#bc wow i love him actually

[kindahoping4forever]

Chat with Ashton Irwin - Straight To Your Heart Release Day YouTube Livestream

[lotus-pear]

charm stat at debonair ‼️‼️

[faunandfloraas]

[puppyeared]

(guy who has never played cotl) haha au time

[orengejoshi]

Paperhatober Day 13: Plush

Build-A-Flug(?)

[heshemejoshi]

going west

[ruporas]

special operatives (silly interaction beneath read more)

[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]

[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]

[myokk]

🥺

[teeth-draws]

Chase suffers in love but the other Norms still let him come to their little photoshoot

[snakes-of-the-undercity]

Potentially deep fried take -

Maddie (our adorable pro-martial law ginger) is essentially just topside powder. She’s a girl who’s grown up around violence but in such a way that it seems almost idealistic as she hasn’t seen the real horrors of it. Her idol(s) are viewed as leader figures in regard to her country and her own ‘family’ (Cait/Ambessa & Vi in Maddies case and Vander/Sev & Vi for powder)

Her willingness to commit acts of violence for approval and/or what she perceives as ‘justice’ are also very similar to Powder.

She’s written as disarmingly sweet but also rather ignorant, as is Powder (though for different reasons; Maddies ignorance is to the undercity and the world whereas Powder was ignorant to the intentions and rules of others, both of which has directly or indirectly contributed to major conflicts in the story)

They both think themselves capable of more than they are, as evidenced by Powder killing her entire family ‘only trying to help’ (god I hate that line it makes me want to scream) and Maddie attempting to take on Shimmer knights and joining Caits task force even though she seems to be a new recruit with little remarkable skill.

Maddie also, like Powder, doesn’t seem to care about large-scale problems and more so on what those closest to her think and approve of.

And idk I’m just hung up on the whole ‘idealizing violence without a proper understanding of it because those they look up too have had to use it’ thing ig

[shima-draws]

THAT right there, ladies and gentlemen, is a LOVE CONFESSION

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[wordy-little-witch]

Ya know what occurs to me?

Karai Bari is in the New World.

Crocodile and Mihawk only showed up after the establishment of the delivery service.

Buggy was in Paradise. Marineford would have been in Paradise, I think, or at least Buggy's crew still was.

He doesn't have conquerors to cross the calm belt.

So... to get to the New World and set up shop, he'd have to have gone through Fishman Island, wouldn't he? So he'd had to have gotten the ship coated.

He'd likely have had to face Rayleigh or at least he'd have anticipated it - maybe Shanks even mentions Rayleigh hanging around there, maybe even mentioning him having NEVER missed Shanks passing through....

So when Buggy goes when Buggy expects to be found and claims to be dreading it and is but is also so hopeful so scared so broken so hesitant he's got a few different courses figured for how this will go down.

Only.... Rayleigh isn't there. Shakky is. She just directs them to another coater. Buggy fights himself, wants to ask, doesn't want to beg, and-

Shakky answers the question he couldn'tdislodge from his throat. "Sorry, baby blue, Ray's just working on something real important. You know how it is."

He does. He does know how it is. Important, huh? That's fine. It's probably a job. It's probably not that big of a deal that dad master Rayleigh is preoccupied. Buggy shouldn't have expected the man to drop everything and come running why did he think that, Rayleigh never did it before, not even Shanks' assurance he'd leave a message for Rayleigh would change much, and fuck he can't afford to cry so-

So Buggy gets the ship coated. It's not as pricy as he'd worried. He navigates them down, can even bring himself to smile at the wide eyed wonder from the rest. It's nice. He's fine here - these are his people. He's okay, really, and he'll be able to let this go or shove it into that nameless box in his head and heart soon enough. He just has to ride the wave, you know-?

Only no. Not really. Because a newspaper lands in his hands. And his brain is racing.

Because Rayleigh wasn't at Sabaody at all. He was with Strawhat. He was training Strawhat. He showed up, after the war, so close to the conflict, to train the kid. Rayleigh is fast, but not that fast. He'd have to have left around a week before Buggy even arrived. Shanks had assured him Rayleigh was there when he dropped by ((two weeks ago)). He knew because his brother had wrapped him in his arm and tears were shed, voices were raised and hearts were broken, wounds torn open to drain the festering rot and the healing hurt, it hurt then, it hurts now, it will hurt and hurt and hurt, because Buggy had pushed the Big Top to her near limits just to reach the archipelago that his former guardian ex-father previous family that Rayleigh called home. Shanks had called him, said he'd dropped the message and Rayleigh had chuckled and nodded and Buggy wanted to see his dad because there were still so many scars that had to be seen and acknowledged and Buggy himself wasn't even fully recovered physically but emotionally he had to do it, had to take the step and try because vulnerability brought the best and worst of him out, because he lost a brother and gained him back and he wanted for his father, at least one of them.

But Strawhat was on that front page. And Rayleigh was behind him, smiling, warm, proud, happy, and - Buggy aches. He's angry. He's livid. A week or so, by his estimate, for Rayleigh to find him and get there to the war ground. A week or so because Rayleigh was old but he was still painfully fast. In a week or so, the older man hunted down a boy he'd possibly met once or twice in passing. A week or so and The Dark King showed up to bring another strawhat wearing monster of epic proportions under his wing, had made impressive time in finding the kid, making the plan, getting to the navy hq, getting out, and that's accounting for the article writing, printing, and distribution.

A week or so to find a bright little sunshine boy he barely knew when one he raised rotted in a cell for months on end.

Busy with something real important, he recalled Shakky saying.

His chest burned for a moment, hot and wild and unyielding - and just as suddenly, the fire was gone. He was tired. He was so fucking tired. His injuries throbbed, his head hurt, his scars itched. He sighed, set the paper aside and curled impossibly small into his chaise lounge with a teary chuckle as he gripped his hair and tried to silence the keen building in his chest. He cursed himself for it, bitter and angry.

After all, he should be used to being outshined, out classed and out loved by energetic boys with bright smiles in little wicker crowns.

Story of his life

He is unaware of the many eyes on him, of the people Plotting and Arranging things on their own time. Their captain is the best - uncommon, unexpected, temperamental though he is, he is everything everyone needs him to be because it's the only thing he knows how to do. They see the seams in his mask and performance, and they ache to pay back the pain left on their captain, their boss, their leader and friend. Buggy pirates stick together, freaks and weirdos united - and nobody is allowed to hurt their captain without some serious followup.

[beescake]

yea i very much agree with ur take on sollux in his relation to older technology, u get it

please id love if youd share some more of ur analysis on his character (as well as ur art bc that shit is 👌👌👌)

either way, thanks for feeding my brain worms

im glad it resonated!! :') always happy to explore his character, he contains multitudes!!!

i think i may be out of sollux analysis for now, in the sense where i don't have anything new to add that hasn't already been covered in these posts? (please add if there's more...)

why i like sollux (lackadaisicallexicon, 2014)

comprehensive sollux status guide (syblatortue, 2016)

bioware machine (lime-bloods, 2016)

fridgestuck (LaureledEevees, 2017)

mary sue (3d-gla22e2, 2019)

favorite sollux trait (3d-gla22e2, 2020)

doom-bound static (gendertrickster, 2023)

however i will say there's another thing i really like abt him:

his Range!

he has a v flexible face.. even with his neutral expression, you cant help but read a tinge of melancholy/pensiveness to it.

he deters people from getting too comfortable with him by acting crude, but no matter how unapproachable he looks you can't help but wonder if he's ok. seems like he's never content with himself.

just like karkat, anger gives him purpose = something to care about & react to. without it he can appear aimless/uncertain.

it's especially interesting when you compare him to aradia, who despite having endured a lot of shit, ends up enjoying the freedom of expanding her worldview, riding the unpredictable tide of the narrative and observing the changes. sollux... doesn't.

he doesn't like watching major things progress in a way he can't predict. the lack of certainty actually overwhelms him.

and it's pretty clear why; imagine the only reassurance you get after unknowingly killing ur gf is that "it needed to happen". the only way to appease that sort of emotional turmoil is by intellectualizing those events as inevitable and out of your control.

(hs, A6I5)

when you’re just a tool for the author, trying to sit out is just feeble self-preservation until you’re needed again. if you’re not called on stage to help/assist in some way, it feels like your presence spells doom (either you or someone else will get hurt). so you avoid Events as best you can.

[stevens-pastrami-sandwich]

screenshot redraw YIPPEE 🐁🐁

We NEEDED to see more of the monkey sidekick having duo 💔 It's okay though, im not angry about this. *my nails dig into my fists*

[youmakethelight]

I need scenes where Daryl explicitly shows that he loves Carol for all of who she is as a human. I know we know it, even though that feeling has been fading since the spin-off and even in parts of season 11. But I reallyyy need at least one scene where Daryl catches Carol doing something distinctly Carol and looks at her for a *prolonged* time with unambiguous love all over his face. And then he actively shows and tells her. Like the scenes where Aaron and Rosita see Carol putting herself through pain to kill the horse to feed Alexandria. I need to know that Daryl sees that in her. And I need to see him radiate intense love in her direction because she fucking needs it.