#i need to study some other designs to get an idea of how the shapes work

[flutteringfable]

i saw a double rainbow on the way home and fought through minor carsickness to do a quick doodle of cole and geo <3

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[conflictofthemind]

Montauk, The Project Rainbow, and Experiments in Time

It’s fairly common knowledge that Stranger Things is based on Montauk. The unfortunate part is that Montauk has been attributed to another ‘vaguely MK-ULTRA mind control related side project’ and not the big narrative that it is, with details incredibly close to plot points in Stranger Things that resulted in an attempted lawsuit years back. Montauk does not just set the general ‘spooky scientific experiments on kids’ tone for ST - it is the backbone of the whole lore. 

‘The Montauk Project’ Book / Conspiracy explained simply is that the US government unofficially experimented on humans with ‘great psychic ability’ to allow their psychic brain waves to interact with the normal electromagnetic waves of our world. The end goal being manifesting thoughts into reality, and opening up wormholes in time. This would give the military great advantage and potentially control over the outcomes of war. It then turns out the whole narrative of Montauk occurs within a time loop from 1943-1983, when the disappearance of a ship called the USS Eldridge opened up a wormhole which was connected with by a research subject in 1983. The time loop is self-causing - the entire reason the Montauk experiments take place are to further study the events that occurred on this ship, but part of the reason the ship disappears is because of the Montauk Project. Due to all of the other time travel references within the series - trust, we will get into those - this leads me to believe it’s very unlikely there isn’t time travel / a time loop involved. Here I hope to posit the basic information about Montauk/The Philadelphia Project, how the powers work within ST, Will’s clear involvement in all of it, and the time travel element. 

Ahahaha why does that look like a bowl-cut…

Let’s put this out of the way first: the idea that Montauk/Philadelphia is the direct inspiration for the show is not based on flimsy grounds. The original series the Duffers planned to make was going to be an actual retelling of Duncan Cameron’s (think El and Henry - main research subject of Montauk) story. This was later changed to become the story we know today with the characters we know today, although with different names and the title remaining Montauk. Some of the characters had names from Montauk too… like Mr. Clarke being Mr. Nichols. I’ll save that for a later post. The entire design of HNL is based off of the ‘Camp Hero’ / Montauk lab with the iconic banana-shaped radar disk. El’s Void ability comes from the ‘Seeing Eye’ power Duncan has in Montauk, where focusing on a personal item belonging to a person lets him see into their mind. The research subjects’ power is amplified by white noise and a sensory deprivation chamber - again, seen with El. 

The Rainbow Ship and the Electromagnetic Connection:

The Electromagnetic Spectrum is usually mentioned at least a little in every season. Joyce’s magnets falling off, El needing the radio, etc. Lights are another focus, with the kids in the Rainbow Room being tested on how they can manipulate lightbulbs, and the emphasis on lights flickering whenever powerful forces are being used or the Upside Down is interfering with Hawkins. I expect them to really start pushing it in Season 5, and we can already see evidence of this (below: the WSQK Squawk Van). They’re at a radio station, the Middle School kids are learning about light from Scott Clarke most likely, and you can see the abundance of rainbows everywhere. It’s my opinion that rainbows and light are the mechanism in which these gates open, and also when at high enough power, how time can become warped. ‘Project Rainbow’ is another title basically interchangeable with the USS Eldridge and Philadelphia Project. This was because “the mechanism involved was the generation of an incredibly intense magnetic field around the ship, which would cause refraction or bending of light or radar waves around the ship”. However as we remember, this had the unintended effect of teleporting the ship across space-time. In the ST Universe, this results in the Eldridge being teleported to Dimension X temporarily (without a gate being opened).

The eagle shoots out beams of a rainbow which are meant to represent the radio waves being broadcast. 

It’s a commonly asked question as to how Will ‘blinked’ out of that shed without a gate, considering only El was able to open them at that time. The close-up on the lightbulb is the last shot we see before he just vanishes. It’s not just powers interfering with the surrounding electricity; this bending of light is what took him to the UD. But when this happens, it doesn’t result in a gate. I also believe this will end up being the mechanism for the eventual time-travel plot we’ll be seeing. Again in Montauk, there is a ‘time-tunnel’ made between the Eldridge and 1983 Montauk that was caused by the disappearance. My original post investigating this was me hypothesizing that being able to bend light to travel faster than it could result in temporary anomalies that allow one to time travel. 

Anyway, back to the rainbows. Rainbows are one of the most common recurring symbols in Stranger Things. The Rainbow Room exists of course, and there’s a deliberate costuming choice, especially in later seasons with the brighter atmosphere, to have characters wearing rainbow patterned items. Holly’s room is full of rainbows, and there are multiple rainbow props scattered around other locations (Mike’s basement, Erica’s room, etc). Scott Clarke (seriously what is up with him) is introduced in Season 1 doing a lesson on ROYGBIV. The BTS pictures of S5 Hawkins Middle School have him teaching yet another lesson on the visible light spectrum. And space for some reason. This brings us back to the Rainbow Ship.  Now we know the USS Eldridge is a marine ship, not a spaceship. But for the characters who seem to have some connection to it, it is represented as one regardless.

Will drew something representing the USS Eldridge (which it is mentioned was not from a movie i.e. he came up with it using his own memory and mind). The main fixture of Henry’s playground, where a ‘significant’ memory took place also features this representation of the Eldridge. I suspect there might also be a larger reason it took the form of a spaceship, but for now, consider that the ST Universe’s version of aliens are the Demogorgons. And outer space is Dimension X. The ship ‘flew’ to ‘outer space’ (D-X) and encountered ‘aliens’. In Montauk, that is kind of what happens. It’s more metaphorical in Stranger Things. The comic book Henry is obsessed with in TFS is seemingly changed from the real life Captain Midnight who was an airplane pilot, to be an astronaut. I think there is some kind of “alien abduction” theme with both Henry and Will being suddenly transported to another dimension that is alien in itself. Even when the lab scientists enter the UD in the first few seasons, they use hazmat suits that are deliberately similar looking to spacesuits. Stranger Things is a story about UFOs and aliens that also isn’t exactly about UFOs and aliens. 

And then, I’ll mention the weirdest part of this all - Will knows about the Eldridge somehow. And he knew about it before he was ever kidnapped and attached to the hive-mind. 

This is either possible because 1) he was in fact involved in research projects at HNL, and maybe the Project Indigo before the age of 8 like the original “rainbowshipgate” suggests. Or 2), there is an element messing with time in this situation, just like in the original Montauk book series. Montauk is literally named ‘Experiments in Time’. They’ve nabbed Linda Hamilton from Terminator (a movie about time travel) for this final season. They’re referencing a Wrinkle in Time with the Episode 6 title and Holly plot. Then we have everything else involving Henry’s clock theming that hasn’t exactly explained itself yet. Thinking time travel is a far-fetched idea at this point is a bit ridiculous. 

It really depends on how crazy they go with the whole concept. One of the other main characters from Montauk I haven’t mentioned yet is Al Bielek. Al Bielek was the original “whistleblower” who came forward with his story after supposedly recovering his repressed memories of the events. He claims to have been on the crew of the USS Eldridge in a previous life as Edward Cameron, Duncan Cameron’s brother. When he was sent forward in time he ended up staying in 1983 whereas Duncan Cameron was effectively sent back to where he came. Very confusing. But the story is, the man’s a time traveler. 

I do wonder if Al Bielek is loosely the inspiration for Will’s part in the story. Will who has seemingly repressed memories of many points in his life and has been suggested to be a time traveler many times. His name appears on the grandfather clock. He wears Marty McFly’s outfit in the first season. He has knowledge of an event that happened in 1943. He has lines about “seeing into the future” and Mike calls him a time-traveler in the VR Game where the writing staff had access to scripts and a writer from the show. The Upside Down is stuck on “the day of Will’s disappearance” (in the Duffers’ words), though that one probably has a slightly simpler explanation. 

The exact mechanics of how that would work are unclear. Right now, as young as an eight year old Will needs to have the knowledge of the Eldridge - so this isn’t something he will only end up connecting with this season. My theory is that there is a time loop involved, and Will’s actions in the future of Season 5 have him interfere in some way with the 1943 Philadelphia Project / Project Rainbow. The time loop is cyclical and self-causing. Our Will Byers already has a past iteration in yet another timeline where he already went back and tried to interfere with the past (and likely died trying in 1943). Then he is reborn again in 1971, and awakes a very small portion of his past memories of the previous loops. If that doesn’t make sense, I created this handy-but-ugly flowchart to help you out: 

Basically there is no beginning, since the future causes the past and vice versa (a bootstrap paradox). Every Will would then have memories of a past self(selves). The time loop also gets more complicated than this. Did Henry create the mindflayer? It’s presented like that within the show, but let me remind you that shows with heavy mystery elements can and will purposely deceive you. In the First Shadow, Mr. Newby is attacked by the Mindflayer and produces a drawing of the entity - it’s purposely not shown to the audience, but considering the Mindflayer was supposedly just a black mass then why is that? And regardless, in order to have Henry become possessed by it, the Mindflayer was definitely not created by him in 1979. A few have written up theories about this already, I’ll link to my friend's two posts on this element of the time loop.  

I don't have anything else super definitive yet. But I believe wholeheartedly that this is the right direction to search in and I hope we can put more attention on the subject. All of this makes sense, from the military connections they keep pushing in the show, the time travel hints we have been getting, the origin story of Brenner (whose dad died aboard the ship) and the Rainbow Room, everything ties back to the Eldridge events being incredibly incredibly important going forward.

Here's a link where you can read through Montauk Experiments in Time for free.

[1d1195]

Right Here

Hi, idk if you all know this about me, but I love tropes. ALL of them. All. of. them. So here they all are: one bed, nightmares, enemies to lovers, hurt/comfort, childhood "friendship," coworker Harry, grumpy/sunshine (I'll let you guess who's who), etc. etc. etc. (Don't look too close this is Zipper but reveresed)

Other warnings: angst

9.2k+ words

“Business or pleasure?” The driver asked.

She stated “business,” immediately. Whereas Harry said, “a bit of both,” with that devilish smirk of his and looked at her with delight in his eyes. He seemed to get more enjoyment out of his comment as she glared at him.

In Year 2, Harry was playing with a few of his friends by the slide. He wasn’t really aware of what was happening but there was a girl in his class playing with a couple of her friends when the screaming started. There was a huge to-do; parents were called, the principal was involved, and the girl that seemed to be at the center of all the drama would not stop glaring at Harry.

But Harry didn’t like girls. He was six. He wanted to hang out with his friends at recess and maybe learn about the shapes and the planets if he had time. So, he didn’t really care that she glared at him. Or that he had to write an apology letter (that his mum told him how to write in his six-year-old scrawl). It was just another day in the life of a Year 2 student. He didn’t even know why he was writing the little note to her. He didn’t know what happened or why he did something wrong.

Year 2 turned to Year 3 and soon Harry was kissing and hugging his mum and sister goodbye as he went off to university. He was studying English Literature and Communications. He wanted to be a book publisher—mainly because he wanted an excuse to read all kinds of books. Moreover, he could read really good books before everyone else did. Eventually, he hoped to open his own publishing company, but he would need a business partner for that.

That was still a long way down the road. For the time being, he would enjoy university: friends, girlfriends, classes, his part time job, and everything in between. His only downfall was listening to his professor who suggested he get a minor in business—especially if he planned on own his own company. Even if he didn’t fully run the business side of things, it was good to have a general idea. Some key words and concepts would be helpful. More so, if the business partner wasn’t someone he trusted.

But Harry was awful with his business classes. The very first one he took was the bane of his existence. He strongly considered never opening his own company, he would just get the other person to handle it. Needless to say, he was recommended for tutoring two weeks into the class.

That’s where he found the glaring girl. Obviously, no longer seven. She was twenty, like Harry. And she was lovely looking. Except for the scowl on her face directed at Harry. Surely, she hadn’t harbored a grudge toward Harry since she was seven?

Oh, but she was. She was curt while she tutored. Everything Harry did was wrong. She managed to correct his mistakes kindly, but he could tell it pained her. There was a lot of sighing and eye-rolling involved. But she was good, he’d give her that.

Harry tried to be friendly, but she clearly wanted no part of it. “I am not here for small talk with you, Harry,” her voice was flat. She didn’t want to talk about the weather, or parties, or anything that wasn’t part of Harry’s class. When she came to help him at the designated time in the library with tears in her eyes, she sat down, took a deep breath, sniffled, and started her help with his homework.

“Hey, we don’t have t’do this now, beautiful. You’re obviously upset—”

“What do you care?” She interrupted.

“Jesus,” Harry shook his head in disbelief. “What is your problem?” She rolled her eyes, tearfully. “Y’can’t seriously still be mad about Year 2.”

She shook her head. “Just...shut it,” she snapped and turned her attention to Harry’s assignment. He sighed, looking at her like she was on the verge of a breakdown but did as she wished. Listening intently to her lesson, Harry felt this pull of how sad he was by her anguish, and he didn’t even know what it was. He kept watching her expressions, judging her tone, in between her explanations. He was worried there was something seriously wrong.

Despite her anger towards him, he didn’t want her to be upset. He worried someone had hurt her or upset her in some way—in a way that he could fix. It didn’t occur to him why he wanted to help her until well after three other classes she tutored him in for his minor over the last two years of university.

He got very little information out of her about anything that didn’t pertain to his classes. He knew she was grumpy in the afternoon and much preferred to tutor in the morning when her mind was fresh. That was when he got a glimpse of her gentler side—for only a second. She liked coffee a lot, she smelled fresh of her shampoo, and her eyes were brighter. She would ask if he had a good weekend or if he had any fun plans. It was the only time she offered up anything to him.

If it was any time past two in the afternoon, she wanted nothing to do with pleasantries or Harry, it seemed. But she was paid to tutor him, and she did it well. Harry never would have made it through his business classes without her. He was forever thankful for her help, even if she didn’t want to be thanked.

*

“Harry, would you like to go to this conference?”

He looked up from his desk where he was reading a riveting historical fiction novel that was passed up the chain to him. Harry thought it would be a NYT bestseller for sure. “Me?” He asked, clearing his throat and putting his pencil down. One thing he hated was marking up people’s hard work in any color pen—but especially red. It felt very secondary school of his coworkers to do it that way. Someone pored over this writing and of course no one expected it to be perfect, not even the author. But there was something so ugly about red ink marking up something that your blood, sweat, and tears went into.

Harry would quit writing if he saw even one smidge of red ink on his work.

Which is why he edited and didn’t publish his own work.

Harry had been a senior editor for four years, now. He loved his job. It was everything he hoped for: he read so many good stories and felt he was still learning so much. He was promoted from junior editor to senior editor after two years. He still hoped to own his own company one day.

“Yeah,” his boss rolled his eyes. “Who else would I send? Someone from the business administration team will attend as well,” he explained.

Harry smiled; he knew the second the title left his mouth exactly who would be attending the conference with him. She was going to hate it. “I would love to go,” Harry nodded excitedly. “But between you and me, I don’t want anyone t’get jealous that m’going. D’you think y’can keep it a secret?”

“Yeah, sure,” he shrugged. Harry loved this office. It was so carefree. When he had his own company, he would want it to be exactly like this. If he could own this one, he would. He liked all of his coworkers and would want to keep them alongside him.

Including the girl from the admin team that constantly glared at him during work parties, meetings, and office breakroom run ins. If she wasn’t there, then it wouldn’t be worth it.

When Harry saw her interact with their coworkers, he couldn’t help but fall more in love with her. She was so utterly beautiful, funny, and of course, absolutely brilliant. There wasn’t a question she didn’t know how to answer. There wasn’t any advice she couldn’t give. She was never condescending and was extremely helpful. Even when Harry needed her help—which was so rare he only recalled it three times in the entire seven years they worked together. She didn’t sigh, didn’t roll her eyes although he was sure she wanted to.

So, nothing made him happier than annoying her to pieces.

He told everyone he had known her since Year 2. Left notes for her on her cute little lunch box in the fridge, would constantly send random items to her office (his favorite was the look on her face when he sent her a bouquet of balloons. It didn’t do anything, but people said Happy Birthday to her all day, and she had to say it wasn’t). He would tell people they were best friends and watch her blush bright red trying to get out of it. There were so many fake secrets he told the person he was near making direct eye contact with her, just to piss her off.

It worked every time.

He worshipped her, honestly. How could he not? She was brilliant and beautiful. The whole package. Even when she was a bit crabby, he thought she was simply the cutest and went on adoring her from afar.

Harry couldn’t imagine how fun a work trip would be with her.

*

She hated flying. It was necessary but she hated it. The space was almost too small. It was stuffy and gross in a lot of ways. The seats were cramped, and it was just awful. She had her headphones in place, a relaxing, quiet playlist, a good book, and her travel pillow around her neck. She was more than ready to begin the flight. The conference was a treat, it was shorter hours than her regular workday and then she could meander the town as much as she pleased. It was going to be a great trip and she had been looking forward to it for the last two weeks.

But then Harry sat right beside her. “Hey beautiful,” he smiled sweetly. She stared at him. This had to be a joke.

“You’re kidding?”

“What?” He smirked impishly stowing his bag beneath the seat in front of him. “Excited t’see me?” She flushed that beautiful shade of red that he loved so much on her cheeks. “Ready for our vacation?” He asked. “Bring a good book?”

The plane was suddenly even smaller. She thought she was going to be sick. A whole five days with Harry. Five. She was going to lose her mind. She closed her eyes as the plane jolted forward. Harry was doing all the things he wasn’t supposed to be doing. Fidgeting with the tray table and the like. She wanted to scream.

How could she possibly get stuck with him?

*

Harry didn’t say much to her throughout the flight. At least not after asking if she was comfortable, which was objectively nice if she couldn’t stand him so much. He grabbed her bag from the bin overhead, made sure she didn’t get lost on her way to baggage claim, and held the door open for her when they reached their Uber. “Business or pleasure?” The driver asked.

She stated “business,” immediately. Whereas Harry said, “a bit of both,” with that devilish smirk of his and looked at her with delight in his eyes. He seemed to get more enjoyment out of his comment as she glared at him.

She really wished Harry wasn’t so goddamn hot. It should have been a sin to make someone so alarmingly attractive. Soft brown curls that looked like they were made to slip between her fingers. He had green eyes—how was that even fair? Those dimples made her stomach flip. He was incredibly tall and so fit; she thought about falling at his feet every day she saw him at work and just ending her silly grudge.

But she never forgave him for that day in Year 2. Call her stubborn, call her stupid. She didn’t care. It ruined a huge chunk of her young life and made her miserable.

Four days and twenty-two hours. She could survive.

“Me and the missus need a place t’eat, do y’have any suggestions?” he asked, reaching for her hand like they really were a couple. She yanked it out of his grip. She wanted to kill him. More so because she hated the way her heart took off when he touched her and the idea of being “the missus” was...ugh.

She was worried Harry wouldn’t survive the next four days, twenty-one hours, and fifty-eight minutes.

*

They arrived at the hotel and Harry was once more a gentleman, even though she didn’t want him to be. He grabbed her suitcase and sweetly pushed it through the lobby to the front desk. “Hi,” Harry said cheerfully. She wanted to shower, get out of her plane clothes, and get away from Harry. His chipper attitude was making her grumpier than normal. “I have a reservation under Styles,” he explained. “Here for the convention,” he added.

The man behind the desk nodded, smiling pleasantly as he tapped away on his computer. “It says two guests for your name,” he informed him. Her heart dropped to her feet.

“No, it doesn’t,” she murmured, but she knew it was right.

Harry was smiling like an idiot. This was too good to be true for him and his endless bouts of annoying her. “That’s correct,” Harry nodded.

“Are there any other rooms?” She asked. She already knew the answer, but she would kick herself if she didn’t at least check.

“No, I’m afraid we’re really booked with the convention.”

She didn’t dare ask if there were two beds because she already knew that answer too.

“It’ll be fine, lovie, don’t worry,” he promised. Part of her thought he really meant it too, sensing how upset she was. She was so overcome with frustration; she almost didn’t notice the new name he gave her. That it wouldn’t be torture for her to be in the same little space as Harry for the entire five days. Her heart started erratically beating at the thought. It felt like the sides of her brain were caving in like the walls surely would be when they got to the room.

She would lay ground rules. She would go buy a roll of tape and cut the room in half. Harry wasn’t going to ruin her little reprieve from work. He continued to be kind and pulled her bag to their room. “I would like to shower,” she told him as she eyed the single, king-sized bed in the middle of the room, mocking her. He settled the bags on opposite sides of the room. He chose the side closer to the window for her.

“I’ll be right in,” he winked at her.

She felt the heat rise to her cheeks, which she knew was exactly what he wanted. “What if I don’t want the window side?” She asked instead.

“Well, that I don’t really care, lovie. M’taking closer t’the door in case someone breaks in. Wouldn’t want you t’get hurt.”

She just wanted to annoy him the way he always annoyed her. Maybe make him move the bags around and then move them again which she informed him she did want the window side. But she didn’t expect him to be so nice. Didn’t think he would give a reason that was kind enough to care about her well-being. Even when she was grumpy toward him.

If her cheeks were going to be red the whole week, she was going to lose it. “Don’t come in the bathroom or I’ll murder you,” she rolled her eyes.

“I would never do that,” he rolled his eyes right back at her. “I was jus’ kidding.”

Unfortunately, she believed him. He seemed genuine, as much as she wanted to kill him.

*

The shower helped her relax marginally. At the very least she got the feeling of the plane off her. “I ordered some pizza. Y’like peppers and onions on yours, right?” Harry, knowing exactly what she liked, furthered her agitation.

“Yeah,” she mumbled.

“I’d like t’shower too. D’you think y’can get the pizza when it arrives and actually get mine too?” He smiled at her knowingly; like he thought she might not take his pizza from the delivery guy in protest of the whole situation.

She rolled her eyes but had to hand it to him because it did sound like her. “Yes, Harry.”

“Hey beautiful?” he said softly. She hated that she looked up, answering to his pretty pink lips calling her ‘beautiful.’ She shouldn’t have. First and foremost, she thought he was wrong. Maybe it was because of all the drama of Year 2 but she never had boys of any age fawning over her after the slide-incident. Not the way they ogled and adored her friends. It did a number on her self-esteem. While she tried to put up this front that she didn’t care about whether she was beautiful or not, it was hard to believe someone like Harry would recognize her as even pretty.

Secondly, it made her stomach flip when he said it and she hated that. It was unfair he was pretty and unfair he could make her crazy with just a word. “M’not so bad,” his face looked apologetic—like he felt bad for existing. “I promise, it won’t be that bad this week with me.” She nodded sullenly, ran her brush through her hair. “’Ve left some notes on the table there for the pizza,” he tilted his chin toward it.

“You don’t need to pay for me.”

He smiled. “Course I do, lovie. S’my treat.”

She hated the way she answered to ‘lovie’too.

*

She sat in comfortable silence while she ate her pizza. While eating, she looked at the itinerary on her phone. Made plans in her mind and thought about some of the things she wanted to do during her free time.

“Oh good, m’starving. Smelled it while I was showering.”

She did a double take, her jaw falling open instinctively. She nearly dropped her pizza on her lap and then her phone right after it. Harry was hurrying across the room to get to his pizza. A towel low on his hips showing off glistening, taut muscles. Her heart hammered against her chest. “Jesus,” she whispered to herself looking away.

“Did y’say something, beautiful?” He asked, taking a bite of his pizza. She shook her head. Once more, angry she answered with the word ‘beautiful’.  His hair was dripping, and she followed the little droplets as they slid down his broad shoulders and across his defined pectorals. It wasn’t fair. She wanted to hate him easily. But his pretty tattoos and his gorgeous body were making it so difficult.

“I’m think I’m going to sleep on the floor,” she told him. He frowned around a bite of his pizza. When he finished chewing, he had a bit of grease on each corner of his mouth. She wanted to reach out with a napkin and wipe it away.

Or lick it away, along with the rest of his body.

“I’ll be the perfect gentleman,” he promised. “M’not gonna let y’sleep on the floor, lovie,” he rolled his eyes. “If you’re that uncomfortable, I’ll sleep on the floor.”

She couldn’t help but feel bad that her awkwardness, her annoyance for Harry, would have him sleep on the floor. He didn’t truly deserve that. This was a work trip for him as well, after all.

Maybe if he was fully clothed, she would have taken him up on his offer. Accepted him sleeping on the floor in her place. But her modern-woman, intelligent brain that she had spent years cultivating so she was independent, and worked so hard to make sure she didn’t go ga-ga over a man was malfunctioning from travel...and knowing she was stuck with Harry in such close quarters for almost a week.

Plus, Harry had the prettiest stomach she had ever seen on a man.

Her primal brain, the one that seemed to be screaming from between her legs, couldn’t help but feel bad for him.

“It’s…fine,” she mumbled focusing on her pizza and phone again.

“Are y’sure, beautiful? I don’t want t’make y’uncomfortable.”

She believed him. He seemed so eager to please her and ease her worries. She nodded. “It’ll be fine,” she was telling herself in hopes it would be true. “But I’m making a pillow wall.”

He smiled around his pizza.

*

“Would y’prefer I sleep with or without a shirt?” He asked. Harry went to use the hotel gym and then took another shower. She used the time to read her book and sit on the balcony while the sun was setting. It wasn’t a picturesque view or anything, but the sky was a bunch of beautiful hues of pink, blue, and orange.

When Harry exited the shower, it was awkwardly silent for a bit. Harry tended to his after shower-care. She was looking at her book but not reading. She yawned, and that was when Harry asked his question. The inquiry felt like a double-edged sword. If she said with a shirt, it might imply she wanted to hide him from her view because she couldn’t help but look at him. If she said no, it would make it seem like she wanted to see him. “Whatever makes you comfortable,” she decided on.

He smirked and pulled his T-shirt off. “‘Fraid you’re not privy t’that sleeping habit, lovie.” She wondered if anyone had ever been murdered with a hotel phone cord. She felt extremely self-conscious about her t-shirt and leggings combo. “Feel free t’do the same, beautiful,” he grinned wickedly at her as he slipped into his side of the bed. She had two pillows under the blankets and two on top. She was certain that even if she had her own room, it wouldn’t be enough distance between them. “What if I want another pillow?” He asked mischievously.

“Go fuck yourself, Harry,” she grumbled.

He frowned. “C’mon, lovie. S’not so bad.” She didn’t say anything in response and turned to her side facing away from him. She scrolled mindlessly on her phone. “D’you want t’watch something together?” He asked.

“No, thank you,” she murmured quietly. “You can though,” she shrugged. “I’ll sleep through most anything.”

He nodded. “Okay...well...good night, beautiful. Sleep well,” he said sweetly.

She didn’t fall asleep right away. Instead, she imagined the nice museum she saw online. The picturesque street about a mile away with cute little shops. There was the coffee shop she wanted to go to. All the things that Harry couldn’t ruin with his annoying little remarks.

Or his stupid hot body.

Other than some gentle laughter, she didn’t hear or worry about Harry sleeping less than six inches from her own body. The pillows provided the perfect barrier between them so that she could sleep easily knowing that he wouldn’t bug her.

Only four days until it was over. She could do this.

*

Harry heard her phone drop from her hands to the floor about an hour later. He hurried to her side of the room and made sure her alarm was set, locked her phone, and placed it on her nightstand. He saw the way she seemed to shiver in her sleep. Probably because she was right under the vent. The space between her brows puckered due to her discomfort. He draped the blanket that was at the end of the bed over her. Almost immediately, the skin between her eyebrows smoothed back out. He wanted to kiss her in the very same spot but of course would never do that without her permission.

The movie Harry was playing was funny and he enjoyed it immensely. True to her word, she slept through his laughter and the sound of the movie itself. She was wiggly when she slept. The pillows and blankets balled all around her and Harry wondered how she slept like that each night. It looked nearly painful at times.

Of course, the movie came to an end, and she was still sound asleep when Harry finally turned the TV off and hunkered down into his side of the mattress. He tried not to disturb her pillow wall, but she had managed to throw all of them every which way. He smirked to himself, shaking his head at her.

Harry must have gotten only an hour of sleep under his belt when he woke up to her kicking and mumbling under her breath. The light coming through the window allowed for his eyes to adjust a bit to the darkness against her figure sprawled in the sheets. He shook his head glancing over at her in complete disarray.  Her body was still twisted around the pillows and blankets. Harry was left with just the sheet. He smirked at her.

He threw his arm over his eyes and ignored her fitful movements. But they kept going and going. The mumbling too. He felt bad about whatever she was dreaming about, but he didn’t dare touch her. If she woke up to him touching her, even if it was for comfort, he was certain she would kill him.

Harry was a pretty heavy sleeper himself, so her fussy movements didn’t bother him in the slightest. Whatever she was dreaming about had to be a kick for sure and for that he felt bad.

But then Harry heard small whimpers coming from her and he felt his stomach knot. It felt like he was dying at the mere sound of her discomfort. The anguish he felt coming from her was brutal and he wanted nothing more than to hold her and fix it. “Oh, hey,” he hummed, sitting up against the headboard. He looked her over and thought incurring her wrath would be well worth it if he could stop her from whimpering miserably. “Lovie? Y’okay?” He gently shook her by the shoulder. She seemed to be fighting whatever she was dreaming about, and the blankets were keeping her trapped. Harry grabbed the pillows that were on top of her. Her arms were nearly swaddled against her body with the blanket wrapped around her and pulled up to her neck tightly.

Harry flicked the light on his nightstand so he could get a better look at her.

The poor thing was glistening with sweat around her hairline, tears were leaking from her closed eyes, and that space between her brows was cinched together like she was in pain. “Oh, no,” he murmured and crawled out of his side and came around to her side. “Hey,” he cooed. He crouched in front of her and began tossing the pillows to the floor. He unraveled the blankets from around her. “Lovie,” he murmured. He called her lovie at the start of the evening and he couldn’t stop. He loved to call her beautiful and enjoyed how readily she answer to it. But something about her sweet face just made the word ‘lovie’ roll right off his tongue. It was effortless; like it was the only thing he should call her. Once she was without the swaddle of blankets, and the pillows attacking her, she was practically gasping for air in her sleep. “Lovie, you’re having a bad dream,” he gave her a good shake causing her eyes to flash open. Harry gazed at her in alarm. She squeezed her eyes shut trying to hide from Harry. But it was far too late for that. “Are y’okay, beautiful?”

She ignored him. Her breathing evening out. She turned away from him. “Lovie...”

“Would you stop calling me cute names?” She asked, the exasperation thick in her voice. But she was still distraught. He could tell. He was quiet for a minute letting her work through whatever just happened. “Please don’t tell anyone about this,” she whispered.

He blinked. He felt so sad she believed so little of him. “I would never tell anyone anything ‘bout you—”

“You whisper about me all the time,” she snipped.

His mouth fell open in disbelief. “Lovie, you have t’know I don’t whisper anything ‘bout you. M’telling them how pretty I think y’are and how you’ll get all flustered that m’whispering nothing ‘bout you. They know I adore you and think nothing short of wonderful things ‘bout you. Y’seriously don’t get it do you?” He felt so utterly annoyed by her, himself. He thought she was lovely and yes; she was fun to annoy but he would never say anything about her that hurt her reputation. He was sad she thought he would. It never made sense for her to dislike him so intently. He never really cared and turned it into a joke. But knowing she truly didn’t like him made his heart heavy.

She refused to look at him. It was silent for several beats. Harry stared at the back of her t-shirt, her shoulders trying to find an easy rhythm. He wanted her to explain it. Right now. In the middle of the night when they were stuck in a small hotel room together. “Why did you trap me in the slide?” She whispered.

Of all the things he expected her to say, that was not one of them. “What?” He shook his head.

“In Year 2? You and your friends trapped me in the slide, now I’m embarrassingly claustrophobic. If I have anything covering my face, I have a meltdown. It feels like I can’t breathe. If someone...holds me the wrong way for too long, I get overwhelmed. It’s ruined so many relationships and it’s...” she sniffled, her shoulders staggering a bit at the effort.

He frowned. “Is that why you hate me?” He whispered. She didn’t answer him. “Lovie, I had nothing to do with that.”

“Well, they blamed you.”

He sighed. “So, all this time you’ve hated me, and it wasn’t even my doing?” He asked.

It seemed to appeal to the logical part of her brain. She was still for a moment longer, her breathing evening out. But then she rolled to her other side and stared at Harry. He hated the tears that stained her cheeks. That little crease between her eyebrows. He reached out and pressed his fingers there to smooth it out and she let him. It didn’t even bother him that she hadn’t liked him for so long.

Her lips rolled into her mouth as she thought over the last twenty-something years of their lives. It may not have bothered Harry but now it bothered her. “Why have you liked me even though I’m so...crabby toward you?”

He smiled excitedly. Like he was getting a Christmas present or told he won a raffle. “What isn’t there t’like ‘bout you, beautiful?” His hand cupped her cheek and his thumb gently rubbed at the stain of salt on her cheek. The back of her head was warm with sweat and if it wasn’t so late at night, she would feel more self-conscious.

“You’re a glutton for punishment.”

It was progress though because she didn’t push his hand away from her face. “Can I get back on the bed? I won’t touch you, but I don’t want you t’have the pillows and blankets attack you.”

“You can touch me,” she mumbled.

He wiggled his eyebrows at her. “Oh yeah?” He rose from the floor to head back to his side of the bed.

She rolled her eyes at him. “I hate you.”

“I don’t think y’do, actually,” he said smugly.

“Are you going to annoy me the entire time?”

Harry turned off his bedside lamp and crawled under the sheet. “Probably.”

She sighed; he imagined her pretty eye roll the way she always did. Harry put his arm behind his head, closed his eyes and tried to drift off to sleep. “You really didn’t trap me in there?” She asked.

Harry turned to his side and looked at the shadow outline of her staring up at the ceiling. He wanted to reach out and trace the shape of her profile, follow it down her arm and hold her hand. “Even as a six-year-old, lovie, I couldn’t hurt you. If...I knew...I would have gotten y’out of there so fast,” he promised. “Poor baby,” he murmured and bravely reached out and grabbed her hand. She didn’t pull from him. She let his fingers fit between the spaces of hers, gave her a gentle squeeze.

“Why didn’t you say anything?”

“I didn’t know why you were mad,” he shrugged.

“You were really just going to let me hate you for the rest of our life?”

“Hate and love are very close together in the brain,” he said knowingly. “Given y’said the rest of our life,” he smiled excitedly, “I had a feeling y’couldn’t keep it up forever. And I’d wait forever for you, beautiful.” He sounded so arrogant she wanted to hate him just to spite him. But she couldn’t argue with him. It was exhausting hating him. Being in the hotel room with him—especially when he was in a towel—was ruining her grumpy front. Even with sleep still on her brain, she couldn’t help but think about how gentle he was with her and her anxious mind. He was so utterly accommodating and kind to her. He would have slept on the floor if she asked. But she rather enjoyed the feel of his fingers holding hers. “Do you have nightmares a lot?” He asked, interrupting her thoughts.

She shook her head. “Not anymore...Only when I get all twisted like that. I usually sleep better with a weighted blanket to help my anxiety about it. It also keeps me in place, mostly. I’ve had a lot of therapy to help cope with it and the blanket usually helps but obviously y’can’t really travel with a fifteen-pound blanket.”

“Can you snuggle?” He asked.

She blinked at the darkness in front of her. “Can I what?”

“Can you snuggle with someone?” He repeated.

She bit the inside of her lip. “As long as my face isn’t covered,” she muttered. “But it’s definitely been a problem in past relationships if that’s what you’re asking me ab—”

Harry had his arms looping around her and he pulled her toward him so quickly, she barely had time to process. His body spooned behind her, one arm snug beneath her neck and the other draped around the front of her hips. Her heart rate had to be approaching a hundred and fifty. “Is this alright, beautiful?” He murmured into the back of her hair. She was speechless, truly. Harry holding her like...like she didn’t just have a major meltdown. Like he adored her still. “Lovie?” He said, nearly releasing her when she didn’t answer. Worried that her heart rate was too high—he could practically feel it through her back pressed to him. Maybe this was too much.

But right as he started to pull away, her arm pressed against Harry’s. She sighed softly. “No...m’fine,” her voice was quiet.

“Are y’sure? I don’t want t’upset you,” he promised. “Been dreaming ‘bout snuggling with you... but not at the expense of your comfort or anxiety,” he assured her.

“You dream about cuddling with me?”

“Among other things,” he spoke to the back of her hair, his lips smiling against her head.

She rolled her eyes. “You’re an idiot.”

“I really didn’t think y’could hate me forever, lovie.”

She was quiet for a few moments. “I’m sorry,” she whispered. It was the first time she ever apologized to him. His heart skipped a beat.

“I know, beautiful. How would y’have known, though? I wish y’told me, but I know why y’didn’t.”

More silence. Harry’s bare stomach was touching her t-shirt, his legs were crooked up against the back of hers. They fit like puzzle pieces. She bit the inside of her lip feeling exhaustion pull over her mind. How was she supposed to sleep knowing Harry was sleeping right next to her?

“Good night, lovie,” he murmured.

She sighed, relaxing, and drifting to sleep almost immediately.

*

The first day of the conference went by quickly with not much to really show for it. Harry enjoyed it immensely and had a thousand new ideas that he suggested to her over their lunch together. She enjoyed it as well but after her night snuggled up to Harry nothing else seemed remotely important.

“Hey, lovie?” Harry said, trying to retrieve her attention. “Did y’have plans this afternoon? M’gonna catch up with a friend,” he nodded toward another table. The idea of Harry leaving her alone actually saddened her, but of course...they’d have the night.

Unless the friend was a girl. In which case he very well could not come back to their shared room. She nodded. “Yeah, I’m good. Have fun,” she encouraged.

He smiled and pressed a kiss to her cheek. “Keep the bed warm for me, yeah?” He winked at her as he pulled away.

She thought maybe killing him would still be an option.

She perused the little picturesque street taking a whole bunch of pictures and stopping in nearly every shop on the street and making a purchase in almost every single one. It was actually really nice. Not too hot, not too cold. She even sort of wished Harry had gone with her on her little adventure. She thought he would have liked some of the shops as much as she did.

It was precisely when she wished Harry had gone with her that she realized she really liked him. All this time.

Maybe he was right, and her brain mistook her affection for him as hatred. She wasn’t ready to say love yet. Even if her subconscious was screaming about how lovely he was.

Even last night when Harry was comforting and gentle about her phobia. He didn’t make her feel bad...in fact he made her feel normal and wonderful. The new information about the slide was a revelation. She had spent so many years with ill-harbored feelings toward Harry. It seemed wasteful after last night. He was kind, understanding, attractive—

She was not in love with him.

She couldn’t be, right?

He was annoying. Even if he wasn’t whispering about her, he was still making her feel grumpy. The constant gag gifts and deliveries were vexing beyond compare.

But those dimples when he smiled? They could undo all those negative emotions she felt. She was certain that there was some pheromone or chemical released in the air when he smiled. One that made her mind momentarily forget that he had been the cause of the slide thing.

However, that wasn’t true anymore.

So...

No. It’s like meeting someone for the first time. You don’t love him.

Not when he called her beautiful or lovie. Not when he openly flirted with her or held her against his warm body in the middle of the night and kept the nightmares away. She did not love him.

But maybe she just really, really, really, really, liked him and wanted to spend all her extra time with him now and show him the little shop she found because she smelled three different kinds of soap that she thought he would enjoy.

Obviously, that wasn’t love.

She looked more like some shopping bag monster than girl, when she made her way into the hotel elevator. Harry was already in the room when she got back. “Have fun?” He asked, putting the new file he brought with him and his pencil aside. His smile was so bright she really wondered how she could have ignored him for so long.

“Did…you catch up with your friend?” She asked. She was gone for almost three hours, she worried that she would come back to find Harry with someone, or someone in the shower...

Or in our bed. One part of her mind was grumpy at the thought. Not our bed. The one brain cell left on the rational side of her mind shouted back.

Harry began untangling her wrists and fingers from the bags she held while her brain had its own conversation. The bags left angry red marks on her skin. He nodded, placing the bags on the floor. “Yeah, jus’ had a quick stop at the pub for a drink,” he gently massaged the inside of her wrists. “I missed you,” he said cutely. She stared at him almost suspiciously. Like maybe all of this was a trick. Her distrust seemed palpable because he frowned. “I did, beautiful. Really missed you,” he brought her wrist to his lips and pressed a kiss on the soft inside skin. She missed him too. Even before she went to the shops, she was dreading leaving his side, but she wouldn’t tell him that. Her face must have softened a bit because the left side of his face turned up in a gorgeous half smile. It made her wonder how Harry had decided on editing and publishing and not modeling. “Would y’like t’get dinner with me?” He asked.

“Like a date?” She blurted out before she could stop herself.

“Yes, lovie. Like a date,” he rolled his eyes.

She frowned. “I don’t really have anything...date-worthy to wear.”

“Well, y’could go naked, but they might throw y’out.”

“Shut. Up.”

“Y’look beautiful now. I’d take y’out in the sexy pajamas y’wore last night.”

She wondered briefly if Harry had ever been hit in the head over the years and suffered irrevocable brain damage. “Sexy?”

“Your leggings?” He smiled mischievously. “M’almost jealous of ‘em touching all of your legs.”

Definitely hit in the head.

“Can I just...have a few minutes to touch up?” She asked, ignoring his comment.

“Course, beautiful. Not that y’need it.” He was good. She would give him that. He was very good at making her feel gooey and pretty. Harry said all the right flirty things. Dinner would be fun, and she was quite hungry.

She exited the bathroom after touching up her makeup and switching out her casual business blouse for a tank top with a cardigan. She swapped her slacks for a pair of jeans. The flats she wore stayed to complete her outfit.

“Will you marry me?” He sighed dreamily as she exited the bathroom.

He was going to give her an aneurysm.

“Shut up, Harry.”

“Ve’been waiting for this date for...” he smiled. “Oh, I don’t know, lovie. Least since university.”

Harry had to have a death wish. “You’ve...liked me? Even though I was mean to you?”

“A glutton for punishment, as it were,” he winked bringing her words back.

She grabbed her little cross body bag and Harry followed her out their hotel room door. Since the slide incident, she had been to at least four different therapists to help alleviate the worry and fear she had. In all honesty, she was much better than she used to be. The airplane was a little daunting during takeoff but that could have been due to a fear of flying, not claustrophobia. Her small attic or the cramped closet in the hall of her place didn’t bother her any longer. Being on a train in public transport rush hour—even when the train came to a standstill in the middle of the dark tunnel—didn’t really bother her anymore. It was only when her face was covered for too long without her ability to get out quickly, sleeping, plagued with nightmares, or swaddled in her blankets too tightly that she felt the waves of anxiety suffocating her like that day on the slide.

Or when the elevator clanged to a stop and jolted her so hard, she nearly fell into Harry.

It was three seconds of pure silence before she realized what happened. Before Harry realized.

“Shit.” Harry whispered.

“Oh no,” her pulse quickened. Her head started to ache, and it felt like the elevator was suddenly the size of an Amazon box and she was crammed inside. It took her a moment to realize the wheezing was coming from her.

“Hey, hey,” Harry quickly grabbed her shoulders. Her eyes welled with tears, and she was heaving on her breath. One of his hands reached for the emergency button causing a monotone ring to take over all sounds in the small space; the volume was louder than her heavy breathing. “Lovie, tell me what t’do,” he begged. “M’sorry,” he whispered. She felt lightheaded and scared. So scared she obviously was having trouble breathing. She worried that she would pass out right into Harry’s arms.

“M’scared,” she croaked.

“I know, beautiful,” he squeezed her shoulders. He held her away at arm’s length afraid to bring her closer in case it would make matters worse. All he wanted to do was wrap her close and console her. “But...s’okay,” he promised. “Really, s’okay.” It wasn’t; he wasn’t trying to make light of her fear either. He knew how bad it was because he had spent the last twenty years waiting for this moment. For her to say she didn’t hate him. For the last ten, he longed for a date. One measly dinner to change her mind. But the broken elevator was going to ruin it all. Honestly, that didn’t even matter to him. All of it didn’t matter. He had to try something to ease her worry. Something to help her scared mind. “I would never let anything happen t’you. Would never let anything hurt you,” he was gazing right into her eyes. He definitely didn’t cure her, but she could feel how devastated Harry felt. He meant it; he wouldn’t let anything harm her as much as he could possibly control. “Deep breaths? Does that help?” He asked. She nodded. She tried but it was hard, the air she sucked in and released was shaky and not very deep. It was hard to think about breathing deeply when all she could think about was dying in this tin box. “Easy, lovie. S’okay,” he squeezed her shoulders again.

The alarm was plain on his face, and she wondered if he wanted to hold her. She wanted to be held but wasn’t sure it would work. Her stomach felt so knotted. Thought maybe she would throw up and she couldn’t imagine a worse first date with Harry than throwing up in an enclosed space. She sank to the floor, her legs scrunched up so she could rest her forehead against her knees. Harry crouched in front of her, clearly still nervous and unsure of what to do. The one part of her brain that still had some rational thought left thought it was a travesty that she would lose Harry from this. She thought if she made it out, she would have to just go home. She couldn’t share a bed with him.

“They’re probably getting someone t’help right now, beautiful. S’okay,” he placed his hands on her ankles. It seemed like the safest option. He was so mortified this happened. To her of all people. The ringing of the elevator seemed to die down with the ringing in her ears. “Lovie?” He asked; he felt anxious that she was breathing so hard. She looked at him, her vision blurred by the tears. “Tell me what t’do,” he begged. He felt so useless. So worried that she was going to pass out or have a meltdown that she would inextricably link to him and never forgive him. After he just made some progress.

He thought about her six-year-old self. Trapped in that slide, her little brain all terrified. He wondered if that little version of herself still existed inside her. It hurt him to think about that poor little girl scared to pieces. He leaned forward and pressed his lips on her forehead and kept pressed there for a moment. That moment in time seemed to stretch on for eternity. But, as he kept his lips on her skin, he noticed her breathing slowly calmed. Her muscles seemed to relax.

“That feels nice,” she murmured almost serenely. He smirked against her skin. Slowly, he pulled away. Her eyes watched Harry with worry, but he slid beside her before he moved too far away. The shaky breathing picked up just a little. Her heart still fluttered with anxiety. She rested her cheek on her knee facing him.

“I...I could...do it again if y’want. If y’think it would help,” he suggested, turning toward her a little more head on. She lifted her head, it felt so achy and heavy. Harry cupped her face and pressed his lips on her skin again. She sighed softly. The ache seemed to ease at his touch.

Ugh. Harry was medicine that she didn’t know she needed. He dragged his lips across her skin, peppering her hairline with soft little presses. She wondered if he would always be this gentle with her.

She still wasn’t sure how she felt about her mind thinking about things like always with Harry. She was fairly certain she would die of humiliation the moment her brain returned to normal once they got off the elevator. There wouldn’t be an always after this. Harry would think she was nuts or ridiculous. There wouldn’t even be a sometimes.

 “Are y’okay, lovie?” He hummed against her skin. “As y’can be right now?”

She nodded, feeling utterly safe with Harry beside her. She enjoyed the way his hands felt on her skin. His lips on her face. It was too bad she didn’t know all these years he had nothing to do with her childhood trauma. She thought she really could be in love with him.

*

It took an hour, but they were finally freed of the metal tin. The moment she had fresh air, she felt infinitely better. Harry could see it on her face and in her body language. She was entirely at ease. Back to normal. After a flurry of questions and the hotel offering a few extra nights, they left for a nearby restaurant. Harry held her hand, fingers twisted together. He didn’t say much, because he wasn’t sure what he was supposed to say after that. He knew she had to have felt so exposed and vulnerable.

“We...don’t have to go out, if you don’t want,” she mumbled.

Harry frowned and stopped the pair of them in the middle of the sidewalk. “Do y’want t’go back?” He asked.

She bit the inside of her lip. “I’m sorry.”

He blinked in surprise. “For what, beautiful?”

“For being crazy?” Did he forget what just happened?

“Crazy?” He repeated in surprise. “Lovie, s’not your fault. M’glad you’re okay.”

“You’re not...you don’t think I’m...weird?”

His heart felt such sadness for her. “No, lovie. Course not. Think you’re lovely. I was so scared y’were going to hurt yourself in all the worry. M’so glad you’re okay. M’sorry y’had to—why are y’crying, beautiful? Are you alright?” He asked, her eyes spilling with tears. He thought he might cry right with her. Harry had a good six or seven inches on her and he bent his knees a bit so he could be eyelevel with her teary gaze. His hands cupped her face just like on the elevator and he looked pained that she was crying.

She shook her head. “I’m sorry,” she whimpered. “I’m so sorry.”

He didn’t know why she was apologizing. But he let her and pulled her toward him, careful not to cover her face with his embrace. She sobbed into his chest. Harry kissed the top of her head. “S’okay, beautiful. Don’t know why you’re apologizing. But s’okay.”

It felt so embarrassingly awful that she and Harry would never be.

*

They ordered takeout, had a drink while they waited—barely speaking as they did, and headed back to the hotel. Of course, they took the stairs. She didn’t even feel like eating as she sat across from Harry on the balcony. He ate his veggie stir fry quietly while she poked at the pasta in her takeout box. “That’s pasta, you remember?” He smirked at her. “You’re supposed t’eat it,” he encouraged. Trying to joke so she would feel a little better.

She couldn’t even muster an eye roll for him. Ending before they started...after a whirlwind of one night and day of the convention seemed utterly unfair.

“Lovie?” He asked quietly. She didn’t respond. She was worried she would cry. “Beautiful,” he murmured setting his food aside, crouched beside her seat and pushed her food to the side as well.

“I...I think I really like you,” she whispered.

He smiled. “Well finally, lovie. But y’don’t have t’cry ‘bout it, m’right here,” he gave her knee a gentle squeeze. Like he was consoling her.

She shook her head. “S’not fair to you or all that time I wasted. And I’m so weird.”

“You’re not weird, lovie,” he promised.

“Yes, I am, Harry.”

He shook his head. “Y’seriously going t’continue pushing me away when m’literally on my knees in front of you, beautiful? I don’t care if y’weird or not. I don’t care if y’cry on elevators or if y’sing in the shower. You’re m’favorite person t’annoy and I want t’do it, knowing I can kiss you after every joke,” he looked up at her eyes from his crouched position. “Y’don’t have t’waste any more time, lovie. M’right here.”

She bit the inside of her cheek, worried she was going to say no or something just because she was so nervous about all of it. It was twenty years of disliking Harry (well, not really, but yes really). That was twenty years of hating small spaces of getting nervous in crowds and explaining to boyfriends that she couldn’t attend some events even when she wanted to.

But Harry didn’t care.

And she believed him.

She should have begged him to leave her alone because it wasn’t fair to him, and she truly believed that. Harry was so much kinder than she ever, ever imagined. Now he was right, of course. He was right here. Right in front of her. Literally on his knees telling her he wanted her. Despite everything. So instead of opening her mouth where she might say no, she nodded slowly.

He sighed with relief and wrapped his arms around her waist pulling her toward him. He carefully squeezed her rubbing his hand up and down her back so soothingly she wanted to cry some more. Harry had the gentlest touch, and it was melting her—inside and out. She sighed into his chest, arms wrapping back around him. She even pressed her face right into his T-shirt and didn’t feel the creeping sensation of doom surrounding her. Instead, all she could smell was the scent of Harry’s laundry detergent and the very essence of Harry.

“Thank you, beautiful,” he sighed into the top of her hair, pressing a kiss to the crown of her head. He pushed her away from his body but kept her in between his arms. He really loved touching her face. “Can’t wait t’join you in the shower, now,” he winked.

She rolled her eyes. He wasn’t going to quit, that much was certain. “You should be better than that detachable shower head,” she murmured.

He stared at her fully for at least half a minute, unable to speak. He cleared his throat after what seemed like a lifetime and then kissed the center of her forehead followed by the tip of her nose. Right before he kissed her lips for the first time in their lives, he whispered, “that I have t’see, lovie.”

--

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If you like this, check out my masterlist for more of my writing.

[burr-ell]

I'll preface this by saying that I don't by any means begrudge anyone their own personal headcanons or interpretations, but I kinda have to get it off my chest that I'm personally not very comfortable with significant deviations from canon character design on CR, and I really tend to side-eye people who have declared their fanart to be "better".

And sure, some of that is because i'm a cranky old bastard. But some of that is that I also have an animation degree and have studied character design. Creators generally give artists a fair amount of input as to how they want their designs to connote the characters' personalities—not just in terms of clothing or hairstyle, but in the overall shape of the silhouettes and body structures. And in the case of CR in particular, that's coming from a place of much closer familiarity with the characters because the creator is actually going to be embodying them for a fairly long period of time, so when the fan response is heavy deviation from that, I think it can feed into some unhealthy fanon perceptions and projections.

Like, for example, it's not so much that I think fanartists are "disrespecting the creators" or whatever when they keep giving Imogen a sweet little round face and big hips/breasts and cute circular glasses, but I've also studied shape language in art. You're communicating something when you design her this way; if a character's silhouette has a lot of circles, visually that connotes being friendly, sweet, and cute. The person who first suggested drawing her with glasses explicitly said they thought it would look cute—and no shade to them! They can like whatever they want!

But canonically, Imogen is a woman in her 20s who's been dealing with unanswered questions, abandonment, loneliness, and sheer exhaustion from trying to hold back and control powers that she never asked for—and who simultaneously uses those powers even when it isn't necessary if she thinks it'll help her achieve a goal or prove a point. She isn't unfriendly, and she wants to do the right thing, but she's also someone who's consciously chosen to keep to herself for most of her life, and yet simultaneously she's quite adept at persuading and deceiving people. I think we're meant to pick up that sense of world-weariness and cynicism from her angular facial features and thin frame. That's...kind of just how character design works.

I think the trend of disregarding the official art and giving her softer features has had an impact on the perception of Imogen as a character. I see a lot of views of her that really remove a lot of her agency, treating her like she's only ever been a victim of circumstance who's never put a foot wrong. Some fans got pushback for pointing out that it really wasn't cool for Imogen to openly contemplate whether or not the Ruby Vanguard might be right in front of three people who were killed by Otohan, insisting that imogen was just dealing with a lot right then. And yes, she was, but that doesn't mean that the way she was dealing with it doesn't say something about her as a character. I don't know if I'd call it coddling, necessarily (even though perhaps there are some very coddling takes I just haven't seen), but there seems to be some resistance, in some circles, to the idea that Imogen isn't a put-upon martyr. And in those same circles, round friendly-looking glasses-wearing Imogen abounds, to the point of editing the official art itself to "fix it".

Truth be told I'd be willing to bet that the rounder cuter Imogen actually came about because of the initial impression of her, given how much fanon at the start of c3 revolved around poor baby Imogen with her scary nightmares needing the wiser, worldlier Laudna to comfort her and kiss it better, but those visuals also proliferated rather quickly and well beyond past the point where that fanon was feasible anymore, and I think both aspects of that fanon ended up informing each other. It's not lost on me that the rounder and cuter-looking Imogen performs the literal function of sanding down her harder edges.

And like I said, I'm not here to be needlessly negative toward what other people want to do. If you want to draw the characters differently to their official art, I don't think either the cast or the artist are especially offended by it. But I personally dislike it, in part because I think some of these trends are a way for fans to claim a certain amount of ownership over the characters, whether they intend it or not. And the ultimate outcome of that is that when creators inevitably assert their ownership over a deeply personal story in a way that fans don't like, the backlash is much stronger than it reasonably should be, which is something I think the CR fandom has seen often enough not to continue doing as often as it does.

[fantasy-anatomy-analyst]

Creature Design: where to begin?

(image description: drawing with the title "creature design: where do I even start?" over two messy sketches of an elf with a monkey tail and a flying lizard with pterosaur wings. end description)

So you want to make cool fantasy creatures or people but you haven't the first clue where to start! I may not be the best at explaining this process because I just sort of come up with an idea and start drawing, my process is very quick and heavily influenced by the fact that I've been drawing since I was a small child and building my fantasy world and stories since I was like twelve. So for me, a lot of this is really intuitive and I don't know how to fully describe each step.

The honest truth people may not want to hear is that you'll get better at figuring out your designs if you just spend a lot of time doing art studies of real things and a lot of time making messy messy sketches from your own mind. take a pile of paper and a cheap pencil and fill those pages with scribbles that vaguely resemble creatures and people. don't worry about making things look nice. you've got to be comfortable with mess.

and I do mean it about the studying. Whether you're going for a cartoon style or a realistic one, it's hard to create new creature designs if you're not familiar with the shape and movement of real animals. trace studies are fine! nothing wrong with it. I do it all the time. gather some photos and trace out the loose shapes as well as the important details, then draw it again without tracing. rinse and repeat. this is how you get better at drawing with variety instead of getting yourself stuck on a handful of things you're confident with.

basic art practices are essential if you want to create unique designs.

but with that little caveat out of the way, let's talk about the creature design process!

step one: well if you want to design anything, you need to start with an idea!

(image description: several messy simple sketches of different fantasy designs. there is a dainty fairy, an orc with a pig snout, a bird with a bald head, and a long skinny flying fish creature. the image is also titled "step one: what do you want?" with a list of ideas below that says "redesigns. filling a niche. narrative purpose. just fun. etc." end description)

in other words, what are you hoping to accomplish by making a design? is it part of a larger project or just a little one-off idea? do you want to make your own version of a common fantasy creature, or do you want to make something totally new? You don't need to answer every detail right away, but you have to come up with a starting point. For this post, I'm creating a unicorn design. The world I've built has a lot of fantasy people and their cultures are pretty well fleshed out. But I really haven't done much to add unique fantasy animals to the setting! Certainly not any that can actually use magic. and my very first baby ideas about fantasy were so very deeply focused on unicorns, I owe it to my childhood self to have some unicorns in this world.

it's a long post, so the rest is under a cut. Next step is gather references and start doodling.

(image description: three collections of sketches. the first image bears the title "step two: sketches and studies." below the title is a compilation of white tailed deer photos with lowered opacity and red sketch lines traced over them to mark the forms of their body parts. next to this are a few white and blue sketches of deer-like unicorns, with a focus on their head shape and how their singular antler is positioned. the second image is another photo compilation with traced sketches over top, this time of several even toed ungulates. there are a few deer, a mountain goat, and a pronghorn gazelle. the final image shows a few sketches of a deer-like unicorn in different positions, with a close up on one unicorn's head with the antler only being a lump under the skin. these unicorns have long legs and very narrow faces with a singular forked antler on their foreheads. they also have a fluffy dewlap under their lower jaw. end description.)

I decided to go with a deer unicorn because I've already established that my main setting has elk! I did explore the idea of going in the direction of mountain goats or some form of other antelope or gazelle, with a focus only on things native to the americas, but ultimately I went with the deer. However, I don't want these unicorns to just look exactly like any real deer species but with one antler instead of two. I want them to look like their own unique species of deer. By doing study sketches of multiple deer species as well as other animals in the same general category, I get a better sense of the common body and head shapes, how the limbs move, and what I can change to create a unicorn that looks like a deer while still being its own new thing.

step three is to just flesh out the details! ask some questions about your creature. how do they fit in your setting? how do they interact with other living things? what are some details that make them look unique?

(image description: sketches of three deer-like unicorns. a male with a more elaborate forked antler and fuzzy dewlap, a female with an extra fluffy tail and a smaller antler that has no forks, and a baby with no antler at all. above the sketches is the title "step 3: work on details." and below this is a list of traits: "males have more elaborate antlers. capable of manipulating magic energy. smaller species of deer. versatile, adapted for many environments. often mingle with other deer." end description.)

Like the unicorns of many real life myths, I've decided these ones use their heightened intelligence and ability to manipulate magic as a way to guard the environment they live in. They're not sapient beings, but those who study magic in the world I've written are very interested in studying how unicorns use magic. Does magic ability grant sapience? or is magic ability gained as a side effect of becoming sapient? it's an important and fascinating question.

Unicorns tend to travel in very small groups and hide among herds of larger deer, using their magic abilities to sense danger and warn the herd of predators. they cannot perform all the effects of people magic, only using their natural behaviors to cause small effects. But their abilities are still quite impressive and tell a lot about the development of magical skills. Their abilities seem to confirm that spoken magic is the most primal form of magic, as they have a complex set of vocalizations that accompany their use of magic.

The effects they can cause seem to include a ripple effect in the air, akin to the heat waves that cause illusions, and a quick flash effect from their antlers, not unlike the glow created by runes. This flash effect is very fast and not terribly bright, but it's enough to startle other animals and hunters who don't expect it. this is perhaps the most intriguing of their abilities, as no people group has figured out how to replicate it. there may be other magical effects and abilities in the uicorn's arsenal, but it's difficult to document or understand them all, especially if some of those effects are more internal and not easily noticed from an outside perspective.

(image description: painting of a deer-like unicorn leaping through a grassy field. its long fluffy tail is curled up in warning and its forked antler is emitting a light. the unicorn's fur is a pale golden red with dark brown tips on the tail, ears, feet, and nose, as well as a dark stripe between the eye and nose. the lower part of its face, neck, belly, tail, and the inside of its ears are all white, along with a white stripe from its neck to its flank. end description.)

I hope you enjoyed this little design journey! I really did sit down and do the unicorn design today, and I came up with most of the worldbuilding details for it as I was writing this post! I can do this very quickly because I've been doing it for years, so don't be discouraged thinking you're bad at it if it takes you longer. I also could spend a lot more time working on the details and especially figuring out that antler shape and the coloration of its fur, because I am not fully committed to them yet! this is like a first draft.

you might go through several designs for something before you nail down a version that satisfies your goals! you might also get really far in the process and start to hate it and decide to start over. these are normal obstacles! wrestling with your ideas is rough, but it can also lead to more ideas! and the next thing you know, you've got an entire world of complex characters and fictional cultures and you're not really sure how you got there, but by golly are you going to run with it.

have fun!

[dailymothanon]

I’m back 🐶 thank you for being patient, things are relatively back to normal! Anyways I got some drawings… it’s the actual D&D au now! I’ve got plenty of ideas, but for now this is Alaska and Maine! Alaska is a Druid, circle of stars though his race is unknown (I also don’t have any general cloth ideas for him). It is noted he is very bird-like tho, no wings because he can just have a wild shape/starry form with a pair. Maine is a half human half beast, he’s quite prickly because unfortunately even in this au he still has to deal with the northeast 😒 (long rants of ideas below)

I also have other ideas for other states, but I haven’t drawn them yet. For New Jersey I’m thinking like Nevada he is a fae folk but of a bee; and he was born with deformed and torn wings that resemble the Jersey devil’s. But due to his deformity his “hive” decided to just toss him out because they wanted a big strong community with no one holding them back 😒 so maybe Jersey had to barely survive out there on his own, and in later years NY could’ve found him (I like to think he is a human knight, merely because instead of his bat he can have a sword) and took him in 😌 (and they were roommates)

Another idea I’ve got is for Texas! I would like to think he is a mostly human gunslinger who is legally blind (not totally blind, tho still very blind) but sees thru heat & taste, much like a snake does. Maybe he collects bounties, I haven’t really thought much for his lore yet 🤔 but he is one of the best gunslingers out there despite his disability!

Cali is also one I’ve thought up, I think he could be a dragon rider. A funny idea is that he has a scam where he and his dragon makes this whole act where he pretends to be a princess damsel in distress, being held captive by the big bag dragon and people who come and try to “save” him but it just ends up with Cali robbing them 😒 (love me a big flawed character)

As for Alaska, he’s as stated, a Druid of the circle of stars! He comes from an unknown island (just imagine irl state of Alaska except disconnected to any continent tbh) that’s gatekeeped gaslighted girlbossed because they don’t want no colonizers or anything ofc. But Alaska grew up hearing all about the other outside lands and he wanted to go see it! So one day he ventured into the continents (the one that contains all the other states except for Hawaii) and yaddy yadda; and Alaska is actually very curious and friendly in this au because he doesn’t have the trauma of outsiders 😌 he has a pet(s?) dog with three heads (ofc, Balto Togo and Fido) to accompany him! I haven’t designed his starry forms yet btw. And also he doesn’t really know how his Druid magic works somehow 🧎 it’s mostly innate and learned behaviors and habits and traditions. It just comes naturally to him! This is the biggest difference between him and Mass with magic, think of Alaska’s Druid magic as traditional and natural, meanwhile Mass’s sorcery as artificial and learned and studied magic. So it’s hard to say who between the two is better at magic

Maine is a half-human-half-beast, he faces discrimination because of it and there aren’t much others like him in at home land. He mostly doesn’t care but the occasional person really gets to him. Not really sure why he is half beast yet tho I don’t have the lore for that. Mass keeps trying to pester Maine about learning magic, as Mass is one of the best magic users in his region (and he’s quite boastful/egotistical because of it) so he believes Maine might be really good too, and Mass wants him to be able to know it when in times of need, but Maine doesn’t really listen 🙄 though he is nimble and quite good at sneaking!

My last minor ideas is that Ginny is a great swordsman (race undecided), Mass is probably a human sorcerer, Nevada is a fae folk, Ny is a human knight, and Hawaii 🤔 some sorta sea/ocean critter maybe? Dunno yet. Anyways I hope these ideas are cool and that you guys like them! I also want to mention I probably wont post daily still, I wanna do what’s comfortable for me.

[where-does-the-heart-lie]

Can we have a deeper analysis in Sabo's shape language study please? It's amazing how you make him give different vibes with just his hair and I like to understand how does that work.

Oh. I'm SO glad you asked.

(The Post In Question)

Okay so this isnt the first post ive made about shape language,

Here are the others:

ASL Shapes Strawhats Shapes

i'm just gonna copy and paste the definition i have for shape language from those posts here so i dont have to write it all again.

Shape language is defined as “a concept used in art and animation to communicate meaning based on shapes we are familiar with” (source). This concept uses circles, triangles, and squares to convey an idea of the “personality” of the design without using any words.

In designs, using circles and rounded edges in your silhouette and detailing gives the design a soft and squishy look. They tend to be harmless, approachable, or changeable.

Designs using squares gives the design a solid, sturdy, and strong look. They are supportive, reliable, and inflexible

Lastly, triangle designs are sharp and directional. They are dynamic, dangerous, and unpredictable.

That's base level but here's more in depth description of each design for ya:

this one is up first!

You may notice how in this design, his hair isnt in large clumps like the others are. His hair falls delicately and waves gently with little to no hard angles.

In this design, i was trying to convey the idea of "he wasnt born to fight, but he's molded himself into someone who will." I tried to depict that by making his hair all light and feathery, his facial features soft and rounded, but also showing how he's modified his body in a pointy and aggressive way.

I didn't want to only go hard edges with the piercings though because much like he's strayed from his mold of being delicate, he's also strayed from his mold of being a cruel noble. so some of his piercings are rings, AKA: Circles.

You may also notice the different in how I've drawn the collars of these guys. the collar of this Babo's black coat falls softly, and its' arc is rounded. The shoulders don't have any padding and it rounds at the corner.

This Man Is Round.

Next up is this Freak

This is supposed to be Triangle Him.

His hair is in larger, hard angled clumps. Indicating that he probably cut his hair himself. He did... greattt. I already headcannon him as someone who cuts his own hair, but i dont think this one ever gets any better at it.

The hard angles on his teeth, his scar, his jaw, his collar, that line i forgot to erase on the left, and his coat all give indication that this guy is Dangerous and you probably shouldnt mess with him.

I didn't have any real deeper meaning to this version, I just wanted to make him look as opposing as I could. this guy is "what you see is pretty much what you get."

Even though he doesn't have a lot of deeper meaning, I think this one is my favorite of the designs. I really love these colors on him and his hair was really fun to draw. I think I wanna draw him again at some point. I think this version of him would be very funny paired with Koala. I'm chuckling thinking about it:

Koala and her Armed and On Fire kindergartener

And lastly this guy

Sabo's base design is very rectangle coded. From his Hat, to his face shape, to his coat. So this version was very easy to make as I didn't actually need to change that much!

I think maybe I could've made his design a little more complex? But also I think there is a beauty in simplicity for this one. He looks straightforward, reliable, and kind. He seems like the kind of guy who gets his hands dirty, not because he likes doing it, but because he does what he must for the greater good.

I really love his hazel eyes, too. I think it brings a nice warmth to his design that is really nice.

Additional comments:

I love talking about this stuff. I love designing. I love art. I love drawing so much it's so fun

Everytime I get to sit down and make some funky doodles my brain feels like 🧠🤸🧘🧜🧚🙋‍♀️🙋‍♀️🧚💃💃💃💃💃💃

If you got this far thanks for reading :)

I usually have a description for my designs and my choices and stuff and I forgot to do one for this post, it makes me happy to see that it was missed :)

[the-cat-and-the-birdie]

NERD!MIGUEL IS SO REAL I LUV HIM <3333

NERD!MIGUEL IS THERE I KNOW IT

Like...You saw what he said to Gwen when she called it a watch (which IT IS).

[omg she's so tiny small next to him]

He's a NERD. He thinks this stuff is COOL. He's WAITING FOR SOMEONE TO ASK.

Like I imagine he's used to it by now - people's eyes glazing over when he begins to explain something technical or program-y, like Lyla's algorithms or the Multiverse Anti-Glitch feature of the watches.

He's put SO much work into all of this, the whole facility and the tech.

He made Lyla himself, but he knows that most people aren't really interested in that. So he's learned to simplify things.

If you ask a question, like how he made Lyla - he'll answer it basic and to the point.

_-_ 'She's an AI. She's my assistant and the notification system within your watch.'

He probably won't even look up from his work, thinking it's just the routine questions everyone asks before moving on to the next thing.

BUT IF YOU ASK FURTHER - Miguel's like

Because it's not often someone actually like...does that.

It's probably very rare that someone shows interest in his technological, engineering, or physics studies - all of which he's INCREDIBLY talented at and actively working on

You ask him how long it took him to make her, he says a year or two.

You tell him how impressive that is and BOOM NERD!Miguel.

He's telling you how her voice detection took the longest, and how her multiverse-monitoring probability algorithm was something he had to tweak twenty thousand times.

You compliment him about the design of the watch, he's like

_-_ 'I still have the protypes.' And he's ready to show you different ones, different shapes and materials he considered using, but eventually ruled out through experiments and tests

AND DON'T GET HIM STARTED ON THEORIES OH GODDDD

You mention the words 'String Theory' or 'Time Dilation' around him and you will NEVER hear the end of it.

He has so many opinions on it he's never had the chance to share.

Ideas and theories about things like fourth dimensions, worm holes, black holes, and dozens of other theoretical scientific concepts.

I mean, he MADE time travel. He is an EXPERT in that stuff.

I would KILL to have a Time Travel Movie Marathon with Miguel.

Sitting on the couch and watching things like Back to the Future, and he describes what they got right, what would be impossible, how it could work in theory.

He probably talks through the whole movie, and picks each one apart. You watch Doctor Who and he WILL NOT SHUT UP.

He's probably AMAZIINNGG at math.

Like math IS science. It's the answer for science. So he's probably a natural master.

You can be like 'Miguel, What's 34% of 12,967?' - Without blinking he'd be like

_-_'...I'm guessing 4408, or something? I don't know, am I right? Ask Lyla, don't ask me.'

But you don't need to ask Lyla cause HE'S RIGHT

HISTORY TOO!

I mean... the man time-travels. I think he'd have at least a good grasp on history, and time periods. Thinks like ancient roman historians and how their thoughts effect modern science, and how certain events effected the flow of time throughout history.

I imagine he finds it so fascinating, seeing the vast differences that can span in universes, just from one small change. Maybe he even finds comfort in it, seeing how histories and stories have a natural flow in a way fiction can only hope to imitate.

I love me some Nerd!Miguel.

I wanna get in bed with Miguel and by that I mean I want to sit next to him as he sits in bed reading a book on the Theory of Relativity with reading spectacles and a mug of sleepytime tea okay

A Miguel who runs up to his partner like 'Read this,' and he's all proud as he hands you a notepad full of numbers. But to him it's a formula he's been working WEEKS on, one that'll make Lyla run smoother, and everything much easier and he wants you to think he's cool for it

A Miguel who spends date nights watching NatGeo documentaries for fun

NERDY NERD MIGUEL DORKY MILD NERDY MIGUEL

[vanillabeenflower]

My Reimaginings for the HB/HH Rings + Hellborns

My ideas for a redesign of the setting and its inhabitants to have it make a little more sense! I'll put all this under the cut so it won't be too long on the dashboard:

Okay! So, I've noticed QUITE a few slight discrepancies between some of the rings. I wanted to share how I would do it, based on some critiques I've seen. This is in no way anything negative, I just want to share how I would do it. With that in mind, know that I tend to be a bit blunt with my criticism but know that it's out of me thinking that it would be the obvious option, personally, and not out of any rudeness.

The Flaws

I want you to know that I in no way know anything about demonology, but I do know a bit about Dante's Divine Comedy and the emotions associated with colors. I'm going to go down the list in the show's order, one by one, and then give my versions at the end.

First is the Pride Ring, where the main cast of both shows reside. Now, I want to point this out: why are ALL of the sinners only confined to this ring? That doesn't even make sense from a biblical retelling perspective. Didn't the entire journey through Inferno show that there were sinners on every level of Hell?

Anyway, first off, I really don't see this as the Pride Ring. I expected this to be the Wrath Ring, which is what I thought until I saw the actual Wrath Ring. There's this thing called "color psychology", which is the study of how colors influence emotions or give clues to the atmosphere of someplace. Historically, purple has always meant royalty and wealth, since it was the most expensive color to dye your clothes in. I think that would be a more fitting color for the Pride Ring. As for the design, It's cool, but doesn't say Pride. It says New York, which I think would be the opposite of Pride.

Next is the Wrath Ring, which looks great. I have no actual criticism of the ring's design itself since it fits really well. I like the volcanic elements and the fiery sunset sky, and the fact that it's where many hell beasts/animals reside makes sense. Also, it is mainly rural and has fire-related weather (flaming tornadoes) which also makes sense. I have no fixes for this. Good work!

The Gluttony Ring is the same way. I appreciate the fact that the sky has hexagonal shapes in it (not shown above) and that it's mainly plant life since the actual Beelzebub is an insect, and most people associate insects with being outside. There are a few things I'd change, like pushing the plant aspects a bit and having the buildings look more like various insect nests, not just beehives, maybe a few dens or plant-inspired buildings (I really like how Zootopia's world is built because it was made with the builders in mind: animals. Since they use organic structures in real life for their homes, they made some buildings have a curvature that fit their "ancestor" instincts, it even extended to their cars at one point. I highly recommend reading The Art of Zootopia to see their creative process with a bit more polished language).

Okay, why did they make the Greed Ring green?? Everyone knows that green is the universal color of Envy, so why is it here? I get that making it green works much better than any other color, and I agree, it does look better, and it's the same color of money, but I have an alternate idea. Make the Greed Ring yellow.

This might not sound like a good choice, but here's my reasoning. I love that the Greed Ring is a polluted, overly industrial cityscape, that fits amazingly. But if you look at real-life smog-filled cities, what color are they?

Yellow. Or at least a dirty, dark yellow-brown. So what I'm saying is that you don't even need to make it a bright yellow, making it a dark yellow-brown would really show how filthy the Greed Ring is. Also yellow is the color of gold so it also makes sense symbolically.

I have my gripes with the Lust Ring. Why is it dark blue?? The color symbolism was right there, pink and red are the most associated colors with lust!

However, I do like the fact that it's always night in the Lust Ring, it's very symbolic of the "nightlife" aspect of the emotion. I just don't know why they chose a normal sky color over something else.

I am a sucker for good color combinations, but I don't really think making the night sky dark blue made sense. It doesn't even have to be a drastic change, just shift the night sky's color to the warmer side a bit. If the ring does have a day and night cycle, and I'm just stupid, make the day go from hot pink to light pink from top to bottom, then have the night sky go from red/magenta to hot pink, with white stars (or just make the sky a lighter version of those two options). It would look mega pretty!!

The Envy Ring is one we haven't seen yet, but I wonder what we'll get since we already used up our green card with the Greed Ring. Someone I was talking about this with said that since the Envy Ring is ruled over by Leviathan, the ring will be ocean-themed and blue, like the ocean. I like that idea since sea blue is, in fact, a real color (and I also think that those 2 twins from the Mammon episode are from there, because of the way they acted and since they are fish-themed), and the theme fits. But the problem is. Sea green is a real color too.

Wait, this was the Sloth Ring?? I assumed this was part of the Lust Ring because of the colors, and because I was holding onto some hope of the color psychology making sense!

But. I LOVE this ring. The more pastel color of the ring actually relaxed my eyes a bit, which I think was the intention. I love the floating islands and the waterfalls, it all gives off a very relaxing atmosphere. My only design change would be to change the sky to a color like baby blue since blue as a color is actually scientifically proven to reduce feelings of stress and anger.

My Rendition

Now that we have all that out of the way, here's my version of how I would've done things.

I would match the colors of the rings to their corresponding color. I would arrange them in the way that they are in the show, but we'd risk that cool rainbow gem order up top. But if we want to arrange them in rainbow order, they'd be inaccurate to the order of the rings in Inferno (I think??), so you can choose which order you'd like, I'm just doing this for myself. Also I realize that they aren't really based on the nine levels of Hell, but the 7 Deadly Sins, which is fine by me, I find that making more sense.

Red = Wrath (an obvious choice, since red signifies strength, danger, and actually stimulates energy in real life)

Orange = Gluttony (it just makes more sense than yellow, plus if we're assuming the bee motif, it's the actual color of refined honey)

Yellow = Greed (color of gold and matches the smoggy city it's depicted as)

Green = Envy (another obvious choice, plus since Leviathan rules over this ring, it would match the ocean aesthetic as sea green)

Baby Blue = Sloth (soft blues actually cause a relaxed response in the brain)

Purple = Pride (color of royalty, also associated with arrogance and wealth)

Pink/Hot Pink = Lust (OBVIOUS CHOICE)

The Hellborns

Now my headcanons on what the overall citizens of each ring would be. I actually have an idea for slight species dimorphism for all the imps in each ring but I'll have to design that another day. I want my rainbow imps dammit

The Wrath Ring would have the highest imp concentration, with any other demon species being the lowest here. Imps who are born here are red in color, about the same shades of red that we see in all imps in-show.

The inhabitants of the Gluttony Ring should be bug/insect demons since the ruler of the ring is literally an insect. Imps born here are shades of orange.

The Greed Ring would have those shark demons seen in Exes & Oohs, but someone I was chatting with said it would make more sense for all the aquatic demons to be in the Envy Ring, so I don't know. Imps here are born in shades of yellow.

The Envy Ring would have mainly fish/aquatic-themed demons. Imps born here are shades of green.

The Sloth Ring should make the demons there have more themes of ungulates or ruminant animals like goats, sheep, and pigs because Baphomet is not a demon species. Imps born here are shades of blue.

The Pride Ring is where demon royalty mainly resides. Imps are rarely born here and if they are, they're usually born into servitude. Imps born in this ring are purple.

The Lust Ring is where incubi and succubi live (like Verosika). Imps born here are shades of pink.

For Hellhounds, I think they should be found in all rings rather than mainly in the Gluttony Ring. Even though the reason that's where they are is because Cerberus apparently guards this ring is very clever, it doesn't make that much sense. I also think they should all be grayscale and have their eyes correspond to the color of which ring they were born in (I love achromatic color schemes with one bright color to add color to it).

Anyway, those are my thoughts! I hope you enjoyed this interpretation of mine!

[urlknight]

Hi there, Love your work! I'm also doing stuff in Unreal and it feels like it's rarer to find other indie devs using it. I love how clean all your UI feels, and UI is something I seem to really struggle with.

Do you have any recommendations for workflows / tips / sources etc for getting better at UI?

Also I'd love to know more about the material / shader workflow for your latest post if you have more information anywhere.

Thanks :)

Hello there! Thank you!! I hope you don't mind me answering publicly as I feel like some people might be interested in the answer!

I really appreciate your UI (User Interface for those not knowing the acronym) compliment as it's something I've spent a long time working on and specializing in, in my career as a software engineer. UI/UX often goes completely unacknowledged or taken for granted even though it takes a lot of time and hard work to create and develop. In the engineering world I frequently had to advocate for and explain user experiences to those who didn't have as deep of an appreciation for UI or a very sophisticated understanding of why a good, visually appealing user experience makes, or on the flip side, can break everything. I think it's a very challenging, overwhelming topic to grasp and communicate, but just by being interested in it you're already way ahead!

There's a lot going on with UI. From visuals to knowing common design elements to successfully conveying a story to the user to implementation to testing to designing for accessibility to animation and I probably didn't cover everything with that run-on sentence. There's frontend engineers out there whose role is solely to maintain and improve UI component libraries for companies. And that's without throwing games, whose UIs are all uniquely visually tailored to their experiences, into the mix... I could keep going on about this honestly, but I'll get to what I think you can do personally! 1. Learn about common design patterns. What's a toast? What's pagination? What's a card? Little things like that. These apply to all software UI/UX, including video games- and knowing these off the top of your head will make it so much easier for you to invent your own UI designs and patterns.

2. Study the UI in the everyday applications you interact with. Step through menus and think about how you got from point A to point B. Take a moment to think about the why someone put a button where they did. Study the UI in your favorite video games, too! Take a lot of notes on what you think works really well and what you think doesn't. And also there's online resources that are great for inspiration. I personally spend a lot of time on the Game UI Database. - https://dribbble.com/ - https://www.gameuidatabase.com/ 3. Don't be afraid to start with basic sketches or even just simply representing everything with grey boxes. All my UI starts out as really crappy sketches on paper, or tablet sketches on top of screenshots. Visualize your ideas and then keep iterating on them until you've got something. For example, I went from this:

To this. (And come to think of it I might actually still want to make those cooler looking buttons in my sketch) 4. Break everything out into pieces and individual components. A good UI is made up of building blocks that you can reuse all over the place. That's how it stays consistent and also saves you a lot of stress when you need to go in and update components. Instead of a million different looking UI pieces, you just have to update the one! These individual components will make up your very own UI Component Library, which will be the standardized design system and source of reusable components for your project. This also applies to your visual elements that don't do anything (like I personally have a whole mini library of diamond and star shapes that I reuse everywhere).

For reference, here's a breakdown I made of my Inventory UI. On the right, I've labeled most of the individual components, and you might be able to see how I'm reusing them over and over again in multiple places.

5. Spend some time listening to designers talk, maybe befriend some designers! Many of them have an unique, interesting view of the world and how we interact with it even beyond just software. Their perspectives will inform yours.

6. Test your UI on users whenever you can. Get feedback from others. This is the best way for you to see what works and what doesn't. As game devs we spend so much time with our games it's easy for us to lose sight of the full picture.

7. Be patient and don't give up. Continue to be open to expanding your knowledge. These UI skills take time to develop. I personally am still learning even after like 10 years of doing it. Coming up with the visual elements is very challenging for me and I spend a lot of time rearranging things in photoshop before I actually start coding anything at all in Unreal.

Whew, that was a lot, but I hope that gives you some thoughts and a place to start!

I don't have any posts out there about Blender/Unreal shader workflows right now, but I'll consider making another post sometime soonish. I appreciate you asking and you're welcome! :)

[a-clown-with-wings]

can I have an outline of how you draw bodies for reference please ^^ if u can and want too

I’m not good with tutorials because I’ve never been asked, but I’ll try my best tee hee

Also forgive the crusty art, it’s 2 am and I’m drawing mermaids.

Now, personally, I have a very different style that’s mainly culminated of many other styles that I have studied from other artists that I like, so this might not work for you or any other person that sees this, but I think trying in general is a big step in the right direction!

1. BLOCKING!!

Funny enough, I just started this step very recently, so if anything, it’s just an extra step to make sure everything is right. It’s actually helped me quite a lot since I have problems with anatomy and posing, so I really recommend it as a first step.

Think of it as a really messy sketch. In this step, you can do literally anything without being upset for getting frustrated because it doesn’t look right. It’s just a silhouette of an idea that you will expand on in the next step. I also recommend this for character design since silhouette is a BIG part of it and can make or break a line of characters. The last thing you want is for everyone character to look like a recolor of each other. ^^’

2. SHAPES!

I cannot stress enough how important shape language is for literally every single thing. Everything is made of shapes. People, animals, buildings, food. It all can be broken down into squares and circles. This is a part of anatomy that takes a little study, but once you get it, you get it.

For me, it’s changed a lot, but to put it simply: trapezoid and triangles. That’s all you really need for torsos really.

Now, for people of different body types, that’s a whole different story. Of course pear shaped people are not going to be built the same as people that are under rectangle or apple. That’s for another day, though. Slow and steady winds the race. If you take in too much, you’ll stress yourself out.

3. DETAILS!

Warning! If this part stresses you out the most, you are not alone.

I am better at drawing women and femmes because that was what my first Ocs were, so I’m still learning maize anatomy, but whatever. Nothing to worry about now.

This is completely reliant on what the person looks like. People have different bodies so not everyone is going to have a perfect hourglass figure. That being said, simply making the body wider or taller is not enough!! People have fat, it’s just one of the many things we are made of. Some people have more, some have less.

Think of it like a blanket almost. If you were to put a bed sheet over a chair, you would be able to see almost everything regarding the shape of it. If it was made of something thicker, like chunky crochet yarn, it would be harder to see the shape of the chair underneath. That’s putting it very simply. Things like muscle and stuff would be like throwing clothes onto the chair before putting the blanket on. Not a nursing major or anything, so take this with a grain of salt. I’m a stupid little guy.

It would take me forever to explain all of this, so I suggest looking into it on your own time in order to get a more in depth understanding of bodies and stuff like that. :)

EXTRAS!

If you haven’t noticed already p, which I completely understand, I am not that good at robots. I joined fnaf when Security Breach came out cus I like Suna nd Moon and I started this account with the intent of gaining an audience for my other Ocs. You goobers reeled me in and now I’m stuck here.

Anyway, when it comes to metal people, I draw them slightly different. They don’t have organs or anything, and are video game characters, so they don’t need a space for them. And nothing is better than saving space :)

I also make their bust a literal circle because I come on this app each day and see someone else draw them better and I start to sob uncontrollably. /j

This is completely up to you since people draw them all kinds of silly ways and I see no problem with that.

I don’t know how to end this but I hope this helped in some way :)

[retroautomaton]

howdy! I'm also a robot enthusiast and I'm trying to get better at designing robot characters. I absolutely adore all of your robot designs, especially the sweet salt cosmonauts! do you have any advice for designing robots?

Ohh thank you~!! ✨✨

The biggest advice I can give is to study the functionality! That’s the most interesting part of robots to me, and influences all my designs. You definitely don’t have to understand the mechanics completely, but getting an idea of the basics, and knowing what the function and purpose of the robot is, and what parts help to carry out that function, is always a good starting place!

Here’s an example of how I was mostly focused on the saw mechanics of the shoulder, because that’s what was important to the story, and made the rest mostly aesthetic driven.

Whereas with Thylo, I had an idea of how I wanted his legs to look, and built the mechanics around that, to serve the aesthetic, but it also plays into his motion, and how he stands, and his balance.

For Snap, both her new and older designs are more personality driven, and wanted to keep her more ‘human’ elements more round and approachable, and her mechanical parts sharper, to sell that they’re weaponry, and that she’s both kind and a fighter. But even her sharp aspects are never perfectly straight, keeping it fun and light-hearted.

Her’s is also a transforming design, and every little piece serves that function, especially the head area, and I consider how the panels will fall or open, or attach. Again, it doesn’t have to be mechanically accurate, but if you’ve got a solid idea of how the physics work for the character, it really sells the design!

Even for less humanish designs, you can give a clear idea of the robot’s function through decals, or how it affects the environment/other characters.

Here’s a little example: let’s say I wanna make a robot whose purpose is to lift boxes on top-shelves, and bring them down to a pallet. It would need a way to see the box, a way to reach it, and to push it onto the pallet.

So, I’ll play with the idea of his functionality first. I could go with some sort of scissor lift, or hydraulic system, but I settle on mostly a telescoping mechanism, and build a little warehouse, or dock worker aesthetic around him.

In short, I’d say just study mechanism that interest you, play with their shapes, their motion, figure out the purpose or character of your robot, and how they function, and what ways you can best convey that through their design! Hope this helps! ✨

[sillygoblinantics]

Woah mama,,,,, /pos i love this guy a lot i need more gothitelle in my life

Thank you! This is Romare he’s a country Gothitelle

(Sorry this post got long cause I started gobbo spergin about science in fantasy and a topic that if not for frog dissection day in middle school, would be studying biology or being a veterinarian XD so I’ll leave a lil thing to make this shorter lol)

I’ve been playing around with how I’d apply the same type of sexual dimorphism seen in birds and insects (or the general animal kingdom) with Pokémon!

Since I’ve done it before with the ralts line I thought playing with the concept for a majority of the human shaped pokemon would be fun!

And there’s a lot of human shaped ones for psychic pokemon so to make them more alien I’ve been mixing today bird and moth type shtuff and spicing it up with ideas for hybridization traits from other pokemon species which are present in Romare here!

With hybrid designs I keep to mind the in-game/in universe rules to Pokémon genetics: baby is the same as the mom with little to no traits from dad if the dad isn’t a different species but same egg group of Pokémon.

Romare’s mama was of course a Gothitelle but also a cross between Gothitelle and Grimsnarl. As bizarre as it may seem, but given the properties I headcannon for the reason the Pokémon who have “clothes” have them being made from what I can only describe as similar to moth scales, gossamer and cobweb but it’s a Pokémon specific variant of keratin (think nails and hair).

While the ralts line favor brighter vibrant colors and abundant chest plumage (the bleeding heart); the Gothita line favor males with (I forgot my own notes ohnu) either the longest/most or the shortest/least “skirt” tiers.

Also I just realized I might’ve pulled this one tumblr original gem of a meme out when I was coming up with designs for Romare so uh, thank you 1984 goth anime legs uncle XD

I really need to get some shtuff out for the added “Bonnie’s day out!!”worldbuilding/lore and the general “pokémadhouse” flesh-out/rewriting!

I’ll have to add sketches of the species notes later! I got two animations to work on and some Bonnie pages to get done XD

Glad yall like this guy tho

[stardancerluv]

A Time to Love and to Fight

Part 30

Summary: Interesting moments for Enjolras and his girl…

Notes/Warnings: No warnings…except some angst but lots of fluff!!!

⭐️Wow…part 30!! Omg!!! ⭐️ We have come so long with Enjolras….not over yet!

❤️s, reblogs, comments & feedback is always welcome!

You giggled at your reflection, you eyed it up and down. You were going to be a mommy. Reaching, you grabbed one of the fresh tarts. You could eat them forever.

“Do you like these too?” You laid a hand on your stomach. “Let us take the air.”

Going to your table beside the bed you grabbed a book. Then holding your dress you went out to where the doors led to the garden.

It still needed a lot of work. And honestly the idea of paying someone to design and then up keep it was rather excessive. This was your first season, perhaps next year.

You smiled seeing that Angela had made your bench, your little nook more comfy for you and the baby. The pillows and blankets were a welcome sight.

*******

Your heard the ground crunching and looked up from your book. You smiled.

“Yes, Angela?”

The house keeper smiled. “Sir Julien is still in town, however a letter and a package arrived for him.”

“Oh! How nice he will be happy to receive mail.”

“Yes? Shall I put them in his study then?”

You nodded. “Yes.”

********

Enjolras, walked through the market. Memories danced in his head, as he reminded walking through that one market with you. You had been as fresh and as lovely as the white blossoms that swept through the garden.

“Oh!” He replied and grimaced as yet another person bumped into him. It made him remember, he bit his cheek. He had Gavroche walk you home. His broken, bloodied body took shape and then faded fast.

It made his anxiousness of you wanting to go to the market with him tug harder onto him. People had already stepped on his feet and even bumped harder into him contacting with the table. That could hurt the baby and you. He would not let that happen.

As he shifted the satchel that slung on shoulder from one to the other. It was already filled with some rather nice vegetables and fruits. His nose twitched as he grew closer to where the the meats salted and other wise were on display for the choosing.

*******

He brought the satchel and the meats directly to the kitchen. Those that tended to his house were getting used to him not also helping with some of these tasks.

When he had been a youth, the servants his parents had would serve him and his mother. But now as a grown man, and after doing much on his own he could not go back to the ways of his youth. He compromised and let them cook, bake and help you but moments like this, he insisted upon.

He was just wiping his hands from the meats when Angela came into the kitchen from the root cellar.

“How nice I do enjoy when you bring things that I shall change into something you and the lady shall enjoy.” She smiled.

He nodded. “Tell me where is she?”

The older woman chuckled. “Oh sorry.”

He made a dismissive gesture as she apologized for the informal response to his question. He knew, there was no keeping you in the bedroom or even one of the parlors with the weather as nice as it was.

She smiled. “She is in the gardens, comfortable among the pillows and blankets we brought her. And she has a book for her mind.”

“Good.”

Turning, he made his way to you.

*******

He stopped just shy of where he knew your bench was and peered around a shrub to gaze upon you. His heart lifted and smile graced his lips. The sight, pushed away the gray cloud of the past away.

Your lips were as elegant as artist’s brush stroke. He felt blessed to know how they feel. He longer for another kiss. He would have one now here in the gardens.

His boots made the ground crunch and the tall grass, parted a he closed the distance.

“My love!” You called out sweetly.

His heart warmed as he watched you hold out your arms to him. How you looked up and your eyes twinkled.

Soon, he was beside you and easily he held you close. Sighing, he rested his chin on the top of your head.

“Have you had a good morning?”

“I have.” You gently pulled back. “I enjoyed some tarts and came out to read.”

He rubbed your arm. “I am happy to hear it. I would have woken you before departing but you were such a sweet sight, so soundly asleep and gentle hand on your stomach.”

You drew a little closer, “You could have woken me.”

He tucked a stray strand behind your ear. “Perhaps, next time.”

You took his hand and he drew it to your lips, he smiled lightly as he felt you press a kiss to his palm.

“Oh! I almost forgot some mail did arrive for you. Angela has brought it to your study.”

Inwardly he stilled. “Did you see if it was from mother or Oliver?”

You shook your head. “It is not my place.”

He pressed his lips together. “We’re in this together.”

You shrugged. “Yes, but you deserve some privacy.”

“Thank you.” He looked you over. “Shall we go in and perhaps, have some sandwiches made. I can tell you all about the market and the e butcher.”

“And maybe we can discuss what do with the nursery?”

He chuckled. “Yes, we can do that too.”

*******

Stopping outside, his office he decided he had better see what the mail brought.

“Ange, have you left me any tarts?”

You stopped and giggled. “There are a few that remain.”

He cupped your cheek. “It is nice to discover how my ange, is sweet and how she enjoys sweet treats.”

“You have given me a chance to enjoy them once again.”

“I am glad.” He eyed the doorknob and then looked back at you. “Please, tell Angela then that I would like one with tea.”

You giggled. “I will enjoy one with you before we have our sandwiches.”

“Good. All of these tarts will make our baby just as sweet as their mother.”

His hand drifted from your cheek and it ghosted the side of your stomach.

You smiled brightly. “I hope so. But I want them to be brave and strong like you.”

He gave you a half smile. “We’ll see.”

*******

When he saw how large the package was, he strode back to the door and locked it. A pit of nervousness blossomed and began to grow.

He opened the envelop first. He swallowed, seeing his father’s scrawling across the paper.

Son,

Knew it was your heart that would bring you back to us. Grateful, you got that from your mother.

A solider, came by looking for you. Apparently, you have an edge. It has balanced your heart.

He is looking for you. He is on a ship. Headed for the new word. Anger has consumed him. His ship docks in London. He found us. I believe he will find you.

I sent my dueling sabers. You were always good behind a sword, if he finds you choose your battle. Ask for a duel.

In conclusion, be firm and a few tears never hurt you. Your mother approves of your wife so for once I will blindly approve of her as well. Keep her in your heart and keep your head clear, if that man finds you and accepts the duel.

Your mother sends her love.

Father

He chewed on his thumb. Enjolras, never ever fretted. He always knew the right course of action. He was always victorious. He always could look ahead and see the possible outcomes. All of which usually would be end his favor.

He was certain that sometimes he heard the whistle of Death’s scythe as it sliced through the air barely missing him. Or he’d feel as Death’s boney fingers graze his sleeve as he would attempt to yank him from this world.

Pulling back the heavy velvet material, two swords were nestled there. As he looked at the polished metal before him; he couldn’t see the future. It blurred, became hazy. He had to keep his eyes open. Could he write adequate letters. Could he make peace with you, and his unborn child that still grew in your belly. He did not know.

@henry-cavs-tudor @corrodedcoffn @dealswiththedevilsblog @randomstory56 @pl1nfa1 @phantomxoxo @ladybug0095 @the-iridescent-phoenix @maryan028 @kindablackenedsuperhero @amethyst-serenade @moondev1l @samunson83 @julieteagk @little-wormwood @wafflepixie @shadyhamiltonfanatic @gretavankleep37 @peacefroggg23 @capailluiscedove @poisonedeuphoria

[fantasy-anatomy-analyst]

Do you have any advice on how to go about designing monsters and animals and the like? I like the idea of creating those kinds of things but I always blank on how to go about it, like I know little facts like Allen's Rule but I don't know how to find out about something like that intentionally or even think of it for my thing. (me when I have no idea how to explain that I have no idea how to research smth lol)

first I've heard of Allen's Rule, so that probably says a lot about the fact that I'm mostly self taught lol.

here's the wikipedia page about it for anyone else who didn't know.

to sum up, it is a rule stating that animals in cold climates tend to have shorter/thicker appendages while animals in hot climates tend to have longer/thinner ones. Arctic hare vs desert hare, as an example.

the first thing to do when you want to design anything is to do a lot of studies. just in general. look up images of any animal or insect and draw sketches studying how they're built. do it for people too! you'll always be better at making new designs if you have a basic understanding of how real things are shaped and how they function.

study from videos by sketching fast gesture poses as you watch the creatures in motion! I have also done this while attending sports and dance performances. studying bodies in motion by watching olympic athletes or videos of people trying and failing to do a sport. just study the heck out of everything you can! it's as simple as putting down some lines and shapes to show the main body forms. heavier detail studies are also useful! tracing images in order to study the details is not wrong. I do it all the time, as you can see in a lot of the advice posts I make! I frequently provide traced images of the creature references I've found in order to show my process of breaking down the simplified body shapes.

my actual sketch process often looks like this:

(image description: multiple layers of very loose scribbly sketches in different colors. visible notes on two layers of sketches read "aerial silks dance" and "flying birds". the clearest and topmost layer of sketch is a humanoid figure with wings, performing a dance.

as you might be able to see if you can even begin to parse the mess that is all my study sketching, the final pose sketch I made here for my bird dude Morianon doing a little dance does not even match the poses I sketched from reference videos! This is because gesture sketch studies like these are more based on vibes than accuracy! They're a good way to warm up and practice making really fast gestural doodles that just show the form and motion more than anything well proportioned. It also frees you of the pressure to draw anything perfect! this is messy on purpose! you gotta be messy, it's how learning works.

and then once you're more confident with speed studies, you can get more specific with detail studies. all of this is essential if you want to be able to design creatures. it's all about artistic confidence and developing the skills to notice details. and then you get better at applying those details.

I have two posts on how to study and use references! one over here focused on humans. and another one here about non humans.

this is getting longer than I expected lol. I have other posts on my to-do list that will also be helpful to you I think, and you can explore the links on my pinned post to find more advice on a lot of topics! I might have to make a post on the more general topic of "how do I even get started on designing a creature?" because it is kind of the whole premise of this blog, huh? I have a lot of advice for people who already have a solid idea and just need some advice to overcome a few obstacles along the way, but I don't think I've made a proper advice post for what to do when you don't even have a starting idea.

the tldr version of creature creation is this:

pick a niche (mountain people, flying predator, burrowing creature)

study real life creatures in similar niches

start throwing ideas at your page until something sticks and then take the things that stick and build on them until it feels good

refine your design