#i never thought people would be interested in my silly characters

[literaryvein-reblogs]

How do I write mean insults that's in character for a character to say? I'm personally poor at coming up with insults that don't sound generic or would actually cut deep, being mean in general. I want to write a snarky character with a dry sense of humour when it calls for it but don't know how to go about it.

He's also recovering from a superiority and inferiority complex.

As the writer, you know your character best, and what insults would make sense for them to say (also considering the bigger context of the scene). So, I'll just provide you with a compilation of prompts and notes from different sources, and you can choose which ones are most appropriate to incorporate in your story.

Writing Notes: Insults & Dry Humor

A List of "Sophisticated" Insults

Craven - having or showing a complete lack of courage; very cowardly

Fatuous - silly or stupid; complacently or inanely foolish. From Latin infatuate, which once meant "to make foolish," but which now usually means "to inspire with foolish love or admiration."

Insipid - not interesting or exciting; dull or boring

Obstreperous - difficult to control and often noisy

Obtuse - stupid or unintelligent; not able to think clearly or to understand what is obvious or simple

Pusillanimous - weak and afraid of danger. It's been used by such notables as Ralph Waldo Emerson ("It is a pusillanimous desertion of our work to gaze after our neighbours"), and the disgraced Vice-President Spiro Agnew, who called journalists "pusillanimous pussyfooters."

Sanctimonious - pretending to be morally better than other people. It once meant "possessing sanctity; holy, sacred." The genuinely holy aspect faded, and William Shakespeare is credited with first using sanctimonious to mean "hypocritically pious or devout."

Twee - sweet or cute in a way that is silly or sentimental. Just as buddy is believed to be a baby talk alteration of "brother", twee is a baby talk alteration of "sweet". Although twee is still considered a chiefly British term, it's increasingly popular in American English.

Unctuous - revealing or marked by a smug, ingratiating, and false earnestness or spirituality. Unction can mean "anointment" or it can name something used to anoint, such as a soothing or lubricating oil. That idea of oiliness led to unctuous, which can describe the slickness of false sincerity.

Vacuous - having or showing a lack of intelligence or serious thought; lacking meaning, importance, or substance

The insult would also depend on which other character it is directed at. Here is a list of "funny" insults for adults from Reader's Digest:

My days of not taking you seriously have come to a middle.

You are the human equivalent of a participation trophy.

If you were a spice, you’d be flour.

You may have a sparsely attended funeral.

I smell something burning. Are you trying to think again?

You’re like a lighthouse in a desert: bright but not very useful.

Don’t worry—the first 30 years of childhood are always the hardest.

May your life be as pleasant as you are.

You’re as useless as the “ueue” in “queue.”

Your face is just fine. It’s your personality that’s the issue.

...and for your character's significant other:

I like you. People say I have no taste, but I like you.

You continue to meet my expectations.

I’ll never forget the first time we met. But I’ll keep trying.

If genius skips a generation, our kids will be brilliant.

We were happily married for a month. Too bad it’s our 10-year anniversary.

I admire the way you try so hard.

You’re entitled to your incorrect opinion.

Have you tried doing it the way I told you to the first time?

The best part of watching a show with you is when you fall asleep because then I can watch my show.

Don’t call me crazy—you’re the one who married me!

You can always alter these to better suit your character. You can read the full list here, which also includes some insults for kids, best friends, and family.

Tips for Better Humor Writing

Humor writing isn’t all about landing a good joke (except for when it is). In creative writing, the effect is usually a bit more nuanced. Here’s a few writing techniques to get you started:

Subvert expectations. Try to undermine the audience’s expectations or reform them with structural elements.

Save the best for last. Humor is often a release of tension, so the sentence builds that tension, and the pay-off—the punchline—happens most naturally at the end. This is also sometimes referred to as the “rule of three,” where two thoughts act as a build-up to the final humorous closer.

Use contrast. Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Use good wordplay. Sometimes words themselves are funny, and just as often, their placement in a sentence can make a difference. Some words are just funnier than others, so make a list of those that amuse you the most.

Take advantage of cliché. While clichés are something most writers try to avoid, it’s important to recognize them,so you can use them to your advantage. Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. In humor writing, this process is called reforming.

Use humor as a counterbalance. If you just pile on one terrible thing after another, it starts to become ridiculous, and people won’t buy it. Using humor is a great way to achieve the proper balance between fantasy and real life. Remember, if a roller coaster only did twists and turns the whole time, it wouldn’t be as fun to ride.

Level of Intensity

There are people who shrug off an insult (“That’s just the way she is”) and people who commit murder over an insult (“I’m avenging my honor!”). Plus, of course, everything in between. Which is your character?

To be believable, consider the following:

Personality. How hard does your character take events in general? Does s/he get really excited over good fortune and really depressed over setbacks? Then we’ll find it believable that s/he gets really angry and reacts accordingly.

The second cause of an intense reaction is the nature of the specific fight that you’re creating on the page. Lily Owens lets most of her father’s insults go by (“the art of survival”). But when he starts in about her mother, the topic is too important to Lily to gloss over. Lily’s reaction is intense. She runs away. Another type of character might merely have seethed silently. Still another might have fought T. Ray more intensively, setting fire to the house with him inside.

Finally, the strength of fights is culturally determined. Where public or even private scenes are disapproved of (upper-class London, old-money Boston, “well-behaved” families), arguments may be muted, even when the subject matters a great deal. In other cultures, volatility is not frowned on, and people may feel free to scream at each other in public. In extreme cases, murder may even be considered a duty, as in avenging a sister’s sexual assault.

Where is your story taking place? Are your arguers in tune with local or family culture? Maybe not. You can create interesting effects by portraying the rebels against the local mores: the meek child born into a battling family, the furious feminist in polite 19th-century English society.

On Dry Humor

Dry humor - is all about the subtle irony of the facts being stated plainly; it is the contrast between sentiment and reality that makes the situation funny.

The technique is known for its simple, often matter-of-fact declarations that will make the audience laugh or be perplexed (humor is subjective, after all).

With dry humor, delivery and intention create a sort of comedic cognitive dissonance or contrast. Sometimes it is as simple as using a bit of sarcasm, but it can also be more than that.

Dry humor lives and dies on the back of doing less.

Less facial expressions, less props, less setup—less is often more when it comes to landing the joke. You aren’t using a big, dramatic setup or a grandiose vocabulary to make your point.

Essentially, these jokes are derived from saying the opposite of what is meant or delivering them in a way that purposefully counteracts the supposed meaning of what is being said.

Dry Humor in Writing

The function of dry humor has often been to highlight the absurd.

It is effectively executed in moments where satirization of the circumstances at play require little more than noting the facts aloud.

When writing this sort of humor, quick, cutting accuracy is key to making the jokes land.

Simplicity is king, and an honest statement of the facts will always lead the way to finding the funny.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Humour ⚜ Laughter & Humour

Hope this helps with your writing!

[farthertothemoon]

It's ok to have bad days when you're healing. It's ok to have regressions even if its "been some time." It's ok to say "no, I can't do this right now" or "I need some time." It's ok to heal how you need to.

You experienced something no person should ever have to go through and you've fought every day to stay afloat. You are strong. You are powerful. You are worth it. Life moves forward and so do you. Every single day you make progress. You may not see it, but it's happening. You have something to be proud of.

You are loved, even if some days you feel utterly alone. Once again, you are worth it.

[darabeatha]

@holymost​ said ; ok listen I know they're fictional characters named/based on but every time I see an aztec god's name pop up on ur blog I'm like "??? WHY ARE THEY TALKING ABOUT AZTEC MYTHOLOGY?" and then I remember JHSDGFSJHDFHDS my hispanic ass got my ass once again I simply know nothing abt fate

/  AOAOAOOAOAOOAOO IORYTOIYUTOY IT- REALLY DO BE LIKE THAT! it’s so cool! and I can’t imagine how funny it must be to see one day greek mythology and then boom; Aztec and Maya mythology,,, and then Indian mythology and so on so forth; and to someone who isn’t too familiar with f.ate, i can imagine how funny it would be to look at someone u’ve read about in books and look at their anime version OITRUTIUORT LIKE;; what do u MEAN Achilles has bright GREEN hair?!?! it’s so silly sometimes, and it has its good and bad things, but i’ll always be grateful to f.ate for helping me discover more about history and mythology from all around the world which i love love love reading about!. But talking about my mesoamerican muses, I currently write five (5)!! 

Moctezuma II: in game they gave him a different name (Izcalli) but that’s more of a f.ate lore thing and a specific kind of situation that doesn’t really have anything to do with Moctezuma’s story so in my portrayal he is directly Moctezuma II the ninth emperor of Aztec empire or more commonly known as the last Aztec emperor (even tho after his reign there were two other more emperors but their reigns were very short so usually its default like that). He was the one who had the first official contact with the europeans amongs more but i won’t get into details because then this will get super long but yes- There are a lot of misconceptions and myths around his figure and quite frankly, not as much information about him, or well; objective information about him; f.ate wise, I got too attached to him and he shakes something in my heart;; maybe something along the lines of being misunderstood, rage, impotence, his story in overall being kind of put to the side, the strong emotional side of humans, expectations, fears and how these affect us all, etc etc. I think his character was not explored much in detail in f.ate and was a little rushed, which in exchange brough a lot of bad opinions about him and as a result, increased my curiosity over him. There’s also this thing where in fiction its often discussed the ‘negative’ traits a character has but these tend to linger on the usual ‘not too disliked’ traits, so when a certain side of a character is explored that doesn’t really match what we are used to see, it tends to create some sort of rejection towards it. In this case, i think his rage was seen as something petty and only that, which i can understand since not everyone will enjoy all characters but,, that limits his character a lot u know? There is something that hits me when a character has a big dislike ratio (like with constantine) and it made me feel more curious about him and to try to understand him further than what we were shown, which in return has made me grown more attached to him. Its me and mocte against the world frfr 😤✊ /OK JKJKJKJK! For some reason he lives rent free inside my head and by god there should be more art of him so i’m always drawing him nowadays. I could ramble about his f.ate design endlessly and talk much more about him but i’ll cut it here before i go overboard.

Tezcatlipoca: one of the central deities in Aztec religion! he is the god of darkness and night, of conflict, war; characterized by his duality as a desctructive god and creator, the enemy and the merciful of duality itself; associated with hurricanes and obsidian, jaguars. He is an omnipotent, ( the definition being: '(of a deity) having unlimited power; able to do anything’) omnipresent, (that can be present everywhere and anywhere at the same time, making him something akin to an invisible being that you can’t see but that he is there regardless) and omniscient god (that knows everything; he can see the truth in human’s hearts). He can also see through the hearts of men! he is also the brother of Quetzalcoatl in some Aztec tellings and the two of them are central to the creation myth, and there is s o much more! very facsinating god. In fate he’s a silly guy, i think in terms of personality; his character was portrayed wonderfully; the duality of Tezca truly shows and its just -chef kiss-

Tláloc-Huitzilopochtli-Tenochtitlán: now this character is kind of confusing if you are not too familiar with f.ate, and even to me it’s still kind of ??? as her spirit origin’s story is mostly tied to f.go lore, but basically, in fate she is the personification of the city of Tenochtitlán but she presents herself as Tláloc or Huitzilopochtli, as she mentions that by enshrining these two gods, Tenochtitlan (the city, aka her) thrived, and I can kind of understand the general idea they might have tried to go with as it -is- true that these two deities were incredibly important; from the side of Tláloc, he was the god of rain and was turbo mega important and venerated in mesoamerica particularly with the agricultural towns, as he had a crucial role in favoring the prosperity of harvest. He was so important that there were a lof of festivities and ceremonies held in order to receive his favors (their economy on the side of agriculture demanded for a lot of rainy days as there were long dry seasons so Tláloc was highly praised) and we still have a lot of items related to him in museums! I wish i could emphasize more how important Tláloc was but I’m gonna cut myself here and introduce Huitzilopochtli real quick;; he is the solar deity in Aztec religion and he’s tied to war and sacrifice as well (like tezca as well) he was like the patron god of the capital city of Tenochtitlan so you get the idea of just how important he was as well

Kukulkán: in fate, kukulkán also has some kind of odd story tied in that takes place in the f.ate universe, but my kuku is mostly- well; kukulkán, or known as the plumed serpent who’s origins mostly trace back to the Maya most specifically around the classic period. To some researchers, Kukulkán is the same as Quetzalcoatl which is why in f.ate, Kukulkán and Quetz are more like sisters to say; kuku being technically the eldest between the two even though she looks up to Quetz a lot. Kuku was considered a creator god and was associated with the winds and rain as it was said they brough them in the first place. a lil curious note; when the weather gets moody, clouds tend to have this sort of serpent-like shape which is from where the association comes from. Funnily enough, in f.ate she claims to be quite an airhead which im not sure if its a reference to her ties with the wind or not but if that was the case, it would be indeed a funny lil detail.

Camazotz: the Maya bat god from Popol Vuh! a god that dwells in the underworld (Xibalba) and is at the service of the lords of the underworld. Xibalba is packed with tests and trials, and if attempting to enter the underworld in the first place wasn’t already difficult, it keeps getting even more tricky! there are five houses and Camazotz rules over the house of the bats, where there is constant squeaking and shrieking. In the Popol Vuh, the hero twins must be able to spend the night in the house of bats (whose snouts are like blades that they use to attack) in order to pass the test, and they almost do it flawlessly until Hunanpu, (one of the brothers), by attempting to take a peak from the blowgun they were hiding inside of, tries to see if dawn has come, which ends up with his head getting decapitated by a bat. To this, other events pass by and he’s able to come back to life and with his brother they defeat the lords of Xibalba at the end. Popol Vuh aside, the bat as an animal had a lot of associtations such as with death, decapitation (from observing bats flying and snatching fruit from trees), night (even day! as they linger in caves but can also be seen flying in daytime across the skies), sacrifice (linked to the previously mentioned decapitation + blood), the underworld (as caves were a gateway to the underworld), etc, etc. Not to mention how important they are for agriculture as they help pollinate crops as well as help in controling over abundance of insects like mosquitoes. In any case, Camazotz is really cool and i love his design in fate!

[lesbianraskolnikov]

It is kind of funny thinking on my headcanon like naturally im googling that where im like Did anyone else have this thought and a few people yes! I tend to see other diagnoses which are usually fair. But also stumbling upon someone else thinking that by chance was so DELIGHTFUL i still clap when i see others mention it like YES!!! YEAH!!!!

[foxmulderautism]

beau is such a trailblazer of an oc cause he's the first dallonwrites protagonist to have a good relationship with his family

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[acid-ixx]

✮ — 𝐎𝐏𝐄𝐑𝐀𝐓𝐈𝐎𝐍 𝐃𝐎𝐌𝐈𝐍𝐈𝐎𝐍 : in which control is your only friend . . . (concept idea)

guys let me cook on this one but i suddenly want to post about an isekai trope au with modern! reader being transported into the world of dc comics. of course you're sentient, but sentience doesn't mean autonomy, because you're forced to don a new identity as a vigilante; guided by a malicious system only you can perceive.

a superhero, a new canon to the world, whose body is still adjusting to its given powers. you are not omnipotent, you are not a deity, and you most certainly could not adapt at such a timely rate; but you were once omniscient to the multiple plots and universes of the world you now live in. that is the only advantage you have amongst the unease you feel at the knowledge that eyes are now plastered all over your existence; a twisted game toying with you, with the price being your very life.

turns out, your existence is controlled by the very viewers (you guys, the commentors, the voters) who determine whichever fate you land on, a rule told by the system from when you were once transported into the world. whether it'd be mere yes or no answers to awkward questions, or even something as major as choosing to save others, or yourself in a life or death situation, and even as far as your love interests— only they can choose, and you'd be left to commit upon such acts, with or without your consent.

imagine, not only your presence is bared naked to the entire world, but every word you say are remembered, are criticized weekly. each and every action of yours that aren't determined by your cruel fans will gain both equal and opposite reactions.

your superhero name is chosen by whoever is the sick mastermind of this entire game. and you! for now, silly you would enjoy the momentary lapses of excitement meeting your favorite characters, but happiness in such a world does not exist. the longer you stay, where every week, your own destiny dictated by phone calls, comments, likes, reactions, and polls; the more you wish you never once set out to abide within the rules of this... game.

it is only your emotions, your thoughts that you can control, but never certain actions at major events. there is no such thing as discontinuity, or changing plotlines once you're able to catch a moment on what you truly wish to say.

as your story is published amongst thousands of people, it is up to your viewers, your deities, to decide whether or not you should live, die, or give you a chance to try to survive without them.

and it is up to you whether to fight back, or to allow their choices to destroy your very life.

either way, your tale is set to capture the hearts of many. and the only destiny nobody, not even your fanbase, nor you, could change, are the multiple set of characters within your world to eventually set their eyes on you.

and my, oh my, it is never once mentioned within these lines of texts that these characters are controlled by anybody, no?

*ੈ✩‧₊˚ are you interested to join your journey ?

♛ —⠀YES !⠀ yes, i'd love to see where this goes.

♚ —⠀NO !⠀⠀i'd rather not endanger myself, no thank you.

[pbandnoj]

The JjK men reacting to finding out you’re infertile. This was honestly a self-indulgent fic idea but then it won on the poll I put out and honestly I was kinda surprised people were interested! Yall picked the only fic I didn’t have finished but I do now so here it is! If you’d like a part 2 let me know! +what characters!

Toji

You didn’t tell him until years into the relationship. Sure maybe that wasn’t the healthiest thing but oh well things happened and you couldn’t change the past. And it took so long for Toji to trust you�� that you just didn’t want to add another thing on top of it to deal with. I mean it took him almost a year for him to introduce you to his kids. It took him that long just to feel serious about your relationship.

And it’s not like he asked either, or used a condom. Cmon, we all know his history with women and he just kinda presumed you were on the pill, or that he’d deal with the consequences after the fact. He had two kids, this wasn’t his first time around the block. And even after he got serious with you he never brought up wanting to have another. His hands were full, and besides he wasn’t very well off. I mean you guys made it work, but that was just with the 4 of you, who knows what adding another would do.

So the conversation didn’t happen until probably 5… maybe 6 years in. Where you both had pretty much decided that you were stuck with each other. That if you lost each other at this point in life there would be no reason to restart the process of finding someone new all over again. He trusted you, and god that meant a lot coming from a man like Toji, his goal was to protect his kids and now you along with them.

Laying on the couch one night, one kid off at a sleepover the other supposed to be returning home soon. You guys trusted them… maybe a lil too much. Head resting on his chest, listening to the way his heart pounded, like it wanted to leap out of his chest and make it known just how much he loved you, how much joy he found being with you. Something he thought he’d never find again after the loss of his first wife, and the second one leaving him.

Some thriller played in the background, some movie franchise Toji was secretly a big fan of. Half empty beers sitting on the coffee table, one of his hands softly scratching your back, softer than the man had ever been before. You, aimlessly fiddling with his other hand that adorned his shiny wedding ring, one that matched yours, deciding on simple ones that didn’t cost much, but meant a lot.

“Hey Toji?” You muttered out, voice weaker than you intended, his hand on your back instinctively tightened, a simple grunt in response. Your tone of voice worried him, that tone always did, meant you’d ruin the peace with something serious, as he’d always say. But really he was just always worried it’d be something so serious that he’d end up losing you.

When you didn’t continue, he grumbled, ready for you just to spit it out. This type of atmosphere either had 1 of 2 endings to whatever conversation was going to happen, either you were super upset over something really really detrimental or it was something silly you were getting all caught up on. “What is it woman? You’re ruining the movie,” his words were harsh, but you were long past the phase of wondering if he was mad at you over simply the way he normally spoke.

“Well….Did you ever… I don’t know… question why I was so excited that you had kids?” You hummed out softly, your hand that was fiddling with the ring on his finger slowly moving to hold his hand instead. Toji had once in the past let it slip that when he had tried dating before you he often got hurt cause they didn’t want to deal with his already pre-started family. He sighed knowing you were overthinking something, “Mmm, not really, was just grateful,” that was one of the first time you had actually heard him be so openly heartfelt.

“Oh…. Well it’s cause I can’t have my own,” you hummed softly. His expression didn’t change, nothing more than an eyebrow quirking up, “Is that so doll?” He mumbled, already deciding this convo was one of the silly ones, aka option 2. You took his response as him just simply brushing you off, watching his eyes reconnect with the tv screen and his hand that was intertwined with yours, now reaching for his beer bottle, “Those kids, Megumi and Tsumiki, are just as much yours now as they are mine.” Everything he had needed to say was in that one little sentence alone.

Your eyes widened, “Oh Toji,” you muttered softly, holding back tears, “Oh Jesus don’t cry,” he huffed, resuming his hand on your back, rubbing soft soothing circles. Reaching his head down to press a kiss to the top of your head but in his head he was just glad this was one of your silly overthought moments.

Nanami

You told him on your 3rd date. Nanami was a classy man, made you feel really stupid for some of the guys you had dated in the past, so you wanted to treat him right just as he treated you.

On your first date he was stiff, and awkward even, but it was endearing in a way. You both had worked together so there was no reason for him be worried but it was nice to know that someone like Nanami could be nervous. That date was a dinner date.

Your second was a bit more relaxed, a bowling alley, an idea recommended by Gojo an annoying coworker you both shared (and bonded over complaining about). It was nice cause Nanami could get a few drinks in, relax a bit, unbutton the top button of his shirt. Strike some strikes and whatever else you did in bowling. It was nice.

Your third date was a walk through the park, a bit more impromptu but you had decided this one, invited him on it too. It was after an early mission, so you two were done around the afternoon. The sun was warm, flowers blooming, walking side by side down some path. And of course the relationship wasn’t official but Nanami knew from the first time he had saw you he wanted you.

His hand was placed respectfully on your lower back, of course after making sure you were ok with it, and trees lined the pathway you were walking on. He had haphazardly stuck a flower in your hair, one he had picked along your walk.

He was warm, comforting, made you feel like you could be you, so you wanted to be honest. “Kento… are you sure I’m the one you want?” You asked gently, eyes nervously looking up at him as you bit your lip, awaiting his response.

“Of course,” he scoffed, he may be a gentleman but he sure was sassy. “Why wouldn’t I?” He hummed tilting his head down to look at you. “Well… I just think some of are goals don’t align,” you sighed and an eyebrow raise from him was all you needed to know that he was listening.

“Well I…. Look… I can’t… I can’t give you a family,” you muttered looking away, your body becoming rigid against his, “And what do you mean by that?” His voice stern, impending, but not harsh just… curious. “Well… I can’t exactly procreate and it be successful…you get it?” You mumbled under your breath as you picked at the sides of your nails.

Oh, that’s what you meant. He nodded more as a confirmation for his inner thoughts than anything you said, he brought one of his free hands to swat at yours that were picking, “That’s fine,” he shrugged looking back ahead at the path.

“What?” You half yelled definitely hearing some bird flying away from you at the disturbance, “But you.. didn’t you wanna settle down? Have a family? I’ve heard you talk about it,” you grumbled.

He rolled his eyes, “Sure I did, but none of that would mean anything without you,” he hummed, stopping to face you. Tilting your head up by your chin, tired eyes meeting yours, “I want you and you alone. If I can’t have children so be it. You’re enough for me.”

And needless to say it was definitely official after that.

Sukuna

The king of curses was already a very scary man, and honestly talking to him could be quite… difficult to say the least. So you swore off to never tell him. And he didn’t even want the little rascals anyway.

Children were too… annoying for someone who was already so irritating himself, and a little one just like him? Hell would freeze over if that happened.

But he couldn’t deny that you made him ponder. What would it be like? Having one.. or possibly two that were a mix of you both. Or better yet he’d like it more if they were exactly like you. The world would be a better place with only one version of Sukuna Ryomen in it.

Yet he didn’t think of it often. But you knew you had to come clean soon, you could feel the way he glared at your stomach as if trying to stare straight into your uterus. When really he was just trying to figure it if you could even carry a baby from a cursed spirit like him… or if he could get a mere mortal pregnant.

He started trying to, oh so so hard to get you pregnant, every single time burying himself all the way before shooting his load. Yet you never showed any signs. Maybe he was simply incapable. That made him frown.

And that was when you hit a dry spell. He had become so worried that he was shooting blanks or that it was simply impossible to have kids because he was a curse. He was a lot more grouchy, and a lot less touchy. Sukuna already found cuddling and the sorts useless but now? Oh he’d barely look at you now.

He was always easily agitated so you often had found it easier to avoid conflict but he was making it seem like you didn’t even exist. One night you burst into his chambers, a little more attitude in the way you shoved the doors open than you usual.

“Tell me,” you called out standing firmly at the edge of his bed, fuming as your first clenched. His raspy, booming laugh resounding amongst the room. “Tell you what exactly? I owe you nothing,” he hummed remaining in his relaxed position on his lavishly large bed.

“You’ve barely spoken to me or even looked at me in a week? You used to be insatiable what is the problem!” You scrambled out. He clicked his tongue as he rolled his eyes, “Tsk, it’s none of your business how I spend my time. If it bothers you then shoo.”

You groaned, you knew him better than that, he wasn’t being truthful. “Sukuna tell me or I will leave this time, I am done playing this game with you.” Narrowing his eyes he took a good long pause before speaking, pointing down to your abdomen, “You show no signs of pregnancy despite multiple times in the bedroom. I’m confused aren’t most women your age fertile?” He jested, quirking a brow.

“Oh,” you muttered straightening up as you sighed. He sensed the noticeable change, “Your soul’s wavering, you know I can feel it, spit it out,” he said, glaring at you, but his look was one more of concern, you could always tell the difference. “Well I uh…”

You walked around to sit on your side of the bed, really he’d never call it that to your face, before you he’d always just sprawled out. Now he made sure to leave that space empty. “Look I…. I can’t have em,” his brow raised, “Have what? You’re being cryptic mortal.”

You groaned, “Kids! I can’t have kids,” that was laughable. Wait you weren’t joking? Sukuna quickly realized that, “What are you deformed?” He teased but it didn’t help the way your eyes got all dewy. He grumbled, he may be practically a demon….. but he did care enough for you to be in his bed next to him.

“So you cannot produce my heir,” and all you could respond with was a shake of your head, confirming. To Sukuna this made him feel a million times better. He wasn’t shooting blanks you simply just weren’t able to be impregnated. He was joyous if not for the tone of the situation.

“Does not matter,” you shot your head over, a confused look on your face. “You wouldn’t have been able to carry my baby anyways, I’m far too powerful for a mortal to carry my heir,” he teased, and while he had his signature smirk you could see the slight tenderness through it.

This may have been one of the only times he seemed to have understood your turmoil. And also the only time for him to have been the first one to initiate physical contact, pulling you into his chest. One hand running protectively over your back, another in your hair, the other two wrapping around you. “Do not fret, calm your soul dear,” his deep voice muttered out soothingly. And that was probably the best you had ever slept.

[hoodedjelly]

my Jenny, Tuck, Brad, Shelden, and Vega older designs ^__^

i'm watching mlaatr, still not done, i think i got like 10 more eps (and if i'm being transparent i skipped around eps... i just wanted to see vega...). And i'm absolutely loving the show!!!! i love these characters a lot, didn't like Shelden at first i'm going to be honest, #1 Shelden hater for a bit there. but he chilled out in season two and i started to ship breldon with that too so now i just love him so much.

more about my personal headcanons:

Jenny: - I am under the belief that she is transgender. Jenny was made genderless, so her deciding to be a girl was strictly her choice and i believe that makes her trans. (She's also a lesbian) - she did grow a bit, im not gonna explain how idc really i just liked her being a taller lady :-) - she has A LOT of different cute outfits and hair styles, honestly too much to draw. she never transforms back into her base show outfit when crime fighting, she just fights in her cute summer dress she don't care. - her and vega are dating grrgrgrrrr - when vega is in rule she makes it so there is complete free access between earth and cluster prime for citizens in both places. - I say that cause i think when jenny is older she moves in with vega, technically living in cluster prime but visits earth like everyday. And brad/shelby/tucker/wakeman visit cluster prime - Jenny also hangs out with the nicktoons unite gang, but i deffo feel like its just that secondary friend group that you don't talk to with for months. when you talk again its the same goofiness as before - i think danny calls for her help when he needs it (also manny) Tuck: - he is still a little shit but we love him - adhd boy - questioning cis (he/him) - he got into robotics/stem and builds little silly things - with that, he gets help from Shelby - pretty much just a silly teen, he's on the internet a lot and has "cringe" interests - but idk he's having fun and being silly and finding himself (those interests is stuff like sonic and among us) Shelden(Shelby) - honestly kinda nervous about ppl thoughts on my Shelden, idk it makes so much sense in my brain - hits you with the transfem beam (she/they) Pansexual (she just wants anyone type of vibe) - I think when jenny is visiting vega often that leaves Shelby and Brad hanging out alone a lot. which they don't mind honestly, they are actually good friends! - but during that they just get closer and start catching feelings. Shelby eventually lets go of her feelings about jenny and realizes they were a real jerk and weirdo to her. brad helps them through that and eventually her realizing she's trans. blah blah they in love and kiss at some point. - Shelby is also a furry lmaooo her fursona is a cat.

Brad: - bisexual cis man (he/him) - Still his old brad self if i'm being honest. - totally forgot to say i think all 3 of them go off to college together (even though jenny doesn't have to i feel like she would prob want to just for the experience, but tell me if you think differently i'm still unsure) - i really don't know what else to say sorry brad! he's literally just as silly as ever man. he's just also gay - i will say here i feel it takes a lot longer for shelby and brad to start dating then jenny and vega. they got that slow burn kinda shit going on, since a lot of that is shelby being confused about her feelings. and jenny and vega just hit it off right away if im being honest, very high school sweethearts. - (also i think shelby makes brad make a fursona to match hers, so brad got a dog fursona)

Vega: - Lesbian cis (she/her) - That ending of her just ruling cluster prime was just so crazy to me cause like, aint she like 16? - i think she has a lot of stressed nights and fearing she's not doing the right thing for her people, and jenny tries to help as much she can - that is why jenny visits so much, she wants to help her. - very much got those nights were she accidently falls asleep at her desk, jenny finding her and giving her a blanket and a kiss goodnight - it's not like she's unhappy, she is actually very very passionate about her work and wants to NOT be like her mom - and yeah she deffo goes to robo therapy for the stuff with her mom. - i think it's a conflict where vega is scared her mom is gonna come back and jenny has to reassure her that if she does they'll get rid of her for good.

imma be honest a lot of my hcs are pretty half-baked and random things, im sure im going to think of more stuff in the future but that will be in different posts.

[hayatoseyepatch]

Description: Three words, eight letters, a phrase that is felt more than it is spoken. This is my take on how some of the Wind Breaker characters say "I love you" for the first time. Characters: Hajime Umemiya, Tasuku Tsubakino, Haruka Sakura, & Hayato Suo. Word Count: 2.6k Not proofread, oops. Contains: Fem!Reader x Multiple Charcters (separate). Fluff. Some slight hurt/comfort if you squint.

Author's Note: Fluff? Something other than smut? From me? Wow. We love character development. But this has been on my mind for AGES so I finally am getting it out. I haven't been feeling the greatest either so please enjoy some very self-indulgent fluff. (¯³¯)♡

You and Umemiya had been together for a while. You both adored each other, tender kisses and lingering touches were commonplace in your relationship. You had met Kotoha, and the others at the group home and have been attached to his side for almost a year. He wasn’t sure what was holding him back from saying those three little words. Perhaps it was his past, he had lost those who he had nearest and dearest to his heart. Their end unraveled right before his very eyes. Umemiya had so much love to give, and so many people he loved to give it to.

But often, he found it next to impossible to let the words slip past his lips. Instead, he showed his love in different ways. Bringing Kotoha patrons and supplying her with crops from his garden for her restaurant. A warming smile and a promise that Bofurin’s big brother would keep his found family safe. Always the first to offer a listening ear or a shoulder when needed. But never those words. Three short words, one syllable each. He knew he could say them but something deep down was stopping him. An irrational fear that if he had, the one he said it to would go too.

That was before he met you. Umemiya hid his darkness well. A well-placed smile and a childish affect cleared the thought anyone could ever have that the feelings he buried so deep even could exist within him. One you found easily. The light you had brought into his world shone brighter than any darkness that could ever threaten to shroud him. The warmth that settled in his chest when you looked his way. His laughter more genuine since you had come into his life. He knew from the moment he had met you, the moment he had first lost himself in your eyes, that they were the eyes he wanted to get lost in every day for the rest of his life. So why, even after all this time could he not say he loved you?

You had always joked that you had a grey thumb, unable to grow anything and that you were fortunate enough to have his abilities for gardening. One of the things he loved most about you was the amount of effort you put into his interests. He was coming up to the rooftop, it was late summer and he was excited to see what was ready to harvest. He was surprised to hear your voice, looking around the corner he saw you watering the plants. Just as he had shown you how to. “You're looking beautiful today, growing nice and big and strong.” You sighed, feeling ridiculous, shaking your head. You jumped, nearly out of your skin hearing Umemiya’s giggles. “Sunflower what are you doing?” He said between peals of laughter

“I read online that talking to the plants could help them grow, I don’t know how well it’ll work.” You sigh shaking your head feeling a little silly. However, Umemiya’s heart was soaring, you had taken it upon yourself not only to express interest in something important to him but to go out of your way to care for it even when out of his presence. His eyes softened, cupping your cheek he leaned down to slot his lips against yours. The embrace was gentle, lips molding together as if they were only made to be with the other. He parted from you after a moment, breaths fanning against your lips as he spoke. “I love you, my sunflower.” He smiled against your mouth as he kissed you once more, knowing no matter what came next he would be by your side until he drew his last breath.

Tsubaki had only felt comfortable in his own skin in recent years. Having spent so long conflicted with himself regarding his appearance. He was so fortunate that for those who didn’t support his choice in his appearance, he had so many who were right there by his side, rooting him on. But it wasn’t always like that. For longer than Tsubaki cares to remember he was all alone. Forced to walk his path in constant fear of ridicule. He was teaching himself to fight to protect himself from those who would try and hurt him on the sole premise of being true to himself. Those days felt like a lifetime ago. Because now he had Bofurin, because now he had you.

Tsubaki couldn’t forget the first time you had both met even if he tried. He was just starting to dress more feminine, his hair an awkward shoulder length. Still learning how to apply makeup. There were a few boys from his grade who were taunting him, calling him names, and throwing things in his direction. Normally he would have stood his ground, beating them to a pulp for what they were doing. But Tsubaki was tired, tired of having to defend himself, tired of having to be so strong just to live as he chose to. How he felt most beautiful. He wasn’t that strong by choice, he was strong because he had to be. Because Tsubaki had to be stronger than their ignorance. Tears welled up in his vision at their harsh words, about to get up and defend himself once more.

Before he could get to his feet, however, he heard a voice call out, capturing the attention of his assailants. Stood there was the most beautiful woman he had ever seen, delicate features enhanced by the soft cosmetics that had adorned your face. He watched with wide-eyed fascination as you ran up, the closed fist of your manicured hand coming into contact with their leader’s jaw, sending him to the ground upon impact. Tsubaki couldn’t move, he watched, frozen as you gracefully fought the group that had been trying to bring him harm. Tsubaki was strong, and more than capable of handling them on his own, but in that moment he learned that he didn’t have to. He didn’t have to fight his battles alone anymore, because now he had you.

He remembered stumbling over his own name when you had asked for it, cheeks a dark shade of red when you smiled at him. He remembered the way your hand had felt in his grasp for the first time as you dragged him back to your house to get cleaned up. Humming as you wiped the dirt from his cheeks, in a very similar manner as you were doing right now. He lay in your bed, your thighs straddling his waist as you hummed, swiping the brush along his cheek, applying the peachy blush you said paired so well with his complexion. You paused in your humming meeting his eyes that gazed up into yours with adoration, giggling softly. “Welcome back, that was some daze you were in. What’s on your mind gorgeous?”

Tsubaki’s cheeks flushed deeper than the powder that painted his skin. Tucking your hair behind your ear, you sent him a smile, soft and full of tenderness. Tsubaki wasn’t sure he believed in love at first sight, but he knew from the moment he met you that he loved you, and over time that love had only grown. Reaching up a hand, thumb swiping your cheek as he returned your loving gaze. “Just thinking about how much I love you, that’s all beautiful.”

Haruka wasn’t familiar with love. Often times he found it nearly impossible to express his feelings. Before coming here, even something as simple as kindness was a foreign concept to him. Being so often judged upon first glance he never got the opportunity to even try to build relationships. So after a while he had given up trying, That was before he came here. Before he was welcomed in with open arms. Before he found the only place he felt like he truly belonged. But you. You had opened up his world to so much more. You showed him what love could feel like, An emotion he never thought he could ever feel let alone have bestowed upon him.

You were much more open with your love, taking care of him when he got sick after a fight, making sure he was eating and taking care of himself. You had teased him relentlessly when you first met. Adoring the deep flush in his cheeks and the reactions you could pull so easily from him. Eventually, that teasing morphed into affection, which blossomed into love. You still had a habit of teasing him, but it was never ill-mannered always coupled with your beautiful laughter. And if he got to hear that beautiful sound bubbling past your lips, he would deal with the heat that graced his cheeks and the pounding in his chest.

You both had been together for quite some time, well past the point of the outbursts you had first been met with when openly showing your affection. Long past the point where he would feel the urge to run for the hills the second you called him one of the plethora of pet names you had bestowed upon him. But he still struggled to verbalize his feelings for you. He knew you were well aware of his feelings toward you. What he couldn’t express through words he showed through his actions. He was eternally grateful to your seemingly unending patience with him. Being well aware of his past you knew he would say it when he was ready. It wasn’t as if he had never said it before, but those times were when you were fast asleep next to him. His fingers carded through your hair as he gazed upon your relaxed features, whispering those three words in the silence of night. But as you lay here in his arms, looking up at him with those beautiful eyes of yours he knew that he needed you to hear how he felt. Not just feel it. Leaning down he brushes his lips against your own, lips slotting together like two puzzle pieces, perfectly fit to one another.

His eyes are soft with fondness as you pull away from the kiss, head tilting to lean into the touch of your hand. His eyes locked with yours, lidded with adoration. His lips melting against yours, arms encircling your waist. He hums thoughtfully against your lips. His heart felt warm, pulling away he looked into your eyes, a soft smile tugging at the corners of his lips. “You know, I sit and I think to myself sometimes ‘god I can never love you more than I do right now’ and you consistently test that theory by making me fall more in love with you every day.” His heart raced in his chest, never the best at expressing his emotions, but in this moment Sakura needed to tell you how he felt. Never one to back down, despite being able to hear his heart racing in his ears as he continued to speak.  “Your smile still makes my heart pound, your laugh still makes my head feel fuzzy, and your kisses still make me feel like I’m floating. I love you so much.”

He gives you a soft smile pulling you close once more to kiss your lips, hand now coming to rest at the back of your neck to keep you in place as his lips meld with yours once more. Before moving here Sakura could confidently say that he had never felt at home anywhere. He was alone, perfectly fine never planting roots, he had believed it would always be that way. What he didn’t realize was that home was more than where you returned to at the end of the day. It would be something he found in you. Because his home was right here, in your arms. His home was you.

Suo hummed to himself, walking through the isles of the florist, perusing the flowers. He had made it a habit from your first date to always have fresh flowers for you, showcasing their beauty that in his eyes was rivaled only by your own. When he had presented you with the first bouquet, you had scrunched up your nose reporting to not understand the purpose of a gift that would eventually die. From that moment he decided he would always have fresh flowers to decorate your space. Showing you that their beauty may be temporary but the flora could hold deeper meaning.

He was fascinated by the symbolism of flowers. But he very specifically took delicate care in every single flower that was showcased in a bouquet he arranged for you. For a man like Suo, someone who never showed a crack in his armor, never showing his true feelings often relied on subtle ways to show his love. The first flower he had selected for the bouquet were violets, their heart-shaped petals reflecting their meaning of everlasting love and devotion. Historically a gift of violets was a declaration to always be true. These flowers were common amongst the arrangements he curated with their placement, a promise to offer you the same. The next flower to join the arrangement followed a similar sentiment. Representing strength and love was the gladiolus. It was once believed that the beauty of the gladiolus could pierce another���s heart with love, the same could be said for the way you had done to him. Their purple hue paired nicely with the violets, the color symbolizing the beauty in the love you shared. The flowers to follow would showcase similar significance. Baby’s breath for undying love, calla lilies for beauty, and pink camellias for longing.

Suo was always deliberate in each flower he chose for you, choosing to convey his emotion through the meaning behind each flower he placed delicately in the arrangement. Smiling to himself, satisfied with the selection he had chosen. Sitting at his table as he placed them in their wrapping, being sure to pluck one from the bunch, placing it in a vase so when it began to wilt he would know it was time to gift you a new arrangement. Once he was satisfied, he set off to your apartment, knocking on the door. His signature smile graced his handsome features as he took you in. “Hello there beautiful, I have something for you.”

You smiled at Suo, taking the flowers from his grasp, and replacing the old arrangement with his assistance. You were very aware of Suo’s knowledge of flora, he would often tell you the meanings they held while out together. So much so that you began to look into it yourself. Taking what you knew of the flowers now to assess the arrangement. Eyes soft as you turned to your boyfriend. Hand curling around the back of his neck to pull him down to your level, lips brushing against his. The both of you melted into the tender kiss, your other hand coming to cup his cheek as his found purchase on your waist. Pulling away, you pressed your forehead against his looking into the rich auburn of his visible eye. “I love you too, Haya.” Your words were met with his gentle laughter. Taking one of your hands in his own, his lips brushing against your knuckles. “I love you, more than words could ever express, my sweet baby.”

Suo smiled looking down at you, knowing each flower he had plucked from your bouquets had been dried and coated. Keeping a memento of how despite your initial feelings on the gift, even flowers that have died could still be enjoyed. Those flowers were placed in a special place, kept safe. One day he planned to have the dried flowers arranged into their own bouquet. One he would present you alongside a ring, a promise to love you until the very last one died, knowing these flowers never would.

Dividers by saradika-graphics. Writing & character banners by me. If you enjoyed it, consider taking a look at my masterlist: here.

[mantou-rin]

The moment the boys realise they are head over heels for you

Characters: Kenma, Sugawara, Yaku

A/N: The amount of things I am able to come up with while at work should be studied. As usual not proofread I am sorry but I hope you like the silly thoughts that go through my head on a daily basis.

KENMA

Kenma couldn't help but look up from his game to stare at you.

You were at the other end of the classroom talking with a few of your classmates. Your voice wasn't exactly loud, but your presence was more than enough to catch his attention. Kenma admired the way you spoke and the way your face lit up everytime someone said something interesting. You weren't exactly an extrovert, but you had a bubbly and bright personality, and often got along well with pretty much anyone. 

Kenma kind of envied you for that. Not that he was the kind to draw attention to himself, but being able to comfortably talk with people sometimes seemed nice. 

From the corner of your eye, you caught sight of him looking at you, and you turned to give him a smile while waving towards him. He instantly panicked, and quickly turned his attention back to his game console, trying his best to calm his rapidly beating heart. 

He wasn't sure for the longest time about this feeling he had towards you. Was it fascination or just admiration, or was it something more than that. To him, you seemed so interesting, almost as if he wanted to study - no, get to know you better. His racing heart finally confirmed it as a crush, but how does he even begin to ask you out? 

“Kenma”

He nearly jumped when he heard that familiar voice of yours. Slowly he put down his console and directed his attention to you. You were standing next to his desk, the sunlight hitting your face gave you the prettiest glow he had ever seen. 

It was real, he wanted to get closer to you, he wanted to understand everything about you. 

“There's a new cat cafe that just opened, would you like to go there together? I hope you don't mind that it'll just be the two of us.”

Two of us? Did he hear that correctly? Of course he wouldn't mind, if anything he was more than happy that it was just the two of you.  

“Mhm.” Came his silent reply, to which you happily told him that you’ll message him the details when you get home. 

Turns out that your feelings for him were mutual as well. 

SUGAWARA

Suga was not having a good day right now. He felt he didn't do a great job at practice just now and now he couldn't get rid of the constant worry that his team would be disappointed in him. For the most part, he knew the Karasuno boys would never be upset with him, but what if today it was different. 

Before he left just now, Daichi had already told him to cheer up and not think about it, but he just couldn't help himself. He wished he wasn't the kind to mull over his mistakes over and over, but unfortunately, he wasn't that kind of person. 

He really wanted to call you right now. He often told you how you were his comfort after a long day, and he felt that he really needed you today. He was about to make the call when he realised that you told him that you were going out to run some errands that night. 

Right. It wasn't polite to disturb someone when they were busy.  Suga figured to simply drop you a text instead, the both of you could talk about it later tonight.

Sighing, he shoved his phone back into his pocket and looked up at the sky. It was so quiet and calm, contrary to whatever his mind was right now - noisy and chaotic. 

“Suga!” He heard someone call from behind him. 

Hang on. That voice was familiar, one that he has heard many times, there was no way it was - 

You.

Suga wasn't sure why he nearly cried when he saw you, heck he wasn't even sure why you suddenly showed up. 

“Sorry if I’m a little late, but I saw your message and figured that I should come right away. Also sorry I couldn't get something better, but I got you some ice cream from the convenience store on the way here.”

Suga panicked a little, he worried that his message to you came off as something that needed immediate attention, that wasn't what he intended for it to be, although now that he saw you the chaos that was in his mind just now seemed to have died down. 

“Eh, I thought you had to run errands? Sorry if I bothered you.” 

“I can always go another day, besides, you having a bad day is something more important than the groceries I have to buy.” 

Suga wasn't aware, but he was sure he let a tear slip out of his eye when he felt your hands reaching towards him to wipe them away. He never noticed because he was always the one doing the comforting, but right now with you next to him assuring him that everything was going to be alright, his mind became a reflection of the night sky - calm and quiet.

“I'll go run your errands with you tomorrow, and will you allow me to bring you out for dinner afterwards?” 

YAKU

Yaku was glad you decided to join the volleyball team as a manager. Even though the two of you were childhood friends (and neighbours), any extra minute he got to spend with you meant a lot to him. 

You were attentive and smart, always promptly taking care of the team’s needs and giving out advice as needed. Your presence alone sometimes helped boost the team’s morale. 

Water was running low? You had already prepared new bottles for the boys long ago before they even noticed they were running out. 

There was a spot on the court that seemed a little slippery? The next thing Yaku knew you were ready to swoop in with the mop to clean it up. 

The team needed extra balls for practice? There was nothing to worry about because you would have a new basket of volleyballs ready by the side.  

You were talking to Yaku halfway after practice when you excused yourself to find the coach for something. Yaku couldn't help but glance over at the extra bag he had seen you carrying around recently. You happened to leave it open, and Yaku caught sight of a pair of knee guards - specifically the ones he was using. Yaku didn't want to peek, but he was too curious as to why you had that in your bag. He pried the bag open slightly and saw a towel as well as a pouch filled with first aid supplies. 

Perhaps you were playing volleyball too? 

When you came back, Yaku asked if you started playing volleyball too, referencing the items he saw in your bag. 

“Ah, no it's just emergency stuff in case you get injured. I've seen you getting many new bruises because of practice so I wanted to be ready just in case.” You replied softly, slightly embarrassed by the fact that you had been found out. 

Yaku felt his heart do about a thousand backflips. He was always under the impression that you cared for each team member equally, but now knowing that you put in a little more effort to look out for him made him somewhat flustered. 

“Ah, thank you.” Was the only thing he could splutter out.

There was a brief silence before he mustered up his courage to speak again.

“Would you like to go get dinner together after practice tomorrow?”

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[yugsly]

Hey uhhh. Sorry if this is too spoilery. So that Zine. Mentioning Capochin. THE FULL ON EMO EXCLUSIVE.

Do you think Capochin and [Redacted] improve together? They got a lot of work to do?? Is it okay for them to be together?

I wanna know MORE and I just. People are SCARED for Capochin myself included uhhhh.

PLEASE I NEED ANSWERS

Hey, before I say anything- I know they're mine and Day's characters, but anything I talk about related to "post-game" or context not in-game is still "speculation". Meaning, not necessarily canon unless it was something recorded in dev-text or something I specifically had in mind while creating it, not after. I would never want to snuff out anyone's own ideas for what things "mean". THAT BEING SAID, I have some things to say- DO NOT READ ON UNLESS YOU HAVE COMPLETED THE GAME:

So, It's pretty complicated and I've thought about it a lot during and after making the game. Hector's got to do a LOT of work to even earn Capochin's forgiveness, if he'll even give it to him. (if most anyone will give it to him, really.) It's a silly cartoon game but yes, the situation is pretty grim. I mean, you've seen that cooking video Capo made. You've seen what he said when you faced him at the end of the line. All those implications. Without getting into specifics, yeah, the situation was really, really bad. But it's complex. It's not black and white. Hector and Capo knew eachother for a long long time even before Hector became Inspekta (a nosy person might have noticed the news clippings in Milldread). So they go way back- and I imagine things were pretty great up until, and a good ways into Hector ascending. But you know, there was a certain turning point- leading to where he ended up. Razzma speaks on this a bit, throughout. (Razzma has a lot of interesting background tidbits, explore giving her different phrases!) Him realizing that becoming a god didn't solve his insecurities like he thought they might... and more... I won't elaborate too much, because I want you to imagine it yourself. I only want to spread a few bread crumbs and let you make up your minds, even if I have my own thoughts, you know? Your question: "Is it okay for them to be together?" Well, that's up to you to decide. It's okay to imagine whatever you want. Capo forgives Hector eventually? Great. He never forgives him? Also Great! Do I wish I had more time in-game to elaborate on these things? Sure, I do. There's a handful of things I'd love to have explored. But I also like that it's open ended- you can tell, at the end, even though the day was saved, Hector and Capo feel awful. Sure, Capochin gave him that confidence boost to save the day- nothing he said was a lie- it was just the right thing to do in the moment. But you know, they don't really get a chance to really hash it out. It allows for y'all to really brainstorm, the world is your oyster. Whatever you come up with- be kind to eachother and respect eachother's ideas, okay?

[bc-jpeg]

Thoughts on Grumbo?

I would kill for them. I think they might be the biggest hyperfixation ship in my life, I don't remember this level of insanity with any other fandom before.

I guess it’s not that visible from me, because I prefer to keep my socials blogs kinda clean from rebloging stuff*, AND I don’t draw them so often because I have so much projects on me and no time, it’s kinda sad.

honestly, if I had started, there would have been a huge lecture about grumbo, they have had so much going on for several years, and all the details fit so perfectly into an incredibly interesting dynamic that includes not only the interaction between the two of them, but also the essence of each of them, some character traits, daily habits, traumas and etc.

I'm going to say something that really upsets me. the problem of grumbo's non-popularity is very much based on the fact that their ship does not lie on the surface. it’s not as accessible as other popular ships in this fandom, and this is extremely painful, considering what their history really is.

grumbo are built on much bigger things than just silly interactions between characters that you might notice in episodes, even bigger than scripted lore moments on hermitcraft and life series. everything goes from their very first collabs to this day for several years already, and some micro fragments/clips from their videos are simply NOTHING compared to the context of the whole story. and just a disclaimer: I'm talking about the characters here, not about real people, the whole story only falls on their characters.

I often see that people may not understand grumbo’s ship dynamic at all simply because they watch only one pov (mostly grian). in this case, I beg you to watch both povs, you miss a lot if you watch only one person. in general, you can also watch third-party people with them! last life grumbo are also built on martyn's pov, for example.

I am so happy that their story started spinning again at the end of the hc s9 due to mumbo’s return, now in hc s10 + WHATEVER IS GOING ON in life series (especially in life series, because mumbo has NEVER had such possessive moments about grian before).

“forget the cactus ring, the desert i'm stuck in is sahara”

* I often reblog things from @mwapollo because he can put everything into right words MUCH better than me, especially when we discussing it all on a daily basis together, so we literally have the same vision about grumbo. I just really want all of his thoughts to be seen in this fandom. ykw I would turn it into shout-out, GO TO @mwapollo’s blog I DARE you. if you’re a grumbo fan, his blog is my first recommendation to go to.

[parisoonic]

How the hell do you manage to superimpose the hilariously exagerated proportions of the tf2 mercs into a cohesive 2d style? I always struggle SO much with like, the way the mercs' models have huge hands, the way they have relatively low-poly definition on things like arms, shoulders, and legs... and Especially the way like, the models are kinda janky when you pose them for art purposes- when using movement tools, things like armpits and seams between body parts get all deformed... Which makes the study of form and silhouette rather difficult.

I assume that a lot of your ability to translate the concept of the mercs from their original mediums into your own works of art comes to you quite naturally- through experience you have with drawing and art style stuff, as well as through intuition. I was simply wondering if I could poke at your mind and get some insight into your process, any thoughts you have about the proportions and silhouettes of the mercs, any quirks you've found while drawing the mercs, or simply what you enjoy drawing about them. Like, don't be afraid to infodump about something just because you think people wouldn't find it interesting- I am here, I am sitting, and I am listening- if you so choose to speak.

I am utterly fascinated and enraptured by the more behind-the-scenes aspect of art. The mundane things that come second nature to great artists yet seem so revolutionary to less experienced artists.

I love your work, I look forward to seeing more of it, and I hope you have a nice day :]

Sorry for the late reply! I've been a little…stuck on how to answer this but that's mainly because to me, drawing is composed of SO many different little skills - you have form, anatomy, shape language, silhouette, appeal, rhythm, acting and posing…not to mention everything AFTER your raw draughtmanship like line style, rendering and colour theory. Trying to distill a multiude of small skills into some pithy advice is overwhelming to my brain. So I'll take the invitation to ramble instead :))

I don't think I have any new or revolutionary insight into the tf2 guys specifically - more I'm using them as work horses to excercise general silhouette/posing/shape-language and further my skills when it comes to drawing characters!

I do agree though the proportions are rather silly when you stop and think about them realistically…they can be kinda tricky if you follow their 'actual' proportions. what looks great individually was maybe never meant to be directly compared (ie: Heavy's hand size against Spy's lol). It would've been funny if the TV show exsisted and we had more content to review…would the animators have had rules like Spy and Heavy can never shake hands? Would they cheated the proportions for shots? Or would they have said WHATVER it's gonna look weird and embraced it? (Like Kingpin in Spiderverse lol)

Paul Lasaine for 'Into the Spiderverse' This is AWESOME. But it's also one of the silliest designs I've ever seen comitted to screen. The varied scales of the characters work because of the unifying treatment (lighting, rendering, consistant hand anatomy, consistant clothing fold treatment etc) and because they are sort of proportional within themselves. A common mantra is that hands should be about as large as a characters face....which they all are here!

Human brains are very flexible and forgiving though. It's totally fine for you to put a character with huge hands and head next to a teeny tiny character! Vanellope and Ralph from Wreck-It Ralph look grand next to each other! And in that film you even have varying levels of stylisation sitting against each other (unified by the look dev treatment of the shaders and lighting). I think as long as the chracter is proportional within themselves it sort of works out. IE: a general rule is that a hand should be as large as the face so…you can have some large arse hands as long as their placed on a body with a big arse head. Unifying characters with the same treatment (ie: lineart brush, colouring style will also help them look cohesive next to each other :) )

I don't actually reference the 3D models/animations very much at all and instead draw their proportions based on my tastes for stylisation following their general vibes/silhouette profiles. I don't stick THAT close to their in-game looks and there are artists who do that are so so so much better than me (Creedei and Flapjack come to mind). I'm not amazing at body-type differentation and TBH they're all wearing chunky clothes all the time so I usually draw the guys as one-of-three body shapes: Heavy is the uniquely wide guy; Sniper/Scout/Spy are all tall and slim and Demo/Soldier/Medic/Engie have a little more of the generic 'hero' bodytype with varying tallness and broadness of the shoulders

Something like this! You can vary all these individual elements in terms of size, thickness, taper amount etc to create different characters. If you ARE going to reference the 3d works though you'll need to apply some anatomy knowledge to overcome the weird shoulders, armpits and knees which desperately need blendshapes to correct the 3D volumes and approach it a little more like an animation supervisor. There's a reason why you see in making-ofs and art-ofs character designers, character leads or animation supes doing drawovers of the models. These are character models that have had great effort put into their 'base' silhouette but it still needs to be reinforced in every frame for maximum appeal.

Shiyoon Kim for 'Raya' This sort of thing will occur at multiple stages during the animation process. Shiyoon Kim's notes are post final model but pre-animation. Most likely for internal rig tests, exploring what blend shapes and alt shapes are needed for the rigs etc. If your production has time, this will continue all the way to final anim. IF! But it's interesting to see how he emphasises the shapes and enhances the character acting of the 3d model.

As for 'mundane things' - I wouldn't say they're second nature! (If that makes you feel better!) I have to actively really persue certain advice and try to figure out how to best apply it. This can sometimes involve redrawing and redrawing an element of the drawing until I've grasped the nettle of whatever I'm after or…..until I get frustrated and either delete the drawing or just call it done lol

Here, I'm looking for a really specific flow of the head that sells both the acting and a subtle head tilt. I'm also trying to apply the general mantra regarding faces that converging lines (set by the eyebrows and mouth) are more appealing than parallel. It's tough! I also tend to use a drawing I've already done as a template/reference on the page too. Oh! This page is an amazing example of why I'm not an animator or storyboarder…consistancy? Who is she? 💅

Converging lines (that form tapered shapes) are always more appealing than parallel. Using this logic you can loft the facial features across converging lines to create dynamic appealing espressions. Combining this with anatomy, perspective and rotation is the tough part though. I'm still learning o7

The things I probably think about MOST are always flats vs curves, simple vs complex and general line of action/flow...and then eliminting tangents. Each of these can be a dedicated visual-essay on their own - hence my stumbling as to answer your question. Anyhow, not sure if it's ever come up on this blog but I looove dinosaurs :)) so i'm using a wee piece to demostrate these ideas! (but also to demostrate these concepts apply to everything from humans characters to animals, props and background design)

Okay, I'm getting self-aware that this is getting really long :') I have a wee tutorial tag for my blog if anyone wants to comb through my garbled art-thoughts. Learning, studying, repetition and practice will always be the greatest teachers! I'm glad you like my art- thank you so much for the lovely comments - I feel like such a noob still and not qualified to give people advice but we're in it together learning! High-five! 🙌

[emilibro]

Ughhh I'm so sorry to be an ass but I see so much popular art on tumblr and around the internet that really woobifies both Laios and Kabru and their relationship, especially when they're together.... You guys are aware that Laios eats monsters the way people would like. Eat animals, right? He's not crazy or stupid or sadistic or anything. He has a special interest and it's monsters.

Furthermore, his past having himself and his sister be shunned for their interests in the abnormal made him develop a distaste for humanity. Laios has just thought monsters were way cooler since he was a kid, and Falin really looked up for him for his dedication to his interests and personal code of moral ethics. He never loved his sister less for her abilities, he admired her for what made her different. Because he's fucking awesome and they're autistic as hell.... they both went through so damn much. Laios never fit into the military, into his hometown, he barely fit into most groups of adventurers since he met Marcille, chilchuck, and company, and two of the members of that original party didn't care enough to join him. His feeling of worthlessness to his friends in the beginning of the story are enough to make him imagine a whole scenario in between major chapters where he was the one who was eaten.. and he thought nobody except Falin would care enough to save him.

Point being Laios has a much richer character that goes ALONGSIDE his special interest in monsters. Which honestly is more comparable to, like. A fucking biologist. Not a monsterfucker, not a cannibal, none of that shit. Monsterfuckers are cool as a monsterfucker but he's not one.. he's more like a furry man.... And he's not stupid he's just. Autistic. Why are we making autistic characters with a silly side seem stupid? Everyone has dumb moments sure but like.. he's really smart guys... there's a reason he's such a good leader outside of his ability to listen to his party members. Don't fall for the mischaracterization of Laios that his party members originally set for him before major important arcs guys...

And Kabru. Oh my God. Kabru. Kabru is also autistic but for humans, social interactions and culture... he's a nerd for politics and the humanities, and I'll avoid saying much more to avoid spoilers for non-manga readers but you'll see more of that as time passes. But he's not the type to be easily flustered. Laios only gets to him, not even because he's that difficult to read, but because he catches him off guard. He's an interesting critter, bro. And Kabru definitely sees that. It takes time to respect that, but within a period of time he learns to see him as a relatively competent adventurer and places a lot of faith from him. On some level, this guy has learned to understand this very interesting autistic guy who is forward with his feelings that a very autistic Kabru hasn't learned to understand. That's what makes their relationship so cool, man. He's not cold in reality (though people may perceive him that way due to backstory motivations and attitude within the dungeon), but he's a lot more serious than this... c'mon guys.. let's be a little real here please.... at this point I barely like Labru anymore because they've been so like. Babied. Woobified. Whatever the word is man. I'm starting to appreciate their friendship more as a friendship now because I just think the beautiful qualities I saw in their romance have been sort of overlooked or misinterpreted. Nowadays I just think their platonic relationship is beautiful. Sighs.

Farcille is awesome though and these girls are awesome slay

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Edit: hey guys, I wanna address a couple of things here! For one, this isn't intended to be ship hate. Labru is a perfectly valid ship - rather, I'm just not a fan of how deep the mischaracterization of both characters runs, and how it results in the subsequent babying of their relationship. While it's driven me personally away from the romance a bit, I have no problem with the ship itself. Additionally, Farcille has its own issues with woobification that could use some addressing, I just haven't had to see as much mischaracterization on my feeds. Maybe in a future post I'll address some of my personal peeves with many people's characterization of Farcille, ESPECIALLY Falin.