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scribes-of-valar · 4 days ago

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𝘉𝘰𝘺'𝘴 𝘢 𝘓𝘪𝘢𝘳

▶︎ •၊၊||၊|။||||| ᴄʟᴀʀᴋ ᴋᴇɴᴛ x fem! reader

「 ✦ A/N ✦ 」 I don't know what has creeped into my brain, but I've started rewatching the show and I literally wrote this in a day.

✬ summary ✬ Finally taking the plunge and ruining your friendship with Clark, you go on your first date but the next day he's acting like a whole new man. Not a good one. You don't know if your relationship can recover from his cruel behavior, but he's not going to give up so easily.

For the nth time, you stand before your mirror and find yourself dissatisfied. No outfit is right, each one is too little, too much, too slutty, not slutty enough. You haven’t even started on shoes yet, you would be in the grave before you were ready for this date. Throwing yourself down on your desk chair, you start tugging the stockings down your legs.

You’re not sure why you thought tights would work during the peak of a Kansas summer, but you’re clearly not thinking much at all today. Head propped in your hand, you slump against the edge of your desk, fingers running idly over the scattered makeup on the surface. Even that hasn't gone right, your normal safeties failing you when you need them most.

Maybe this was all a sign from the universe. You and Clark have been friends since you could walk, what if this stupid date was going to ruin everything between you?

Sighing, you reach for the only framed picture in your room. It’s silly, something Martha took when you were both too busy playing to see her. You and Clark, freshly five, sit around your old purple play table, the both of you covered in glitter and rocking some of the biggest tutus you’ve ever seen. You’re yelling at him in the picture, probably telling him to put his pinky up when he drinks his tea, and he’s just grinning at you.

It’s funny how that smile never changed. Something warm unfurls and blooms in your chest the longer you look at the picture. It’s Clark, he doesn’t care what you wear or if you’ve put on makeup or not. You both loved each other long before that was ever a problem, and it’s not going to start being one now.

Sucking in a deep breath you put on the first outfit you’d picked out, a simple white sundress. You rarely get to wear it, anyway. Might as well test it out now. You check the mirror one last time just as someone knocks on your bedroom door.

Clark calls out your name on the other side, sounding hesitant. “Sorry, um,” he chuckles and you can picture the way he must be nervously rubbing the back of his neck. “I got here a little early.”

You dart away from the mirror, kicking all the clothes under your bed. You slide the makeup into your desk drawer to be dealt with later. For now, you just need to make sure that he doesn’t see what a hot mess your room is.

Sucking in a deep breath, you tug the hem of your dress down and shake off your worries. This is Clark. Your Clarkie, the boy you’ve tormented since you were a toddler. There’s nothing to worry about.

“You’re always early, Clark,” you tell him with a soft smile as you open the door.

His eyes widen slightly as he looks down at you. You did purposefully pick a dress that would emphasize certain aspects of yours. The pink flush on his cheeks is entirely worth it. Your eyes are drawn to the bunch of flowers in his hand and you grin. “Are those for me?” You gush, opening your door wider for him to step inside.

“Yeah,” he holds them out to you, blue eyes stuck on yours. “I thought you might like them.” You bring them closer to your face, taking in the faint scent of the roses.

“I love them, thank you,” you find yourself unable to stop smiling as you drop the roses in a glass of water by your bed. After building up your hopes and anxieties for a week because of this date, you're struggling to calm yourself down.

Turning, you find him already looking at you with a soft smile that calms your racing heart just a bit. “I’ve been looking forward to this for a while,” he tells you, taking a step closer to you. His hands find your own, pulling you into him. “Not just the date,” he amends, smile stretching wider. “Asking you out. I think our friends were getting sick of listening to me talk about you all the time.”

You laugh, “I think they were getting sick of both of us. I feel so oblivious that it took me so long to realize you felt the same way.”

He huffs, though his tone remains good-natured, “How do you think I feel?”

“Well,” you lace your fingers with his and step closer, “we’re doing it now, that’s what matters.” He ducks down and you feel your breath stutter, but he only leaves a brief kiss on your cheek, pulling back with a sheepish expression. A gentleman through and through.

You’d never thought that knowing Clark for as well and as long as you have could be a bad thing. But now, sitting in The Talon and awkwardly dipping your fries in ketchup just to have something to do, you’re starting to realize it is. Being with each other nearly every day leaves you wanting for conversation. You both are already so caught up on what’s going on in each other’s lives that you’re struggling not to just bring up the weather.

Clark groans and you startle, the noise breaking through the thick silence between you. He leans back in the booth, head resting on the edge and you find your eyes drawn to the strong muscles of his neck, the way his Adam’s apple bobs as he swallows.

Clearing your throat you glance away from him and push your plate away. “I didn’t want it to be like this,” Clark mutters, more to himself than you, but you hear him anyway.

“It’s, well,” you pause, struggling for the words. Letting out a self-deprecating laugh, you shake your head. “I just don’t know what to do when we’re like this,” he peeks an eye open and you gesture between the two of you.

His lips quirk up and he straightens once more. “I feel like I should be able to talk to you, same as always. But I don't know what to say, I don’t want to risk messing this up.” He trails off, glancing away from you and swallowing roughly. The same dreaded panic you’ve been feeling all week is thick in his voice.

“Clark,” you utter his name lowly, reaching your hand out across the table. He’s slow to meet your eyes. “I feel the same way. We’re being stupid because I know that nothing you could say is going to change how I feel about you.” You narrow your eyes, taking on a teasing tone, “And you better feel the same way,” you scold.

He huffs out a laugh, larger hand enveloping yours entirely and squeezing gently, “You know I do.”

You shrug, “Then we’re just being stupid, again,” you add, rolling your eyes.

His eyes light up with mischief, a smile spreading as he stands from his seat. You jump back slightly, surprised by the sudden movement. “I’ve got an idea, come on,” he holds his hand out and you take it once more.

You let out a surprised laugh as he takes off, dragging you out of the Talon behind him. “Where are we going?”

He pauses for a moment, looking over his shoulder at you. It awes you, just how handsome he is. “It’s a surprise,” he winks and tugs you closer.

“Your surprise is… the school?” You frown, taking Clark’s hand as he helps you down from the truck.

“No,” he defends, shooting you a sarcastic look as he closes the door behind you. “We’re sneaking onto the field, like we used to. Maybe a little jog down memory lane will help,” he gives you a cheesy smile and you feel like you might melt.

The sun hangs low on the horizon, its fading golden hues painting the sky in soft oranges and purples. The light catches in Clark’s hair, casting a warm halo around him. Sometimes he seems so overwhelmingly perfect that you wonder if you’ll ever be enough for him. Even when you were beginning to give up hope, he comes up with something so sweet, so thoughtful, that all you want to do is kiss him.

Swallowing down the urge, you place your hand in his and let him lead you around the side of the school. “You know, we only used to do this to mess with the football players,” you tease. “Hard to do when you’re on the team, Clarkie.”

He huffs out a laugh. “Hey, we can still tear the seams on their jerseys- just not mine.” He throws you a grin, and it sends a rush of warmth through your chest.

The familiar path behind the school is darker now, but your steps fall in sync like muscle memory. The fence around the field looms ahead, a little more daunting than normal. It’s harder to climb in your dress, but Clark gives you a boost. One so strong you nearly fly over.

Landing with a huff, you turn to glare at him as he pulls himself over with ease. “Too much torque in the thrust, Clark,” you grumble, brushing off your hands.

He chuckles, throwing an arm over your shoulders as you both step onto the field. “Come on, we should get down there before the sun’s gone.”

Dew from the grass seeps its way into the thin fabric of your shoes as you walk toward the center of the field. The bleachers stand empty, the goalposts stretch high into the deepening sky, and for the first time tonight, you feel like you can take a breath.

Clark shrugs off his jacket, laying it out on the grass and motioning for you to sit. You hesitate for a moment, but then you look down at the white fabric of your dress and decide you’re okay with sacrificing Clark’s jacket.

Clark lowers himself beside you, leaning back on his palms as he gazes up at the sky. The last streaks of sunlight fade, and one by one, the stars blink to life above you. You’ve always thought the sky above Smallville was different than anywhere else. As if the stars were reaching out to you. Considering your track record with meteors, it doesn’t seem that far off.

For a while, neither of you speak. The quiet is comfortable, not at all like the stilted silence you’d felt in the diner. You’re content just being here with him, under the vast, endless sky.

Clark is the first to break the peace. He shifts beside you, drawing in a slow breath as he disrupts the silence. “I’ve,” he hesitates on the word, “cared about you for a long time,” he admits, voice low and steady. “Longer than I ever told you.”

You glance over at him and find his gaze fixed on the stars. His jaw is tense, like he’s bracing himself for you to tell him this was all one big mistake and you’re better off as friends. A smile pulls at your lips at the ridiculous thought and you reach toward the small space between you both. Placing your hand over his, he finally looks at you.

“I know things are,” he pauses, “a little weird between us right now.” He looks at your hand and flips his palm so he can lace your fingers together. “But I don’t want to lose what we have. If you’re willing to make it work, I am too.”

Your heart stutters, and for a moment all you can do is stare at him. At the boy who’s always been there, the boy who, despite everything, still makes your heart race. Your smile spreads, “Of course I’m willing,” you whisper.

His breath hitches, and then he grins, the same grin that will never fail to make you lightheaded with infatuation.

Clark was meant to be here an hour ago. You’d made plans to go to a screening of some old movies at the theater. Sitting on the steps of your front porch, head propped in your hand, you look out at the farmlands around you. He only lives a few minutes away from you, you can’t fathom why he would be so late.

You’d like to give him the benefit of the doubt, he’s not the type of guy to just leave you hanging. But there’s something humiliating about sitting out here all on your own. The wind has already fussed and ruined the hairstyle you’d so meticulously worked on. You’d already missed half of one of the movies. And the sun is beginning to set.

Part of you is begging to just go inside and give up, but you're more stubborn half won't give in. Clark isn't like this, he wouldn't do something like this without good reason.

A rumble sounds down the highway and your head perks up, crestfallen look replaced with something more hopeful. Getting to your feet, you grimace at the pins and needles tingling down your legs. Walking down the steps and getting a good look at the approaching motorcycle, your stomach plummets.

Not Clark, then, though it’s odd to see someone beside you or the Kent’s driving on this stretch of road. Your hand tightens around the hem of your tank top as the motorcycle begins to slow as it approaches your house. Heart picking up, you take a step back toward the safety of the porch.

Maybe they just need directions or maybe…

Your brain breaks for a moment as the rider pulls into your driveway.

Maybe they’re Clark.

Your jaw drops as he shoots you a smarmy grin, getting off his father’s bike and striding toward you with a swagger you’re unused to. “Hiya, sweetheart." You take a step back from him, brows furrowed.

“Clark,” you spit his name out in shock, eyes darting between him and the bike. Knowing that he’s not dying somewhere in a ditch, your anger at being left waiting surges forth. “You’re an hour late because you were busy stealing your dad’s bike?” You demand, trying to ignore just how good he looks leaning against the post of your porch in that ridiculous leather jacket.

“Sure,” he chuckles and rolls his eyes, brushing past you and heading back to the bike. “That’s why,” he snaps, like you’re slow. He straddles the bike and nods you forward. “You coming or not?”

Sucking in a sharp breath, you glance between him and the front door of your house. Again, giving him the benefit of the doubt, you choose to get on the back of the bike. Maybe this is all just one big act that he’s putting on to surprise you with something at the theater.

He turns the key and you frown, “Helmet?” You ask weakly. He doesn’t respond, just laughs and peels out of your driveway. You squeal, grabbing on tight to his waist and burying your face in his back.

This isn’t an act, and this definitely isn’t Clark. But whoever he is, you just got on the back of his motorcycle like an idiot.

With every turn and rev of the bike, you prepare to feel the pavement beneath your palms. Still, as reckless and nauseating as his driving is, he manages to get you here in one piece. Though, where here is, you’re not sure.

Clark swings off the bike effortlessly, grinning over his shoulder at a group of girls walking into the building behind him. He doesn’t seem to notice, or care, about the way your hands still tremble from the ride. You’d been too busy clutching onto him for dear life to pay any attention to where you were going and you’re starting to regret it.

The building is nothing more than dirtied brick, the faded neon sign above the door advertising beer and live music. The bass thumps from inside, vibrating the gravel beneath your feet. From within, you hear jeering shouts, the telltale sounds of a crowd on the verge of chaos.

“Clark,” despite his odd behavior, you still find yourself stepping toward him and holding tight to his hand. The sheltered life of Smallville hasn’t exactly prepared you for backwoods, seedy bars. “Where are we?” You peer up at him and the glint in his eyes makes your stomach clench with trepidation.

“Oh,” he laughs, tugging you toward the entrance, “you’re gonna like this,” he swears. Despite the way you dig your heels into the dirt, he keeps pulling, giving you no choice but to follow him into the bar.

The air changes as you step inside, it’s worse than you thought it would be. Thick with heat and smoke, it pulses with the heavy bass of a song you don’t recognize. Multicolored lights flash across the writhing bodies on the dance floor. The scent of spilled beer, sweat, and something sticky clings to the air.

Your fingers tighten around Clark’s arm as he moves forward, practically wrapping yourself around him. He weaves through the crowd like he belongs here. If you let go now, you know he wouldn’t stop, he’d just keep going, leaving you all alone in a place you want no part of.

Clark drags you to the edge of the bar and slips a crumpled twenty across the counter. Wordlessly, and without checking for IDs, the bartender slides over two beers. Clark grabs one and to your utter shock, tilts it back, downing one long gulp.

“You gonna stand there watching me,” he challenges, “or are you finally going to let loose and have some fun?”

“No, Clark, I’m not drinking. And neither should you! You’re driving us back,” you snap, eyes darting around the seedy crowd.

Settling the half-empty bottle on the counter, he smirks, “Relax. We’re here to have a good time,” his tone almost sounds like a threat. Have a good time or else…

His gaze flickers toward the dance floor and your heart sinks at the mischief in his expression. “And I know exactly how to help you loosen up.”

Again, he gives you no time to protest or even form an opinion before he grabs you and pulls you toward the center of the dance floor. You feel like a leashed dog, no choice but to obey.

The music shifts into something darker, slower, a sultry beat thrumming through the air. It charges the atmosphere of the dancers and the crowd sways, bodies pressed tightly together as they move with the rhythm.

“Clark,” you glance around at the writhing bodies and swallow thickly. “I don’t-”

“Just one dance,” he cuts you off smoothly, voice low and coaxing. His lips curl up in a gentle smile as his hands find your waist. His grip is tight but not uncomfortable as he helps move your hips into the rhythm of the song. “Trust me.”

You hesitate, but it’s easier than you thought to simply fall into the slow, lazy grind of the dance. Your body moves in sync with his, despite the apprehension tightening through you. There’s something wrong with him, that’s clear enough. This isn’t the Clark you know, this is some bold, almost predatory version of him.

One of his hands drifts up from your waist, dragging the hem of your thin tank top up slightly as his fingers brush against the nape of your neck. A shiver runs down your spine as his grip tightens, tilting your head back. You press your hands against his chest, eyes rounding in confusion.

“Clark,” you whisper his name, breathless from the proximity. “What are you-”

He cuts you off, voice rough and breath warm against your lips, “Finally taking what I want.” His head dips down, lips capturing your own. It’s not the soft, gentle first kiss you’d always imagine you would share with him. This is hard, demanding.

He’s claiming you, marking his territory as he slips his hand lower on your waist. He pulls you flush against him, hips pressing against yours. A heat slowly spreads in you, but it's overshadowed by the overwhelming feeling that this isn’t Clark.

You push against his chest and you know he lets you go, the situation still under his control. He backs off with an irritated look, eyes narrowed down at you.

Your breath comes in quick, uneven gasps as you stare up at him. “What the hell, Clark?”

“What’s your problem?” He snaps, hand flexing around your neck before dropping to his side.

“You,” you hiss, eyes narrowing. “You’re not yourself, Clark.”

His jaw tenses, fists clenching by his side as he takes a step back from you. “Why? Because I’m finally doing what I want?” His voice is sharp, it bites at the fraying edges of your patience. The music around you picks up pace and somebody slams into you from behind.

With a pained gasp, you stumble forward, rubbing the sore spot where their elbow had slammed into your ribs. Clark watches it all with a bored look. Gone is the gentle, considerate boy you’ve known your whole life. This boy before you is reckless and selfish, you don’t want anything to do with him.

His attention flickers past you and you turn to follow his gaze. A pretty blonde sways in the middle of the dance floor, hips moving gracefully as her laughter rings above the music. Without a word or a second glance, he steps around you, striding toward her with the same effortless confidence he just used on you.

Frozen by disbelief and anger, you watch as he slides a hand around her waist, murmuring something in her ear that makes her giggle. The crowd shifts again, blocking your view of the two. It’s for the better as you suck in sharp breaths, trying to keep the tears at bay.

A lump clogs your throat and you rush toward the back of the bar, hoping there might be a bathroom to hide in. You just need a second away from the sweat and noise of the dancers. You stumble through a stained door and slam it closed behind you, wiping desperately at the tears rolling down your cheeks.

After splashing cold water over your face and simply standing in there for a few minutes, you finally feel stable enough to go back outside. You’re just going to ask Clark to take you home and then you hope you never have to see him again.

But when you return to the dance floor, heart still pounding its way up your throat, you can’t find Clark. You can’t even find the blonde. He’s acting like a jackass, but there’s no way he would just leave you.

Right?

You rush outside, your stomach dropping like a stone when you see the parking lot. The motorcycle is gone.

He left you behind.

“Thank you,” your gaze stays trained on your hands, not ready to look at Lex. You feel his stare boring into the side of your head before he turns back to the road.

“You don’t have to thank me. I’m glad you called me instead of trying to get home on your own.” He pauses, hand tightening on the steering wheel as he takes in a deep breath. “But what were you doing in a place like that?”

You slump in the passenger seat, rubbing a tired hand over your face. All you want to do is go home and wash this night away. You’re hesitant to tell him the truth, knowing he might give Clark hell for leaving you there. A part of you is still primed to protect him, but the other part, the one that was just left behind, can’t care.

“Clark,” you tell him and his head whips around so fast you’re surprised you don't hear it snap. “He was acting weird tonight. Took me there and then left with another girl.”

“Are you serious?” He demands, sounding angry on your behalf. Right now, though, you don’t have the energy for anger. “Clark wouldn’t do that.”

You suck in a deep breath and finally look at him, “The one I know wouldn’t,” you offer vaguely, ignoring his confused expression. “Honestly, I just want to get home and never talk to him again.”

Lex chuckles a little, “You don’t mean that.”

“Try me,” you snap, glaring out the window. You’re debating calling Clark’s dad and telling him that Clark took the bike. If not just for petty revenge. Just the thought of it makes you feel tired.

“I’m sure,” Lex starts, already sounding like he doesn’t believe himself, “he had a perfectly reasonable explanation for what he did.” You roll your eyes, giving him a deadpan look. His hand lifts slightly off the wheel in surrender. “There’s no excuse,” he amends.

“No, there’s not.” The car rolls to a stop and you look out the window, surprised to already be at your house. The porch light is off, your parents must already be asleep. “I really can’t thank you enough,” you tell Lex, offering him a weak but grateful smile.

He waves you off, “Forget it, I’m glad I could help. If you ever need anything else…” He trails off, leaving the offer open-ended.

You nod, opening the passenger door and stepping out. You’re just about to close it when something occurs to you. Clark always gives you a ride to school, you’re not going to have a way to get there after tonight.

“Oh,” you groan, pinching the bridge of your nose in irritation.

“What’s wrong?” Lex looks concerned and you offer him an apologetic grimace.

“I actually do need something,” you tell him, sheepish and pleading.

Clark wakes up with a fog clouding his mind, a dull pounding behind his eyes. Vague flashes of memory flicker through the haze. The sound of your upset voice, the thrum of music, and the feeling of your body pressed against his. It makes his cheeks flush with warmth, but none of it connects for him. Everything’s one frustrating blur.

But he can figure that out later, his gaze drifts toward the clock on his nightstand and his eyes widen. He leaps off the bed, nearly tripping as he gets wrapped up in his sheets. He was meant to pick you up ten minutes ago.

Clark throws on the first clothes he finds, raking a hand through his messy hair as he bolts down the stairs. His backpack is nearly left by the door as he rushes out. If he could, he’d run you to school. It would be so much faster, so much easier. But that would require explaining why he could do that, and he doesn’t think you’d appreciate him springing the truth of his abilities on you this early in the morning.

You’re not exactly a morning person.

He speeds down the road, the truck’s tires kicking up dust as he pulls into your driveway. Throwing the truck in park he doesn’t even bother cutting the engine before leaping out. Two steps at a time, he bounds up your front porch and knocks firmly on the door.

His foot taps against the wood of the porch as he checks the watch on his wrist. If you hurry, you might both be able to make it to first period on time. After a minute of silence he knocks again, but he’s greeted with the same silence.

He steps back, brows knitted together, and his gaze flickers toward the front window. He ignores the feeling of being a complete creeper as he peers through the glass. The house looks unnaturally still, none of your usual morning mess as you rush to get ready on time. The lights are off and he can’t hear anything inside.

Your parents are usually gone before you even wake up. He can’t think of anyone else who would give you a ride. Or why you would even have anyone else drive you. A strange unease coils in his stomach and another brief memory flashes through his mind. It’s not much, just a pretty blonde smiling up at him.

Jaw tightening, Clark turns back to his truck, climbing inside and heading straight for school. He’s sure everything’s fine. You probably had Chloe or Lana pick you up. Still, even with him being ten minutes late, he’s not sure how they would have gotten to your house before him.

Pulling into the parking lot he frowns, greeted first thing in the morning by Lex’s ridiculously overpriced sports car. It’s parked right in front of the entrance and he wonders what business Lex would have at the high school.

The passenger door opens and you step out, your bag slung over one shoulder. You turn to Lex, smiling as you give him a sweet wave. Clark watches it all with his shoulders tensed as something sharp and hot twists in Clark’s chest.

He watches as Lex pulls out of the parking lot, jaw clenched in irritation. He throws the truck into park and gets out, heading toward the front doors. Inside, the hallways seem more crowded than usual but he still manages to make you out almost instantly.

You’re at your locker, pulling out books as if nothing’s wrong. As if you didn’t get a ride with Lex Luthor and ditch him for seemingly no reason at all.

Clark makes a beeline for you, tightening his grip on his backpack as he stops beside your locker. “Hey,” he calls, forcing a smile. “Did I miss something? I thought I was picking you up this morning.”

You don’t even bother looking at him, eyes stubbornly pointed forward. “Guess I made other plans.”

The coldness in your voice stops him in his tracks. His stomach drops, smile faltering as you continue to pretend there’s anything more for you to grab from your locker. “Okay…” He exhales slowly. “Did something happen?”

You slam your locker shut and he jumps. Whipping around to face him, your eyes are dark with anger as you glare up at him. “Really?” You snap and his eyes widen in surprise. “This is what you’re doing, pretending you don’t remember?”

Clark blinks, thrown off by the heat in your voice. “I-”

“Forget it,” you cut him off. You shake your head, looking tired. “Just leave me alone, Clark. Seems to be something you’re good at, anyway.” You whip around, storming off down the hall and leaving him reeling. He wants to go after you but you’re already slipping into your English class and he knows there’s no way he’ll be able to talk to you in there.

He hovers in the hallway, stunned. What the hell happened last night?

His mind races, grasping at the fleeting memories. There was a bar, he’s not even sure how he found that place. He was dancing with you and then kissing you. His eyes widen at that, grimacing at the blurred memory of your rough first kiss. He’d been hoping for something a little sweeter than some backwoods bar.

He remembers you being angry at him but that’s it. There are holes and gaps that he can’t remember no matter how hard he tries. There’s only one thing that could explain the reckless behavior, the memory gaps, and the way he felt like someone else.

Red kryptonite.

His heart sinks and his head falls into his hands. He hurt you and probably scared you. You don’t even want to look at him now. Straightening up, he runs a hand through his hair and tries to think of a way to fix all of this.

He’s not sure he can, not when he can’t even remember what he’s done to you.

Admittedly, ambushing you outside of class probably wasn’t the best way to go about this. But he needed to make sure you couldn’t run from him. You walk out the door, books clutched to your chest, and head down.

Clark falls into step beside you and you briefly glance up, rolling your eyes when you realize it’s him. You pick up your pace, clearly trying to put space between the both of you. “Wait,” he calls, stepping in front of you. “One chance to explain, please.”

You stop in the middle of the hall, uncaring to the students parting around you. “Clark-”

“I don’t remember everything,” he admits, voice low and desperate as he pushes through your objection. “But I know something happened. And I need to fix this.”

Exhaling sharply, you can’t seem to meet his eye. “There’s nothing to fix.”

That can’t be true. He won’t let that be true. “Please,” he presses. “Just… one chance.”

For a moment, you hesitate, teeth pressing into your lower lip as you take a step back from him. “Fine,” you relent, sounding wholly reluctant. “We’ll talk after school.”

Relief floods through him and he finally manages a real smile for the first time all morning. “Okay,” he utters, trying not to sound surprised. “Great, I’ll drive you home, and-”

“No,” you cut him off, shaking your head. “Lex is giving me a ride,” he opens his mouth to protest and you shoot him a sharp look. His jaw snaps closed and he sighs. “I’ll meet you at your house later,” you tell him, leaving no room for argument.

His stomach twists as you turn and walk away. Lex, he scoffs and shakes his head. When did the two of you get close? One bad night and you’re already done with him?

The thought should fill him with anger, but it only makes his worry grow. Whatever he had done last night must have been truly awful. He hates that there’s a chance he won’t be able to fix this. But what makes it worse is knowing that it’s all his fault.

Clark’s in his room when he hears you pull up to the house. He doesn’t waste any time as he heads down the stairs. “What happened to ‘I never want to see him again?’” Clark has no shame as he listens to your conversation. He doesn’t appreciate how comfortable Lex sounds teasing you.

“Yeah, well,” your voice loses its muffled edge as you open the passenger door. “I deserve an explanation.”

“Call me if you need anything,” Lex tells you as Clark opens his front door. Rolling his eyes, Clark jogs down the steps of his porch, heading toward you both. You turn over your shoulder, smile falling as you nod your head in greeting.

Clark’s waited forever to finally tell you how he really feels about you. Years of pining all led to that one moment where you told him that you feel the same way. He’d finally gotten a chance with you, to be with you like he always wanted. He’s not going to let last night ruin everything.

“Thanks, Lex,” you mutter, closing the passenger door and marching toward Clark. Lex lingers for a moment and Clark sends him a stiff smile and wave. Lex returns it with a smirk before driving off.

“So,” arms crossed across your chest, you glance up at him with barely veiled apprehension. “Are we going inside?”

Clark glances back at his house and shakes his head. He holds his hand out to you and you give him a wary glare. “Please,” he asks, and after a moment you place your hand in his. He smiles and leads you to the barn.

Call it nostalgia, call it desperation but whatever compelled you to actually hear Clark out can go bite it. He abandoned you at a club in a town you hadn’t even heard of. To go be with another girl, no less. You shouldn’t have even stopped to listen to him in the hallway. It’s a lack of self-respect, really.

But there was something in his eyes that compelled you to stay. Last night, he’d been a stranger wearing Clark’s face. This morning, you saw the earnest sincerity you always do when you look into those pretty blue eyes of his. Giving in was an inevitability.

Walking the familiar path to the barn you’re struck with a feeling almost like grief. Whatever could have bloomed between you and Clark feels like sand falling through your fingers. Unless he’s about to open those doors and reveal an evil twin, you’re not sure you could ever forgive him.

Clark glances over his shoulder at you, a gentle smile pulling at the corners of his lips. He throws the doors of the barn open and you roll your eyes at the dramatics. You slip past him and head inside, stopping short once you see what he’s done.

Fairy lights dangle above the loft, illuminating what looks like a poorly built blanket fort. Christmas lights he clearly stole from his mom are hung haphazardly from the rafters. You can see the effort he put into making the barn feel special, even if the execution is lacking.

It’s the nostalgia of it all that makes you smile. Summer’s spent camping out in the barn, hidden away under blanket forts, and trying to scare each other with your bad ghost stories. It’s a time capsule of your childhood. And you know what he’s trying to do, how he’s trying to soften the hard edges of your resentment. You hate that it’s beginning to work.

Clark heads up to the loft first, glancing over his shoulder and motioning for you to follow. You sigh, face blank as you work to keep up the cool exterior you feel slowly melting away. He offers his hand as you reach the top, and after a beat of hesitation, you reluctantly take it.

Clark pulls you forward and keeps your hand in his as he leads you to sit down across from him. Sinking back into the plush pillows and blankets you prop your head in your hand, watching him with a bored expression. Sucking in a deep breath, he rubs his hands along the surface of his jeans, avoiding your eyes for a moment.

“I didn’t want our first kiss to be in some bar.” He chuckles awkwardly, rubbing the back of his neck before finally meeting your eyes. “I didn’t want our first anything to be there. I wanted it to be somewhere like this, somewhere that actually meant something to us.”

His throat bobs as he swallows. Then he leans closer, reaching across the space between you, his fingers curling around yours again. The warmth of his palm is comforting, even if you don’t let him see that. “I don’t want to lose my best friend. I don’t want to lose you, you have to believe me. What happened last night, it wasn’t me.”

Your expression hardens and you yank your hand from his, putting distance between you. Clark’s face flickers with hurt, but you ignore it. “Why should I believe anything you say, Clark? What happened last night was an eye-opener. Clearly, we’re better off just being friends.”

He sucks in a sharp breath, looking like you’ve just punched him in the gut. “You don’t mean that,” he murmurs.

“Don’t I?”

Clark drops his head into his hands, fingers threading through his hair. His shoulders curl inward, and for a long while, he doesn’t speak. The silence between you stretches, thick with unspoken words.

Maybe it would be better for you to just leave. Some space might do both of you good, and help you come to terms with the truth of it all.

This was never going to work.

Clark exhales slowly, then straightens, blue eyes meeting yours with an intensity that catches you off guard. “Alright,” he nods, some internal battle going on that you’re not privy to. “Stand by the window.”

Your brows furrow and you shake your head. “What?”

“Do it,” he tells you, tone firm, and you find yourself struggling for a reason not to listen. Finally, with a reluctant huff, you get up and go stand by the window.

The golden fields stretch before you bathed in the warm glow of the setting sun. The wheat sways gently in the evening breeze. Utterly boring and un-fascinating.

You roll your eyes, “Clark, I swear-”

A distant whistle cuts through the air. You whip around, expecting to see Clark behind you and instead find the loft empty. Your stomach tightens and you turn back to the window. A flicker of movement catches your attention, “What the…”

You press against the window, squinting at the field below. That’s when you see him. A very small Clark waves from the middle of the wheat, far too distant for how quickly he got there. Your breath catches and you find yourself waving back without thinking.

There’s no possible way he crossed all that in under thirty seconds.

But he’s not satisfied with just an impressive show of speed. Clark disappears and then reappears right below the barn window. Only, he’s not alone.

Above his head, with terrifying ease, he’s holding a goddamn tractor. Your heart slams against your ribs. “Clark!” You shout, terrified this little stunt of his is going to end with him sandwiched into the dirt. He sets it down casually, as if it weighs nothing.

A gust of wind pushes your hair forward and you turn sharply. Clark stands behind you now, cheeks flushed, a sheepish smile tugging at his lips. “What the hell was that?” You demand, eyes darting between him and the tractor outside.

“It’s what I wanted to tell you. What I’ve always wanted to tell you,” he concedes, his smile faltering slightly, his voice tinged with something vulnerable.

Still stunned, you sink onto the couch as he begins to explain. About the crash landing. About his powers. How he’s different.

Your best friend- your almost-boyfriend, is an alien.

Of all the things racing through your mind, only one question comes to mind. “Why have you never told me?” You don’t ask him if he was from Jupiter or Mars, or if he’s got a secret eye hidden somewhere. You just want to know why he didn’t think he could trust you.

Clark hesitates. Then, in a voice barely above a whisper, he says, “I was afraid you wouldn’t want me anymore. That you’d see me as some freak.”

You snort, “You’re an idiot is what you are.”

His head snaps up, blinking at you in surprise. “Clark, why would I ever care about what planet you’re from?” You shake your head, a smile creeping onto your lips as you shift forward, kneeling in front of him. Your hands find his, squeezing slightly. Then, hesitantly, you reach up, cupping his cheek. A smile spreads across your face as he leans into the touch. “I care about you, not about what rocket you crash-landed in.”

“More of a pod,” he corrects and you shoot him a sharp look that makes him laugh. He sobers quickly, smile fading, “I understand if you can’t forgive me for last night.”

“Well,” you muse, tilting your head. “It wasn’t really you, right? It was that krypto- karo-”

“Kryptonite,” he grins a little at the way you stumble over the word. “And, yes, it was. I would never purposefully hurt you, but it’s not an excuse.”

“It’s actually the only acceptable excuse,” you tell him, rolling your eyes playfully. “That or evil twin.” Clark’s eyes widen slightly and you narrow yours. “Do you actually have an evil twin?” You shake your head, “Never mind, we’ll talk about that later.”

You glance up at the twinkling lights strung above, the warm glow making the loft feel impossibly soft, impossibly safe. “Clark?” You ask and he hums, already looking at you when you glance back at him. “We can always try that first kiss again.”

His smile, soft and sweet, mirrors your own. As you lean in, his arms circle your waist, pulling you gently into him. Your fingers thread through the soft tresses of his hair as his lips brush against yours, soft, lingering, right.

This. This is what you knew it would feel like. This is home and safety, everything good in your life. You smile against Clark’s lips knowing that no matter what evil twins or toxic rocks come at you, you’ll face it together.

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madlori · 1 month ago

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Ah, 90s TV

Y'all, I don't know how or why, but I've somehow fallen into a complete rewatch of "Dr. Quinn, Medicine Woman" (although I never watched this show start to finish when it aired, just now and then). It's surprisingly seductive and it sucked me right in. I'm slightly disturbed how VINTAGE it feels - it looks and feels like it was a contemporary of like, Little House on the Prairie, but was in fact made in the mid-90s (LHOP aired in the mid-70s to early-80s, btw).

The show holds up surprisingly well. It's got the typical tone and structure of "heartwarming prime time drama" from the 80s-90s (what I sometimes think of as the Schlock Era of TV). Almost entirely episodic, the succession of guest stars having an Incident of the Week that's totally self-contained (like seriously, one episode her little son had to have brain surgery and they made kind of a big thing of shaving his head and the next episode, full head of hair like it never happened). People are constantly getting kidnapped and experiencing grievous bodily injury so the other characters can lose their minds over it.

They do not shy away from The Issues. We've done "The Army Is Kind of Evil, Actually", "The Indians Are Being Treated Like Shit And That's Not Okay," "Racism is Bad, Actually", "Domestic Violence is Rampant and Also Bad", "Vaccines are Good", "Immigrants Are Also Being Treated Like Shit and That's Also Not Okay" and "Capitalism Poisons the Environment" and that's just the first season. Plus the usual personal storylines, like "the Civil War gave people PTSD," and "my teenage son wants to grow up too fast and I'm not actually his mom but it's too much" and "the mountain man I'm in a situationship with is a bit out there for my stuffy Boston relatives" and "I'm determined to be a pioneering woman doctor but sometimes I'm scared and uncertain and this shit is hard ok" and "hey I could marry this Boston doctor who actually thinks I'm awesome and should be taken seriously too bad this mountain man has my whole-ass heart."

You can almost HEAR the voices of the producers, too. "Okay we want this beautiful woman to be a DOCTOR and fighting against stereotypes, but we also want her to be MOTHERLY but also be free to have a SEXY ROMANCE with the mountain man so howwwwww wait I know she'll inherit three kids from a woman she just met who dies in the pilot. BRILLIANT."

The tightrope they're walking with most of the townspeople is tricky, too. Like they need them to be folksy and for you to like them, but also to exhibit period-typical attitudes (racism, sexism, etc) so that Dr. Mike can push back against it, so they often whipsaw wildly between likable and unlikeable depending on the needs of the plot.

I'm kind of impressed that they usually avoid making Dr. Mike a Super Doctor. She loses patients, she doesn't know how to treat some things - and they have to keep her to period-appropriate medical knowledge, so no antibiotics, brand-new smallpox vaccines, germ theory is barely a thing (it was very very new in the post-civil-war era). They don't have her independently recreating modern medicine (which is sometimes a thing Outlander does, although Claire has the benefit of being a time traveler whereas Dr. Mike is not).

Man you can also see the footprints of "Last of the Mohicans" all over this show, too. She couldn't have one of the stuffy townspeople as a love interest - she has to have the Wish version of Hawkeye (no shade on Sully, love Sully, but they obviously downloaded him right from that film). The film came out in 1992, this show started in 93.

It's shockingly balming to the soul. It's from an era when TV didn't take itself very seriously, there were no subreddits to pick everything apart, and the earnestness is just on full display.

I saw a post from someone else watching this who said "I just found out that the main couple on this show is a REALLY SLOW BURN" and like...oh you sweet summer child. Mike and Sully are not that slow. They were wildly obviously telegraphed as the OTP of this show from the first episode, had kissed by the end of the first season, declared their love in the first third of the second season and were married by the end of the third season.

That's not a slow burn by old-school TV standards. A slow burn is eight seasons of longing glances and slightly perturbed expressions when the other one is dating someone else. These two were all in from Minute One. Like, every episode has that obvious ticky box of "Mike and Sully have a sweet/tender/longing moment." They were constantly hugging, touching, and generally being all up in each other's business. This was never a "will they or won't they" although they tried to throw a few obstacles between them, there was never any doubt about it.

Man, this is real UST. This is how it's done. And these seasons are like 29 freaking episodes! WE USED TO HAVE A SOCIETY.

#dr. quinn #dr. quinn medicine woman

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bestworstcase · 7 months ago

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no yeah for sure. i know if it were my show i’d be eyeing the state of the fanon like oh boy. – which tbh v9 does feel to me like it came from a place of “christ okay we need to be more clear” – not that v9 is directly about salem, but she’s the storm on the horizon and they’ve gone back to stating the themes out loud in plain language again. jsfkfj

what i always circle back to when i consider this is that the first thing we hear as the story begins is salem extolling human wisdom, passion, ingenuity, resourcefulness… her tone shifts to ominous threat when she turns to address ozma, but the first impression we get of this character – in soliloquy! – is unadulterated praise for humankind intermixed with some sly digs at ozma’s propagandistic control over the narrative.

and i think that’s going to be a load-bearing pillar in the gradual recontextualization of the lost fable. similar to how the lost fable is preceded by a the volume in which raven keeps saying things like "the truth is hard to come by" and "you need to question everything" and "don’t blindly believe everything you’re told."

at the top of the show, we hear straight from salem’s internal monologue – her thoughts – exactly what she thinks of mankind and what are the qualities she values; and then we get three volumes of occasional abstruse hints suggesting that there’s a Great Evil somewhere out there, and we don’t hear that voice again until the end of v3 when she’s gloating over her horrifying victory. and then we meet her and it’s “don’t pick on cinder fall.” and then we have a few volumes building her up as this enigmatic Great Evil who intends to “change” the world in some nebulous way (or see humanity “crumble at her feet,” raven suggests) before the lost fable hits.

and then in the very next episode there’s the villain-shoots-the-messenger bait-and-switch wherein everyone is palpably expecting salem to disembowel someone because the haven operation went poorly, and instead she does an intimidating little song-and-dance punctuated by an unambiguous moment of sadness when her back is turned and the mask slips, followed by bolting on a stoic mask and going anyway moving on, and when she actually gets mad the first thing she does is kick everyone out of the room so no one is endangered while she tries to calm herself down and no one gets hurt when she fails.

and then in the next volume ironwood is like “without humanity, does she still feel fear? does she ever hesitate? 🤔” blissfully oblivious to the audience having seen salem have, like, a literal panic attack when she heard ozpin reincarnated faster than anticipated. lol. there’s been this perpetual push-pull between what salem herself says and does contrasted against what is said about her by other characters, and in the case of the lost fable this happens literally in back-to-back episodes.

the fandom is pretty dedicated to the calcified fanon built off the statements about her (and supplemented by wildly off base readings of things salem does/says, like the nonsense “salem calls it a semblance because she disdains it as a PATHETIC IMITATION OF REAL MAGIC” genre of takes where insane double standards are invented out of whole cloth) – but i think this is probably less true of general audiences / casual fans. for every stroke the story makes to create this impression of salem as a complete monster, there’s something salem herself does or says that doesn’t fit, and while general audiences are by definition casuals just enjoying the ride, the fact that we have this constant back-and-forth means that pulling back the curtain is less “shocking twist!” and more of a tipping point that should, ideally, bring all these discrete bits and pieces of things salem’s done or said suddenly rushing to the surface like “ooh! i get it!”

<- in some ways i think fandom can be a lot harder of a sell. dedicated fans get very attached to their theories and headcanons in a way that casual enjoyers really don’t. and while the fandom martyr complex with regard to the hatedom would have everybody believe that rwby is the Most Bullied Show In The World, Maligned By Everybody Except Us, The True Fans, rwby is extremely popular and the numbers do not lie. there is a very large general audience of casual enjoyers who are just vibing along having a good time. and those people will be completely fine.

i think most of the fandom that isn’t dedicated salem haters will also be fine – there has been a very noticeable increase in the amount of ‘hey salem had a point’ and ‘hey maybe salem isn’t a complete monster with zero sympathetic qualities’ since i entered the fandom after v8, and especially as the fandom has spent a year now digesting v9. which suggests to me that while the entrenched fanon has an annoying amount of inertia, most folks in the fandom are very persuadable, and as the narrative transitions to putting more and more weight on the ‘things salem says/does’ end of the scale, more and more fans are going to start going “wait… this sounds crazy but hear me out… what if… salem actually isn’t one hundred percent bad???”

(<- already seen a handful of theories in this general vein being floated. for the writers it really is just about continuing to build the momentum until the narrative reaches its tipping point)

for what it’s worth i knew nothing about salem going in other than 1. what she looked like and 2. “you would love her” and for the first five volumes i was very game to believe the “salem is some sort of incredibly ancient and cunning grimm who wants to burn the world down and idk build a dark empire from the ashes, bog standard evil witch behavior” and then i reached 6.2 and sighed internally like “not another fucking woman scorned” and then i watched 6.3 and immediately went “holy shit. so she was right and the resolution is we team up with her to take down the nakedly genocidal gods who’ve been torturing her for eons. got it.” and then by 6.4 i was mentally throwing a party.

which. granted, rwby happens to cater very closely to my exact personal tastes and i think this does predispose me to pick up what it’s putting down with regard to salem – but i do think it speaks to the narrative finesse that the lost fable is meticulously crafted to deliver an impression of salem being the ontological evil and yet is also the episode that makes anyone who’s really tuned in to the story’s themes and/or already inclined to say sure when asked to sympathize with salem have that realization that she was right. it’s holographic – what you see depends on which layer of the story you’re paying attention to – and rwby has consistently been pretty good at turning the audience around like “hey, remember that? look again, here’s something you missed before” in a way that feels exciting and satisfying. (& to general audiences in particular i think that’s probably a big part of the draw – people like stories that surprise them! and rwby delivers that really well.)

i’ve also been pondering a bit in light of the viz acquisition and the much bigger reach rwby now potentially has – if the RT shutdown drama and triumphant return to this larger and more stable platform leads to a large influx of new viewers, which is absolutely within the realm of possibility!, i think the overall slant of the fandom conversation about salem might change very fast – simply because slamming down v1-9 all in one go makes these patterns so much easier to see than getting one new episode per week with long breaks between each volume for as long as a decade depending on how long you’ve stuck with the show. i still vividly remember blazing through v1-8 and then glancing at the fandom and going “hey hi what the fuck are you talking about” every single time i saw a post about salem. gbrdshxjk it’s just a phenomenally different experience!

so who knows. i’m sure there will be some people squalling and moaning because there always are but imo rwby has been setting itself up beautifully to stick the landing since the very beginning. zooming in on that one line it does feel very “holy fuck how do you sell that she meant anything else but what it sounds like” but taken into perspective with everything else… i think it’s more like a fulcrum than a needle to thread. everything else balances on that one point and you just slowly put a little more weight and then a little bit more onto the right side.

if i had to compare it directly to some other narrative arc it’d be ruby’s big breakdown – she’s the shining optimistic character who inspires everyone else and never gives up hope! and we add a tiny bit of weight here, a sliver of weight there, she keeps the mask screwed in place unflaggingly for six volumes before we start to see glimmers of uncertainty leaking through – and then salem brings her to her knees and makes her eyes go haywire with one sentence, and it’s like okay ruby’s feeling the pressure, but look she’s bouncing back! she almost gets cinder! she comes up with a brilliant plan to get amity up! the cracks start to show again and she figures out how to save penny. sure things are bad and she’s feeling the strain, but she’s ruby, she’s gonna pick herself up like always – and then v9 hits like a freight train. there were plenty of folks prior to v9 saying “ruby is going to fucking shatter, this is it” but there were just as many fans during v9 going “holy fuck ruby isn’t okay!?” followed by looking back and going “oh. she’s not been okay for a long time” – same narrative technique.

Your post re: Salem's attitudes towards magic got me thinking about "Why spend our lives trying to redeem these humans, when we can replace them with what they could never be?" from Lost Fable again. I'm finding it a little difficult to blame people for believing she thinks the current crop of humans are just inferior when the only subject on offer in that sentence is "these humans." Of course when you stop to think for two seconds why Salem says or does anything she does it makes total sense that her hangup is with the gods, but that just makes me wonder even more why write the script like that? How unreliable is the direct dialogue in Jinn's vision supposed to be taken vs. her narration? (The simplest read of that episode seems to be of course the narration is biased per the question asked, but otherwise it's a frame narrative for the flashbacks which may or may not be more objective portrayals of events. The fact that the characters are also physically witnessing these scenes means they can't be 100% objective I think, but still leaves open the question of what's skewed and by how much.)

Unreliable or not, it's just a surprisingly absolute statement to put in her mouth considering how often we're invited to question her motivations everywhere else.

i do take the dialogue in the lost fable to be accurate to what the characters said, perhaps with some smudginess if what we’re seeing is ozpin’s memories exactly – in which case the dialogue in scenes he wasn’t present for is suspect because it’s what he imagines was said based on what salem told him, and the rest is probably closely accurate paraphrase because no one could be expected to remember the exact wording of conversations from several thousand years ago! but even then i would expect the parts he was there for to be reliable enough.

so much rides on the lost fable and specifically this one line that it would be beyond cheap for the resolution to be “she didn’t say that at all, actually.”

the first time i watched the lost fable, i did intuitively interpret that line as salem alluding to the gods – so i think there’s probably some degree of her statement reading as ambiguous or not ambiguous depending upon how one habitually uses the word “redeem.” specifically: how precise one is about the verb requiring an indirect object.

to ‘redeem’ something means to take some action to settle a debt, or redress a wrongdoing, which—inherently—implies the presence of a creditor or wronged party. in some contexts, the implied creditor is only an abstraction (think “the city’s robust public transportation is its only redeeming quality”—redemption is used here in a figurative sense to mean that the one making the statement dislikes everything but the city’s transit system); and in casual speech it’s fairly common to leave off the indirect object if it isn’t necessary to identify the wronged party (think the common phrasing of “so-and-so redeems themself”).

but while it isn’t incorrect to drop the indirect object, necessarily, there always is an indirect object; it isn’t possible to redeem a debt or a wrong that doesn’t exist, nor to have a debt without a creditor or a wrong without someone wronged. (as an aside, this is why redemption arc discourse tends to always be arguments about forgiveness—redemption does, inherently, definitionally, necessitate forgiveness—and this is also why i’m pedantic about differentiating ‘redemption arc’ vs ‘atonement arc’ vs ‘villain-to-hero arc’ and dislike the popular usage of redemption arc as an umbrella term.)

anyway, in simpler terms: when salem says “redeem these humans,” the apparent meaning of the next clause depends on whether or not one is predisposed to hear that phrase as a clipping and mentally append the implied indirect object, which makes her complete statement “why spend our lives trying to redeem these humans [from my sin in the eyes of the gods] when we could replace them with what they could never be?”

<- and then the question becomes, which “them” is she referring to? “these humans” or the gods who will judge whether redemption has been earned? her elision of the gods is entirely within the realm of common vernacular, and salem is a character who regularly circumlocutes (and earlier in the lost fable itself we have ozma’s quizzical “what are you saying?” signaling that salem’s speech is cryptic or confusing – because ozma doesn’t understand her; this is an intended trait versus the writers fumbling), and she says this in a moment of emotional distress (which she mostly bottles up, but while ozma is explaining all of this to her she’s leaning on the desk with her arms folded, listening intently – this is the same posture she has when she’s huddled in the shadows making herself miserable with conjurations of her children in 8.4).

so there’s quite a bit of weight here on the side of, “salem just discovered that her partner has been manipulating her into serving the gods she abhors throughout their entire relationship, she’s deeply shaken, she isn’t awesome at clearly articulating her thoughts in general; is it really surprising that she might misspeak to the tune of saying ‘them’ in reference to an (elided but necessarily implied) antecedent of ‘the gods’”

it (clearly) isn’t going to occur to most viewers as an obvious interpretation of the line, but i think it’s well within the bounds of what is reasonable for the narrative to later reveal that salem really meant this, particularly given how deliberate and how clear the storytelling themes are. definitely a risk, because some section of the audience is undoubtedly going to feel lied to and cry retcon, but rwby takes creative risks all the time.

and then there’s the ‘fairyales of remnant’ piece of it – the anthology is very much in dialogue with the lost fable across the board (on this see also ‘the two brothers’ presaging the thematic treatment of the brothers in v9, and ozpin’s paired commentaries on ‘the infinite man’ + ‘the girl in the tower’ being discussions of truth, propaganda, and forgiveness). so why does ‘the shallow sea’ begin like this:

Long ago, before the fish had scales, before the birds had feathers, and before the turtles had shells, when our god still walked and crawled and slithered the earth, there were only Humans and animals. (And Grimm. There have always been Grimm. There will always be Grimm. But those creatures don’t figure in this story, so just put them out of your mind, if you can.)

and end like this, after a story about the god of animals leading their chosen people to transform by submersion in magical waters, to the horror of those humans who refuse to change:

From that moment on, there have been animals, Humans, and Faunus. And the descendants of the Humans who turned away from our god’s great gift have always carried envy in their hearts. To this day, they resent us for reminding them of what they are not and what they never can be.

humans and animals (and grimm) -> animals and humans and faunus, and the last line – the mythic explanation for human hatred of faunus – is a nearly direct repetition of the last thing salem says in the lost fable?

now obviously not everyone can be expected to read ancillary material like the fairytale anthology, and that’s why the shell game with the implied indirect object matters; but it is interesting that ‘the shallow sea’ is stated to be a very old oral tradition (one which “contains deep truths,” no less) and that it repeats that line in a context that is quite plainly not about genocide – but rather cultural pride in the face of intense, often violent, persecution.

this story also 1. explicitly belongs to a closed tradition, and 2. is (obviously) one ozma knows despite there being no indication that he’s ever reincarnated as a faunus. which – together with the story’s age – adds up to at least the implication that it is possible he heard this story from salem, because the reasons she might be conversant in ancient faunus oral traditions are. well. obvious.

…and if that’s so, then ‘the shallow sea’ as written in the fairytale anthology completely recontextualizes salem’s last statement in the lost fable as salem quoting from a faunus creation myth both she and ozma knew in order to express her rejection of the brothers’ mandate, which would 1. neatly explain why ozma seems to have understood exactly what she meant even though none of the lost fable witnesses picked up on it, and 2. provide an elegant and very simple opportunity to ease the general audience into this revelation by having a character in vacuo retell this myth, using that same closing line. you don’t even need to mention salem directly – the turn of phrase is memorable enough that a lot of viewers will go “…why does that sound eerily familiar” and that plants a seed for later. (or if you’re going for more of a sudden record scratch moment, salem is the one declaiming.)

from a character standpoint, it also makes a lot of sense for salem to respond to ozma in this way – his liking for stories is, one presumes, not a new thing that developed after the ozlem kingdom’s collapsed, and he also clearly isn’t just cynically using fairytales to deceive and manipulate – else he wouldn’t have apologized to the kids by referencing ‘the girl who fell through the world’ and comparing himself to alyx. stories are just important to him and part of how he communicates.

so if salem heard everything his god told him and then said “no, none of that matters, why spend our lives trying to redeem these humans when we could [paraphrases the conclusion of a story where the hateful envious people who refuse to change are simply sent home and not allowed to live in the harsh but free new world with the people who chose to embrace change]” – she made an effort to say what she meant in his language, and what she meant was either 1. figuratively associating the brothers with the envious humans who were sent home and “these humans” with the faunus who were now free to determine their own fates, or 2. “okay yeah these humans aren’t great, have you considered more faunus as a solution” (<- this would be extremely funny if it turns out the shallow sea is a more literal story than i think it is, but i think it’s much less likely).

more broadly, to the question of why the line is written that way – i can only speculate based on what i would be thinking in the writer’s shoes, and the overall structure of the narrative around salem – but i imagine the absoluteness is sort of the point. it’s meant to be a really shocking and frightening thing to hear coming out of her mouth, while also being, if you pause to think very precisely about what she said, quite plausible as a verbal stumble – the alternative antecedent of “the gods” for “them” is implied and eliding the indirect object of “redeem” is common vernacular – and then there’s this other possibility hinted in an ancillary text that she might have actually been quoting a story as a verbal shorthand both she and ozma understood.

there’s a narrative expectation that the viewer will be right there with the kids making the same snap judgment about what salem meant – because i think the kids all absolutely did take this at face value as a statement of genocidal intent. the story itself is structured like a nesting doll such that each new revelation appears at a glance to be the whole story, but isn’t and in fact has large gaps and details that don’t add up which become glaringly obvious as soon as you reach the next layer and look back, but if you’re paying careful attention as you go it’s also quite possible to piece together the missing pieces.

delivering information this way trains the audience (…mostly) to expect that the information we’re given is incomplete and maybe not wholly accurate. the advantage here is that even if the vast majority of the audience is completely blindsided by a specific reveal, for most viewers that’s going to feel really exciting – this happened in v9 with the lore reveals about the brothers, massive overnight reversal in the mainstream fandom views of darkness with the general mood being that it was cool – as opposed to feeling tricked or lied to by a “retcon.”

and that builds up a certain kind of trust, that the story is a puzzle but it isn’t going to cheat. it’s also a bit of a challenge or an invitation for the audience to try to figure out what’s coming, like a mystery.

with salem, i’d bet that one line in the lost fable is supposed to seem weirder and weirder the more you think about it, because… why doesn’t it track with anything she says before that point in the lost fable? why does the story begin with salem waxing poetic about humanity’s virtues? why does the narrative make such a big deal out of nobody knowing what salem wants AFTER the main characters witnessed a seemingly open-and-shut declaration of her “true” intention?

at the same time, the amount of explanation required to argue for an alternate interpretation – even if it’s really not complex or a reach – compared to the ease of just taking the statement exactly at face value, in and of itself is both a misdirection (most of the audience will take the path of least resistance, and hopefully enjoy the journey the story takes them on while leading them to the eventual right answer) and sort of the thesis with respect to the storytelling themes. salem thinks coolsville sucks!

but i am also very willing to consider (because of my own intuitive reaction to the line) that the writers perhaps did not mean for it to seem quite as unambiguous as the general audience and most of the fandom ended up taking it, because if you’re spending a lot of time immersed in a specifically theological context regarding redemption (which the writers probably would’ve been, given the importance of the religious narrative in the lost fable and in relation to this line in particular) – and if you’re also in the habit of being very precise and careful about how you phrase things (which is true of how rwby is written in general) – and if you’re writing what might be the most critical episode in a complicated puzzle box story, whose fulcrum is a red herring that is also meant to provide a clue to anyone who thinks to look at it more closely and with an open mind — then yeah i can see a scenario where the writers may have felt that the specific wording of salem’s statement was more ambiguous than it actually is. in which case the echo in ‘the shallow sea’ might have been a bit of an effort to correct course by giving the subset of fans invested enough to read the fairytales (<- the cohort most likely to be keen to unravel the puzzle) an additional hint. who knows.

#constant writer brain 🤝#having done this exact sort of reveal before myself it really is a matter of accumulation more than anything else #like plinking little weights into a scale #trying to deliver a huge shocking reversal all at once is probably never going to work #but slicing it into tiny bits and doing it piecemeal until giving one last moderate push? easy. tricky to plan but #as a technique it’s pretty simple #if they go the ‘someone recounts the myth’ route i don’t actually think that will be THE reveal #but rather the hook to bring the lost fable to the audiences attention again #hey why does that turn of phrase sound familiar…? didn’t salem say something like that…?#maybe get people to rewatch the lost fable. which will hit different after what we learned in v9 about the brothers #do that in combination with developing the paradigm shift between salem + cinder #and revealing whatever exactly is going on with summer #in tandem with the v10 plot of the kids dealing with the crown and having to resolve that without vacuo exploding in civil war #all of this in combination primes the audience for the big reveal #sidebar i’m really unconvinced that *ozma* misunderstood her #which is a subject for another post but #i think it would be sort of interesting if part of this reveal came From Ozma #like i doubt he’s been set on stopping salem all this time over . a simple misunderstanding.#versus her being an apostate who flatly rejected any option other than ‘fuck them. we dont need them’#and then he hid in oscar’s subconscious for months while the kids’ drew their own conclusions. but he climbs back up feeling –#if until the end is any indication – a minuscule glimmer of distant hope that salem is still. within reach #and then made this promise to be more honest. does that include being more honest about salem?#(esp with the camera work in v8 so heavily suggesting that oz is deliberately/knowing lying to hazel about salem’s goal.#those tattletale dutch angles…)

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visceravalentines · 1 year ago

Text

fever dream

Bo Sinclair x AFAB!Reader

7.6k words. dubcon ofc. reader is absolutely mentally bankrupt. stockholm is where we live, it's where we are, it's where we'll die. sporadic smut, pnv, fingering, and oral (fem!rec). blood and sweat everywhere. Bo calls reader a bitch a couple times but like, it's out of love or some shit. somno. alcohol use. nightmares. ghosts. swamp things. the ever-looming threat of death and depersonalization.

welcome back to my youtube channel. I have been. working on this fic. since May of last year. and it's finally done(?) it is long and weird and maybe bad and meant for you to get lost in. a journey with no destination. a haunted house only you are the haunted and the haunt and the house. tbqh I'm rewatching HoW today for the first time in months and months and I had to get this out of my drafts so I can check back into the sanitarium with minimal baggage, y'know?? I hope it makes you feel some type of way.

The summer heat is in your blood and the swamp is in your lungs and he is under your skin.

You’ve never known an August like this, like a blister. You go to bed sticky and wake up drenched in sweat. The ceiling fan is a hurricane agent that offers no respite, just blows the humidity in vicious cycles. There’s no air conditioning in the house; it’s too old. Instead you wrap ice cubes in dish towels and press them to the back of your neck.

A storm’s been hanging on the horizon for days. Thunder rolls out of a wall of iron gray, an idle threat. The air is soupy and super-charged. No rain comes.

The nights are delirium. You go to bed on opposite sides of the mattress, oil and water. He sleeps naked, sprawled out like a water skeeter. The quilt sits scrunched at the foot of the bed for the season and he kicks the sheets off around midnight like something forcing its way out of a soft-shelled egg.

You lie awake, listening to the cicadas and waiting. Just when you’ve started to cool down and drift off he reaches over and fumbles at your leg, grabs your arm. He pulls you on top of him, hands on your body beneath his old t-shirt. You ride him with your eyes closed and your breath hot on your lips. It’s a fever, the sweating, the shaking.

You wake every morning suffocating under his arm in the center of the mattress with honey between your thighs.

He drinks his coffee hot even though the steam can barely rise above the rim of the mug in the humidity. You pour yours over ice and savor the feeling as it seeps down your throat and into your stomach. You curl your toes on the linoleum and almost smile at him across the table. He’s golden from all his time in the sun. You can trace the lines of his wifebeater over his shoulders, across his chest. You stare at him across the table and think about the taste of his skin. You want to run your tongue along that tan line.

He catches you staring. “What?” he says flatly.

You redirect your gaze to your hands. Shake your head. Wait for him to move on so you can resume your perusal of his body.

When he looks away, out the window, the sun catches those eyes and turns them to sea glass. He needs a haircut; walnut curls crest over his ears like kudzu. When you get up to clear the table your skin peels from the vinyl seat cushion with a sting that makes you wrinkle your nose.

“Be good,” he tells you before he leaves. You wonder what he means, what he thinks you might get up to in this house full of dust and guns and ghosts. You know better than to ask, and you nod and kiss him goodbye and feel his lips on your lips for hours afterwards.

The day languishes. They all do. You kill a thousand flies. You mop the floor and track your own footprints across it before it dries. You hang his shirts on the clothesline in the side yard and feel like an insect trapped in the sap of time. You shave your legs in a cold bath and examine your skin: sunburn, bug bites, bite marks.

When he pulls into the driveway you’re on the front step eating a popsicle and counting the minutes. He saunters across the gravel like John Wayne, shoulders exposed, hair plastered to his neck. You meet his eyes and wrap your lips around the cherry-flavored mess dripping onto your fingers. He spits into the weeds and eyes you through his lashes.

“What’s for supper?”

You suck on your sticky thumb. There’s a full spread on the dining room table, ready and waiting. “Whatever you want.”

He licks his lips.

Supper gets cold.

He brings home a bag of saltwater taffy, all raspberry.

“Thought of you,” he says when he hands it to you. To your recollection, you have never mentioned taffy or raspberries or anything of the sort. You wonder who he thinks you are, whether he has you confused with someone else.

You sit on the porch steps and amass a pile of wax paper wrappers beside you. It’s soft and melty, peels out of the wrapper with a sticky crackling sound. It’s salty and sour and tastes like cheap sugar. Like a memory of summer that may be real, or maybe not. Could be yours, or could be someone else’s.

You eat more than you want, until your teeth hurt and you can feel the hot spot on your tongue where a canker sore will form. You rake that spot back and forth across your incisors. You can’t help it. Sometimes it feels like things have to have a hurt to them.

“You ever been to the fair?” you ask him over your shoulder.

He grunts from the porch swing. “Used to go when Vince ‘n me were little. Took Les a couple times when he was old enough.”

“You ever take a girl?”

“Nah.” His boot thumps on the porch, an offhand punctuation mark. “Couldn’t find one to go with me.”

You doubt that; you’ve seen his yearbook photos. But then again, maybe he was off-putting as a teenager. Spooky. Hadn’t quite learned how to camouflage yet. Came on too strong, wore too much cologne, used too many teeth.

You survey the vast swath of woods that surrounds Ambrose and try to imagine a ferris wheel, red and blue and blinking, rising from the green like the hump of a whale. “I’d go with you.”

He snorts. “Yeah?”

You look down at the piece of taffy in your fingers. You don’t really want it. You unwrap it anyway. “Yeah.” You gnaw on the candy like a dog savoring a scrap. “Be like a date,” you say thickly.

“What, you wanna skip down the midway holdin’ hands? Makin’ out in the Tunnel of Love?”

You can picture it, sunset and a sundress. He’s laughing. You’re laughing. The crowd is made of wax. “You could win me a stuffed animal.”

He scoffs again, but then he asks you, “What kinda stuffed animal you want?”

You think for a second, unstick the taffy from your molars and push it around your mouth with your tongue. “A Louisiana crocodile.” A souvenir from your time in the South. Maybe it’ll be wearing a little trucker hat and a smile that doesn’t reach its eyes.

“Ain’t got crocodiles here, sugar. ‘S all alligators.”

“Fine, an alligator then.”

You run your hands over your shins, sticky with the humidity. The chains of the porch swing creak rhythmically behind you. The sea of trees is dark and still and endless.

“Fair don’t come ‘round here anymore,” he says finally.

You force the taffy down your throat, swallow hard, and reach for another one.

“Figures.”

You’re buzzed and reckless, sucked down a pair of beers too fast just because they were frosty. The shears snick like some needy, nipping thing. You found them upstairs under the bathroom sink once upon a time and you always put them back when you’re done. They’ve been there longer than you’ve been alive. You comb your fingers across his scalp and loose locks drift onto your clean floor.

“Don’t take it too short,” he admonishes into the mouth of his beer bottle. “You butcher me, I butcher you.”

You roll your eyes behind his back. “Have I ever?”

He grunts in acquiescence. That’s as close to a win as you’ll get.

The windows are open; the thunder presses against the frayed screens. A gigantic moth flings its feathery body repeatedly at the ceiling light. You run your hand through his hair slow just to feel it between your fingers, thick and soft. Your thumb glances off the scar on the left side of his skull and comes back for another pass.

He jerks his head, puts a stop to that. “You done?”

“Almost.”

You’re particularly fond of the curls at the nape of his neck, always save them for last. You coil one around your finger. You want to ask him if you can keep it, but you’re afraid he’ll say no or worse, that he’ll say yes. He’ll ask for something in return. You’ll give it to him, no matter what it is. You give him anything he wants, everything he wants. It’s the least you can do, the most you can do.

You snip them one by one, bittersweet.

“Done.”

He leans over in the chair to examine his reflection in the window. “Good enough.”

He stands up and drains the dregs of his beer. His hand finds your waist and he pulls you in and you bend like a reed, peering up at him, inspecting your work. He smells like sweat and sun. You grip his shirt in your fists and move with him as he sways lazily side-to-side.

He gives you the gift of a smile, half-cocked and handsome. “You wanna dance, mama?”

Your fingers spider-creep up the shield of his chest and lock behind his neck. His skin is hot and sticky against your wrists, clipped hairs poking and itching. Your hips bump against his like a car on a back road, lost, no cell service. You wish there was music playing.

He tilts his head towards you and you get caught in the trap of his mouth. The thunder moans. You can feel the sweat beading on your upper lip, in the pit of your elbows. His hands are heavy on your bones.

His jaw scrapes along your temple like a razor blade and a fever chill rolls over your skin, hot-cold. “G’on upstairs, get those clothes off.”

Have you always been such a good listener?

He comes home drunk and fucks you on the table, in the midst of supper left cold and waiting for him. You knew he’d be hungry. You are right about some things and wrong about others.

You wince every time a dish topples off the table and shatters on the faded linoleum. He doesn't look at you, not once.

Afterwards, he disappears for a while and leaves you to clean up the kitchen. You are dazed, legs unsteady, leaning on the counter like an old friend. It’s been a bad day. Dinner has soaked through the back of your shirt and so you take it off, hang it over the back of a chair for later, and set to work on the mess.

You cannot puzzle out how he managed to get blood on every dish you are trying to wash until finally you realize it is yours, seeping quietly from a slice on your palm. When he comes up behind you your spine stiffens, arching like a snake making a final stand. He puts his hands on your bare waist and his lips against the back of your head like a sweetheart, like a husband, like a different person.

“Leave it, darlin’. Come sit on the porch with me.”

You bite your lip, lift your palm so he can see it, watch the world blur with saline. “I cut myself,” you say, and only then does the sting set in, so sharp you can feel it in your teeth.

He makes a sympathetic noise and cups your hand in his. “Now why’d y’go and do that?”

You open your mouth to answer but only a moan comes out as he lifts your arm and seals his lips over the cut. He sucks, gently at first and then harder, hard enough you feel the seam of skin separate and your fingers jerk like puppets to the pain. He lets you go and you cradle your hand to your chest as he laps your blood off his lip.

“You’ll be fine,” he says, takes your arm, tugs you from the sink. “C’mon. I need a smoke.”

You follow him onto the porch, curl up in his lap with a dishrag pressed to your palm and watch smoke and moths float around the light.

Your blood dries on the dishes with the gravy.

The clouds boom a reminder that they are still hanging above the house, but you are already awake in the split second beforehand. You are cocooned in the sheets and panic for a moment, arms pinned to your chest, bedroom black as a coffin. When you claw free, gasping, the air is like moss draped spongey and damp across your face.

You worm out of the bed, out of the room, stagger into the hallway and down the stairs in the dark. You are mere steps ahead of some emaciated beast, its breath muggy on your cheeks and the back of your neck. You twist your shirt off and throw it on the floor of the den before it can strangle you, wrench the front door open and slam through the screen with both hands.

The night is wet in your nose. One hundred million insects scream to God. In the back of your mind you think about joining them. Your toes scuff to a stop on the precipice of the porch and you peer into the darkness with round eyes, bare chest heaving for more air than you can hold. You are drowning here, surrounded by trees, surrounded by more green than you ever knew existed in the world.

Somewhere out there, someone is mourning you. You can feel it tonight, crackling in the ozone like the storm that won’t break.

You wrap your arms around yourself and sink to the ground, sit perched on the top stair in your panties and sweat-drenched skin. The nail of your index finger rips apart the cuticle of your thumb. Mosquitos float open-armed to your legs like swamp angels. It’s too hot to cry.

The yellow porchlight struggles to life. The screen door bangs flatly behind you. He can’t ever pick up his feet, scuffing through the dust you haven’t swept.

His fingers brush the bone of your shoulder. You don’t flinch nowadays, usually. “Y’alright?”

You don’t have to answer that. Let him wrap his hand around your throat and fishhook his fingers into your mouth to pull your jaw open, you don’t have to answer that. You grit your teeth and dig crescent moons into your thighs with all ten fingernails.

Your silence doesn’t bother him. He leans on the railing to your left, curling his toes on the concrete, looking out into the night. Sleep has mussed his hair to one side and left imprints of the sheet fanning across his chest. There’s a hickey in the shape of your mouth in the curve of his neck. Lightning flutters shy among the clouds and the thunder reprimands it. There’s something stuck in your throat, something you can’t swallow down no matter how hard you try. Moths flock to the porchlight. If anyone was alive in the town to look up the hill, they’d see you haloed, and him too.

“‘S late. Come back to bed.”

You can’t remember your home address. You can picture the house, the sidewalk in front of it, cracks in the driveway. The rest is like a dream. The house behind you doesn’t have an address. No number, no mailbox. You can feel it sucking at the base of your spine like a leech, coaxing you in, tipping you backwards all wrong like a gravity hill. You feel eyes on you, all the time, no matter what room you’re in.

“You listenin’ to me? Let’s go.”

You can’t go back inside. You can’t go back inside. Something in you doesn’t line up right. Someone is holding a pillow over your face.

“No,” you think you say out loud. The word flutters off into the night. You watch a mosquito drift beyond the reach of the porchlight and disappear. The stars bow gracefully into the arms of the clouds.

After a beat, he shuffles out of your periphery. The screen door slams. Maybe this time. When you least expect it. Maybe he's sick of you at last. You pick at a scab on your knee until it comes loose and flakes off, and then you pinch the skin around the wound and squeeze until a bead of blood, scarlet-black, mounds and breaks and gets all over your fingers. You raise them to your mouth and suck them clean and it tastes familiar. Safe.

He doesn’t come back with a knife, or a gun. He comes back with the quilt and sheet from the bed, a pillow stuffed under his arm. He unfurls the quilt on the porch. The pillow flops to the ground like something hunted to extinction. He follows suit.

“C’mere.” He wrestles with the sheet, props himself up on an elbow and punches the pillow into place. “C’mon.”

You breathe, just for a minute, watching him. You want to hate him so bad it hurts. You want him to hit you so you’d have a reason to hit back. You want to fight for your life because you can feel it slipping away, waning, evaporating in the heat. Already you’ve found shreds of yourself under the couch, covered in dust. You are drowning. You are thirsty. He is water, cold and brackish.

You rise from the stairs and come to him because you need him, because he is all you have.

“Get the light,” he says.

You go and come back and his hand finds your calf in the dark, slides up the back of your knee, guides you to the ground. The quilt is a mockery of softness, the porch unyielding beneath. You curl up with him at your back and he folds his arm around you, thumb worrying aimlessly at your nipple. His breath is hot on the nape of your neck.

The air roils in your lungs. The night surges in. You are alone, so alone, aching with loneliness, now and always. You close your fingers around his wrist and guide his hand between your legs. He rubs the cotton of your panties with something like pity and you let a moan seep from your throat.

Your face lolls into the pillow and it smells like fever dreams and cold-sweat nightmares. The fabric of your underwear catches on your clit and you gasp, arching against his chest.

“Easy,” he murmurs as his fingers drag back and forth. He hooks his foot around your ankle, forces your legs open. You asked for this. You’ll take it and thank him.

Lightning silhouettes the world beyond the porch in black and purple. When you close your eyes, you see the rooftops of the town in the colors of heaven. You rock against his hand and pretend you’re someone else somewhere else. You feel the thunder in your teeth and wish with all your heart the rain would fall.

He puts an abrupt end to the friction and cups you in his palm, wide and warm. You make a plaintive sound and wiggle your hips, push your ass against him. You need to feel something. You need him to help you. Otherwise, you might disappear beneath the horrible blanket of the night.

“Please,” you moan.

He presses his lips to the back of your neck, whispers into the shell of your ear like a lover. “You love me?”

You squeeze your eyes shut. “Yes.”

His teeth graze your skin as he slips his fingers past the waistband of your panties.

“Good.”

You wonder if he knows he keeps saving your life.

The house is a midden of family misery. There’s barely space for you between heaps of clothing and glassware and mass market paperbacks. You live sideways amid the boxes and bottles and beer cans. He refuses to let you throw anything away. No matter how much you sweep and dust and tidy, the clutter seems to crawl right back across the carpet like morning glory.

Late morning finds you in the master bedroom. It’s sweltering up here. The air sticks to your face like tattered gauze. The junk in here is of a particular breed, more meaningful—photo albums, baby clothes. Much of it has been stacked high just inside the door like a battlement. A fortification between this room and the rest of the house. You’re not allowed in here.

Neither is he.

Beyond the wall, everything sits untouched. A layer of dust rests primly on the bedside tables, the vanity, the yellow quilt still neatly made up on the bed. The art on the wall is sun-bleached in evenly spaced lines from the half-open blinds. The silence crowds your ears. It feels like standing in a tomb, the family crypt.

With courage paper-thin, you've decided you'd like to confront the heart of the horror. Like shoving your fingers down the throat of the beast trying to bite you. Like making a home in its mouth, a bed in its bed. You want to eat me so bad, you’ll have to savor every scrap.

It’s eerie in here. This room is brighter than the rest of the house by far. You can feel that parasitic presence all around you, cajoling you with hands that are soft and dry. There is a faint, floating smell of faded flowers. You breathe slowly to keep yourself from sprinting back downstairs.

You gaze at yourself in the vanity mirror. The dust almost erases you from sight, almost. You reach a finger out and draw a single streak across the silvery surface. You’re in there, somewhere. Sometimes you forget.

The front of the vanity holds a trio of slim drawers with tiny gold handles. You catch one with the tips of your fingers and tug, just slightly. It creeps open without resistance. The inside is lined with green velvet. You pull it open all the way and search through the contents with your eyes. Blush, lipstick. Eyeshadow in seven shades of blue. You slide the drawer closed and move on to the next one, the widest one in the middle.

This one holds a treasure trove of golden baubles: a jumble of earrings, half a dozen hairpins, a long, thin cigarette holder. A string of pearls that look too chipped and dull to be real. And a locket, oval-shaped and decorated with a halo of tiny vines. You pick it up and the chain slips over your fingers like a thin, shining snake.

You dig your nail into the seam and pop it open. To your muted disappointment, it is empty. No husband. No children.

It’s yours, you decide suddenly. You want it. You've earned it. A prize, a consolation for the hell you’ve been through. For the fact that you have survived him, and she has not. You wonder if he’ll recognize it. Part of you hopes that he does. You imagine the look on his face and his hands on you afterwards. Your mouth is wet.

This might be her house, will always be her house. But you do not belong to her. You have been spoken for again and again, and perhaps you should thank him for that.

In the daylight you remember that you aren’t scared of ghosts, and that you have nothing left to give. Plenty of dead women have laid claim to you already. This one cannot have you, and for that matter, she can’t have him either.

You hear the rumble of his truck out front and the thrill of fear that shoots down your spine is so cold it’s almost welcome in the stuffy room. You shove the locket into the pocket of your shorts and fling the drawer shut. It closes with a soft, complicit thunk.

You pick your way back through the boxes and slip through the door like a reptile into water; smooth, silent. You make sure it latches behind you before you hurry to the top of the stairs.

Out of the corner of your eye, just before you dip out of sight below the banister, you see something bend the light that reaches through the crack beneath the door. You freeze, turn your head only slightly. You see nothing. Only sunlight. Certainly no feet, dainty and bare, padding across the carpet with red-lacquered toenails.

Panic, delayed, breaks loose. You gallop down the stairs so quickly you forget to skip the ones that creak.

By the time he comes inside, slamming the door fit to shake the frame of the house, you are hunched over the dishes in the sink like you’ve been there all morning. If you are unduly quiet, he doesn’t seem to notice, and if he notices, he doesn’t seem to care.

“I think I love you.”

You say it half-casual, half-pronouncement, the way you might tell your mom you’re dropping out of college. Tell your boyfriend you’re over him. Tell your boss you’re moving to Louisiana. “I mean it this time.”

Bo snorts, lifts his beer to his lips. “That so?”

You shoo a bee from the rim of your glass and suck down the last of your drink. You just might be drunk. “Yup.”

“Think that’s the bourbon talkin’.”

You roll your eyes, shimmy a little in an effort to make the busted lawn chair more comfortable. You thought he’d be more excited. “Why don’t you ever believe me?”

He smacks his lips like he’s considering his answer. The sunlight shifts through the trees and you close your eyes, blissful. “Lemme ask you this. You ever set a snare, baby?”

You can feel it in your blood: the sun, the breeze, the brook bubbling over your toes. It’s not so bad, you think. Sometimes. It’s not so bad.

“Hey.” He leans over in his chair and snaps his fingers, splintering your peace. “I asked you a question.”

“Nah. Never set a snare. Some of us were normal kids.”

He ignores this and you feel like you’ve gotten away with something. “Well, sometimes you catch a critter, but it don’t strangle to death like it’s s’posed to.”

You frown.

“So you gotta do somethin’ about it, right? But you gotta be real careful. Can’t get caught up by the sufferin’. Gotta keep your head about you, y’know?” He’s not looking at you, but you can picture his lips, twisted in something like a smile. “‘Cause it don’t matter what it is…raccoon, possum, bunny rabbit…that sucker’ll take your hand off if y’let it.”

Your throat is sensitive all of the sudden, feels closed off. Maybe you swallowed a bee. “What are you even talking about?”

His head lolls lazy to the left and he stares at you for a second in a way that makes your hair stand on end. Then he chuckles, winks at you, turns away and leans back in his chair.

“Nothin’, sugar. You’re awful cute.”

The heat wreaks havoc on the lifeless inhabitants of the town. You trail behind him like a listless kite as he makes the rounds, checking for damage, hauling the worst afflicted home to Vincent. It baffles you how much he seems to care about them. How much investment he has in keeping the rot contained beneath a pristine cosmetic veneer. For what? For who?

You don’t tell him it’s all rot, all of it, the people, the buildings. The trees. The air. Him. You.

Some days, most days, you can’t quite look them in their faces. It’s guilt, you suppose. Guilt and acknowledgement of a fear so pervasive you no longer notice the way it clings like a second skin. You’ve convinced yourself if you meet their eyes you’ll find them glaring at you, envious and accusatory. Or worse–you’ll see the future, suspended in the flat, glass pupils of a dead game animal.

Occasionally you punish yourself by looking too closely. You note the receding hairlines, where the skin beneath the wax has dried and pulled taut and shifted the scalp along with it. You observe the way the light shines through plump round fingertips that are only hollow shells of wax, all that soft flesh desiccated and shriveled to a skeletal wedge underneath. You wonder, sometimes, whether Vincent smoothed over any flaws–scars, moles, asymmetrical lips. You touch your face subconsciously and think about the things he might fix for you.

It makes you feel like you are tiptoeing on the precipice of sanity, arms wide, just waiting to topple.

You take a particular interest in their clothing, wonder whether it belonged to them or to someone from the town. You never ask Bo, although you know he could tell you. You ignore the obvious parallels like a badly stitched seam. None of the clothes you wear belong to you either.

There are more residents than you ever imagined, half the houses not as empty as you assumed. Ten years, three brothers, three hundred and forty-nine holes to fill. You were decent at math in a past life, but nowadays, you try your hardest not to solve problems, no matter how they howl and scratch at the door. You’ve become adept at avoidance of the obvious in favor of learning how to assimilate into the cobwebs and shadows. No one can kill you if you’re already dead. You believe that so hard sometimes you can’t see your own reflection.

You believe it so hard that when you find it, on a girl in a house on a street you’ve only been down once or twice, you can’t make sense of it for several long seconds, staring dumbstruck and stupid while the static subsumes your brain.

“Let’s go,” he barks from the sitting room. The couches are pink and floral and faded.

You cannot move. You are made of wax.

“You deaf? Come on.”

She’s wearing cutoff jeans and the t-shirt you bought on a trip two years ago, or maybe three. There’s blood, brown and faded from half-hearted washing, streaking the collar and left sleeve.

Her hair is lighter than yours, and shorter. Her feet are smaller. Her nose is bigger. But the shirt is yours, and so is the blood, and for a second, you know you are a ghost.

“Hey.” He grabs your arm and turns you around. You think maybe she’ll move, now that you’re not looking. “You got a problem?”

You cannot answer him, because you do not have a voice. Because your lips have been glued together and painted the perfect pink. His gaze flicks from you to the girl and back and you wonder if he kissed her the way he kisses you. You hope he can see it, the way you are withering under the wax. You hope he will pick you up, cradle you in his arms, take you home and take care of you, make you whole, make you human.

Isn’t that all you’ve ever asked for?

He snaps his fingers in front of your face and you flinch, because you are real after all.

“Let’s go.”

You let him push you towards the door, hear him close it behind you, feel the floorboards shiver as he follows you down the hall. He puts his hand on the small of your back and ushers you out of the house, down the sidewalk cracked and stuffed with weeds keeling over in the heat. You can feel your feet melting to the concrete, skin crawling, sagging. You try not to stumble. You don’t want him to leave you behind.

“She ain’t you,” he mutters at the end of the street, so low you barely hear him over the buzz of the cicadas.

You aren’t sure if he’s lying, now or ever. You don’t ask him where her clothes are and he doesn’t offer. She might not be you, but you might be her. And you both might be someone else.

Either way, the shape of her is burned into your vision in blue and green, and she shakes her head at you when you close your eyes.

You wake to the sound of rain on the roof and it pulls you immediately from bed, stumbling sightless over your feet to get to the window. You yank on the mangled cord to raise the blinds and sure enough, the dust of summer is melting down the window in waves.

“Bo,” you say hoarsely. “Bo, look.”

It is then that the silence of the room seeps into your brain, the conspicuous lack of snoring. Your heart sinks into your wringing stomach.

In a perfect world, he’d be taking a leak. He’d stumble back to bed and wrap you in his arms, press a kiss to your temple, and you’d drift back to sleep in the bliss of air conditioning.

Your world is a few dirt road miles south of perfect.

You have to go find him. Find him and haul him out of whatever dark place he’s waded into, before he comes back worse than he went in.

The hall is a throat you have to fight against to get to the stairs, black and humid with walls that breathe. You feel cobwebs on your face and slap them away only to realize it’s your own hair caught on your lashes. The glow of the TV laps at the bottom step like floodwater, makes the carpet undulate like something just sank below the surface. You hesitate, for just a second, before you step down and feel solid ground beneath your feet.

He sits slouched on the couch in front of a screen full of static, deadeyed, jaw clenched. He doesn’t seem to notice you, quiet, creeping thing that you are. The static sounds like rushing water. Mangroves rise from the shadows in the corner of your eye. Lilypads part around your feet. If you turn your head just right, his eyes flash red in the light.

You stop halfway between the stairs and the couch, unsure what kind of animal you’re approaching. Your hands float up like a shield, like a bridge. “Bo,” you say softly, and it echoes in the night. “Are you okay?”

He blinks, like a person. You notice a bite mark, a purple half moon in the meat of his forearm. Your skin is well acquainted with the shape of his teeth.

“Bo,” you whisper. You don’t want to get closer. “Come back to bed.”

You hear a splash in the kitchen. The carpet squishes between your toes. Something brushes your ankle and wriggles away. You need to get out of here. You can’t leave without him.

“Baby…please.” You step towards him and freeze as he lurches forward, sits up straight. His hands dangle between his knees, his gaze still locked on the fuzz of the television.

“I killed my mama, y’know.”

His voice is pitched, low and dull. A sheen of sweat glistens on his upper lip and cheekbones. The color is gone from his face and here, in this place, he looks almost green.

You fight to form breath into words. “I…I know.”

He’s speaking again as though he didn’t hear you. You can see in his eyes he is far, far away. “I watched her die. Took a real long time. But I stayed…waited. Had to make sure.”

The water is rising, cold and slick, over your ankles and up your calves. Panic rises with it, packs into your throat like silt. “You were real brave, baby. You did it. You made sure.” Your voice is thin as a reed.

A terrible, empty grin cracks his face and then vanishes without a ripple, and now he looks at you for the first time and his eyes are hollow and blue as marbles and he whispers, “Then why ain’t she dead?”

The water surges to your knees like it’s been displaced by something large, something prowling. You teeter forward, heart hammering, splashing as you regain your balance. Too loud, too loud. Do alligators eat each other?

“She’s dead, Bo. She is.”

“Don’t lie to me, bitch!” He rises to his feet so fast you lose your balance again, flinching back from him. “She ain’t and you know it. You’ve seen her, she’s here! In this fuckin’ house!”

You shake your head quickly and in your periphery something ducks beneath the surface of the water. “No. She’s not.” Convince him, convince yourself, make it true.

His chest is heaving, his gaze darting around the room, searching. You can picture a shadow in shadow, curled up and waiting in the corner of the ceiling like a fat black spider, fingers splayed wide and tipped sharp and red.

Bo grips the back of his head and moans and it echoes off the trees, too loud, too loud. “Fuckin’...everywhere.”

Faded flowers. Blush, lipstick. A trick of the light. A locket wrapped in vines. Something hunting, just below the surface. If you let it rip him apart, would it come for you next?

“She’s everywhere…in my goddamn head….” He sways on his feet like he might fall and if he does, if the swamp swallows him, you’ll die here in this place.

“Hey.” You close the distance, push through the muck, brush his elbow. “Hey!”

He smacks you away, snaps his jaws closed. “Don’t touch me!”

You cringe and the hair on the back of your neck stands up. Something groans in the dark. Something moves near the ceiling.

His eyes on you are predatory, cold and empty, and his brow furrows. “Who are you?” he demands.

Wide-eyed, you open your mouth to answer him, but there is nothing on your tongue but moss. “I don’t…I don’t know.”

He leans toward you. “Who the fuck are you?”

You hold your hands up in front of you, backing away, mud between your toes. Your fingers are skeletal. Your nails are painted red. “I don’t know!”

A terribly low, vibrating sound is rising from the water, sending ripples in all directions, freezing your heart in your chest. He moves towards you and the swamp parts around him, allows him to pass like he is a part of it.

“You ain’t leavin’, baby.”

His teeth are sharp.

He lunges.

You scream.

The sound gets caught in your throat like a wad of feathers and bones and you choke, twisting, coming to in your bed. In his bed. Disoriented, you gasp for breath and release the death grip you have on the sheet. Your brow is so sweat-soaked your eyes are beginning to sting. The air is dry on your skin; the blanket is gone. The lower half of your body is tingling.

His head lifts from between your thighs and he looks at you with eyebrows raised. “Easy, sugar. Ain’t done with you yet.”

“Wh…what?” You rub at your eyes, trying to shake the sensation of water closing over your face. Somewhere, some version of you is bleeding in the silt.

His tongue makes another pass and you whimper, arms shaking with the effort of holding yourself up, of treading water, of fighting the maw of a monster. “Relax, baby. Go back to sleep.”

It’s all so insurmountable, the weight of it on your chest, and you sink back into the mattress without a ripple. His mouth is wet and warm. His dark hair is disheveled and you wonder absently if he misses it, that lock you stole. The room is silent save for the sound of your drowning.

“Is it raining?” you whisper, and hate yourself for the hope behind it.

He pauses, meets your gaze over the watery surface of your body. All you can see are his eyes and you could swear, for a second, they reflect neon red. “No.”

You let your head drop back onto the pillow, let him devour you, feel a tear slip over the brim of your lashes and disappear into your hair.

The storm breaks on a Wednesday.

At first, you don’t register the rain on the roof. You don’t even take note of the thunder anymore, after weeks of torment. It’s become a fixture like the dust, like the pervasive smell of decay.

It starts slow, cautious, rolling into town like a tourist with a busted GPS. You mistake the patter for the familiar buzz of TV static even though that makes no sense, even though you’re the only one in the house, even though the TV is off in the next room. All you can hear is the rough swish of the scrub brush on the hardwood floor, coaxing flecks of blood from the gaps between the boards. It’s already beginning to reek in the heat.

You wanted to clean it up last night when it was fresh but he wouldn’t let you, strongarmed you up the stairs and pinned you to the mattress. You’d never admit it to him, to God, or to yourself—and really, is there a difference in Ambrose—but he fucks so good when he’s riled up like that, when it feels like he can’t get enough of the killing so he’s going to take it out on you, take everything you have to offer him plus a little bit more.

The cut on your palm is half-healed and hurts when you put your weight on it. There’s something about that—familiar, comfortable, not grounding, not really, but like static. Stable. Buoyant. Like the bruises on your knees. A constant that cradles you and takes you up and out of here, not too high, just above the trees.

A stair creaks behind you and you freeze like a hare in the shadow of a hawk. It could be Vincent, but he’s busy with last night’s batch. It’s not Bo.

You ease yourself up onto your knees, rock back, stand up, and creep to the foot of the stairs. They are empty. You are alone with the sense that someone has just disappeared out of sight, retreating up into the aching cranium of the house, skirt swishing.

You are never alone, not really.

It’s only then that the sound of the rain seeps into your brain, soothes the hair standing up on the back of your neck. A weight you have been holding on your shoulders since the end of July dissolves like sugar and your spine lengthens by inches. You drop the brush, forget the ghost, walk barefoot through the bloodstain on your way to fling open the front door.

It rains.

It rains even though the clouds are thin, the sun forcing its way through in places like it just can’t bear to admit defeat. It rains and pools in the potholes of the driveway that have been waiting open-mouthed to be filled. It rains and the grass and weeds release a sigh of bliss, stop begging for mercy.

You step down from the porch in a trance, palms up and open, trailing pink-tinged footprints that melt across the concrete like raspberry taffy. You walk across the lawn, scuff your feet in the grass, wonder if maybe you’re dreaming and decide you don’t care.

You sink to the ground, sprawl on your back, feel the damp soak into your clothes and your skin and it makes you whole, makes you new, makes its apologies for taking so long. You are floating, only eyes above the water, surrounded by salvinia and duckweed.

You hear his footsteps just before he calls to you. “The fuck you doin’, girl?” he shouts, but when you open your eyes, he’s losing a fight with a grin, picking his way up the slippery hill.

You sit up halfway. “It’s raining.”

“Y’don’t say.” He drops to his knees beside you, slumped with relief.

His wifebeater is splattered with blood and water but you grab it with both fists and pull him to you, catch his mouth and coax him to the ground.

“Crazy bitch,” he mutters, but he guides your hands to his belt and grips your ass with both hands as you fuss with the buckle, even rolls onto his back to ease your way and lifts his hips so you can tug down his jeans. “Right here, huh?”

“Yes.”

“In the front goddamn yard.”

“Yes!”

“It’s fuckin’ rainin’!”

“I know!”

He laughs and the heavens giftwrap it with a roll of thunder. You're giddy, beaming at him, and he traces your smile with the pad of his finger and something akin to admiration.

You're brand-new, him too, and both of you together. Like it's the first time, a better first, another universe. His hands are on your thighs and his shirt rides up above his stomach. Water drips off your nose and onto his lips and he licks it off like it might save him and maybe it just might. Maybe it’ll save you both.

Exhausted, exalted, you wash the sweat and grime off each other with filthy hands and thirsty mouths. You wrap your fingers around his bare shoulders and ride him with your eyes open and your breath hot on your lips. It’s a fever breaking, the panting, the shaking.

The locket taps against your chest, the lock of his hair tucked inside it. He cups your face, slips his thumb in your mouth, and there’s blood beneath his fingernail. You suck it clean with greed and obedience, savor it, turn your face to the sky and let the crocodile tears run down your cheeks.

“That’s my girl,” he growls, and you bask in the rare and wondrous glow of his approval.

You come apart in splashes like raindrops, small, staccato swells in your core while he kisses the rain off your skin. His hands find the bruises they’ve left on your hips and squeeze and it’s all you could ever ask for, to be held. To be hurt. To be his.

Maybe it’s not so bad, you think. Sometimes. It’s not so bad.

“Y'know, girl, maybe you're right,” he says. "Just this once."

You’re confused until you realize you’ve spoken out loud. You look down at him, cold skin, wet curls, a smudge on his jaw that could be mud or blood, his or yours or someone else’s. He looks back like he sees you.

“You love me?” you ask him before you can think better of it. Before the rain stops.

The corner of his mouth twitches. His gaze slides past you, goes somewhere else, above the sea of trees. The sky is in his eyes. “Sometimes.”

You don’t smile, don’t sigh, just push the hair off his brow and sink slow and gentle beneath the surface and into the green, not a ripple made in your wake.

“Good.”

#this really truly took it out of me #vignette-style writing like this is SO HARD for me idk why #but i wanted so many moments of normal life in hell and i wanted them all #he's probably so ooc god but it's fine it's fine #we're so back #bo sinclair #bo sinclair fanfiction #bo sinclair x reader #slasher x reader #house of wax fanfiction

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loveyhoons · 6 months ago

Text

YOU’RE MINE⋆✴︎˚｡⋆ | s.jh

pairing: sim jaeyun x f!reader

genre: tatbilb! inspired, fake relationship!

synopsis: when you and jake get into an argument, you decide to get over your fear of driving by yourself and tell him how much he means to you

featuring: jake & sunoo of enhypen, ej from &team

word count: 3.0k words

warnings: cussing, kissing

author’s note: hi everyone, long time no see 😭👍🏼 i decided to put out a little au for you all since i have not published something in a while! rest assured, i hope to get my other fics out hopefully very soon, but i am currently still in the process of writing them!!

if you watched tatbilb this is loosely inspired by that movie, i recently rewatched it and was like let me write something up

hope you all like this one :)

You stopped at the red light, tapping your fingers back and forth on the steering wheel.

You hated driving when you didn’t need to-more like when you weren’t alone either.

You constantly looked back and forth on your side mirrors, hoping the light would turn green soon. You did not know whether it was the cup of coffee you had this morning or that talk you had with your older sister’s ex-boyfriend EJ yesterday afternoon but it all seemed to snowball to this very moment.

Scratch that, it all was valid reasons why you were feeling this way- more specifically why you were feeling all these things for one person.

Jake Sim.

It all started in October last year when you both agreed to mutually get into a fake relationship.

With your younger sister sending out all your love letters in the mail (that were supposed to be kept a secret), you were in deep trouble.

According to her, she wanted your life to have some spice in it-whatever that meant. Well, what you didn’t know was that when you almost backed up and almost hit Jake on the first day of school, she immediately thought she could give you a little push. And with his name matching up with one of the letters she so happened to see in that little teal box, she knew what had to be done.

You remember running laps in PE, trying to ignore the sunlight and get the period over with. You stopped out of nowhere hearing Jake call your name. You turned around, seeing him walk over towards you, leaving you behind as your classmates ran ahead, getting further and further away.

As soon as you saw a letter in his hand, you felt your heart race. You recognized the pink paper and saw it was accompanied by a brown envelope- one with a forever stamp that had a blue bird on it, the design you ever so remember: it was the one you used for all your love letters at that spur of the moment you had back in freshman year.

Whenever you had a crush so intense to the point you felt like your heart was about to be ripped out of your chest, you wrote love letters. You remembered storing the letters in the teal box your Mom gave to you shortly before she passed.

You thought that keeping it safe inside the box was like a metaphor in a sense. The teal box was like your heart. It saved all these bottled up emotions you knew that you would keep and never reveal even in a million years.

But, it all went wrong once it got into the hands of those 5 guys you wrote to.

EJ your sister’s ex who happened to be your neighbor.

Heeseung Lee from summer camp.

Jake Sim from seventh grade.

Beomgyu Choi, your homecoming date in freshman year.

and Sunghoon Park from Model UN.

You mumbled to yourself, trying to decipher if this was real or reality. You then passed out and felt like you were in a dream.

A very bad dream.

Jake ran towards you, unsure of what to do. You slowly woke up, hearing the worried tone of his voice as soon as you opened your eyes.

You remembered sitting up as Jake bombarded you with questions asking if you needed water or needed to go to the nurse’s office.

And out of nowhere, EJ then appeared walking from where Jake came from, also holding a love letter in his hands. As he came down towards you, you gulped, immediately freaking out.

You kissed Jake out of nowhere as soon as EJ called out your name, immediately earning yourself an extra lap to run after.

Jake was shocked-well the both of you were. You could not believe you did that and was baffled over the whole situation.

What you didn’t know was that this would all be the start of your little contract.

Jake just broke up with his ex girlfriend a month prior to school starting. His ex was also your old best friend from middle school.

It was in the 7th grade when you both had a huge fight that would then lead to you breaking things off.

You all were at a mutual friend’s birthday party. It was a classic game of spin the bottle and the bottle landed on you then on Jake. Your mutual friend dared you to kiss Jake on the cheek.

And little did you know your best friend had a huge crush on him. And that was the end of your friendship. She just left you and you still wondered why it even happened.

With the both of you needing a favor from each other (Jake thought this could be something you would do in return for that kiss), you both agreed to make Jake’s ex jealous and you agreed to keep it up in order for EJ to not talk to you.

You really couldn’t face him at all after what happened, especially with your sister. You were at the last resort of options and decided to make a whole contract with Jake.

Anyways, it only really was supposed to be until the annual ski trip in December before winter break…right?

You would then hold hands in school, have the love letters you ever so wanted written to you, and the recreation of scenes from classic romantic comedies you loved watching with your sisters on those warm summer nights.

Jake would spin you around, give you the biggest back hugs, and wear your scrunchies on his wrist even if you weren’t there physically with him.

“What’s this?” You ask Jake as you hold the folded piece of paper in your hands. You unfolded it, seeing a paragraph on the top half.

He smiled, pointing towards it. “Your daily love letters Y/L/N.”

You read the cheesy paragraph to yourself, smiling. You looked up to him, trying not to giggle. “Who knew you were so good at writing?”

“It’s only for you.” Jake nodded his head. “You ask and you shall receive.”

It felt nice. You hated to admit you liked it. Maybe it was the fact you never had a boyfriend or the way you always so wished to experience what it would feel like to live in your own little romantic comedy.

But at the same time, you felt a wave of sadness knowing it was just all for show.

You knew things would end with Jake eventually and this would all be a nice dream you’d have to wake up to. He would eventually be back with his ex and your relationship would just be another silly thing that would slowly fade from your memory.

You felt like shit too, hiding this all from your older sister knowing you told her everything beforehand. After she left for her study abroad to France, you had no idea how to tell her about Jake or what was going on between you and EJ.

You felt overwhelmed, unsure of what to do.

And then the annual Ski trip came around and when things really started to become a bit different for you both.

You realized you fell for Jake and you wanted this relationship to be real. You wanted him-but this time as your actual boyfriend.

And that’s when you heard he was at the swimming pool. And that’s when you both shared a passionate kiss, as he also admitted to falling for you in the process too.

“Fuck, I’m going to look insane.” You mumbled to yourself, taking in a deep breath. You got into the pool, removing your bath robe. Feeling a bit chilly in your nightgown, you quickly went towards Jake. He gulped a little, flustered. He felt his heart race.

“Why didn’t you sit next to me on the bus?” Jake asked as you floated next to him.

“I figured you’d want some alone time with your ex, that’s all.” You replied a bit reluctant.

“But she’s not my girlfriend Y/L/N.” Jake bit his lip. “You are.”

“Jake-”

“I think we need to end the contract now.”

You raised your eyebrow. You could feel the disappointment and the heavy feeling in your chest. Shit, should you even still confess how you really feel?

Jake then grabs your hands as he sighed. “I don’t want to be in a fake relationship, I want us to have a fresh start with each other, I want to make things real. Rip the contract whatever we had written on there doesn’t matter anymore.”

“Wait Jake.” You felt your voice squeak a little in shock. “You’re not joking?”

“No Y/L/N. I really like you. Who were we kidding, getting ourselves into this situation? I feel like I’m just blabbing on and on but I do hope you feel the same.”

You smiled, feeling your cheeks burn. Nodding your head, you then placed your lips on his as he held you closer to him.

As you pulled away, you whispered in a smile. “Don’t worry, I feel exactly the same.”

He wrapped his arms around you as the two of you embraced in another kiss.

You felt like your life was turning for the better after that. You thought you and Jake could just rip up that contract and call it a day as soon as you both got back from the trip.

But things would only crumble from there.

As soon as you got off the bus the day after, Jake’s ex taunted you.

You thought you had lost that scrunchie- the first one you gave to Jake on that first week upon dating.

But why was it on her wrist?

You remember storming off, not even saying bye to Jake, just out of it, baffled as if whatever happened the evening prior felt like nothing even mattered.

Then your sister came home from France and found out about your little letter to EJ (thanks to him interrupting your family dinner on Christmas Eve).

Jake happened to show up at the same time as EJ did and the two ended up almost in a fight. Jake wanted to explain that nothing happened and to apologize for the scrunchie but then EJ bursted out and spoke about how he felt, confused as to why you were dating Jake.

Little did you know your older sister was behind the front door the entire time, accidentally hearing everything from the love letter to you and Jake being in a fake relationship.

She was speechless to say the least. She was disappointed you held everything in and did not tell her anything, telling you, you should not go through anything alone.

You cried on your pillow that evening, not even able to fully process how things went wrong so quickly. You remember feeling defeated and as if the Christmas spirit just washed away the next day.

And to make matters worse as soon as you got back from break, a mysterious person posted a video of you and Jake’s heated moment at the pool.

And you remember storming off on Jake, calling it quits.

It hit you that you may have lost the best person that ever happened to you.

And you didn’t know how to accept losing another important person in your life.

After you and your older sister worked things out, she was successfully able to get that video off Instagram (thankfully the help center was ever so helpful).

You made amends-somewhat- with Jake’s ex who admitted to posting the video on a burner account. She admitted the whole spin the bottle situation was why you both stopped becoming friends and left you in pure shock.

Even though you did not understand why she could not just tell you in the first place long ago, you accepted it already happened.

You could not just go back in time and undo things, you needed to face what was in front of you.

You eventually worked things out with EJ. You explained everything and apologized for the way you acted.

“Who cares if it was fake?” EJ snickered as he shook his head. He shifted his position a bit on the stair you both sat on. He tried not to laugh, glancing at you. “I could tell it wasn’t fake for you. You had that type of look in your eyes. It reminded me how your sister looked at me when we were together.”

“EJ, you’re funny but I really don’t know anymore.” You replied, hugging your knees.

“If Jake fucks this up, I hope he knows I won’t let him off easily.” EJ snapped. “This is not only for you but also for your sister. I rest my case.”

Your front door then swiftly opened to your younger sister who sat in the middle of you both. She had the teal box in her hands and took off the lid, showing the contents inside.

Instead of those love letters you wrote in the past, it was filled with the love letters that Jake wrote you. All of those letters were stored inside, each folded like how he gave it to you.

“I may have eavesdropped-I didn’t mean to okay.” Your younger sister awkwardly said. She then took one of the letters and held it up. “But I hope this gives you more of a reason to get back with Jake-not that I need a ride to school or anything. Also please, I hate to see you crying over the smallest things. I need him back in our lives. I don’t know if I can stand hearing your bitter thoughts in every romcom we watch now any longer.”

You looked at your sister in utter shock.

“The kid has spoken.” EJ smiled as he stood up. He then cooed, looking towards you. “It’s up to you now whether or not you want to put it in action.”

Now here you are on a Sunday afternoon, driving to the school campus to find Jake.

You texted his friend Sunoo in the morning who also was on the soccer team with him.

It turned out the team had practice on the weekends as the soccer season was starting once again. Sunoo texted you right after practice ended and said that Jake should still be there as practice ended a bit later than expected.

So you grabbed your keys as soon as Sunoo texted back, immediately driving out of your driveway and onto the road.

Jake was left behind according to Sunoo as it was his turn to put the soccer balls back into the large shed by the PE locker rooms.

This was the first time you drove by yourself.

That fear of yours didn’t seem to matter at all in the moment.

You just needed to make sure you would make it before Jake would leave. You could not keep your feelings to yourself anymore.

You pulled into the right school parking lot and parked your car in one of the empty spots. You got out quickly and pressed the lock button on your car keys, immediately running towards the field.

As you walked into the campus and straight to the field, you panted for a little. You stopped at the field entrance, scanning the area for Jake.

You then spotted him, putting the soccer balls into the large bags towards the sides by the left bleachers. You ran again and called out his name, going straight towards him.

Jake turned towards your direction and turned his head slightly, making sure he wasn’t hearing things.

You then stopped in front of him and sighed. “Holy shit, I feel like I’m in PE.”

“Did you drive here…alone?” Jake asked in shock as you nodded your head. He put down the bag of soccer balls, kicking it towards the side.

“Yes. I drove here alone.” You said a bit out of breath as you walked closer to him. “That’s not important right now.”

“Y/N, what’s going on?”

“I’ll just- you know what, I’ll just say whatever I am feeling right now.” You looked at him and started to speak, feeling your voice break a little. “Jake I’m so sorry for not texting you the past few weeks and for ignoring you. I just needed time to think things out.” You sighed. “I am so sorry I didn’t work things out and just left you in the dark. I realized through all of this that I want you. I want us. I want to fight for you like you did for me this entire time. I want to experience the good and bad times with you. I just want you here,

I want you with me.”

Jake’s eyes widened as his lips pursed into a smile. “I’m sorry too. I swear we didn’t do anything with each other and I feel stupid for not getting back your scrunchie and just letting her do whatever she wanted to do. I just- after you going no contact with me I didn’t know what to do then with the video being posted. Fuck, I didn’t mean for that to happen either.”

What’s done is done. I am leaving that in the past.” You replied. “I just wanted to get it out of my chest whatever I’m feeling because truthfully I like you a lot Jake. I understand if you don’t want to get back together- I just want you to know so I can get closure- we can get closure, heck I think I just got over my fear of driving alone.”

“Woah slow down you’re getting ahead of yourself!” Jake chuckled, trying to calm you down.“Sunoo sorta told me you texted him this morning…I was kind of expecting you.”

Your eyes widened in shock. “He wasn’t supposed to say anything.”

Jake cupped your cheeks in his hands and sighed. “What am I going to do with you?”

You intently looked up at him as he clicked his tongue. “There is no way I am letting you go L/Y/N. We will make this work I am sure of it. You think I would really let you go after what happened in the seventh grade?”

“Not you mentioning it again, I can’t believe you still remember that…” You shook your head in embarrassment.

“I’m just telling the truth.” Jake said defensively as you smiled. He then took a deep breath and asked,”Now, the real question is… can I be your boyfriend-like your real one?”

You smiled, nodding your head. “Didn’t need to ask, I'm all yours.”

Jake pulled you in for a kiss as you moved in, standing closer towards him. And you stayed like that for a little while, relieved that you found your way back to him.

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#enhypen au #enhypen x reader #enha imagines #enha scenarios #enha x reader #jake x reader #enhypen jake #enhypen jake x y/n #enhypen jake x reader #enhypen x you #enhypen imagines #enhypen scenarios

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