#i noticed he does this all the time in this episode

[lover-of-mine]

Hi, welcome to Buck just had his oh moment and the color theory of it all.

Usual shoutout to @stagefoureddiediaz because being mind meld with her is what's getting me here lol

First, I'm gonna break my own rule and give too much power to the showrunners, I know I keep saying not to, but hear me out. Buck, Bothered and Bewildered is on Buck's pov, right? That was made clear by the episode and then confirmed in interviews that that was the vision, and well, Tim also said that that scene was from Buck's pov, it's all about Buck's reaction and how he will go crazy about this because he's abandonment issues personified, that is also confirmed with the way we don't see what Eddie is doing until he tells Buck, we are learning things at the same time as Buck is.

Okay, well, why am I going back to 704? Well, Buck's fear of losing Eddie (I don't care what Buck says, he wanted Eddie's attention) made him go completely batshit crazy last time. But it also triggered something really important: Buck's bisexuality. And they just repeated that trigger, but this time with Buck choosing to walk in.

They repeated the bt first kiss structure but with Buck making the choices that create that change. The bt kiss, Buck is working on some bills, Tommy shows up, Buck is spiraling because of Eddie, Tommy kisses him, Buck has the bisexual realization. The 808 scene, Eddie is working on the houses, Buck shows up, he's spiraling about Tommy, Eddie reveals something, and Buck is snapped into the realization. Important thing to notice is that Buck still doesn't fully understand the depth of what his relationship with Tommy showed him about himself, so Buck still might not understand the impact of what his abandonment issues just told him while he was sitting on Eddie's couch. And it's all on Buck's pov.

But Anna, you said color theory.

I'm getting there. Because, well, the bt kiss is blue and red.

Same as 808. So we are evoking the same feeling, especially because of Buck's short sleeves and the buttons (and not a white shirt under this like he had all season lol)

And thinking about the blue and yellow coding Buck's bi arc, he worked his way to lighter blues. He starts with the navy blue colors until that lighter teal tone from the coming out scene.

It's also interesting that in the scenes that are about Eddie in a sense, when he's talking to Maddie and he got it right about it being about Eddie, and the coming out scene being about their friendship, are lighter colors along with Buck matching his background. We don't have the yellow elements but we have that cohesion on the frame composition. (I guess the 606 hoodie also counts since blue and green theory but I don't want to make another image now).

If you're new here, the theory is that Buck worked his way to his blue from darker colors, his blue being the color he is wearing during the coming out scene (and Eddie will find his yellow, but we are not talking about Eddie).

We are back in the darker blue but the composition of the scene is lighter. Buck is literally in front of the light as he is talking to Eddie in the kitchen, and it's the middle of the day.

He matches the background, the couch, the Texas frame, the lighting is also a lot colder than it usually is in Eddie's house. And it's also very important that he is on the couch, because yay couch theory.

But Anna how does any of this prove anything?

Well, Buck is working his way back to his blue while in the darker colors, because while he got the bisexuality part right, Tommy wasn't the right person, and he's finally back in the light, we don't have the dimmed light and the obstruction of his face created by the shadow, dare I saw Buck is finally starting to see things clearer.

But why am I so sure? The shirt he was wearing today?

Same color but in a darker shade than his blue.

Buck is back on the discovery feeling that comes with the darker blue but this time he's in the correct hue, he just needs to get to the right shade, and he just figured something out.

Abandonment issues personified just had his oh moment about Eddie at the thought of losing him permanently, sitting on Eddie's couch while wearing his blue.

Other things to notice, Buck knocked but walked in before Eddie could get to the door, he used his key and the knocking was just to let Eddie know he was there, Buck is the one who suggests moving to the couch and the couch ties it back to the couch theory and the 601 dinner, dare I say that even Buck offering to bake for Eddie and the cooking aspect of it all, and the idea that the couch is home and home is a person and for Buck that's Eddie.

Something else is the way that we finally see someone eating whatever it is Buck is stress baking. Madney don't eat at the loft and the chief interrupts them at the firehouse. Eddie on the other hand is DIGGING into those. And food in 911, in media in general, is about connection, and is very pointedly about love here, and the whole stress baking is great because the kitchen is Buck's safe space, he cooks for people he loves, we see that from when Maddie comes back, to the pointed way he gets take out for his parents in 610, to the lasagna, making chilly with Bobby, cooking for the house on 709 and getting Bobby's approval. And the fact that we are getting Eddie eating what Buck's nervous state is creating while allowing Buck to just go through his kitchen to make more because he is not about to not accept every part of Buck Buck offers him is important.

The fact that Eddie isn't objecting to Buck rummaging around his kitchen is also important in the way the show uses Eddie's house in a meta way, kinda like the way the show uses the loft to match Buck's spirits in a sense, how the kitchen is his heart and for family, how the living room ends up being for guests and it's made pointed about the couch his mother bought "for his guests", Eddie's kitchen and the whole way it's the space Eddie allows himself to be vulnerable but there's the thing of honesty, the core of who Eddie is is tied to the kitchen, and the fact that he's just letting Buck move around like it's his kitchen ads a lot. Buck is the only person who walked into the house through the back door, Buck has a key, Buck has been in every room (except the bathroom but I think they are saving that for buddie canon), that's home for him too and Eddie never thinks to question and Buck never thinks to doubt it ("this is Eddie's house, I'm not really a guest").

Anyway, Buck oh moment real. Buddie 8b real. Color theory got me so high I'm wondering this is what doing hard drugs feels like. I think this is all I have to say. I might come back, who knows? I don't.

If you read this I love you.

taglist (interact with this post if you wanna get tagged)

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@dingdongfries @angelcamael

[rootspiral]

Agatha All Along deep dive: episode 3 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2])

alice panics and checks if she still has her mom's amulets, lilia says, you still got them! in a sweet reassuring way. agatha also panics and checks if she has her brooch, but she does it quietly. when she finds the brooch she gives a sigh that no one notices.

I just love the parallels between agatha and alice, a daughter who lost her mother and a mother who lost her son, both grieving, both connected to the Road. but while alice, despite her shyness, is able to express her feelings and find strength and reassurance within her coven, agatha keeps her pain quiet and close to the chest.

checking her exit strategies while the others are still looking around in awe, because she's a) always a step ahead everybody else and b) a huge fucking coward. agatha is never as confident as she seems. was she hoping to bolt the moment billy wasn't looking and leave the others to deal with his mess?

ooh alice is the second to check. that's so interesting, they parallel each other but agatha does things secretly, alice does them openly.

NOT FUNNY, writers

yeah this is not a confident woman. she is terrified

not because babies make her cry or anything. in fact she eats babies, haven't you heard?

agatha is always real mature, but there's something about jen in particular that makes her regress into toddlerdom - and yeah it's funny, but we know agatha does this kind of stuff to mask and deflect, and I think she's especially defensive around jen because she actually respects her and values her opinion! so she has to rebel to that feeling like the true kindergartener she is

sharon dives for the wine, agatha rises a hand to warn her but hesitates. a moment later alice rises a hand and stops her. I'm only seeing this because I'm looking so closely but I'm not dreaming it, am I? this has to be on purpose? and oh my god alice was a cop. what did agatha choose to be under the spell, when she didn't bottle her emotions and guard herself so closely?????

okay okay okay now I'm thinking about moon phases and elements. alice is Fire, agatha is Spirit, would there be a connection? or maybe agatha as Spirit is like the Avatar and has to learn something from each element. from Alice she would learn to listen to her protective instincts - or rather to use them to protect others and not only herself, and that's what would ultimately make her choose to save Billy. I'll keep an eye out for this, maybe I'm on to something? this is Water and Jen's trial tho, so what does she learn from jen?

so jen despite her sarcastic exterior has been very vocal about both billy and sharon not belonging here. now she takes billy to the side and openly warns him. she's very pragmatic and not particularly emotional, she had to grow a lot of armor too, which makes her breaking down and crying in the finale all the more meaningful. the obvious lesson aside (agatha being responsible for jen's trauma), another thing that agatha has to learn from her is moral values. if jen were in agatha's shoes and saw the truth behind the Road you know she would have stopped this whole thing immediately. agatha needs to learn to be the bigger person for once and take things seriously, instead of running away.

we know agatha tolerates and even encourages the rumors about nicky, because the truth is too awful. is that why she's always yapping about hating children and eating babies? dear lord, it's so funny that she's so immature, and at the same time it's not funny at all

no one's judging you honey. you get drunk all you want, you earned it. and fuck these bitches and agatha especially for letting her drink poison - billy gets a pass because he's underage, why doesn't sharon get a pass for being magicless? I'll tell you why, because deep down no one takes her seriously. she's a joke to them.

lol billy's empty hand

agatha you will be ready to tackle him the moment he tries to drink for real. the clowning! all for show. and sharon is already pouring herself a third glass, nothing funnier than self medicating with alcohol, am I right gang?

I adore adore adore adore alice bonding with billy. she tries to do the agatha "i'm too damaged to open up" thing but one sad puppy look and she melts away. because he's just a kid (and a emo hot topic kid at that) and she WILL make him feel accepted no matter how sad inside she is. she's such a good person leave me alone

"so you guys evil, am I right?"

"no no no we have reclaimed that term, that's no longer a slur"

what's your favorite donatella versace impression? mine's alice's

can you guys please stop deadnaming this poor woman?? (spellnaming? magicnaming? wandanaming?)

agatha you are a humongous asshole for only pretending to drink and kathryn hahn you are so funny and so hot and talented

dying future!lilia jumps back in time to tell her coven she loves them and that's the moment she lands on lmaooooo with her face all swollen and everyone panicking and agatha pounding on the door. you don't deserve her love anyway agatha. she will give it to you because she's the better person, but you don't deserve shit

so yeah agatha we've been poisoned and Death's gonna come any minut....

BWAHAHAAHAHAHAAHHAH

that's taking 'deadbeat wife' to a whole other level

bit creepy there, billy. it's like Jigsaw being upset at people not participating in his games

billy: fine I'LL DRINK

agatha running in slowmo: NOOOOOOOOOOOOOOOOOOO

you miiight be projecting your issues on that kid a lil bit there, buddy

she might drink the wine to save billy but she'll be an ABSOLUTE TEENY-WEENY BABY about it

such a fun episode

aaaaaaaaaaaaaaaaaaaaaaand that would be her last words, folks! aren't we HAVING SO MUCH FUN????

alice always being the first one to run and help and trying to save everyone. just... alice

shoutout to @idkbroletssee and their billy's commentary!

go to episode 3 part 3

[raayllum]

Trailer Breakdown time

Important notice: There will be spoilers from 7x01 mentioned as well from NYCC as well as screencaps that were previously released. Read ahead at your own risk!

So what a trailer am I right?

For this meta I'm gonna divide into sections in terms of episode order (largely 7x01, 7x02, and speculation to the mid season point) and then also talk about voice overs / clip placement from previous seasons when I think it's relevant. Let's go!

What we know

These shots of Callum and then Ezran and co. touching down in Katolis, as well as the vision Ezran has of his parents (which the fact he's seeing like that rather than how they actually were, sitting on the thrones side by side, is life ruining let me tell you) are all from 7x01, "Death Alive".

We know thanks to 7x01 that Runaan is arrested and everyone goes to the Banther Lodge to set up a temporary camp / plan their next moves, hence a makeshift council meeting (which Ezran having the throne brought with him... baby boy really isn't doing well). So it seems the following screencaps are all from 7x02.

We can also place this Callum and Rayla handhold at the Banther Lodge by the bridge outside.

They are probably (for whatever reason) conspiring/deciding to free Runaan and leave, leading to this scene with matching sky / colours - Soren and Rayla squaring off before Ezran arrives with more guards.

He might let them go or try to hold on, but they successfully flee / get away. I could also see Rayla and/or Runaan stepping in like "I'll stay behind, you go to the Silvergrove" (and if Rayla offers, that might melt Ezran enough to let them leave). Either way, I think Ezran's conversation with Aanya on the Banther Lodge bridge will either influence the choice(s) he makes here if it's before, or reference this crossroads if it comes after before we leave the Banther Lodge for the season.

We also know from 7x01 that Aaravos wants a Moon primal stone and to likely corrupt the Moon Nexus in order to invert life and death, destroy the Cosmic Order, and bring about eternal night. It seems likely Claudia and human Aaravos will achieve these aims by the mid-season point-ish. After 7x01 they have to go to the Puzzle House to get the map to the Garden of Innocence with unicorns, and they will likely require Terry's Pure Heart (my interview with Aaron Ehasz) to read the map to get them there. If 7x02 is "pure heart" that could be a nice parallel between Callum-Rayla and Terry-Claudia about a willingness (or lack of) to help and why.

From there, it's all speculation, so let's get into it.

What we can speculate

So first things first, we get Claudia and Human Aaravos at the Moon Nexus doing the Nexus inversion, presumably, and bringing people / creatures back from the dead. One looks rather like Ziard and brings up a staff, which Aaravos takes.

We also know this is earlier on in the season because Claudia's har is more white. During the spell, we also see Soren, Terry, Allen, and what seems to be Aanya holding a dead / unconcious Lujanne on the ground. It seems both Soren and Terry are running to stop her, though I don't know what Allen is doing (maybe holding back Ezran for some reason, if Ez is there).

Then we have more of the dead coming out, including a dragon that almost squashes Soren but does not have a rider, so it's not the same (assumedly) as before.

Later on, we see more creatures crawling out of the water at what seems to be the Nexus, since it's bordered by the same walls as the lake.

We also see Aanya and Ezran surrounded by the dead at the Valley of Graves (hi Sol Regem skeleton), but the moon doesn't look as... corrupted / taken as it does at the Nexus shot, so this could be happening in the early stages of the spell. Then Ezran could send Soren, who gets there too late, and who knows how fast Aaravos can travel on his own.

There seems to be some kind of confrontation between Ez, Aanya (hi exploding fire arrows), and Aaravos at the Valley of the Graves either way.

Since like I said the Moon isn't in the right spot, I'd wager the Ez-Aanya fight here is from 7x03 or 7x04, with the Moon Nexus inversion in 7x04 or 7x05. In the same timeframe, Rayla (and Runaan + Callum?) is going back to the Silvergrove and being put on trial.

The little tiny mushrooms here and in the section with her and one of the fallen assassins makes me think that rather than just standing around and talking, there could be an underwater dream-like portion to the trial as well. Something like "You touch the assassin and get blood on your hands (literally)" because they love their on-the-nose symbolism.

So I don't think the screenshots here are Rayla getting injured... Yet.

Now onto the harder to speculate sections, or what I like to call

What the Fuck is Going On

It seems, since Callum and Ezran learn that, "Aaravos is back. He wants to bring about eternal night. He's unleashed the spirits of the dead" (Callum) that the kids regroup and plan for what to do next. This could be 7x05 or 7x06. The trio (broyals / Rayla and Ezran) reconcile maybe from the Runaan fall out, with Ezran asserting that, "We have to be ready. We have to build our defences." (This could also be where Callum's line as a "the three of us have been through a lot together. We'll get through this, too" comes in as a parting goodbye before the group splits, as well as Callum's heroic rallying speech that is very reminiscent of 3x08: "There is a way out of this. With good people doing courageous things. Doing what's right!").

This "building our defences" could mean that the trio splits up to go get allies from prior seasons, like Rex Igneous (Ezran and co. shot) and Akiyu. They could also be fetching sun crystals for Aanya's arrows.

We see Callum defending an unconscious Akiyu (by the water) and Runaan (just under his tunic flare). His ice spell seemingly responds to Claudia's fire spell, and she has more white hair and is standing likewise near water. So it seems we'll get a Callum Claudia duel face off sometime in the mid to late season!

It also seems that Claudia's Laurelion dragon-scale necklace is just a dragon-scale, but gives her the super armour / fire power-up.

At some point we also meet up with the Sunfire elves, not just at their ruins / make-shift camp, but at the Sunforge palace itself, since Khessa's throne is in the background in these shots with Rayla. The purple background and Phyrrah also indicates that Soren and Corvus are in the same area.

Presumably, they've gathered all their allies (end of 7x08?) and are preparing for their final attempt to defeat Aaravos (and free Callum?). And Callum is going to get possessed, so when do we think it's happening?

Well, if the gang is travelling to get allies, Callum (and Rayla - and maybe Ezran or others?) have gone to get Zubeia perhaps from the mushroom mage. While there, shit goes down, and we get this shot of Callum (presumably from 7x06-7x07):

While the cube is angled the way it was in Callum's dark magic dreams, I don't think this is a dream. The background doesn't match up with previous, we've never seen this form of corrupted face for him with his eyes not black, and he has a white streak, which was never present when dreaming of himself as Aaravos' puppet last season.

I also don't think Callum is going to do dark magic to coin Aaravos (at least not for the initial corruption). Not only is it a little wonky pacing wise, it's a bit too clean, as it takes away the #1 threat Callum is scared of when it comes to doing dark magic. While he of course doesn't want to be corrupted at all, it was primarily the fact the corruption would make him Aaravos' puppet that scared him. It's also a bit too thematically contradictory for Aaravos to be successfully defeated in a 'bad way' rather than in a good way (teamwork, etc) nor does it work with the 6x03 set up for him and Rayla, but that's just me.

That all said, the fact that the trailer highlights his parallels to Viren and Claudia not just once, but twice (god bless that "however dangerous, however vile" and another "I would do anything for you") and through Kosmo's 6x06 voice over ("If you ever do dark magic again, the darkness and corruption will overwhelm you") makes it pretty clear that even if it hasn't happened here, it will happen in the season eventually. I don't think i have much to say on this plot beat / characterization that I haven't been saying for, well, the past 4 years, cause if you know, you know! (And I'll probably do a post just screaming about this + the cube later anyway.)

We also have some misc screencaps that could go about anywhere (Terry running, him + Aaravos and Claudia in the woods with the flying primal stone? Seeker or guider?) even if I do think they continually point towards Terry defecting this season.

Conclusion

If I missed any screencaps or you have any questions feel free to send them my way in my askbox! What do you think is going to happen and what are you most excited for this season?

[anpanman95]

JACK AND JOKER: Sacrificing Love against Tragic Love | Old Love vs New Love

They did it again.

Well, they’ve been showing us these contrasting parallels ever since the beginning.

Showing us that Jack and Joke’s new love is all about (self) sacrifice, and Hope and Save’s old love is all about tragedy.

I already knew this, but it hit me hard towards the end of episode 11 with this moment:

First of all this whole scene was an absolute masterpiece. I’m a music composer for the media, I write, study and analyze music for a living, and let me tell you this scene might be one of my top 3 moments of this show just because how the music was treated here. (The music actually adds on to the point I’ll make in a bit, by the way)

First, we have our self-sacrificing lovers. Jack and Joke’s love has been all about self sacrifice since the very beginning, starting with Joke turning himself to the police to set Jack free

and coming to a full circle moment when he gives the ring to Boss in exchange for Jack’s freedom, once more.

Joke has sacrificed himself, their love, and their happiness for the sake of others (in this case, Jack) twice.

They fight for the world. Their love is new love. They have a lot they need to go through to put themselves first, to put their wants and desires first.

Then, we have our tragic lovers. Their love is old love. They’ve been fighting against the world for each other, to finally be together and free, for a long time (even if it isn’t explicitly said, it’s evident when you see the lengths they’ll go for each other)

They don’t sacrifice their love, they sacrifice the world. And it has nothing to do with their personalities, or that they are bad people. It’s just they are so damn tired of everything they only have each other to rely on. They only have each other.

But where does that lead them?

To more tragedy.

[the music on this scene was impecable]

Jack and Joke’s new love still has room to grow, which is why they can sacrifice it. They let the world come in between them for the sake of others, while still loving each other dearly.

But again, their love is new. Fresh, still technically untouched and unharmed by outside things out of their control. Yes, the world is against them, but their reluctance to choose each other relies solely on their own fears and sense of responsibility to the world and their loved ones.

Hope and Save do not have that luxury, and don’t even want to have it. Their love comes first, because God knows how long they’ve been fighting for it. Old love that certainly already went through everything you can imagine.

It’s true we don’t get much of their backstory, but through their actions we can tell why they won’t sacrifice their love for anything.

Can you imagine what they might have gone through? What their love has faced?

Of course, they choose each other above all things, they had enough.

Jack and Joke will choose each other in the end, but they still have a long way to go (season 2? haha yes i’m delusional)

This doesn’t mean Jack and Joke don’t love each other enough. But even though they’ve known each other for a long time, they haven’t loved each other for that long.

Their feelings appeared five years ago in a little spark of life but it was so short lived they simply didn’t get the chance to even acknowledge it before the world came in between them full force.

The spark was only re-born and ready to be noticed when they finally had a moment to breathe, a moment of peace with no other worries coming in between.

Hope and Save have already gone through all that, have truly gone to hell and back.

Hopefully they’ll get their heaven soon.

Honestly I did not feel so much for them in the beginning. Their scenes felt underwhelming, and I wasn’t keen on them. But this episode left me absolutely in pieces. My opinion on them did a full 180.

They broke my heart.

I do hope they get their happy ending. They deserve it as much as our main couple.

Thanks for reading! Leave your thoughts, I love reading them❣️

[thisbuildinghasfeelings]

Watching the episode again and I just cannot get over how well done it all is! One of the things I focused on this time was the way they managed to show us the state of TK and Carlos' relationship. We haven't really checked in with them one on one since episode 5, and I think there's so much here that can give us insight into what has been going on since then:

We see that the box is still in use! Since we're told in this episode that Gabriel died a year and a half ago, that means that about 6 months have passed and Carlos is still using the box! This shows clearly that he's been making serious efforts to be more present. I noticed some people hypothesizing that the fact that his phone was outside of the box was meant to show he was struggling to be fully present, and that's definitely a valid interpretation and maybe it is what they were going for...but to me, it seemed like the phone was outside of the box just because it was being charged. Carlos still left the phone next to the box when he went to bed and I think that indicates some major effort!

However, the presence of the box a whole 6 months later also indicates to me that they ARE still struggling. Things aren't 100% fixed. If they were, I don't think the box would really be necessary anymore.

Carlos wakes up on his day off and the first thing he does is reach for his husband. When he realizes TK isn't there, Carlos goes to find him, expresses his desire to spend the morning of their shared day off sleeping in together, and then kisses his cheek and sits on the couch next to him. TK is not remotely surprised by these behaviors. To me, this shows that there is not constant tension between them. They are loving and affectionate with each other. They look forward to spending time together and make efforts to do so.

When Carlos announces that he wanted them to sleep in on their shared day off, he makes it seem like such a thing is a rarity. Add to that the fact that he worked so late the night before that TK wasn't sure when he got home, and it's clear that they aren't getting to spend nearly as much time together as they'd like. While it doesn't seem like this is some dire situation, it certainly may be contributing to remaining issues that they are having.

The way Carlos talks about their counseling makes it sound like they are still going, which I think is a really good thing because it again shows major effort being made in their relationship!

All these things perfectly set the scene for the conflict in this episode, showing clearly that these two love each other, they're putting real work into their relationship, but they're still struggling. Under those circumstances, when you add in a major crisis and upheaval like the Jonah situation, it's inevitable that things aren't going to go smoothly. However, their love and soulmatism is still shining through, and we know they're going to make it and come out the other side stronger than ever!

[lost-romantique]

The Stolitz plotline didn't just "happen"...

One thing I will never understand is people complaining that the Stolitz plotline taking center stage happened randomly...

It didn't.

The plotline has been building-up since the very first episode of Season 2.

The only difference is the change of perspective.

During the start of Season 2, the Stolitz plotline has been solely focusing on Stolas' POV, while Blitz, the protagonist, was dealing with seperate shit.

Because at the end of the day, Blitz has a life outside of Stolas, he has people to worry about, and his own personal shit to deal with.

They had one episode together in Seeing Stars, but that's it.

Afterwards, whenever anything Stolitz related was put into focus, it would switch to Stolas' POV, while Blitzø was preoccupied doing something else.

Western Energy is a good example of this, an extremely controversial episode that divided the Fandom at large... and still does.

Major things happen to Stolas this episode:

Stolas, who initially didn't see the threat of Striker till he actually got stabbed, is made hyper-aware of his overall wellbeing immediately afterwards

Stolas is told of the class disparities between imps and royalty, and how much Striker despises them. However, Stolas doesn't get what the fuck Striker is talking about, he's too busy being cunty towards him (what a bloody legend)

This is the first time the audience is made aware of Stolas' overall lack of awareness, and his inability to grasp the class divide.

Stolas spends majority of the time hoping and praying for Blitz to save him, to fulfill that 'knight in shining armor' fantasy he puts him in

He's shocked and maybe even a little disappointed to realize that help came, not in the form of his suave knight he's been crushing on, but his crew

Meanwhile Blitz, was busy helping his daughter get a Hellbies shot.

I really don't want to argue about Western Energy right now, all I will say is that I don't hate Blitz for wanting to put his daughter first. Blitz, at the end of the day, is trying his damndest to be a good father to Loona, who has her own myriad of issues she's dealing with and that Blitz is aware of. Blitz is aware of the issues that Loona faces and her fear of needles. Blitz was not aware of Stolas getting hurt.

"He can get hurt?"

Western Energy is the only episode of Season 2 where Blitzø’s perspective in regards to the Stolas situation is ignored.

And I am hoping and praying that they will bring up Western Energy again before the season ends. Please...

Oops...

Stolas attempts to get his hands on the Asmodean crystal, and he reveals, for the first time, his growing affection towards Blitz.

Stolas, sweetie, I love you, but I hate your stupid fucking hat. Maybe Blitz would notice you more if you took your fucking hat off, he loves your feathers.

Meanwhile Blitz and Fizzarolli took center stage as they mended a friendship that's been broken due to a certain P.O.S.

Cash Fuckzo, I hate you.

Just Look My Way is the final piece of the puzzle right before Full Moon...

We are made fully aware just how much Stolas cares for Blitz. How much he wants to be there for him, how much he cares for him, etc.

So yeah, the Stolitz plotline taking center stage didn't happen at random.

It has been built up slowly and steadily throughout the entire season before everything imploded spectacularly in a great ball of fire.

We are just now slowly peeling back the layers of the depth of Blitzø’s feelings for Stolas, as their NOT-breakup, consumes a huge part of his life.

This is why I stress so heavily how much the Stolitz relationship, prior to Full Moon, is told in Stolas’s POV.

Prior to Ghostfuckers, all we had were assumptions to go off of when it came to Blitz's opinion on Stolas.

However, through Ghostfuckers we start to learn just how much Blitz truly cared for Stolas. Just how much he really meant to him.

[thatesqcrush]

Reel Temptation

Rafael Barba x f!reader. P*rn star! Barba AU.

WC: 2.6K

Summary: It’s the Golden Age of P*rn, circa 1970s. Reader accompanies roommate to a casting call for an adult film. Little does she know that her life is about to change when she meets the male lead.

NSFW for language, talk about sex work and adult films, smoking (cigarettes and recreational drug use).

AN: s/o to @beccabarba for being my soundboard and never wavering encouragement.

AN2: sex work is work. Sex work will always exist - we need to make it safer for sex workers to do their jobs. Continued criminalization of sex work and sex workers is a form of violence by governments and contributes to the high level of stigma and discrimination.

AN3: this is a repost of part one as Tumblr decided it was too explicit & hid it from public view.

The apartment in California was a relic of the 1970s, steeped in the bold, eclectic charm of the era. Low-slung, avocado-green sofas sprawled across the shag-carpeted living room, beneath the warm glow of a globe-shaped chandelier. Wood-paneled walls held abstract prints, while hanging plants in macramé holders swayed gently by the sliding glass doors. In the kitchen, harvest gold appliances hummed quietly, surrounded by dark wood cabinets and a linoleum floor with a dizzying geometric pattern. The bedroom, with its velvet curtains and paisley bedspread, whispered of cozy nights in a space reflecting the free spirited culture of the time.

“Come on!”

A pillow landed on your head. You groaned as you rolled over, facing your roommate, Sadie who was in process of flicking her hair into wings. “I don’t want to go. Three’s Company’s on and this is the episode where there is some kind of understanding.”

“So you’ve already seen it then. Please,” Sadie begged. “You can read lines with me.”

You sat up further and sat with your legs crossed. “Since when do pornos have a plot line?” you sneered.

“It’s not porn - it’s really classy. It’s legit,” your roommate continued. She turned from the vanity to look at you. “Please.”

You let out an irritated sigh as you rolled your eyes. “Fine, fine, fine,” you grumbled. “Where’s this place anyway?”

“In the Valley.”

You stretched your arms as you stood, your shirt lifting exposing your midriff as you did so. “You’re paying for the gas. And any snacks.”

***

The casting office was small and seedy, reeking of smoke and something else. There was a line of women of all shapes and sizes waiting to be called. There’s a desk where an older, bald man is flipping through photos. It’s hot and sticky, the humidity suffocating despite a ceiling fan and standing fan going off on high.

There’s another room adjacent and in there, another man stands a few paces back, fiddling with the view-finder on a film camera. You sit on a peeling linoleum chair next to Sadie as you peruse the so-called script.

“Sadie, are you sure about this?”

Sadie chewed on her bottom lip, thinking. She nodded after a bit. “Yes, totally sure.” The tone in her voice however, led you to believe she was maybe trying to convince herself.

“Look, we can just go,” you whispered. “No one’s gonna give a shit. Or notice for that matter.”

You stood and faced her, outstretching your arm. “Come on, you don’t even have to pay me for the gas.”

A man’s voice filled the room and you heard the gaggle of ladies giggle and swoon. When you turned around, your breath hitched.

“That’s him - that’s my co-star…,” Sadie replied, a large grin on her face. “Hopefully!”

“That’s your … who is he?” you questioned, dropping your arm as you drank him in. Dark hair, thick sideburns, and a full, bushy - but well groomed- mustache. He wore a collared shirt with a bold pattern and fitted flare jeans. His shirt was slightly unbuttoned, revealing a dark chest hair.

His overall appearance exuded confidence and a laid-back charm, embodying the free-spirited, adventurous spirit of the time.

He’s painfully handsome, good-looking in a way that disarms you, making you feel giddy, like a child waiting to meet Santa. He’s so handsome it is almost burning, as if you cannot look at him full on.

“His name is Rafael Barba, but on screen he goes by ‘The Judge.’

You whipped your head to the other voice, this time female and not Sadie’s.

This woman was tall and drop dead gorgeous with high cheekbones and chestnut hair. “Names Olivia. I help book the girls.”

Her gaze fell on you and Sadie and you had a feeling that she was mentally adding you both up.

“First timer?”

Olivia’s sharp gaze landed on you and you shook your head. “Not me. Her.” You jutted your thumb at Sadie.

Olivia narrowed her eyes. “Maybe,” she murmured to herself, dropping her gaze. She looked up at you once more. “Let me go speak to The Judge.”

Sadie squealed. “Oh my God, it’s happening!” She bounced in place.

You rolled your eyes and watched Olivia go over to “The Judge,” who was flirting with the gaggles of women. She tapped his shoulder and then whispered something in his ear. He gave a curt nod, before following her. The Judge is even more handsome up close and his body is thick, in a functionally fit kind of way. The way you knew the weight of him would feel oh so fucking good on top of you, crushing you. A jolt of pleasure coursed through you and as you felt your cheeks heat, but you chalked it up to the heat.

The Judge stroked his chin as was now his turn to assess. He turned to Olivia and pointed to you, whispering in hushed tones. Olivia nodded in response, and you’re only able to make out an ‘I agree.’

The Judge stalked off and Olivia turned around to face the line of still-swooning women. “Casting is over. We’ve got our girl. Come back tomorrow.”

The group of women begin to groan and complain about wasted time and it not being fair as they dispersed. Olivia made her way back to you and Sadie.

“So here’s the deal,” she began and pointed at you. “I know you’re not here for this, but The Judge wants you.”

“Me?” you exclaimed at the same time Sadie replied incredulously, “Her?”

“No no, you made a mistake. I have no interest…” your voice dies off as Olivia narrowed her eyes once more on you.

“He wants you. And he’s willing to double the pay at his cost.”

You shake your head incredulously. “This cannot be happening.”

“Wait, what about me?” Sadie chimed in.

“I didn’t forget about you sweetheart. You’ll be our fluff girl.”

“Fluff girl?” You questioned, puzzled.

“Basically your girl will give a handy or blow to keep his cock up on set. After setting up the desired angle, the director usually requests the actors to hold position, which can be a bit… deflating. The fluff makes sure the actors are fully inflated for the shot.”

“And how much does that pay?” Sadie questioned, her tone disappointed. The pay is a quarter of the original pay. Sadie huffed. “What if I don’t want to?”

“Then the door is right there,” Olivia replied sharply. She turned to you. “What do you think? You in?”

Your brain is swirling and your cunt is throbbing at the idea of being fucked by The Judge. Before you can allow for rationality to seep in, you nod. “No way, no thank you.”

Olivia cocked her head. “Shame. He thought you had it in you.”

“Me?” You squeaked. “It’s just that I— I’ve never—”

“We get it all the time. The good girls who wouldn’t ever dare, the ones who clutch their pearls. It’s just fucking. It’s not that serious. You’re telling me you’ve never fucked before?”

You shook your head. “Of course I have.”

“Okay, so how is this any different? In fact, it’s better. You get paid.”

Olivia switched her gaze from you to Sadie. She gave her a once over again. “You know what, I could use you for another film. I’ve got this other guy, Sonny - real nice on the eyes. Think you’d be perfect. What do you think? I’ll pay you to fluff and for a movie?”

Sadie brightened. “Yeah, perfect.”

Olivia grinned. “I’ll put you up at the motor lodge nearby. Be here tomorrow at noon.” She turned to you again. “What about you sweetheart? Am I wasting my time? Are you telling me that I have to call all of those women back?”

You sucked in air between your teeth and thought about how fucking sexy The Judge was. And so you decided there and then with what was in between your legs, than what was in between your ears.

“I’m in.”

***

You arrived the next afternoon with Sadie. Another assistant - a blonde woman named Amanda - was having you sign off various consent forms.

“Do you have any limits? The Judge wants to know.”

“Limits?” You questioned. “What do you—“

“Jesus Christ,” Amanda replied exasperated. “Olivia told me that you had sex before. Was that a lie?”

“No!” You replied sharply. Amanda raised a brow and you lowered your voice. “Never had any complaints from my boyfriends.”

Amanda smirked. “Limits are shit that you don’t want to do. For instance, anal, golden showers - being pissed on,” she clarified when she saw the confused look on your face. “So if you don’t want to do something, then you let us know.

You cocked a brow. “Um, I guess anything involving piss. And shit, if that’s a thing too.”

Amanda laughed before she lit a cigarette. “Believe me, there are lots of fucked up people out there who like to do all sorts of fucked up stuff - shit included. So you’re good with butt stuff?”

You nodded. “I haven’t done it much, but yeah. I’m good for it.”

Amanda gave you a lascivious, devious grin. “Perfect.”

***

You were shown to your changing room and told to get in a robe. Some test shots were needed to make sure lighting was good. There was another handsome man, with dark hair and dark eyes. He was behind the camera, adjusting the viewfinder.

“Hey,” you reply quietly. The man lifted his gaze and looked over at you. A shit-eating grin spread on his face.

“Hey princess. I’m Nick, I’m the videographer.” He snapped the gum he was chewing. “When you’re ready, just stand in front of the screen and undo your robe, just the top.”

You swallowed nervously, your heart hammering in your chest. “Okay.” You did as he said, your nipples instantly hardening due to the air.

Nick let out a whistle and nodded. “Those are some real nice tits. Real pretty.”

You blushed, feeling your cheeks heat. “Thanks.”

Before long you were doing a full nude shot. Mid-one shot where you where on all fours, looking back at the camera, Olivia walked in. She nodded. “Looking good honey. Got your friend Sadie already in a scene with Sonny. And The Judge is mid-scene.”

You blinked. “Really? Could I watch? Just to get a better idea of what it’ll be like for me?”

Nick snapped his gum and let out a little grunt. Olivia narrowed her eyes. “Nick, you’ve got enough shots, I am sure. Give her a break, she’s a newbie.”

Nick rolled his eyes. You donned your robe back on. Nick walked over your way and jutted his head. “Come on, I’ll take you.”

You followed Nick down a few hallways and soon enough, your ears picked up the sounds of someone clearly getting fucked. The room was small and tight, the crew basically taking up the entirety of the space. You squeezed your way in, the air thick with the scent of sex, lube and sweat. You watched the scene before you completely transfixed and enraptured. There before you was The Judge fucking some woman on a couch. Her legs were in the air as he gripped them tightly, fucking her without abandon.

You felt yourself grow wet as The Judge railed this woman thoroughly, dragging his cock through her slick pussy, over and over.

“Such a good slut, taking my cock so well,��� The Judge grunted.

The woman wailed as she came, her tits bouncing in tandem with the pace of being fucked.

“Gonna come,” The Judge grunted. He slid his cock out and your pussy clenched in response. His cock was big and thick, an angry shade of red- almost purple, covered in the woman’s slick ready to bust. ‘Jesus Christ,’ you thought. ‘How am I going to fit that in me?’

He stroked himself over her stomach and then came with a long, low, almost guttural groan. The white ropes of his release coat her stomach, catching the obnoxious overhead lighting.

“Cut!”

The director’s voice snapped you out of your reverie.

The woman sat up and stood, before grabbing a robe to slip on, leaving it hanging open. She leaned over to grab a towel to wipe herself. The Judge slipped on his pants, foregoing underwear. He looked up and met your gaze.

"You think you can keep up, sunshine?"

You read the surprise in his eyes as you replied. "I can take anything you dish out, bub."

The Judge smirked. “Rafael Barba.” He extended his hand and you shook it in response. You relayed your name and he repeated it slowly, as if savoring it. And the way he said it was just delicious.

“Liv told me you have never done this before.”

You furrowed your brows. “Sex or porn?”

Rafael laughed and he reached into his back pocket to pull out a pack of Marlboros. He offered you one and you took it. He slid a lighter from his front pocket and flicked it open and offered it out. You take a step closer, leaning forward to dip the tip of your cigarette into the flame. It ignited and you step back, smoke mingling in the air.

“Porn. If you had been a virgin, I would be fucking your friend and not you in about an hour.”

You nodded before taking a drag. “Nope, definitely not a virgin. You blew out smoke before you continued, “So what is our scene or whatever?”

“Liv didn’t tell you?” Rafael seemed amused. “We have a whole courtroom set up. You’re gonna be the lawyer who gets called into chambers.”

Your eyes widened a little. “Oh.”

“I figure we’ll start with some oral, both of us and the I’ll fuck you from behind over the desk. I’ll finish on your ass. That work?”

You ran through it in your mind. “What about if I lay on my back on the desk and you can finish on my tits?”

Rafael ran a finger through his mustache as he eyed you. His voice was low and dark as he replied. “Yeah, that’d work sunshine. I’ll take the lead.” He was still shirtless and you eyed him appreciatively.

Rafael lifted your chin with his finger and your eyes met his. “Seriously. Don’t worry. I’ll take care of you.” He winked and you flushed in response, already sensing the charge in the air.

Rafael eyed your robe, not completely undone but a little loose. He traced a finger over the trim by the opening. “Do you mind if I get a peek?”

Butterflies fluttered in your stomach, suddenly feeling vulnerable. Part of you was excited, thrilled by the risquéness of it all. The other part was that he was a stranger - the men who had seen you naked were boyfriends who awkwardly groped you in the backseat of cars or movie theaters.

You swallowed and nodded before undoing your robe, letting it fall to your lower back. You felt hot as Rafael immediately licked his lips. “Fuck, those are some pretty tits.”

You felt yourself blush in response.

“May I?” Rafael asked and it took you a second to realize that he meant if he could touch you. You nodded.

His hands were large, with long dexterous fingers, well manicured and patterned with veins. You watched his hand flex and you knew instantly, every movement intentional. Patterned with veins, well manicured, with unexpected strength. His skin was warm and soft. Rafael’s touch began rather innocently, along your arm up to along your shoulder. He then brought it down your clavicle to your sternum. He cupped one breast with his hand, feeling the weight of it against his palm. When his finger brushed your nipple, a bolt of pleasure shot down to your core. You couldn’t help but let out a soft moan.

“Mmmm, so responsive,” Rafael said, his voice dark and low. “We really are going to have a lot of fun,” Rafael replied once more as he took a drag of his smoke.

TBC.

AN4: Lmk if you want to be tagged when I post part two!

[silvergreenseraphim]

I am late to the discussion, but our young Sephiroth sounds seriously frightened here! I have never seen Sephiroth with such strong signs of anxiety outside of the Nibelheim reactor before.

This is the second time we have seen him near Hojo in canon, even if it’s only a vision.

Both times we see Sephiroth confronted by the presence of Hojo, he is not himself. He does not look composed.

When Sephiroth is far from Hojo, he speaks lowly of him or laughs strangely. There is resentment in his words and demeanor…

(This is cited from the Omega Ultimania, so it is subject to change, but the information here remains uncontested in 2024).

Was this disdain connected to a hidden fear all along?

I cannot say certainly, but in the Halloween event there was a hint like this too!

The monsters attracted to bad emotions like fear show up suddenly after Sephiroth is overcome with “immense pain” as the Japanese dialogue puts it. This pain and anxiety come from the memories or mental invasion of Hojo that Sephiroth experiences here:

In episode 2 so far, we are focused on Alissa Goldie but there are hints about Sephiroth and Hojo’s relationship that I noticed too! Perhaps all of these past clues will come together and we will see the full picture soon.

I saw that Sephiroth was also uneasy about Kefka in the FFVI crossover story and because the creepy clown was similar to Hojo? 🤔

Hojo is haunting this poor child.

[glisten-inthedark]

“like what episode? Because if you're talking about the episode where he confided in Will didn't he say they had arguments but nothing like that?”

season 4 episode 4, direct quote:

“Before the cops came, me and El, we…we had a bad fight. And we never fight. I mean, we fought before, but just like, silly fights, stupid fights. But, I don’t know, this one just felt more adult. Like, it…it just felt more real. Like it was a fight you can’t come back from.

The part that always rubbed me the wrong way was the way he says, “And we never fight.” He says it with some incredulity, a fair amount of conviction, with a furrowed brow, like he actually believes it before he corrects himself. And I found it weird because yes, the show itself frames El dumping him as comedic, but he’s still essentially calling the time he lied to El and she dumped him over it as “silly and stupid” which, considering that (if we take the novellas as canon) they were broken up for 3 months because of this and it seemed Mike was gonna make no effort to restart his romantic relationship with her until she kissed him and told him I love you, is just odd to me?

Even if he does admit that they’ve had “silly fights, stupid fights,” it’s nothing compared to what we’ve seen Nancy and Jonathan have, or Hopper and Joyce, or Max and Lucas. Each couple even before they got romantically together had mutual disagreements, arguments, and then for Max and Lucas specifically, they spend all of season 4 broken up and have disagreements that are so heavy and deep but just so laced with love and concern.

Mike and Eleven didn’t fight in season 2 because they barely had any screen time together, and in season 1 it was mostly Mike lashing out at El when he was upset with her and her not responding/running away/connecting to Will through the radio to prove he is alive.

In season 3, post break-up, Mike and El only argue a few times, Mike mostly just asserts concern and Max is the one who makes it an argument. The fight that I would call silly and stupid in season 3 is in the pool shed when El says she makes her own rules and Mike finds out El spied on him. That one is also played a bit comedic and ironically it becomes a fight that they make the group’s issue so it once again becomes more of a Mike v Max fight. Yet while it’s still silly and stupid (with some validity—El invaded the boys’ privacy and she’s also wanting to assert more independence and spend more time with Max) it’s still a fight.

Does any of this make sense? To me, his reflexive conviction to say that they “never fight“ feels like a parallel to El lying throughout her letter that everything is perfect. 

Addendum, while analyzing this scene I noticed on the wall above the bed and above Mike there’s a picture of a mountain with a faint but definitely there rainbow across it.

Hello!!! Oh now I see what you mean! Thanks for the clarification because I was confused.

Yes, there's a lot to unpack here.

Firstly what you said about Mike stating that they never fight. Like you said in your previous ask, it feels like both of them make too much of an effort to hide part of themselves so that no conflict arises because of it.

Couples fight and argue and have disagreements, and while too much of it is unhealthy, hiding yourself and not standing your ground can be as unhealthy because then there's no compromise.

Secondly, the more I think about it, the more I start to suspect that even if it was subconscious, Mike seems to want someone (Will) to tell him he and El aren't working out.

The fact he tells him as a fight he and El can't go back from is telling and I just an insight it didn't even occur to me until now.

I know the can't say he love her spiel has been addressed thousands of times at this point but it didn't even occurred to me at this point that Mike tells Will he doesn't think he can come back from it, meaning, he doesn't think there's anything he can do to fix it.

Now, if we think about the fact that El told him he doesn't say he loves her and he tries to gaslight her and say he does say it, and that he knows what the argument was about and why she was so sad and desperate, you'd think that if he actually did love her like he'd later claim, that he knows is something they can come back from if he's honest with her and tells her what he knows she wants to hear.

The only reason why he'd think is a fight they can't come back from is if he'd known he can't say something to her he knows he doesn't feel.

If he had known he loved her - that he loved her from the moment he saw her -, he wouldn't assume this is something they can't patch up because all he had to do was tell her the truth.

Holy shit, how the fuck did I not think about this before? It feels so obvious now.

[anyroads]

I'm thinking about that post I saw recently that was about a guy who adopted a stray dog and had all these puppies he couldn't take care of and then OP's mom finally stepped in and helped get their adoptions sorted out and the point was that you can't just think "someone will take care of it" because you are also someone. It's been really cold here this week (freezing temperatures) and last night on my way home I saw a man lying on the sidewalk and everyone just... walked past him. Walked right past him. Most of them avoided looking at him. So I stopped and asked him if he was OK and it seemed like he was probably just really drunk and passing out but it was so cold he was going to be lucky to get away with hypothermia and frostbite and not actually freeze to death. (I also had no way of knowing whether he'd had a seizure or a cardiac episode etc. because he wasn't speaking clearly or coherently.) So I called an ambulance and as I was on the phone and waiting next to this man, people began to stop and try to help. At one point someone walked past and stopped to tell us they'd called an ambulance half an hour earlier. Once there were a few of us standing there and there was someone people could ask "what's going on?" from, one of the people who stopped to do so ran to the gym down the street and got a towel which we put under his head as a pillow as per the ambulance service's recommendation.

I waited as long as I could, laid my thick wide flannel scarf over him like a blanket for lack of anything better, and then left him with another person who had stopped (and was a social worker who had worked with people on the streets), went home which was around the corner, and came back with the spouse and a blanket. When we got back to the man's side there were three other people there also calling an ambulance because as it turned out, the social worker had entrusted someone else to stay with the passed out man when they had to go, and that person had entrusted one of the people now standing there, so in all that time someone had always been there with him. So now three people had called an ambulance, half an hour apart each, and the ETA was 1hr20min for an ambulance so we were expecting one to arrive soon. One of the people who was there lived in the building next to us so they ran upstairs to get more blankets and a hot water bottle. While they did, someone else showed up out of nowhere who had walked past a few minutes earlier and brought a blanket from home. When the ambulance finally showed up another person came running up and said they worked down the street and had called an ambulance TWO HOURS earlier and they were so glad it finally arrived.

And look, I could go off about the disaster the NHS currently is that it takes 2 hours for an ambulance to arrive for a case marked as high priority (which it was, as confirmed to me by the ambulance service). But my point here is this:

Two people had called for an ambulance in the hour before I did. That means this man was lying on the sidewalk for an hour in the freezing cold as most people kept walking past him, except for the few who called an ambulance and then left. And I don't expect anyone to be able to stay and wait for as long as it takes an ambulance to arrive when there's such a delay. But it's important that it was only when someone stopped and stood with him that others stopped too. Because like the OP of that other post said, most people don't realize they can be the someone who does something. But when they see another person be the someone, they feel more confident. It's reassuring knowing there's someone in charge who knows what to do and will tell you what to do and how to do it. And tbh I didn't know what to do. But I knew that emergency services would tell me. And I noticed immediately that as soon as I stood there with this man and became part of his situation, others started to do the same. Which is why I asked that social worker to stay with him and then pass the torch so someone was always with him.

And that's exactly my point: it's ok if you can't be the "someone" all by yourself but you can ask others to help too, and for them to do the same. By the time I came back with the spouse and the blanket, two more rounds of people had cycled through, but where most people walked past this man when I first saw him even though he'd been lying there for an hour, now there was a group of people around him even though its members kept changing - but because there was always someone there, someone else kept stopping and staying too. Where he was vulnerable and freezing when I first saw him, he now had almost half a dozen blankets over him and a hot water bottle. I honestly can't get over the thought that for a whole hour he was just lying there as he was, but as soon as people felt OK getting involved he was covered in multiple blankets.

Because most people need someone else to take the first step before they also do something. The person who brought down the hot water bottle asked me first whether or not they should. And for what it's worth, my answer was an enthusiastic "that's a great idea!" even though in my head I was thinking, "yeah no shit, how is that a question?" Because people are often uncertain or worry that their good intentions might backfire and they get wobbly in emergency situations or even just unfamiliar ones. And part of me wonders how much of the horrific online culture of dogpiling and assuming bad faith has conditioned people to worry, in real life situations, that their good intentions and attempts to help someone else will end up landing them in trouble. So even though in my head I was thinking that the question was crazy and this person should just DO the helpful thing, what came out of my mouth was encouragement and reassurance. Because that's what's actually helpful.

So this is just to say that after last night I've been thinking about that post about how anyone can be "someone" even you. Because it's not just about getting a job done - as soon as a person steps up to be the someone who does something about a situation, others follow much more easily. No one knew that at least two people had called an ambulance when this man had already been lying on the sidewalk for an hour in the freezing cold. But as soon as people got visibly involved, and stayed with him instead of walking away after calling the ambulance, more people did the same. As soon as one person covered him with a scarf and put a towel under his head, people started running to their homes around the corner to get him blankets. So the lesson of being "someone" is that it also helps other people be someone too.

[chaoortu]

listen i know i yap a lot about nick and neurodiversity in my fics but it's like. every time i reread heartstopper it really jumps out at me and i'll probably reblog this again with more thoughts as i continue my reread but like.

it strikes me as interesting that despite the fact that nick gets called a chav pretty early on by tao, we never actually see nick acting that way on page. i think the show does a good job at showing how nick has sort of chameleoned himself and stuffed his real personality down but the show is a topic for a different post. in the webcomic we see it once when charlie is teasing him about being laddish and nick decides to act that way for a laugh. on one hand, i chalk this up to most of the early webcomic/heartstopper in general being in Charlie's pov. he wouldn't have noticed these things about Nick because they didn't really notice each other until their meet cute, which is realistic. I think it also speaks well to Charlie's character that he takes who Nick is at face value and challenges Tao's opinion of him. but what jumps out at me is that in harry's birthday party we sort of see the first instance of nick's "meaner" side and it's in the context of defending Charlie. Still! The first instance of this really sunshiney character taking quite a big turn!

But notice how the dig isn't personal? These are all observations about Harry that can be deduced in the context of the material before it. That is to say, despite being friends with Harry since he was like 11, Nick keeps it simple. It reminds me a lot of how you correct a dog's behavior in the moment and I can go on for ages about Nick and dogs but again-- that'll be another post. What follows this really intense moment is another really intense moment when he and Charlie are alone and like yeah, they're teenagers, being teenaged is intense enough. But after their kiss, we have this panel and my God is it one of my favs:

I really love how Nick is framed with flowers in this scene because it really feels like it's him blossoming into himself in this moment where it's just him and Charlie. Charlie is shown over and over again to be Nick's safe person in comic and while they are obviously falling in love way before this, I still feel like this is the moment where Nick decides it's safe to love Charlie (I mean duh, they kiss a LOT in this episode), or rather, to hand Charlie his emotions and feel like they won't be fucked with or used against him. And that's huge! Nick wears all his feelings on his sleeves, he's not even slick about it either-- the fact that Christian, Sai, and Otis pick up on the fact that Nick has a thing for Charlie before he does speaks a lot to the fact that Nick doesn't seem very aware of how much of himself he gives away on the regular. Which again, in juxtaposition with the fact that he's perceived as a judgmental rugby lad by Tao (which, grain of salt here. I love Tao a lot but he's also quite judgmental in his own ways so this is a pot and kettle situation), and the fact that his own mother comments on the fact that he's much more himself since befriending Charlie? That's MASSIVE. I dunno. I could be projecting here but as an autistic teenager who did everything in my power to be like my peers and lowkey hated myself for it, I find this incredibly relatable. We see Nick starting to realize that a lot of his friends are dicks several times before he and Charlie kiss for the first time, and that's also relatable. It took me so long and still takes me so long to realize that people I thought were friends are actually quite shit. Again, I could be projecting but it reads very neurodivergent to me that it takes Nick being exposed to someone who is actually kind to him (Charlie) to realize that his friends aren't kind people. Insane tbh! Something else that got me is that we see Nick struggle with the fact that he really likes Charlie and wants to stay with him vs. the responsibility he feels to regroup with his friends. I don't actually think it's responsibility. I read it as Nick putting his mask back on and resuming the expectations he's been bearing since before he met Charlie and it's a visible struggle for him.

Nick, while pretty unaware of the fact that he can be read like a book, is also incredibly aware of the role he plays in his own friend group and the ways in which he has to perform. But he doesn't like it now. His early love for Charlie really puts things in perspective for him that he doesn't have to accept where he's at currently if he's unhappy and we get that moment of regret where we see that he knows he fucked up by leaving Charlie.

It looks like he's disassociating here. That, or his mind is still in that room with Charlie. It's a battle of expectations vs. what Nick wants. And Nick's wants are never Nick's first priority. He's a pathological people pleaser after all. And despite the fact that he just fully made out with another boy despite barely having figured out that he likes guys and the ethics on Charlie kissing him without asking (teenage stuff, I'm not arguing about it rn especially because this doesn't bother Nick in canon. idk why this discourse exists but maybe i was just making out too much as a teenager) The next day, Nick clears the air. Literally runs to Charlie's in the rain so they can talk it out and so he can be understood properly. He's desperate to make things right with him because 1) he's in love and 2) he cares a lot about Charlie's feelings to the point of putting them above his own later in the story. But the way he does it and the way he sort of overexplains his feelings almost constantly really strike me as neurodivergent. Nick goes above and beyond explaining how he feels to make sure nothing can be misconstrued and that really gives me the sense that Nick is... somewhat aware of the fact that people assume how he feels? Granted, this is coming off the heels of everyone saying he was in love with Tara, so maybe he felt the need to explain himself more since some people think one pre-teen kiss = fairytale love. (ignore the fact that Nick's fairytale kiss with the flowers totally equaled fairytale levels of love for him, lol.)

He literally explodes! Charlie is physically taken aback by his words. This happens right after Charlie has his big "I shouldn't have kissed you this was all my fault" etc. explosion. Which! The fact that Charlie explains how he feels down to feeling at fault and sharing that with Nick, who is very much like no.. no nO WAIT. I LIKED IT. (so much that he kisses Charlie to get him to understand that pre-explosion). And again, we sort of see Nick trying to bottle and be a bit more normal about it immediately before when Charlie tells him he's getting mixed-signals. Nick's response was to unmix the signal and then cry about it because THIS. IS. A . LOT.

For a cis-male character who is involved in a very masculine sport, surrounded by masculine people who are not nearly as emotional as he is(on page at least) the fact that Nick goes above and beyond in this moment where he's so vulnerable to ensure Charlie understands him is hugely neurodivergent to me. He's making sure Charlie gets that Nick loves him, he's making sure he gets that he's not mad about the kiss, and he makes sure Charlie knows he feels bad for leaving him behind. His bases are covered! There's no room to make assumptions about how he feels and I imagine for Charlie, a chronic overthinker, the fact that Nick is so blunt about his feelings all the time must be fucking incredible. He can actually take Nick at face value (at least at this point in the story ). But especially after Ben's gaslighting shit? Like fuck! I'd want to jump into a relationship too if the guy I've been crushing on for like two months ran to me house in the rain, kissed me, cleared the air, and then cried in my arms. I love emotional honesty! It's also interesting to me that it seems like his confusion towards his sexuality bothers him a LOT more than his feelings for Charlie do. He likes being in love with Charlie, that much obvious, but it's this conflict within himself that bugs him. And idk, I could be projecting again but I just can't see a neurotypical teenager reacting like that. To me, it really reads as Nick going. "Okay, I like kissing Charlie and being around Charlie. I'm in love, this is good. Check." but then his sexuality is a huge gray area until he does more research on bisexuality and decides that's the label he wants to use and I think the not knowing is what really bothers him. There's a lot of pressure in queer spaces especially nowadays to be labeled and for Nick, a character who buried his personality to be accepted by others, to specifically be upset at being confused about his identity reads as neurodivergent to me. Nick, by all accounts, doesn't seem to really care about his sexuality except for the way it challenges who he believed himself to be up until this point and what that means to the people around him who think he's just some straight laddish dude, you know? Largely, he also seems rather apathetic towards sexuality and gender in general except when he has to confront his sexuality and how other people will perceive him if they knew what his sexuality is-- hence keeping things between him and Charlie a secret despite the fact that he's never ever been shown to be ashamed of the fact that he loves Charlie.

Anyway, this post got way too long. Enjoy one of my favorite OCD/AUDHD moments between Nick and Charlie. THEY LITERALLY KISSED LIKE TEN MINUTES BEFORE THIS MOMENT... INSANE BEHAVIOR... I love them. The sillies.

[rootspiral]

Agatha All Along deep dive: episode 4 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2])

It's episode 4 If I Can't Reach You / Let My Song Teach You, time for two of my favorite things: glam rock and homosexuals. which are basically the same thing if you think about it.

she's like damn, billy, that was ruthless. honestly this is going to make her care about billy even more, not only he's powerful, not only he reminds her of nicky. now he's a murderer too?? perfect son is perfect. I love how she's studying sharon's body with her detective Agnes face, her mind is going a million miles a minute

her third-wall-break winks destroy me. and that poor hairdo. all gone expect for the giant turd on top.

alice being truly and genuinely sorry about sharon. lilia and jen being gossiping hags

agatha honey you're so dainty and feminine, look at you. and that's an interesting and not at all painful tree shape you picked. (I would have never noticed any of this without brightening the scene, it's outrageous. everyone involved in this show is amazing except the lighting department. shame on you lighting department)

whatever alice does openly and sincerely, agatha does secretly or as a joke. parallels, parallels

jen is like, can you believe this bitch

without being asked, alice goes to help digging the grave

that is the idiot I fell in love with and I'm way past regretting my choices at this point!! I know how rio feels now

"coven two" is one of those lines that make you laugh on first view and shred your heart in a million tiny pieces at every following rewatch. this show HAS to be watched at least twice, don't ever trust reviews or complaints by ppl who didn't, because they missed at least half of what makes it great.

a clown running from the tragic truth that her son wrote the Ballad, making sad clown noises all over the Road

when alice is called to referee as the Resident Ballad Expert and agatha looks at her expectantly hands in pockets, somehow extremely obnoxious, extremely gay and extremely sad at the same time

alice is SO above bickering. jen is being a baby because she's mad at agatha, lilia is being a baby cause she's grumpy and a contrarian, billy is sixteen, agatha is, well, agatha. alice is the only adult in the building

just one, huh? that's fine. that's fine. who needs a heart anyway.

the common gypsophila or baby's breath symbolizes sincerity, purity, innocence. does it symbolizes sharon? or is billy leaving it on her grave a metaphor for his naivety and good intentions gone wrong?

billy's romantic ideals of what it means to be in a coven have just been shattered. he set out, consciously or not, to teach something to these witches and of course it didn't work. he is the one who needs guidance, he is the one who's making a mess of things. he's just a kid.

agatha going !! when billy says he wishes he could go home. agatha covertly pointing out that he has a replacement body and she would really like to know how. she's observing him so closely, trying to puzzle out the mystery. exactly like she did with wanda inside the Hex. not revealing her cards just yet, testing and manipulating him. when that strategy blew up in her face so spectacularly the first time! she's so smart and so reckless it makes her practically an idiot

case in point: she's making up stupid rules trying to manipulate billy into shaping the Road the way she wants. that's right, agatha. let's summon another poor victim you can siphon, wonder who's gonna show up! (and she KNEW sharon was laying dead ten feet away and SOMEONE was bound to be in the neighborhood. dumbass.)

aww he's so proud of himself for having brought the spellbook. he's being helpful! he's made his four moms happy!

check, debatable, check

debatable and debatable

I'm gonna give that one a BIG check

yes I know advil spells "vidal", thank you tumblr for letting me know that one. also same, alice.

'esse viridis non es facile' IT'S NOT EASY BEING GREEN?!?!!?!?!?!?!?!?!?!?! oh I knew my high school latin was bound to come in handy at least once in my life

(by the way the set + costumes combo is giving me such hocus pocus vibes, but you could never tell because the SCENE IS SO FUCKING DARK) (NO I WON'T SHUT UP ABOUT IT)

BWAHAHAHAHAHAHAAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHHAHAH

I mean girls, you chose to follow the head clown, you have to travel in the clown car. that's on you.

WHY IS THE PRINT SO SMALL???? I LOVE YOU PATTI LUPONE

admit it we all wished it was sharon for a moment

oh?? is that mayhaps someone you know, agatha???

and that's a wrap, see you guys tomorrow!

no, I'm kidding, I'm kidding. I'm doing another one tonight. I need to shove all the rio scenes in my eyeballs NOW

go to episode 4 part 2

[saintmalosunsets]

Doc Roe holding medical supplies in his mouth

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[the-halfling-prince]

"I swear on my mother, wherever the hell she is-" This show istg