#i normally have so much empathy for him

[im-getting-help]

when i said that, to me, Felix is Lolita, i meant it as like "we are watching the story from Oliver's perspective. All that he percieved as truth is not necessarily what happened or how it happened. We can choose to believe him or reject his version of the story and piece something else based of details" and "Felix was more a fantasy than a real person" and "Oliver did awful things that he justified in the name of love".

I didn't meant it as in "Oliver abused Felix".

[prolibytherium]

Literally spiraling into a crisis over not knowing how to text like a human being

[beegswaz]

I MISSED BUG. BEING CORRECT ABOUT WHEATLEY..???? WHY IS THE WORLD SO CRUEL.

[justablah56]

oh my GOD what an episode ,,

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[zylev-blog]

Danny had been sent across the dimensions to correct the flow of time more than once. He had stopped zombie invasions, a robot named vision, saved Ancient Greece(and somehow became a minor diety in their religion), and much more. With each new mission he learned a lesson, which was what Clockwork had intended for him. He learned compassion, empathy, and kindness, but he also learned bravery, how to be cunning, and how to outsmart the enemy. Over the last few years his Fenton genes kicked in, making him a tall 6”6, and he was still growing. It had gotten harder to blend in as a human as he came into more power than he had had as a teenager, but he was managing.

Clockwork had let him have some time off to himself, so he headed to one of his favorite dimensions, a Justice League timeline. He was strolling around Central City, watching Flash zooming around taking out bad guys. He didn’t need to help; Flash had it completely under control and he would only get in the way. He could admire Flash’s resilience and bravery as he took down the big bad of the day.

It took longer than it should have, but Flash eventually noticed his presence. He stopped running, coming to a halt beside Danny, looking his ghost form up and down, as if assessing his threat level.

“What’s up?” He asked casually.

“Not much,” Flash responded with a shrug, “Just normal things.”

He nodded. “I see.”

“Do you want to get dinner after this?” Flash offered.

He blinked in surprise. Did Flash just ask him out on a date?

“Sure, I’m not busy.” He grinned.

Flash rejoined the fight with renewed energy, seeming more like he was showing off than fighting. He chuckled to himself. This should be interesting.

[kiragecko]

Story Idea

Telekinetic supervillain who REALLY loves historical architecture. Living in a superhero universe where heroes keep crashing through stained glass windows and leveling entire streets. As well as the normal corruption causing building to be demolished or “restored” in extremely destructive ways.

Kinda has Poison Ivy vibes, without any of the femme fatale trappings - her entire focus is preserving historical valuable buildings, and she doesn’t really care if humans that get in the way die. But she also isn’t going out of her way to kill people.

And the leader of the local superhero team can see where she’s coming from. And decides that just throwing her in jail every time she acts up is a sign they’re failing in their duty to protect the city. Instead, he starts trying to gain her trust. He doesn’t care that much about buildings, but he works on lessening his team’s collateral damage. He promises the supervillain that he’ll try to pressure the city government if she brings problems to him rather than taking them into her own hands. Eventually, he convinces her that she can protect the city’s infrastructure better by being on his team than she can on her own.

She’s incredibly helpful! She will keep burning buildings from collapsing until everyone can get out and the fire is extinguished. She’ll hold skyscrapers up while supervillains reign destruction down around them. She’ll deconstruct traps and grumpily direct her teammates towards the hidden mastermind who set them up. And when the crisis is over, she’ll see what can be salvaged and rebuild it if possible.

But she’s a PR nightmare.

Former Supervillain refuses to help people. She DOES NOT care. Your kid is trapped in the burning building? That is not her problem. Go bother someone else. Dude is holding a bunch of people hostage? It’s fine, he’s not causing any damage to the building he’s in.

People DO NOT like this attitude. People do not accept that she’s part of a team, and other heroes are capable of filling the “empathy” and “human rescuing” gaps.

And she’s high maintenance! The team frequently end up in situations where protecting lives is in conflict with protecting property. They take missions that mean very little to them, because they’re important to her. And the leader is constantly having to talk her out of rampages, pressuring the government to drop lucrative and unethical contracts, and making sure she’s sticking to the plan in the field. And she isn’t interested in interpersonal relationships or social niceties, so none of them are even doing this out of friendship!

-

Sometimes, you help someone not because they’ll be grateful, but because it will make your community better. Sometimes, you help the local drug addict not because he’s likely to turn his life around, but because he smashes less windows when he has a warm, quiet space to stay. And sometimes, keeping that community benefit takes a long term commitment.

I want to see a superhero team turn a villain as harm prevention and then willingly bear the cost of keeping that villain from causing harm. Not because it’s rewarding (though there are rewards) but because it’s more effective than any other method. And I want the villain to go along with it because the heroes actually found a more efficient way for her to reach her goals.

And it being messy for everyone, but I want them to make it work. And it to be worth it, in the end.

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[lizkreates]

Bone Deep

My full submission for @vashwood-anthology! I initially wanted to go the symbolic route but was like screw it, and went full on angel and demon mode because why not?

Redesigning their looks was so much fun! More art to come. I mashed the lore from all the Triguns and shook it around, enjoy.

(Script under the cut.)

PAGE 1

PANEL 1 Suspended in a tank is Vash's amputated left arm. Tiny wings sway in the fluid among the nodes and wires connected to it. WOLFWOOD (NARRATION): Before I even knew who you were

PANEL 2 Close up of the serum distilled in syringes connected to Wolfwood's arm who's strapped to the cross-shaped lab table. WOLFWOOD (NARRATION): … you became part of me.

PANEL 3 Extreme close up of Wolfwood's eye in pain. WOLFWOOD (NARRATION): I never wanted this …

PANEL 4 Big panel! Full-body shot of Wolfwood with a mix of angel and demon features, the demon ones more prominent. He sits up, hunched over, covering half his face. WOLFWOOD (NARRATION): … to be reborn this way.

PANEL 5 Silhouette of Wolfwood signing a contract in red ink. The red glinting off his glasses. Hopeland Orphanage abstracted in the background, looms over him. WOLFWOOD (NARRATION): Did I have a choice to survive? To protect the little bit of happiness that I cared for?

PAGE 2

PANEL 1 When Wolfwood and Vash first met - Wolfwood boards the bus after being found in the desert.

PANEL 2 An ominoius close-up of Wolfwood's clawed demon hand. WOLFWOOD (NARRATION): I've seen more than most in this nightmarish unforgiving world …

PANEL 3 Wolfwood looks up appearing normal, no claws, with a light blush as he sees Vash. WOLFWOOD (NARRATION): … But nothing could have prepared me for you.

PANEL 4 Obscured close up of Vash smiling.

PANEL 5 Post Rai-Dei the Blade scene redraw - Shoot scene. Wolfwood holds Vash's hand with Wolfwood's pistol to his own head. Wolfwood's demon appearance unveiled to Vash. WOLFWOOD (NARRATION): You told me I had a choice, when I thought there was no alternative. You saw right through my disguise, to the real me, or rather, the me I thought I was.

PANEL 6 A tight crop of Vash in his angel-ball-form, crying. WOLFWOOD (NARRATION): Then I saw you. I didn't know how to feel. Horror? Disgust? Empathy? Part of me understood you, but the other couldn't grapple with the unfathomable.

PANEL 7 Vash and Wolfwood posed in a tableau weapons raised. They're washed out in a gray, Vash's scars in red and Wolfwood's hand and feet are splattered with red blood. Vash's wings/angelic form fill the background and Wolfwood crouching in front. WOLFWOOD (NARRATION): We're not so different from one another. Not black, nor white, but shades of gray, stained with red. This life is not a kind one, and yet…

PAGE 3

PANEL 1 Wide shot of a rocky desert landscape. The outside is hot as hell, radiating from the surface around them. Vash shades them from the twin suns with his wings, as they frantically run toward shade. WOLFWOOD (NARRATION); …you showed me compassion when I didn't think I was worthy.

PANEL 2 Mid-shot of them running, Vash hunched with his hood up, Wolfwood beams, holding onto his hat. VASH: Over there! Ow, ow, hot, hot, hot! WOLFWOOD: Shade, thank the Lord!

PANEL 3 They hide under an overpass. Vash takes a swig from his canteen - still partially in his angel form , feathers on his cheeks, cooling down, red coat off. Wolfwood takes off this jacket, his white dress shirt open. WOLFWOOD: Hey needle-noggin, tell me something, what are ya doin' all this for?

PANEL 4 Vash gives Wolfwood the canteen. VASH: Like personally? WOLFWOOD: Nah, give me a big picture. What do you want out of this?

PANEL 5 Vash's expression softens. VASH: I suppose… I want a better tomorrow for everyone.

PANEL 6 Wolfwood blushes in surprise as he takes a swig from the canteen. VASH (OFF PANEL): That includes you, Wolfwood.

PANEL 7 Wolfwood's lowers the canteen, smiling. WOLFWOOD: It's that simple, huh? VASH: What, is something wrong with that? WOLFWOOD: No, no, I like it. It's good. VASH: Well, what about you?

PANEL 8 Extreme closeup of Wolfwood's eye looking down. WOLFWOOD: Honestly? My answer is no different.

PANEL 9 Wolfwood offers Vash the water back. WOLFWOOD: To tomorrow.

PANEL 10 Their hands overlap, Vash's over Wolfwood's. VASH: To tomorrow.

PAGE 4

PANEL 1: During the ark/the fall arc - a close up of their hands (to keep it vague.) Wolfwood pulls Vash up by the wrist. WOLFWOOD (NARRATION): You let me stay by your side, even when I strayed, I came back for you, the weight of tomorrow bearing down on me.

PANEL 2 Black panel. WOLFWOOD (NARRATION): I'm damned. In spite of everything I've done, I won't let my actions be in vain.

PANEL 3 They're on an elevated cliff platform at night, almost morning. Wolfwood has his wings out, ready to take off. WOLFWOOD (NARRATION): That's why…

PANEL 4 Wolfwood looks off into the distance, a smile tugging at his lips. WOLFWOOD: I need to go now. But before I do, I want you to know that despite this hellish life I was born into…

PANEL 5 Mid-shot of Vash, tears pricking his eyes. WOLFWOOD (OFF PANEL): …my time spent with you made it better.

PANEL 6 Big panel! Vash lunges into Wolfwood, clinging to him. Wings out, loose feathers swirl around them as they fall. (Angelina is on the ground with the Punisher.) WOLFWOOD (NARRATION): God, Vash, I never wanted to leave. You'll always be with me.

[theuniverseiswithyou]

before tsc came out I was all for the idea that the Trojans would care so much about jean they'd break their good guy streak and get a red card defending him, but after having read it I don't think that's the message Nora is heading toward.

all through the sunshine court jean is coming to terms with the Trojan's kindness and empathy. many times he's had conversations about the raven's play style and how toxic and unnecessarily violent it is. jean thinks it's normal and the way the game should be played, he says exactly that to them a lot, but in his head he also acknowledged that the Trojans are the second best right behind the ravens. he knows in his bones that the trojans are going to win championships now that the ravens are gone. according to jean's definition of how the game should be played, nobody but the ravens 'play it right'. but then how are they part of the big three? how are the Trojans championship material when everything about them is antithesis to what he was taught?

I think jean is hurtling towards the realization that the ravens didn't play right. that none of the violence enacted on him and on their opponents was correct or necessary. the Trojans confuse him the same way Neil confuses him, they refuse to give in to pressure. no matter what physical or verbal abuse is thrown their way during games, they never return it. and jean thought at first it meant they don't fight back, but I think in the next book when he starts playing with the Trojans he'll see that they do fight back. just not in the way he was taught.

as vindicating and cathartic as it might seem for the Trojans to get red carded, I think what would be even better for jean's healing is to be nice himself. to play a whole season without getting carded once. to push away instead of towards. to do it so much that by the end he doesn't even think about it.

I want jean to break his cage. I want him to spit on everything the raven instilled in him about how you're 'supposed' to play exy. when he's facing off with an opposing team, and they're calling him a whore and a traitor, I want him to look them in the eyes, smile, and say in the words of the iconic Catalina Alvarez, "have a winning day!"

I want him to kill them with kindness.

[dreamescapeswriting]

A Place To belong ~ BC

⤜WORD COUNT: 1.3K

⤜PAIRING: Chan x Fem!Reader

⤜GENRE: Comfort fic, chan being the overly cute comforting man that he is, trigger warning: mentions death of a loved one

⤜Copyright: © DreamEscapesWriting - July 2024

⤜MASTERLIST

The sun was beating down on the back of your neck as you sat outside in the back garden of Chan's family home. It was hot, and not a normal kind of Australia hot, but abnormally skin-burning hot. You could have sworn you'd applied more layers of sun cream in one day than you had ever in your life. But you were powering through this for Chan.

It was the first time he'd been home in almost six months and he'd decided that he wanted to bring you with him. You'd met his family before, almost always over the phone but there had been a couple of trips where you'd joined Chan home and you loved this for him.

But you couldn't deny the fact that watching them interact together made your throat tighten and tears rush to your eyes. It had only been a few months since your mother's passing and you couldn't help but feel torn up whenever you saw a mother with their child. It was something that choked you up every time and often left you wondering when it was ever going to stop if it ever did. 

"I can't believe I finally have you home," Chan's mum beamed as you once again wrapped her arms around Chan, squeezing him as he rocked him side to side. Almost scared he'd disappear if she let him go for too long. Your throat tightened as you watched Chan's cheeks flame bright red as he let out a small groan, pretending to be annoyed with it.

"Yn," She whines, finally letting go of Chan and turning her sights on you. You slowly raised from the seat you'd been sat on and she instantly wrapped you in her arms in a tight embrace. One hand on the back of your head and the other around your back as she pressed you softly against her, swaying slightly. 

"Thanks for letting me come and stay, Mrs Bang." Your voice came out shakey, this was the first time in months you'd ever had a hug like this and you felt yourself tearing up. 

"I told you, you can call me mum," She whispered, rubbing your back softly as Chan watched you closely. His mother knew about everything and she'd insisted you come along to the family gathering so she could comfort you in any way that she could.

"We have everything here, okay? I have all of your favourites and we even made sure to get your favourite drink because I knew you'd want it," She continued to speak as you watched her in complete awe. No one had ever gone to so much effort for you before, besides Chan and your own mother of course and the thought of it made your stomach flutter.

"I'm so sorry about your mother, Yn," She whispered, her voice filled with genuine empathy as she talked quietly enough just for you to hear. 

"I can't imagine what you're going through. But please know, you'll always have a place with us. You're family now." She tells you as she runs her hand up and down your back. You blinked back tears, nodding against her shoulder as you sniffled a little. 

"Thank you," You managed to say, your voice choked with emotion as you did your best not to break down and cry in front of them all but Chan had already spotted you. 

"That means a lot to me." You finished and Jessica pulled back slightly, cupping your face in her hands, running her thumb under your eyes to remove the tears that had escaped. 

"You're a strong, wonderful girl, Yn. We're here for you, always. All of us," She whispered as you felt a wave of relief wash over you, acceptance and love from his family overwhelming you a little. Jessica smiled before walking back to Chan's dad, engulfing him in a hug as Chan came to stand by your side, kissing the top of your head softly.

"See? I told you they love you," Chan said sweetly, you nodded, your throat choked up from tears that were left unshed.

"Dig in, everyone!" She called out, giving you a final hug before going to find a seat at the picnic table in their garden. 

Food was spread out along the table and everyone had fallen into their own conversations as you watched everyone interact with one another. Your eyes wandered over to Chan and his mum as they laughed and teased one another. The sign of affection and the bond the two of them shared made your chest tighten with grief as you felt the overwhelming sense of absence wash over you.

"I'll be right back," You whispered to Chan, your voice wavering slightly as you headed toward the house, Chan watched you closely for a second but kept listening to his mother. 

As soon as you got inside you found the bathroom and closed the door behind you, leaning against it as you took in a deep and shuddering breath. Everything you'd been holding in all day finally came crashing down on you like a ton of bricks, you sank to the floor, burying your face in your knees as the tears flowed freely. 

The pain of everything mingled with the overwhelming kindness you'd been getting from Chan's mum, everything felt like too much as you whimpered a little. You didn't think this would happen today, you thought everything was finally getting easier to manage.

The only thing interrupting your tears was a small knock on the bathroom door as it was slowly pushed open. Chan knew as soon as you'd gotten up from the table that something was wrong but he gave you a few minutes before coming to check on you.

"Sorry, I-I was coming back-" Chan didn't let you finish before he held you in his arms. Your eyes were red and puffy and he just wanted to hug you until you could calm yourself down again, he'd stay in this bathroom all week long if that was going to help.

"I'm sorry," You sobbed against his chest, fresh tears replacing the old ones as you cried against him, your knees feeling weak but he kept his arms around you. Keeping you in a tight comforting cocoon of his arms.

"You have nothing to be sorry for," He comforted, running his hand up and down your back as you calmed yourself down, laying your head on his chest as you let out a small sigh. 

"How are you feeling?" He whispers, it probably seemed like a dumb question given the circumstances but Chan wasn't going to let you go down there again until he knew you were ready and willing to go back down and face everyone again. 

"Calmer, I'm sorry I just sort of broke down." You sniffled as Chan took some tissues and wiped your face gently, 

"Don't be, I didn't think when I bought you here, I just wanted you to feel welcome," He hated that it had seemed like such a good idea in theory, his heart racing.

"We can go if you need if it's too much-" You placed your hand on his cheek and softly ran your thumb over his cheek.

"I do and I love it here, I just had a bit of a moment. It won't happen again." You promise him but he shakes his head, his hand placing over yours on his cheek as he smiles down at you,

"Don't be silly, you're allowed to have your moments, you're allowed to feel like this, Yn. Don't ever feel like you can't." He whispered as you relaxed a little, letting out a small sigh before smiling up at him, ready to go back down there and eat all of the food that you could manage. 

"I'm hungry," You giggle, as he pulls you into one last embrace, promising you that you weren't alone in any of this, heading back down to his family as his mum gestured for you to it beside her this time.

@chiisaiblog @sw33tnight @kaitieskidmore97 @laylasbunbunny @stayconnecteed @saymyspringrain @toplinehyunjin @katnisspeetaprim @acciocriativity @just-aelia @choisoorin @straykids5star @midnightfrog625 @beccaskz @scarletemeterio @halesandy @junhannies @gothic4under4lord @lixie-phoria @soulphoenix1618 @aerastus @jin-from-the-block @lensfilm @elizaschuyler18 @piratequeen-impact @kpopsstuffs @chaeyoungs @delulu18 @xyahrinx @katsukis1wife @anthropologymajorkpopmultistan @blairscott @4-chan-inpadella @niktwazny303 @moonlight-the-writer @armystay89 @hadassahchan @yxngbxkkie

[lisafication]

This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game. 

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her! 

But that’s enough about the more normal, straightforward and understandable sibling. 

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?! 

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle! 

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to. 

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him. 

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

[silverflqmes]

hi!! i hope this request finds you well, do you think you could write agszc with a s/o whos good with kids please 💕?

໒⦂ 𝐆𝐎𝐎𝐃 𝐖𝐈𝐓𝐇 𝐊𝐈𝐃𝐒.

notes. hi hi anon — i wasn’t sure how to go about this so i took a little inspiration from the interactions cloud and zack have with the sector five kids and applied them to everyone a bit! went for headcanons, i hope they are to your likings<3

genre. fluff + crack

ft. sephiroth, cloud strife, zack fair, genesis rhapsodos, angeal hewley

gender neutral! reader.

➫ 𝓢𝗘𝗣𝗛𝗜𝗥𝗢𝗧𝗛 ୨୧ ˎˊ˗

⌗  i hate to break it to you anon but i gotta slap some angst in here — sephiroth finds himself a bit confused, yet curious watching you among kids. had he been raised as normal kids were, would he have received this sort of attention too..? this kindness that was given without effort or consequences?

⌗  in the beginning he just let you do your thing, hanging out with them as you did while he waited to walk you home later.. but then he was slowly urged to join- by the kids no less.

⌗  he felt awkward, out of place and unsure of how he should act — but everyone was patient with him and something oddly warm began to spread in his chest. you didn’t pressure him into anything either — which he was grateful for.

⌗  the girls would braid brush his hair, place flowers in, and when the boys marveled at his height and overall build, begging to be carried, sephiroth obliged and found himself feeling elated — at peace among them.

⌗  you always told them bedtime stories but over time, the kids began to whisper and ask you if sephiroth could because his voice was so smooth and lulled them to sleep effortlessly

⌗  one time the children found a gray, stray kitten — and didn’t want to give it away.. so it became a combined effort between you, the kids and sephiroth, too.. who felt a strange empathy for the feline. it became an everyday thing from then for all of you to take care of the cat and welcome it among your group<3

⌗  someone crying or hurt? masamune’s out and ready to take out the reason behind those tears and wails — which you have to stop seph from doing, but it’s cute how much he cares<3

➫ 𝓒𝗟𝗢𝗨𝗗 𝓢𝗧𝗥𝗜𝗙𝗘 ୨୧ ˎˊ˗

⌗  he’s um- cloud is uh.. he’s doing his best, remember?? ahem.. in other words, he is still trying to get accustomed to kids — it’s a work in progress, but you seem to be amazing with them??

⌗  bro is completely awestruck at how well you get along with them, how you have them following you around with such ease and looking all excited when you arrive. literally how is that possible?? it makes no sense..

⌗  but cloud, as stated before, is doing his best. during the times that you ask him to help out, he manages to provide a lending hand in busying them.

⌗  a lot of the kids are in awe with him and want a chance to ride on fenrir with him or learn how to wield such an impressive weapon like he does — so cloud does what he can to indulge in those requests..

⌗  not the best or worst with cooking but he does know some recipes from growing up with his mother and has shared them with you to cook together on occasion for the children<3

⌗  over time cloud does get better with them, becomes more natural and less stiff.. though he can’t help but stop at times and stare when he witnesses you with them — so serene and kind, delicate and careful. unknowingly, it brings a tint smile to his lips and thoughts of the future.

⌗  ..and then the kids call him out and he becomes a flustered, tsundere, mess — which has you stifling a laugh into your hand LMAO

➫ 𝓩𝗔𝗖𝗞 𝓕𝗔𝗜𝗥 ୨୧ ˎˊ˗

⌗  you’re good with kids?? him too!! zack is so so good with kids, they absolutely ADORE him ( can’t blame ‘em ) — he’s just so chill for an adult!

⌗  seeing you with kids literally clenches at his heart, your exchanges with them are just so so cute and you speak in such a sweet, gentle voice towards them. could honestly listen to you all day if he could😭

⌗  the kids always tease you guys about getting married and make kissy faces at you guys which has your face burning up with embarrassment meanwhile zack is like hell yeah!! ofc he’s gonna marry you, duh!!

⌗  the girls like to pick flowers for you both and do your hair all pretty<3 and zack’s too, cuz ofc he needs to look his best too!! he has little reluctance and is excited as a puppy✨

⌗  oh no a kid is crying?? zack is on the case.. had it not been for you comforting them already oops. but-! he’s on his way to find the culprit! even if it’s just a pebble or branch that happened to be in their path..

⌗  cooking? not his domain, but you seem to be good at it! especially making these cute bunny looking apple slices<3 he helps with cleaning instead ( sometimes )

⌗  now what he does do good in is bedtime stories! has the craziest things to tell and even some folklore from his hometown, gongaga! the kids eat up everything he tells them and are out cold within minutes🫡

➫ 𝓖𝗘𝗡𝗘𝗦𝗜𝗦 𝓡𝗛𝗔𝗣𝗦𝗢𝗗𝗢𝗦 ୨୧ ˎˊ˗

⌗  surprisingly, he’s very good with kids! more so the girls because they’re all heart eyes for genesis, thinking him to be some sort of a prince.. especially with the way he dresses, speaks and carries himself in general..

⌗  he often entertains their fantasies, going along with them and accepting the flowers they picked for him or the colorings they’d hand him — it was just so cute!

⌗  the boys enjoyed to see him in action more with combat, literally watching with stars in their eyes when he fights.. but they always seem to gravitate a little more towards you ahaha..

⌗  genesis has to pinch himself occasionally from staring at you, watching how loving and caring you were towards these random kids that attached themselves so easily to you because you had given them the time of day

⌗  as the kids are lining up for your cooking, so is your boyfriend — he is SO there for that food and is very much enjoying not only the meals you prepare but this overall side of you.. it’s refreshing, he feels special to see it🙁

⌗  organizes a little play for the kids to take part in — of course it’s loveless, it always has to be with him.. and the kids beg him to read it to them at night which brings tears to his eyes. finally some loveless enjoyers!! unlike his friends who make FUN of him..

⌗  always brings baskets of dumbapples to share a piece of home with the kids and even makes different deserts and pastries that he came up with personally! might not do much cooking but baking — and with his hometown’s fruit? yes he will!

➫ 𝓐𝗡𝗚𝗘𝗔𝗟 𝓗𝗘𝗪𝗟𝗘𝗬 ୨୧ ˎˊ˗

⌗  you would think he is another one of the awkward few ( seph and cloud, unfortunately im looking at you guys.. ) but he is not! angeal is really good at taking care of zack, almost as if he’s his own family.. so i believe he must be good with children too despite his stoic appearance

⌗  it was by chance one day during a mission that he had ended up helping you out with the kids you regularly took a detour to visit and hang out with, always bringing stuff from your missions — it was super cute honestly😭

⌗  he is a pretty family oriented guy tbh and totally seems like malewife material?? cooks for the kids, cleans up too, patches up them up if they get injured and tells stories to put them to sleep!! he’s doing it all, guys!

⌗  he wants to lessen your load as much as he can but you seem to have things pretty much under control and the kids are just so chill with you — it’s impressive honestly, he might need a tip or two for handling zack..

⌗  he was telling a story one time — about the buster sword, actually, and as attentive as the kids were, even you since it was your first time hearing, you’d ended up fast asleep along with the kids — it was the cutest sight seeing them curled up against you

⌗  games aside, you do try to teach the kids norms and values to keep with them and angeal also throws in a few words about dreams.. honor.. etcetera..

⌗  a few days later the kids ended up making cardboard and wooden cutouts of the buster sword and repeated his words along with the gesture — yourself included..🫣

notes. sorry for the wait, i hope these were okay and to your likings! i went in with no plan and this was the result basically.. i know it was meant to center around the reader but it shifted over to the boys ahaha.. my bad, hope you don’t mind :’)

↳ return to main masterlist . request rules . send an ask

[cassielovesdeadwizards]

Mistletoe | R.Lupin x reader

| harrypotter x aunt!reader | remuslupin x fem!reader | golden trio era |

Synopsis: after the death of your brother, you take in your nephew as your own, shutting everyone else out in your grief. However, once you’re reunited with an old friend in Harry’s third year, old feelings start to come to the surface as you help each other through your grief.

WARNINGS: mentions of dea!h, mentions of grief. (In this story, let’s say Voldemorts curse bounced off Harry and killed moldy voldy for good, Harry has a normal childhood)

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

“Thank you, for standing with me.” You say, watching as the train leaves the station for the fourth time since your nephew had been accepted into Hogwarts. “It’s always so hard watching him go.”

“It’s no problem at all, you know that.” Remus told you, placing a tentative hand on your arm as you play with your hands worriedly.

It was the same overwhelming anxiety year after year, watching the only family you have left, the only part of James you have left, slip further and further away into the distance.

You and your brother were inseparable, known quite rarely as James and y/n, but more commonly as the Potter Twins. It was a rare occurrence to see one of you without the other, especially at school.

You weren’t with him when he died. No, you were in your own house, washing dishes by hand, because you were to bored to do it by magic. You weren’t with him, but you felt it. Like a knife through the chest, you felt the part of your soul that belonged to him fracture into a million pieces. Your heart that matched his break and turn cold as the glass you held fell to the floor.

You knew part of yourself had died, but not which part.

Not until you reached the Potter’s house.

Not until you found yourself screaming until your throat was raw, begging your brother to wake up.

When you finally heard the crying of a baby over your own sobs, you knew you had to take him before Dumbledore got his hands on him, taking him away from you forever.

“Hello, little one, Auntie y/n’s going to keep you safe.” You whispered, your voice only a fracture of what it used to be.

You tried not to look towards the lifeless form of what used to be one of your greatest friends.

You raised Harry as if he was your own, teaching him everyday about the parents he lost, because you would be damned if James Potter would ever be forgotten.

“I know it’s not, but still, thank you.” You tell him, before turning your head to look into his kind eyes. “You can come over, if you like? Despite what Harry might have told you, I’m a good cook.”

“That would be nice.” Remus chucked, wrapping an arm around your shoulder.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

Sitting with Remus at your kitchen table, you started to realise just how much you had missed him.

“I let him keep the map, last year.” He told you, a small grin tugging at his lips as he sipped his tea.

“Remus Lupin, despite the years that have passed you still have some mischief in you.” You tease, sipping your own coffee.

“Well, once a marauder, always a marauder. Isn’t that what we all used to say?” He retorted, and you genuinely smile.

A rare sighting since the passing of your brother, a sight only Harry has known.

You reach over and take his calloused hand in yours, brushing your thumb over a scar that lay there.

“I’m so sorry that I pushed you away, I never meant-“

“No, no, none of that. I won’t have you apologising for the way you chose to grieve. You lost your brother, and took on the responsibility of raising his child all in a matter of hours. I wasn’t what you needed then, and I understood that completely.”

That’s something about Remus that you had always loved. No matter how wronged he was, he had always found it within himself to understand. No matter how much somebody hurt him, his empathy would always shine through.

“What about what you needed? You lost everybody, and I shut you out.” You said, your confession leaves with shame and regret. He held your hand tighter.

“What I needed was to know that you and Harry were safe. And I knew that. I managed my grief in my own ways, but I managed nonetheless.”

Something else about Remus that you loved, was the way he held eye contact when he spoke. As if people would stop hearing him if he looked away. His eyes held onto yours now, sending secret messages of reassurance that he can’t speak with words.

He smiled, picking up his tea once more to take a sip. You wondered if he had had somebody to hold all this time, if somebody had been there to hold his hand as his world fell apart around him.

As you look at him, you remember the small school crush you used to have on him while at Hogwarts. The way you used to purposely sit next to him in the great hall so he’d have to lean down to talk to you, since he was so tall.

“You know, I’m pretty sure I had a bit of a crush on you in school.” You say, smiling down at you drink. He scoffs in amusement.

“Me? Why on earth would you have a crush on me?” He said, as if the idea was absolutely preposterous.

“Because you were always so kind. No matter how angry you were, you never spoke to me with anything other than kindness. And you’re tall, Godric knows that makes any girl fold,” you laugh. “And I thought you were pretty.”

“Pretty?” He looks scared to ask, as if the answer would somehow sting.

“Yeah, I’ve always thought your beauty was more soft than other boys,” you look into his eyes, seeing the same boy you loved in your school years. “The other girls would always tell me how gorgeous Sirius was, and he was, but I was always too busy staring at you to notice.”

Maybe it was the fact that you finally had a soul your own age to talk to. Or maybe it was the familiarity of talking to an old friend, someone you once spent every waking moment with. But you told him everything, about how lonely you’ve been, about how awful you feel about hating Harry’s similarities to James, about how much you love Harry and how it hurts to not be by his side at all times.

You tell him everything.

And he listens to every word.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

Remus came over almost everyday until Harry was due to come home for Christmas.

He laughed with you, held you while you cried, and grieved with you. The way the two of you should have done all those years ago.

It felt as if the twelve years you were eleven years you were apart never happened.

“Auntie y/n! Over here!” Your nephew called, carrying his case for the holidays with him.

“Harry! Oh, I’ve missed you!” You say, placing your hands on his cheeks and kissing the crown of his head.

“It’s only been a couple of months.” He says, smiling at your antics,

“I know, I know, but you know I have no one to fret over while you’re away.”

Harry hugs you, the kind of hug he knows you need once you see him again.

Harry knows his Aunt struggles to be away from him, he also knows that she thinks he doesn’t know. But since a young age Harry has noticed the way he Aunt always hugs him tighter in the mornings, as if being away in her dreams was far too long, and how she always holds his hand while out and about, and how she sends weekly letter just to check he’s doing alright.

And he replies to every single one, because while others would see it as suffocating, Harry feels nothing to affection and gratitude towards his aunt, because he may be all she had, but she’s all he has in return. And if a letter a week soothes her mind, he has no quarrels in doing that.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

Harry was beyond happy that Remus would be spending Christmas with them. To him, Remus was an extension of his Father, one more person he could ask to tell him stories and memories of the man he never truly met.

You would always tell him anything he wanted to know, but deep down you knew that he knew it pained you. And so he doesn’t ask much of you, but you wish he did.

“Did he get into trouble at school? My dad?” He asked at the dinner table, casting looks toward Remus and you.

You let a laugh slip past your lips, and you hold your hand to your mouth.

“Harry, your father invented trouble.” Remus told him, smiling fondly at the memories.

“Oh, come one. You talk as if you weren’t a step behind him at all times! More often than not, if my brother was in trouble, so were we!” You laughed, for the first time remembering your brother with joy rather than grief.

“And you talk as if you weren’t the mastermind behind most of that mischief.” He says, casting you a look of teasing and humour.

You gasp in faux shock, clasping your chest and looking towards your nephew.

“Absolutely false, Harry. I was no trouble in school.”

Harry laughed then, “Professor McGonagall says otherwise.”

You stop and snap your attention to your Nephew as Remus laughs, no longer able to eat.

“What?” You say, a little panicked, mostly laughing.

Harry watches as his Aunt and who he now sees as an Uncle playfully bicker and argue about who was more trouble to who, and wonders when they’ll realise just how in love they are.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

You’re clearing the table after Christmas dinner, stacking plates into piles and wrapping left overs in foil. Harry had retreated to his room to tend to his new quidditch set before the traditional Christmas movie night before bed, and y/n took it as a great opportunity to clear up.

A hand touched the small of her back, moving her slightly to the left as he squeezed by, taking the plates from her hands.

“You don’t need to do that, I’ve got it.” He says softly, sending her a small wink before carrying them over to the sink.

“Let me do something then, because you did most of the cooking and now you won’t let me clean.” You complained, not a single trace of discontent in your voice.

He turns to you, humour in his eyes but a frown on his lips.

“And what if I want to do all of this, then what?”

“Then you’ll just have to deal with me helping.” You say, stepping closer. You’re standing in front of him now, holding a cup full of cutlery in one hand and a plate of leftovers in the other. “Mr Lupin, I believe you’re blocking my way to the fridge.”

“Oh am I? Thats a shame, I guess I’ll have to take these off your hands then.” He says, taking the plate and cutlery and placing them on the side.

You’re about to argue when he turns back to you, much closer than before. “Let me help you.”

“You’ve done more than enough.” You say in a small voice.

“And what if I want to do more?” His hand reaches up and places a strand of your dark hair behind your ear, but his hand doesn’t fall, it stays put against your cheek.

You look up to see a branch of mistletoe growing from your ceiling, right between the two of you.

His eyes never leave your face, more accurately your lips as your breathing gets heavier.

“Can I kiss you?” He asks, his voice so small you barely hear it. All you can do is nod as his other hand is placed ever so gently on your waist, pulling you in.

He places his lips on yours, and it’s the most gentle kiss, but you feel the weight of a thousand words that have never been said behind it, pushing him closer.

To Remus’ surprise, it was you who intensified the kiss, placing a hand behind his head and pushing further into him. When you broke apart to breathe, he placed his forehead onto yours and closed his eyes.

“I think I’ve loved you for a while now, Miss Potter.”

“I’ve loved you always, Mr Lupin.”

What neither of the two seemed to notice, was their nephew sitting at the top of his stairs tucking his wand back into his pocket, closing the book about growing magical plants with spells.

[aphroditesmoon]

heyy for the clarisse head cannons, maybe a enemies to lovers w clarisse

enemies to lovers hcs with clarisse

clarisse la rue x fem!reader

warnings: fighting, mild violence, kissing.

- I feel like you would probably be in athena cabin or hermes, (or whichever ur prefer)

- clarisse has a lot of people who hate her, but no one brave enough to challenge he, until she met you.

- the two of you match eachother's skills, and it's frustrating for clarisse to admit that you're actually good.

- "you really think you're all that, don't you?"

- "of course not, we both know no ones better than you, clarisse."

- you probably meant it literally, but everyone watching laughs anyway.

- everytime you spar with her, its not because you want to humiliate her but simply because you're intrigued by clarisse.

she was an angry, violent girl, and you wondered deep down if that was the only side of her that existed.

- she doesn't know that ofc.

- she thinks everytime you try to be funny or nice to her, you're just being patronizing.

- for example, when you tell her she's not that bad or try to help her up after you win she's sure that you meant it in a mocking way.

- that was until she got beef with the new kid percy jackson and he broke her spear 💀

- when you found her alone in the ares cabin while everyone's eating dinner, you tried to comfort her. she doesn't appreciate the notion.

- "you shouldn't have went after him, clarisse." you told her.

- "how was I supposed to know he was a son of the big three?" she snapped back, refusing to look anywhere else but atnthe spear.

- the cabin was sileny for a moment before yoi spoke again, "maybe you could give it over to the haphaestus kids, they could fix it."

- "this is a magical spear, not a normal one." she answers back.

- she assumed you came to gloat, to tell her she deserved it, to call her a bully like everyone else did, but she was weirdly comforted by your presence instead. she didn't have to lie or pretend to be strong in front of you, something she learned of after a few months in of sparring with you is that you wouldn't hit someone during their weakest.

- "I remember the first gift my mom/dad gave me when I first got here. a knife, It meant so much to me, but I didn't know that it wasn't invincible, I broke it while trying to pull it out of a tree after I accidentally staked it into."

- clarisse was quiet for a moment before turning to you with a frown and said: "that's so stupid."

- you smiled at her and nodded your head. "yeah it was." she smiled back at you and shook her head. "I can't believe thats the same person who beat my ass last week."

- your eyes widened. "I can't believe you're actually admitting that I've beat your ass." she scoffed at that.

- "how did it end up in the tree anyways?" She asked. you blinked for a few times and reluctantly responded, "I tried to carve my name onto the tree." you could tell clarisse was so baffled by it that she wanted to laugh, but instead she just stared at you with her mouth wide open.

- "thats-" "stupid, yeah, you already said that."

- "carving your name on a tree? really? what, were you 10 years old or something?"

- you were 10. "I was 10 actually." "oh." her face relaxed, all of it finally making sense.

- "anyways, what I mean is, at least your spear went out in a fight. I'm sure your father must be really proud of you."

- clarisse looked away immediately, as if the idea of her father at all, hurted her.

- "you know nothing about my father."

- you shrugged and sat next to her on her bed. "I don't, but I know you. and I'd say you did pretty damn well.".

- you expected her to snap at you again, that was her thing, confronted by kindness or any kind of empathy, fight or flight. but instead she smiled sadly at you. "you think so?"

- you answered yes and inched closer to her. "everyone at camp is either scared of you, or they respect you. that respect didn't come out of nowhere."

- clarisse nodded her head, staring back down at the spear on her lap. "do you really think they can fix it?"

- "it's worth a try." you told her.

- the next time you see her was the following day after she and the other cabin leaders were gathered together for Percy to choose for his quest.

- you noticed she still tries ti act cold with you, but she was less meaner than before.

- "chiron gathered the best of the best to join the quest." she had told you when you asked her where she went.

- "and he asked you to be there?"

- "what, you don't think im good all of the sudden?" she asks, glaring at you.

- you rolled your eyes at her. "I know you're good, but I also know that you tried to kill Percy yesterday, not exactly team spirit is it?"

- she considered it for a moment and shrugged. "who cares, at least that punk will be gone for a while. everything can go back to normal." you follow her as she walked out of the cabin with a normal spear.

- "normal as in?"

- "normal as in, I'm going to kick your ass."

- the two of you sparred for an hour and a half, you wont say that you were holding back today, but you weren't exactly giving her your all. you liked to see the eay she smiled everytime she won, even if it was annoyingly smug.

- that same night, rumors were going around that clarisse was going soft. breaking her infamous spear, befriending her nemesis.

- "we're not friends," she told her cabin siblings. "It's not my fault she's obsessed with me."

- when word got out about what she said, you decided that maybe trying to get to know clarisse was a bad idea. not really being the confrontational kind of person, you just stopped talkiing to her.

- it was a few days later when she went out of her way to find you. all the cabins were in disarray. they were all choosing sides between zeus and poseidon after the news broke that the two powerful gods we're against eachother.

- uncharacteristically, clarisse aided with poseidon. she weighed her choices as cabin leader and daughter of ares and decided it was the best option

- (if you're a daughter of athena) then, you sided with zeus. athena is known to having feud with the god poseidon, and you would side your mother.

- (if you're in the other cabins), then you just use the feud as an excuse to not talk to her, claiming that all kinds of provocative interaction should be kept om a liminal time.

- clarisse found you in the bathroom and tried to get you to listen to her.

- "you're saying that this feud bothers you so much that you've just completely stopped talking to me?"

- "I think, that I'd like to stop being so obsessed with you, considering it was you who said that you wanted me out of your hair."

- she chased after you as you walked out of the bathroom and pulled you to the side.

- " I didn't mean it that way." she was lying and you both knew that.

- "you know what your problem is clarisse? you care so much of what other people think of you, what their perception of you is like. people who wouldn't blink twice if you were in danger. but what about the people who do care about you? the people who want to keep caring about you?"

- your words caught her off guard, she knew it was her fault but she didn't think as far as you had said.

- "I care about you too." she says honestly.

- "you don't hurt people you care about." and she knew that. she knew what it felt like to be scorned and hated by the person you love. and clarisse la rue, will not be like her father.

- "give me one chance to make it up to you, let us start over again." she pleaded.

- you might resent her for what she had done, but that doesn't mean you're immune to her wishes. "one chance."

- "one chance." she agreed.

- the next day, while everyone was out practising, she finda you helping a younger girl in your camp with her stance in fighting and called you to the side.

- "I got something for you." she said.

- the two of you walked a bit further away from other people but she stopped and pull out something from her pocket.

- "the haphaestus kids couldn't fix my spear, but I did get them to work out something new for you."

- it was a knife, similar to your old on2, but the engraved heart shape on the black holder was different. The holder was made if rubbee, easier to grip, and the tip was sharper than anything you've seen.

- "this is for me?" she nodded and placed it into your right palm.

- "it's not magical, but it'll be useful."

- you did not hesitate to pull her by the back of her head to lean down and meet your lips halfway.

- and she did not hesitate to wrap her own arms around your nwck and waist to kiss you back just as strongly.

- "I'm gonna get laughed at for this aren't I?" she muttered against your lips as she pulls away slightly.

- "not something you can't handle." you decided with a small smile on your lips.

- "right, definitely not something I can't handle." she agreed.

[aphroditelovesu]

Yandere Will Graham Headcanons (General)

''I would become a monster for you.'' — Will Graham.

❝ 🔪 — lady l: I've had this in my head for a while and finally decided to write it down. Will is a poor baby and I just want to love him ❤️. I hope you like it and forgive me for any mistakes! 🤎

❝tw: obsessive and possessive behavior, manipulation, kidnapping, death and mention of suicide and violence, toxic relationships.

❝🔪pairing: yandere!will graham x gender neutral!reader.

Will Graham is desperate to be loved, to be accepted for who he is. He no longer wants to have to hide who he is, his true nature. When you came into the picture, he knew he could have it with you. Will knew you would love him and accept him for who he is. You were the beginning of his downfall.

He longs for someone who accepts him unconditionally, without judgment, and who understands his inner nuances and dilemmas. This search for acceptance is exacerbated by his reluctance to hide his true nature, even if it means facing the consequences of being misunderstood or even feared. Will doesn't want to be a monster, but for you, he'll be willing to become one.

His unique ability to empathize with the killers he pursues consumes him, leading him to delve deep into their minds to understand their motives and methods. This ability helps him understand you better, and delve into your mind and when he does this it only strengthens the feelings he has for you. You are something he must protect and love above all else.

Will has his night terrors constantly and every time he has them he will come to you for comfort. Even though he's not the biggest fan of being social, you keep him calm, the warmth of your hug and the kind words you whisper to him make him even more dependent on you.

He is desperate for your love and your constant acceptance. He wants your affection and love above all else and is willing to play dirty to get it. Will is an excellent manipulator and he will know how to use your feelings against yourself, and make you feel bad.

You're not going to leave him, are you? Can't you see how much he needs you? How desperate is he for you? Will is going to hurt you for even thinking about leaving him. You're so bad for this and Will will have to fix that. You won't leave him, not alive, at least.

Will is a born manipulator, albeit a subtle one. He will know how to make the situation favorable for him and will make you trust him, using both his empathy and manipulations to get what he wants. You will be his no matter what.

If Will sees no other alternative, he will probably kidnap you. It's not what he wants, since he wants a normal relationship with you but if he's too unstable or feels for even a moment that you won't reciprocate what he feels, Will will kidnap you. He will feel bad about it but he won't let you go. Not until he's sure you won't leave him.

Will is extremely possessive and jealous of you. A lot of this jealousy comes from the fact that he doesn't think he's good enough for you, that you deserve someone better than him but he's selfish and won't let you go. You are his and he will not be subtle when he is jealous, which happens very often.

He will be bitter and sarcastic towards anyone who made him jealous and will try to make it clear that you are his. Hands on your waist and a hard look usually do the trick. But if it doesn't work, Will will be more aggressive and will use threats and in more extreme cases, violence, which can end with a bruised and bloody corpse. He would deal with the consequences after comforting you for seeing such a violent scene.

Will is as protective as he is possessive. He loses his mind at the thought of you being hurt, or worse, dead. Any injury inflicted on you will not be treated lightly and Will will demand to know who it was that hurt you. He hates knowing that someone hurt you and he will get rid of them sooner or later. He is not a killer, not at first, but for you he will become one. If for some reason you died, Will wouldn't be able to bear it and would waste away until death claimed him. He can't live without you.

Only a very small number of people will be allowed to Interact with you and only after Will is sure they are not a potential threat. He can't risk you being taken from him and he won't. Anyone who tries won't live long to tell the tale.

Will is going to try to make you happy because he can't stand the idea of ​​seeing you sad, especially if it's his fault. He will take you for a walk with the dogs who, by the way, will become attached to you in the same way as their owner. Although he's not rich, Will won't mind spending money to spoil you a little. Everything to make you happy.

To Will Graham, you are more than just an object of his desire. You are his redemption and his ruin, his salvation and his perdition. He is willing to face any challenge, even turning into a monster, to keep you by his side. He's already unstable, you were just the final straw for his darkest thoughts to fill his mind. And only God knows what he thinks about you.