#i need to work on my thesis but what’s new

[dreamerinsilico]

I almost broke down at work reading this and had to save responding for later, because I have also been there, with graduating on the adrenaline and energy of, this isn't going to be what breaks me. (It kinda was, actually, just delayed for a bit, because my first postdoc is definitely not what fucked my brain up that badly, but that's not the point of this.)

I'm having flashbacks to 2009, when the recession and job market crash sent a lot of otherwise-industry-bound engineering graduates aiming for grad school, except kind of in reverse. There's going to be a lot of extremely knowledgeable, trained scientists with very niche specialties desperately trying to find jobs in the private sector, now. And it's so many orders of magnitude worse this time, because this was done on purpose.

I'm personally okay, for now, ironically more than a little because I had that academic-career-derailing meltdown circa 2018. But I am so, so angry for everyone who's had their lives thrown into chaos on account of this administration just going "YOLO I DO WHAT I WANT." "Get a STEM degree," they said. "Get a PhD and you'll be infintely employabe," they (someone, anyway, possible our personal demons) said.

And I'm terrified for the US and the world's resilience to evolving diseases.

Our ops director reassured us in the big meeting this week that our funding was secure enough we didn't need to worry about our jobs. Okay, great. But then he went on at length about how everyone goes into hysterics when there's a new administration and I just wanted to be like "NO?!?! LITERALLY NO?!?!?!" Even in 2016, just a few days after my thesis defense, when my labmates and PI gathered to mutually express dismay about Trump 1.0, it was nothing the fuck like this. So, well, I'll never have any respect for him ever again even though that's probably going to hurt me, because he's a rich white man with connections who nominally cares about my career development.

Gods, fuck, I don't have a thesis here. I'm so angry and afraid and I'm more angry and afraid for you and other sciencefolk whose livelihoods are directly tied to federal funding.

I've hesitated to write anything about the federal cuts and their impact on science infrastructure in the US, in part because I just don't know where to start.

How to express my rage, or my sadness, or the panic I feel as a scientist currently funded on a federal grant. Or watching the careers of colleagues, friends, and loved ones hang in the balance or be destroyed entirely.

I don't know what to say. My heart aches for those who were doing the important work not only of science but also of making it more accessible, equitable, and diverse. Some of these scientists lost their salary, benefits, and funding overnight. My heart aches knowing that the science we are still able to do will be so much less vibrant without their contributions, should they be unable to return to science.

I've watched over the last few weeks as several of my potential career paths went up in smoke. Federal agency jobs gone, slashes to funding slowing academic science to a halt and resulting in hiring freezes. What jobs there are still now have an applicant pool that tripled overnight.

I have no idea what the future holds, but there is a very real and present possibility that I will not be able to do science as a career. I'm not going down without a fight, but nevertheless it looms as a potential reality for which I have to plan.

I began my PhD in 2018. I withstood so much emotional turmoil, a pandemic, loss and grief and doubt, and I came out the other side with those three letters after my name. I knew there would be hard times again but I also believed surely that nothing would ever be as arduous or difficult as that again. I had survived a PhD; I could do anything.

If you've gotten this far, thanks for reading. If you've been affected by this, I'm wishing you well and my DMs are always open. Call your reps. Nurture your community.

[psychhound]

announcing spiritkeep: a therapeutic ttrpg

howdy all! some big announcements!!!

first, im nearing the end of my master's program, studying rhetoric and writing, games, and educational psychology. im about halfway done with my thesis, and figured it was time to make an announcement …

my thesis, entitled "designing ​spiritkeep​: therapeutically applied RPGs as a discourse community" is �� about what it says on the tin :) in it, I look at the practice of TA-RPGs, which are TTRPGs run for the express purpose of inducing therapeutic growth. TA-RPGs are usually run by a clinician, like a therapist or counselor, or a certified therapeutic game master. my thesis is looking at the needs of therapeutic game masters as a community and asking … what do they need from TTRPGs that isn't currently available?

the thesis takes concepts from rhetoric, linguistics, game studies, literature studies, psychology, and more to ask the question … what would a TTRPG specifically designed for therapeutic use look like? i examine concepts like bleed, close to home characters, dramatic rehearsal, performative speech acts, fixed vs growth mindsets, information processing theory, and more. i also look at criteria set forth by current TA-RPG practitioners for what makes a good TA-RPG, and examine five current games against those criteria. then, i put together the research into a foundation for spiritkeep, a dedicated TA-RPG

spiritkeep is designed around the goal of helping teens and adults heal from complex trauma

that said, its perfectly suitable for a homegame as well, as long as everyone is on the same page and approaches it with the mindset of collaborative growth. all in all, it's still going to be a fun game and a good TTRPG!!

in spiritkeep, you play as a smalltown taskforce with the shared goal of restoring your currently struggling community to a thriving state. you go out on missions like finding resources, diplomacy with neighboring cities, researching ecological problems, and more, while you slowly make your town a better place to live. spiritkeep includes collaborative worldbuilding, a large assortment of playbook options like the Wayfarer, the Knight, the Ghost, or the Shepherd (all designed to hit where it hurts, at least a little!), and a brand new system inspired by PBtA, FitD, BOB, WoD, and more. while the game is designed around grappling with identity and learning how to grow, it can also get a bit tactical and crunchy!! the new dice mechanic makes you think on your feet with every roll

this announcement is also to say that i am beginning the initial crowdfunding of the game through itch. right now, im trying to raise funds to pay the fee to my school to make my thesis open access, meaning anyone can read it. then, remaining funds will go towards things like resources, consultants, art for the kickstarter, and everything else i need to get this project off the ground. ideally, ill be able to team with a publisher to cover the logistics of business while i can focus on the game itself. once the game is finished, there will still be plenty of playtesting, consulting, and other work to do. but!!! this post marks my first steps towards what has been my dream for years now

this sale is how im starting the funding process. it includes the zine preview of my thesis, covering my chapter outline and big concepts, and also my first TA-RPG: with breath & sword, a solo game to help players calm down from anxiety. both items have community copies available: please feel free to grab one if you can't contribute !!

questions, comments, or partnership offers can be sent to psychhoundgames @ gmail(.)com

thanks y'all!!! wish me luck!!!! 🥰🥰🥰

[hlficlibrary]

✤ Camboy Fics ✤

A series of posts with the top five fics of each category by kudos plus five more hidden gems from that category! Remember to leave kudos and a comment on the fics you enjoyed to show your appreciation! You can find our other recs here.

- Top 5 H/L Fics -

1️⃣ with nothing but your t-shirt on by pinkgelpen {E, 34k}

Louis knows that I’ve seen you fuck yourself with a vibrator should not be the first thing that comes to mind when he meets Harry Styles.

(Harry is a camboy and Louis has been an avid subscriber for a while before he finds out they attend the same university)

2️⃣ don’t even need to touch me, baby, just breathe on me. by ballsdeepinjesus {E, 7k}

About three things Harry Styles is absolutely positive. First, he definitely did not read all four Twilight books. Second, there is a part of him – and he knows exactly how potent that part of him is – that wants to test the science behind sucking Professor Tomlinson’s brain out through his dick. And third, Harry is unconditionally and irrevocably in lust with his Professor.So yes, Harry Styles is a cliché. He’s seen this plotline unfold in porn all the time. He’s not sure if leaning over his desk and offering up his arse for a spanking will yield the same results, however.

[louis is harry’s professor. harry is a cliche.]

3️⃣ you've got my head spinning, no kidding by hilourry {E, 3k}

Louis is the new intern. Harry wants to fuck him.

4️⃣ Until I Found You by dimpled_halo / @comebackassholes {E, E, 45k}

Harry Styles is the popstar of the century, or so the media proclaims. He’s linked to every omega he’s seen with, donned as an alpha lothario who isn’t ready to settle down any time soon. His team works hard to publicise him as an alpha who can’t keep his knot in his pants, but not everything is as it seems.

Louis Tomlinson, an aspiring musician working as a porn star and camboy, is waiting for his big break. When he meets Harry Styles he can’t stand the alpha that only uses his power and fame to bed as many omegas as possible. He runs into him at a party and hopes to never see him again only to find that Harry’s assistant is dating Louis’ best friend. To make matters worse, Harry’s about to embark on a world tour and is in need of a guitarist at the last minute, an opportunity Zayn uses to put in a good word for Louis.

What happens when the opportunity that Louis has been waiting for finally comes, but at the price of having to share the stage with one Harry Styles?

5️⃣ Could Be Kissing my Fruit Punch Lips by thecheshirepussycat / @the-cheshire-pussy-cat {E, 4k}

Harry happens upon a porn site that specializes in live videos and sort of falls in love with the cute boy he only knows as Kitty.

And then he gets the surprise of his life when he finds out Kitty attends his university...

HIDDEN GEMS:

💎 need your grace by @juliusschmidt {M, 30k}

“I can’t wait to kiss you,” he says, softly. “With, like, tongue.”

Louis closes his eyes. This afternoon on the train in, he would never have guessed that at the end of the night he’d have Harry Styles- the Harry Styles- beside him, begging to be kissed. With tongue. Jesus Christ.

💎 Camboy on Lockdown (series) by @reminiscingintherain {E, 12k}

While Louis was working on the final draft of his thesis for his Master's, the world went into lockdown around him without him realising. Now he's trapped in student accommodation, and needs a way to earn some money...

💎 Pretty Please by Kikiberoski16 / @larrysballetslippers {E, 9k}

Before a tear rolls down his cheek, his alarm goes off. He takes a look at his phone and his smile brightens. It’s finally Saturday, eight p.m, he waited a month for this. Louis almost trips over one of his boxes as he searches for his laptop. He runs to his bed, which is really just a mattress on the floor at this point, grabbing a towel on the way. Louis places the towel on the mattress and arranges himself on the bed with his laptop propped up on a moving box. Starting up, loading and logging in feels like it takes ages, his fingers are shaking so much from the anticipation that he even types the wrong password at one point.

When he’s finally on the right website and has snatched some tissues, Louis waits for the count down. ‘Five, four, three, two, one, play’. Louis reads the familiar screen.

“Hey daddy.”

or the one where Louis moves into his new apartment, not knowing that his favourite camboy is his new neighbour.

💎 camboy au (series) by localopa / @voulezloux {M, 4k}

the adventures of omega camboy louis and his alpha friend harry

💎 A XXX-Mas Miracle by @fallinglikethis {E, 2k}

Harry's favorite camboy is doing something special for Christmas. He can't exactly miss it, can he? Absolutely not.

[grumfield]

i'm humbly begging for tips on how to plot/structure a long-fic 🙏😔

ok please do not take this as law whatever, because I have been told time and time again that my process is insane and very antithetical to a lot of creatives but that’s how I work on literally all of my long projects SO. neuroses be upon ye below the read more.

I’m a hardcore planner and don’t like to start things without clear direction. If I’m planning something long that isn’t a self contained story, this is how I visualize it. It’s sort of the way that weekly serialized TV works, probably because I went to film school and used to want to be a showrunner, so I approach it with the mindset that I am the showrunner of my own weekly serialized one man show

And then each “story” is broken down like this:

(Keep in mind the beats above are very metaphorical. Funhouse just means the key facets of their character are on full display, like evasiveness or whatever, and seeing how they interact with the overall physical events of the world. Bad guys isn’t always bad guys, it’s just the looming threat, like a deadline)

Now onto the actual process. This is through the lens of shippy fics so it’ll usually be using terms/goals within that context!

“The thesis” is the first thing I decide and with and when it comes to fic it’s often a ship. It’s just the overall goal or point of what you’re writing. If you’re writing a shippy fic, your thesis is “X and Y Character get together” and everything that happens within that thesis is ultimately in pursuit of them getting together and then their happily ever after. The complexity of what happens for that to come into fruition is up to you.

“Thing I want to have happen” is usually a progression of a romance beat or the development of the relationship. Awareness of feelings, kissing, sex, etc.

“The story” that happens is the set of circumstances that lead to those beats, and for longfic pacing, I find it best to have each of these be thematically self-contained narratives to push things along.

Here’s an example:

Joe is in love with Brad, and they are in high school. “Story 1” they are paired together for a school project, and by the end Joe realizes that he enjoys Brad’s company, and invites him to his party. “Story 2” is Brad getting ready for the party, working up the courage to go, and then they play spin the bottle. By the end, Brad realizes that he likes kissing Joe. “Story 3” Joe has been avoiding Brad because kissing made him feel weird, but then he finds out they’re rooming together on a school trip. After they spend time together, they mutually realize they like each other and want to date; and screw. Then they go to prom, happily ever after”.

You have 3 separate situations with 3 different developments in Joe and Brad’s relationship. This sort of idea can be expanded to galactic scale, because ultimately when it comes to anything about people, human drama is all relatively the same. I think the important thing for longfics, both for keeping yourself interested and others, is providing some closure for some threads while opening up new doors, and this is conducive to that.

As for the individual story structure, that’s just how I plot everything self contained, it’s Blake Snyder’s Save the Cat Beat Sheet. I like compared to other plotting structures specifically because of “Theme stated, Fun and Games/promise of the premise, midpoint, and dark night of the soul.�� I find that each of these are really conducive to understanding how to propel a story forward when you’re stuck, which can happen often when working on big projects.

Theme stated is usually what the characters need to learn, stated by someone else. It’s less a motif present and more of an emotional goal that the protagonist isn’t emotionally aware of and is resistant to. In romance it’s usually “you need to open yourself up more” said by a friend. This is usually a good thing to keep in mind in each scene, because sometimes if you write yourself into a corner; you can fall back on this and try and work out what your character can do next. Is Joe antisocial and needs to learn to trust others? and you’re not sure where to take it? Have him try being avoidant to Brad during their partnership, and Brad push back against that. Additionally, a great way to add drama is to have characters fall back on their old ways/not ingest the lesson of the theme.

Fun and Games/Promise of the Premise: basically just shennanigans that happen based on what you’re setting out to do. If Brad and Joe are working together, it’s the moments that arise from that. Moments where they clash, or go to the library, or one of them skips out on doing the project. Anything that they could experience while working together, as well as the romance implications of that. Bad guys close in is an extension of this—usually a deadline is approaching.

Midpoint: when everything seems great. For example, say you don’t know where to take Brad from the Fun and Games, have them create a really good project! They’re finished working, and realize they enjoy each other.

Dark Night of the Soul: they lose the project, they fight, Brad doesnt show up for the final practice and Joe feels betrayed. Anything that sets them emotionally back to square one, and then something happens to rally them once again to finish their school project.

In a big project, the big emotional issues may not be fully resolved from this, but from a plot basis, it gives you an idea of how to keep plot-based emotional momentum that all works through the ultimate development of the the thesis.

The theme of each arc should be different as they start to learn new things, because rehashing the same material doesn’t keep that momentum you need. So, if Joe learns to open up in arc one, maybe arc 2 is about him examining what he actually wants out of relationships with others.

Fic is a great place to do this because there’s so much shit you can mine for each story arc, and is really rewarding to readers when you bring it into play. And if you run out of that, eventually you can mine older arcs you write and bring their content back into play too. When you do this it basically allows you to have infinite arcs and shit if you want which is fun, and how TV shows go on for ages, for better or for worse

Anyways hope this is as in any way helpful! This is just how I do it haha

[rivalmelty]

and nothing bad ever happened to cerberus

[necrotic-nephilim]

what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.

batman (1940) #456

Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.

and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.

and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.

teen titans (2011) #18

to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.

i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.

[newtness532]

I dont think I can find 2500 more words to write 😫

[theflyestwhiteboyofthemall]

me when i am faced with the reality that other ppl esl my 'old' peers are smart. or rich or at least very financially well off. don't have anxiety. are achieving things. or sometimes all 4 simultaneously

[colormints-art]

cant sleep brain filled with koya hurt no comfort

[seumyo]

KENJI SATO ✰ 10:43

“Working overtime really doesn’t suit you, Sato.” The teasing sentence made Kenji grunt in disapproval, slumping against his couch.

“Wow, I didn’t notice. Thank you for that valuable input, [Name],” he says, rolling his eyes at you. 

He can’t help the sarcastic reply. Kenji’s schedule was all over the place. His life has been all over the place ever since his return to his home country, Japan. And now he not only has to take care of himself—which, in his defense, was fairly simple when he just had to worry about himself—he has to worry about an infant Kaiju!

What a wonderful (not) icing on the cake.

“Ken is really appreciative that you made time to fulfill his request, or, shall I say, cry for help, [Name].” Mina’s familiar voice flurried from a distance, closing in to your right in a breeze. 

“Hey! It was not a cry for help—it’s more like a... Asking a friend for a favor,” Kenji says, trying to ease his brain with what’s coming out of his mouth (like it was on autopilot, scrambling to defend himself and the pride he had left).

“Uh huh. And the favor is? I don’t really think there’s anything I could do to her containment unit or any repairs that’re needed in this place.”

“I just need someone to watch over her.”

(“I just need someone to talk to” is a much fitting phrase.)

“Doesn’t Mina already do that?”

“There’s only so much a supercomputer like me can do to entertain a living being, [Name].”

On cue, Emi croons at the video of you singing on stage. A part time career of yours, because when you’re not developing new tech that boosts the economy, you might as well indulge in your hobbies. 

Kenji wouldn’t admit it, but he has a vinyl or two—or even a whole collection of them—that he considers as priceless as his one-of-a-kind sports car displayed in the basement.

“Would you look at that? She likes your singing.” 

He watches as you take a step closer to Emi, observing how she delightedly squealed at the soft melody being played on the holograms. This 20-foot-tall baby Kaiju reminded you of the time you took care of children at the daycare center.

“I just...” he sighs. You didn’t even notice that Kenji was already beside you, offering you a canned drink. 

“How do you do it? Juggle everything?” He murmurs. “You’re the busiest person I know. Working on your thesis, performing at various concerts, taking on charity work, and whatnot. Hell, if you could run for president, I’m sure I’ll be seeing you in the elections, too.”

A quiet laugh was returned. “It’s not easy, that’s for sure. But within time, you’ll learn just what you need and what you can handle.”

“Mm. Don’t you ever just want to run away from all the responsibilities people place on your shoulders? I can barely take care of this young lady,” he chuckles, though it doesn’t hold even the slightest ounce of humor to it.

“I wish, but then I’ll remember the kids who're so happy to see me whenever I drop by,” you say. “They may be a handful at times, but you’ll be surprised to know just how smart and caring they are. How they take in their surroundings and attempt to figure out who they are. We’re all what they have. The least we could do is give them our time and love all the same.”

Kenji lets your words sink in. Simple and touching. The kind that gets the gears in his head to start twisting.

“You really are a charm with your words; did you know that?”  

“Thanks; I try my best.”

The night continues with Kenji and Emi playing baseball on a simulated field with you by the shed, cheering on from a safe distance. Kenji doesn’t remember the last time he’s been this genuinely happy after his return to Japan. It’s a refreshing feeling that he wants to get used to again. To see the baby Kaiju successfully hit the ball with a swift swing after watching after him is a sight that tugs at one’s heartstrings.

Just like a proud father.

“Come on, girl! We gotta run the bases!”

And as the two celebrate their moment of triumph, the baby Kaiju stomps toward you and giggles happily as she hoists you in the air without much warning. You took it all in you not to shriek and absolutely lose all composure, but when you’re up in the air and are being held to a bear hug like some sort of teddy bear by a Kaiju that could probably crush your bones if not careful, it’s hard to not just scream for your life.

“Oh, ok—ok. Baby, put me down gently, please,” you chuckle nervously. 

“It appears that the little one sees you as her other mother,” Mina adds.

Kenji laughs at the sight, pulling out his phone to take a picture. This is definitely a memory he’d want to remember.

“This is not funny, Kenji. Tell her to put me down.”

“Aw, is Baby not listening to her Mommy?”

“Again, not funny. This is like an out-of-the-blue co-parenting a child with you. With you being my annoying ex-husband.”

“Specific, eh?”

“Shut!”

When you’re just about to leave for the night, Kenji suggests that you sleep over. There’s a lot of spare bedrooms in their manor, he reasons. He also doesn’t understand what came over him to offer, but he doesn’t take it back.

But it could be because he’s missed you. And he’s somewhat afraid that this may be the last time you see each other in a while due to your clashing schedules.

“You’re such a girl dad, Kenji,” you tease.

“Haha, good one,” he says, rolling his eyes at you. He took a couple of blankets from the closet and placed them on the bed.

“Just saying.”

“Whatever you say, Mommy.”

“Oh hush, Daddy.”

That ringed out a laugh from him. “Bleh, that sounds so embarrassing coming from you.”

You shrugged. “Hm? Don’t you think you’re embarrassing too?”

“I’m not.”

“Are too.”

“Am not.”

“Are too. I will not be going back and forth like this with you anymore, Kenji Sato. Good night!”

Kenji can’t hide the smile that appears on his face. Yeah, he definitely missed this. 

Definitely missed you.

SEUMYO © 2024. PLEASE DO NOT REPOST, PLAGIARIZE, MODIFY OR TRANSLATE.

[cursedyuri]

so, your best friend accidentally sent you a video of her masturbating. what now?

18+ below! smut smut smut!

ellie’s bedroom is heavy with the scent of sex, her fingers still pruned from her own wetness. she’s spent the last few minutes tense and panicked, too paralyzed with anxiety to get up and put some clothes on, and she’s considering what she’ll change her name to and where she’ll move to start a new life when you finally, finally text her back.

it’s okay. give me a second to reply, alright?

the weight on her chest eases a bit at your reassurance, but a new spark of uncertainty flares up at the second part of the message: give me a second to reply. jaw tight, she sends you a question mark, then follows up with you don’t have to respond. it’s probably better if you don’t?? again i’m so fucking sorry.

but as the minutes tick by, slow and lazed, she starts to panic again. her mind conjures every possible response you could send her next: an angry thesis statement on why ellie’s a disgusting pervert, a seething comment about how stupid she must be for sending a video like that so carelessly. would you ever look at her the same way? would things ever be the same?

all it takes is another notification from you to make every imagined worst-case scenario evaporate. ellie clicks the notification as soon as it pops up, chewing on the soft flesh of her inner lip.

it’s a video.

you sent her a video.

she hits the play button without a second thought, heartbeat thudding in her ears.

“i know you’re probably embarrassed,” you say, head tilting as you frown with sympathy. a blush paints ellie’s cheeks bright red. “but i need you to know how wet that made me.”

holding the camera up, you extend your arm outwards to reveal the rest of your body - your naked body, ellie realizes with a shock. she sits up in bed, back ramrod straight, her phone shaking as a nervous tremor strikes through her. but she can’t look away - not when you’re tracing a hand down the soft curves of your body, fingertips grazing over one peaked nipple, then moving lower, lower. ellie swears she’s forgotten how to breathe.

you release a pleased hum. “i liked watching you touch yourself,” you say, so matter-of-fact. “i hope you like watching me.”

and she does, god she does. she settles back down onto the mattress, eyes never leaving the screen as you work two fingers through your soaked folds. you moan and sigh and keen, rolling your hips down against your own hand, the wet sounds of your pussy so intoxicating, ellie can’t believe she’s gone her whole life without seeing you like this.

and it might be wrong, the way her own hand drifts between her legs to find herself still hot and wet, but she doesn’t have it in herself to care. she dips a finger inside of herself as she watches you ride your own hand, grinding down on your palm as your fingers work in and out of your cunt. she finds a rhythm that matches your own; soon enough, you’re both gasping at the pleasure building beneath your waistline. with every roll of your hips, ellie’s cunt tightens, flooding with slickness - as if she could get any wetter.

as you get closer to the edge, your grip on your phone falters and the camera starts to shake. ellie hisses and curses under her breath when your phone captures the blissed-out look on your face: eyes rolled back, brows pulled together, teeth sinking into your lower lip.

“oh - oh my god,” you stutter, panting, “i’m gonna come, ellie.”

ellie. ellie ellie ellie.

“holy fuck.” ellie’s pussy clamps down around her fingers at the sound of her name on your lips; her thumb glides over her clit just right, and she didn’t think she’d come this fast but she does, her vision exploding into blinding white as her orgasm crashes into her. it’s the only time she looks away from the video on her screen - but she certainly hears your orgasm, all high-pitched moans and ragged breaths, your cunt gushing onto your fingers.

when ellie finds the strength to open her eyes again, the video is still playing. you’re catching your breath, chest shimmering with a thin layer of sweat. you look at the camera and smile. ellie thinks she might pass out.

“thanks for the video,” you say, lifting your free hand up to wave.

when you bring your fingers to your mouth and purse your lips around them, sucking them clean of your own come, ellie’s sure she’s going to pass out.

and then, she decides, she’s going to fuck you stupid.

[reidphobic]

i’ll show you heaven (if you’ll be an angel all night) - s. r.

in which you give your pretty boy neighbor a few much-needed lessons in pleasure. 4426 words. part two.

inexperienced!sub!spencer x dom!fem reader, unprotected sex, mommy kink, brief hint at nursing, praise, oral (f receiving), no use of y/n, reader is super condescending at times but it’s hot i promise

You’re utterly enamoured with the pretty boy next door. You know next to nothing about him, only that his name is Dr. Spencer Reid (his mail); he’s bookish (you first met when he literally bumped into you in the hall with his nose in a book); he keeps very odd hours; and, most crucially, in the four years you’ve been his neighbor, he’s never had a girl over.

It’d be enough to make you think he just isn’t particularly interested in sex, if not for the paper-thin walls you share. You’re not trying to listen, but it’s hard to keep yourself under control when you know he’s only feet away, stroking himself to a whimpering, moaning orgasm in the dead of night. He just sounds so pretty, pliant and delicate, like he’s begging to be wrecked.

Your little crush has been spiralling out of control for a while now — you’re going through a dry spell, and it’s hard to keep your gorgeous neighbor out of your fantasies when they’re all you have. Your heart flutters when he smiles and waves from across the street, kicks in your chest when he nods at you in the hall. It’s embarrassing. Eventually, you have to take action. You order a parcel to his apartment, put your feet up and wait.

There’s a soft, timid tap at your door a day or so later, and you force yourself not to sprint to the door. “Hi,” Spencer says, bright and cheerful, an openness in his face that you’re dying to take advantage of. “Is this yours? It was delivered to my apartment by mistake. I- I’m Spencer. Reid. I live next door.”

Time for the performance of your life. You paste on a shocked, grateful look. “Yes! Oh, thank you!” you gasp. “I’ve been trying to get my money back all day, and it’s been a fucking nightmare,” you laugh, taking the box from him and leaning against the doorframe. Your eyes flicker down his body, tall and lean, catching on his hands for a second before landing on his lips. You smile, lick your lips. “Hey, d’you wanna come in? I’ll make you a coffee as a thank you.”

Spencer glances at his watch, then smiles, and, oh. You swear to yourself right then and there that you’ll do anything in your power to make him smile like that again. “Sure. I can’t stay long, though. Work,” he adds with an apologetic shrug.

“What is it you do?” you ask politely, closing the door behind him and busying yourself in the kitchen.

“I’m in the FBI,” he answers, like it’s the most casual thing in the world. Your eyes bug out of your head, and you turn to face him. But then you catch his expression, resigned and almost bored.

You let your eyes widen just enough that he knows you’re impressed, and then shrug. “And I bet that’s all you get to talk about when you meet someone new, am I right?” His face cycles through surprise, confusion and then relief, and he nods. You sit, slide him a cup of coffee, try not to be too transfixed by the muscles in his throat as he swallows. “So let’s talk about something else. You’re a doctor, right?” He tilts his head quizzically. “You’re not the only one who gets other people’s mail by mistake. The whole FBI thing means you’re not a medical doctor, at least, I don’t think, which only leaves a PhD.”

“Three, actually.” At that, you can’t stop your eyes from bugging out. He can’t be more than twenty-five! “Mathematics, Chemistry and Engineering.” He almost sounds sheepish, deliberately tucking in his shoulders to seem smaller as he speaks.

“Oh, my God,” you say faintly. “Well, I was going to ask about your thesis, but apparently I have to specify.” You pause. “Which one is your favourite? No, I wanna hear,” you say when Spencer opens his mouth to protest. “I won't understand a word, but I’m told I’m a really good listener.” You lean forward, smiling sweetly, and he fiddles nervously with his tie, stumbles over his words.

True enough, you don’t have the faintest idea what he’s talking about, but the way his eyes light up and his movements grow more animated the longer he talks more than makes up for it. You’re content to sit and listen, carefully memorise him as you hang onto every word, and the best part of an hour flies by like that. He pauses to take a breath, checks his watch and winces. “Crap. I’ve gotta go. This was… really nice. Thanks,” he says, setting his empty mug next to your sink on his way out.

“Hey,” you call out, and he pauses. “You’re welcome to come by another time, if you’re up for it. No offence or anything, but I kinda get the sense you need someone to talk to who’s not in the FBI.”

Spencer chuckles softly. “Is it that obvious?”

“A little,” you tease. “I’m sure your work is super serious and important, but, really, drop by if you get the chance. I’d like to see you again,” you add, letting the smallest note of interest creep into your voice at the last sentence, and you can tell by the way he falters mid-step that he picks up on it.

But he only smiles, offers you a polite goodbye, and disappears into the elevator. You don’t see him for a little while after that, but just when you’re starting to kick yourself for not getting his number, he taps on your door. It’s so late that you’d thought he wasn’t coming home for the night, but you smile warmly when you open the door, assure him he’s not bothering you at all, of course not, and you work nights anyway, so it’s not even close to your bedtime.

“You want something to drink? It’s a bit late for coffee, but I have tea? Wine?” You pad across the living room, hyper-conscious of Spencer’s gaze on your bare thighs, your short silk robe doing very little to protect your modesty.

“Wine would be great, actually,” he says, balancing himself delicately at the edge of your couch.

“Rough day?” you ask, pouring two healthy glasses and passing one to him.

He laughs ruefully. “Like you wouldn’t believe.”

“You wanna talk about it?”

Spencer bites his lip. “I’d really rather not,” he says quietly, looking down at his shoes. “How about you talk and I listen this time? About anything.” He laughs softly and you launch into your best first-date stories, slowly working your way through the wine and inching closer with each new glass. Both slightly tipsy, your head rests in his lap and he’s staring down at you like you hung the moon, and you can’t take your eyes off his lips, his pretty, flushed cheeks. “Hey, what was in that package they delivered to my apartment?” he asks, and you’ve got him.

“You don’t wanna know,” you smirk, toying with the hem of your robe and dragging it up, revealing just a sliver more of your bare thigh.

“I do, though,” he pouts, carding a hand gently through your hair.

Your smile broadens. “Well, you know what they say about curiosity.”

“It killed the cat?”

“Sure,” you answer, hands sliding up to the tie around your waist. “But satisfaction brought it back.” You untie your robe, let it spill into his lap and across the floor, hear him suck in a sharp breath at the sight of you. Lace in a shade of red so deep it’s almost black cradles the curves of your body, and you study his face carefully for a reaction. Spencer’s eyes are wide, pupils blown, and his hands tremble where they hover above your skin. “Do you like it? I bought it to cheer myself up. I’m in a real dry spell at the moment — but, you know about that, right?” you tease.

Spencer clears his throat. “I, uh… huh?” He sounds practically tongue-tied, poor thing, and you reach up to smooth his hair behind his ear.

“Spencer. Come on. Unless your mute girlfriend only comes in through the fire escape, you’ve never had a woman in your apartment,” you say, playful but just mean enough to get under his skin.

He flushes crimson to the tips of his ears. “Is it, uh…” He licks his lips. “Is it really that obvious?”

You smirk. “Yeah. Be honest, is this driving you a little crazy? Do you think I look pretty?”

“I think you’re beautiful.” You sit up, plant yourself squarely in his lap. He’s stiff, back ramrod-straight, fists clenched by his sides.

You shift your hips, grind down against him. “Do you want me?” you breathe, leaning in close. Spencer nods weakly, entirely at your mercy. “Spencer,” you purr. “Are you a virgin?”

“No!” he says indignantly. “I’ve had sex. Just not, you know, for a long while.”

Taking his hands, you place them on your waist, and his head tips back like he can’t believe his luck. You laugh, low and dark. “You blush like one.” Leaning in, you speak against his lips, so close he can practically swallow your words. “Do you want to fuck me, Spencer?”

He nods frantically, so hard you’re afraid his neck is going to snap. “Please. I want… God, I can’t—”

You drag your thumb across his bottom lip to silence him, resist the urge to press it deeper into his mouth. “Aw, you’re so needy, baby. So cute,” Spencer whines, pouts up at you as you shift your hips. “It’s okay. I’ll take care of you,” you murmur, finally leaning in to kiss him; nothing more than a soft press of lips, at first. Then his hands slide up from your waist to your jaw, pull you in again. His kiss is starving, feverish, almost crazed, like he’s gone so long without it that he can’t relax.

You nip playfully at his bottom lip, pull it into your mouth. He slides his hands into your hair, happily cedes control as you slip your tongue into his mouth. His face scrunches up in displeasure when you pull away. “You’re not very experienced, are you?” you say, taking one of his hands and skimming it down your back. “All the theory in that brain of yours, but no application, right? Does that make you nervous?”

Spencer flushes impossibly redder. “I… Yes. I don’t… I want it to be good for you,” he murmurs, deliberately avoiding your gaze until you tilt his head up to meet his warm, honey-brown eyes.

Pressing a soft, near-chaste kiss to his lips, you gently twirl a strand of his hair around your finger. “It’s okay, baby. I can teach you, huh? How’s that sound?” You slip your hands under his sweater, slide them up his slim, toned chest.

“Mhmm,” he murmurs, head dipping to kiss your neck.

You giggle. “Such a quick learner, baby. You wanna bruise me up, just a little?” His teeth scrape at your neck, a messy, graceless thing; pain blooms under his touch, skitters down your spine. “Good boy,” you murmur, and he shudders. “Oh, you like that, don’t you, pretty? Be a good boy and take your shirt off for me, okay?”

He scrambles to obey, practically rips his shirt over his head and tosses it away. You pull back to gaze at him, trace your fingertips over his bare chest. “Stop it,” he says quietly, almost a whine, squirming under you. “Stop looking at me like that.”

“Can’t help it,” you grin. “You’re just so pretty.” You grind your hips down, moan just a touch theatrically. “And so hard. This all for me, sweetheart?” you ask, and he melts under you at the epithet. “I asked you a question,” you add, digging your nails just slightly into his jaw.

“Yeah, it’s for you. S’yours, baby, I want you,” Spencer pleads, eyes wide and lips parted.

“So eager, baby. I’ll give you what you need, don’t worry. You wanna stay here or go to bed?”

Spencer grabs at your hips, squirms under you, meets your hips at an angle that sends pleasure cascading over you. “Bed. Please,” he gasps, burying his head in your neck and whining.

You stand up without a word, affecting casualness, but you feel the loss of his warm body between your thighs like an ache. “You coming, pretty?” you smirk, glancing over your shoulder to where Spencer is still sitting, stunned. He scrambles to his feet so fast he almost pitches over, stumbling after you as you pad into your bedroom.

Spencer doesn’t follow you into bed, though, casting a sweeping, curious look around your room. You snap your fingers impatiently. “Hey. Stop profiling the half-naked girl who wants to have sex with you.” Obediently, he climbs onto the bed next to you, kisses you sweetly as your hands slide down to unbuckle his belt. You tug his pants and boxers off in one motion, let him awkwardly kick them to the floor. Suddenly, he’s gorgeously naked in your bed, his cock hanging heavy and hard between his legs.

You stare openly, mind blanking for a second as your mouth waters. All you can think about is how beautiful he is, how good he’ll feel inside you. “Are you… Am I, uh… Okay?” Spencer asks softly, like he’s embarrassed. You gasp, grab his face, kiss him fiercely.

“Sweetheart,” you murmur, cupping his cheek as he blushes. “You’re gorgeous. Such a pretty boy for me, huh?” you breathe, connecting your lips and taking easy control of the kiss, your movements languid where his are frantic and desperate.

“Please,” he murmurs against your lips, the pathetic sound of it falling straight between your legs.

You smirk against Spencer’s lips as his hands rove along your back like he’s searching for something. “It undoes from the front, honey.” You guide his hands to the clasps, let him loosen your lingerie and pull it off, and he moans openly at the sight of your naked body.

He sits up to gaze at you, lips parted and eyes darting around as if he’s mapping every inch of you. “You’re incredible,” he murmurs, hands hovering over your chest until you grab them and rest them on your boobs. Arching up, you press your chest into Spencer’s hands, moan when he squeezes softly. One hand trails down your body, down your side and along the curve of your hip, under your leg to grab at the point where your thigh meets your ass. “How do you want me?” he breathes, a nervous tremble in his voice.

“It’s alright, baby. Take your time. I’m all yours, promise.” You smile softly up at him, let him cautiously explore your body, learn exactly how to pull a soft moan from your kiss-swollen lips. Spencer dips his head, kisses the hollow of your throat, works his way down until he’s wrapping his lips around your nipple. You whine when he sucks softly, laps at the peaked bud.

It seems like you’ve found something that makes him tick, because it’s minutes before he lifts his head, and only to switch to the other side. His eyes are glazed over with lust when he finally looks up, and you smile down at him. “Enjoying yourself?” you tease, and he flushes a now-familiar red. “It’s okay, pretty. Don’t need to be embarrassed. But I wanna fuck you now, ‘kay?” You crawl on top of him, grind your soaked cunt against his stomach. “Feel how wet I am, baby? S’all for you, gorgeous.”

Slowly, you push yourself up onto your knees, Spencer’s hands clutching your hips like you’re a mirage, like you’ll fade into a dream if he lets go. “Oh, my God,” he moans, eyes fluttering closed as his hips twitch in desperation.

You circle your hips, carefully line him up with your dripping hole. “You ever done cowgirl before?” He shakes his head mutely, mouth open but no sound coming out. “You want to?”

“Yes,” he rushes out. “God, yes. But, don’t you wanna… condom?”

You lean down to whisper in his ear, conspiratorial. “No. It’s hotter that way.” You shift your hips again. “I mean, I know I’m clean, and you haven’t had sex in over four years, I’m on the pill… I can go and get one, if you want, but I really want to feel you cum inside me, Spencer,” you murmur, and he gives a full-body shudder. “Yeah?”

He nods frantically. “Yeah.” You trail your hands down his stomach, the muscles bunched tight under your fingertips.

“Relax, okay, sweetheart?” you coo, still roaming your hands across his stomach. “S’only gonna feel even better if you just relax for me.” Spencer breathes in deeply, closes his eyes, exhales the tension. “Good boy.” Oh-so slowly, you sink down on him, the aching stretch delicious between your thighs. His whimpered fuck when you’re fully seated makes you pulse around him, back arching involuntarily. “Do you need a minute, baby?”

Spencer looks up at you, dazed, and nods. “You feel so good,” he groans, half-broken already. A moment or so passes, giving the both of you time to adjust to feeling each other. You can sense that he wants you to move by the way he starts twitching inside you, his nails digging harder into your hips.

You watch him suck his bottom lip into his mouth, screw his eyes shut, fight not to make a sound. Pouting, you slide your thumb over his mouth until his lips part obediently around the digit. “Who taught you that?” you murmur, scrunching your face in displeasure. “Who told you to be quiet, Spencer? Don’t do that with me, okay? I wanna hear all your pretty noises, honey. You gotta let me know you feel good.”

Nodding, Spencer moans your name the second you free his mouth, hips jerking as pent-up, needy whines spill free. Something that might be the word please stumbles from his lips, over and over until it’s the only sound you can hear, filling the room and humming under your skin.

Despite all his efforts, you hold still, though every nerve in your body is screaming, begging for you to fuck yourself on his cock. “Is there something you want, sweetheart?” you say, sickly-sweet and patronising. “Beg me for it, pretty.”

“Fuck, come on, please!” he whines. “Want you s’bad, please. God, I need you, please, Mommy, want you to fuck me, you feel so good, please!” he gasps. You don’t think he even realises what he’s said, too far gone in his desperation. You, however, are far more lucid.

You rock upwards, lift your hips off him, and he whines at the loss. “Is this what you need, baby? Need Mommy to fuck you like this?” Spencer covers his face in embarrassment, but he can’t hold back the gasping moan that slips out when you sink down on him, grind your clit against his stomach. “Stop it,” you snap, pulling his arm away from his face. “How many times do I have to tell you? Don’t be embarrassed, and don’t hold anything back. How’m I supposed to teach you if you don’t let me know what makes you feel good, huh?” Setting a slow pace, you start to bounce in his lap, every sound that escapes him pathetic and delicious. “I’ll be your Mommy if that’s what you need, pretty.”

Whining, Spencer gazes up at you, eyes fixed on your tits and practically drooling. “Tell me— shit— tell me what to do,” he pleads, grabbing greedily at your ass and moaning.

“Such an eager boy. Just wanna please, right?” He nods, moans your name and yes and Mommy. “Give me your hand, okay?” You take his hand, carefully press his index and middle fingers against your clit, moaning at the sudden stimulation. “Little circles, okay, baby? Just keep goin’, try and find—oh, fuck!” You choke on your words, a bright bolt of pleasure shooting up your spine as your thighs clench around his hips. “That’s it, baby, good fucking boy. Don’t stop,” you moan.

To his credit, Spencer knows what don’t stop means; doesn’t try to move faster, harder, just works at you in those same tight little circles, arousal sliding hot and sticky down your spine. His hips jerk, fucking up into you harder, and you grind down into his lap, against his fingers. Ecstasy pools in your belly, drips out between your legs, your hands fisting in the sheets.

You clench around him, roll your hips, lean down just enough that he can wrap his lips around your boob, grazing your skin with his teeth in his desperation. “Feel so good, Mommy,” Spencer moans, writhing desperately under you. “I’m gonna— gonna fucking— please,” he whimpers, choking on his own moans. Desire threads under your skin, pulls taut in your belly.

“You gonna cum, pretty? Aw, baby. Cum for me, yeah? I wanna feel it.” Your instruction seems to be all Spencer needs, twitching and jerking under you as he spills in your cunt. “Good boy,” you murmur. He shudders, goes limp, smiles dazedly up at you.

“Thank you,” he gasps as you climb off him, kissing you sweetly, frantic desire dispersed into slow, indolent passion. “That was… you’re… I mean…”

You giggle. “Oh, my God, are you speechless?” You press your lips against his, chest clenching with affection as he blushes. “God, you’re so cute,” you add, and Spencer closes his eyes, scrunches up his face in embarrassment.

He pouts up at you, all pleading brown eyes and soft hands skimming up and down your body. “You didn’t finish,” he says, and he sounds genuinely forlorn, earnestly apologetic.

“It’s okay, baby,” you say, and although it’s far from the first time you’ve said that in bed, you really do mean it. “This was about you, yeah? First time you’ve had sex in, oh… five years?” He nods. “You were never gonna last, sweetheart, it’s alright,” you coo, stroking his cheek as he presses his body close to yours.

“Aren’t you supposed to be teaching me? If I just… like that… How am I supposed to learn?” Spencer says slyly, the corner of his mouth quirking teasingly upward.

Oh, he’s learning, all right. You grin. “I’ll teach you something, Spencer. You ask a woman anything with that look on your face, she’ll do it.”

Spencer smiles faintly as you slide his hand down your body, along the inside of your thigh, let him explore you with the tips of his fingers. “Can I… I wanna taste you. Please?” You thread your fingers into his hair, tug lightly just to make him whine.

“Yeah? S’that what you want, pretty?” He nods as you lift his head, straining frantically to reach your lips where you hold him tantalisingly out of reach. “Oh, you’re so good, honey. God, I’m so lucky I got my hands on you, sweetheart, so good for me, such a sweet boy,” you say indulgently, and he scrambles down your body as soon as you let go of his hair. “Slow down, baby, s’not a race. You wanna take your time, alright? Kisses, a little bit of tongue, make me want it, yeah?”

“Okay,” Spencer breathes against your skin, kissing at your lower belly. His tongue swirls over your body, tracing delicate patterns over your skin that work you into a frenzy. You’re desperate, a fire burning you from the inside out, your body aching with it. You moan his name, and you feel him smile against you. “You want something?” he says, sounding all too pleased with himself.

You scoff, tugging on his hair. “Don’t get cute,” you scold, pulling him down until his lips meet your core.

Still teasing, he presses soft little kisses to the insides of your thighs. “What am I supposed to do?” he asks, wide eyed and faux-innocent even with his mouth achingly close to where you need it.

“Use your imagination,” you groan, tugging his head down until his tongue finally makes contact with your core. He’s hesitant, at first, licking a slow stripe along your cunt, but your moan and the way you slam your thighs closed around his head seem to spur him on. Suddenly, he’s frantic, hands clutching at your hips as he buries his tongue inside you. Pleasure burns under your skin, creeps up your spine, drips out against Spencer’s mouth. He pauses between every new motion, every movement of his tongue, every trace of his fingers, studies your reaction oh-so carefully.

He’s hungry, and it only makes you more feverish, his sweet little moans into you coaxing matching ones from your own lips. His nose bumps your clit and you whine, a bolt of heat lurching through your body. Smiling, Spencer repeats the motion, brings his fingers up to circle your soaked clit. You grind against his face, down on his tongue, arousal winding tight between your thighs. “Shit, honey, I’m close,” you moan, holding him close, crossing your legs behind his head. He murmurs something unintelligible, but the words vibrate deliciously through you all the same, dragging you ever closer to your peak.

You whine when he moves his fingers away, clenching uselessly around nothing and bucking your hips in a silent plea. His lips wrap around your clit, sucking harshly and moaning into you. The sudden wave of stimulation is all it takes, your vision cracking and splintering as ecstasy crashes over you. Your cunt pulses against his mouth, his name spilling from your lips in a nearly crazed litany, pure pleasure wiping your mind clean. You’re half-convinced you left Earth for a second, your body melting into the mattress with his still tangled between your hips.

When you finally regain the strength to move, you let go of him, and he climbs eagerly up your body. “Was I good?” he asks, quiet and almost fragile.

“Oh, sweetheart.” You cup his jaw, kiss your own taste off his lips. “You’re so good for me, baby, did so good. C’mere, let me hold you.” You hook one leg over his, let him tuck his body into yours. “Such a good boy,” you murmur.

You’re conscious of the state of both of you, sweat-soaked and sticky between your thighs, but, selfishly, you just want to hold him a little longer. “Thank you,” Spencer says softly. “Do you… Can we, um. Do this again sometime? Maybe?”

You smile. “Honey, I’m not even close to done with you yet.”

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[onelastkiss4you]

Dragon Age: The Veilguard Just Went From A Good RPG To One Of BioWare’s Most Important Games

In light of BioWare scattering some of its most foundational veteran talent to the winds, Dragon Age: The Veilguard sure reads like something made by people who saw the writing on the wall. The RPG leaves off on a small cliffhanger that could launch players into a fifth game, but I’m skeptical that we’ll ever get it. The quickness with which publisher Electronic Arts gutted BioWare and masked it with talk of being more “agile” and “focused” shortly after it was revealed The Veilguard underperformed in the eyes of the power that be makes me wonder if BioWare was also unsure it would get to return to Thedas a fifth time. Looking back, I’m pretty convinced the team was working as if Rook’s adventure through the northern regions of this beloved fantasy world might be the last time anyone, BioWare or fan, stepped foot in it. But that may have only made me appreciate the game even more.

Yeah, I might be doomsaying, but there’s a lot of reasons to do so right now. The loss of talented people like lead writer Trick Weekes, who has been a staple in modern BioWare since the beginning of Mass Effect, or Mary Kirby who wrote characters like Varric, the biggest throughline through the Dragon Age series, doesn’t inspire confidence that EA understands the lifeblood of the studio it acquired in 2007. The Veilguard has been a divisive game for entirely legitimate reasons and the most bad-faith ones you can imagine on the internet in 2025, but my hope is that history will be kinder to it as time goes on. 

A Kotaku reader reached out to me after the news broke to ask if they should still play The Veilguard after everything that happened. My answer was that now we are probably in a better position to appreciate it for what it was: a (potentially) final word.

The Veilguard is just as much a send-off for a long-running story as it does a stepping stone for what (might) come. Its secret ending implies a new threat is lurking somewhere off in the distance but by and large, The Veilguard is about the end of an era. BioWare created an entire questline essentially writing Thedas’ history in stone, removing any ambiguity that gave life to over a decade of theory-crafting. As a long-time player, I’m glad The Veilguard solidifies the connective tissue between what sometimes felt like world of isolated cultures that lacked throughlines that made the world feel whole. But sitting your cast of weirdos down for a series of group therapy sessions unpacking the ramifications of some of the biggest lore dumps the studio has ever put to a Bluray disc isn’t the kind of narrative choice you make if you’re confident there’s still a future for the franchise. 

Unanswered questions are the foundation of sequels, and The Veilguard has an almost anxious need to stamp those out. Perhaps BioWare learned a hard lesson by leaving Dragon Age: Inquisition on a cliffhanger and didn’t want to repeat the same restriction. But The Veilguard doesn’t just wrap up its own story, it concludes several major threads dating back to Origins and feels calculated and deliberate. If BioWare’s goal with The Veilguard was to bring almost everything to a definitive end, the thematic note it leaves this world on acts as a closing graf summing up a thesis the series hopes to convey.

Pushing away the bigotry that has followed The Veilguard like a starving rat digging through trash, one of the most common criticisms I heard directed against the game was that it lacked a certain thorny disposition that was prevalent in the first three games. Everyone in the titular party generally seems to like each other, there aren’t real ethical and philosophical conflicts between the group, and the spats that do arise are more akin to the arguments you probably get into with your best friends. It’s a new dynamic for the series. The Veilguard doesn’t feel like coworkers as The Inquisition did or the disparate group who barely tolerated each other we followed in Dragon Age II. They are a friend group who, despite coming from different backgrounds, factions, and places, are pretty much on the same page about what the world should be. They’re united by a common goal, sure, but at the core of each of their lived experiences is a desire for the world to be better.

This rose-colored view of leftism doesn’t work for everyone. At its worst, The Veilguard can be saccharine to the point of giving you a cavity, which is far from what people have come to expect from a series in which Fenris and Anders didn’t care if the other lived or died. It also bleeds into a perceived softening of the universe. Factions like the Antivan Crows have essentially become the Bat Family with no mention of the whole child slavery thing that was our first introduction to them back in Origins. The Lords of Fortune, a new pirate faction, goes to great lengths to make sure you know that they’re not like the other pirates who steal from other cultures, among other things. I joked to a friend once that The Veilguard is a game terrified of getting canceled, and as such a lot of the grit and grime has been washed off for something shiny and polished. 

That is the more critical lens to view the way The Veilguard’s sanitation of Thedas. To an extent, I agree. We learned so much about how the enigmatic country of the Tevinter Imperium was a place built upon slavery and blood sacrifice, only for us to conveniently hang out in the common poverty-stricken areas that are affected by the corrupt politics we only hear about in sidequests and codex entries. But decisions like setting The Veilguard’s Tevinter stories in the slums of Dogtown gives the game and its writers a place to make a more definitive statement, rather than existing in the often frustrating centrism Dragon Age loved to tout for three games.

I have a lot of pain points I can shout out in the Dragon Age series, but I don’t think one has stuck in my craw the way the end of Anders rivalry relationship goes down in Dragon Age II. This is a tortured radical mage who is willing to give his life to fight for the freedom of those who have been born into a corrupt system led by the policing Templars. And yet, if you’ve followed his rivalry path, Anders will turn against the mages he, not five minutes ago, did some light terrorism trying to free. In Inquisition, this conflict of ideals and traditions comes to a head, but you’re able to essentially wipe it all under the rug as you absorb one faction or the other into your forces. So often Dragon Age treats its conflicts and worldviews as toys for the player to slam against one another, shaping the world as they see fit, and bending even the most fiercely devoted radical to your whims. And yes, there are some notable exceptions to this rule, but when it came to world-shifting moments of change, Dragon Age always seemed scared to assert that the player might be wrong. Mages and Templars, oppressed and oppressors, were the same in the eyes of the game, each worthy of the same level of scrutiny.

Before The Veilguard, I often felt Dragon Age didn’t actually believe in anything. Its characters did, but as a text, Dragon Age often felt so preoccupied with empowering the player’s decisions that it felt like Thedas would never actually get better, no matter how much you fought for it. While it may lack the same prickly dynamics and the grey morality that became synonymous with the series, The Veilguard’s doesn’t just believe that the world is full of greys and let you pick which shade you’re more comfortable with. It’s the most wholeheartedly the Dragon Age universe has declared that the world of Thedas can be better than it was before.

Essentially retconning the Antivan Crows to a family of superheroes is taking a hammer to the problem, whereas characters like Neve Gallus, a mage private eye with a duty-bound love for her city and its people, are the scalpel with which BioWare shifts its vision of how the world of Thedas can change. Taash explores their identity through the lens of Dragon Age’s longstanding Qunari culture, known for its rigidness in the face of an ever-changing world, and comes out the other end a new person, defined entirely by their own views and defying others. Harding finds out the truth behind how the dwarves were severed from magic and still remembers that she believes in the good in people. The heroes of The Veilguard have seen the corruption win out, and yet never stop believing that something greater is possible. It's not even an option in The Veilguard's eyes. The downtrodden will be protected, the oppressed will live proudly, and those who have been wronged will find new life.

That belief is what makes The Veilguard a frustrating RPG, to some. It’s so unyielding in its belief that Thedas and everyone who inhabits it can be better that it doesn’t really entertain you complicating the narrative. Rook can come from plenty of different backgrounds, make decisions that will affect thousands of people, but they can never really be an evil bastard. If they did, it would fundamentally undermine one of the game’s most pivotal moments. In the eleventh hour, Dragon Age mainstay Varric Tethras is revealed to have died in the opening hour, and essentially leaves all his hopes and dreams on the shoulders of Rook. After our hero is banished to the Fade and forced to confront their regrets in a mission gone south, Varric’s spirit sends Rook on their way to save the day one last time. He does so with a hearty chuckle, saying he doesn’t need to wish you good luck because “you already have everything you need.” He is, of course, referring to the friends you have calling to you from beyond the Fade. 

Varric, the narrator of Dragon Age, uses his final word to declare a belief that things will be okay. This isn’t because Rook is the chosen one destined to save the world, but because they have found people who are unified by one thing: a need to fight for a better world. But that’s what makes it compelling as a possibly final Dragon Age game. Reaching the end of a universe’s arc and being wholly uninterested in leaving it desecrated by hubris or prejudice is a bold claim on BioWare’s part. It takes some authorship away from the player, but in return, it leaves the world of Thedas in a better place than we found it.

The Veilguard is an idealistic game, but it’s one that BioWare has earned the right to make. Dragon Age’s legacy has been one of constantly shifting identity, at least two counts of development hell, and a desire to gives players a sandbox to roleplay in. Perhaps, as Dragon Age likely comes to a close, it’s better to leave Dragon Age with a game as optimistic as the people who made it. I can’t think of a more appropriate finale than one that represents the world its creators hope to see, even as the world we live in now gives us every reason to fall to despair.

In my review for The Veilguard I signed off expressing hope for BioWare’s future that feels a bit naive in retrospect. Would a divisive but undeniably polished RPG that felt true to the studio’s history be enough when, after 10 years of development, rich suits were probably looking for a decisive cultural moment? That optimism was just about a video game. Having lived through the past 32 years, most of the optimism I’ve ever held feels naive to look back on. I think I’m losing hope that the world will get any better. But even if we haven’t reached The Veilguard’s idealized vision, I’ll take some comfort in knowing someone previously at BioWare still believes it’s possible. - ken shepard, shepardcdr.bsky.social

[prael]

WYR-0573: Dirty Little Student Wang Yiren And Her Sexy Secret Camgirl Life Tempts Horny Teacher Into Rough Fuck and Creampie!

Everglow Yiren x male reader smut

Thankyou @co-reborn for allowing me to spiritually succeed this fic (Everyone read it if you haven't already.)

Masterlist word count: 4,221 Kofi(donations/commissions)

It seems like everything these days is a fucking ethics issue. It's not like you're trying to do anything that's going to hurt somebody. You're not ripping off old people, you're not laundering money, you're not putting lives at risk.

Shit, it's just a bit of fun, but if anyone finds out you've had your cock inside Wang Yiren, then the ethics committee is going to eat you alive. It doesn't matter if she wants your cock in there just as badly as you do.

You have to get creative to make it work. First thing is first: get her out of your office. Sure, it's not unusual for a student to take some office time with her thesis advisor, but walking out in the state she does? Her cheeks flushed, and her blouse dishevelled, with a slight, satisfied smile on her face and her panties stuffed into the front pocket of her backpack.

People are going to notice, and that can't happen.

There's a part of you that wishes you could make it stop outright, but you can't. Every time she uploads another one of those videos, your eyes are locked to your computer screen and your cock's locked in your hand.

Maybe it's the novelty of knowing that the girl on the camera's not just any other girl on the internet; it's perhaps the fact that she's the girl that you've had inside your office. Maybe it's that her body's incredible; her tits are small and pert, her ass tight, and that little slit of a pussy is just begging to be fucked.

Or maybe, it's how openly she will sit across from you at your desk and ask you so casually what you thought of her latest video with the same sort of inflection that a student would use to ask you about the latest reading. "I wasn't really sure if the whole clamping my nipples thing worked. I mean, it was kinda hot, I guess. And I got off pretty hard, so there's that. What'd you think?"

What do you think?

You're a good guy—a good professor—so you give her honest feedback, "I thought it was hot, Yiren, but it took a while for you to get into it. Was that your first time? Playing with your nipples that way?"

"Mhm." You can see the little smirk curl up on her face, "I was hoping it wasn't obvious that I was nervous. It's tough getting started with some new kinks, you know?"

It's a strange little world the two of you inhabit. On the surface, it's the relationship of a graduate student to her thesis advisor: a mutually respectful relationship based on academic mentorship and intellectual discourse. Under the surface, it's the sort of thing that gets both of you expelled: the sort of relationship that's built on her need for you to see her get off in front of her webcam and your need for her to keep uploading videos.

But as you look at her now, you think about what she's doing. She's a twenty-something grad student who gets her rocks off by playing with herself on camera for thousands of strangers on the internet. It makes her hot. It makes her cum. And you're only too happy to be there for her. It makes you hot, it makes you cum, and there's a bit of you that feels a sense of pride knowing that even though the whole world gets to see what her face looks like when she climaxes, only you have managed to fuck her to one.

"Don't get me wrong, Yiren. It was hot. I'm sure everyone got off to it."

There's a slight cockiness to her smirk—she already knew it to be true. "And you?"

"Do you really need to ask every time?" you reply.

"Mm. Yes," she leans back on the chair in front of your desk and raises one leg over the armrest. "I like to know that you liked what I put out."

You don't miss a beat, and the words come out as casually as if you were critiquing an assignment: "I jerked myself raw, Yiren."

"I'm glad," her fingers are tracing little lines down the inside of her thighs. You lean in closer, elbows against the desk. "What part did it for you?"

"Yiren, I know what you're doing."

She starts to pull up the hem of her skirt while flashing you faux innocence with her blinking eyes. "What's that, Sir?"

"Seriously. We can't. Not here."

"I'm just showing you, Sir," her skirt is around her waist now. She's not even trying to hide her desire. Her pussy's wet. Glistening. "Looking for a little feedback. Was it my pussy? My fingers? How wet I was?"

You want to grab her, throw her onto the desk, and fuck her until the entire floor hears her scream. You want to feel your cock sink inside of her pussy, feel your skin slap against hers, feel the wetness of her desire as you thrust into her. But that would be the end of everything. "You're killing me here, Yiren."

"You know, people keep asking for more stuff with a guy. I could put it on pay-per-view, make a killing." She runs her fingers along her slit and you hear that soft little moan that's driven so many guys to bust on their keyboards. "What'd you think about that, Sir?"

You're starting to breathe hard. It doesn't matter that you've fucked this girl before. All you know is that you can't have her now. And she knows that drives you nuts.

Her finger's on her clit now and she's rubbing in circles. Her head tilts back slightly, her mouth parts, and you know she's going to cum right here if you let her go on. "Yiren," your voice is almost hoarse.

Her finger is a blur, and her voice is a half-moan, "Mm, Sir?"

"You're going to get us in trouble."

"I think I'm worth the trouble." Her chest's heaving. She's going to go off any second. "Sir," her eyes look straight at yours and there's something about that direct stare that sends a shiver through you, "Are you hard?"

You nod. There's not much else to do.

She takes her hands away from herself, leaving her pussy on the edge. You know that it's aching, throbbing. She bites her lip and stares at the growing bulge in your pants. "Maybe you can show me how you jerked yourself off the other day."

"Yiren. Fuck. Not here."

"Then where?" She snaps, clasping her legs closed and pushing her skirt back over them, "You won't do anything in your office. You won't take me home. Where, then, huh? Maybe I should just go to the headmaster and tell her what you—"

She doesn't finish that sentence. Your hand is gripping her arm tightly as you yank her up off her seat, "Come with me."

You lead her down the hallway. She's struggling, but she's grinning too. She knows she's getting her way.

Your eyes dart from left to right. It's late and the chances of running into anyone is pretty low, but still, there's always the chance.

"Sir, what's the deal?" she's laughing now. "What's your plan?"

"I don't have one."

It doesn't matter. You've been in the same spot before with her. She's been begging for it, you can't do it in your office, and you need someplace quiet, someplace private, someplace where the two of you can be alone for a while.

You lead her to the parking lot and she realizes your plan. Her voice is almost mocking. "Sir, that's not exactly original, you know. A parking lot? Your car?"

"It'll do, Yiren." Your voice is firm, almost angry, and she's eating it up—you know what gets her going. "And maybe it's a bit clichéd, but we won't have any of these pesky problems of you being too loud and giving us away." You stop her at the passenger door to your sedan, lean her against the car and press yourself against her. "And trust me, you will be too loud, Yiren."

She grins up at you. She likes the sound of that. "What're we doing here, Sir? I thought you didn't want to fuck me anymore. Not after last time."

"I never said that." Your fingers run down her side and you feel the familiar thrill of touching her again, feeling her body under your fingers. "I said no more fucking in my office, Yiren," you slide your hand over her ass. "So we're here." You lean down and kiss her, and she moans as her body leans into you.

She pulls away from the kiss, panting, "But, Sir, you know what else I want." You feel her fingers reach down and run across the bulge in your pants, and her breath catches. "Mm. I want this. I want to film you, Sir. I want to film this."

It's a bad idea, you know. The riskiest of ideas. You can see her in your mind's eye: the way her face looks when she's cumming, when she's biting her lip to hold in the scream, the way her body shudders, and her eyes shut tight, the way that she gasps for air afterwards. You want her to be able to share that with the world, to get her off by getting the world off. "Fine."

"Seriously?" She looks at you in disbelief, but you've already opened the door and nudged her inside. She climbs in and crawls to the other end, tossing her purse in the front seat after she pulls out her phone. "It's not ideal but it'll have to work." You're on her in an instant, pulling her skirt up around her waist, pushing her down against the seats, kissing her, and sliding your fingers into her.

She squeals, then gasps, and then giggles as you thrust your fingers in and out of her pussy. "Mm, Sir," her moans are punctuated by each thrust of your fingers, "Fuck. Wait. I haven't even got my phone set up yet. Fuck. Wait."

You slow, just a little, just enough, then you concede and pull out. You know she wants it, needs it. You watch her hands shake as she rushes to set the phone up, she's got it in selfie mode and it's the best she can do.

"The lighting's all wrong, but who cares, right? They're here to watch you fuck me. They don't care about lighting." She's talking to herself as much as to you, but you know how she is. You know that she wants you to play along.

"Let's show them how pretty you are, Yiren." You pull out your fingers, then press your palms against her legs, pushing them apart and sliding in closer between them. You watch as she tries to hold the camera steady. Her breaths are shallow. "Show them what your pussy looks like." She turns the camera down and focuses it on her pussy. She spreads herself for the camera, showing her audience her soft pink pussy. She's so wet, you can't wait to feel her on your cock, feel that heat, that wetness, and that tightness.

"God," you groan. You've watched her videos so many times, but seeing it up close and in the flesh is always different. You run your fingers down the inside of her thigh until they brush her pussy lips, and you spread her wide. Her hips buck slightly and you watch the juices of her desire drip down the crack of her ass. You push your fingers into her, and you feel the warmth of her insides. She cries out, "Mmf! Oh god."

You take it slow. She's filming it all. You want this video to be hot. You pull out your fingers, then push them in, watching the wetness cling to them as you thrust them in and out of her pussy. "Fuck, Sir. Oh god." You curl your fingers up and press your fingertip against the spot you've learned to find. You feel the rough skin against your finger and you press into it. Her head tilts back, her eyes shut tight, and you watch as her body shudders. You push your finger harder against it, rub it, and her moans get louder.

You pull your fingers out, then push them in, slowly, rhythmically. She whines, but you don't give in. "Tell the audience how it feels, Yiren." You're teasing her now. She doesn't want you to go slow. You know she's aching for more.

"Feels so fucking good." She pants, holding the camera steady. "God, Sir. Don't stop."

"Why?"

"Mm." She whines, and you can hear that she's on the edge, "Feels so good, Sir. Your fingers feel so good in my pussy." You pull your fingers out of her, then press the palm of your hands against her thighs and spread her wider.

You take your time. Your fingers brush down the length of her pussy, from her clit down to the juices on her asshole, and you press against that tight little pucker. She gasps and you hear her moan. You press your fingers against her hole, feeling it tense and tighten against your fingers.

She lets out a sharp, shocked whine as you tease her asshole and you can't take it any longer. She knows just what you want. You lean down and press your lips against her clit, and you hear her squeal as you lick her clit. You suck her clit, tasting the juices that flow from her, and you feel her body tense up. She's so close. You pull yourself away from her and grin up at her.

She's panting hard, staring up at you. "God. I need you to fuck me." Her voice is a whine, a needy whine. You can hear her desperation.

"I know you do, Yiren," you reply, unbuckling your pants. You pull your cock free and stroke yourself a few times as she stares down at you. "I know how much you want this."

She nods, her mouth open and panting. "So much. God, please fuck me with that." You press your cockhead against her pussy, rubbing it between her lips. "Fuck, Sir, please. I love a big hard cock in my tight pussy."

You grin and whisper, "Tell them what you need, Yiren."

She looks right into the camera, "Please fuck me, Sir. I need you to fuck my pussy. I need to feel you stretch me wide. Fuck, Sir. Fuck me." She's begging and her breath is a desperate pant. "Please, I'm so wet. I want to cum with your cock inside of me. I need to."

You press yourself against her entrance, just enough to push her open, then you pull away and watch her cunt quiver at your touch. You can tell she wants to be taken, needs to be fucked hard and fast, and she knows you can give it to her.

You push your hips forward and thrust your cock into her, and you watch her pussy open and spread for you. "Fuck," she cries, her hands trembling, but you don't slow down. You thrust hard, pulling her hips into you, and you slam your cock deep into her.

"God, your pussy feels so good." Your fingers grip tight on her thighs, spreading her wide as you pound into her, and her cries fill the car.

She tries to keep the phone steady, filming you thrust into her. She can barely keep herself together. You can see the camera shaking, "In his fucking car. You hear that? He couldn't even wait to get me home. He needed to fuck me. He spends all day watching me in class, thinking all these dirty little thoughts about me, and then he just can't take it anymore and he fucks me right in the parking lot. And you know what? I'm gonna fucking cum because of him."

You're going hard and fast and she's so fucking tight. You can hear her moaning and groaning with every thrust, and her pussy is clenching around you. You can tell she's on the edge, her pussy is trembling around you, and she's screaming for more. You know that the video is probably a mess, a shaky, poorly framed mess of her tits shaking, her face pulling the dirtiest of expressions and her pussy getting fucked.

Her words are getting more erratic. She can barely keep it together, so you snatch it from her hand, record the way you thrust into her, how your balls slap against her cunt. She moans louder when you do and you realize she likes that you're the one recording her.

The camera pans up to her face. You want to see her cum. You want to film it. "Cum, Yiren." Your voice is loud and commanding. "Cum on my cock. Let them see you cum on your teacher's cock."

Her hands are above her head, grasping at the leather seats. Her back arches beneath you and her head is thrown back, pressing into the very same upholstery that her fingers do. Her hips shudder and you feel her insides squeeze around your shaft as she cries out, "Fuck!" The sound of your flesh slapping into her flesh fills the car, and she's a writhing, whimpering, cumming mess as you pound her through her orgasm.

You keep filming as you reach down, and with one hand, rip open the buttons of her shirt. Three of them come flying off, pinging around the car and leaving a lopsided mess of fabric and bra that exposes the flesh of one of her pert tits. It doesn't take long before your hand is gripping her breast, pinching at her nipple, tugging at her flesh as you keep pounding into her.

Yiren gets the message, pulling the rest open on her own and pulling down her bra, exposing both tits. Her fingers are on her own nipple, tugging at it and pinching. You watch the way she teases herself, the way her body reacts, and the way she's still shivering from her orgasm. She's a mess and you love seeing her that way.

If there's something painfully obvious from her videos, it's that one is never enough. So Yiren doesn't even need to ask, you're already guiding her onto her knees and then pushing her forward so her face is against the glass. "Show them your ass, Yiren."

You hold the camera in your hand and record the image of her reaching back and pulling her skirt over her hips, exposing her bare ass and pussy to you. You record as she reaches back and spreads her cheeks for the camera, letting her fingers pull apart her wet pussy and letting your audience see that tight, puckered asshole.

"Sir," you watch her face pressed against the window. Her breath leaves an opaque cloud against the cold glass, "How does my ass look?" You can't help it, your free hand comes crashing down against her skin and you watch it ripple under your palm. "Oh!"

You grin at her reaction, "You look like a naughty little girl who needs a good spanking."

"Oh, Sir," she moans, "What did I do?"

You slap her ass again, and again, watching it redden under your hand. "Such a naughty little girl. Making a mess in my office." You're slapping her again, watching her ass jiggle and turn pink.

Yiren whimpers, "I did. I was so naughty."

"What did you do, Yiren?"

"I was so fucking wet. I couldn't stop touching myself."

"Why were you wet?" You spank her again and you watch as her hips press back into you, "Tell your viewers what made you so wet that you needed to touch yourself."

"I needed you." Yiren's panting hard, her voice a needy moan, "God, I need you to fuck me. I was thinking about your cock. How good it felt when you fucked my pussy. I wanted you to fuck my pussy again."

You push her forward, letting her hands come down against the foggy glass. Her ass is up in the air and you're pressing your cock against her pussy. She's still wet from her cum and it takes no effort at all to thrust deep into her.

You're so deep in her wet folds. Her soft embrace is warm, tight, and you feel yourself slide deep inside of her, and you watch as her face twists and contorts in pleasure, in desire.

"Show them what they're doing to you, Yiren. Show them how they make you feel." You pull the phone up to her face, filming her moans, her cries, the faces she makes as you fuck her. "You like it when they watch, don't you? You like it when I fuck you like this and they have to watch."

She's panting, moaning, and nodding. Her hips press back into you as you pound into her and you watch her ass ripple and bounce with each thrust.

You reach around and grab her tie. She always wears it loose, but it's still enough to pull it up tight against her throat, pull her back into you. You wrap it twice around your hand and it yanks her up straight, her body against your chest. She's panting hard as her hands come up and try to claw at the tie around her throat.

She can't stop moaning, crying, and she can barely breathe, and you watch as she struggles to hold on, her head tilting back and resting on your shoulder. You film her as she struggles to hold it together. She can barely keep her eyes open and her voice comes out as a desperate, choked moan.

You let go of the tie, and it unravels in your hand. You watch her slump forward and her hands come down to the seat. Her face presses into the leather and she's whimpering. "You're such a good girl, Yiren." You press yourself deep inside her and grind your hips against hers, "Such a good girl for taking my cock."

She groans, "Thank you." She's still pushing back against you and her eyes are shut tight. "Thank you, Sir."

"Good girls get a treat, don't they?" You grin and you run your fingers against her asshole. "I bet you like a nice treat for being such a good girl."

Her breath hitches, and her eyes flutter, "Please, Sir."

You press your finger against her hole, and she pushes her ass back, and you feel her ass relax and open for your finger. Her tight asshole squeezes your finger tight and you hear her moan, and her pussy clenches your cock. "Fuck."

"Oh god, Sir," she moans. She's a needy, whining little mess, "Please cum in me."

Her words are like music to your ears. Her body is trembling under you, and she's moaning for you to cum. Her words are so desperate. She's begging, and you can't resist. Your hand is gripping her ass, with a finger slipped inside, and you pound into her, feeling her tight, wet cunt squeeze around you.

"Fuck, Sir, please," she begs. "Breed your favourite little student. Fill her up with your cum." She's crying out, her voice echoing inside the car.

Your hips shudder as you thrust deep into her and feel your balls clench, you can't take any more, and your cock is pulsing, throbbing, and your cum is filling her, flooding her insides, and her ass is trembling around your finger. Your chest is heaving, and your heart is pounding, and you can barely breathe. She's still pushing her ass back against your hand and her body is shivering with every pulse of cum that your cock pumps into her. You keep thrusting, feeling her pussy tighten and milk your cock.

When it's all over, you watch as she slowly pulls away from you, and you see the thick white seed drip from her hole and onto her thighs. She sits back on her knees and looks right into the camera. Her chest is flushed and heaving. Her hair's a mess, and her shirt's hanging open. Her makeup's running and there are tears on her cheek. But there's a satisfied look on her face.

She's grinning from ear to ear and you can't help but grin along with her. "That," she pants, still trying to catch her breath, "is how I get a good grade in class." Her words are followed with a giggle and then she leans forward and shuts off the camera. Her hand finds the back of your neck and she pulls you into a kiss. Her lips are hungry and her tongue presses into your mouth. Your hand wraps around her head, and your fingers get tangled in her hair as you pull her closer and deeper into you.

She pulls away, a smile on her face, and a twinkle in her eye, "You're a natural, you know. You really know what they want. Makes sense, you are one of them."

"Thanks." You laugh. You can't help but notice that her hand's between her legs, rubbing and stroking. She's unsatiable.

"Sir? Since I'm such a good student, does it mean you'll take me home and fuck me in your bed?"

[exuvianen]

dating hc's with dr. ratio, aventurine + blade!

headcanons about what these hsr men do in a relationship witth you <3

cw: x reader, gn! reader (no physical descriptions), mostly fluff, sfw, headcanon style

notes: hsr brainrot… ahahaha... i hope i have a fairly good grasp on these characters and wrote them well. 

wc: ~1050 words, around 350 words per character. all under the cut!

feel free to drop an ask or to add on to my thoughts! likes + rbs are appreciated  <3

✎ Dr. Ratio:

He likes parallel play, or being alone together with you. He works on his own projects, like grading papers or writing a new thesis while you’re doing your own thing, like playing video games or reading. Occasionally, he might ask you for your input, such as ideas about his next thesis or what pose he should sculpt himself into next. 

He has a spare desk and chair for you in his office. You can choose to do work or entertain yourself there when you visit him and he’s still teaching a lecture, but feel free to take a nap on the plush sofa he bought just for you. 

He will nag you about your health but in an annoyingly endearing way. He fusses over you, telling you about appropriate attire for today’s weather, offering you an umbrella, and reminding you to drink water. 

He entertains all your ideas, no matter how silly or illogical. He’ll hear you out on anything you say, though he might have some very strong disagreements or objections to your ideas, especially if they are silly or completely nonsensical. However, he never turns you away when you bound up to him with a mischievous gleam in your eyes - he just sighs and prepares himself mentally to hear whatever goofiness comes out of your mouth. 

He’s your biggest cheerleader, supporter, and advocate. Though he may come off as intimidating, he is always willing to help advance your career or work. He has many connections and vast knowledge of the universe after all - why not utilize them for his beloved? 

He’s very good at dispelling any irrational thoughts in your head. If you’re panicking and your mind is disoriented, he’ll sit next to you and hold your hand gently, but firmly to ground you. He doesn’t speak at all when you vent out all your frustration, confusion, or anger - rather, he’s silently contemplative and then asks questions when you finish talking. He’ll indirectly guide you to a solution while gently calming you down as he dispels those pesky thoughts from your head.

He makes a custom alabaster head for you. 

♤ Aventurine:

A big fan of matching accessories and clothing. You don’t need to wear the exact same outfit, but he likes wearing complementary colors and jewelry to yours.

If you’d like, he’d be more than happy to bring you to casinos and public events with him. He wants to show off to you and let you witness his wit, talent, and skill like a peacock presenting its colorful feathers. 

He likes it a lot when you trace his skin through the spade-shaped hole in his outfit.

He hates the feeling of being vulnerable, but he likes being around you. This creates conflicting emotions inside of him. Oftentimes, he doesn’t know how to deal with it and just lurks by you. Pull him into a hug to quiet the voices in his head. 

He will send you packages or luxury items from the planets he’s visiting. You’ll be greeting a disgruntled Topaz or IPC soldiers at your door as they hand you various gifts ranging from limited-edition jewelry to flowers that bloom only once every 200 amber eras. He gifts extremely grand things, but he always knows how to find things that suit your tastes.

He’s a big spender on you. If you’re unused to the amount of money he’s willing to throw at you, he’s going to give you a lot of “exposure therapy” with his generosity. He’ll invite you to private auctions, lavish galas, luxury boutiques, and high-end jewelry stores. He’ll start filling your wardrobe with tailor-made clothes with the excuse that you should match his outfits when you attend formal events together, but his clothing contributions eventually infiltrate your closet pretty deeply. 

He enjoys being pampered and pampering you. Self-care nights are a must - as a representative of the IPC and one of the ten Stonehearts, he has to keep himself presentable and looking sharp, and that goes for his partner too! He’s more than happy to spend money to fund your trips to the salon or buy you any beauty products to use at home. He’d love to put on face masks together and share a drink or two with you. 

☠︎︎ Blade:

If you want to, and Elio’s script permits, he will bring you along on missions to safer planets. He’ll drop you off at a commercial district - feel free to go shopping or try out some novelty food while he wraps up his Stellaron Hunter business.

He likes getting his hair brushed. One of his favorite activities is sitting down and letting you comb through his hair after he cleans up from a mission. It’s an activity that leaves him vulnerable, but he doesn’t mind if it’s with you.

He’s an acts of service kind of guy. He moves to take your bags before you even say anything, holds open doors, and pulls out chairs for you. Brings you a cup of water and some fruit when you’ve been working for too long, and silently drapes his jacket over you when you shiver.

Tell him you like a certain pastry and he’ll show up every day and bring some. Show him a picture of a pretty flower and he’s boarding a spaceship to bring the flower to you personally. If you want something, he’ll do his best to get it.

He’s pretty quiet, but he’ll remember everything you say, what your preferences are, and what you like. He secretly writes it down in case his memory gets murky, and he’ll often reread his notes to remind himself.

He gives simple but traditional gifts to you, such as jade bracelets and pendants, and combs and hairpins if you have longer hair to wear or use them.*

He’ll treasure anything you gift to him. If you make an accessory for him, he wears it at all times. If your gift is small enough, he’ll stow it safely in his pockets and take it everywhere with him.

If family is important to you, he’ll send funds their way and ensure that they’re taken care of. 

As someone who’s often dead and then undead, his body can get stiff. He’ll enjoy it immensely if you massage him, and accompany him for his daily stretches and calisthenics. Even if you just hold him for a while, he finds that his muscles will relax from the warmth emitting from your body. Therefore, he quite appreciates having you physically near him.

* Combs, hairpins, Jade bracelets, and pendants were given as tokens of love and affection in Ancient China. These gifts have a deeper meaning/symbolism, but for the sake of post length, I did not write them all out.