#i obviously prefer the original version much more

[cowboylikeyouu]

in germany, chris evan‘s roles (including steve) are mostly voiced by dennis schmidt-foß, but as johnny storm he‘s voiced by benedikt weber, and it made for a really cool moment during dp&w. bc wade’s super convinced that he‘s steve, but all the german people who watch the german dub of marvel movies religiously are already like huh??? bc that‘s NOT steve rogers‘ voice, and then when it’s revealed that he‘s actually johnny, wade‘s like "ah yeah, i should’ve known from the voice". and idk, it’s not hilarious or anything, but it just made me soo happy that they used wade‘s 4th wall breaks differently in different languages. just felt the need to share this

[goldentigerfestival]

Since I'd been talking a lot about JP Vesperia (primarily Yuri and Flynn and the heavy changes that surround them, and because I'm highly passionate about them in their original context), I wanted to compile some more jarring if not outright glaring mistakes in the localization (or what were likely intentional changes, because I can't look at some of these and just call them "mistakes"). I'm not going to mention every little change throughout the game, so smaller things I'll mostly be leaving out (namely things that don't really affect characters or context). I primarily just wanted to give some insight on some of the bigger parts.

Some of the changes seem to have been mistakes in translation itself (not just localization, but misunderstanding what was being said in general; such as, there's an instance I mention of that between Patty and Don), so I've got some mentions hanging around for clarity purposes as some scenes didn't make much sense, likely because of this.

Vocal tone with Yuri was the most prominent issue that got me making this, and the context that was changed being right after if not equally next to that (most often also with Yuri but also Flynn).

This is something that has been bothering me for a while and I've been wanting to share this stuff with people interested in seeing the game with its original context. Generally speaking, the plot and story themselves are on point. The majority of the differences surround Yuri and Flynn respectively, so there's going to be a lot of mention of them throughout.

I've also posted video clips of my favorite scenes and the heavy changes, so consider those a supplement to this and vice versa.

Part 2.

Part 3.

Part 4.

(Other) GTF Favorites.

I'd like to preface this by mentioning the chief director and producer of the game itself has also spoken about localization inaccuracy issues, so that's something to keep in mind (it's in Japanese, but you should be able to use the offered post translator).

I'd also like to preface this by mentioning that in the original, Yuri is more playful and relaxed/casual (generally but including with Flynn, which the dub pretty much entirely changed until arc 3), but also gentler and softer. He has a very large variety of tonal behaviors/tonal "moods" that were pretty much nuked from the dub.

Basically, to get the full experience for Yuri, I can only really recommend playing the game in JP audio. Obviously you won't get the actual context because all you'll have is the dub context, but that's also partly why I'm making these posts - to cover the contextual changes while the video clips cover some of the tonal changes (because lbh I don't expect anyone to actually go watch the entire game in JP with subtitles unless you're as insanely dedicated as I am, and I'm largely doing it out of my love for the original Yuri and Flynn and my disdain for how the localization treated them).

As a heads up, there won't be many skits in here because I'm going through a specific YT playthrough for these screenshots. Specific skits won't always come up in the playthrough in question, and I can't find a whole list of skits in JP anywhere online. I don't have all skits unlocked in my own save either yet (you can unlock all skits with Grade which I have yet to do in the DE), so I can't use that to compare all skits right now.

There are plenty of small changes here and there that I won't be including in these posts because there are some sentence changes that aren't impactful but do exist. I just don't want to be here for a year covering the random changes that don't matter much. I'm also not going to include details of a lot of honorifics because I'd be here all day, but there is one one major instance that I mention later on.

For reference if anything wants to actually watch the game in JP with the subs (it goes until just after Hypionia), most of the references come from here. Since in some cases the subber just reused localized text even when the context wasn't the same, I did bring some of those up in these posts too. These were subbed before the DE version came out. I used screenshots with subs where possible to make it easier to follow along.

I have a lot of passion for JP Yuri and I hope I can pass on some of that passion to others. 🙏

Apologies in advance if some of these sound cranky. If I sound cranky about some specific changes, it's probably because I am.

---

Since I talked about the whole, Raven being shady and Yuri therefore not being grateful to him incident that the localization for some reason butchered and made Yuri sound like a generally ungrateful or just outright dumb person who doesn't understand gratitude, I'll summarize that one again here:

Yuri has a skit with Estelle originally talking about how he can't find himself being grateful to someone like Raven for showing him how to sneak out of the castle. Basically, Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he isn't sure he wants to trust a guy with those vibes). The dub just kinda... makes him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. It doesn't really sound like it's an issue of his with Raven specifically but more that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game. Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from (and I imagine a weird peppy guy in jail is good cause to be skeptical).

We start off we a classic "Yuri, you idiot!" that was changed to "come on already!".

Yuri's response to Estelle mentioning he'd been in the knights doesn't actually give a time frame for how long he'd been there (the dub made up three months, but there was never originally even a time frame given).

Here when Yuri asks Estelle why she can't just leave, her response indicates she actually does know why. The dub made it more ambiguous, which could be easily misinterpreted as she really doesn't know, so I'm dropping this one here.

For some reason the localization seemed to have Estelle responding to Karol directly about the ace always performing their attack last ("I don't think so"). What she was referring to was the tiny monster that walked by, asking for confirmation that that monster was not the eggbear they were looking for (I wasn't gonna fight with the video to get a better screenshot without the annoying YT red bar in the way so the monster is in the corner mid-movement lol). Not sure if that was a genuine mistake, but it was an odd one.

(Also, side note and not putting an image here because it's more general, but Yuri refers to Karol as "Karol-sensei" which was translated in the localization to "Captain Karol". Basically, Yuri calls him "sensei" because that's a teacher/professor, and he's making a play on Karol's knowledge and being their "teacher" about monsters/maps/etc.)

I'd say this is more along the lines of overexaggerating and not overreacting, but this line was literally changed to "haha" in the dub. The whole point wasn't that Yuri just brushed her comment off or found it funny. At this point he still literally thinks she's exaggerating about her lack of knowledge out in the world, her excitement, etc.

Not the only instance you'll find of the dub just changing entire sentences to something meaningless as if they ??? didn't know what it meant (they actually changed Patty saying an entire sentence to "aye"). In some cases they added entire sentences that weren't even there...

Even though I can kind of see where they went with the dub here, the point was supposed to be that Flynn actively thought he would be happy for Yuri to go outside the barrier and see the world.

The dub changed this to Flynn saying that he, in the now, is happy that Yuri is outside the barrier, but then says he got a little less happy when he saw the wanted poster, indicating he was previously happy but got less happy, yet says in that moment that he is happy.

It's a weird case of (past/present) tense usage for the most part, but they also removed the fact that Flynn is literally saying "I thought I would be happy" (thus expressing he'd been wanting Yuri to see the world outside the barrier and would've been happy to find out he did). The reason he's not finding himself happy is because of the wanted poster and the crimes listed on it, following up that his honest happiness for Yuri (ultimately because of the poster) was a lie.

This also means they removed Flynn expressing the honesty of his happiness for a positive concept for Yuri, which, given all the changes toward Flynn in the dub, already now takes away from the fact that he'd been actively hoping for good things for someone and we're left with this more sarcastic take on him being "happy".

Obviously his happiness wasn't really a lie because most of the crimes were falsified (primarily the ones that would make him actually mad, because Flynn has had to have been aware this whole time that Yuri has committed small time crimes for the past few years now), but at the time, the focus on this conversation is that Flynn thought he'd be happy at a time that Yuri left the barrier; meaning he'd been hoping for it prior to it happening.

I'm also mentioning it because it's the very first in a whole line of changes the dub made to their relationship (and it's their first in game interaction ffs) and to Flynn himself as he's perceived as a character. The original is much more expressive of how important they are to each other in a lot of various ways.

Inserting the JP audio version of the following scene with Flynn here.

And... the following one from there.

This was changed to "damn, we if lose our balance...". I know they did it because Yuri had just fallen over, but I'm including this one because the context isn't... really the same thing?

This dub change is a bit odd to me. They had him saying something along the lines of "she is a princess after all" in the dub, regarding the council backing her.

The original context is more like, the council is backing her and he's hearing it directly from Ioder and he probably doubts Ioder would lie like that or about that, cementing that yes, she truly is, like he suspected, a princess, but it's almost still a bit odd to know. It's sort of like, he knew/had suspicions but hearing it directly from Ioder just confirms it for certain.

The dub just made it sound like well yeah, it's obvious they'd want to back her, she's a princess... but Ioder is a prince, so that doesn't explain why they're not backing him. She is a princess after all, so of course they'd back her... but what's stopping them from backing the prince?

Another weird one for me. In the dub Yuri says that "even the Commandant was a little in over his head", when he actually... really wasn't? All he did was step in. Things got bad enough that he had to, but he wasn't in over his head. Not sure how or why the dub ended up with that.

An example of the dub having a habit of just adding in random lines that didn't actually exist (and in this case the one added didn't even contextually make sense. This was no thank you from him, this was literally him making Yuri do something for him because he was going to ask Flynn for a favor and ended up with Yuri in the cell instead).

Another super weird one in the dub. They had Yuri saying Flynn was "too" late, implying he hadn't made it in time, but he did. He made it just before the battle started, but the original context only says he's late, not too late (which makes sense given that they were ready to fight but hadn't started yet).

This was changed to Yuri just mentioning there was one way they could get out of there without actually saying what it was, and Judith saying if he thinks it might work what's the harm in trying it out. Not sure why they changed Yuri literally telling her his plan, so... again, a super weird change that I don't get why they didn't just keep the context the way it was.

Third image was changed to "someone get me away from this psycho", which... I also don't get why they put that there unless they just wanted so much flavor text that they wanted to change the whole "they're in a fight and he's telling her not to come over here because he's pissed at her because they're fighting" part of the fake fight they had going on.

Not one I have a huge problem with, but definitely good examples of them going out of their way to change just... perfectly normal stuff that literally has no reason to be changed? Some of it is flavor text and some of it feels over the top for me. Stuff that makes me like... why would you change that when there was no reason to? Could be more of a personal pet peeve of mine, but I just don't like unnecessary changes when there was nothing wrong or odd about the original text and doesn't at all come off odd in English. Unfortunately Vesperia got littered with those.

I didn't feel like getting a whole video for this, but basically Judith gives a little laugh instead of just the more upset/distressed(?) sound she made in the dub. Feels more fitting imo to keep up the "lie" Yuri started for her. The dub makes it seem more like she feels guilty, versus here she's giving a little forced giggle to go along with it. Again, a change I'm not sure why they put in.

Ngl I get completely different vibes from these. The JP comes across more as concern, rather than... treating them like they're some mob on the loose...?

Once again, this gives off negative vibes toward Flynn as a character imo.

Here Judith gives more of a reason for coming with them, which they changed in the dub to "with the circumstances being what they are, this is just how things turned out". Reasonably, she didn't have to stick around after they ran from Dahngrest, but here she gives a quick "reason".

The dub changed this to "I'll bet he is". They were just told he's the current magistrate in Heliord, and all Yuri says here expresses he's letting it sink in and realizing exactly why all this is happening here. It's not a huge story beat or anything that gets changed, but it's an example of changing things that don't need to be changed as if trying to play things up in a way that... doesn't feel necessary to me? In this case the situation is kind of dawning on Yuri as he realizes how bad this situation could be/why it's like it is, but in the dub it comes across as more just unimpressed and "of course he'd do that".

An unfortunate, classic moment of them changing how much Yuri believes in and trusts Flynn. They changed this to "gotta run, Flynn!" and he just... leaves. I'm sorry but in what universe does "leave the rest to you" equal "gotta run"???

This one is one of those cases where the localization text was super awkward and wonky, and worse, they actually voiced it that way (like "we have guild's job to deal with". Yes, they actually voiced it that way too on top of everything else grammatically wonky with the entire conversation that they didn't bother fixing when the DE came out).

Also here, they changed what Yuri says about Cumore and Flynn. "I don't know how I could explain this to Flynn" doesn't, at least to me, carry the same weight as Yuri actually feeling ashamed (in the dub he says "what a shame", but does not express shame, versus him saying "how pathetic" and expressing shame in feeling pathetic) and saying he can't even face Flynn because Cumore got away. The thing is, Yuri does tend to posture, so when he fails at something, it hits him pretty hard.

And let's be honest, this just hits way harder than "he will get what he deserves".

Interestingly, Yuri could also fall into the category of viewing himself as sinful later on, which I talk about in my favorites post and the usage of "crime" and "sin" within the JP context.

Not particularly important, but just another (more mild) case and example of how the dub just randomly changed tone/mood/wording for no reason.

Another case of Yuri being more aggressive in the dub than he actually was. Here, all he says is just a plain statement. In the dub, he has an attitude about it and says it in a tone that's more insulting that Ioder didn't know about Heracles.

This isn't the only case of dub Yuri acting aggressively toward Ioder when he wasn't supposed to be and we'll get to that, but Ioder is another similar case of the dub making Yuri unnecessarily vocally rude (despite that Ioder is very polite toward Yuri).

(I left out the subtitles because all they did was copy the dub's localization, which kinda defeats the point of this post LOL. This will be the case going forward for any same circumstances.)

This one's a more interesting tidbit to me and less of a harmful change (i.e. I find that a lot of if not most changes relative to Flynn do more harm than good when compared with the original context). Basically it's saying "sweet mask and sharp eyes", implying Flynn's sweet face is a mask and saying it contrasts with his sharp eyes. I could get into a whole rant about why I love that in relation to some side material, but even in the game itself, there's the knight Flynn with his sweet, polite side and his real side that only shows when he's around Yuri (basically, who Flynn has to be for his job and who he actually is as a person, which he only gets to be around someone who knows the real him).

I'd guess this got changed in the dub because they weren't sure how to word it, though there's no mention of "heartthrob" here at all and instead actually says "sweet mask" as if, again, to say his sweetness is just a mask. It's actually a very interestingly accurate representation of his character - how he tends to not be himself when he's being "knight Flynn", and how that sweet face is contrasted by the look in his eyes (which they say, you know, eyes are the windows to the soul, so this would imply the sweet face is the mask and the eyes are the real Flynn. And of course, this Flynn is implied to show himself in his sparring with Yuri in Aurnion, where sword fighting is the best way to express himself. This isn't to say Flynn being a nice person in and of itself is a lie, but that his overly polite, respectful, kind knight side is a sweet mask contrasted to the man who loves to fight and has a sharp look in his eyes)

For now, we'll be back at Mantaic in the next post (due to image per post limit).

[sunderwight]

SV fic where Shen Yuan transmigrates into the former sect leader, Yue Qingyuan's shizun, right before Yue Qi shows up at the selection trials.

Shen Yuan is not sure why he's in one of his all-time hate-reads, let alone why he's gone so far back before the story actually begins (his system appears to be malfunctioning? something about an error and emergency backup...?), but he's making the most of it. This despite the fact that being a sect leader is a much more prestigious and political role than he likes.

But Shen Yuan is, at heart, actually a pretty good teacher, and he's spent enough time witnessing administrative work secondhand that he can competently tackle most of his duties. Whatever he can't handle, luckily there are other masters on Qiong Ding who always seem eager to curry favor by volunteering at the least hint that they should. Apparently his predecessor was known for being kind of cold-blooded and ruthless. (Shen Yuan gets checked for possession and it's concluded behind his back that he most have lost some of his memories, again, but also everyone kinda prefers this version anyway, again.)

But, so, he picks Yue Qi at the trials without even realizing at first who he's selecting, but just because that kid seems really determined to get in and clearly has been through it. Reminds him of Luo Binghe. Even when he puts it all together, all he feels mostly is kind of bad about it? He never thought Yue Qingyuan was sufficiently villainous to merit his end, even though he didn't blame Binghe for it either. He was always a mystery, an apparently kind person who nevertheless had some inexplicable fondness for the scum villain, turned a blind eye towards his abuses, and got dragged down with him. Shen Yuan feels even worse when he actually gets to know his solemn, smiling, secretive little disciple.

Yue Qi is very determined to advance, and as quickly as possible. Shen Yuan admonishes him. Obviously this kid has a protagonist-like aura and a similar drive to get places quickly, but you can't speedrun your disciple era, Mr. Future Sect Leader! There's no montage mode! Most of his attempts at intervening meet a brick wall that is Yue Qi's impenetrable smile and polite deference if he even hints at displeasure (this kid's gonna make a great politician one day), but Shen Yuan changes tactics and starts manufacturing excuses for breaks, taking Yue Qi on him with trips off the mountain and finding reasons to stop at local festivals and hot springs and etc. He can tell something's off with the quality of frustration that his disciple sometimes expresses, with how there's fear to it, but he's at a loss for the cause and it's difficult to get Yue Qi to talk. Despite appearances, he's actually very distrustful of adults.

When Yue Qi asks to claim his sword early, Shen Yuan says no. He remember how reputedly powerful Xuan Su was, and his disciple definitely needs a stronger base if he's going to pull a sword of that caliber. But he suspects this won't go over well, and when he catches Yue Qi sneaking off to Wan Jian Peak on his own, his disciple finally breaks down and admits that he needs to get strong in order to save his most important person.

Shen Yuan is moved. The way Yue Qi speaks, he's certain this person is a young maiden whom his student has fallen in love with. Truly, the sect leader was so very similar to Luo Binghe at heart! He must have failed in the original story, and that contributed to his difficulties and sorrows later on. Of course Shen Yuan will help him rescue his sweetheart!

Even if his sweetheart is... surprisingly butch? And is a slave owned by the Qiu family, and, wait a second, that name is kind of familiar... oh.

Oh dear.

Shen Yuan is internally screaming even as he helps buy Xiao Jiu out of bondage, even as he gives Yue Qi money to get his newly rescued friend all cleaned up and suitably dressed for the trip back to Cang Qiong, even as he buys the boys tanghulu for a treat, even as the System cheerfully informs him that his new quest is to get Xiao Jiu accepted onto Qing Jing Peak, even as Yue Qi tears up for the first time when he thanks him for helping.

He can only get to sleep that night by consoling himself with the knowledge that his generation is going to retire well before Luo Binghe and The Plot actually show up.

The System: (〜￣▽￣)〜

5 Years Later:

Huan Hua Palace Master: Sect Leader, we need your help! A terrible Heavenly Demon has come to threaten the whole of human society!

Shen Yuan: That's not possible. He isn't even born yet.

HHP Master: What?

Shen Yuan: What?

[flowerandblood]

The Lost Haven (10/16)

[ modern mafia • Aemond x niece • female ]

[ warnings: incest obviously, unprotected sex, smut, the angst, squirting, semi-public intimacy, description drug overdose, violence, uncomfortable conversations, bad, bad things ]

[ description: The vacation from eight years ago still haunts his memories and doesn't let him forget what happened between him and his niece, the daughter of his sister and Harwin Strong. Their paths separate and he immerses himself in his father's mafia world until the day she calls him for the first time since those events. Sexual tension, dark, dangerous, withdrawn, thirsty Aemond. ]

Author’s note: As promised, this is another, this time official modern version of The Fall from the Heavens. In this version, Daemon is not related to the family, but is simply Rhaenyra's husband and the leader of the second gang, Alys and Larys are also not related to each other, but Larys is Harwin's brother. I will partly refer to the original series, hiding some easter eggs, and some will be a completely new, fresh plot. As in every universe, only Aemond calls her Rhaenys and this is not her real name (she is unnamed character and the others also do not know that he calls her that). There will be a lot more brutality and angst in this version, so watch out. You can read this as a standalone story.

Series & Characters Moodboard Aemond & Rhaenys Moodboard

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

Although she hadn't written him back since their rather tumultuous phone call, her uncle had tried to soothe her anger by sending her pictures and videos of Vhagar at various frames and times of the day.

Through this, in the morning she would see her owner pouring food into her bowl, ordering her to stay still, listening to her squeals of impatience, then she could see her proudly carrying a big stick between her sharp fangs, and in the evening she would listen to him recording close-up footage of her dark eyes and wet nose asking her if she had missed her, with Vhagar then licking his phone.

She knew it was wrong, but some part of her felt happy about it and waited impatiently for each new message from him, because even though she didn't write him back she knew what he meant to tell her in this way: he wanted her to understand that he thought of her every day, anytime, anywhere.

She waited impatiently for news that would doom him in her eyes definitively, words from Daemon that he had killed someone again, hurt someone again, any confirmation that he was unable to change, that there was no going back for him.

There was something touching in that realisation, in the thought that he wasn't lying when he said he cared.

They both risked keeping in touch and because of that she had to have two phone cards to avoid attracting Daemon's attention, but other than that her uncle didn't try to call her or approach her, respecting her personal space.

He, however, surprised her by calling her one afternoon while she was in class. She didn't know what to do for a moment and then left the room to the surprise of everyone gathered, apologising to her professor, saying it was an urgent matter, led away by Robb's anxious, watchful gaze.

He hadn't spoken to her since his confrontation with her uncle, and she felt bad about it, but preferred not to approach him.

She had made the mistake of telling him too much and now she had to pay for it.

She sighed heavily as she stepped out into the corridor and answered, putting her phone to her ear.

"Aemond, you can't call me. Is something wrong?" She asked simultaneously frustrated and horrified.

"I got in. I passed the exam." He said excitedly, loud and clear, like a small child boasting to his mother that he had got the best mark in the class.

She blinked and shook her head, smiling involuntarily, feeling relieved at the thought that perhaps there was still hope for him.

He was really trying.

"I'm proud of you. I really am." She confessed from the bottom of her heart, wanting him to feel appreciated, to know that this was the right path for him and that she would support him in it without looking at what he had done to her in the past.

"Let's meet to celebrate. Please." He muttered, and she felt discomfort in her stomach, her whole body tensed.

"No." She said immediately, feeling fear, thinking this was another trap, another excuse to weaken Daemon.

"Just for a moment. In a public place, in a restaurant, in a café. Wherever you want, wherever you feel safe." He insisted, a plea in his voice from which she felt a sting in her heart, longing to see him and needing to keep him at bay.

"I can't, Aemond. You know I can't. I will always support you, including about your studies, but after what has happened I can't trust you." She said in a trembling voice, wanting to be honest with him.

She felt he deserved it.

She heard him swallow hard and fell silent for a long moment, making her feel remorseful, her heart pounding like mad.

"– forgive me – I had no right to ask you to do this – it was a mistake resulting from my selfishness – thank you for everything –" He said in a tone from which she felt an unpleasant shudder of self-regret, because some part of her wanted to please him, to be with him, to be happy with him, to make love to him.

But that was not enough.

"– Aemond –" She muttered, but he hung up, leaving her with an unpleasant, uncomfortable void in her heart.

She pressed her lips together and took a deep breath, trying not to cry, thinking that she had done the right and sensible thing, that she had to look out for herself and not cross the line she had drawn for herself.

It was better for her and for him.

However, she couldn't stop the unpleasant feeling of disappointment and sadness when he didn't send her any photos or messages that day or any day after. She thought that he was punishing her in this way and that it was a painful form of manipulation on his part to which she could not react.

He wanted to break her, to force her to be with him again, to make her feel remorse and let him do what he wanted with her.

She was not going to make the same mistake.

She felt for the first time that something was wrong when her professor accosted her in the corridor.

"Your friend got the best score of all the participants in the exams, Miss Strong, but he has not yet submitted all the documents. He shouldn't delay, if he doesn't do it by Wednesday, someone else will take his place." He explained, and she swallowed hard and nodded.

"I'll pass it on to him." She muttered and as soon as she said goodbye to him, she texted him.

He, however, did not write her back either that day or the next, making her cry again through the night because of him.

Was he punishing her in this way?

Was he showing her that if she did not meet his expectations he would do nothing to change?

That her presence was supposed to be the payment for him going to University?

She thought it was terribly unfair of him and that she didn't want to know him only to send him another message in despair.

He, however, continued not to reply and she had lost hope that anything would change.

"You haven't been eating lately. What's going on?" Asked Daemon, driving with her to the supermarket to buy things for dinner.

He took her to various places under his watchful eye, trying to find her activities to keep her from sitting in her room and torturing herself with thoughts.

She swallowed hard and looked away, not wanting to talk about it or lie to his face. She heard her step-father sigh heavily at her lack of response, impatient, and he was already about to say something when suddenly his phone rang in the car.

He answered by clicking the hands-free mode, connecting directly to the car's control panel.

"Boss, there's a small problem at the Moon & Stars club. There has been an incident, someone has tried to rob the safe. We suspect it was Hightower's people, but they managed to run away. They didn't take anything."

She looked at her father, who sighed heavily, running his hand over his face.

"Do I have to do everything myself? I'll be right there." He hissed impatiently and turned off the road, heading in a completely different direction.

He didn't usually take her with him to do his business, but now apparently the matter was serious and they were too far from home to turn back.

As they went inside, Daemon pointed his finger at one of the guest lodges to her.

"Wait here for me and stay where you are. Ten minutes and I'm back. Is that clear? You can order yourself something to drink, just have them pour it by your side in a glass." He said and she nodded, having no intention of doing anything but sitting.

Old rock classics were playing all around her, posters of bands and various guitars everywhere, red and blue lights blinking all around her, tormenting her already tired eyes.

She hadn't slept well the past few nights.

"Rhaenys?" She heard someone's voice behind her and turned, surprised to see a woman in front of her, the same one she had met when Daemon had shown her what her uncle had done to Robert.

She looked at her with big eyes, confused and terrified, because no one but him had ever called her by that name.

"Alys. We've already met." She introduced herself, extending her hand to her, holding her drink in the other, and she shook it.

The woman grinned in a way she didn't like and sat down across from her, making her feel uncomfortable. She looked around, trying to spot Daemon in the crowd, tense.

"Don't be scared. I'm a friend of Aemond's and an old acquaintance of your step-father's." Alys said calmly, taking a sip of whisky from her glass.

She looked at her with her heart beating fast, playing with her fingers in a gesture of concern.

"– but –" She muttered, unsure if she wanted to know how she knew the name that only her uncle called her by.

How close friends they were.

It seemed to her that Alys saw the question written all over her face, because she grinned even wider.

"He revealed to me the name he calls you by accident. Let's just say it slipped out to him in a moment of elation because he forgot it wasn't you lying beneath him." She said softly, without a grimace of anger or frustration, as if she found it amusing.

She swallowed hard, feeling an unpleasant sting in her heart at the thought that she was having sex with him, that he was comfortable with another woman.

On the other hand, her words sounded in her ears making her grow hot.

It slipped out of him in a moment of elation because he forgot that it wasn't you lying beneath him.

Alys sighed, spreading herself out comfortably on the couch, seeing that her words had completely shocked her and she didn't know how to act.

"Don't worry. We were never in a romantic relationship. I find the fact that he is so deeply in love with someone quite charming. For a long time I didn't know who the mysterious Rhaenys was, as there was no girl in our society with that name. It wasn't until recently that I found out for what reason Aemond kept his feelings to himself. An uncle should care for his niece, but not that much, right?" She sneered, and she swallowed hard with a loud snort of air.

Was she trying to scare her?

To blackmail her?

"Why are you telling me this?" She asked horrified, making the woman raise her eyebrows high.

"I want to help. I suspect your father didn't tell you that Aemond had recently overdosed on sleep drugs." She said, and she froze, feeling herself go deaf for a moment, and everything around her stopped.

"What?"

"He's in hospital in intensive care. I found out about it from his grandfather's co-workers. Everyone is whispering about it being a suicide attempt, thinking it was because Otto decided to make Aegon his successor. But I think otherwise." She said calmly, tilting her glass, drinking its entire contents to the end in one gulp, and set it down on the table.

"When he came to talk to me last time, he talked about you. He wanted me to help him with the Larys Strong case. Fear not: we've had nothing more in common than business for over a year. Since your name slipped out of his mouth, he was no longer comfortable with this form of intimacy, which is quite understandable. I learned his sweet little secret, but honestly, looking at you, I don't blame him." She said lightly with a simultaneously heartfelt and disturbing smirk.

Their relation was deep, she thought with regret, even if they were not together.

Something in that thought saddened her, the image of their bodies entwined together.

Did he feel the same when he saw Robb?

Are you two together again?

Are you in love with him?

"It hurts you that he slept with me. That he didn't wait for you." She stated calmly, as if she had come to some obvious, ordinary conclusion. She twisted in her seat, feeling panic rising within her, her bright green eyes seeming to pierce her to the core.

"I don't know what you mean." She muttered, looking away, red with embarrassment.

"I know he hurt you. What he did to you. In a way, I admire how you endangered yourself for him having Daemon under your nose. It's tragic that you love him so much, but it's even more tragic that he reciprocates your feelings. It saddens me to see such a young, innocent girl fall down with him because of his greed." She said dryly, making her shake her head, clenching her eyes, feeling hot tears under her eyelids.

"Leave her alone, Alys. Don't mess with her head." Daemon said, grabbing her arm and lifted her upright. The black-haired woman looked at him, sighing heavily, the expression on her face not changing one bit.

"I was just offering her my condolences."

As soon as they got into the car, her step-father began his interrogation.

"What did that witch want from you? I like her, but she's a specific person and I'd rather you didn't talk to her alone." He scoffed, pulling out of the car park. She looked blankly out of the window, feeling horribly tired.

"That Aemond has overdosed and is in hospital."

Daemon rolled his eyes, impatient, and licked his lower lip.

"I didn't want to burden you even more. To make you think it's your fault. Your uncle is trying to make himself a victim."

"He killed Larys Strong for me." She muttered and heard Daemon take a deep breath, frustrated.

"Maybe he did, maybe he didn't."

"He did. Because of that rape pill. Against his grandfather's will."

"How do you know that? I forbade you to contact him. Do you want me to take your phone away from you so you'll finally wise up?"

"I don't want him to die."

Daemon fell silent and stopped at the side of the road, turning on the emergency lights. He tilted his head back, closing his eyes for a moment – they continued like that for a moment in a silence filled with tension, her fingers involuntarily tracing over the scars on her wrists.

Her reminder of what he had done to her.

"We can't help him if he doesn't want it himself. Do you understand?"

"He wants it."

"You're the only one who believes that."

"After they imprisoned me in their house, he stayed in one room with me all the time. He cried constantly, like he was a little baby. He is broken. He begged me for forgiveness."

"If he had really cared about you, he would never have done this to you."

"If your father had bequeathed in his will what was due to you to someone else, would you have left it that way?" She asked, glancing at him. Daemon shook his head, sighing heavily, shaking the dust off his trousers.

"If you cared about peace, you would have made a deal with them. My mother doesn't think justice has been done, but she remains silent for your sake. She will not stand up to you." She said coldly. Daemon looked at her with a gaze from which she froze.

"Careful now."

"Or what? You've always resented me for lying. But can you be told the truth without fear of the consequences? Do you only want to hear the kind of truth that is convenient for you?"

"Your grandfather bequeathed to your mother what he wanted in his will. Nobody forced him to do that. Do you think I'm going to give it back to them so they won't be sad? So that your poor one-eyed uncle doesn't cry? Wake up. Why do you think Viserys passed everything on to Rhaenyra? Hm? Is it because he's in love with me? Because he despised his sons? No. Because he knew that whatever he bequeathed to them, Otto would take it. He showed him that he never really trusted him and he was absolutely right."

They stared at each other in silence, the air around them so thick she felt she had trouble catching her breath. She turned her head away, feeling only fatigue, only regret.

"Take me home."

Daemon snorted and shook his head, taking off with a screech of tyres, furious.

Only money mattered, only influence, only power.

Everything else was just an obstacle to the goal.

When they got home Daemon held out his hand to her, startling her.

"Give me your phone."

She pressed her lips together, feeling her heart begin to pound like mad in rage.

"No."

She saw her step-father smack the inside of her cheek with the tip of his tongue, standing with his hand stretched out in front of him.

"I don't like repeating myself."

"No."

"Should I call your mother? Are you going to tell her that you talk to your uncle and what you do with him in your free time?" He sneered, making her feel a squeeze in her throat. "Come to your senses."

"Tell her what you want. I don't care." She said dryly and moved ahead, running upstairs to her room.

She locked herself in the bathroom and changed the card in her phone, looking in her contacts for Helaena's old number, the one she'd given her when they were still little girls, praying she'd answer.

"Hello?" She heard her soft voice on the other end and breathed a sigh of relief.

"Hi. I'm sorry to bother you. I know Aemond is in hospital. He's passed his university exam, but the deadline for submitting his documents is today. They should be in his flat in the envelope he got from the University. Are you able to fill them out and bring them to the Archaeology Department tomorrow?" She asked in a whisper, afraid that someone outside would hear her conversation.

"Oh. Okay. Okay, I'll try." She muttered, and she breathed out heavily, feeling relieved.

"Thank you. How is he?" She asked quickly.

"He's still not awake, but his condition is stable. The worst is behind us. Our mum tried to call him but he didn't answer, so she drove there to see what had happened. Thank goodness she had spare keys to his flat."

The next day she set it as a point of honour to convince her professor and dean, appearing with Helaena, that the situation was exceptional and procedures could be bent in this situation.

"I didn't know my friend was in hospital. It happened suddenly and for this reason he could not bring the documents yesterday, which however his sister has with her today."

"We cannot accept them without his signature." Said the dean, making her feel an unpleasant discomfort in her stomach at the thought that her uncle would wake up only to find that his chance was gone.

"I ask for your understanding in this unique situation. He is unconscious at the moment and fighting for his life. As soon as he is able, he will come to sign the documents in person. The professor told me that he passed the exam with the best result. He's been through a lot and I don't want his work to be in vain." She said, and the man sighed heavily and nodded.

"Very well. But as soon as he is able, he is to appear here immediately and explain to me in person."

She sent him another message that same day, knowing from Helaena that he was finally awake and that nothing was threatening his life anymore.

He, however, did not write her back.

Was it because of her that he had done this to himself?

Was it because she had not met him?

She felt anger and remorse at the same time, but mostly she was relieved that he was still alive.

Lying alone in bed late at night, she thought she would go mad if she didn't find out why he had done it, so in a gesture of despair she decided to call him to find out how he felt.

She shuddered when she heard him pick up, but he was quiet, complete silence on the other end of the receiver.

"How are you feeling?" She asked softly, wondering if she was about to hear a litany from him about how much he had suffered because of her, that he didn't want to live because of her.

Would he try to manipulate her with remorse.

"Exactly as I deserve."

She swallowed hard, completely not expecting such an answer, not knowing what to make of his words.

Exactly as I deserve.

She lowered her gaze, playing with her duvet between her fingers, feeling her heart pounding like mad.

"Did you… really want to do this?" She muttered, dreading his answer, and he laughed, as if something in her question amused him for some reason.

"No. I wanted to see how you felt that day."

She froze, feeling her breath get stuck in her lungs, her eyebrows arching in pain at his words.

"Your suffering is not my desire, Aemond. You hurt me, but I don't want revenge. I just want… to stop feeling this unbearable pain in my heart that I have felt in my chest for eight years." She muttered, simultaneously wanting to see him again and forget him, to run away from him and let herself be locked in his arms once more.

"I regret it so much. I told my grandfather that I didn't want him to involve you, but he said that if we didn't, someone else would want to take advantage of Daemon's weakness for you. And I believed him. I thought that Larys will actually try to do something to you again, but only now do I understand that it was a simple lie that I easily accepted to justify myself. Fuck, I'm so ashamed, baby, I really am." He choked out with difficulty, whooping with tears, making her freeze completely, just listening to him.

"My father took everything from me. I did these fucked-up things to other people for nothing. I mutilated them for nothing. The only thing he left me is the property by the sea, the same one where I lost my eye, as if he had made a mockery of me. I was so lost. I still am."

She swallowed hard, staring dully ahead, feeling as one by one tears ran down her face.

Some part of her understood him, knew how hurt and disappointed he must have been, but another couldn't forgive him for somehow using her to get revenge on Daemon and her mother.

She felt like her head was going to burst.

"What do you want, Aemond? Truly. Be honest." She asked, impatient, and heard him swallow heavily.

"I want to study and see you once in a while. In a public place, so that you feel safe."

She pressed her lips together at his words, feeling the heat in her stomach and chest, for which she rebuked herself in spirit, trying to remain sober in her mind.

"And that's it? What about your family? About your business?"

"My grandfather limited my influence and responsibilities after I shot Larys without his knowledge. He no longer trusts me and doesn't assign me important tasks."

It was only then that she understood why he had actually overdosed.

He had lost his business.

He had lost his grandfather's respect.

He had lost her.

He was alone, exactly as he was then.

His face contorted in pain and despair, his red cheeks flooded with tears, his eyes closed and his hands clenched into fists then, as he stood up to his waist in the sea water, alone and terrified.

"The University Library." She said feeling that she had made up her mind.

"I don't understand."

"We can meet in the University Library."

"Really?" He asked excitedly, as if she had given him a wonderful surprise, and she swallowed hard, feeling a tightness in her throat.

"Only there and for a short time. Once in a while. If I find out you did something to hurt me or my family, you'll never see me again."

She didn't care about their business, their money, their eternal need to prove to themselves who was in charge of this town.

She just wanted her friend back.

The next day she turned up at the agreed place all tense, hiding her little pocket knife in her bra beforehand, afraid that he would trick her again.

That he would betray her again.

So many emotions were rattling through her head that her hands were shaking and although she tried to concentrate on reading her textbook, she couldn't. When she heard the sound of the door opening and raised her head from the book, she drew in a breath, seeing his silhouette emerge from behind the bookcases.

He stood still, as if petrified, his eyes and mouth opened wide.

"Hi." He muttered as if choking.

"Hi." She replied, looking at him watchfully, ready to run away.

She swallowed hard as he simply pulled off his leather jacket and sat down next to her on the big, soft cushions.

Afraid of how much her heart was pounding, how euphoric she felt at the sight of him, she decided to turn her thoughts away from that and get to the point, pulling from her backpack her notebooks that she had brought for him.

"I brought you my notes from first year. Read them, if you can't decipher something, I'll try to guess what I wrote. They'll come in handy for you before semester exams." She said indifferently, handing them to him one by one. He nodded and swallowed hard, taking them from her, clearly not knowing how to act.

"Thank you."

Having no idea what more she could say, she leaned back and sank into reading her textbook again, afraid to look at him, afraid of what she would see in his gaze.

She shuddered and took a breath as he lay down beside her and put his head on her shoulder, exactly as she had done when they had read books together as small children.

She pressed her lips into a thin line, feeling tears squeeze into her eyes at this tender memory.

He heard her uneven breath, his moist, soft lips brushed her neck as his hand touched her waist, locking her in a warm embrace that felt too good, too safe.

No.

"– please –" She muttered, but didn't have time to say anything else because he interrupted her.

"– I have a gift for you –" He said, surprising her completely, taking out a rose-shaped red lollipop from his pocket after a moment. "– I didn't know what kind of flowers you like, so I bought one like this – the sales lady said it has a strawberry flavour –"

She felt touched and at the same time pained at the thought of how sweet and thoughtful this gift was. She took it from him, turning it in her fingers, no longer able to remember the last time anyone had given her something without an occasion to just make her smile.

"I'll eat it later. I don't want to get the books dirty now. Thank you, that's very kind of you." She said softly, putting the lollipop aside, and he nodded, his face pressed against her cheek as his fingers ran slowly over her face.

For some reason she didn't understand when he leaned back, her body followed him, laying next to him on the soft material. She let his arm draw her closer, his hand combing through her hair as her fingers touched his chest.

He nuzzled her face into the hollow of his neck, and she closed her eyes, smelling the pleasant scent of his aftershave and his masculine perfume, making a wonderful warmth spill over her lower abdomen.

"Several of my father's men are dead. They were shot on your grandfather's orders." She whispered, not wanting to forget who he was or what he had done.

She heard him sigh quietly, his fingers trailing over her head and down her back, playing with the curls of her hair.

Why did she feel so surprisingly safe in his arms, why was she so relaxed, so calm, why did her chest fill with some strange, unnatural relief?

"I know."

"Did you have anything to do with it?"

"No. My grandfather restricted my field of action after we called the emergency services when you…" He didn't finish, and she swallowed hard, knowing what he meant.

She decided she had to ask him this question, even though she was so afraid of his answer.

"If your grandfather tells you to kill Daemon or my brother. What will you do then?"

To her surprise, he seemed to have expected her to ask him this, for he answered almost immediately, without hesitation or uncertainty in his voice.

"I will tell him to do it himself. The times when I was his dog are over and he knows it. He has no idea what to do with me. I'm out of his control."

Something in his words, in the confidence with which they left his throat made her feel hot in her heart. She lifted herself up on her arm, wanting to look at his face, knowing that even if his lips lied to her, she would see the truth in the look of his healthy eye.

"What's your plan?"

Her uncle hummed under his breath, his hand from her neck sliding down between her breasts, trailing along the buttons of her dress, making a hot shiver run down her spine.

He was doing this on purpose, she thought.

"I want to start acting on my own." He said cautiously and looked at her with a glint in his eye that she didn't like.

"What do you mean?" She muttered involuntarily.

"If you think there's a way I could escape this world, you're wrong. Even Daemon didn't escaped it, he simply gathered his most trusted people and expanded his influence. I want to do the same, and I will start by taking over Heavenly Beach. Since Larys is dead, chaos has reigned there, and I intend to take advantage of it. Many of my grandfather's people don't like the vision of them having to work for Aegon in the future. They neither respect nor fear him." He sneered, saying the words as if he was proud of himself.

She stared at him in disbelief, not expecting such a response from him, the fact that he would dare to think of cutting himself off from his grandfather, of breaking away from his leash.

His words surprised her so much that she didn't know what to say, what she felt, what she thought about what she had just heard.

She shuddered, snapped out of her reverie when his finger tapped her breast where her pocket knife was tucked under her bra, feeling the cold sweat on her back at the thought of him noticing it.

"– wise girl –" He hummed, using this as an excuse to tease her through the material of her dress, rubbing the spot under where he knew her nipple was.

She swallowed loudly, feeling a wave of pleasurable heat surge through her entire body, the place between her thighs pulsed painfully hard, embarrassingly wet and eager for him not to stop.

She thought she would not give him that satisfaction.

"What do you intend to do with my step-father?" She asked in a trembling voice, and he looked at her with a smirk, shamelessly closing his hand on her breast again and again, no longer even pretending that he meant anything other than to feel her.

"Nothing. I won't attack him first. For you. He has nothing to do with Heavenly Beach." He muttered, spreading himself more comfortably on the cushion, already focusing only on where his hand was and what it was doing to her. She shuddered as another wave of tickling pleasure and tension shook her loins, her fingers involuntarily clenching on his wrist.

"– stop – someone will see –" She mumbled, looking around, terrified that Robb or anyone else who knew her might see them.

"I want it back." He whispered. "I want what we had during that summer."

She swallowed heavily, looking up at him in shock, feeling her heart get stuck in her throat and stop beating for a second.

I want it back.

I want what we had during that summer.

His words, so childish, simple and ill-considered were too painfully honest for her, his gaze hot and thirsty, full of what he was speaking of.

"I…God, after all, you know it won't work. We can't. No one will accept it, no one will understand. We'll be miserable again." She whispered pleadingly, shaking her head, unable to even imagine what it would look like.

To him, however, it clearly didn't matter anymore, and that shocked her the most.

"If you don't want it, I'll understand it. What I desire is fucked up, like my whole person. But I want you to know that what happened between us… then, when my father died. It was real. I've never felt more alive and fulfilled than then, being deep inside you. You were so warm." He said, running his thumb over the soft skin of her cheek, making her turn all red at his words, her cunt all slick from her moisture clenched greedily around nothing.

"Aemond." She mumbled in embarrassment, involuntarily feeling him inside her again, the thrusts of his hips forcing him deep, deep into her delicate flesh.

"I don't care how wrong it is. I don't care about morality. I've done far less moral things to other people. Making love to my niece seems to me the smallest of my sins." He confessed, sinking his hand into her hair, looking at her in a way that made her want to cry.

Making love to my niece seems to me the smallest of my sins.

Making love.

"Someone might say it's disgusting and wrong, but I only care about what you want. I don't give a shit about others. What they will think of me, whether I live by their rules or not. What can they do to me? Mock me? Fear me? They are already do. It's not about me, it's about you. I don't want to ruin your life."

She burst out crying at his words, because although he had hurt her so much, some sick part of her had longed to hear it for eight years. She moaned quietly as his lips began to place quick, helpless kisses on her face, his wide hands enclosing her in his embrace, trying to comfort her.

But she knew there was no comfort for them.

There was no future for them.

"– please – please, I don't want you to cry because of me –"

"This is just too much. I wish I could be a child again. To go back to that sea. To fall asleep next to you in that room. I wish I could feel again the peace I felt then. Your presence next to me. But I can't have it." She mumbled, choking on her own tears, involuntarily seeking relief in his proximity, feeling grief at the thought that he could not be the strange man she was allowed to love.

"You have it. You have me. You always had."

She looked up at him and froze, breathing hard, looking straight into his eyes, one empty and dead, the other filled with the hot affection she so feared.

"Do you like me?" He asked, and she blinked, not understanding what he meant. She nodded, however, wanting him to know that no matter how hard she tried, she was incapable of hating him.

"Very much?" He continued and smiled as she nodded again, breathing loudly through her mouth, trying to calm the convulsions of her body.

"Will you be my girlfriend?"

What?

The two of them, then, by the sea, walking side by side, the white shells in her hand, his soft, moist lips that evening on hers, his warm embrace as she lay snuggled into his body at night, in his room, in his bed.

"This time I'm aware of what I'm asking for. What I want. And although I should, I'm not ashamed of it. I have wasted eight years that I could have spent with you, no matter how much we would both have suffered during that time. I want to suffer with you by my side now." He whispered, tucking an unruly strand of her hair behind her ear in a gesture so tender that her voice stuck in her throat.

"I wish I could trust you, but I don't know if I can." She muttered with difficulty.

His eyebrows arched in pain at her words.

"I know. I'll wait as long as it takes." He whispered, his broad, warm hand running over her cheek.

I'll wait as long as it takes.

She was terrified by the fact that everything inside her screamed that she wanted him back.

She wanted him to be close.

She wanted him to touch her.

She wanted him to love her.

"You can only embrace me and hold my hand. No kisses on the lips and don't try to take me." She muttered, to her surprise instead of shame feeling relieved.

Against everything and everyone, morals and good manners, everything she valued in life.

They were together.

To her simultaneous annoyance and delight, her uncle took her words very loosely: he didn't kiss her lips and his hands didn't go near the area of her panties, but over the following weeks, when they met in secret in the library, his fingers travelled over every other part of her body.

She deliberately stopped wearing a bra, knowing that the thought that someone might have noticed her nipples under her T-shirt drove him to fury.

As she spread herself comfortably between his thighs with her textbook that they were reading together, satisfaction filled her body as she felt his hard manhood pushing greedily against her buttocks, his hand in some subconscious motion slipping under the material, enclosing itself on her soft, plump breast.

"– you are doing this on purpose –" He breathed out into her ear, rolling his hips back and forth, rubbing his throbbing length against the space between her buttocks, trailing his lips down her long neck, leaving wet, sticky marks on her bare skin. "– you let others look at what is mine – you punish me –"

She sighed, closing her eyes, tilting her head back so that she rested it on his shoulder, showing him grace – she clenched her thighs involuntarily, feeling a wonderful pulsing between them as his lips sank greedily into the hollow of her neck, her hand clamped down on his wrist, encouraging him not to stop.

"– let me look at them – take pity on me –" He exhaled, completely losing interest in reading, kneading the silken, smooth structure of her breast with his fingers as his other hand slid down to her bare thigh, stroking it affectionately.

"– we can't – someone will see us –" She muttered, her breath heavy and deep, her whole body hot and tense from the waves of tickling, overpowering pleasure, his hands, his scent, his closeness driving her mad.

It always ended the same way.

"– there are no cameras here – please – I haven't seen you all week – I've been good, haven't I? – hm? –" He gasped, and she swallowed hard at the thought of what he had done.

He, accompanied by Criston Cole and a handful of trusted men, had carried out attacks on all of the clubs owned by Larys Strong at once, taking over the entirety of his inheritance, depriving his grandfather of half of his trusted associates.

An expression of their displeasure at having nominated Aegon as his successor.

Daemon was shocked by this turn of events, having enemies on two fronts wondering, in fact, whether to respond to her uncle's offer to make a deal.

Aemond could have given Daemon the advantage over Otto that he so needed.

It was probably only the chaos and what was going on around him that made Daemon not ask her why she was going to the library in the middle of the summer, thinking apparently that she was trying to escape from what was going on around her that way.

It was partly true.

She knew that her boyfriend's conciliatory attitude was not because he had suddenly fallen in love with her step-father or brother, but because he wanted her, and she had the power to reward him for being faithful to her and for keeping his promises.

It was a dangerous game and they both knew it.

She sighed and turned in his embrace, sitting down on top of him, pulling her Tshirt over her head without much finesse. Her uncle froze for a moment, staring at the sight before him, his swollen erection beneath her pulsed hard again and again.

She decided to tease him a little and began to rock her hips back and forth, pressing down on what was beneath her, a muffled, low groan came from his throat.

"– fuck –" He mumbled, stroking her naked waist, watching her bare silhouette as if he were staring at something sacred that he held in reverence, for a moment afraid to touch her as he desired.

She rested her hands on his chest as he began to roll his hips, and after a moment he leaned in, sinking his face between her soft breasts.

"– ah –" She sighed, tilting her head back in pleasure, feeling her swollen pussy throb around nothing as his slick tongue ran over her sternum.

Her fingers combed through his short hair as his face moved slightly to the side, blindly searching for her nipple, around which his puffy lips clamped down after a moment, beginning to suck.

"– Aemond –" She mumbled, snuggling his head closer to her chest, involuntarily wanting to feel him harder, closer, deeper, the sweat of exertion and emotion trickling down her bare spine.

His face pressed against her breasts, his lips and tongue sucking and licking her nipples were the furthest form of their intimacy, something lewd and wonderful at the same time, a perpetual torment with no possibility of fulfilment.

"– fuck, let me – please – just this once –" He exhaled wearily, switching from one breast to the other, squeezing it between his fingers, directing her hard, sensitive nipple to his lips, which he clamped around it.

Shivers and waves of delightful tension shook her whole body making her mind all foggy, the space between her thighs all throbbing and moist, ready to welcome him deep inside her.

She rose suddenly from her knees, grabbing the material of her T-shirt, putting it over her head as if nothing had happened, feeling a drop of her own wetness run down her thighs.

"– baby –" He muttered, touching her bare leg, trying to stop her, desperate and thirsty.

"– next week Professor Addams is organising a private excavations two hours away from our town – it's a site in one of the medieval fortresses of our region, very important and he needs volunteers – I've offered to let you come and to count it as your student practices, so that you would have to make up less of them during the academic year – professor will rent rooms for all of us in a hotel nearby – if you come and do your best, I'll let you sleep with me –" She said lightly, looking at him over her shoulder, knowing how ambiguous her words sounded and that was exactly what she meant.

She saw him swallow hard, looking at her with wide eyes, his erection twiched hard in his trousers.

"– do you mean it? –" He mumbled in a trembling voice, as if the very thought made him faint.

"– yes, but it's two weeks – you'd then either have to give up your job, or drive to do your errands at night and come back in the morning –" She explained, taking her backpack in her hand, getting up from the ground.

He stood up with her, grabbing her aggressively around the waist, her body slamming against his.

"– promise me –" He whispered in a trembling voice into her ear, making her leaking pussy clench hard around nothing.

He groaned when, instead of words, her lips found his in a loud, deep kiss that took his breath away. His fingers clenched on her hair, not allowing her to move away, her tongue thrust deep between his teeth with his loud sigh of delight, colliding with his, which she licked invitingly.

She pushed him away and stepped back, trying to calm herself, in his healthy eye a heat and madness she had never seen before in her life.

He was on the verge of fucking her right here and now, ripping off her shorts and panties and slamming into her on the cold library floor.

She wouldn't stand up to him, and her moist cunt would gladly accept him deep inside her.

But he didn't know that.

"– I'll write you all the details later – take it seriously –" She mumbled, having increasing trouble pretending indifference and that she felt nothing for him.

He nodded his head like a small child and she gave him one comforting smile.

"– I love you –" He muttered in a trembling voice, and she felt a twinge in her stomach at his words, her heart filling with heat.

"– I love you too –" She finally confessed with shame, feeling her voice break. He pressed his lips together as if he wanted to cry, his eyebrows arched in pain.

"– I need you – please –"

"– be there –" She mumbled pleadingly and turned away, moving towards the exit, afraid that if she stayed with him a moment longer, she would finally give in to him.

Daemon was not happy with the idea of her leaving for so long.

"– the situation is still tense – someone of my people would have to be there with you –" He said.

"It's an archaeological excavations. I need a change of environment. I've been answering your every call for the last few months. I'm tired. I want to get away from what's going on and earn some money. Drive me there yourself if you're afraid I'm lying. You can call my professor, he will confirm that I have expressed my willingness to go with him again as his assistant. He's a good man. We'll sit in research all day and at night in a hotel."

"In what hotel? I need to know." He said impatiently.

"There is only one small hotel in this village on the main street." She explained, and her father sighed heavily.

"Please. This fortress is an important site. These excavations will count as practices, that way I won't have to do so many of them during the academic year. I haven't even swum in the lake this year, I just want to be alone for a while and do what I really enjoy."

Her stepfather sighed heavily and nodded.

"So be it. But I'll drive you away personally."

The next day she decided to text him to set things up.

Fuck.

She sighed heavily when he didn't write back then or the next day, clearly furious at the thought of having to look at her ex's face, but there was nothing she could do about it.

When Daemon drove her there he personally inspected her hotel room and furrowed his brow when he saw two single beds in it, not one.

"Who are you going to spend the night with?" He asked dryly.

"Certainly with some female friend." She shrugged her shoulders, placing her bags on the floor, feigning indifference.

She found with concern that lying to him was coming more and more easily to her.

He sighed and nodded.

"Report to me every day: text me or your mother in the morning and evening that you are fine. If you don't, I'll come here personally." He said warningly, and she smiled in his direction and nodded, for some reason happy.

She would spend a two weeks with him.

"Okay, Dad."

Daemon liked it when she called him that.

His gaze softened and he left her alone, throwing over his shoulder that she should watch over herself and not do anything stupid.

Too late, she thought with amusement.

She was joyful, and the sight of herself smiling in the mirror seemed unnatural to her.

She was certain that this happy little girl had died a few years ago.

She waited two hours to be sure her step-father is far away and went out into the corridor, looking for her professor. She wanted to inform him that she would be spending the night in a room with her boyfriend, while texting her uncle that Daemon had already left and he could enter the building in peace.

As she had found out from one of the students, their professor was overseeing the setting up of equipment and research tents near the site where they were to carry out the excavation, so that's where she went.

The sight of Robb among several other people she knew well did not fill her with optimism.

Her ex-boyfriend lowered his gaze as she approached their professor, who was just talking to one of the museum workers from the fortress they were about to research. Professor Addams smiled at the sight of her.

"Miss Strong! It is wonderful that you have made it. Will your friend also arrive as planned?" He asked lightly, and Robb looked at them surprised, tense.

"Yes, my boyfriend will be here soon. I also wanted to ask if he could spend the night in my room. We'll both be more comfortable that way." She said without stammering, making her ex-boyfriend turn pale and red all at the same time.

Their professor laughed and nodded.

"It's your room and you're adults after all. Just remember to focus on work, not dating." He said and she smiled involuntarily, casting a defiant glance at the boy she once thought would change her life.

"We will, Professor."

She turned as she heard someone's footsteps and beamed all over as she saw her uncle, clearly terrified and excited, throwing a menacing, displeased look at Robb.

"Speak of the devil. Today we'll just set up the equipment and figure out the details, work will start tomorrow. Everyone is to be here at eight in the morning right after breakfast. Get some shopping done at a nearby supermarket and get a good night's sleep." Their professor said.

She knew that surely the last thing awaiting her that night was sleep.

She was not mistaken – the moment they crossed the threshold of their room her uncle literally threw himself at her.

There was something animal and primal in the way he tore off her clothes, in his gaze black with desire, in his loud, heavy breath as he finally exposed her entire naked body, something he should never see, should never desire, should never have.

And yet.

For a moment he just stared at her, breathing loudly, as if he wanted to remember this moment, her, exposed beneath him – his hand ran slowly over her cheek, along her jawline and neck, sliding down between her breasts to her stomach.

It seemed obvious to her that the time for quiet, slow, tender lovemaking would come later, once the sun had set, once they were both just writhing in each other's embrace, unable to separate.

Now, however, they were hot with desire that burned their skin, and his lips, swollen with lust, after a moment clamped down on her hard, sensitive nipple, sucking on it as greedily as if there was no tomorrow to come.

She moaned loudly, too loudly when his fingers slid down her stomach, deep between her thighs, finding her hot, throbbing, leaking pussy at last, her hands pressing his face to her chest.

"– I hate that son of a bitch – I hate the way he looks at you – as if he's the one who wants to protect you – as if he's the one who knows what you need – bullshit –" He hissed furiously between the licks of his tongue, the tips of his fingers digging into the silky, moist skin of her swollen folds.

She whimpered, spreading her thighs wider, feeling the arousal fill her belly at the thought of how jealous he was of her.

Even when he was with another woman, he dreamt that she was the one lying beneath him.

She could not allow him to doubt the depth of her feelings, to doubt her intention or her fidelity.

"– I don't care about him, uncle – you can kiss me in his presence if that's what you want –" She cooed innocently, looking up at him with her lips parted in deep breaths, his dark gaze clouded and filled with something that sent a shiver through her.

He pulled away from her, as if her words had brought him to an edge from which there was no turning back, his nimble fingers quickly undoing the belt from his trousers and his zipper.

All she could do was, in a natural, simple reflex, spread her thighs even wider in front of him and entwine her legs on his back as he leaned down, sliding the material of his boxers lower, releasing his throbbing, fat erection.

Holding the base of his cock in his hand he guided the thick, pink head of it, leaking from his precum, onto her heat, teasing it, soaking his manhood in her wetness to use it as a lube.

"– may I? –" He asked in a trembling voice, leaning on his elbow right next to her head, and she nodded quickly, not knowing what else she could say.

"– ah –" She gasped along with him, running her fingers through the fabric of his t-shirt on his back as he sank into her with one, slow, sure thrust.

He slid into her with astonishing ease, and her slickness made him start to move inside her immediately, as if the warmth of her clenching walls had awakened some primal instinct in him, ordering him to just take what he wanted.

Nothing more than whimpers and grunts escaped their lips as their hips began to slam against each other with loud clicks of her wetness, his erection so fat and swollen that she barely fit it inside her, his forehead pressed against her.

His scent, his neck into which she snuggled her face as he thrust into her again and again with lewd slaps, his body lying on top of her, all of it was so familiar, so longed for.

"– Aemond –" She breathed out, tilting her head back, enclosing him in the helpless embrace of her body, feeling him with her whole self at last, connecting with him the way she had always wanted to, the bed beneath them creaking loudly.

"– fuck – fuck, baby – I missed you –" He mumbled with difficulty, quickening his pace, with each push rubbing the tip of his erection against the spot inside her from where she could see the stars.

"– I missed you too –" She confessed in shame, listening to the perverted sound of him opening her wide on his cock with wet clicks of her moisture.

He surprised her when he suddenly took her legs in his hands, forcing her to take a new position, putting her knees on his shoulders.

She moaned in shock as he began to move inside her anew with a loud slaps of their hips, feeling a flash of pleasure flow through her body again and again.

Her insides began to squeeze his manhood in delight, pulling high pitched, boyish moans of pleasure from his throat, his lips parted wide, his brow arched as if he was in pain.

"– you're so beautiful – I love you – I love you, I love you, I love you –" He exhaled, no longer sliding out of her, all sticky from her moisture, invading her insides with violent, sharp, quick stabs from which she threw her head back.

"– Aemond, God, yes, yes, yes, here, fuck me here, ah –" She mewled, writhing beneath him in ecstasy, feeling the tension in her lower abdomen and her throbbing pussy about to reach its peak.

He leaned over her, pressing her body against the bed with her own thighs in a position where her calves were at the level of her head.

She clenched her fingers against his back, moaning helplessly as she felt the pressure on her clit from which tears pooled under her eyelids, each successive thrust of his hips sending her body into a state of ecstasy which forced him to close her mouth with his.

"– shhh – shhh, baby, not so loud – mmm – I know – your uncle is close too –" He breathed out into her throat between loud, sticky kisses full of their slick tongues, hearing her squeal of pleasure.

Tears of relief ran down her cheeks red from exertion as her body was shaken by such a powerful orgasm that she just burst out crying.

She heard his loud moans and panting, felt how aggressively his cock pulsed inside her, filling her with his release, how their bodies convulsed as a wave of her moisture flowed out of her, so much that they both drew in air loudly, his face pressed against her hot cheek.

"– 'm sorry –" She muttered embarrassed, not fully understanding what had happened, the wet, large stain under her buttocks made her uncomfortable.

"– it's okay – it's okay, baby – it's okay –" He whispered tenderly, placing loud, sticky kisses on her face.

"– uh – what have you done to me? – we'll have to change the sheets now –" She sighed, combing her fingers through his short hair in an attempt to calm herself, the last waves of pleasant warmth and tickling flowed through her body, putting her in a state of perfect bliss.

She dropped her legs lower, returning to her original position, allowing him to lie between her thighs and she squirmed when he suddenly lifted her by the buttocks and stood up with her.

"– don't worry – we'll just sleep on the other bed – see? –" He hummed, heading with her towards the single bed on the other side, laying down on his back with a sigh of exertion.

She spread herself comfortably on top of him, placing her palm on his shoulder, letting his hands wander over her bare body.

"– can I stay inside you? – you're so warm –" He mumbled like a little boy, and she nodded, dreaming of nothing else.

"– yes –" She whispered, lying with her eyes closed, concentrating on the smell of his perfume and his sweat, his soft manhood still pulsing deep inside her.

She heard him let out a loud breath, something like delight and relief in his words.

"– this is the most beautiful day of my life –"

______

Author notes: You can thank my husband for the last scene, lol. He did things to me.

[dia-souls]

DIABOLIK LOVERS Imajin Tokuten Drama CD “Kawaii Plushie, Fanboys' Confusion!!!”

Original title: かわいいぬいぐるみ、ファンボーイの混乱

Source: Fanmade Tokuten Drama CD

Story by: Admin Afra

Seiyuu: Suegara rie, Midorikawa Hikaru, Toriumi Kousuke, Katsuyuki Konishi, Takashi Kondou, Tomoaki Maeno, Hirakawa Daisuke, Kaji Yuki,

Admin's note: Hey guys Finally, after a long time, a new drama CD by me Admin Afra. Who misses me??? Lol... Although I can't write comedy CDs and scenarios as well as Admin Irsa. But recently, my headcanon for plushie Yui has been very much noticed. That's why I decided to try this CD for this headcanon. If you like it, I will write Mukami and Tsukinami versions soon. This Sakamaki version is presented to you. I hope you like it. Don't forget to review and comment.

_This scene begins in the living room of the Sakamaki mansion. The triplets are watching Kou on a TV show.

Ayato: Why is that stupid idol in all the shows? I'm getting bored.

_Ayato changes the channel.

*Tap Tap*

Kanato: Ayato... can you please choose a channel and let us all watch it?

Ayato: Shut up!!!! Do not order Ore-sama. Ore-sama will watch whatever he likes. I don't want to see the face of that stupid idol on all channels.

_Ayato changes the channel again.

*Tap Tap*

Laito: You are right, Ayato-kun. I am much prettier. If I were an idol, I would have more fans than him. They probably showed me on more channels.

Ayato: If I saw you on TV, then I would blow up the TV.

Kanato: Me too...

Laito: Heeh... don't be so cruel. I'm sure more girls would be my fans.

_Ayato turns off the TV.

Ayato: I don't understand why there are so many channels and TV shows for girls. Why don't they make a TV show for boys? For example, the takoyaki eating contest.

Kanato: Ayato, no boy wants to watch such a show. Only you like it.

Laito: Hmmmmm. I don't like to see some boys with big mouths eating takoyaki. Even thinking about it makes me sick. I prefer to see cute and beautiful girls.

Kanato: There are idol girls too, Laito.

Laito: I know, but none of them can make my heart beat fast like Bitch-chan.

_Ayato swears under his breath.

Ayato: Chhh... Stupid pervert...

_Laito takes the TV remote from Ayato's side and turns the TV back on.

*Tap Tap*

_Laito changes several channels to a plushie advertisement.

Laito: Is that plushie... bitch-chan's plushie???

_Both Ayato and Kanato stare at the TV after hearing this. The TV is promoting the popular school club girl named Komori Yui.

Ayato: What the hell. Chichinashi???? Since when has Chichinashi been famous?

Laito: School club??? Ahhh, now I remember. A few months ago, bitch-chan said she wanted to join a school club. Hmmm, apparently, she is very popular among the boys in the club.

Kanato: IT'S UNFORGIVABLE. How dare that girl participate in the club without my permission? *SOB*.... I.... won't forgive her... *SOB*...

Ayato: That idiot... how dare she go out with other boys without Ore-sama's permission? When I see her, I will punish her.

Laito: Hmmmmm... I'm very sad to see that my dear bitch-chan has become popular with all these boys. She just needs to pay attention to me.

Shu: Pwaahhhhhhh.... can you shut up. Didn't you say just a few seconds ago that you want a TV show for boys? So why are you complaining now?

_Ayato, Kanato, and Laito flinched at Shu's voice.

Ayato: Waaahhhhh... Shu what the hell. What the hell are you doing here? When did you come here?

_Shu was lying on the couch and yawned.

*Rustle Rustle*

Shu: I was here from the beginning. You three idiots did not notice my presence.

Ayato: Shut up. You are always like this. Wherever you go, you sleep without talking to anyone. Obviously, no one will notice your presence.

Shu: Shut up... it's too loud. My ear hurt.

Ayato: Bastard...

_Shu opened one of his eyes and looked at the TV advertisement that was playing.

Shu: Hmmm... interesting... maybe I'll buy one for myself.

Ayato: Hahaha... don't tell me you like this ugly doll.

Shu: What's the problem with it? I can use it as a pillow. This way, when she is not with me, I can have her by my side.

Ayato: ...

Laito: ....

Kanato: ... I can't believe that this lazy man came up with such a good idea.

Laito: Nfu... that's a good idea. I would really like to have another version of Yui-chan too. In this way, I can do whatever I want with it.

Kanato: Fufu... Yes, Teddy will also be happy to have a new friend. Ne teddy I can dress up it like dolls to make it the most beautiful doll in the world.

Ayato: Tch... you two are very childish.

Laito: Come on Ayato. Wouldn't you like to have a small version of Bitch-Chan? Whenever Yui-chan is not with you, she can make takoyaki for you.

Ayato: Huh??? Can it really do that?

Shu: You are so stupid.

Ayato: Shut up. I have to try it myself, otherwise I don't believe it.

Laito: Nfu~ So let's go to that store and buy this cute plushie.

*TIMESKIP*

_Ayato, Laito and Kanato are walking in the store.

Ayato: Shit... why is it so crowded here?

Kanato: I can't stand people's noise. It's so noisy.

Laito: You two are very impatient. Nfu~ Be patient and then we'll go home with that cute plushie.

???: Oh my... KarlHeinz's sons are in the fanboy store. Hahaha... what a funny subject.

*click click*

_The triplets look behind them when they hear a familiar voice.

Ayato: Haaaaa..... Kino!!!! what are you doing here?

Kino: Isn't it obvious? I came looking for my dear princess. She is not with you?

Ayato: Who said she's yours? She is only my prey. Chichinashi is not with us.

Kino: Huh? what a pity I wanted to go like a lovely couple and buy that cute plushie.

Kanato: Did you come here for the plushie?

Kino: Of course. She is my lovely princess and I am her prince.

Ayato: Don't talk nonsense.

Kino: I myself encouraged her to participate in this club. They were looking for cute and beautiful girls to support animals. My dear princess was so cute and tried for animals that she quickly became popular among the boys. I'm thinking that my princess should have become a famous idol instead that Mukami.

Laito: Although I don't like you, I agree with you. But I don't want to share my beloved Bitch-chan with other boys.

Kino: In any case, this promotion is for promoting this club and because of Yui's new popularity. In addition to boys, she has become very popular among girls.

_A person with a black cape, hat, mask and glasses that completely covers his face enters the store.

Ayato: Hah... Thief...

Laito: Nfu~ He isn't a thief. He is only a shy fanboy who doesn’t like to be known at all.

Kino: Scary. Some fans are very scary.

_The suspicious man buys a plushie and quickly leaves the store.

Kanato: Heyyyyyyyy. I want to leave this store faster.

Kino: I also don't like to see other boys buy my dear princess plushie.

_Ayato goes in front of Kino and grabs his collar tightly in his fist.

*Rustle Rustle*

Ayato: Listen, bastard. I will not let you buy that plushie at all. Chichinashi is only my prey.

Kino: Fufu Ayato-kun, if you think like that... you should stop all those boys who are standing in front of the cash register buying plushies.

_Kino points to the counter and Ayato turns his head to look there. A group of boys lined up in front of the cash register to buy plushies.

Ayato: Chhh... you bastards...

_Ayato quickly releases Kino's collar and goes to stand in front of the cash register in front of all the boys.

Ayato: Everyone listen.

_Ayato takes the speaker from the vendor and speaks through it.

Ayato: Ore-sama is speaking. Get out of the store, you bastards. This girl is my prey and no one but me has the right to buy this plushie.

_All the boys and vendors stare at Ayato.

Ayato: Did you hear what I said? Ore-sama will give you orders. Hurry up and get out of the store

Kanato: Is he serious?

Laito: Oh, oh. I think we are going to be in trouble.

Kino: Pffff.... Hahahahaha.... Your brother is so stupid.

Kanato: Laito. Let's buy the plushie and go before it causes us trouble.

_Laito and Kanato go to the group of boys so that the seller won't notice that they are with Ayato.

Ayato: Oi, Kanato, Laito, why did you go to them? Let's help me get rid of these bastards.

Kino: Hmmmm. Things are getting interesting.

*TIMESKIP*

Ayato: Chhh... Ahhhhh... How is the security of that store so strong? The place where he kicked me still hurts.

Kanato: You are so stupid, Ayato.

Ayato: Shut up. It's your fault that you didn't help me, otherwise we would have kicked out all those bastards.

Laito: Shame on you, Ayato-kun... I don't like being beaten by security at all. My beautiful face becomes scarred and I become ugly.

Ayato: You are so pathetic Laito...

_Kino walks behind them while laughing under his breath.

Ayato: You bastard... why are you laughing at us? You got what you wanted. Why are you following us?

Kino: Oh... Ayato-kun don't be so mean. I would like to see my dear princess.

Ayato: Shut up. I won't let you see her.

Laito: At least we could all buy plushies.

Kino: Too bad. I wanted to see my dear princess. But I think it doesn't matter. I will call her when I get home. I can't wait to take a picture of myself and this plushie and send it to her. Her reaction must be very cute... Fufu... Goodbye. I hope to see you very soon.

_Kino moves away from the triplets while waving his hand.

Ayato: Haha... in hell...

*TIMESKIP*

_Ayato, Kanato and Laito enter the mansion.

Ayato: Chhch... My body hurts.

Shu: Pwaahh... So you are finally back.

_Shu is lying on the couch while yawning and Yui's plushie is on the pillow next to his head.

Laito: ....

Kanato: ...

Ayato: ...... How???? Oi lazy man, how did you get that plushie without coming to the store?

Shu: Huh? It's... so easy. I ordered online.

Ayato: ....

Kanato: Haaaaaaa???? WHAT DO YOU MEAN? WE COULD ORDER IT INSTEAD OF GOING TO THAT ANNOYING STORE, SHU WHY DIDN'T YOU TELL US? I WON'T FORGIVE YOU. I WILL NEVER FORGIVE YOU...

Shu: I was surprised why the three of you took so much trouble to go to that store. Well, this is not my problem. Now please be quiet. I want to sleep You are very noisy.

Ayato: You bastard...

Laito: Nfu~ I can't wait anymore. I want to do many things with this plushie. Ahhh, even thinking about it makes me hot.

Kanato: I would like to try different clothes on her. My new and beautiful doll is going to be very beautiful.

Ayato: Both of you shut up. This is going to be very interesting. Ahemm... Ahemm... Chichinashi, go make me some takoyaki.

_Laito and Kanato stare at Ayato and Shu smirks.

Kanato: ...

Laito: ....

Shu: Pffffff... you are so stupid.

Ayato: What?

Laito: Did you really expect a plushie to be able to move and make takoyaki for you?

Ayato: Huh? It can't? So why did we try so hard to buy it?

Shu: I am satisfied. It smells like that woman. It is a good pillow. At least when Yui is not here, this plushie will help me.

Kanato: You don't understand how precious dolls are.

Laito: I can also try interesting fantasies on it.

_Yui rushes into the room.

Yui: Ayato-kun, Reiji-san is very angry with you. He said that you in the store___

_The triplets stare at Yui.

Yui: What the..... !!!!!

Ayato: Oi Chichinashi. This ridiculous doll can't make takoyaki for me. Hurry up, make me takoyaki.

Yui: ...

_Meanwhile in Subaru's room.

Subaru: Hah... hah... I did it. I really i did it.

_Subaru enters his room while wearing a black coat, glasses and a mask and quickly goes to his coffin and puts Yui plushie in it and looks at it.

Subaru: I did it...

_Subaru blushes while staring at Yui plushie.

Subaru: Damn it... this is so cute...

_Subaru hugs Plushie and sleeps inside the coffin.

Subaru: Yui, please always stay with me...

_Meanwhile in Reiji's room. Reiji is sitting on a chair and brushing the plushie hair that was pre-ordered a few days ago.

Reiji: Good grief... these things are not for me.

_Reiji covered his face with his hand to hide his embarrassment.

Reiji: No one should know about this. NO ONE.

[colleendoran]

I was curious how you manage to keep features consistent when you draw them? Do you use models? Is there a model for Crowley? He is very handsome.

I don't use models per se, but I sometimes keep files of photos or art that resembles the subject.

Crowley is based a bit on the French actor Alain Delon who was once considered the handsomest man in the world. He doesn't look exactly like Delon, but that is in my head when I draw him. I recall reading Neil and Mr. Pratchett once considered Peter Sellers for Crowley.

There is no reference for Aziraphale because he is entirely in my head and I can't really find anyone who looks exactly the way he does. I recall reading that Neil and Mr. Pratchett thought of Brian Dennehy at one point, but my head canon Aziraphale won. I think a Brian Dennehy Aziraphale would have been amazing, though. Anyway, he is actually kind of hard for me to draw because his facial structure is a bit outside my usual style. His face is a bit long and his eyes closer together than I normally do, and if I'm not careful, he slips away. He appears younger and more classically handsome as an angel than he does in his corporeal form, but I think he's quite fetching as a bookseller.

Michael Sheen is so perfect in this role it is really hard not to leak bits of his performance into the graphic novel edition, but I have to resist the impulse. I am not allowed to use any of the show actors as models.

I adore Michael Sheen. Who doesn't?

Adam is also a head canon character. He is a perfect young Greek God, so that's kind of drawing on a day with a Y in it for me.

The inspiration for Newt I'm keeping a secret. I submitted a number of sketches for Newt. The show Newt dug in deep and I had a hard time shaking him off.

The Them are based on kids I knew. They're in my head, I don't need any photos. They don't really look like the kinds in the show. The book version of Pepper, for example, is a freckled red-head.

Anathema is an amalgam of features that don't come from one person, which I think fits the description of the character. She's also unusual for me to draw but she's easier to draw than Aziraphale. I nail her every time.

Hastur is a caricature of the stereotypical English upper class you'd see in broadsheets 200 years ago. I have a file of pictures of Anthony Ashley-Cooper, 7th Earl of Shaftesbury for Hastur. I considered making Hastur more handsome in a Duke of Hell sort of way, but I think Hastur likes to be scary. I keep thinking of Peter O'Toole when I draw Hastur, too.

I feel kind of bad basing Hastur on Lord Ashley because he was a wonderful person and I'm sure he didn't go to Hell.

Ligur is a broad caricature of Danny Devito. I obviously can't use a DeVito portrait. That would be wrong. But I can tweak from there and come up with a general idea of the face I want to use.

Beelzebub and Metatron are head canon, and don't look a thing like they do in the show. I postulate some demons prefer to look like their angelic selves, and at other times prefer to be fearsome. Crowley can look fearsome when he wants, for example. In the book, Beelzebub appears as a young man in red flames.

Shadwell was drawn from reference at the direct suggestion of Neil.

Madame Tracy is based on a certain person, but no one you would have heard of. The original source might not be flattered, but I love Madam Tracy. She's really easy to draw because she's a bit over the top. I'm sketching around her scenes right now because I don't have final approval on some things yet. So she might need some changes later.

War is head canon, very easy to draw. She's a knockout. No reference required.

Famine looks a lot like Famine in the show, actually, but that's what Famine always looked like, pretty much. Except he has the grey eyes he has in the book.

Pollution is initially described as being a forgettable white guy, but later described as looking like a romantic poet, which strikes me as being memorable. Because he's only on one page in his forgettable white guy phase, I chose not to make major changes in his appearance between those panels and later when he appears as his true self, because that's a bit more confusing than it needs to be in the graphic novel edition. He's rather glamorous as the essence of Pollution, though. No reference needed.

Dog is a dog.

While I do give every detail a lot of thought, I am sure other people have other opinions. I understand that, and hope you enjoy what I do anyway.

Thanks for your question.

I'm still a bit under the weather, so may be stepping away from the net for awhile so I can concentrate on work. I have a lot of sick time to make up.

But don't think I don't appreciate your interest in the Good Omens graphic novel adaptation. Your wonderful support is acting on me like a tonic, let me tell you.

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1

I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.

Endo's Q&As and comments about the characters

Loid:

I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.

I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)

Anya:

I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.

He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.

Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).

Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).

Yor:

Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.

I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.

Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)

Bond:

I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.

Franky:

I love that Franky does charity work. I hope we'll see that in a future chapter.

Fiona:

It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.

Yuri:

I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?

Information about Garden

Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.

It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?

So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!

The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?

Continue to Part 2 ->

[redstarwriting]

bestie | hobie’s version

black cat!fem! reader becoming besties with Hobie

request?: yes LMAO

request: continuation of my original fic “bestie”

requested by: literally everyone omg

word count: 2.8k

genre: platonic and chaotic

warnings:  language, stealing, monarchy slander, mentions of homelessness, knives, a sword

a/n: ok y’all, i thought of a way to continue this post as a series. maybe i’ll make a ‘bestie’ masterlist? 

───────────────────────────────────

The friendship between you and Hobie formed fast. So fast. Faster than Miguel expected, even. You and Hobie literally became best friends immediately. He fucked with your attitude, which you knew already, but when he learned what you do? Best friends. “So, let me get this right, mate, you’re a global superstar—”

“Yep.”

“But you steal from the rich—”

“Mhm.”

“And you give to the poor—”

“Right.”

“Like some kinda famous Robin Hood?”

“Precisely,” you nod and he raises an eyebrow at you. The two of you are chilling in your penthouse apartment in a building that you own. He’s mindlessly strumming on his guitar, looking out at Nueva York from your balcony/rooftop, and questioning you. He thinks you’re cool, but he can’t help but be weary of sitting in such an expensive place. “Love the sentiment, really do, but ain’t bein’ a superstar… counteractive to all ‘at?” you shrug. “The majority of my money goes back to charities. I keep some of it, obviously, but I prefer giving back.” You lean back against a chair. “Besides. I grew up with nothing and basically no one. Feels kinda nice having a place like this.” “I guess, but donthca think buyin’ the ‘ole buildin’ was a bit overkill?” “No, actually. I pay for everything in this building and let homeless kids and teens in need, like me at that age, live in the rest of it free of charge,” you explain, taking a sip of your water. He stops strumming his guitar. “‘Scuse me?” you look over at him to see him staring at you with a look of disbelief in his eyes. You chuckle. “Don’t look so shocked. I like giving back, that’s the least I could do. Besides, I have a soft spot for kids being on the streets like that. No child deserves to suffer like that,” you explain and he shakes his head. As someone who was homeless as a child and well into his teenage years, hearing you say that actually makes him respect you loads more. “You should talk to some of the rich assholes in my world. Talk some sense into ‘em,” he mumbles, and you shake your head. “Rich people are inherently assholes.”

“You’re rich.”

“And I’m inherently an asshole. Self-awareness is key, Hobart,” you say and he rolls his eyes. “Not like ‘em assholes, though. They parade ‘round their wealth, pretendin’ the citizens in the city ain’t dyin’, starvin’… always stickin’ the pigs on us like we ain’t worth nothin’,” he mumbles, and you frown. “They’re lucky they have someone like you to stand up to them,” you say, and he nods. “Bloody right. ’s what I do. But there’s always a new person who gets in the way after I take down the first one,” he sighs, beginning to pick at the strings of his guitar again. You hum in agreeance. “Heard you bashed Norman Osborn’s head in with that guitar.”

“I did. It was bloody brilliant. But ‘en, after ‘im, these new Nazis showed up. Don’t even get me started on the new fuckin’ PM now,” he groans, and you shake your head. “Governments are ass. And I come from a non-monarchy. Can’t even imagine what yours is like,” you mumble and he frowns. “After I got rid of Norman, the new Prime Minister stepped in. Got rid a’ one evil and gave another one a open invitation.”

“At least you got rid of one of them. You’ll get the other one in time.”

“As much as I want ‘at to be true, I got the crown to worry ‘bout. Spewin’ all their rubbish to everyone, distractin’ ‘em all from the real issues goin’ on with their fancy jewels and blood money,” he stopped playing again, using his hands to show his disgust to you. “Jewels, you say? Money?” you smirk, and he rolls his eyes. “Is ‘at all ya got from ‘at, ya bloody klepto,” he asks, and you shrug. “Not all. Large portion. What do you say we fuck with them?” you suggest, and he raises an eyebrow at you. “And ‘ow d’you reckon we do ‘at?”

“Well, I, for one, am partial to the jewels and money you mentioned,” you grin at him, and he cocks his head to the side. “You wanna steal the crown jewels? Mate, I ‘ate to break it to ya but it’s not just one jewel. Or money. It’s a collection of shit.”

“And? You act like I’m a beginner at this shit,” you say, snorting and finishing your water. He smirks. “Serious?”

“Would I ever joke about making rich assholes panic?” you grin, taking your sweatshirt off to reveal your catsuit. You slip on your gloves and wink at him. “Let’s go, mate,” you imitate his accent and he jumps up, opening the portal to his world. “You got a plan?” he asks as the two of you enter, and you shrug. “Not necessarily, but they won’t even know I’m there.”

“Cocky, ain’t we?” Hobie teases and you giggle, shrugging. “I’m good at what I do.” “The jewels are protected. And on display. Dunno ‘ow you plan to get ‘em, but I’m excited to see it ‘appen,” he says as you step foot in his flat. You grin. “I have my ways. I say we hit it when it’s like 2am. Which luckily for us is in… right now, actually.”

“Ain’t this late gonna be expected?”

“Yes. I love a challenge,” you smirk and he shakes his head. “You’re mental.”

“But you like it.”

“Love it. No one ever actually wants to do shit like this with me,” he says and you shake your head. “Can’t imagine why. This is about to be so fun,” you smirk, and he nods, giving you a fist bump. “So just ‘ow are wee expectin’ this to go down? Am I meant to come inside with ya?,” he asks and you shrug. “Didn’t expect you to, honestly. Figured you’d be distracting the cops so I can get in there anyways,” you explain and he nods. “I can do ‘at. If I’m lurkin’ round the guards’ll ‘ave a fit.”

“Your accent gets thicker when you’re home, how is that even possible?” you say your thoughts out loud, and he rolls his eyes. “What is it with all of you and my accent. ’s just the way I talk,” he grumbles, and you laugh. “Because you get so annoyed by it. At least that’s why I do it,” you say, and he shakes his head. “No wonder Miguel ‘ates you.”

“Hey! He doesn’t hate me! He just strongly disapproves of all of my life choices and urges me not to speak to him most of the time,” you feign offense, and Hobie holds his hands up in surrender. “Now, where are these jewels held?” you ask looking out at the city through his window. He looks out, pulling his mask on. “Tower of New London. They moved the most important pieces overseas so the new Queen could ‘ave a second coronation over ‘ere. ‘ave ‘em on display for the public to see. Make money off it,” he explains and you scoff. “That’s fucking stupid. Are you sure they’re real?”

“Oh, yeah. No doubt. Like I said, they love flauntin’ their wealth,” he says, and you grimace. “Gross. Can’t wait to take them,” you say with a smirk. “Need a lift, love?” he asks, holding his arm out for you to grab onto him. “Would love one, mate, thanks for offering.” You wrap your arms around his neck, and he grips onto you. He jumps out of his window, webbing to the New Tower of London which looks a bit out of place in the cityscape belonging to New London, but you can see why they hold the jewels here. “It’s like a small castle,” you mumble, and Hobie nods. “Fuckin’ annoyin’ ‘ow everythin’ ‘as to be so over the top,” he says as the two of you land in an alleyway across the street, hidden in the shadows. You scope out the place. “You weren’t kidding. Guards are everywhere,” you mumble and he nods. You point to a part of the castle that isn’t well-lit, a wall on the side of one of the watch towers. “We can climb that,” you say, and he nods. “Time to go make the wankers freak,” he says, and the two of you sneak over. The two of you scale the wall of the walkway surrounding the main part of the tower undetected, making your way to the wall you pointed out earlier. You use your claws to climb up while Hobie uses his spider powers.

You hoist yourself up onto one of the platforms, ducking down and hiding behind a wall to figure out what your next move is. Hobie was right beside you. “I think… this might be where we part,” you whisper, and he nods. “Don’t die, yeah? Lotta paperwork I don’t feel like doin’,” he says before swinging away to distract the guards. You scoff. You watch as guards run off in the direction he was spotted in and make your move. You run to the wall of the next building, climbing it and hiding from the guards on the top of the roof. You quickly sneak to the other side of the roof, only to see that the middle of the castle is connected to nothing. “So that’s why they call it a fucking tower,” you mumble, scaling down the side of the wall and into the grassy lawn.

You assess the situation. You know there are guards in those watchtowers, but that would probably be the easiest and most efficient way for you to get in. You just need them to be distracted enough for you to run across the lawn and over to one of them. As if on cue, you hear Hobie play a chord. Loudly. You smile to yourself. Perfect.

You sprint across the lawn, being sure to stay as shrouded by shadow as you can, and luckily for you multiple guards are on edge and running to wear the guitar noise came from. You hear them calling Hobie some… choice words and chuckle. He’ll be so happy to know they hate him so much. You quickly start to scale up the watchtower, looking out just in case a guard might see you.

You were in the clear.

You reach the top, quietly peering into the tower, and see a guard looking out of the opposite window. You climb through the window you’re in front of, not making a sound, before sneaking past the guard. You quietly hurry down the stairs, and peer through a large archway. You search for cameras, pulling out your small throwing knives to break them if needed. You spot two, hitting them with deadly correct aim. You scoff, sneaking out and making your way to some large double doors. They’re locked, of course, so you use your claws. You pick the lock, quietly pushing it open and slipping through. Sure enough, your intuition was right, and now you’re in the room with probably billions or trillions of dollars. You glance around to see if there are any guards inside the room. None. Strange. “Come to mama,” you mumble, taking out a vial of chalk dust and blowing it. Yep. Lasers. That’s fine.

You start crawling, flipping, and sliding your way through the lasers, collecting a few gemstones, a staff, an all-gold orb with a crown on it, a giant fucking diamond, and finally, a purple crown endowed with gold and jewels. You collect them one by one, placing them in a bag you have laying where the lasers start. You shake your head. Relying on lasers is never a good idea for people trying to protect their things. For you? Amazing. You sneak back out, closing the door and glancing around. You hear the faint noise of screams and an electric guitar. Hobie’s still got them distracted. Good.

You run up the way you came. This was almost too easy, but then again, you are skilled at what you do. Too bad your dumbass forgot there was a guard up here. “Oi!”

“Oh! Hi, there. If you don’t mind, I’ll just be on my way,” you say, slinking towards a window. Unluckily for you, he pulls out a sword. Though he does have a gun, so… guess it could be worse? “I’m like, totally not telling you that I’d prefer the bullets… but why a sword when you have that?” you say as he takes a swipe at you and you dodge it. He doesn’t respond, and you frown. “I heard you speak earlier, bro. I know you can,” you backflip away from him, tossing the jewels to the side and getting ready to fight. “Seems a little… redundant, you know? Like why even carry a gun if you’re not gonna use it.”

“Pipe down, cow,” he growls as you continue dodging his attacks. “Well, now, that just wasn’t very nice. Clearly, no one has ever raised you to treat women with respect,” you say, using your claws to catch the sword in your hands. His eyes widen as you yank the sword away from him. You kick him in the side of the head, disorienting him before swiping his legs out from underneath him. He falls down, hard, and you stick a loose part of his uniform with his sword into the bricks below him. “Would love to stick around and chat, but I have some jewels to sell.” You wave, picking up your bag and leaping out of the window, using your claws to slide down the wall. You sprint across the lawn, being careful to stay in the shadows, and make your way back out to the wall you and Hobie climbed earlier. You lay low, hoping that Hobie can deduct you’re done and give you a quick getaway, but it’s never that easy. You slide down the wall again, hearing the commotion of the guards starting to race around and search the perimeter, so you stay hidden. You make your way back across the street and into the alley that you and Hobie were in earlier. You send him a quick message on your watch before climbing up one of the buildings.

You watch as across the street chaos ensues. And you smirk to yourself knowing that you have the riches of a family that never deserved them. You hear a familiar voice screaming, “What?! Ya didn’t like the show! I played jus’ for you bloody lot, ’n ‘is is ‘ow ‘m repaid?!”

You shake your head as Hobie lands next to you, pulling you behind the door that leads into the building the two of you are on top of. “We should definitely run,” you say, waving the bag towards him and he nods. “Right,” he says, pulling you into him and webbing away again. You lose the guards, and he quickly ducks into his flat. You roll into the room whereas he lands perfectly, and there’s a silence that falls between the two of you. You turn your head to look at him and give him a big smile. “Think I can return any of this shit to the original owners?”

“What ‘ave you got?” he asks, dumping out the bag. He pulls his mask off, genuine shock on his face. “You got it all?!”

“I told you. I’m good at what I do,” you say, picking up the giant diamond. You gasp. “No fucking way. This is—”

“The Koh-I-Noor,” Hobie laughs, picking up the crown and inspecting it. “Bloody tosser wore this on ‘er ‘ead the other day. Now it’s in my ‘ands,” he smiles, tossing it to the side with no regard for caring for it. You hear the heavy gold thump on the ground and shake your head. “How much you think all this’ll go for?”

“Mate, this shit is priceless. I can’t wait to see the look on Pavitr’s face when we show ‘im you got the Kah-I-Noor,” Hobie shakes his head, and you grin. “Well, let’s get it back to my place, yeah? I can display it and the best part is these assholes here will never find any of it.”

“Lead the way, love.”

You enter through a portal into your home, typing a code into a painting that opens like a door. You allow Hobie to see your treasure room. He’s honestly kind of stunned. You have so many priceless artifacts in here. It’s impressive. “Mate. You are cool as fuck. Jus’ thought ya should know ‘at,” he mumbles, picking up an emerald the size of his head. You chuckle. “I know, Hobie. Now, let’s get this diamond to Pav, shall we?”

As soon as Miguel got the notification that there was disrupt in Hobie’s universe due to someone stealing the Crown Jewels, he had to take a walk.

He was stressed.

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『 tag list 』

@noelsilly* @yunonaneko​

*if you are italicized - i am unable to tag you for whatever reason, feel free to reach out and see if we can fix the issue

[itsabouttimex2]

I hope this isn't an odd question

But, do you think Wukong or Macaque would act or treat different their "cub" if they genders were swapped or being a female version? This is also for a Yan behavior

I don't know too much about how is the raising of a monkey from the father and mother so I was curious with this since they're both mystical demons

I was thinking about this when I saw some fanarts from the artist @/car_nimbus on Twitter, they made a neat versions of the characters with another gender

Monkey Mama

(Hmm okay let me build a hypothetical OG “Female Monkey King” to work off of here and then I’ll try to translate that into LMK’s SWK. Also, I’ll probably make a second variation of this afterwards with other characters, haha. This got a little long to do both SWK and Mac!)

Sun Wukong as a character is already heavily defined by rebellion and personal choice, so I think that making him a girl only really compounds that layer of his character.

In many older narratives, female characters are often expected to be more obedient or modest than men, and very frequently only exist as prizes or, more rarely, villains. A female Sun Wukong; assuming she plays the same role as her original incarnation, defies the expectations of how “traditional” women should behave, shirking the demure and passive “ideal” and adding another layer of rebellion to her character.

(JTTW is actually pretty great in terms of female representation, with characters ranging from the perpetually good Quanyin, the eventually repentant Princess Iron Fan, and the straight up evil White Bone Spirit. I’m a big fan of how the women aren’t slid into any one “role” throughout the story.)

I think: in story, she’d likely be viewed as a sort of “anomaly”—a woman too strong, too outspoken, and too unwilling to conform to typical feminine ideals. Her defiance and arrogance might be viewed as even more scandalous by the Celestial Realm.

Instead of being made a “stable-keeper”, I think probably she’s sent to whatever Heavenly Scullery exists in that divine realm, and put to work very quickly. She would treat this “job” with indifference or even amusement at first-after all, physical labor or menial tasks don't diminish her self-worth or confidence! She’s had a life of hard work, leading an army of Yaoguai, cultivating Flower Fruit Mountain,

So she’s fine with this… at first. Then it turns out that the food she makes with her fellow low-class workers isn’t distributed amongst the people making it, but plated up nice and pretty for a bunch of “stuffy old gods” who didn’t lift a finger! Bullshit!

So obviously, the prideful Monkey Queen goes on a destructive rampage in regards to the unfair disparity of treatment, then storms back down to Earth to throw a “feel-better” party with her fellow Yaogaui.

(Which isn’t just a party, but a symbolic reclaiming of joy and community, with her monkey tribe representing the freedom she craves and the earthly bonds she prefers over heavenly authority. It's not just an escape, but a statement of independence.)

After an extensive set of repairs, the Court sends down someone to drag her back, because, you know, the local super-powered monkey is back on the loose, and that’s not exactly great for them. This time, they offer her a “better” role- she gets to become an official Peach Maiden, lucky her!

Of course, it’s just another form of entrapment, but within a prettier cage. Even though she's given a cushier position, it's a veneer- she's still being silenced, controlled, and stripped of her freedom. The role played by a Peach Maiden is an inversion of Wukong's essence, as these women are happily serving the role of passive caretakers, nurturing with gentle smiles—a direct contrast to the free-willed, brash nature of the Monkey Queen.

(And while there’s nothing wrong with being demure, passive, and feminine, having people try to force her into that role is where Sun Wukong draws her line.)

Here, she is expected to watch in silence as others revel in the freedom and power denied to her. It's a different kind of prison, one that quietly erodes her spirit. When the Celestial Court tries to reintegrate her as a Peach Maiden, they are once again attempting to place her into a docile, decorative role, one that strips away her power and independence. Those immortal peach orchards, a symbol of immortality and divine favor, becomes a prison for her.

Surrounded by "ideal" women who embody the quiet, submissive role she despises, the Monkey Queen finds herself chafing under the pressure of conformity. Her energy, once boundless and chaotic, is now caged, and the simmering resentment builds.

The buildup to her inevitable rebellion after being made a Peach Maiden, then, becomes a very sympathetic moment because it's not just a rejection of the role forced on her, but a rejection of the very system that tries to diminish who she is at her core. Her rebellion isn’t about anger and shame- it’s about reclaiming her true self after having been suffocated by the expectations of the Celestial Court. Her rampage becomes an assertion of her identity as something that can't be confined by heavenly rules or social mores.

The Court, in its attempt to “contain" her, only fuels her defiance further, leading her once again to rebel.

It was never going to end well. But it ends all the same, and punishment is to be levied to the Queen, just the same as any other rebellious rule-breaker... actually, probably harsher.

There’s “you broke our rules and tried to lead a coup”, then there’s “you did all that, and we also find your very person to be wrong on a fundamental level”, and then she gets the book thrown at her twice over.

But! Then she meets Tang Sanzang, who sees something in her that neither the Celestial Realm nor her own band of Sworn Brothers saw. Not a heretic simian savaging a holy realm. Not a Queen to rally behind for their own gain.

But a lost soul in need of guidance.

And from there the Great Monk works on building Sun Wukong up as a person instead of leading her astray or trying to cut massive chunks of her personality out? And talks to her about the things she cares about? And teaches her about all the things she missed after spending five hundred years under a rock?

And then she meets Zhu Baije, who starts out a little too happy and carefree about having a beautiful woman around, but eventually comes to smash open heads when Wukong is disrespected, because that’s not just a hot woman, that’s his sister?

Or Sha Wujing, who helps her with even the smallest things, from trimming her claws to cutting her wild hair to preparing meals for the monk? And lets her perch on his shoulders and head so the queen can get some skinship in?

Then Ao Lie, who is every bit the “disappointment to the world at large” that she was considered? And they take turns braiding each other’s hair and wiping the mess from the other’s face, and sleeping in the same tent and same bedroom because it’s less effort?

She gets a dad and three little brothers?

She gets a family.

And then loses it and is alone again for several hundred years more.

So if we go with this theoretical “My natural existence has been rejected for being seen as ‘improper’ by a court of stuffy traditional assholes” and then “I dearly love/miss my dead found family” angle, I think she’d be portrayed as a very different sort of character in LMK.

She’s quicker to lash out and defend herself, and much less willing to sit around and let the world pass her by- because that’s what was demanded of her by the Celestial Realm.

Be good. Be quiet. Be demure. Be obedient. Be anything except you.

I don’t think she’d be as willing to “rest on her laurels” as her canon counterpart, given that a “quiet boring life” was what she had fought so very hard to escape in the first place, so instead of isolating herself from the world in the first place, she probably sets up a little “souvenir shop” at the foot of Flower Fruit Mountain, taking a human form to sell little knick-knacks that herald to the journey she undertook with her old friends.

In part, this is how Wukong works to honor them. To spread their legacy. To ensure that they aren’t forgotten, left as a footnote in the annals of history. To remember them.

In part, it’s how she justifies all the mistakes she’s made and the suffering she’s been through. Settling in to a pointlessly relaxed life is exactly what she fought against, after all. She’s heavily fallen into the “sunk-cost fallacy”, where giving up and settling in, to her, means “losing”. It means “everything I went through was all for nothing”. So she keeps at this little store instead of just retiring and isolating herself from the world, even though she’d be happier to ditch it and lounge about.

So when MK and his eccentric bunch of friends comes around with their boundless energy and mischief, she immediately goes, “Oh, okay! This is what I wanted!”

(It’s not. All she’s ever wanted is her friends back. How could there be anything else?)

The Monkie Kids are vibrant, eccentric, and full of qualities that immediately resonate with Wukong. They remind her of the energy, camaraderie, and sense of adventure that she once shared with her old companions. She sees MK's arrival not just as a chance to teach someone a few of her old tricks, but as an echo of her own life—a life she hasn't been able to truly let go of.

So she starts projecting- on the surface, MK is very much like her. He's spirited, good-natured, and curious- and reckless. Just like she was. Wukong latches onto this quickly, sort of using the kid as a proxy for herself. After all, if she can't go back to her old life, why not embrace a new one that feels close enough? In some ways, this marks her refusal to accept the passage of time, a desperate clinging to the hope that, through MK, she can rekindle the connections she once cherished.

However, underneath that initial enthusiasm is the repressed understanding that MK, despite his similarities to her younger self, cannot truly replace what she lost. The friends she fought beside, the battles they waged together, and the lessons they learned are unique, irreplaceable moments in her life. No matter how much MK’s gang reminds her of the past, he and his friends a stand-in for the companions she still longs for. But her deep desire to reconnect with her old friends clouds her ability to see MK for who he truly is: his own person, on his own journey.

It takes her a while to get to that point, though. So she’s more doting and affectionate, in a way that somewhat stifles her student’s training because she wants to be both her old carefree self and also a good mentor, and the two just get jumbled.

Sidenote: I think with the difference in actions and behavior, MK would be more open to viewing Fem!Wukong as a parental figure than the OG, especially since he doesn’t really have someone to fulfill that “mom” role.

For their dynamic, I think something like this would be the outcome:

———————————————————————-

The afternoon sun hangs low in the sky, painting the landscape in hues of varied orange and blue. With a tired hand, MK wipes the sweat from his brow.

He’s perched on one of the rocky spires dotting Flower Fruit Mountain, gazing at the view with a small smile of accomplishment. Training had been intense lately… if only because he had been doubling down on the time he spent practicing, without giving as much care to rest or aftercare.

After all, even though his powers were blooming steadily… his enemies also were growing in power and quantity, leading to the ever-creeping edge of fear that anything less than a constant one-hundred percent just wouldn’t be “enough”.

And right as he reaches back to grab the golden staff he has inherited from the Monkey Queen-

“MK! I told you to take a break, not run off to do more training!”

Her voice, uncharacteristically sharp, cuts through the formerly tranquil air, causing MK to jump. He turns just in time to see Sun Wukong strolling toward him, her hands on her hips and a look of mock annoyance on her face.

MK grinned sheepishly, shifting his grass-stained boots against the dirt. “I was just, you know… checking out the view.”

She raised an eyebrow, the corner of her mouth twitching in amusement as her eyes narrowed in annoyance. This kid... “Uh-huh. Checking out the view or sneaking in some practice when I wasn’t looking?”

Caught fast in his lie, MK rubbed the back of his neck, face scrunching up in embarrassment. “Maybe a little of both?”

In spite of herself, Sun Wukong quietly laughs, the sound echoing like a chiming bell through the mountain. Her long, golden hair flowed behind her in the wind, each strand catching the light like molten fire. Despite her legendary status- the rebellious warrior who’d fought the heavens and nearly won!- there was a warmth to her that MK had come to cherish.

“All work and no play, MK,” she said, sitting beside him on the rock and ruffling his hair with a fondness that always made him feel like a little kid again. “You’ll burn out before you get anywhere.”

He looked at her, eyes shining with admiration. “But you never stop training. You’ve been at this for centuries! I just…”

A pause, as his chest turns over, unsettled by the notion of opening up. But… it’s the Monkey Queen. So it.. should be okay, right?

“I want to make you proud.”

Sun Wukong’s expression softens, and she wraps an arm around his shoulders, pulling the boy close in a tight embrace. “You already make me proud, kid. You don’t have to prove anything.”

MK leaned into the touch, feeling a wave of comfort wash over him. Even from the start she’d been like this with him- protective, nurturing… and maybe a bit overbearing at times. But he didn’t mind. It made him feel safe, like no matter what challenges lay ahead, he wasn’t alone.

MK chuckled, turning his face up to meet his idol’s eyes.” I’ll keep up,” he triumphantly declares, pumping a fist.” I promise.”

“Good.” Wukong shifted, her clawed hand lightly missing his spiked locks. “Now, how about we head back to the shop and grab something to eat? You’ve earned it.”

MK’s stomach growled at the mention of food, and he nodded so eagerly that she wondered if his head wouldn’t ache from the motion. “You know, I won’t say no to a good meal.”

The Monkey Queen stood up, dusting off her mentee’s clothes before offering him a hand. “Of course you won’t. C’mon, my treat.”

———————————————————————-

Now, to answer your question about how she acts in regards to her own cub… in general I think she’s much more doting than the OG, willing to express herself through constant displays of physical affection, in ways that are far more varied.

Constant forehead smooching, cuddles, grooming sessions, all of it! Mama Wukong never wants to let go of her baby! Sit down and let her paint your nails! Let her comb and braid your hair! Let her make you a nice lunch (loaded with mystical drugs to keep you nice and sleepy for extra cuddles), or at least a filling snack! Let her pepper your face with kisses as she spins you in her powerful arms!

Lots and lots of indulgent fluffy days of binging unhealthy foods and watching cozy reruns of old shows, your head in her lap as she hums and does up your hair with her lazy hands.

Lots of reminiscing about old suitors as she considers the quietest and quickest ways to kill anyone who makes the futile attempt to pursue you in the same way.

Despite her obsessive behavior, Wukong struggles with conflicting feelings about wanting her child to be strong and independent, just like her! She pushes you to train hard and become powerful, but when you inevitably seek their own freedom or autonomy, she’d experience a mix of pride and heartbreak, pushing her deeper into possessive tendencies.

If you ever tried to leave or even just start to break away, Wukong’s worst traits would bubble up like hellfire. Just as she fought against an entire realm’s authority, she would absolutely wage a war to keep her child close, all while justifying her actions as love.

The Monkey Queen is also more willing to take routes outside of brute force if it means securing extra protection for Y/N. If Macaque or maybe Azure (or someone else like Erlang Shen) wants to try and play “suitor”, well, she’s not too interested… until the thought arises that having him around makes you extra safe! And then she’s willing to think on it.

(That’s assuming that you aren’t one of their biological kids to begin with, in which case there might be a sort of “yandere triangle”. Azure/Macaque/Erlang Shen doing his damndest to reclaim his wife, before he learns that she’s had a child while he was gone... or maybe Pigsy and Tang decided that MK needs his mentor in a more ‘accessible’ position, and plot to drag her to Megapolis…)

Lots of potential monkey mama shenanigans, basically!

[madame-mortician]

So I finished Silent Hill 2’s remake and saw a theory going around which I agree with and want to talk about.

Spoilers obviously.

So before I say the actual theory itself I have to talk about another “theory.” I put it in quotes because it’s so heavily implied that it’s basically canon. The theory is that Silent Hill 2’s story is a loop, and this is not the first time James has gone through Silent Hill. The idea is that any time James dies or gets one of the bad endings (In Water, Maria and technically Dog) he always ends up back at the start, because he didn’t learn from his mistake and move on. Silent Hill is refusing to give up and forcing him to face the truth, and anytime James chooses the easy way out or refuses to move on entirely the town forces him back. The main evidence of this theory is:

The corpses around the town are all James. Likely from previous loops where he died to random enemies.

Maria getting the same illness as Mary and James saying she better do something about it. This implies she’ll get sick like Mary, and James will kill her again, learning nothing from what just happened.

A letter written by somebody on the run with a woman can be found. It also mentions a monster that only he can see, and the other guy can’t. This is heavily implied to be a previous version of James on the run with Maria after her ending, and another loop (probably the same one) where James sees Pyramid Head but Eddie can’t.

Most of the writing found on the wall seems to be written by James. Either subconsciously put there by the town or literally left there by a previous James who caught on to the fact he was stuck in a loop.

After completing Silent Hill 2 at least once, and replaying to get the Rebirth ending, the second James sees Maria dressed like Mary he instantly calls her out, even to her surprise. He already knows it’s Maria because that’s what happened last time.

So that was a popular theory of the original game. Now here in the remake it still works. It works even better in fact, for you see that’s where the new theory comes in. The new theory is that the remake is one of the many loops from the original game. It’s very likely this loop is one of the later ones and let me explain some of my evidence:

Maria is dressed completely differently. Her new outfit is sort of the perfect mix of Maria’s old clothes and Mary’s dress. It seems to imply that after being rejected by James before in some of the loops, she’s slowly becoming more and more like Mary to better appeal to him. She even shows off her old outfit, and though James wouldn’t remember it, Maria would and is sort of mocking him by asking if he would’ve preferred she wore it.

Maria’s personality is also different. She’s less rude and sexual here. Yes she is still sexual and pretty manipulative but not to the extent of the original. Why that’s interesting is because she’s actually portrayed much more sympathetically, with even James taking pity on her, even knowing she’s not real. Like what I said about her outfit, it’s almost like she’s softened her personality to be more appealing than she was previously.

I think Pyramid Head is also a big one. In the original game he was way more monstrous and would instantly go for you. Here he seems bored more often than not. The best example is the closet scene. In the original he was assaulting a mannequin before going to James in the closet who shoots him. It clearly doesn’t do much, but Pyramid Head still flails around like he’s hurt. In the remake he isn’t assaulting a mannequin, the monster is already dead and Pyramid Head chucks it, seeming bored waiting for James. When James gets in the closet, he still approaches him and just stares straight at James. When James shoots him, he doesn’t react instantly, he continues staring at him. Only after a few awkward moments does he actually begin to flail around and then leave. How I interpret this is that since Pyramid Head remembers the loops but James doesn’t, Pyramid Head already knows he’s in the closet and goes up to him, and when James shoots him (despite knowing it wouldn’t do anything) Pyramid Head stares at him like “we’re really doing this?” before awkwardly flailing around. He’s not hurt, he’s basically acting. Whenever he appears he will still hunt James, but he really seems bored, which he likely would be since this would be one of the later loops.

There’s also references to the older game, specifically meaning this would be a loop canon to the original. The first one is that one of the corpses has a copy of the original SH2 map on him. This not only confirms that the corpse is James, but also that it’s one of the original James’. Another Easter egg I can think of, is the rooftop scene. In the original game, Pyramid Head pushed James through a fence and he fell off the roof, despite landing indoors? Here in the remake, Pyramid Head shoves him through the floor instead (which also adds to my point earlier about the newer Pyramid Head seeming more impatient than originally.) Why this is interesting is because you can still find the area of the fence James was originally pushed through, and it’s broken. This implies James was still pushed through it, yet we clearly see he wasn’t, he was shoved through the floor. This means that James was still pushed through the fence in previous loops, just like in the original game.

Eddie mentions killing James before, and him returning. To be fair here, he probably means the James corpses everywhere and isn’t referring to the original boss fight but it still implies a loop.

During the endings, whenever James speaks with Maria he is more sympathetic and understanding of her. He’s quicker to realise it’s not Mary, and he tries his nicest to reason with Maria unlike in the original where he kinda just said she wasn’t Mary and was mad she tricked him. The way I view this is that after being through so many loops, he’s gotten close to Maria even though she isn’t Mary. He still wouldn’t give up Mary for her, but he understands Maria more and doesn’t want to hurt her. He tries to talk it through, and Maria even considers it briefly but she literally can’t let him go. It goes against her entire purpose and thus she always transforms into a monster.

Another one is a line change I noticed. In the original game after Angela asks if James is keeping the knife for himself James says “I’d never kill myself.” In the remake he doesn’t say anything. This implies that he would and this is likely because James subconsciously knows he would, because he did in the previous loops (In Water.)

Another small detail I noticed is the broken puzzles you can find. Now there’s a lot of broken shit in Silent Hill, but nothing important is ever broken. The entire point of the puzzles is for James to solve them to progress. The town, nor any of its monsters would ever purposefully break a puzzle, and even if they did it would be in a way where James could easily fix it. If the town ever broke a puzzle, and made it impossible for James to progress then there’s no point, so they wouldn’t do that, it defeats the purpose. So who is breaking all these puzzles? I doubt Eddie or Angela would be destroying random puzzles, and Laura likely doesn’t even see any puzzles. So who is it then? Well, I believe these are puzzles broken by previous James’. The puzzles that are destroyed don’t have a purpose anymore, and since they’re broken we can’t really have James solve them to progress, so they’ve been replaced by new ones in the current loop. Perhaps a previous James got mad at one of the puzzles being too hard and broke it. This likely would’ve meant he was softlocked and wasn’t able to progress and either was killed or just eventually died because he couldn’t continue. Whilst now the puzzles are replaced, you can still find the old ones. They aren’t puzzles from the original game, but this still implies a loop.

[sarafangirlart]

Andromeda’s race/ethnicity and why it’s not inaccurate to interpret her as black/African

Now you’ve seen how I draw my babygirl as Afro Palestinian Egyptian so you know where I personally stand on the subject. However, my interpretation isn’t the only one, ancient authors, from mythographers to historians to poets to playwrights, have proposed various different locations for Andromeda’s homeland, often times contradicting each other, what I’m trying to do here is correct some misinformation as well as argue that even if Andromeda isn’t black/ethiopian, she still wouldn’t be considered white or ethnically European.

I would like to reiterate like I did with my Hephaestus/Aphrodite post that I’m not a mythology or history expert, I just read a lot. So do your own research and come up with your own conclusions.

Let’s go.

The etymology of “Aethiopia”

Aethiopia means "of burned face" which yes is pretty racist be modern standards but basically means that its inhabitants are dark skinned, so even if you go by sources that it isn’t in Africa, the inhabitants still wouldn’t be white or Greek.

Location of the Kingdom

You’d hear the statement that the Aethiopia in mythology is not the same as Ethiopia the modern country, which is true. You’d also hear that it’s a completely fictitious location, that’s only partially true, while Aethiopia existed mainly as a mythological location (mentioned as early as the Iliad) that didn’t stop ancient historians, mythographers and poets from placing it in real locations or calling pre-existing nations Aethiopia. It’s hard to pick which one is more “accurate” bc they all contradict each other, not only that, but these writers didn’t actually visit these locations and ancient ppl weren’t as well versed in geography as we are today so they’d be weirdly vague or confusing about these locations, I mean just look at an ancient map and you’d see what I mean.

So personally, I think you can go with any version you personally prefer, the options are quite limitless, she could be from the Arab peninsula, the Levant, North Africa, Persia, hell maybe even India if you are like Ovid.

Andromeda’s genealogy

(I just realized that these are the Waterson kids color palette while writing this lmaooooooooo)

Yes Andromeda is descended from Zeus (no family tree can escape that man lol) and she’s also the great granddaughter of Poseidon, which adds a whole new layer to the fact he tried to kill her.

Now for a bit of history: The Trojan war (which didn’t happen irl obviously) was dated as taking place in the 12th or 13th century BCE by some ancient writers, that war happens a few generations after Perseus’s story, which means that Egypt was in the New Kingdom era, also called the Egyptian Empire, when Nubians (who would be considered black by today’s standards) were a very important part of society, even becoming Pharaohs. Ancient Egypt was a lot more diverse than modern ppl give it credit for, there were multiple ethnic groups living there. Not to mention that you can’t get more Egyptian than being descended from the god of the Nile River lol

Libya is (obviously) the personification of the region of Libya, not the modern country Libya, but the general area in North Africa west of Egypt. The name Libya comes from the Libu, a berber tribe. So once again, even if Andromeda wasn’t black, even if you interpreted that her kingdom is placed in Asia, she’d still be of African decent.

Cassiopeia is a tricky one, her origins are obscure, she’s called a nymph by Nonnus, while Stephanus of Byzantium (a very late source) states she’s from Ioppa and that the city takes its name from her. However, Ioppa/Jaffa was identified as Andromeda’s home much earlier in Periplus attributed to Scylax, which was composed in the late fourth century bc.

Conclusion

You can make Andromeda black it’s ok. Ancient writers couldn’t agree on her country’s location but we can still speculate. Anyways ummm… I think that’s it? Maybe I’ll add to this if I find or remember more interesting information.

Have a great day.

[e-vay]

I have some song suggestions for your sonamy playlist, if you are open to listen to some! ^^

Everyone has their own taste and preferences of course, but these tracks always made me think of them in one way or another :

You’re still the one - Alex melton (this is a cover so the original by Shania Twain obviously works too lol I just prefer this cover, it’s more my genre )

Unconditionally - Katy Perry

Jet lag - simple plan ft Natasha bedingfield (Vibe of when missions or something causes them to separate for extended periods of time~ )

Your guardian angel - red jumpsuit apparatus (😭 I’m sure you know this one already but gawd damn , if that ain’t sonic fully willing to sacrifice himself for her, on his potential death bed confessing his love… )

If it kills me -From the Casa Nova Sessions - Jason Mraz **MUST BE the casa Nova sessions version, trust me, it’s so much more emotional **(This one …. Uggh this one is everything.. I have so many fic ideas birthed from this swirling around in my brain 😩)

Hungry Heart ft. Hayley Kiyoko - Steve Aoki

Million bucks - smallpools

Come on get higher - Matt nathanson

Anyways , no pressure at all if you don’t want to take a listen, only if you want to :) have a good day!

I'm sorry-

You're gonna come into MY HOUSE, suggest a bunch of BANGERS for my PLAYLIST, hint that you have SONAMY FIC IDEAS THAT YOU'RE TEMPTED TO WRITE, and then you're gonna stay ANONYMOUS ON ME?!

You heartbreaker!

Jokes aside, these songs were super great and most were totally my style of music! I had heard a few of these but forgot about them so those were a fantastic rush of nostalgia. Thank you for sharing and I hope one day you write the story/stories you were thinking and that I get to read them!

[elbiotipo]

Finally read All Tomorrows last night and I know why people recommended it to me all the time, it was a very interesting piece of *biopunk* speculative evolution with a fascinating overarching story. It was also a breeze to read, I expected it would be long and a bit tiring (like Man After Man) but no, it was very illustrated and in fact it left you hungry for a bit more, I love the way it lets you fill in the gaps.

Of course, like always, it falls in the same old trope that biotechnology = bad and gross. It doesn't fall straight into saying biotechnology is evil, but the element of body horror is very, very, very much present in all the book. The fact that being warped into abominations is shown as the big event of human evolution reminds me of Man After Man, where "human evolution" doesn't occur "naturally" or as a result of, well, human selection, but as a result of a higher power messing with humans. All those strange beings we see in the book were not the ultimate result of environmental pressures, "artificial" selection or people bioengineering themselves. They were the result of fucked-up eldritch beings who wanted to make fucked-up humans. Which is kind of dissapointing if you are looking for a book that actually talks about future human evolution.

Which brings me to a discussion of the future of human evolution. Because, obviously, humans are evolving today. But I don't think we can see the real effect of biological evolution in the timescale we are managing as current humans. From a quick search, there have been only 500 generations since the arrival of agriculture and thus of all recorded or remembered history as we know it. That's not nearly enough biological time to see any major changes. Yes, there have been changes. And the development of human intelligence and brain size was quick and monumental, with many things we still don't really understand (like the origin of language and abstract thought). But do notice that the body plan of a modern human does not radically depart from Homo erectus, 2 million years ago.

Some authors like Olaf Stapledon (one of the great grandfathers of science fiction) in Last and First Men (which could be considered the 1930s version of All Tomorrows, in fact All Tomorrows to me is the modern Last and First Men) thought that we would continue to have evolutive pressures like natural selection and our species will continue evolving over millions of years. This is true as all species are still evolving including us, but in just a few decades we have discovered genetic engineering, and it won't be too long before, somehow, it is used in the path of our evolution. All Tomorrows of course talks about this with the Star People and later the Asteromorphs, but I believe it leaves out the prospect of humans guiding their own evolution for the (admitedly interesting) plot twist of the Qu changing them themselves.

What would have happened (or rather, what WILL happen) if humans are left to evolve by themselves? I'm sure that we will find somewhen. And I think that cosmetic genetic modification will be part of it, which is why I personally found the depiction of the Star People so boring. Now, I don't think every human will genetically modify themselves into supermodels, for starters, our parameters of attractiveness are based on culture and material conditions, and people will always seek variety, but I do think "sexual selection" would be a major part of human evolution, and that some forms like the Star People, as practical(?) as they are, just don't have the appeal. The utopia of the Star People should have been just as interesting as the dystopia of the Qu, with people experimenting new ways to adapt their bodies and self expression. Not to mention people adapting to the many strange environments of space by themselves (an old sci-fi trope). And of course, there would always be humans who don't want any of that, preferring to stay as they are, or return as they were. None, none of the Asteromorphs desired that at all?

Even in my own biopunk setting, however, the future of human evolution is something I only can see as far as a couple centuries on the future. Anything more than that, with the infinite possibilities of genetic engineering, makes me dizzy to contemplate. So I think All Tomorrows, for daring to do this billions of years in the future, is an amazing book.

[flowerandblood]

The Lost Haven (3/16)

[ modern mafia • Aemond x niece • female ]

[ warnings: kissing, incest obviously, smut, the angst, description of cruel physical violence, bad, bad things ]

[ description: The vacation from eight years ago still haunts his memories and doesn't let him forget what happened between him and his niece, the daughter of his sister and Harwin Strong. Their paths separate and he immerses himself in his father's mafia world until the day she calls him for the first time since those events. Sexual tension, dark, dangerous, withdrawn, thirsty Aemond. ]

Author’s note: As promised, this is another, this time official modern version of The Fall from the Heavens. In this version, Daemon is not related to the family, but is simply Rhaenyra's husband and the leader of the second gang, Alys and Larys are also not related to each other, but Larys is Harwin's brother. I will partly refer to the original series, hiding some easter eggs, and some will be a completely new, fresh plot. As in every universe, only Aemond calls her Rhaenys and this is not her real name (she is unnamed character and the others also do not know that he calls her that). There will be a lot more brutality and angst in this version, so watch out. You can read this as a standalone story.

Song used in this chapter: Don't You (Forget About Me) by Simple Minds.

Series & Characters Moodboard Aemond & Rhaenys Moodboard

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

For the next few days, he felt that he was functioning like a well-oiled mechanism without thoughts or feelings, without experiencing or reliving anything within himself. His mind was filled with complete emptiness: he preferred this state of affairs, because whenever a part of him hidden deep in his darkness started to come to the fore, he felt the need to write back to her.

Thank you.

She wrote it to him the next day.

He often went back to that message and looked at it for long minutes, maybe even hours, asking himself the questions his fingers wanted to tap out on the keyboard of his phone.

Who did this to you?

What were you doing there?

How do you feel?

He felt uncomfortable with the thought of how much it had affected him. Their reunion years later was shocking to him, and by virtue of him being the only person who had really experienced this reconciliation, there was something intimate and mysterious about it.

He rubbed his fingers against each other, feeling a shudder at the memory of how soft her skin was beneath his hand.

He swallowed hard, closing his eyes and tilted his head back, trying to control himself.

"Rough night?" Alys asked, sitting next to him at the bar, like him waiting for the club owner, clearly also having some business to attend to.

They fucked several times, from his perspective to simply get off: there was no finesse in these acts, but some kind of mutual understanding − they both just wanted to relax and didn't expect anything more from each other.

They spoke several times afterwards and he found that he actually liked her: she was a direct and confident woman, teasing and calculating, just like him.

Looking at her he felt he was looking in a mirror and it was an interesting experience.

He knew from his co-workers that Alys also liked women and he often saw her hitting on young girls in clubs.

She at least didn't slip rape pills into their drinks, he thought regretfully, taking a sip of his whisky as he tried to focus, the loud music around him made him feel like his head was about to explode.

"In a way." He muttered reluctantly, looking around, feeling an unpleasant squeeze in his stomach at the memory of her numb body lying in that toilet.

Vulnerable, forsaken, helpless.

"I heard about your heroic act. Apparently, you carried a little girl out of the Heavenly Beach before anyone had time to get into her panties." She sneered, taking a loud sip of beer from her bottle. He pressed his lips together, hearing the loud hiss of bubbles as she set it back down on the countertop. "Since when are you so caring?"

"It was my niece." He replied coolly, wanting to cut off the subject, drinking his whisky to the end in a deep gulp.

Alys furrowed her brow and laughed, stroking her chin, intrigued.

"So you're a good uncle, huh?"

"Fuck off."

"Why are you upset? Do you like her a little too much?"

She hissed as he grabbed her hard by the arm and jerked her, making her almost fall off her seat. He stopped, breathing heavily through his nose when he felt her pocket knife between his thighs.

"You'd better watch out, my friend, if you ever want to fuck anyone again."

He let go of her and she stepped back, massaging the sore place on her arm, looking at him angrily.

"You're fucked up."

He stood up, furious, heading for the back of the club even though he should have waited for someone to come out to him, figuring he couldn't stand to be in this place for a moment longer.

He felt like he was suffocating and wanted to leave already.

Her sleeping face as a child lying next to him on a pillow and her sleeping face then, in his car, leaning against the window, merged into one in his mind.

He realised with horror that only thinking about her made him feel anything.

"How much longer do I have to wait? You think I don't fucking have anything better to do?" He growled to one of the bodyguards, who grunted loudly, shifting from foot to foot, terrified.

They'd all heard about his scar and artificial eye, and they all knew what he'd done to some men who hadn't paid on time.

"I'll ask the boss if he's done yet." The man muttered.

He rolled his eyes as he heard the distinct, almost animal-like moans of two men from behind the door. After a moment, a young boy, all red and welted, walked out of the room, throwing him a look from which he felt discomfort, staggering with difficulty.

Tyland Lannister sighed heavily, standing in the door frame, looking at him disapprovingly, all sweaty.

If it wasn't for the fact that he and his brother dressed a little differently, he wouldn't have been able to tell them apart.

The fascination towards boys was apparently also inherited by both of them, he thought with a sneer.

"I said I'd come soon." He said.

"I don't have time for your soon."

"Jason gave you half the money last time, as agreed. I have to earn the other half, I need more time."

"Your time is up. I told him that you have two weeks, not a day more."

"Come on, we'll get along, after all…" He didn't finish as his fist slammed into his face − Tyland staggered backwards, falling to the floor of the room, and he closed the door behind him, leaving his stunned, big bodyguards behind.

He knew they wouldn't do anything to him.

It was his grandfather who ruled this town.

"Tyland." He said calmly, walking towards him with a lazy step – Lannister began to move backwards on his elbows, holding his swollen cheek with his hand, a trickle of blood dripping from his nose.

He crouched in front of him, pulling out his pocket knife, sliding the blade out.

"− n-no − please −"

"− which one do you choose − left or right? −"

"− please − please, I promise I'll have the full amount for tomorrow, I promise −" He mumbled, choking on his own tears, looking like a big, bearded, helpless, pathetic child.

He tsked, shaking his head, a smile of amusement on his face that didn't reach his eye.

"− we agreed for today − do you think I'll want to come here tomorrow and look at your face? −" He sneered, his voice on the verge of a dangerous hiss indicating that he was losing patience. Tyland nodded, his hands raised in a pleading, submissive gesture.

He looked like a dog who was laying on his back to prevent the other one from biting him.

"− I understand − I'm sorry − I'll think of something right away, okay? −"

"− now −"

"− y-yes − yes, I'll call one place − alright? −" He muttered.

He lifted his pocket knife up, grinning broadly, showing that he was able to wait another moment.

Lannister quickly took his phone out of his trousers and, with trembling hands, dialled a number. After a moment, someone on the other end spoke up.

"I need a quick loan. Twenty thousand. I know, I know I already owe you, but it's very, very important, do you understand?" He mumbled in a breaking voice.

He thought with disgust that he looked pathetic.

What did he expect?

"− please − please, help me −" He muttered, but his caller hung up.

He sighed heavily, spinning his pocket knife between his fingers.

"− time's up −"

When he returned to his flat the first thing he dreamed of was taking a shower. He watched impassively as the red-tinted water ran down his body, washing him of his sins like Saint John in the Jordan. He closed his eyes, trying to tell himself that God was forgiving him.

He had no choice.

He distanced himself from what his hands were doing, as if it wasn't his body, as if he was being directed by someone else. As a result, he felt no remorse, because he felt that he wasn't the one doing all those terrifying things.

It wasn't him who had done it, it was his dark shadow, the same one his niece had feared at night.

The thought of her made him feel an unpleasant sting in his chest. He pressed his lips together in an attempt to restrain himself, leaning his palms against the cold tiles, but his mind showed him her peaceful face again anyway, sleeping in his car.

She was so close he could smell her.

The smell of vanilla.

The next day his mother called him saying they needed to talk.

"Your father wants to throw a big party to celebrate his sixtieth birthday." She said, her voice trembling for some reason, as if something about this fact bothered her.

"Let him do what he wants." He hummed, pouring Vhagar's dog food into her bowl.

"He wants to invite Rhaenyra and her husband. Their children." She said, and he froze and cursed, seeing that he had poured too much, and some of the brown balls had spilled onto the floor.

"− fuck − has he completely lost his mind? −" He asked, running his hand over his face, feeling his heart begin to pound like crazy.

The possibility of meeting her while she was conscious made him feel his mind go into a state of panic.

He wasn't ready.

He couldn't.

He wanted so desperately to see her again.

"− he had already called her and she had said yes − Aemond, things are getting worse with him −"

"− I can just hear −" He growled, walking around the flat, feeling his emotions buzzing inside him.

"− I mean it − he's seriously ill −" She muttered, and he stopped in place, once again feeling the emptiness in his head.

"− what? −"

"− only me and your grandfather know about it − he asked not to tell you − he thinks it might be his last birthday −"

To his despair, his father demanded that everyone come to his birthday party, apparently wanting to put together in some pathetic way what had long been shattered.

Neither his grandfather nor his mother succeeded in dissuading him from this idea − his father rented a large banquet hall in a country manor house, an hour's drive from their town, and decreed that the whole event would be held there.

The manor also had rooms where they were to stay overnight, but he had no intention of remaining there any longer than necessary.

For the next few days, he would wake up in the night drenched in cold sweat, dreaming again and again of cutting her face with a pocket knife despite her screams and cries, her terrified eyes and lips parted in terror, leaving him no peace.

He was afraid of himself and what he was capable of.

He was afraid he would do something to her.

He was the last to arrive, the few missed calls from his mother indicated that everyone was waiting for him. He sat in his car for a long time, looking at the sun setting in the distance, thinking about that evening, that day, hearing the sound of the sea.

He tried not to think or feel when he got inside, all tense, his heart beating so hard in his chest that he felt like he was dying.

He was immediately struck by the loud 80s music − Don't You (Forget About Me), Simple Minds's song playing in the background, made him feel like a child again.

Won't you come see about me? I'll be alone, dancing, you know it, baby

Tell me your troubles and doubts Giving everything inside and out and Love's strange, so real in the dark Think of the tender things that we were working on

Slow change may pull us apart When the light gets into your heart, baby

Don't you, forget about me Don't, don't, don't, don't Don't you, forget about me

He felt a sense of discomfort hearing this lyrics, looking around at the crowd of people, his father's acquaintances, friends and business partners − he knew most of them, now laughing with drinks in their hands, doing disgusting and terrifying things on a daily basis, just like him.

His breath froze in his chest when he suddenly spotted her silhouette sitting at one of the tables.

She was looking at him, dressed in a simple, elegant, knee-length matte dress with long sleeves and a white collar, her long, dark hair loose.

He thought she looked like a miss from a good home, educated, full of culture and familiarity with the world that he lacked, feeling a sting in his chest at the thought.

Don't you try and pretend It's my feeling we'll win in the end I won't harm you or touch your defenses Vanity and security, ah

Her hands clenched into fists at the sight of him, something pleading in her gaze, as much as in her parted, sweet lips, looking so luscious, so soft.

She made a movement as if to rise from her chair, but he turned suddenly, panicking, walking towards the table where his brother was sitting.

"− where the fuck have you been? −" Aegon asked him, he, however, heard him only partially, his gaze returning to her: he swallowed hard when he saw that her seat was empty, but he did not see her either among the dancing couples or anywhere else.

Fuck.

"− are you listening to me? −" He asked, and he nodded.

As you walk on by Will you call my name? As you walk on by Will you call my name? When you walk away

"− there was terrible traffic −" He lied.

He lied constantly.

Lying to himself and others was so easy.

It helped.

It helped him live with what he did.

Who he was.

Aegon and Helaena were talking amongst themselves, he, however, was unable to focus − all he could think about was the fact that he couldn't calm down and needed a cigarette.

He pretended not to hope at all that she had gone out into the garden, that he would meet her there, that he would be able to look at her lips again.

At her eyes.

Her terrified face, the blade of his knife sinking into her skin above her brow.

God, make it stop.

"− where are you going? − you just got here −" His brother called out after him seeing that he was about to leave again.

"− I'm going for a smoke − I'll be right back −"

He stepped outside, feeling the pleasant evening breeze again, and looked around feeling his heart in his throat. He stopped when he spotted her sitting silhouette in the darkness at the end of the pier that overlooked a small pond.

He stared at her for a moment, feeling the urge to run away again, but some part of him that terrified him told him to approach her.

So he did.

Step by step he moved closer to her, as if to something inevitable, his death, his doom.

She turned, hearing him − her eyes widened in shock, her lips parted again, but this time in disbelief. She stood up from her place and he stopped a few steps away from her, pulling a packet of cigarettes and a lighter from his pocket.

"− what were you doing there? −" He asked, but it seemed to him that it was not his mouth, not his throat that left those sounds, cold and dry.

She blinked, as if she didn't understand what he meant, playing with her fingers in a nervous gesture.

"− what do you mean? −"

He slipped the cigarette into his mouth and leaned over, lighting the lighter, the warm flame making its dark tip begin to smoke. He took a drag, feeling that his hands were shaking, that although on the outside his posture was stony, on the inside everything in him was quivering.

"− what were you doing in that club −" He explained. "− looking for a new experiences? −"

She furrowed her eyebrows at his words but did not answer him, which frustrated him.

"− I don't like to ask twice −" He said more sharply than he intended. He saw that she swallowed hard, looking at him with fear and something else he couldn't define.

Her gaze was both terrified and warm at the same time, making him feel a familiar tickle in his lower abdomen that he hadn't felt in years.

God, no, he thought.

"− I wanted to find out how my father died −"

There was a long, uncomfortable silence between them, which was broken by his mischievous laughter. He tapped his finger on his cigarette making the ash fall to the ground and took another drag, its tip turning red.

"− and what did you find out? −" He sighed, letting the smoke out through his nose, looking down at her.

"− that your grandfather killed him −" She whispered in a trembling voice.

His hand froze in mid-motion before he laughed out loud.

"− who told you that? − Larys Strong? − was he the one who dragged you there? −" He sneered as if he was speaking to a small child, seeing with every word by her face full of pain and disbelief that he was right.

He walked closer to her, towering over her, feeling some sudden, strange surge of confidence, his heart pounding like mad with anticipation.

It seemed to him that he was dreaming all this, that he was about to wake up in his bed in his flat.

"− it was Larys who reported him − after the death of his father and brother, all the fortune fell to him − my grandfather just passively looked on −" He said, taking a drag on the remains of his cigarette, looking with interest at her pale face.

He thought her eyes seemed even bigger than they were then, surrounded by a fan of her dark lashes, her eyebrows arched in disbelief, her puffy lips shiny with glitter, probably from some kind of lip gloss, parted in a heavy, drawn-out breath, as if every word he said caused her pain.

"− did you know about this? −"

"− everyone knew −" He replied. "− he passed sentence on himself when he started talking with the police − his days were numbered anyway −"

She surprised him when she moved suddenly in front of him and passed him, bursting into a loud sob, walking back towards the building. For some reason he felt a cold shiver run along his spine, his mind seeming to scream.

Not yet.

Not yet.

He grabbed her aggressively by the arm making her voice stuck in her throat, her body slamming into his as he pulled her violently towards him. They struggled for a moment, his hands tightening around her waist, not allowing her to pull away.

He wasn't done yet.

Not yet.

She squirmed and whimpered, tears running down her red face as he grasped her cheeks between his fingers, able to look at her closely at last, pressing her body against his with his other arm.

Their breaths were heavy and broken when her body finally stopped resisting him, his face bent over hers so that the tips of their noses were almost touching.

"− don't you miss your favourite uncle anymore? − hm? −" He gasped, for some reason wanting to watch her suffer, wanting to punish her for seeing other men, for perhaps fucking other men, for perhaps daring to love them while he thought only of her, her, her.

She swallowed hard, her fingers clenched helplessly on the material of his leather jacket, her warm, soft cheeks all wet with tears under his fingers, her eyes big and shining, staring at him, only at him.

"− I don't recognise you −" She mumbled in a breaking voice. She closed her eyes, tears one by one running down her face again. "− God, I don't recognise you −"

He looked at her feeling his whole body tense up, his heart stopped in his throat − his lips tightened into a thin line as his grip on her cheeks grew stronger, making her cry out quietly in pain. He wanted to say something but was unable to − he just stared at her, feeling himself begin to tremble all over, a burning, embarrassing wetness gathered under his eyelids.

He knew he would be a disappointment to her and that was why he never wanted to see her again.

He didn't want to hear those words.

I don't recognise you.

"− good − because I don't fucking recognise myself either −" He hissed in a hoarse, trembling voice.

He pressed his forehead against hers, wanting to hide, wanting to be close to her, wanting her to forgive him, to tell him that everything would be all right, that she would come to him at night just as she had then.

He waited for her words, but all he heard was her loud breathing, her trembling fingers from his jacket rose slowly to his neck and jaw, her thumbs stroked his cheeks.

Something akin to a soft moan and sigh left his throat as her plump, moist lips ran slowly over his, merely teasing him. His cock responded immediately with an aggressive pulsing at the thought that her lip gloss tasted of strawberries, his eyes closed in delight as his tongue licked her upper lip, letting her know to keep going.

A wonderful, tickling heat rippled across his chest and lower abdomen as she mewled softly, opening her mouth a little wider, finally joining him in a shamelessly sticky, wet, loud kiss full of their slick, warm tongues.

The grip of his fingers softened, still holding her securely while his lips sank again and again into the wonderfully fleshy, silky structure of her skin, her scent, her hot breath, the softness of her body were wonderfully familiar, wonderfully safe.

He embraced her as she threw her arms around his neck, her body pressed against his − she moaned in embarrassment into his throat, letting his tongue invade deep between her teeth as she felt his swollen, throbbing erection on her stomach.

"− it's your fault − it's your fault −" He panted between greedy, aggressive, deep kisses that took his breath away, his wide hands clamped down on her back on the material of her dress, wandering up and down, closing finally on her plump buttocks making her fingers tighten on his short hair.

"− mghm −" She babbled between one lick of their tongues and the next, their lips joined and separated with loud, sticky clicks of their saliva, his hips rolled back and forth, rubbing his erection hidden in his trousers against her body, holding her in place.

This heavenly, shocking pleasure was violently interrupted for him when they heard someone's voice in the distance.

"− are you sure you saw her here? −" He heard Daemon's voice and moved away from her, looking at her in horror, her eyes big, her mouth open wide as if she couldn't believe what they had just done.

Oh my fucking God.

"− yes, I'm sure −" Jace said.

"− I'm here − I'm coming −" She called out to them, running towards them, leaving him alone amongst the evening chill, uncomfortably enveloping his body hot with delight and desire.

Only after a moment did the adrenaline begin to leave his veins, and the thrill was replaced by rage and shame. He groaned loudly, kneeling down and closed his face in his hands, bursting into loud, uncontrollable sobs for the first time in years.

He still loved her.

[slavghoul]

Interview from Rock Hard [FR] Magazine 5/2023

In which Tobias talks about Spillways, Phantomime, how he chooses what songs to cover, the state of the world, why he loves churches, and some touring technicalities.

--

Rock Hard: Let's go back to the version of "Spillways" that you recorded with Joe Elliott, the singer of Def Leppard. How did this collaboration come about?

Unfortunately, this story is less sexy than it would have been if I could have done exactly what I wanted. Before Impera was released, I regularly mentioned Def Leppard in interviews because some of the experimentation on that album was inspired by that band, their writing style. […] As I often mentioned Def Leppard, people around me eventually told me that Joe Elliott and Phil Collen regularly spoke highly of Ghost in interviews. Since I obviously thought it was cool, someone suggested a collaboration. A good collaboration shouldn't be forced, it should happen naturally. The best ones are often the ones that weren't supposed to happen. Two drunk musicians somewhere accidentally writing a good song... Crosby, Stills & Nash style. People who, by chance, find themselves together in a different context from the one they are used to and do something together, by accident. Something magical! That's how I would ideally have wanted it to happen. So I said I was ready to call Joe Elliott and see if we had a rapport. We started talking on the phone and texting a lot, me living in Sweden and him in Dublin. As we were both on the move almost all the time, and he was on tour, we couldn't meet. Suddenly, out of nowhere, he tells me that he has recorded some vocals for 'Spillways'! Quite frankly, I was surprised because I wasn't expecting it. I was anticipating a possible collaboration, but in a different way. To be honest, I thought we would create something new later on. But when I heard the result, I thought two things. Firstly, I found it very flattering. Secondly, I thought Joe brought something new and cool to "Spillways".

But you would have preferred to have the opportunity to write a new song with him.

Yes, that's the way I saw it, but I'm happy with the way it turned out. And then I said to Joe, "You know how we post those funny little episodes on our social media?" He replied "Yes, I think I saw that!" and kindly agreed to participate in one of them. Nowadays, many artists are over-solicited to record video clips for anything and everything in order to keep their channels updated: "Come and see us in concert in such and such a city!", etc. etc. The aim is obviously to keep the media space occupied.

By creating "content"!

Exactly! And that's exactly what I don't want to do. That's why, instead of all this crap, we started some time ago to create these little humorous episodes. One day, for example, I came up with the idea of an episode set in 1969 featuring a sort of "pre-Ghost" group. To do this, I obviously had to write a new song, which I did with this psychedelic track, 'Kiss The Go-Goat', which I thought was funny. When we recorded it, 'Mary On A Cross', another song of the same type, came along. So we ended up with two sides of a single that became 'Seven Inches Of Satanic Panic.’ Instead of just announcing the release on our networks, we chose to shoot a new video in which we featured Papa Nihil and explained the origins of this so-called 'pre-Ghost' band. I thought it was a much more clever and fun way of presenting the single. We do the same when it comes to announcing an album release or a future tour. Joe Elliott has a great sense of humour and is capable of self-mockery, so he kindly agreed to play this little game.

Ghost have made a habit of releasing an EP between their albums, mostly, if not entirely, made up of covers: If You Have Ghost (2013), Popestar (2016) and now Phantomime. How is it not just about “creating content”?

For me, it's a kind of exercise. I like analogies. Let's imagine that the place we are in is a theatre, and that this theatre, in order to be viable, has to host performances all year round. At least fifty weeks a year. Daytime rehearsals, evening performances... You are the director of the place and you know that the play that is currently being performed there will end at the end of the month. So you look for something else to program in order to make the most of the place and keep your staff busy. Maybe an old classic like Doctor Glass (Hjalmar Söderberg, 1905), an adaptation of John Steinbeck, or a rereading of Shakespeare's Hamlet that you could revisit by inviting this actor or that director, renting out your theatre for three extra months for the occasion. Working on this old material, even if it means not releasing it if it doesn't work. We do that to keep the team active, enthusiastic, focused. That's my way of working. I worked simultaneously on the Impera album and the demos of the covers that are on Phantomime. One day I could record 'Spillways' and two hours before leaving the studio to go home, I could look at any of the covers and decide which ones to keep. So, as soon as Impera was finished, I was able to concentrate on those covers that the album's producer wasn't interested in putting on the record. Which was fine with me. I spent some time sorting out the covers I had recorded as demos. There were ten in total, but I only kept five. Because with those five tracks I thought I could come up with a really strong rock EP. In my albums, there are highs, lows, really metal tracks, ballads, instrumentals, etc. So I thought it was a good idea to make a really strong rock EP. I felt it would be cool if this new EP was viscerally rock’n’roll. The opening track, "See No Evil" by Television, sounds like the Rolling Stones on methamphetamine! (laughs)

You like the songs you cover, that's a prerequisite. But their lyrics also play a very important role in your choice.

Yes, that's what makes me choose a song or not.

Is that the number one criterion?

Erm... (he thinks for a long time) If I hesitate between two songs, yes, absolutely! Let's go back to Leonard Cohen, for example. For the bonus tracks of Prequelle, I chose "Avalanche" because it seemed to me to have a biblical and existential significance. This was not the case with 'Take This Waltz', another Cohen song that I liked as much, if not more. The latter, with its Viennese waltz feel, would have metaphorically taken us to Austria, which would not have been very coherent, unfortunately.

Should these covers speak about God, the Devil, ask questions about religion?

They must speak about evil, about good. Be existential, biblical, philosophical, but seen from a certain perspective. Or at least tick one of those boxes, like 'Hanging Around' (The Stranglers) which is about Christ. Some of the other covers I've recorded are more specific, such as 'Phantom Of The Opera' (Iron Maiden), which is about horror. I also make my choice according to the humour of the songs I want to cover. It should be close to my own sense of humour.

You mentioned the first Phantomime cover, "See No Evil". It takes on a different resonance today because, on January 28, 2023, we sadly learned of the death of Tom Verlaine, the leader of Television.

When I recorded this cover in 2021, just after completing Impera, it was already a tribute. But obviously, with Tom's death, this song takes on another resonance, that of a final posthumous salute. I've been listening to Television for twenty years, and I love them and have always considered them a great band. In indie clubs they always play the same song, 'Marquee Moon', but Television had many other good songs, especially on their first two albums: Marquee Moon (1977) and Adventure (1978). I like those two best. It's a band that had a huge influence on one of my previous bands, Subvision. So much so that at the time, I thought several times of covering Television songs that I loved: "See No Evil", but also "Elevation" and "Foxhole".

The first single from Phantomime is Genesis' 'Jesus He Knows Me', a scathing critique of televangelist stars like Jimmy Swaggart, Jim Bakker and Robert Tilton. Ugly people who have made their fortune by 'promising salvation’ to naive believers for big bucks. Can we expect to see you wearing a wig in its video, as singer/drummer Phil Collins did in the original video for this song in 1991? 

(Laughs) We've already shot the video for this cover version (editor’s note: the interview was conducted on 11 March 2023) and I'm not in it, but it's a direct nod to the original video. I've always liked this song - except for the reggae part, which I thought was horrible in the Genesis version and which I reworked - and it's funny to see how this 1991 text is still relevant today. Except, of course, for a few "old-time" words, like "phone book". The televangelists are still there on television promising things to people who take their word for it and shower them with money because they are assured of "salvation", they are promised heaven. I also rearranged Iron Maiden's 'Phantom of The Opera' after taking care to contact Steve Harris for his approval.

Indeed, in your retelling of this song, you are the Phantom and not its victim...

Yes, I wanted to be the Phantom. I submitted the idea to Steve, who gave me the green light. I only made some surgical changes. Similarly, I would have liked to have proposed the same thing to Phil Collins so that the text of "Jesus He Knows Me" would have been more in line with the times. Change, for example, "but she don't know about my girlfriend / or the man I met last night" to "or the dude I screwed last night". Alas, lack of time prevented me from doing so. And then, since this was a slippery slope, I thought: - What if Collins refuses? Or what if he gets pissed off? - We could have made these changes without asking anyone's permission - as long as the artists get their royalties, it's not a problem - but there was no way I was going to do it. Neither I nor my label wanted to alienate anyone, obviously.

In 1977, in "Hanging Around" by The Stranglers, which you also cover on Phantomime, the singer Hugh Cornwell sings about several things, but also about Christ "telling his mother not to worry because he's comfortable in the city where he's high above the ground". Is that why you chose it?

Actually, the key thing that made me choose this song from the band over any other is that I grew up listening to the album it's taken from, Rattus Norvegicus (1977), the Stranglers' first release. There are a lot of songs on that album that I would have loved to play because, as a musician, I really like to play those kinds of songs. ‘Hanging Around' was a good fit for us because of the lyrics, but also because it was more in keeping with our style. Ghost are obviously a metal and hard rock band, but also have a strong punk sensibility. Punk, but well played (smiles). For me, The Stranglers have always done "well played punk": this band knows how to play, how to arrange its music, unlike GBH and Discharge, to name but two. Mind you, I also like the latter, but not for the same reasons. A lot of punk bands from the late 70s/early 80s sounded "sloppy". It wasn't for lack of trying to play better. When The Clash and The Jam went into the studio, they tried to do their best and they sounded great! The same goes for The Adverts. Those guys were doing their best. Nowadays, some people think that being a punk is to play badly on purpose, to be messy. No, no, no ! But I digress...

What is the reason for the nod to Metallica's 'Fade To Black' in the solo on 'Hanging Around'?

Just for fun. When I'm working on a guitar solo, I throw things in here and there, like a messy painter. It's like stretching a canvas on a wall and making big brush strokes... But when I start to feel like I've got something cool, I dig in more surgically, a bit like a collage artist would. I interweave little elements, and when it comes time to insert a solo into a piece, I refine things by continuing to add new elements. Generally, a solo gives you a space of freedom in the middle of an otherwise totally structured song. That's when you can come up with different things in terms of melody. So that's the way I do it, even on the demos of the covers. I ask my sound engineer, Martin Eriksson Sandmark, to play me the draft of the solos I've been working on over and over again, and then I try out different things, whatever comes to mind. It's as if I'm drawing a mental map of what the solo will become. Sometimes, if I'm on a part sometimes, if I'm on a bluesy part, I'll let myself play a few notes of Gary Moore’s "Still Got The Blues", or, if I'm tapping, Van Halen's "Eruption". When I was working on the solo for 'Hanging Around', I felt like playing this part of Metallica's 'Fade To Black', just for fun. And it ended up on the demo. I'm a decent guitar player, but I'm not at the level I could have reached if I'd worked harder. I could just record these solos in the studio, where you can always slow things down when you play them and then speed them up and put them on the album, but Fredrik Akesson can play these parts without tricks and with much more finesse than I can. He recorded the solo for "Hanging Around" as I had presented it on the demo, with this nod to Metallica, and we thought it was so cool that we kept it.

Hugh Cornwell, the ex-singer of The Stranglers, said in an interview that, although he was not a believer, he loved visiting churches. Is this also true for you? Are you also attracted to churches?

Yes, passionately! I believe in them like I believe in Star Wars. I've always thought of churches as stage props. Walking into one of them is a bit like walking onto a film set of the original Indiana Jones And The Temple Of Doom. It's awe-inspiring, even though you know it's just cardboard. Churches have magical powers because they are centuries-old buildings and we know that a lot of things have happened within their walls. Not that I'm trying to throw up on these places of worship, but when I go into a church I don't hear God, but the whispers of time. I am not an atheist, although intellectually I can see that there are many reasons why I should be. I believe in a Force, in an Energy. I also believe that we don't know many things, but that there is a balance between these different energies. The white and the black.

Good and Evil...

Absolutely! Right now the world is in crisis, but we're going to get through it. It's a vicious circle. We do ourselves a disservice if we think that if the world were rid of people like Vladimir Putin, Alexander Lukashenko, Jair Bolsonaro and the ayatollahs of Iran and Iraq, we would be out of the woods. I think all this can happen - and I hope it will, in a way - but Good and Evil will always be there. That balance is necessary. But I am an optimist by nature. I believe that there is a future for Volodymyr Zelensky and the Eastern bloc. That there is perhaps a chance to put into practice what was tried there some thirty years ago. And I believe in a free Iran, in a possible return to what this country was in 1978. What a beautiful day that would be! But that doesn't mean there wouldn't be a new war somewhere else in the world. I'm an eternal optimist, but let's face it: history is always starting over. As I said, it's a question of balance, a permanent coming and going. Because I believe in this Force I was talking about earlier, I truly believe that the West can win, that the way we live and the way we have built our society is a step forward that shows progress and can make a large majority of people happy. Not all, but most. But even if we all lived in love and peace for five years, something else would come along to create chaos! An alien or something! (laughs) That's how it works. Our mistake is to believe in the status quo, in nirvana. It's not going to happen. It's always about balance. The Vatican and organised religion... All that crap is just to pick people's pockets, to control them, to take their energy and scare them into plundering them. The same goes for the GOP (editor’s note: the American "Grand Old Party", suspected of having Christian nationalist leanings), which only deceives people in order to take their money! That's all you need to know. It's simple, so simple to understand. All this does not mean that the energy that emanates from churches is not real. When you walk into one of them, you feel - or so I believe - the energy of all those who have gone before you, for decades, for centuries. Their fears, their hopes, etc. So much so, sometimes, that you can feel oppressed, even upset. So I can walk into a church and feel a sense of awe. I love visiting these places, especially from an aesthetic point of view.

On Phantomime, you also cover "We Don't Need Another Hero" by Tina Turner. Don't you think that, given the state of the world today, we do need "another hero"?

I think Zelensky has shown how much we like heroes, how important they are to us. I think back, for example, to how the world went wild when Andrés Iniesta scored the decisive goal in the 116th minute to help Spain win the 2010 World Cup against the Netherlands. I believe in human determination and how it can inspire the world to distinguish between what is important... and what is really important. What is important for our daily lives. Yes, it's cool to have a complete collection of Venom's work, but it doesn't matter if I’m missing the most important thing. In the last ten years especially, the western world has been focusing on tons of unimportant things trying to pit people against each other, cancel culture and all that stuff... It proves that we are spoiled children. Our mentality shows it when it comes to security. Seeing Zelensky defend himself as he does appeals to our most primal instincts: it's beautiful and very inspiring. Nothing else is more important than that. It is the only thing that matters... Otherwise we have to be prepared for a lot of people to live in misery.

Next August, you will tour in the USA with Amon Amarth. I noticed that they will not accompany you on the last date, in Los Angeles, on September 11, 2023. There is no opening act, you ask the audience not to use their phones, etc. That sounds like a live DVD!

Yes, we are indeed planning to film this show, but it won't be the end of the Impera era cycle, even if we will not have so many dates left after this concert. There will still be a few shows in South America and Australia.

Nothing in Japan? A country that one might think Ghost was made for.

At the moment, it's not very clear. We had a lot of discussions with the Japanese promoters, as there was talk of us appearing on the bill of a Japanese festival scheduled for this month. Unfortunately, the festival was postponed... and then rescheduled for March! I think they originally had a big headliner, but the headliner didn't show up. So they cancelled, and then considered a smaller edition with Pantera. With all the back and forth, we ended up dropping out because it was too risky for us to play one date there after six months of inactivity. Our team is currently taking a break, but we preferred to use this time to rehearse for our next shows. The first one will be in Rouen on May 21st. We learned a good lesson the last time we played Hellfest. It was so hot that day, the conditions were so extreme, that we almost had a storm. We really had to fight against the elements and it affected me (Editor's note: the last encore of the show was not played, as Tobias was suffering from vocal problems). It was a very tough show. What really pissed me off was not the fact that I lost my voice, but the fact that the festival-goers who were there were not treated to our entire production. It was indeed difficult to foresee these extreme conditions. This summer we have to play festivals again, so we have reworked our production, which will be better adapted to the complicated weather. On this tour we will play in Spain, Finland, Norway, Greece, all within a few days of each other. So we'll be touring with two identical stages, so we can do all these shows without too much downtime. It's not very ecological, I'm sorry to say, because sometimes we'll have to take a plane to get to these cities in time. Not great, but it's the only way...

Will you play any of the Phantomime covers live?

One thing is for sure: we will play 'Jesus He Knows Me' because it's the first single from the new EP. As for the rest, we'll see during the rehearsals how the set evolves - because it's going to evolve a bit from the 2022 set. We're thinking of playing some songs from Impera that we've left out so far.