#i need to draw weapons more i think
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sketch dump be upon ye! for i have been incredibly stressed! and am now sick! so there may be more⊠or maybe iâll take a nap who knows
#sageâs announcements#sageâs art#my art#sonic fanart#sonic the hedgehog#rouge the bat#amy rose#amy the hedgehog#tails the fox#miles tails prower#shadow the hedgehog#uuggghh tagging sucksssss#sonadow#theyâre on a date in the first one :)#also i canât stop drawing shadow in pretty dresses help#rouge gave me the opportunity to draw bat wings again and god am i out of practice i need to draw wings more#and as always#sonic with green eyeliner propaganda#even if itâs not colored#itâs there#also#amy rose was literally so fun to draw????#well everything except her hammer#i need to draw weapons more i think#and armor#mayhaps some satbk art soon?#we will have to see#also the last one is kind of not my best work which is a CRIME because i love the concept and im just too sick and tired to execute it well#might color some of them later#again who knows
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I interrupt my regularly scheduled program for this. hello jason todd community
#first other dc character I've drawn !! woulda thought it would be harvey dent but here we are#two face soon?? mayhaps#need some more bats and supes in the meantime#was listenin to my nu metal playlist while drawing this which I think was fitting#dc comics#dc#dc fanart#jason todd#red hood#batman#batfam#redbeeart#cw guns#cw weapon
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What are asgore and spades favorite colors
#deltarune#asks#drawings#asgore#spade#king of spades#spade king#asgore dreemurr#spadesgore#technically#king spade#no one asked but i want to elaborate#asgore describes colours in pairs not just because it might be the only colour theory he knows#but because thats also how he generally just sees. people and their traits#as if everything needs something to compliment#hence why he feels so out of place and useless to himself when hes not married/in a relationship#the way he describes yellow and purple are a good way to describe him and toriel in undertale#royal colours that are tied to hope but they only shine when theyre constracted against the grim tragedy that shaped them#with blue and orange it kind of describes sans and papyrus especially with how their comedic timing works#like when youre alone with sans in mtt resort the tone is a LOT more somber - colder#but when papyrus is by himself hes all jumpy and shit and he hardly seems as down to earth as he does with sans around#and red and green imo are the most important in analysing asgore specifically bc his weapon is red#but his shirt colour in post pacifist and deltarune is pink - literally a softer version of the cruelty we KNOW hes capable of#he describes it as just sort of -fitting- with the greenery he surrounds himself with and i think that mostly has to do with what he WANTS#all the plants and the greenery are ALIVE but almost toxic. meanwhile someone else most prominantly associated with red is rudy#the guys whole gimmick is having a bright red nose#its like asgore surrounds himself with the colour that would compliment the person he wants#or literally wearing their colours a la him and toriel having the same shade of blue on in undertale#and spade? hes just emo. he likes black because its a lack of colour - a lack of light#the reason he works as a good parallel to asgore in this sense is because he breaks asgores dychotamy and forces his own
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AVANT GARDE!~
GO-ON CRIMSON!!


Go-onger/Kiva AU where Wataru is the 8th go-onger. The team find him unconscious beside Ginjiro one foggy morning with an Engine Soul and Engine Cast beside him. He has amnesia and doesnât remember anything about his past aside from his name and how to play the violin. He canât shake the feeling that he should be somewhere else doing something importantâŠ
#ck rambles#ck draws#engine sentai go onger#go onger#kamen rider kiva#kurenai wataru#super sentai#sentai#kamen rider#i was gonna draw more but i spent all my creative reserves drawing the patches and text on wataru's jacket#yes batcula is a dragula. imagine a raspy old woman voice for her#bc. she's an old bat. i'm very funny yes#i simply think wataru would be a more enjoyable character if he was in a show that's good actually#almost posted this 3 times but got stopped by-#>wait he needs a weapon >i forgot the belt attachments >no wait this background shouldn't be my usual yellowy grey#the creative process babeyyy
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hold up chat am i cooking rn (is horrendously rusty, redesign btw)
#ultrakill#gabriel ultrakill#*puts armor over his waist* there maybe now you'll win this time#im gonna try to do the redesign prompt so: sketch of gabriel with more historically accurate armor and weapon#i need to make his halberd bigger i think but shrug#i am dog sitting so i cant no access to my drawing tablet i hate pencil sketches :')#sketches#radio's art#my art#my wips
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sometimes i think about the realm and tr!sneeg and i want to cry and scream . is this normal ?
#one would even say i want to stim#but i dont really do that . i just sit in the overwhelming feeling and scream to myself quietly/mentally#one time i experimentally flapped my hands and it worked immediately . so . stimming should probs be on the table for me#anyway i want to yell and stim over tr!sneegsnag#unless mentally screaming is stimming but i dont think it is .? it doesnt even like .#let out my excess energy or anything#i just Need to scream a little ! but i still feel AAAAGAGAGGGHGGGR (thats what the screaming is)#anyway RAAAHHHHH THE REALM EVENT TOMORROW im excited ^_^#why did sneeg have to change his main heavy weapon to a hammer instead of battle axe smh#battle axe is sm more fun to draw smh my head bro#and no i am not diagnosed with autism or adhd or anything#in fact i tried . no dice#although the autism assessment smelled like bullshit#considering i couldnt answer half the questions fuckin properly#since they didnt accommodate my selective mutism#so . shrugs . smile . aint that a thing that is a thing . Yep#tr!sneegsnag#trsmp#kristiliyaps
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@i-am-a-fan and I stayed up too late and were being stupid about PJO and this is the result <3
Introducing Ophelia Pham, the daughter of Hecate, and avid supporter of the second amendment (/lh)
#shes so yeehaw cowboy i love her#this is me ophelia is me#speck and i came up with so many dumb hcs its not even funny#anyway ophelia uses an ar-15 as her celestial bronze weapon of choice#i will always argue that demigods should have firearms because its funny and more practical for the most part#as a daughter of hecate shes got some sorcery in her so she can always bend the mist to suit her needs when it comes to her weapons#but i also think it would be funny if she had to disassemble it every time shes in public#so people dont question why shes carrying a big ass bronze rifle#so if she gets jumped she has to quickly assemble her gun to fight#its fine shes texan shes made for this#percy jackson oc#oc: ophelia pham#art#i love her sm#pjo#magnolia draws
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mobby with weapons
just some silly doodles. i want him to wield a firearm
live reigen reaction
#mob psycho 100#mp100#shigeo kageyama#kageyama shigeo#dimple and reigen are also here but not enough to actually tag i dont think#the combination of sweet innocent and hard cold metal murder makers is so fun to me#give that little guy a molotov#i need to draw weapons more often#first time in a while#it can b so fun.....
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why can you use transference on necramechs... they predated warframes but they're not warframe replacements
waddahell
is it because they have "sentient pulse disablers" which probably are void related (since otherwise sentients would have easily adapted to something technological)
honestly if i start thinking about necramechs my brain is gonna break
#wf tag#warframe is a bit iffy on what counts advanced enough for sentients to adapt to lmfao#tenno are void powered biomechs which is why they are direct counters#grineer use archaic ballistic weapons so sentients cant adapt to that#corpus logically should be the most vulnerable#as were orokin#so im just scratching my head here#what is the cutoff for technical complexity that the sentients start adapting to#also why is it something technically complex specifically#why am i asking warframe lore questions#need to draw more old man yaoi and think less
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Arsenic with these tbh... đ
Having normal thoughts that normal people have
#i think i hauve covid#i need to draw something for this but im about to go to class so it'll unfortunately have to wait.......#ask#biocrafthero#arsenic#for later#now im picturing that as like. his assigned preferred weapon#because i keep talking about knives but as ive said before hes more of a 'blunt violence' typa guy#this would be perfect........#dont look at me im thinking of mutant and omen yomi hustle .#i main mutant because it looks sick and it has Pounce. i love Pounce. mutant also has visible claws#and my friend specifically sent me omen because they thought 'hey thats a nick-like mod character there'#mutant has claws and omen has acid... i think is so mutant-coded...#close-range combat with claws.......#...sorry this wasnt supposed to turn into a rant about the turn-based fighting game#anyway i think it fits him. very much.#and it would also be very practical for- say- removing one's eye from its socket#mmmmmmm...
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If mario mafia peach would be the mafia boss and mario her body guard
#Ive thought this about work multiple times before#People should draw peach in cool leadership roles more#Not that dumb shit like the mario movie#Im sorry i still think it was dumb to act like peach needs to change to be cool#She doesnt need an axe she has mario to kill ppl for her#Also peach's weapon of choice has traditionally been a parasol#We've forgotten our roots real ones know#Anyway in the mario mafia au i think bowser would be a rival mafia boss i mean thats just obvious#Idk what luigi's job should be#I think he would work more on the technical side not cuz he CANT fight he just doesnt like to#Maybe they both got picked up by the mafia and mario protected him uweh#Peach keeps joking they can just marry him off cuz it seems all the families are interested in him lmao#super mario#smb#princess peach#mario mario#Btw ive said this before but ill say it again people making 'serious' mario content are my favorite i love yall#I read some super paper mario fanfics a WHILE ago and they were great
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hiiii i wanted to say your art is amazing and i love how ripped you draw the bg3 girlies omg <3 your anatomy is amazing too
ahhhh thank you so much!! đ„čđ„čđ„č Hell yeah they deserve to be shown with muscles that reflect their strength and training <3
#and thank you sm anatomy has always been one of the areas i care most about!! so this means a lot :D#anon#ask#but yeah its sooo important to me that Shadowheart has enough muscle for her armor shield and weapon#especially in the arms#and i think of her as having less visibly defined muscles than the others bc she has a bit more fatty tissue on top#while Lae'zel is 0% body fat ONLY lean muscle. wire mother lookin ass#and Karlach needs to be LARGE and BROAD#tho i frankly could draw her with a bear-ier build. but i just enjoy giving her those abs
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almost done jupe reference (wip) but i am. getting sleepy.
you too can get a funky cloak from the certified Not A Cult of Susurrus' worshippers!
#jupiter.speaks#.wip#> i have more lore but ive decided that he should have some more chaos in his life. sussy isnt enough#> and rheddah knows n seemingly loves sussy sooo...#> i was gonna have just a tanta who hates sussy n therefore wants them both dead BUT. lets make it messy#> now there is a tanta who hates them and a tanta who likes them. theyre at odds. this is what he has to deal with off the bat LMAO#> i need to finish his face + shows still. plus quite a few details i wanna add. his trousers arent right yet but. the jist#> its like. my first art of him is his initial 'in athia!' look. this one is what he usually looks like 'in rheddah'#> in game it would be a case of u can pick through the looks (+there are a few other cloaks im adding later too)#> but think imma do a separate ref for cloaks i already have the linearts done. just need to draw the rest#> final thing. the weapon spear needs fixing too But. fun facts. thats the shape of sussys crown i think jupe just pulls from there#> like so much of his powers are just. using sussy basically. and thats one of them. its the equivalent of freys sila sword or thalias sword#> FUCK. i forgot to add sussy to his arm. đđ the main fuckin component lmaoooo#> whatever wip i need to lie down my back wehgh old man
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I ??? woke up at 3am with this scene fully written in my mind palace and quickly jotted it down in the Notes app
*
Clarkâs shaking his head before he realizes heâs doing it, and feels a twinge of embarrassment at his own bad manners when Bruce stops mid-word to look at him, brows raised.
âNo?â he says.
âNo,â Clark says, again without thinking, and again with the reflexive urge to apologize. Somewhere his mother is tutting without knowing why. But he doesnât apologize, because heâs already saying, âNo, it canâtâit canât be that.â
âOkay,â Bruce says slowly. âCan you elaborate?â
He is, honestly, having trouble taking his eyes off the screen. The mockup design of his new suit is there, dark and sleek, ridged like tactical gear. The blue is like the last shade of evening before you canât call it evening anymore, the color of nine PM in Kansas in July, so exact thereâs a strong chance Bruce color-picked it from a photo. The yellow accents are the cool fluorescent yellow-green of lightning bugs. The red is dark as arterial blood. Every aspect of the suit has been updatedâthe colors deeper, the angles sharper, the S extending to the corners of its frameâbut Bruce has done it without changing the fundamentals. Itâs immediately recognizable as the Superman suit, just⊠well, a little cooler, maybe. A little more of the times. Even the tailoring is modernized. The neckline. The shape of the boots. Where the belt hits at the waist. Clark can tell just by looking that Bruce has not only spent a lot of time on this in general, heâs spent a lot of time designing it specifically with Clark in mind, Clarkâs needs and preferences and the small discomforts of his current suit, things he might have mentioned offhand after a mission but never with the assumption that Bruce was listening or filing it away. No doubt the next slides of this presentation will detail all the hidden features of the new suit, and theyâll all be incredibly thoughtful if not slightly overkill, and Bruce will pretend his sole motive here was practicality and risk reduction and respond to any thanks with a curt nod.
And Clark wants to thank him. He will. Itâs just.
âIt canât be⊠cool,â he says, inane. Bruce is watching him with that steady look that used to feel clinical, piercing, and now mostly reads as attentive. âIt canât beâlike yours. Tactical, military-grade.â
âLightyears beyond, actually.â
âIt has toâMa said once, a kid should be able to draw it with crayons. You know? I canât look like a weapon. I have toâI want to look like a friend.â
He can feel himself flushing. Itâs rare that he speaks like this, and rarer still that he does so while being stared at intently. Bruce may think of himself as the darkness, but his gaze is a spotlight: unwavering and revealing and more a little sweat-inducing, for one reason or another.
âSometimes, when I show up, people laugh,â Clark says. âIf itâs somewhere out of the way, where they havenât seen me before. I show up and I look like a festival performer. Itâll be the worst day of their lives, and theyâve got no reason to trust my face, but when they see what Iâm wearingâit goes from âWho are you?â to âWho is this guy?â And thatâs a good thing.â
âHard to be afraid of a man dressed in primary colors,â Bruce says, almost to himself.
âExactly.â
âI see. Thank you,â he says, âfor explaining.â
Clark tries not to show how surprised he is to hear that. Judging by the crook of Bruceâs mouth, his success is negligible. âOf course. Sorry I didnâtâI mean, thank you, obviously, for going to such trouble. I didnât mean to come in here andâI really do appreciate it, I can tell you put a lot of work inââ
Bruceâs eyes cut away. âNo. No need. I didnât ask, before IâŠ. It was only a first draft. If youâre amenable, Iâll incorporate your feedback into the second one.â
âOh! Yeah. Yes, of course, but you really donât have toââ
âIf you have any further notes, I would like to hear them.â
Thereâs something determined in the lines of his face. Clark has the sense that this moment is important, that itâs a turning point, even if heâs not sure why. It feels like striking out into a sea of ice, a blank white expanse under which something precious and vital is hidden, has been hidden all along, just waiting for him to find it. To want to.
âSure,â he says. He looks back at the suit and swallows, and knows Bruce will see the flicker of his throat and take some meaning from it, and wishes he knew what the meaning was. Or maybe Bruce wonât notice or read into it at all. Maybe Clark needs to calm down, in fact. âUm. I donât want to assume, but does it⊠do things?â
âIt does things,â Bruce confirms, after the barest pause. âLet me show you the next slide.â
#superbat#my writing#i was genuinely surprised to wake up and discover i hadnât just dreamed the whole thing
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The location of the sex shop I worked was a haven for spiders. We had tall ceilings and skylights and unused storage rooms. It was a spider paradise. We quickly sussed out which coworkers to call on in case of emergency. The Dorito lady was a solid ally for spiders but absolutely petrified of moths.
But thereâs actually a hierarchy of fear. Most people donât realize. The person least afraid is the one forced to deal with the bug in question. If coworker B was scared, but coworker A was petrified, well coworker B was gonna have to screw their courage to the sticking place because by the law of fear they were the most competent person on scene.
Thus enters Rick. Rick first appeared in the back storage room. This room doubled as a second bathroom so we went in on a semi frequent basis. The girl whoâd gone in to pee shot out again gibbering with fear about the biggest spider sheâd ever seen had just run across her boot.
We sicced Dorito lady on it. She returned, shaking her head. âHe was squatting on a power cord where it plugs in. I couldnât get a clean shot at Rick.â
âRick?â
She shrugged. âSpiders that big need a name. Seemed like a Rick.â
Rick, freshly named, became a store menace. Iâd normally say this was probably a case of multiple spiders being mistaken for one but everyone who encountered him swore up and down there could be no mistake. This spider was massive, fast, and distinct. A gladiator among arachnids.
I never encountered Rick. His exploits grew in the telling but the theme was consistent: no one could kill him. Heâd hunker in places that no one could reach and dart away when a strike missed. He also chased off the more faint hearted, charging them in bold dashes. There could be no benign cup transplant to remove Rick from the premise. He was not leaving.
The saga of Rick continued for two months. Not seeing him was almost worse, a fearful wariness when going to the bathroom or stepping into quieter areas. I waited with dread, hoping my eventual run in would have me on shift with Dorito lady to protect me.
It was not to be. There was a girl the same who hated my one moment of singing that was absolute piss-herself scared of spiders. Sheâd slam straight into a panic attack and couldnât think or speak. And so it was that one night on shift, I heard her scream.
It was unmistakable. I was in the front window turning off the open sign. Through an obstacle course of mannequins and lingerie I performed an acrobatic sprint out of the window, darting up to find her quivering at the front counter, fully crying. I radiated calm at her and said, âJust point.â
I knew it was Rick. Our destinies were intertwined and we had always been pulled toward the inexorable battle that was drawing nigh.
Her hand raised to point to our sandwich board sign at the front of the store. So Rick had the metaphorical high ground. There was no quick easy strike on the slanted signs surface.
I armed myself and marched into battle, my knuckles white on my chosen weapon. I would do this, because I must. Because there was no one else. And because I wanted to close and go home.
I saw Rick immediately and I honestly donât think Iâve ever seen a bigger spider since. Outside of a tarantula, he was truly the most massive spider Iâve ever beheld outside a zoo enclosure or terrarium.
We regarded each other. Rick launched off the sign toward me and I stomped my foot reflexively, making him pause in his charge. Then I raised my weapon. Anything else, I believe Rick could have evaded. Heâd bested most of the store thus far. But I had chosen chemical warfare.
I doused the shit out of that spider with cleaning spray, stunning him with a barrage of chemicals. While he froze, choking on the unexpected deluge, I dropped a paper towel over him. My foot came down.
I felt his exoskeleton crunch and I can feel it still to this day. The shattering was as of bones and I truly mourned that we had been forced into senseless war. If only he has cleaved tighter to the shadows. If only heâd crawled willing into a cup for relocation. I released a full body shudder of horror, fear, and adrenaline as I stepped back.
I took several quivering breaths. I donned a veneer of calm and tidied the battlefield of itâs corpse then went to reassure my coworker that all was well, while internally I still shook.
You fought well, Rick. I hope you sired many more monstrous children to haunt retail workers in the years to come. Rest in valor, you monster.
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make out sesh with 141 guys pls??? đ„șđđœđ
A make out session? Oh, yes please. I will say, thank you for leaving the prompt open. I was able to completely run with it and make it my own. I really hope what Iâve cooked up is satisfying. It was fun putting this together!
Youâve got some undercover work and pretending not to know each other, to deny feelings and then admitting feelings, to being sold to pay off a debt (dubcon on this one), and a brief pretend relationship.
For the masterlist and how to submit your own request, click HERE
Task Force 141 x Female Reader
Content & Warnings (per the warnings MDNI): dubcon kissing (Ghost & Price), arguments, uncover missions, suggestive themes, swearing, denial of feelings to admitting feelings, pretend relationship, Crime AU
Word Count: 2.5k
ao3 // taglist // main masterlist // imagines & what if masterlist
Kyle "Gaz" Garrick
âCome here.â
Kyle grabs your wrist and pulls you in the opposite direction. You spin into him, his other arm going about your waist.
âWhat are you doing?â you ask, volume spiking slightly in surprise.
âFollow my lead,â he murmurs, backing you into a dark corner of the packed bar.
The roar of the crowd is loud, but with Kyle caging you in, it all seems to dampen a little, as if the two of you are in your own world.
âKiss me,â he says.
âWhat?â
âWe need to blend in.â Kyle turns slightly, glancing over his shoulder., checking the room. âKiss me,â he insists, lowering his head until the tip of his nose brushes against yours.
Kyle is leading this mission. Itâs not like you to question orders, but you also arenât sure what it is he notices in the crowd.
âOkay,â you mutter, grasping the back of his neck to pull him close.
Closing the distance, you press your lips to Kyleâs, expecting him to remain emotionless and passive. But he surprises, subverts your expectations. Kyle melts under your kiss, returning with more enthusiasm than with what you offered. Youâre momentarily surprised, and in that opening, Kyle advances, turning the simple kiss into something more.
His tongue delves, and you taste him.
For a moment, you forget that youâre on a mission, and that this is Kyle, your coworker and teammate. A little moan escapes you, and Kyle responds by placing his hand on your ass, squeezing tightly, forcing you to remain still as he goes in for more.
Time stretches, and the sounds of the packed bar become distant memory. All you know is Kyle. All you understand is the feel of his hands and the way he devours you.
Youâre completely lost. Spiraling. Slippingâ
Kyle breaks away, and the loss is agony. His chest heaves, lips slightly puffy from your kisses. He laughs. Smirks. Rests his head against yours.
âGot lost there,â he whispers, and your heart flutters.
âMe too,â you affirm, wanting to say more.
Kyle draws back. Glancing over his shoulder again, he checks the room.
âGone. Good. We can go.â
No, you think. Why canât we stay here?
John Price
âGo on, doll. Sit in his lap.â
Hovering between remaining still or doing as your told, you glance at Captain Price for guidance. The man is your superior even if you donât directly take orders from him. But in this moment, heâs not Captain Price, is he? Heâs a customer sitting with a man looking to swap drugs for weapons. And youâre supposed to be a hired dancer.
When you agreed to the undercover mission, you expected to shake your ass, maybe even grind in a few laps. Ultimately, youâre there to listen and observe. Yet the target developed a liking to you, bought you so that youâd come dance for him privately.
And now heâs telling you to go sit in Priceâs lap.
âHey! You listening to me?â The target, Damon, snaps his fingers to get your attention. If you werenât undercover, youâd punch him in his fucking face. âGo sit in his lap. Iâm not paying you for fucking laughs.â
You try to give him your best smile but it comes out a grimace. Obediently, you turn, moving toward Captain Price, hips swaying languidly. Youâre practically naked right now. Just platform heels, a thong, and a shiny bikini top that barely covers your nipples.
Captain Price watches you intently, and though he retains eye contact, his gaze slips a few times, moving downward before quickly snapping back up again.
With exaggerated movements, you kneel slowly, straddling his lap as you settle in his lap. Price keeps his arms outstretched over the back of the sofa, but his gaze never leaves your face.
âSorry,â you whisper, because you know Damon canât see.
Price remains silent.
Damon laughs. âGive him a kiss, doll.â
You inhale deeply, eyes closing as you do so. On the exhale, you open them, waiting for Price to give some sort of clue.
And he does.
Itâs so small you wonât even notice unless you were looking for it.
Placing your hands on Priceâs chest, you lean forward seductively, popping your ass out and arching your back. You press your lips to his. You expect him to remain passive and unmoving, but Price surprises you, grasping the back of your head to pull you in.
âGive the man some tongue,â Damon shouts over the music.
You want to turn around and hurl something at the idiot, but you comply, hands settling on the top of Priceâs shoulders as you go in for more kisses. Price doesnât push back or resist. If anything, he indulges each one, matching the energy and intensity. He tastes like whiskey and of the cigar he just smoked.
There is no end to it, only Priceâs mouth, and the feeling of his hands as he brings them in to touch and caress. Itâs not so out of place, there are two other dancers in the room, one of them is likely going down on Damon based on the wet slurping sounds you hear.
But all becomes too muchâtoo intenseâand you have to draw back to catch your breath. There is no anger in Priceâs face, if anything, you find something unfamiliar.
A hunger.
Desire in those blue irises.
John "Soap" MacTavish
Every pounding step you take shepherds you away from Johnny. Beneath your skin is a buzzing as if your bones and blood vibrate.
âSlow down.â
Johnnyâs voice is sharp and desperate. But you do not slow down. How can you? You canât face him.
He yells your name and the urge to glance back is agony. Yet you remain steadfast.
âFuckingâbloody hell. Slow down.â
As you turn the corner, the exit appears, your freedom moments from reality.
Youâre so close.
Soâ
A large hand grabs your upper arm. Youâre yanked backward, dragged into a nearby conference room. Johnny shuts the door and pushes you up against the wall. He has one hand planted firmly against the wall next to your head and the other on your waist. His hips press against yours.
âI hate it when you run,â he growls.
âYou didnât have to follow.â
Johnny chuckles and shakes his head in disbelief. âJust admit it.â
âAdmit what?â you snap.
He presses in even more, casting you completely in shadow. âHow much you want me,â he murmurs, voice an inviting croon.
There is a wanton nature in you. It craves Johnny like a bird craves to soar with the wind.
âI donât know what youâre talking about,â you gasp.
Itâs a lie. You do know.
The desire to close the distance, to press your lips to his is undeniable.
âDonât lie,â he says, creating no room for movement.
Johnny rests his forehead against yours, the tip of his nose brushing your cheekbone. His warm breath teases your skin, dancing across your flesh. There is only a fraction of space, and all you need to do is tip your face upward, to present yourself to him.
âJohnny,â you whimper, and he groans in response.
âI know you love me,â he whispers, but heâs not really saying it to you, almost like heâs trying to affirm what he already knows. âYou love me.â
Donât deny yourself.
I know you love me.
âThis doesnât mean anything,â you reply softly.
Johnny smiles as he closes the distance. The first kiss sends an electrical shot through your system. The connection is instant, a driving force that has your body stirring. Hands move to Johnnyâs abdomen, circling to his lower back, pressing to get him even closer.
Each one is deep and suffocating. There is hunger in each one, but itâs the moment his teeth snag your bottom lip that you surrender entirely. Opening, Johnny slides his tongue inside, and you moan for him.
That one sound ignites something in him. Johnnyâs hand against the wall drops, coming to rest at the base of your throat. He presses, shoving you harder against the wall and he claims your mouth. His other hand travels to your thigh, squeezes.
Youâre grasping for him too, fingers digging into clothes and skin, wantingïżœïżœnoâneeding him closer, as if you could fuse your bodies together forever. When you push against him, Johnny retaliates with pressure on your neck. You gasp, breaking the kiss, only for Johnny to go in and gently suckle on your tongue.
âNow,â he murmurs. âTell me again that you donât want me.â
Simon "Ghost" Riley
âIâve come to pay off my fatherâs debt.â
A pause. Thenâ
âHeâs already paid.â
You frown. âThatâs impossible.â
âAre you saying Iâm lying?â
âNo,â you say quickly. âNever. Justââ
âThe debt is paid.â
Itâs impossible. Entirely unlikely. Your father is too much of a drunken risktaker to have paid off his debt to Ghost so swiftly. Thereâs something else going on. A deal, maybe. But you have the moneyâin cashâhe canât say no to you.
âBut I brought the money,â you insist.
Ghost falls back against the cushioned lounge sofa, one arm resting along the back as he observers you from behind the balaclava. All you can see are his brown eyes, and you cannot read his expression.
âWhat makes you think Iâll take it?â he asks slowly.
Behind you is a black curtain. This area of the club is VIP. The fact that you were let back here at all is a miracle.
âBecause I know my father didnât pay off the debt in cash. He had to have paid some other way.â You twist slightly, opening up your bag to reach for the money. âAnd Iâm here to clear it.â
Finding what youâre after, you present it, holding out in front of you boldly. Itâs the only language men like Ghost understand.
Heâs not looking at the cash at all, but at you. âYouâre right. Your father didnât pay with cash.â
âThen you can take it.â
You purposefully avoid making it a question. In this, must insist. Ghost could come after not just your father, but you. If youâre lucky, he might take some possessions. Worst case, your life.
Ghost casually spreads his legs, and lightly taps is thigh. âCome here. Sit.â
You blink. âTake the money,â you insist again, an exasperation leaking into your tone.
He chuckles, low and deep and harsh like whiskey. âNo. But Iâll take you.â
Your arm starts to hurt, and that little ache weakens the muscles, causing your arm to drop slightly. âIâm not on offer.â
âYou were when your father came to see me.â
No. No.
âYou lie,â you whisper.
âAnd I accepted,â he says like itâs a non-issue. âAlways had a bit of a soft spot of you anyway.â
Unbelieving, you move forward, this time holding the cash out like a weapon. The two bodyguards on either side of him move forward but Ghost raises his hand. They halt immediately, hands on their weapons and gazes focused in on you.
âTake the fucking money,â you growl.
This time, you see the smirk behind the balaclava. Itâs in the way the skin around his eyes wrinkles slightly. Ghost finds this amusing.
When he says nothing, you throw the cash down on the table, and turn your back on him. Itâs not smart to give a man like Ghost your back, but youâre pissed. You charge forward, intending to stomp right through the curtains and out of the club. But his bodyguards move to block your path, barring the exit.
âLet me through.â
âI told you,â Ghost calls out. âYour father paid his debt.â
You whirl, trudging forwarding, walking around the table to get as close to him as you can. âI will notââ
Before the sentence is even out of your mouth, Simon is grabbing your hips, yanking you into his lap.
âThere,â he coos. âJust as I told you to do.â
Youâre too stunned to move. Too surprised to speak. Here you are, straddling this manâs lap, his hands boldly grasping your ass, his gazeâinterested.
Your mouth opens. Shuts. Opens again.
âLetâlet me go.â
Ghost shakes his head. âToo late for that. Youâre mine now.â
When he says mine, his hands lightly squeeze your ass and then drag downward to do the same to your thighs.
He glances over your shoulder, his expression becoming dangerous. âLeave us,â he commands, and the bodyguards disappear.
Ghostâs brow smooths, and then his tone shifts to a familiarity that makes you shiver. âNow that you belong to me, how about a kiss?â
âIâd rather kiss a donkey,â you snap, and Ghost laughs.
âThink youâll find kissing me more pleasant.â
You scoff, but Ghostâs hands squeeze again, his pelvis lightly grinding against you.
âGo on,â he whispers, voice enticing and welcoming. âPush up the mask. Let me taste you.â
This violent man isnât to be trusted. And you shouldnât. You really shouldnât. But your hands move up his chest, traveling to the balaclava, fingers curling under the edge. Lifting slightly, you reveal his neck. Itâs covered in tattoos, and as you bring the balaclava higher, you find scars and thenâhis mouth.
Ghost licks his lips, and a stirring heat rises in you. He leans in, and you find yourself giving in.
âI wonât be your whore,â you murmur as you descend.
âNo,â agrees Ghost. âYouâll be so much more.â
When your mouth meets his, itâs nothing more than a kiss. Simple. Clean. No teeth or tongue. Just two people closing the distance. He is not tentative though, and when he goes for another, you accept without hesitation. That seems to be the shift, the thing that changes him.
With a low growl, Ghost drags you entirely against him, and there is no subtlety in it. He claims your mouth repeatedly, stealing your breath, making you question everything you know about yourself. A man this dangerous shouldnât cause such emotion. It shouldnât make your pussy wet or for your stomach to flip.
But he keeps kissing, and kissing, until youâre grinding against him, meeting Ghost with equal need. And when his tongue teases your lips, you happily open for him, tasting him as much as he tastes you. Each time you try to pull away, to catch your breath and create some distance, Ghost is pulling you in again, and you allow it.
Your fatherâs debt is paid.
And itâs you.
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