything hangs on how a certain show or storyline or episode is written. We'll all be seen. And that will be absolutely fantastic.

[lilacthebooklover]

part of the reason why i find nightmare time episodes so interesting is because in half of them, i'm not even sure who the writers want me to root for.

take honey queen, for example. linda's the focus of it and we see her emotions, motivations & family, so it's expected that she would be the "hero" of the episode. but she isn't. the episode consists of her doing horrible things to zoey, zoey doing horrible things to her, and it gradually escalating to the point of kidnapping and murder. it's due to linda that zoey dies. and she gets what she wants, what the whole episode has been about her vying to achieve, but we as viewers don't feel satisfied, because how can all that's happened possibly be worth such a tiny, temporary, meaningless title? linda's father seems to be proud of her, which is what she's been hoping to gain and added an extra element of sympathy for her character. but in the end, he sacrifices her to an eldritch being because she "the hungriest". honey queen is tragic and comedic and messed up and chaotic and there are The Horrors and nobody is distinctly good.

and that stays the same in every nightmare time episode. so many of these characters wouldn't care a bit if they killed someone, as long as they were able to survive. but that's just hatchetfield. a strange community of selfish people with no clear morals, because that's all they know and that's all they can be if they want to survive. they have a magic child fighting ring, they have evil weed birds, they have clones in the technical department, they have an asexual axe murderer in the woods, they have a wealthy doting mother who's been alive for centuries, they have a 1986 foxbody mustang possessed by a dead psychiatrist, so on and so forth.

the whole hatchetfield universe is so surreal: this is a place where people go missing every day, where gruesome murders are dismissed unless it threatens their football team losing to the clivesdale chemists, where a character can do the most horrendous things or seem absolutely irredeemable, only for the narrative to put them through so much that the audience ends up loving them.

each character is so complex and unique (i could write an essay about literally any of them if i tried to- and yet that includes peanuts the hatchetfield pocket squirrel). none of them are meant to be all good, and none of them are meant to be all bad. they're realistic to their environment and screwed over by their universe and they all have their own lives to focus on.

the vast majority of the antagonistic characters are very beloved in this fandom, because this is hatchetfield, where the most horrifying things are normalised in-universe, so they begin to be for us, too. we don't think it's as awful when we see zoey's body hanging from the rafters, or watch boy jeri be killed by his own son, or see eldritch beings hunt people down, since that's all seen as far more normal in this world. besides that, people like to have flawed characters, it's good to have little fictional freaks committing atrocities since it means the episodes are completely unpredictable.

every volume of nightmare time is a rollercoaster or a fever dream, because they'll take the most unexpected characters and the most random concepts ever and throw them into a completely absurd plot. so many modern pieces of media follow a specific genre or structure, but the hatchetfield universe does whatever the hell it wants, and it's so investing to see. there aren't any limits here, and each episode is a separate timeline, so the creators can go wild and do literally anything with this town. it's like a treasured collection of cracky aus that have been written and performed astonishingly beautifully.

anyway, this is your sign to go check out nightmare time and @blinkysrewatchparty! it will be entirely worth it, i promise <3

[quietwingsinthesky]

i do love canon amy & rory but god, does some part of me wish they really had gone with the idea of the doctor picking up a child as a companion (and then later, that child’s best friend with a huge crush on her.) with the rest of the season really not changing at all, except now it’s amelia pond with an angel in her head killing her and lost alone in the woods. it’s little rory who dies and is forgotten and becomes a toy soldier. if this is going to be a fairy tale, then let it be one. children have never been safe in fairy tales.

[deanpinterester]

i was going to make a post telling yall to stop calling godzilla minus one a low-budget film (because it isn't) but then i remembered disney regularly drops 12 million for ONE EPISODE of their shows without nearly the same cultural impact so. yeah godzilla is low-budget as far as i'm concerned idc

[brucequeensteen]

character wrapped 2023 💥

tagged by @davidtennantpussytulpa ^-^ i didn't know how many to do so i copied tara and did top 10. i know the severance guys are Four Of Them but i can't separate them theyre all equally important to me

will graham (hannibal), em haywood (nope), aziraphale (good omens), mark & dylan & helly & irving (severance), hawkeye pierce (mash), martha jones (doctor who), ivan karamazov (the brothers karamazov), kim kitsuragi (disco elysium), stewy hosseini (succession), ruescott melshi (andor/rogue one)

i will tag... @fagician @britomart @libraryfag @roadwhores @majorbaby @globuspolski @hadleyfraserfaggot @tenderscience if u want to ^-^

[sonknuxadow]

they werent lying that knuckles series barely has knuckles in it

[sskk-manifesto]

MITCHELL AKUTAGAWA EPISODE!!!!!!!!!!

[cha1cedony]

I was just looking through my Notes app and remembered I wrote down this dream I had a couple of days ago. I fixed the grammar because it was mostly incoherent due to my writing it at 5:27 am. Hope you enjoy

[todayisafridaynight]

This might not be anything, but while writing about your fics, the way you have the characters' mannerisms down PERFECTLY got me thinking about mirroring...

There's a lot of it in 7 (Horii is a directorial genius etc etc), most of it more intentional than these probably are, but there's something so interesting about mirroring that takes the tone of a (relatively) fond memory, a familiar gesture, and inverts it in the way shown here.

OH I'M GLAD YOU'VE NOTICED THESE TOO I think I mentioned it months back (or I drafted a post 'bout it but didn't think it was anything noteworthy) but I always really did like how the Arakawa Family mimicked each other's mannerisms (also circling back to how Jo and Masato calling Ichiban 'Ichi' presumably after picking it up from Arakawa)!

Aoki actually does the same sitting gesture too! I went back to double check and skim through the rest of the game's cutscenes, and as far as I could tell unless I skipped a scene, it really is only these three that do this specific pose:

It's such a small detail but I love it immensely and it really does highlight their connections with each other and it drives me insane

[desperatepleasures]

maybe when I reread dunmeshi I'll just keep writing down characters' names and facts about them as I go...or I could literally just use the wiki lol idk

[arttsuka]

have you watched star trek tng

No :')

And it's not because i don't want to or I think I won't like it or anything, it's just so long. 7 seasons (178 episodes, ≈130 hours). The longest series I've watched was star trek tos (79 episodes, ≈66 hours).

I'm just not made for long series. I tend to want to watch everything as quickly as possible because I'll lose interest if I can't interact with the fandom. And interacting with the fandom = spoilers.

[my-animeandmanga-journey]

It's funny how Yuu freaks out over things like "eat your veggies" and "that's too expensive," even if he's not the one buying. I can't say I understand visual cues and storytelling in anime, but my guess is that it's his "big brother" mode switching on. He's being like, "we can't afford this," "you're not eating healthy."

Like, it would be easy to shrug off everything he does as selfishness and still being pissed at everyone for dragging him into the school council (which he is) and just generally being irritated with people not doing things the way he thinks they should be done (which he is), but I just can't come up with a reason for him to get so upset about Tomori picking up mushrooms when she's the one paying for it. Unless he's worried she's gonna overspend and not have anything left.

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[thesearchforbluejello]

I fundamentally do not understand this show. The Dominion War was RIGHT THERE. Like, RIGHT. THERE. Why did we need some whack Romulus-blew-up backstory when the federation was already decimated by the war?? A follow up on the fallout of that and how the ceding of territory, the betrayal by allies, and the xenophobia of threats from both within and outside would have been SO much more interesting to me.

And they're so busy pulling half developed plotlines out of thin air that they're not even pounding in their anchor points for it all. Like, case in point, Jay looking for Icheb's cortical node. SEVEN HAS IT. IT IS LITERALLY IN SEVEN'S FUCKING HEAD. Like, okay fine easter egg? Maybe? But a major plot point isn't exactly an Easter egg?? Like obviously Beyer knows a shitload about Voyager, so at least one of them must be aware of that, so I assume it's implied... but not everyone has seen every Trek and that is from one specific Voyager episode, and Seven had the perfect opportunity to rub that in Jay's face... And are we not going to talk about Seven becoming a Ranger which is HUGELY antithetical to where she was at in Voyager? Because the fact that she became an individual on a ship that was what, 1/3 Maquis? Um, that's a super fucking important fact? Love that for her, but Christ alive nail. these. plot points. home.

idk I guess these two are nitpicks, but I have so many more and just don't feel like writing a novel expounding upon what I perceive as their many (MANY) failures in writing this show. But this show is just full of those moments and I don't understand their choices. Easter eggs only work when there's actually something semi coherent to hide them in (hence why most of M*rvel's fail nowadays, just saying). This feels almost as incoherent as Renegades, and I am SOOOOO very sorry to be actually saying that because woooooof that is not a compliment. Like... it's the Romulans, it's the androids, it's the Borg. It feels like whatever unholy combination is happening with Applebee's and iHop right now. Like... Okay I guess? But it's just a weird combination and very unnecessary. Just fucking pick one and go from there.

I do however need like a lot more ex-Borg bonding that was such a good moment okay thanks bye