#i need to work on my thesis but what’s new

[rivalmelty]

and nothing bad ever happened to cerberus

[necrotic-nephilim]

what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.

batman (1940) #456

Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.

and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.

and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.

teen titans (2011) #18

to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.

i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.

[fadeintolight]

pont pont vesszőcske

[thatsuncleharrytoyouyoungman]

me when i am faced with the reality that other ppl esl my 'old' peers are smart. or rich or at least very financially well off. don't have anxiety. are achieving things. or sometimes all 4 simultaneously

[colormints-art]

cant sleep brain filled with koya hurt no comfort

[lvllns]

checks watch like oh guess it’s time for my monthly “is medieval studies right because greek is right there” breakdown

[seumyo]

KENJI SATO ✰ 10:43

“Working overtime really doesn’t suit you, Sato.” The teasing sentence made Kenji grunt in disapproval, slumping against his couch.

“Wow, I didn’t notice. Thank you for that valuable input, [Name],” he says, rolling his eyes at you. 

He can’t help the sarcastic reply. Kenji’s schedule was all over the place. His life has been all over the place ever since his return to his home country, Japan. And now he not only has to take care of himself—which, in his defense, was fairly simple when he just had to worry about himself—he has to worry about an infant Kaiju!

What a wonderful (not) icing on the cake.

“Ken is really appreciative that you made time to fulfill his request, or, shall I say, cry for help, [Name].” Mina’s familiar voice flurried from a distance, closing in to your right in a breeze. 

“Hey! It was not a cry for help—it’s more like a... Asking a friend for a favor,” Kenji says, trying to ease his brain with what’s coming out of his mouth (like it was on autopilot, scrambling to defend himself and the pride he had left).

“Uh huh. And the favor is? I don’t really think there’s anything I could do to her containment unit or any repairs that’re needed in this place.”

“I just need someone to watch over her.”

(“I just need someone to talk to” is a much fitting phrase.)

“Doesn’t Mina already do that?”

“There’s only so much a supercomputer like me can do to entertain a living being, [Name].”

On cue, Emi croons at the video of you singing on stage. A part time career of yours, because when you’re not developing new tech that boosts the economy, you might as well indulge in your hobbies. 

Kenji wouldn’t admit it, but he has a vinyl or two—or even a whole collection of them—that he considers as priceless as his one-of-a-kind sports car displayed in the basement.

“Would you look at that? She likes your singing.” 

He watches as you take a step closer to Emi, observing how she delightedly squealed at the soft melody being played on the holograms. This 20-foot-tall baby Kaiju reminded you of the time you took care of children at the daycare center.

“I just...” he sighs. You didn’t even notice that Kenji was already beside you, offering you a canned drink. 

“How do you do it? Juggle everything?” He murmurs. “You’re the busiest person I know. Working on your thesis, performing at various concerts, taking on charity work, and whatnot. Hell, if you could run for president, I’m sure I’ll be seeing you in the elections, too.”

A quiet laugh was returned. “It’s not easy, that’s for sure. But within time, you’ll learn just what you need and what you can handle.”

“Mm. Don’t you ever just want to run away from all the responsibilities people place on your shoulders? I can barely take care of this young lady,” he chuckles, though it doesn’t hold even the slightest ounce of humor to it.

“I wish, but then I’ll remember the kids who're so happy to see me whenever I drop by,” you say. “They may be a handful at times, but you’ll be surprised to know just how smart and caring they are. How they take in their surroundings and attempt to figure out who they are. We’re all what they have. The least we could do is give them our time and love all the same.”

Kenji lets your words sink in. Simple and touching. The kind that gets the gears in his head to start twisting.

“You really are a charm with your words; did you know that?”  

“Thanks; I try my best.”

The night continues with Kenji and Emi playing baseball on a simulated field with you by the shed, cheering on from a safe distance. Kenji doesn’t remember the last time he’s been this genuinely happy after his return to Japan. It’s a refreshing feeling that he wants to get used to again. To see the baby Kaiju successfully hit the ball with a swift swing after watching after him is a sight that tugs at one’s heartstrings.

Just like a proud father.

“Come on, girl! We gotta run the bases!”

And as the two celebrate their moment of triumph, the baby Kaiju stomps toward you and giggles happily as she hoists you in the air without much warning. You took it all in you not to shriek and absolutely lose all composure, but when you’re up in the air and are being held to a bear hug like some sort of teddy bear by a Kaiju that could probably crush your bones if not careful, it’s hard to not just scream for your life.

“Oh, ok—ok. Baby, put me down gently, please,” you chuckle nervously. 

“It appears that the little one sees you as her other mother,” Mina adds.

Kenji laughs at the sight, pulling out his phone to take a picture. This is definitely a memory he’d want to remember.

“This is not funny, Kenji. Tell her to put me down.”

“Aw, is Baby not listening to her Mommy?”

“Again, not funny. This is like an out-of-the-blue co-parenting a child with you. With you being my annoying ex-husband.”

“Specific, eh?”

“Shut!”

When you’re just about to leave for the night, Kenji suggests that you sleep over. There’s a lot of spare bedrooms in their manor, he reasons. He also doesn’t understand what came over him to offer, but he doesn’t take it back.

But it could be because he’s missed you. And he’s somewhat afraid that this may be the last time you see each other in a while due to your clashing schedules.

“You’re such a girl dad, Kenji,” you tease.

“Haha, good one,” he says, rolling his eyes at you. He took a couple of blankets from the closet and placed them on the bed.

“Just saying.”

“Whatever you say, Mommy.”

“Oh hush, Daddy.”

That ringed out a laugh from him. “Bleh, that sounds so embarrassing coming from you.”

You shrugged. “Hm? Don’t you think you’re embarrassing too?”

“I’m not.”

“Are too.”

“Am not.”

“Are too. I will not be going back and forth like this with you anymore, Kenji Sato. Good night!”

Kenji can’t hide the smile that appears on his face. Yeah, he definitely missed this. 

Definitely missed you.

SEUMYO © 2024. PLEASE DO NOT REPOST, PLAGIARIZE, MODIFY OR TRANSLATE.

[vampiefemme]

so, your best friend accidentally sent you a video of her masturbating. what now?

18+ below! smut smut smut!

ellie’s bedroom is heavy with the scent of sex, her fingers still pruned from her own wetness. she’s spent the last few minutes tense and panicked, too paralyzed with anxiety to get up and put some clothes on, and she’s considering what she’ll change her name to and where she’ll move to start a new life when you finally, finally text her back.

it’s okay. give me a second to reply, alright?

the weight on her chest eases a bit at your reassurance, but a new spark of uncertainty flares up at the second part of the message: give me a second to reply. jaw tight, she sends you a question mark, then follows up with you don’t have to respond. it’s probably better if you don’t?? again i’m so fucking sorry.

but as the minutes tick by, slow and lazed, she starts to panic again. her mind conjures every possible response you could send her next: an angry thesis statement on why ellie’s a disgusting pervert, a seething comment about how stupid she must be for sending a video like that so carelessly. would you ever look at her the same way? would things ever be the same?

all it takes is another notification from you to make every imagined worst-case scenario evaporate. ellie clicks the notification as soon as it pops up, chewing on the soft flesh of her inner lip.

it’s a video.

you sent her a video.

she hits the play button without a second thought, heartbeat thudding in her ears.

“i know you’re probably embarrassed,” you say, head tilting as you frown with sympathy. a blush paints ellie’s cheeks bright red. “but i need you to know how wet that made me.”

holding the camera up, you extend your arm outwards to reveal the rest of your body - your naked body, ellie realizes with a shock. she sits up in bed, back ramrod straight, her phone shaking as a nervous tremor strikes through her. but she can’t look away - not when you’re tracing a hand down the soft curves of your body, fingertips grazing over one peaked nipple, then moving lower, lower. ellie swears she’s forgotten how to breathe.

you release a pleased hum. “i liked watching you touch yourself,” you say, so matter-of-fact. “i hope you like watching me.”

and she does, god she does. she settles back down onto the mattress, eyes never leaving the screen as you work two fingers through your soaked folds. you moan and sigh and keen, rolling your hips down against your own hand, the wet sounds of your pussy so intoxicating, ellie can’t believe she’s gone her whole life without seeing you like this.

and it might be wrong, the way her own hand drifts between her legs to find herself still hot and wet, but she doesn’t have it in herself to care. she dips a finger inside of herself as she watches you ride your own hand, grinding down on your palm as your fingers work in and out of your cunt. she finds a rhythm that matches your own; soon enough, you’re both gasping at the pleasure building beneath your waistline. with every roll of your hips, ellie’s cunt tightens, flooding with slickness - as if she could get any wetter.

as you get closer to the edge, your grip on your phone falters and the camera starts to shake. ellie hisses and curses under her breath when your phone captures the blissed-out look on your face: eyes rolled back, brows pulled together, teeth sinking into your lower lip.

“oh - oh my god,” you stutter, panting, “i’m gonna come, ellie.”

ellie. ellie ellie ellie.

“holy fuck.” ellie’s pussy clamps down around her fingers at the sound of her name on your lips; her thumb glides over her clit just right, and she didn’t think she’d come this fast but she does, her vision exploding into blinding white as her orgasm crashes into her. it’s the only time she looks away from the video on her screen - but she certainly hears your orgasm, all high-pitched moans and ragged breaths, your cunt gushing onto your fingers.

when ellie finds the strength to open her eyes again, the video is still playing. you’re catching your breath, chest shimmering with a thin layer of sweat. you look at the camera and smile. ellie thinks she might pass out.

“thanks for the video,” you say, lifting your free hand up to wave.

when you bring your fingers to your mouth and purse your lips around them, sucking them clean of your own come, ellie’s sure she’s going to pass out.

and then, she decides, she’s going to fuck you stupid.

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[lovelyisadora]

still can’t do my papers and can’t even do the bare minimum to get two more incompletes 🙃🙃🙃 I mean I don’t have a choice I’ll have to but oh my god what has happened to me

[prael]

WYR-0573: Dirty Little Student Wang Yiren And Her Sexy Secret Camgirl Life Tempts Horny Teacher Into Rough Fuck and Creampie!

Everglow Yiren x male reader smut

Thankyou @co-reborn for allowing me to spiritually succeed this fic (Everyone read it if you haven't already.)

Masterlist word count: 4,221 Kofi(donations/commissions)

It seems like everything these days is a fucking ethics issue. It's not like you're trying to do anything that's going to hurt somebody. You're not ripping off old people, you're not laundering money, you're not putting lives at risk.

Shit, it's just a bit of fun, but if anyone finds out you've had your cock inside Wang Yiren, then the ethics committee is going to eat you alive. It doesn't matter if she wants your cock in there just as badly as you do.

You have to get creative to make it work. First thing is first: get her out of your office. Sure, it's not unusual for a student to take some office time with her thesis advisor, but walking out in the state she does? Her cheeks flushed, and her blouse dishevelled, with a slight, satisfied smile on her face and her panties stuffed into the front pocket of her backpack.

People are going to notice, and that can't happen.

There's a part of you that wishes you could make it stop outright, but you can't. Every time she uploads another one of those videos, your eyes are locked to your computer screen and your cock's locked in your hand.

Maybe it's the novelty of knowing that the girl on the camera's not just any other girl on the internet; it's perhaps the fact that she's the girl that you've had inside your office. Maybe it's that her body's incredible; her tits are small and pert, her ass tight, and that little slit of a pussy is just begging to be fucked.

Or maybe, it's how openly she will sit across from you at your desk and ask you so casually what you thought of her latest video with the same sort of inflection that a student would use to ask you about the latest reading. "I wasn't really sure if the whole clamping my nipples thing worked. I mean, it was kinda hot, I guess. And I got off pretty hard, so there's that. What'd you think?"

What do you think?

You're a good guy—a good professor—so you give her honest feedback, "I thought it was hot, Yiren, but it took a while for you to get into it. Was that your first time? Playing with your nipples that way?"

"Mhm." You can see the little smirk curl up on her face, "I was hoping it wasn't obvious that I was nervous. It's tough getting started with some new kinks, you know?"

It's a strange little world the two of you inhabit. On the surface, it's the relationship of a graduate student to her thesis advisor: a mutually respectful relationship based on academic mentorship and intellectual discourse. Under the surface, it's the sort of thing that gets both of you expelled: the sort of relationship that's built on her need for you to see her get off in front of her webcam and your need for her to keep uploading videos.

But as you look at her now, you think about what she's doing. She's a twenty-something grad student who gets her rocks off by playing with herself on camera for thousands of strangers on the internet. It makes her hot. It makes her cum. And you're only too happy to be there for her. It makes you hot, it makes you cum, and there's a bit of you that feels a sense of pride knowing that even though the whole world gets to see what her face looks like when she climaxes, only you have managed to fuck her to one.

"Don't get me wrong, Yiren. It was hot. I'm sure everyone got off to it."

There's a slight cockiness to her smirk—she already knew it to be true. "And you?"

"Do you really need to ask every time?" you reply.

"Mm. Yes," she leans back on the chair in front of your desk and raises one leg over the armrest. "I like to know that you liked what I put out."

You don't miss a beat, and the words come out as casually as if you were critiquing an assignment: "I jerked myself raw, Yiren."

"I'm glad," her fingers are tracing little lines down the inside of her thighs. You lean in closer, elbows against the desk. "What part did it for you?"

"Yiren, I know what you're doing."

She starts to pull up the hem of her skirt while flashing you faux innocence with her blinking eyes. "What's that, Sir?"

"Seriously. We can't. Not here."

"I'm just showing you, Sir," her skirt is around her waist now. She's not even trying to hide her desire. Her pussy's wet. Glistening. "Looking for a little feedback. Was it my pussy? My fingers? How wet I was?"

You want to grab her, throw her onto the desk, and fuck her until the entire floor hears her scream. You want to feel your cock sink inside of her pussy, feel your skin slap against hers, feel the wetness of her desire as you thrust into her. But that would be the end of everything. "You're killing me here, Yiren."

"You know, people keep asking for more stuff with a guy. I could put it on pay-per-view, make a killing." She runs her fingers along her slit and you hear that soft little moan that's driven so many guys to bust on their keyboards. "What'd you think about that, Sir?"

You're starting to breathe hard. It doesn't matter that you've fucked this girl before. All you know is that you can't have her now. And she knows that drives you nuts.

Her finger's on her clit now and she's rubbing in circles. Her head tilts back slightly, her mouth parts, and you know she's going to cum right here if you let her go on. "Yiren," your voice is almost hoarse.

Her finger is a blur, and her voice is a half-moan, "Mm, Sir?"

"You're going to get us in trouble."

"I think I'm worth the trouble." Her chest's heaving. She's going to go off any second. "Sir," her eyes look straight at yours and there's something about that direct stare that sends a shiver through you, "Are you hard?"

You nod. There's not much else to do.

She takes her hands away from herself, leaving her pussy on the edge. You know that it's aching, throbbing. She bites her lip and stares at the growing bulge in your pants. "Maybe you can show me how you jerked yourself off the other day."

"Yiren. Fuck. Not here."

"Then where?" She snaps, clasping her legs closed and pushing her skirt back over them, "You won't do anything in your office. You won't take me home. Where, then, huh? Maybe I should just go to the headmaster and tell her what you—"

She doesn't finish that sentence. Your hand is gripping her arm tightly as you yank her up off her seat, "Come with me."

You lead her down the hallway. She's struggling, but she's grinning too. She knows she's getting her way.

Your eyes dart from left to right. It's late and the chances of running into anyone is pretty low, but still, there's always the chance.

"Sir, what's the deal?" she's laughing now. "What's your plan?"

"I don't have one."

It doesn't matter. You've been in the same spot before with her. She's been begging for it, you can't do it in your office, and you need someplace quiet, someplace private, someplace where the two of you can be alone for a while.

You lead her to the parking lot and she realizes your plan. Her voice is almost mocking. "Sir, that's not exactly original, you know. A parking lot? Your car?"

"It'll do, Yiren." Your voice is firm, almost angry, and she's eating it up—you know what gets her going. "And maybe it's a bit clichéd, but we won't have any of these pesky problems of you being too loud and giving us away." You stop her at the passenger door to your sedan, lean her against the car and press yourself against her. "And trust me, you will be too loud, Yiren."

She grins up at you. She likes the sound of that. "What're we doing here, Sir? I thought you didn't want to fuck me anymore. Not after last time."

"I never said that." Your fingers run down her side and you feel the familiar thrill of touching her again, feeling her body under your fingers. "I said no more fucking in my office, Yiren," you slide your hand over her ass. "So we're here." You lean down and kiss her, and she moans as her body leans into you.

She pulls away from the kiss, panting, "But, Sir, you know what else I want." You feel her fingers reach down and run across the bulge in your pants, and her breath catches. "Mm. I want this. I want to film you, Sir. I want to film this."

It's a bad idea, you know. The riskiest of ideas. You can see her in your mind's eye: the way her face looks when she's cumming, when she's biting her lip to hold in the scream, the way her body shudders, and her eyes shut tight, the way that she gasps for air afterwards. You want her to be able to share that with the world, to get her off by getting the world off. "Fine."

"Seriously?" She looks at you in disbelief, but you've already opened the door and nudged her inside. She climbs in and crawls to the other end, tossing her purse in the front seat after she pulls out her phone. "It's not ideal but it'll have to work." You're on her in an instant, pulling her skirt up around her waist, pushing her down against the seats, kissing her, and sliding your fingers into her.

She squeals, then gasps, and then giggles as you thrust your fingers in and out of her pussy. "Mm, Sir," her moans are punctuated by each thrust of your fingers, "Fuck. Wait. I haven't even got my phone set up yet. Fuck. Wait."

You slow, just a little, just enough, then you concede and pull out. You know she wants it, needs it. You watch her hands shake as she rushes to set the phone up, she's got it in selfie mode and it's the best she can do.

"The lighting's all wrong, but who cares, right? They're here to watch you fuck me. They don't care about lighting." She's talking to herself as much as to you, but you know how she is. You know that she wants you to play along.

"Let's show them how pretty you are, Yiren." You pull out your fingers, then press your palms against her legs, pushing them apart and sliding in closer between them. You watch as she tries to hold the camera steady. Her breaths are shallow. "Show them what your pussy looks like." She turns the camera down and focuses it on her pussy. She spreads herself for the camera, showing her audience her soft pink pussy. She's so wet, you can't wait to feel her on your cock, feel that heat, that wetness, and that tightness.

"God," you groan. You've watched her videos so many times, but seeing it up close and in the flesh is always different. You run your fingers down the inside of her thigh until they brush her pussy lips, and you spread her wide. Her hips buck slightly and you watch the juices of her desire drip down the crack of her ass. You push your fingers into her, and you feel the warmth of her insides. She cries out, "Mmf! Oh god."

You take it slow. She's filming it all. You want this video to be hot. You pull out your fingers, then push them in, watching the wetness cling to them as you thrust them in and out of her pussy. "Fuck, Sir. Oh god." You curl your fingers up and press your fingertip against the spot you've learned to find. You feel the rough skin against your finger and you press into it. Her head tilts back, her eyes shut tight, and you watch as her body shudders. You push your finger harder against it, rub it, and her moans get louder.

You pull your fingers out, then push them in, slowly, rhythmically. She whines, but you don't give in. "Tell the audience how it feels, Yiren." You're teasing her now. She doesn't want you to go slow. You know she's aching for more.

"Feels so fucking good." She pants, holding the camera steady. "God, Sir. Don't stop."

"Why?"

"Mm." She whines, and you can hear that she's on the edge, "Feels so good, Sir. Your fingers feel so good in my pussy." You pull your fingers out of her, then press the palm of your hands against her thighs and spread her wider.

You take your time. Your fingers brush down the length of her pussy, from her clit down to the juices on her asshole, and you press against that tight little pucker. She gasps and you hear her moan. You press your fingers against her hole, feeling it tense and tighten against your fingers.

She lets out a sharp, shocked whine as you tease her asshole and you can't take it any longer. She knows just what you want. You lean down and press your lips against her clit, and you hear her squeal as you lick her clit. You suck her clit, tasting the juices that flow from her, and you feel her body tense up. She's so close. You pull yourself away from her and grin up at her.

She's panting hard, staring up at you. "God. I need you to fuck me." Her voice is a whine, a needy whine. You can hear her desperation.

"I know you do, Yiren," you reply, unbuckling your pants. You pull your cock free and stroke yourself a few times as she stares down at you. "I know how much you want this."

She nods, her mouth open and panting. "So much. God, please fuck me with that." You press your cockhead against her pussy, rubbing it between her lips. "Fuck, Sir, please. I love a big hard cock in my tight pussy."

You grin and whisper, "Tell them what you need, Yiren."

She looks right into the camera, "Please fuck me, Sir. I need you to fuck my pussy. I need to feel you stretch me wide. Fuck, Sir. Fuck me." She's begging and her breath is a desperate pant. "Please, I'm so wet. I want to cum with your cock inside of me. I need to."

You press yourself against her entrance, just enough to push her open, then you pull away and watch her cunt quiver at your touch. You can tell she wants to be taken, needs to be fucked hard and fast, and she knows you can give it to her.

You push your hips forward and thrust your cock into her, and you watch her pussy open and spread for you. "Fuck," she cries, her hands trembling, but you don't slow down. You thrust hard, pulling her hips into you, and you slam your cock deep into her.

"God, your pussy feels so good." Your fingers grip tight on her thighs, spreading her wide as you pound into her, and her cries fill the car.

She tries to keep the phone steady, filming you thrust into her. She can barely keep herself together. You can see the camera shaking, "In his fucking car. You hear that? He couldn't even wait to get me home. He needed to fuck me. He spends all day watching me in class, thinking all these dirty little thoughts about me, and then he just can't take it anymore and he fucks me right in the parking lot. And you know what? I'm gonna fucking cum because of him."

You're going hard and fast and she's so fucking tight. You can hear her moaning and groaning with every thrust, and her pussy is clenching around you. You can tell she's on the edge, her pussy is trembling around you, and she's screaming for more. You know that the video is probably a mess, a shaky, poorly framed mess of her tits shaking, her face pulling the dirtiest of expressions and her pussy getting fucked.

Her words are getting more erratic. She can barely keep it together, so you snatch it from her hand, record the way you thrust into her, how your balls slap against her cunt. She moans louder when you do and you realize she likes that you're the one recording her.

The camera pans up to her face. You want to see her cum. You want to film it. "Cum, Yiren." Your voice is loud and commanding. "Cum on my cock. Let them see you cum on your teacher's cock."

Her hands are above her head, grasping at the leather seats. Her back arches beneath you and her head is thrown back, pressing into the very same upholstery that her fingers do. Her hips shudder and you feel her insides squeeze around your shaft as she cries out, "Fuck!" The sound of your flesh slapping into her flesh fills the car, and she's a writhing, whimpering, cumming mess as you pound her through her orgasm.

You keep filming as you reach down, and with one hand, rip open the buttons of her shirt. Three of them come flying off, pinging around the car and leaving a lopsided mess of fabric and bra that exposes the flesh of one of her pert tits. It doesn't take long before your hand is gripping her breast, pinching at her nipple, tugging at her flesh as you keep pounding into her.

Yiren gets the message, pulling the rest open on her own and pulling down her bra, exposing both tits. Her fingers are on her own nipple, tugging at it and pinching. You watch the way she teases herself, the way her body reacts, and the way she's still shivering from her orgasm. She's a mess and you love seeing her that way.

If there's something painfully obvious from her videos, it's that one is never enough. So Yiren doesn't even need to ask, you're already guiding her onto her knees and then pushing her forward so her face is against the glass. "Show them your ass, Yiren."

You hold the camera in your hand and record the image of her reaching back and pulling her skirt over her hips, exposing her bare ass and pussy to you. You record as she reaches back and spreads her cheeks for the camera, letting her fingers pull apart her wet pussy and letting your audience see that tight, puckered asshole.

"Sir," you watch her face pressed against the window. Her breath leaves an opaque cloud against the cold glass, "How does my ass look?" You can't help it, your free hand comes crashing down against her skin and you watch it ripple under your palm. "Oh!"

You grin at her reaction, "You look like a naughty little girl who needs a good spanking."

"Oh, Sir," she moans, "What did I do?"

You slap her ass again, and again, watching it redden under your hand. "Such a naughty little girl. Making a mess in my office." You're slapping her again, watching her ass jiggle and turn pink.

Yiren whimpers, "I did. I was so naughty."

"What did you do, Yiren?"

"I was so fucking wet. I couldn't stop touching myself."

"Why were you wet?" You spank her again and you watch as her hips press back into you, "Tell your viewers what made you so wet that you needed to touch yourself."

"I needed you." Yiren's panting hard, her voice a needy moan, "God, I need you to fuck me. I was thinking about your cock. How good it felt when you fucked my pussy. I wanted you to fuck my pussy again."

You push her forward, letting her hands come down against the foggy glass. Her ass is up in the air and you're pressing your cock against her pussy. She's still wet from her cum and it takes no effort at all to thrust deep into her.

You're so deep in her wet folds. Her soft embrace is warm, tight, and you feel yourself slide deep inside of her, and you watch as her face twists and contorts in pleasure, in desire.

"Show them what they're doing to you, Yiren. Show them how they make you feel." You pull the phone up to her face, filming her moans, her cries, the faces she makes as you fuck her. "You like it when they watch, don't you? You like it when I fuck you like this and they have to watch."

She's panting, moaning, and nodding. Her hips press back into you as you pound into her and you watch her ass ripple and bounce with each thrust.

You reach around and grab her tie. She always wears it loose, but it's still enough to pull it up tight against her throat, pull her back into you. You wrap it twice around your hand and it yanks her up straight, her body against your chest. She's panting hard as her hands come up and try to claw at the tie around her throat.

She can't stop moaning, crying, and she can barely breathe, and you watch as she struggles to hold on, her head tilting back and resting on your shoulder. You film her as she struggles to hold it together. She can barely keep her eyes open and her voice comes out as a desperate, choked moan.

You let go of the tie, and it unravels in your hand. You watch her slump forward and her hands come down to the seat. Her face presses into the leather and she's whimpering. "You're such a good girl, Yiren." You press yourself deep inside her and grind your hips against hers, "Such a good girl for taking my cock."

She groans, "Thank you." She's still pushing back against you and her eyes are shut tight. "Thank you, Sir."

"Good girls get a treat, don't they?" You grin and you run your fingers against her asshole. "I bet you like a nice treat for being such a good girl."

Her breath hitches, and her eyes flutter, "Please, Sir."

You press your finger against her hole, and she pushes her ass back, and you feel her ass relax and open for your finger. Her tight asshole squeezes your finger tight and you hear her moan, and her pussy clenches your cock. "Fuck."

"Oh god, Sir," she moans. She's a needy, whining little mess, "Please cum in me."

Her words are like music to your ears. Her body is trembling under you, and she's moaning for you to cum. Her words are so desperate. She's begging, and you can't resist. Your hand is gripping her ass, with a finger slipped inside, and you pound into her, feeling her tight, wet cunt squeeze around you.

"Fuck, Sir, please," she begs. "Breed your favourite little student. Fill her up with your cum." She's crying out, her voice echoing inside the car.

Your hips shudder as you thrust deep into her and feel your balls clench, you can't take any more, and your cock is pulsing, throbbing, and your cum is filling her, flooding her insides, and her ass is trembling around your finger. Your chest is heaving, and your heart is pounding, and you can barely breathe. She's still pushing her ass back against your hand and her body is shivering with every pulse of cum that your cock pumps into her. You keep thrusting, feeling her pussy tighten and milk your cock.

When it's all over, you watch as she slowly pulls away from you, and you see the thick white seed drip from her hole and onto her thighs. She sits back on her knees and looks right into the camera. Her chest is flushed and heaving. Her hair's a mess, and her shirt's hanging open. Her makeup's running and there are tears on her cheek. But there's a satisfied look on her face.

She's grinning from ear to ear and you can't help but grin along with her. "That," she pants, still trying to catch her breath, "is how I get a good grade in class." Her words are followed with a giggle and then she leans forward and shuts off the camera. Her hand finds the back of your neck and she pulls you into a kiss. Her lips are hungry and her tongue presses into your mouth. Your hand wraps around her head, and your fingers get tangled in her hair as you pull her closer and deeper into you.

She pulls away, a smile on her face, and a twinkle in her eye, "You're a natural, you know. You really know what they want. Makes sense, you are one of them."

"Thanks." You laugh. You can't help but notice that her hand's between her legs, rubbing and stroking. She's unsatiable.

"Sir? Since I'm such a good student, does it mean you'll take me home and fuck me in your bed?"

[exuvianen]

dating hc's with dr. ratio, aventurine + blade!

headcanons about what these hsr men do in a relationship witth you <3

cw: x reader, gn! reader (no physical descriptions), mostly fluff, sfw, headcanon style

notes: hsr brainrot… ahahaha... i hope i have a fairly good grasp on these characters and wrote them well. 

wc: ~1050 words, around 350 words per character. all under the cut!

feel free to drop an ask or to add on to my thoughts! likes + rbs are appreciated  <3

✎ Dr. Ratio:

He likes parallel play, or being alone together with you. He works on his own projects, like grading papers or writing a new thesis while you’re doing your own thing, like playing video games or reading. Occasionally, he might ask you for your input, such as ideas about his next thesis or what pose he should sculpt himself into next. 

He has a spare desk and chair for you in his office. You can choose to do work or entertain yourself there when you visit him and he’s still teaching a lecture, but feel free to take a nap on the plush sofa he bought just for you. 

He will nag you about your health but in an annoyingly endearing way. He fusses over you, telling you about appropriate attire for today’s weather, offering you an umbrella, and reminding you to drink water. 

He entertains all your ideas, no matter how silly or illogical. He’ll hear you out on anything you say, though he might have some very strong disagreements or objections to your ideas, especially if they are silly or completely nonsensical. However, he never turns you away when you bound up to him with a mischievous gleam in your eyes - he just sighs and prepares himself mentally to hear whatever goofiness comes out of your mouth. 

He’s your biggest cheerleader, supporter, and advocate. Though he may come off as intimidating, he is always willing to help advance your career or work. He has many connections and vast knowledge of the universe after all - why not utilize them for his beloved? 

He’s very good at dispelling any irrational thoughts in your head. If you’re panicking and your mind is disoriented, he’ll sit next to you and hold your hand gently, but firmly to ground you. He doesn’t speak at all when you vent out all your frustration, confusion, or anger - rather, he’s silently contemplative and then asks questions when you finish talking. He’ll indirectly guide you to a solution while gently calming you down as he dispels those pesky thoughts from your head.

He makes a custom alabaster head for you. 

♤ Aventurine:

A big fan of matching accessories and clothing. You don’t need to wear the exact same outfit, but he likes wearing complementary colors and jewelry to yours.

If you’d like, he’d be more than happy to bring you to casinos and public events with him. He wants to show off to you and let you witness his wit, talent, and skill like a peacock presenting its colorful feathers. 

He likes it a lot when you trace his skin through the spade-shaped hole in his outfit.

He hates the feeling of being vulnerable, but he likes being around you. This creates conflicting emotions inside of him. Oftentimes, he doesn’t know how to deal with it and just lurks by you. Pull him into a hug to quiet the voices in his head. 

He will send you packages or luxury items from the planets he’s visiting. You’ll be greeting a disgruntled Topaz or IPC soldiers at your door as they hand you various gifts ranging from limited-edition jewelry to flowers that bloom only once every 200 amber eras. He gifts extremely grand things, but he always knows how to find things that suit your tastes.

He’s a big spender on you. If you’re unused to the amount of money he’s willing to throw at you, he’s going to give you a lot of “exposure therapy” with his generosity. He’ll invite you to private auctions, lavish galas, luxury boutiques, and high-end jewelry stores. He’ll start filling your wardrobe with tailor-made clothes with the excuse that you should match his outfits when you attend formal events together, but his clothing contributions eventually infiltrate your closet pretty deeply. 

He enjoys being pampered and pampering you. Self-care nights are a must - as a representative of the IPC and one of the ten Stonehearts, he has to keep himself presentable and looking sharp, and that goes for his partner too! He’s more than happy to spend money to fund your trips to the salon or buy you any beauty products to use at home. He’d love to put on face masks together and share a drink or two with you. 

☠︎︎ Blade:

If you want to, and Elio’s script permits, he will bring you along on missions to safer planets. He’ll drop you off at a commercial district - feel free to go shopping or try out some novelty food while he wraps up his Stellaron Hunter business.

He likes getting his hair brushed. One of his favorite activities is sitting down and letting you comb through his hair after he cleans up from a mission. It’s an activity that leaves him vulnerable, but he doesn’t mind if it’s with you.

He’s an acts of service kind of guy. He moves to take your bags before you even say anything, holds open doors, and pulls out chairs for you. Brings you a cup of water and some fruit when you’ve been working for too long, and silently drapes his jacket over you when you shiver.

Tell him you like a certain pastry and he’ll show up every day and bring some. Show him a picture of a pretty flower and he’s boarding a spaceship to bring the flower to you personally. If you want something, he’ll do his best to get it.

He’s pretty quiet, but he’ll remember everything you say, what your preferences are, and what you like. He secretly writes it down in case his memory gets murky, and he’ll often reread his notes to remind himself.

He gives simple but traditional gifts to you, such as jade bracelets and pendants, and combs and hairpins if you have longer hair to wear or use them.*

He’ll treasure anything you gift to him. If you make an accessory for him, he wears it at all times. If your gift is small enough, he’ll stow it safely in his pockets and take it everywhere with him.

If family is important to you, he’ll send funds their way and ensure that they’re taken care of. 

As someone who’s often dead and then undead, his body can get stiff. He’ll enjoy it immensely if you massage him, and accompany him for his daily stretches and calisthenics. Even if you just hold him for a while, he finds that his muscles will relax from the warmth emitting from your body. Therefore, he quite appreciates having you physically near him.

* Combs, hairpins, Jade bracelets, and pendants were given as tokens of love and affection in Ancient China. These gifts have a deeper meaning/symbolism, but for the sake of post length, I did not write them all out. 

[motorsportbarbie13]

Forbidden - Part 1

In which you reconnect with an old friend, much to the dismay of your brother.

Warnings: None. This is mostly background and will be several parts.

Pairing: Max Verstappen x LeClercSister!Reader Word Count: 2.6k words Masterlist Here

It started slowly, this thing between your brother's best friend and biggest rival and you. So slowly that you hadn't been directly involved, you probably wouldn't have even noticed the clandestine brushing of fingers to skin in the paddock or the flickering looks that lingered just a bit too long. Even the way Max managed to stare at you from his garage went unnoticed by everyone but you. But what started slowly over one summer quickly snowballed into something that nearly destroyed you both.

You'd known Max since you were young, of course, so maybe that was why the pair of you managed to keep things hidden for so long. You two being friendly wasn't all that out of the ordinary so maybe that was why it took people longer to connect the dots. You two had always been friends, but it was a quiet friendship so not many people picked up on it, even back then. But he had always been firmly in the ‘my brother’s best friend and track rival’ category for as long as you could remember.

Did it drive you crazy that they were much quicker to involve your younger brother, Arthur, in their antics instead of you? Yes. But Charlie and his friends were like the untouchable super hero's you watched in movies: larger than life and totally invincible so you always lapped up any ounce of attention they gave you.

As you got older though, your trips to the track became less and less frequent with you picking up your own interests. You traded weekends at the track for weekends spent with friends your own age who didn't worship the ground your brother and his friends walked on. Before long, you were headed off to university in New York City, wanting a bit of space from your famous brother and his aura. You loved Charlie and Arthur to death, they were your favorite people in the world after all, but it was difficult being the 'normal' sister to such talented men and the space had allowed you to thrive on your own, in your own way. 

You went home to Monaco infrequently, the trip from New York to the small principality being just long enough to be annoying to do regularly and traveled to races even less. It wasn’t that you didn’t support Charlie. You always made sure to be at his home race in Monaco and the race in Monza of course, but your life was in New York. First it was your rigorous coursework for your degree in economics from NYU that kept you away and then you continued on with a Master’s degree in economics and international business, the intensity of both programs serving you well crafted excuses for years. 

“You’re really going to come travel with us?” Charlie was unable to hide his surprise and excitement this morning when you called to tell him your post-graduation plans. 

“It’s been the hardest year of my life, between my thesis, interning at the investment firm in Manhattan, and finishing up grad school, I’ve barely had a chance to breathe for years. I need a break Charlie.” You sigh, settling into your couch that faces the floor to ceiling windows in your New York apartment that was currently full of packing boxes. 

“I know you do. You’re the hardest working person in this family.” 

You chuckle, knowing that this wasn’t true. Your two brothers worked just as hard, if not harder, at their careers in motorsport. There was no way Charlie would have reached F1 if he hadn’t been a hard worker. You might be the smartest LeClerc though, although you knew Arthur would never admit to that even if Charlie would. 

“What happened to that job in London?” 

You pick at an invisible piece of lint, wanting to avoid the question, as you shrug even though your brother couldn’t see you. “I told them I wasn’t interested. They wanted too much from me and I’m just so close to being burnt out. I’m taking on a consulting gig with the Bank of London. They’ve agreed to allow me to work remotely so I can live in Monaco and travel. I’ve missed so much of your career Charlie, I hate that I’ve been so absent from everyone for so long.” 

Charlie’s voice goes soft at the sound of regret in your voice, “Oh, petit papillon.” My little butterfly. You can’t help but smile at the nickname, despite the melancholy mood that had settled over you. “We know you did what you had to do to make you happy, we don’t blame you for being gone for so long. All that matters now is that your studies are done and we get to see you more.” 

Your heart warms in your chest. Of course Charlie hadn’t held your distance against you, it wasn’t in his nature to hold grudges against you, even when you fought the hardest. “I’m so excited to come home, Charlie.” 

*Six Weeks Later*

A faint tapping on the front door catches your attention from where you sat in Charlie’s living room, staring at the same spreadsheet you had been working on for the last hour. “Saved by the knock.” You mutter, getting up from your spot on you’re brother’s couch. You’ve spent so much time on the plush piece of furniture over the last few days, busy with work, that you’re surprised there’s not a permanent indent of your backside on the cushion. 

Finding an apartment in Monaco was proving harder than you had thought. Every flat you looked at in the city was either so far out of your price range or was missing something you deemed essential to have in your living space so for the time being you were staying with Charlie and Alexandra in their guest bedroom until the right place came around. 

“Coming!” You call out, hoping to alert the person knocking on the front door to your approach. Although you couldn’t fathom who would be at the door in the middle of the day on a Tuesday afternoon. You quickly run through an inventory of where the important people in your life were: Charlie was at a sponsor event while Alex was at doing some content creation in Paris for the gallery that she worked for. Your mother was at work of course and Arthur was off somewhere with his girlfriend Jade today. Everyone accounted for and busy. 

Without checking the peephole, you swing the door open wide, relieved for an excuse to take a break from the project that had found its way to your inbox early this morning. 

“Maxie!” You gasp, launching yourself into the unprepared arms of the Dutchman who you hadn’t seen in years. 

Max was thankful for his quick reflexes that were required of a world championship winning F1 driver because without them, the two of you would have found yourselves in a heap of limbs on the floor. “Beestje! You nearly took me out.” Max sets you down carefully but not before you have a chance to swat at his arm. 

“You know I hate when you call me that.” You pout, nipping at his finger when he teasingly swipes at your lip. Max had called you ‘little beast’ for as long as you could remember, always delighting in your cries of protest when he did. If there was one thing Max loved, it was teasing Charlie’s sister.  

He grins down at you, dimples winking out at the corner of his mouth. “That’s why I do it.” 

Rolling your eyes, you open the door wide enough to allow the both of you to enter the empty apartment. Max follows you into the living room, where your computer sits discarded. 

“I didn’t know you were visiting.” Max says, trying to remain calm as you settle down on the couch opposite of him. 

You had always been gorgeous, those good looking LeClerc genes that Charles was so famous for had obviously been passed on to you as well, but now? You were hands down the most stunning woman Max had ever seen in his entire life. Your social media presence was sparse, at best, so while he followed you, it was rare for you to post much of anything. He couldn’t remember the last time he saw you in person either, knowing that you much preferred to avoid the harsh light of fame that came with being a LeClerc. 

“Charlie didn’t tell you? I moved back!” You wave a hand towards your laptop, “I got a job with the Bank of London doing consulting work, fully remote.” 

“No, Charles didn’t tell me.” Max says, narrowing his eyes. He had just played padel with Charles and Carlos the other day and he hadn’t made a single mention of you being back. “Where is he, anyway? I came by to see if he wanted to go for a run tonight.” 

You shrug, trying to force your heart rate to slow to a pace that couldn’t potentially be heard by people playing the slots at the famous Monte Carlo Casino down the street. You had always had a juvenile crush on Max. Honestly, who wouldn’t? His demeanor on the track and in the paddock was completely opposite of who he was in private. You may have not spent much, if any, time with him the past decade but you knew that the Max that had been your brother’s childhood best friend and rival was the same Max sitting next to you right now. Nothing had changed.

“He’s at some event for Ferrari. I’ll never understand why people want to pay thousands of dollars to get to talk to the likes of you chuckle heads. How would those donors feel knowing they invested so much in a person that once got so drunk on their birthday they thought the Uber driver was trying to kidnap them because they, and I quote, ‘could totally make a killing with the ransom Christian would pay to get me back.’” 

“That was ONE time!” He croaks, blinking at you in surprise. “And how the fuck did you know about that? Charles swore he’d never tell anyone about that.” 

You can’t help the laughter that bubbles out and Max momentarily forgets how embarrassed he is that you know that story. It’s light and airy, the notes dragging their fingers down Max’s skin. “I’m not ‘anyone’, Maxie darling. You know that.” 

And boy did he. Just the way you wink at him while calling him ‘Maxie darling’ is enough to send his mind into overdrive, wondering how it would feel if more of your attention was turned his way. 

Max just smirks back, fighting to keep up the cool facade he’s usually got so carefully constructed in place. He expertly steers the conversation away from anymore potentially embarrassing stories and towards you. How you’ve been. The near year you spent writing your thesis paper for your Master’s degree. The life you’ve built so far away from Max. It makes his heart squeeze something fierce knowing that you two have drifted so far apart.

Before you know it, the sun is sinking low in the sky, casting a glittering glow over the water just outside the apartment. The sunlight filters in through the half-drawn curtains, bathing you in a golden light. Max had never understood why everyone raves about the beauty of ‘golden hour’ until he saw the setting sun reflected in your eyes. 

He was in so much trouble. 

You two are so lost in your conversation you don’t notice the front door swing open or Charles bustling through the door hours later. Charles pauses when he sees the two of you sat on the couch together. Somewhere between the first and second glass of wine that you had poured when it became evident neither of you wanted the afternoon to end, you had ended up quite close to Max. His hand sat outstretched over the back of the couch, hovering just out of reach of your shoulder. You were leaning into him ever so slightly, laughing at something Max had said moments before. The obvious intimacy between the two of you set off alarm bells for Charles, not liking how Max was looking at you over the rim of his wine glass. 

The thing was, Charles is quite protective of you. It was one of the reasons you always tried to leave the details about your love life out of any conversation you had with either of your brothers. Arthur was bad enough, but your twin? Charles was of the opinion that no one was ever good enough for you. Especially someone like Max. While he wasn’t as bad as some of the guys on the grid (lookin at you Lando Norris), Max still liked to party and take advantage of how often pretty girls threw themselves at him. He did not want someone like that interested in his sister. He knew how much you valued your privacy and that was not something someone like Max could offer you. 

“What’s going on here?” Charles fought to keep the hostility out of his voice, crossing his arms over his chest. 

Max jumped off the couch like it had suddenly burst into flames. He knew how protective Charles was over you and judging by the stormy look on your brother’s face, he wasn’t happy to find him there tonight. 

You, on the other hand, found it amusing how quickly your brother’s protective side reared it’s ugly head. There was nothing to be ashamed of, you knew that. You were just two friends catching up after being apart for so long. Totally innocent. Right? Right. 

“Max stopped by to see if you wanted to go on a run and we just got lost in conversation is all, Charlie.” You sooth, knowing your brother has a short fuse when it comes to you. 

Charles narrows his eyes at Max as if he doesn’t believe your words and to be honest, he probably shouldn’t. If he had known the thoughts racing through Max’s head over the last few hours, Max would have probably found himself in the gravel pit of whatever race was next on the calendar. 

“I was just leaving.” Max stutters, glancing down at where you still sit on the couch, amused grin playing at the corner of your lips. 

“It was nice to see you Maxie.” 

Max doesn’t miss the way Charles clenches his fists when you say his name like that. 

“Always a pleasure, Beestje.” He teases, hoping that Charles doesn’t pick up on the nervous waver in his voice. 

You tip your wine glass towards him in a mock salute before picking up your laptop where it’s sat discarded for the last few hours while Max makes a beeline for the front door. Charles follows him out, eyes trained on the back of his friends head, trying to calm the storm of anger that is swirling around his gut. 

“I don’t think it needs to be said but stay away from my sister.” Charles practically growls when Max’s hand closes over the doorknob. 

“We’re just friends Charles. I haven’t seen her in ages, we were just catching up.” 

“I don’t look at my friends the way you were just looking at her.” Charles grouses. “Just don’t, okay? I don’t want to give her any reason to leave again. If you hurt her, she’ll go running. Leave her alone.” 

Max nods, unable to find the words he wants to use because he has a feeling ‘fuck you, I’ll do whatever I want with your sister’ seems like a bad way to end the conversation. But as he waits for the elevator in the quiet hall, he knows that staying away from you is going to be near impossible. 

[vivwritesfics]

Pastry

Boyf Oscar moments

1.3K

I need moots

"Oscar Pastry!" She sang as she skipped towards the McLaren garage.

The Australian in question glared at her, but it was a good thing his glare made him look like an angry puppy.

"That's not my name," he said as she came closer.

Y/N thought for a minute. "No, no. I think it is," she answered and looked around the garage for his teammate. "Lando! This is Oscar Pastry, right?"

"Definitely Oscar Pastry!" Lando shouted back.

"That's settles it then, Oscar Pastry."

Oscar may have been glaring, but he skill kissed her. "Wish me luck today," he said, placing his hands on her hips while Y/N wrapped her arms around his neck.

"Good luck, Pastry," she whispered and placed her head against his chest.

Oscar kissed the top of her head, wrapping his arms more securely around her.

Pastry, because that was what Y/N thought his name was when they'd first met. She'd soon learnt it was Piastri, but by then it was too late and the name had stuck. Even before they were dating, she still called him Oscar Pastry.

It was his name in her phone when they were innocently flirting over text. When the flirting was no longer innocent, his name was still Oscar Pastry.

When Oscar had asked Y/N to be his, she'd answered with "Of course, Oscar Pastry."

Now, a year on from that everything was different. Oscar was no longer in F2 and a lot more of his life was in the limelight. But he was still Y/Ns Oscar Pastry.

***

2023 was Oscars rookie season. But he was amazing. Y/N always came away from each race filled with pride. Oscar could have DNFed or finished each race last and she still would have been filled with pride.

"Pastry!" Y/N shouted as he got out of the car. He wasted no time in taking her into his arms and spinning her around. His helmet was still on his head, so Y/N had no choice but to kiss it, to kiss where his mouth should have been.

He let her go, pulled off his helmet and gave her a real kiss. One that had the lads in the McLaren garage clapping their hands and turning away to give them a little bit of privacy.

After that Oscar was off to do what he needed to do after the race. Y/N waited for him in his driver's room. She played on her phone, scrolling through social media to see pictures of the race already up on her Instagram.

The Oscar fans were her favourite. There were some familiar faces on her feed, fans that had been there since his F2 days and had moved up into F1 with them.

There were several pictures of Oscars McLaren driving around the track. There were quick videos of him overtaking other drivers and pictures of his jumping out of his car.

And then Y/N got to the F1 news sites. Ever since Oscars F1 debut, the news sites run by the male F1 fans had been overly critical of her specifically. So, Y/N tended to avoid them. She stuck to the accounts that loved her and Oscar together, the accounts that didn't tear her down just because she was with Oscar.

The wag accounts had posted updates from the race, the most recent of which being the picture of her kissing Oscars helmet. And then it was the pictures of her actually kissing Oscar. Him all sweaty and disheveled from the race, her radiating pure joy.

***

Y/N couldn't go to every race. As much as she tried, she couldn't make it to every single one. She had work and school to attend.

So, when she couldn't make it to a race, Oscar was very understanding. They called and texted as much as they possibly could. Even if she had to watch the race through her tv screen, she still watched the race.

Studying and working was a tiring business. Sunday evening, after the race, Y/N was exhausted. With preparing to write her thesis, she only managed to half watch the race. It was mainly her listening out for Oscars name and number as she typed away at her laptop.

Oscar was due home that night. To the some they shared.

Y/N tried her very best to stay awake as she waited for him, she really did. Maybe her first mistake was climbing into bed. Maybe her first mistake was getting under the blankets and letting the warmth cocoon her.

The same thing probably would have happened if she had stayed sitting on the couch. At least in her bed she was comfortable and unlikely to hurt her back like she would on the couch.

When Oscar got in, the lights and the television were still on. It was kind of worrying, actually, seeing all the lights on and no sign of his girlfriend. "Y/N?" He called, looking around into their kitchen. "Y/N?"

Oscar went around, checking every single room. And then he got to their bedroom.

Slowly, Oscar pushed open the door. It didn't stop the door from squeaking as he opened it. He put his head around the door and looked in.

There she was, sleeping peacefully in their bed. In way of pyjamas she had on an orange McLaren hoodie.

Oscar tried his best to be quiet. He tried to move around the room silently, tried to be light-footed, but he wasn't doing a very good job. Every time the floorboards creaked under his feet, he turned back to his girlfriend, to make sure she was still asleep.

As Oscar got dressed, Y/N stirred. She rolled towards him, her eyes fluttering open. "Pastry?" She called, her voice croaking.

Suddenly she was sat up, rolling out of bed and stumbling towards him. "Oh my god, Pastry. You're back," she said and wrapped her arms around him.

Oscar had to hold her steady as they hugged. "I missed you too, baby," he whispered and kissed the top of her head. He walked her back over to the bed and sat her down.

"Love you, Oscar Pastry," she whispered and promptly went back to sleep, wrapped in his embrace.

***

"This is paradise," said Y/N as she stretched out on her sun lounger. The sun was shining, palm trees providing the only shade for miles.

The pool in front of her was crystal clear. In said pool was her boyfriend, swimming from one side to the other with an inflatable dolphin. Y/N watched him through her sunglasses, a McLaren hat on her head.

Summer break was something Y/N took very seriously. Her studies were finally done and Oscar was finally on summer break from the season.

Of course, Oscar had to take his girl on holiday. They flew to the Caribbean, to a private villa they'd rented for the next week and a half. From there it was sun, sand, blue skies and crystal clear water.

Getting out of the pool, Oscar threw himself down onto the sunbed beside Y/N. "Happy?" He asked, reaching out and placing his hand on her knee.

His fingers were cold, but it was welcome under the Caribbean sun. Y/N placed her hand on top of his and nodded her head. "This is amazing, Oscar Pastry," she said, turning towards him.

Oscar had this way of smiling. It made Y/N's heart beat fast and the blood rush to her cheeks. "I love you," she said, reaching up to push her fingers through his hair. "My Oscar Pastry."

"Your Oscar Pastry."

The trip was commemorated with a post on Y/N's Instagram.

y/nusername:

liked by maxverstappen1, oscarpiatri and 238,557 others

ynusername Oscar 🥐

[paleprincessturtle]

Heyy! I love your writing and was wondering if you could write a piece where Mike thinks Harvey is a loner so he goes and asks Donna, but Donna tells him he’s been in a super serious relationship for a while. Mike doesn’t believe her so she tells him to go see for himself. Mike goes to Harvey’s place and sees him being super domestic and fluffy with reader.

Aww thanks! And also thanks a bunch for the request. I'm sorry it took so long. But here we go and enjoy!

Note: I'm really sorry for others who already sent me other requests, it might take me some times to post again since I'm in the middle of writing my thesis. Thanks!

Sunny Disposition

Pairing: Harvey x Reader

Mike walked with spring in his steps. It's been approximately 10 hours since Harvey snapped in his face and gave him a direct order to not leave the building unless he found anything they needed for the hearing next Monday. Mike was bummed that he had to cancel tonight's dinner with Rachel. They made an agreement to always have dinner somewhere new every Friday. But here he was. Stuck with piles upon piles upon piles of documents. Nevertheless, he found it. This could be a breakthrough in court. They could win easily with this. But as he got closer to Harvey's office, he slowed down. Frown graced his face. The door to Harvey's office is closed, lights off. Donna was the only sign of life near Harvey's office. Even Donna was getting ready to leave. He walked faster to Donna's desk before she got the chance to leave. "Where's Harvey?" Mike asked, confusion apparent in his voice. "He left at 6," Donna said nonchalantly as if the information wasn't odd at all. It was odd to Mike. Harvey left at 6? Was his place on fire?

"He left at 6? Why did he leave at 6? I have a girlfriend at home, who had dinner alone because Harvey told me not to leave this building. He had a cactus you left him, just that." Mike said in disbelief. Donna chuckled and got back to gathering her things, ready to leave. "Why has Harvey never been in a serious relationship?" Mike asked, all curious. "Last was with Scottie, right? But it wasn't that serious. Though Harvey snapped at me over a pencil after the breakup. But it wasn't that serious from what I see." Donna watched the younger guy rambling. "I can't imagine being Harvey, get home only to a cactus." Mike closed his eyes and shook his head, imagining his home without Rachel. "Harvey is in a serious relationship, Mike." Mike opened his eyes so fast, his hand covering his mouth. "Get out," Mike said in disbelief. "He's been in this relationship for over a year. In fact, he just proposed to her last month, on her birthday, in Florence." Mike's brows knitted together as he tried to remember if there was anything different from Harvey last month. He did take a week vacation, and he dodged questions about his holiday. When he got back he brought with him a beautifully hand-carved pen for Mike. It did creep Mike out. Harvey and souvenirs just don't bode well. He shook his head. "Lies. You said that just to make me feel bad for getting pissed at Harvey because he went home early." Donna rolled his eyes, "If you don't believe me, why don't you give him a visit, and see it for yourself." Donna said as she left her desk.

Mike knocked after he tried the door and failed. He was ready to face Harvey with a glass of whisky in his hand. What he didn't expect was a woman opened the door for him. She dressed in Harvey's dress shirt, black leggings, and an apron. The smell of deliciousness came out as she opened the door. She smiled brightly at Mike. "I'm sorry, can I help you?" she said in all friendliness. Mike snapped out of it and offered his hand, "I'm sorry, I'm Mike Ross. I work with Harvey, I'm here to drop some important documents." Mike explained, confusion still thick in his head. Was Donna telling the truth? Before none of them could say anything, he heard Harvey call from inside. "Sweetheart, who is it?" Mike looked at her in surprise. Sweetheart? Now, sweetheart and Harvey Specter doesn't bode well even more. The woman in front of her ignored Harvey and instead of shaking his hand, she hugged him. "I've heard so much about you! Harvey won't shut up. It's great to finally put a face to a name, and please come in. We are just cooking dinner. Harvey must've confined you in the office. Come in, please," she moved aside to let Mike in. "Harvaroooo" she called out as they entered the kitchen. Harvey turned from the stove and locked eyes with Mike. Harvey frowned and seemed caught off guard. Mike almost laughed at the sight of Harvey standing over a stove, bare feet, holding a spatula. "Harvey baby, look who showed up on our doorstep!" she walked past Harvey as Harvey stood there in confusion. She retrieved a wine glass. "Harvey, why don't you sit down with Mike while I finish up dinner? He mentioned important documents," Harvey nodded, "Mike, you fine with red?" she brought the bottle over her head for Mike to see. "Yes, of course," Mike said slowly, eyes still locked on Harvey's. She brought the glass over to Harvey. "Here, go sit down with Mike," she said, and again, Harvey nodded. This woman can order Harvey around and she's not Jessica, Mike thought. "You sure you don't need help? I can help you finish dinner. Mike can wait. Right, Mike?" Harvey called out. "Yes," Mike answered shortly, still in a daze. "No, baby. You and Mike go out sit on the balcony, and talk about..." she trailed off then smiled, "Talk about whatever you need to talk about while I finish dinner. It shouldn't be long anyway." Mike saw Harvey look down at her. He whispered sweet nothings in her ears as she giggled. He pecked her lips before turning to Mike, he handed him the glass of red and gestured outside with his head. "Wow," Mike said in amazement as he leaned on the railing of the balcony. "Perks of being successful, I can afford this view," Harvey said, leaning on the railing beside him. They both have the view of the kitchen, with the mysterious woman taking an extra plate for Mike. "When are you going to tell me that you're actually engaged?" Mike asked, turning his head to look at Harvey. "I don't mix her with work. When I pissed people off and they found out about her, they will use her against me. I won't let that happen on my watch," Harvey said solemnly. A small smile crossed Harvey's lips as he looked inside at his girl. Mike didn't miss it. "She's beautiful," Mike said, patting Harvey on the back. "Congratulations," Mike said as he pulled him into a hug. Before Harvey could say anything, she opened the sliding door to tell both men that dinner was ready.

Harvey put his hand on his lower back as they walked to the dining table. "You should've told me to help you set the table," Harvey said and she waved him off. "It's fine, Harvey." Harvey pulled the chair for her and kissed the top of her head as she sat down. Mike smiled at the interaction. No matter how much Mike denied it, Harvey is his friend. Mike cared a lot about him and to know that Harvey found her, put Mike's mind at ease. "Oh, I hope we knew you'd come. I hope you're fine with ravioli?" she asked and Mike shook his head. "Please, if anything I'm the one ruining your night with Harvey." Mike gave her a reassuring smile. "It's not like Harvey is an angel and didn't keep you in the office away from your girlfriend," she looked at Harvey and swatted his shoulder, "You should stop doing that, Harvey!" Harvey laughed as he caught her hand and gave it a kiss on the inside of her wrist before letting it go. "Harvey never told me about you," Mike started as he took a bite of the ravioli, "Damn, this is the best ravioli I've ever put in my mouth." Mike closed his eyes as he savored the flavors. "My girl here is the best cook," Harvey said proudly and smiled at her and she laughed. "Harvey never told you about me because I'm a mere mistress," she shrugged as Mike laughed. Mike glanced at her ring finger, adorned with a huge diamond ring. Harvey must've spent a fortune on that. "Sunny, can you pass me the pepper?" Harvey asked her as she passed him the pepper. "Sunny?" Mike asked, eyebrow raised. "Sunny is his silly nickname for me," she waved him off. "Just like Harvaroo?" Mike joked and Harvey choked on his food. The two of them laughed at the even sillier nickname. "It's not a silly nickname," Harvey said after he regained his composure. "Harvaroo?" Mike asked, amusement glinting in his eyes. "That's a silly nickname," Harvey scoffed. "Sunny is not a silly nickname," Mike looked at Harvey, asked him to continue. "She's the ray of sun amidst my storm. I wouldn't know simple happiness without her." Harvey said as he leaned forward to kiss her. Mike watched the two of them and smiled. Relieved washed over him, knowing Harvey, the loner he thought, was actually very much in love.

MASTERLIST

[chemblrish]

26 November 2024

Instrumental analysis lab went smoothly today, also got more than 90% on the test for the first time in this class, so that was nice :)

In other news, I am most likely done with the lab work part of my thesis (what. how. when did this even happen) - now I have to dig myself out of this pile of data I'm currently buried under and ✨write✨. It's not always easy but actually... I quite enjoy it 😳 (both the data processing and the writing). I even figured out how to do something I needed in origin all by myself last night which is now my idea of fun I guess