#i need more fics about these two

[redflamemoon]

My otp is Cale × Slacker Life. I mean, have you ever noticed its development and quimic? I have to admit that is a kind of fanon, we all see the unrequited love Cale has. That's exactly WHY I love it a lot. Sometimes, it seems that they are going to be together, but then their love is impossible again. The tragedy of this romance is bigger than Romeo & Juliet, tbh.

[misc-obeyme]

Some random demons are talking shit about MC at RAD. They're unaware of the fact that Mammon & Satan are in the classroom.

Mammon: Yo, you hearin’ this?

Satan: *not looking up from his book* It's unfortunate we have such idiotic classmates, isn't it?

Mammon: *stands up, grinning* Let’s rumble.

Satan: *snaps his book shut* Fine, but please never say that again.

Destruction ensued. Satan & Mammon refused to tell MC why they were hanging from the ceiling later that day.

masterlist | Thank you for reading!

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[takaraphoenix]

Absolutely in love with the fact that the "Stiles Stilinski is Part of the Pack" tag automatically redirects to the "Stiles Stilinski is Part of Derek Hale's Pack" tag.

Because. That's not what that tag, with that phrasing, HAS to mean. The Pack could refer to... ya know... the canon pack he's a part of, in that "reassurance of sticking to canon" way that isn't even rare on AO3.

But no. Nope. AO3 knows what pack we're talking about. And it delights me.

[marragurl]

Saxaphone player Gallagher has not left my mind since the jazz night art dropped AND THEN Robin saying Halovian’s innately have good voices and Sunday used to hum lullabies to her as kids happened in the 2.2 special program, and I’m sure you guys can see where my unfortunate Galladay heart is going with this.

Whoever decided to make this art, I love you. I hope your pillow is cool every night, you’re never stuck in traffic, and your water is refreshing with every sip.

Also the art of Sunday with the White Gentlemen drink in the S.P.A.R.K.L.E jazz night event has also spiraled into me delusionally thinking that’s his go to drink. Which is hilarious since Robin has hinted before that he seems to have a massive sweet tooth in her letters.

(Sunday how do you even make holding a drink menacing, Sunday please get some therapy-)

So imagine this:

Pre 2.0 Galladay, where they’re both wary and suspicious of each other but didn’t do anything outright. Sunday slowly began to visit Gallagher’s bar whenever he had time to observe the Hound, initially on the down low just to get a sense of what he was working with and what to keep an eye on. He always gravitated to that one corner booth that every bar had with the most privacy, and just stalked there for a few hours before leaving. (Smol menacing birb in a tree vibes)

Gallagher obviously knew that Sunday was doing this (even though everyone else seemed to somehow completely miss him, Gallagher wouldn’t be surprised if Sunday was doing some weird Harmony mind tricks), and after the first few “stakeouts,” he bit the bullet and actually approached the table to engage with Sunday, on the off chance this was some weird “test of loyalty” by the Halovian to see if the Hound would swallow his pride to serve his so-called masters.

Nothing terrible happened, but he remained passive-aggressively polite when serving him, and Sunday remained passive-aggressively cool-headed in response. There was some snark of what dear “sweet-toothed” Sunday would want at a bar, and an icy reply of “aren’t you the master drink smith? Why don’t you show me those skills you boasted about?” which led to Gallagher being petty and giving Sunday the White Gentlemen drink, both for the story behind it being such a metaphor for Sunday, and because it was on the more bitter side of alcoholic drinks.

Sunday wasn’t too against the drink; it wasn’t something he would have ordered if it had been his choice, but it wasn’t a bad drink by any means. He couldn’t help but continue to drink it even after Gallagher left his little hidey booth to go back to the main bar, but he’d never stoop so low as to complement the Hound. Of course, he never ordered anything else from then on, only White Gentleman. In fact, over time it seemed to slowly get better, the flavors grew on him, and he couldn't help but look forward to it during difficult nights in the Dreamscape.

If Gallagher tried to needle him into a different drink, Sunday just bit back a “oh? Admitting defeat? I thought this was your best drink for me?” with a little smirk while Gallagher had to use every bit of self-control to not punch him in the face.

As time went on, the bar slowly became a place Sunday frequented to not quite relax, but to get away from the hustle and bustle of Penacony and his duties as one of its main faces. The stresses slowly started piling up, especially with the Charmony fast approaching in a few months and all that came with it.

Gallagher didn’t seem to loosen up regarding his attitude with Sunday, but he did get better at shoving down the visceral hatred he had for everything to do with The Family and Sunday as time went on. He didn’t get soft with Sunday per se, but he definitely kept an eye out for him, and definitely knew when to cut off his drinks on days where it seemed that Sunday wasn’t all that there for their usual veiled comments towards one another when he went to serve him his drink.

It started small, with Sunday staying later and later until sometimes he was the last one to leave the bar to return to reality. Gallagher wasn’t quite sure what to make of it, still wasn’t quite sure this wasn’t some weird long-term test Sunday was devising, especially since he still seemed to be the same ruthless Family member, the same Head of the Oak Family, when Gallagher was working as a Bloodhound outside the bar. For some reason though, within the enclosed space of this strange sanctuary, it was almost peaceful between the two.

One night, there was something wrong when Sunday entered the bar during Gallagher’s shift. He saw a bit of a crowd near the small stage that was within eyesight of his little hidey booth, it seemed some of the musicians of the live band were arguing? He watched as Gallagher came over, seemed to try to speak with the group before honing in on one of the musicians who had been making the most noise and seemed to be about to get physical with the rest. Sunday watched as Gallagher picked up the musician by the scruff of their suit with one hand and carried them towards the doors and lightly tossed them out.

(It was the first time Sunday had actually seen Gallagher perform anything resembling the actual duty of a Bloodhound. It only hit him that he’d only ever seen the other when giving reports, orders, or at the bar. Why was this so shocking to him, he’d seen the man’s arms before, hard not to with his slovenly dress and messy clothing style, as if he couldn’t bother to hide away his imperfections from the world, not like Sunday who refused to be seen by the world, to dare to show one thing off about himself despite his countless failings- he’s getting far too distracted by one meager showing of strength, focus Sunday)

There had always been a live music segment. Sunday was curious to see what would happen with the band missing a member, but was distracted by Gallagher placing his usual White Gentlemen in front of him before heading back to the musicians without a single word to him. Gallagher took a moment to speak with the rest of the band, who seemed to be coming out of their shock and took on worried looks. Sunday could only watch in muted shock as Gallagher went behind the bar and came back with a case, opening it to reveal a saxophone. He then went on stage with the rest of the group, positioned himself further to the side and in the back amongst the shadows within Sunday’s line of sight, and played with the band for the rest of the night.

Sunday couldn’t look away.

He was frozen as he watched Gallagher seamlessly transition from song to song, taking only small breaks to continue serving the other patrons before heading back in. Sunday only remembered about his own drink when his gloves began to get wet from the ice melting into condensation on his glass.

Something felt off within Sunday, and for the first time since Robin’s debut, he couldn't help humming to the music of the band, music that wasn’t of his own sister’s making. He couldn’t help but remember those little concerts the two would have, taking care of his little sister, his only world. He would do anything to keep the Harmony, to keep their family going. When was the last time they truly spent time together? Before he became the Head of the Oak Family? Before he couldn't recognize his own smile?

He was so lost in his thoughts, in memories he thought he buried, that he didn’t realize that it was once again closing time, and he was once again the last one left. He only snapped out of it when Gallagher came by to grab his empty glass, only quirking a questioning brow at him before heading back to the bar.

Gallagher had been keeping a quiet eye on the Halovian that night from the back of the band, in the shadows he felt the most comfort in when in the Dreamscape of Penacony. He had watched Sunday’s eyes glaze over, and the only reason he hadn’t felt offended by the seeming disinterest was the look in the other man’s eyes reminding him of his own when he looked in the mirror. The same look of shame, regret, loss, longing, of the wishes to regain everything he had lost. The same look he strove to hide under every bit of the facade he had crafted of this new self, but came back all too often with every reference of the Family found within his prison in the Dreamscape.

Maybe it was the shared nostalgia within his own heart, that little bit of his true self that he thought died when the Family tore out everything that made him who he was, that made him return behind the bar and begin making Sunday another White Gentlemen, giving Sunday a small nod to beckon him over. He wasn’t expecting anything from it, and he masked his own surprise when Sunday actually left his little shelter to come and take a seat in front of him at the bar. Even while out of it, Gallagher made note of the quiet confidence the other still carried himself. Nothing seemed wrong to anyone else looking at him, only for the lost look in his eyes.

The first time in the many months that they’ve been skirting around each other, and finally they seemed to be face to face.

It was quiet as Gallagher made Sunday his usual drink, a drink he had been slowly changing over the months to be sweeter and sweeter that Sunday never quite seemed to notice, or if he did, he never said anything, only seeming to savor it more each subsequent night. Maybe not even Gallagher noticed his own changes to the drink, subtle as they were.

It was quiet as Sunday took the finished drink, and it was quiet as his eyes slid over the bartop to see the saxophone case laying open with the instrument inside. It was quiet as Gallagher followed his eyes, as he came out from behind the bartop to take the saxophone out and take a seat in a chair only one seat down from Sunday’s. It was quiet as Gallagher began to play to his audience of one.

It was quiet as Sunday quietly hummed along.

It was quiet as they both knew that it would not last.

OK yea so this was all because I heard ‘La vie en rose’ at the end of the Jazz night event and went “Damn I wish that’s Gallagher playing on his Sax” and then we spiraled.

Uh. Idk what it is with me having a small ship moment which then spirals into a full blown writing session. My mind blanked out and as I came to I find out that I made a whole ass little one shot over here then completely forgot about it WHOOPS

So yea, hope my fellow Galladay enjoyers… enjoyed! I think I’ve slowly begun to crave… not domestic or fluff per se from these two, but after every AO3 fic being super dark between them (which I get! They are the toxic yaoi kings of Penacony as of writing this, no one is denying that!) I think I want to see them be explored in a more melancholic sense. Not quite the “forbidden” love angle, but in the “damn we kinda have some parallels, and maybe in another life we could have gotten along but there’s too much baggage and anger, both historically and currently to really even try anything”

I have this feeling this may not be the last time I write about these two… is Galladay going to be the ship that gets me to actually use my AO3 account?

[flowercrowngods]

thinking thoughts™️ again about another fic that’s way too real, and pictured eddie giving steve that understanding smile, saying , “yeah, changing the world gets a little old, doesn’t it, when the cost is your sanity.”

and steve mirrors him with a slight nod, “and when you realise you just wanna live your own life, not change everyone else’s. i feel like people shouldn’t need to take this long to realise that.”

“it’s the system, steve-o.” eddie fishes a cigarette from the pack, offering one to steve, who shakes his head with a polite smile. “people living their lives. what a rebellious thing to ask.”

steve watches him for a second, and it’s like he’s piecing together some kind of picture around him. eddie lets him; somehow he trusts steve not to get it all wrong. “you going to rehab to stick it to the man, hm?”

eddie takes a long drag of his cigarette, his eyes far away as he lets the smoke fall from his lips. “no. ‘m going to rehab because it took me too long to realise that i just wanna live my life. and because i think… because i think i’m actually ready. sounds so dumb, doesn’t it?”

“nah.” and steve sounds like he means it. eddie gets the feeling that he does. steve strikes him as someone who’s too genuine for his own good. maybe that’s his own way to keep changing the world even without that job. “sounds like you actually know what you’re talking about. that’s a good quality, you know? to get better. wanting to get better. for no one but yourself.”

“now you’re the one who sounds like he knows what he’s talking about.”

steve huffs and stuffs his hands into his pocket. “nah, man. i’m just the homeless guy who’s hot for your apartment and wants you out of the house asap so i can start my life. with your cat.”

eddie laughs as he snuffs out the cigarette beneath his boot. the keys dangle in his hand as he holds them out to steve, who looks at him, surprised.

“well, she’s yours, then.”

[daily-crowley]

Crowley Of The Day: gorgeous 😍

(I used up all my hashtags that I couldn’t do my usual GO tags that I always do lol I don’t care)

[etrevil]

It's funny knowing that,

This is a regular occurrence

Dazai's name for Chuuya is set as "Slug"

Dazai still keeps his old phone around

And that Chuuya still has Dazai's number

Hirotsu has probably faced this scenario several times over their four years apart 🤣

Imagine it'll be a common warning whenever the PM goes out drinking: "Beware, there's a high chance Executive Nakahara gets wasted and, 9.9 times out of 10, he calls his old partner. Bring earplugs. You don't wanna hear what the executive curses him with."

Also like this is giving me I'll be here for you even if I'm gone vibes like, Dazai still has his old phone. Why? Maybe cause he actually accepts those drunk calls from Chuuya, and pays him visit after quietly listening to him ramble to make sure he's alright.

But that's just me 😭✌️

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[wikiangela]

wip wednesday

tagged by @theotherbuckley @daffi-990 @tizniz @bidisasterevankinard @dangerpronebuddie @hoodie-buck @aroeddiediaz 💖

I'm jumping between wips and ships so much rn, but trust me, it's even more chaotic in my brain like at all times lol it's so annoying

wasn't gonna post today but I figured I'd share a bit of the cheating fic bc I moved my self-imposed deadline to middle of may and istg I'm not moving it again so I need motivation to finish this lmao

(this scene is fighting me ngl, but I need it, and it's just gonna need a lot of editing but for now this is just a rough draft lol)

prev snippet

___

Not breaking the kiss, Eddie shifts, throwing his leg over Buck’s lap, straddling him, and Buck’s hands immediately wrap around his hips, bringing him closer, as close as possible, just needing Eddie closer. Eddie gasps when their crotches collide, and breaks the kiss, Buck’s lips moving to Eddie’s neck.

“Buck.” Eddie whispers. “Buck, we- we should talk.” Eddie tries, but one of his hands is tangled in Buk’s hair, holding on tight. Buck stills his movements, looks up at Eddie and sees reluctance in his face. He’s not sure if it’s reluctance to stop or continue, and he needs to know for sure, would never want Eddie to feel pressured in any way. They have no alcohol to blame this time, after all.

“If you want to, let’s stop, and we can talk.” Buck says, voice a little shaky as he adds, “But we can always talk tomorrow?”, knowing this is a very bad decision, once again. He’s looking at Eddie’s face and sees something complicated, a conflict, a battle with himself. His eyes roam over Buck’s face, lingering on his eyes, then lips, then back to eyes. In the end, some part of Eddie wins, or loses, and he captures Buck’s lips with his own again.

___

no pressure tags: @elvensorceress @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck

@eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life

@diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @weewootruck

@loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff

@spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @hippolotamus

@giddyupbuck @sunshinediaz @honestlydarkprincess @underwaterninja13 @exhuastedpigeon

@911-on-abc @jesuisici33 @steadfastsaturnsrings @buddieswhvre @fortheloveofbuddie

@diazsdimples @your-catfish-friend

[kairenn-n]

i wish merlin had killed even more people in canon. he deserved it. that scene where he kills agravaine and his men? the best thing in the show ever. he needed a scene where he killed someone with his bare hands 0 magic used. and a scene where he brought down a whole army like its nothing AS HIMSELF. and a scene where he cut someone's throat with a knife. and a scene where. sorry im getting carried away. im right tho

[youchangedmedestiel]

I need help from fic writers. Especially long fic writers. I need advice.

How do you write a long fic? What's your process compared to writing short ones? (More questions in the tags below).

[tea-earl-grey]

i had an itching for comfort media so i went back to watch some s1 voyager episodes and s1 is soooo much better than i remembered. the later seasons appeal to my tastes a bit more but all the characters in s1 are so earnest and hopeful even when they butt heads and disagree and i'm just sitting here like "oh god they don't know what the next 7 years have in store..." i doubt it was that purposeful on the writers' part but it's so compelling how all of the characters have pretty open insecurities and are clearly people with lives and dreams beyond Voyager and bit by bit that's chipped away in later seasons. yes everyone becomes more confident and competent but is that really who they are or are they just losing themselves along the journey? (unfortunately the Doyalist explanation is just that the writers stopped putting focus on like. half of the main cast but shh i'm here for Watsonian analysis.)

like it's particularly noticeable with Janeway. she's definitely always been written as a strong leader but i forgot how much in early seasons we get to see her insecurities and vulnerabilities, how different she acts from when she's acting as captain to when she's alone, how often she questions her morality and whether she has the right to make decisions for her crew (and how often others questioned that right). then in the later seasons (around s3 and definitely by s4), she almost never questions her moral decisions, she rarely shows doubt, she plans heists on Borg cubes without a second thought, she dispenses her justice to the Equinox crew without really considering their position, she regulates others' autonomy (especially with Seven and the Doctor) without seeming to realize how easily that can go wrong. and don't get me wrong i love this development and think it's incredibly realistic for Janeway to deeply internalize her role and authority as a Captain and for it to permanently change her sense of self. Endgame is the perfect closure for Janeway's character because her future self exerts that same authority that she's been practicing over herself (also Janeway gets to live out her martyr complex one last time). i just wish the show was a little bit more self-aware that it was writing Janeway (and other characters) like this because there could be so many more interesting character conflicts.

anyways rewatching early ds9 made me say "aww these characters don't know that one day they'll all grow together and basically become family" and rewatching early voyager has me saying "uhohhhh these characters don't know the unhealthy relationships and neuroses they're going to uncover and develop". toxic found family for the win.

[bluishfrog]

"Asking George if he wanted Dream to put his fingers in his mouth only felt like the next natural step, he supposed." — seashells by @sappymix1 (read on ao3)

[phosmic]

at the end of the river, past the horizon, you will come home again

[flowercrowngods]

🤍🌷 @stevesbipanic and @the-winged-doe asked to see ugly unpolished unrefined words, soo—

cw & tags: past major character death, grief, attempted time-travel fix-it(s), eddie&robin besties || potential wip

Eddie takes a long drag of his cigarette, the biting hot smoke hitting the back of his throat and clawing its way into his lungs, going as deep as he allows and leaving a permanent mark that brings neither relief nor calmness tonight. His fingers shake where they’re pressed to his lips, but the rest of him is unmoving where he sits on the front porch of their new trailer. 

It’s quiet out here. It’s always quiet in Hawkins these days, the city a fucking ghosttown. 

And he knows it’s not because of the one they lost. He knows it’s not because of him. But still the emptiness is stark and the silence oppressivem more so than it ever has been. 

Everyone still looks for him, months later. Dustin still begins to speak, cutting himself off mid-sentence, and Robin still stands with enough space to either side, like she expects him to just show up and invade her space like the home he made for himself in there. 

And somewhere among all that is Eddie. With his very own history. Or, non-history, as it turns out. But history and non-history leave wounds alike, and the memories feel just as real. A small mercy, at the end of the day, for them to feel real when they’re all he has left anymore. 

He takes another drag, not quite exhaling before he obliterates the cigarette and fishes for a new one before the butt even hits the ground. 

Fumbling with the lighter in his pocket, he only gets as far as placing the butt between his lips before a hand snakes into his field of vision to snag it from his mouth. 

“Hey,” he complains halfheartedly but makes no attempt at getting it back, watching instead as Robin comes up to sit beside him, grimacing at the stink of tobacco that must be heavy around him. 

“You’re disgusting,” she says with no real heat behind her words.

Eddie shrugs, because yeah, sure. He’s been called worse things. Robin’s called him worse things. This is her being nice. Her complaininig about his incessant smoking is nothing new. What is new is what she does next, placing the cigarette between her own lips and reaching for the light he’s been holding in a loose grip since she arrived. 

She starts coughing immediately, pulling a face at the disgusting feeling of smoke in her lungs and tobacco on her tongue. But she keeps going. Eddie can only watch in surprise and mild horror. 

“These things’ll kill you,” he says then in an echo of her usual sentiment, aware that he sounds as bewildered as he feels. 

“Well,” Robin says, aiming for casual, but quickly interrupted by a wheeze and a cough that’s almost adorable. “Let them try.” 

Eddie huffs, a pale little smile lingering on his lips as he leans back against the stairs behind him, resting his weight on his forearm to watch her. There is something captivating about her. Eddie always wonders what it is, wants to study her forever. 

Maybe it’s only the lingering traces of Everything Steve Harrington that clings to her every breath, her every move, her every fucking cell, with how much he was a part of her and she of him. Maybe it’s their shared grief that has made Eddie fall a bit in love with her and with the way the moonlight catches in her hair and in the smoke wafting from her cigarette. 

But somehow he refuses to believe that all he loves about her is merely the memory of Steve. 

Robin, in turn, is kind enough to let him stare. Kind enough to let him find out what it is between them. If this friendship is more than a misguided projection of grief and mourning and trauma; more than co-dependence and the obsessive will to keep this one person in your life. This one person who understands. 

After a while of Robin just holding the cigarette between her fingers, becuase no matter how strong her will to self destruct, she never quite got it right with the smoking, Eddie snatches it back before it goes to waste completely. As if pulled in by a string attached to his hollowed out chest, Robin leans back and into him in one smooth motion. It’s too calculated, though, and Eddie can feel how much she sags once she doesn’t have to hold herself up anymore. 

He’ll hold her. It’s fine. She gets to rest if she wants to. God knows she needs it. 

The night is warm for mid-September, but still Robin shakes against him. Eddie holds her closer. 

Silence settles over them, and it’s not an easy one. Silence is never easy anymore, especially with them. He feels so deeply hollow that even the silence echoes in there, creating an ever-present, uncomfortable thrumming of apprehension and anxiety within him. A certain sense of doom, one that can’t quite decide if it’s only an echo itself. 

“I wanna stop time,” Robin says at last, the cigarette long dead between Eddie’s fingers, but he somehow can’t bring himself to flick it away. “I don’t want tomorrow.” 

I don’t ever want a new day. I don’t ever want another tomorrow. I just want Steve. 

They ring in his head still, another echo that only hollows him out further every time it reaches him — Robin, overcome with hysterical grief, screaming and crying, curled up on that hospital floor, her cries quieting down and making Eddie wish she would be loud again, because the quiet was what killed him. The quiet, the whispered words, the declarations that tomorrow could go fuck itself if it came without Steve made him wish, irrationally, desperately, that their roles were reversed. That he could have died and Steve could have lived, and Robin would never have to wish tomorrow never came. 

He’s not entirely sure if she remembers the words, too. If she even said them in this world. 

So he takes a deep breath, breathes away memories and non-histories, feels the heavy weight of his guitar pick hanging around his neck, resting on the scarred flesh of his chest, and tries not to think of the one string left on his acoustic guitar. Tries not to think of his one last attempt. One last try. 

“I know,” he tells her. “Me neither.” 

He peers over her head, lifting his left wrist to check his watch. Ten minutes until midnight. Ten minutes until Steve’s birthday. 

“It’s not tomorrow yet,” he tries lamely, and Robin huffs — the sound wet and bitter and hopeless, making Eddie’s eyes sting. 

“It’s always fucking tomorrow,” she rasps, her voice flat and wavering, and Eddie knows her well enough to know she’s about to cry. And she knows him well enough to do it. 

“I know,” he says again, and reaches for his necklace through his shirt. One more attempt. One more try. One more chance. His eyes burn. 

She turns to him after taking a moment to compose herself, peering up at him through her lashes. 

“Tell me again?” 

His heart falls, the tense apprehension vanishing from the air, bur quickly replaced by something a lot more heavy. Something that looks and smells and feels like grief. 

They both know he’ll do anything she asks. He can’t really bear saying not to her. And not about this, anyway — she’s the only one who knows. 

She’s the one who should have had the chance. 

“Which part?” he asks, holding a new cigarette out for her to light it. She does, and the both follow the flame of the lighter Robin always keeps in her pocket these days. 

She leans forward and takes a drag. Eddie lets her. 

“All of them.“

Eddie sighs, pain welling up inside him, and he closes his eyes against the night sky. “Robbie,” he pleads, but he doesn’t finish his plea. He’ll do it. He’ll do anything she asks. 

But before he starts recounting the tales of how he almost saved Steve Harrington, he finds himself saying something he never thought he’d tell her. 

“There’s one more.” The words hang in the air, and Robin doesn’t react. Has no idea what’s coming; what he’s about to tell her. The guitar pick is heavy on the necklace around his throat. “There’s one more try. One more chance. I’m… I have one more—“ 

He can’t even finish the sentence. Can’t bring himself to say it, lest it all be jinxed forever. He doesn’t want to hope. Wants to carry this weight for all eternity and never think about all those times he failed to save someone he was never meant to save at all. People like Eddie, they’re not made to save anyone. Hell, they can’t even save themselves. 

Steve was supposed to be the one doing the saving. 

And he did. God, he fucking did. But he was never supposed to— 

Cold fingers wrap around his own as Robin fits their hands together. 

“I hate you a little bit for telling me.” 

Eddie nods, trying to focus on the cold hand and the nicotine in his lungs, trying not to let panic and grief and guilt and the heavy weight of one more chance win. “I know.” 

“Hey, Eddie?” Robin says after a while, the silence stretching on, and it’s almost midnight now. “Can you— Would you do something for me?” 

He turns his head, flicking the butt of his cigarette out into the darkness beyond them. “What’s that?” 

“Don’t— Don’t try to, to save him. Don’t— Just… Just maybe, could you celebrate his birthday with him? Make sure he knows he’s… God, make sure he knows he’s loved? Last year, no one really made time on his birthday and we just moved it backwards but God, could you— It’s almost midnight, and—“ 

“Robbie,” Eddie interrupts her, his voice hoarse and wavering, his eyes burning with tears as he tugs her close and holds her to his chest. “You should go. Don’t you wanna…” 

But she’s shaking her head against him with a vehemence that can hardly be misunderstood. 

“No,” she cries, and it’s more of a sob than anything. “I think if I ever saw him again, I’d… I don’t know what I’d do. Burn the whole fucking world to the ground for him or some shit, I can’t— I’d probably just cry all the time and that wouldn’t be helpful, really.” There’s a weak, wet laugh that bubbles out of both of them, and Eddie’s wiping at Robin’s face, drying the tears and making way for new ones to fall. 

“I’d light a fire for you,” Eddie says, the same weak smile on his lips that Robin meets him with now. “Nineteen fucking fires, you hear me?” 

She laughs again, then buries her face in his neck in a way that never quite fit. In a way that Eddie always knew was supposed to be someone else’s neck. 

But he’s not here anymore. And Eddie can’t get him back. No matter how much he aches for it, no matter how much he learned over and over and over again how easy it is to love Steve Harrington and how hard, how fucking impossible it is to lose him. Over and over and over again. 

And to live without him. This one fucking time they all get. It’s not fair. 

And now Robin is asking him to go back one more time and make sure that Steve knows— That he knows. 

Somehow the thought of that feels nobler than any attempt to save him, to bring him back; to rewrite history from a lonely boy’s perspective and hope that no one else is reading along. 

It feels right, too. Fundamentally and suddenly, and with such an intensity that Eddie knows the decision has been made the second he started telling her. 

Still he hesitates. Robin’s sobs have calmed down, and Eddie’s hand finds its way into her hair. 

“Do you really mean it?” 

She nods.

He nods, too, but slower. Like he’s trying to sway himself. Which way, he doesn’t know. 

“Make him happy.” 

“Okay,” he decides after a while, feeling hollow and desperate, but feeling purpose burning underneath his skin again. “One last time.” 

He unwinds his arms from around her and heads inside to grab his acoustic guitar. The last remaining string, badly untuned because he never dared to touch it, stares back at him in both mockery and invitation. A dare. A chance. A promise. 

Outside, Robin is waiting for him, looking anxious. Eddie wants to hug her. He doesn’t, only tightens his grip around the guitar’s neck. 

“Listen, Eddie, if this is goodbye or something—“ 

“It’s a birthday party, Robsie,” he interrupts her, aiming for light, aiming for brave. “I’m coming back right here.” 

“I know,” she rushes to say, taking a step toward him and wringing her hands. It’s endearing. It’s genuine. Eddie really is a little in love with her. “But, y’know, you don’t mess with time, and I don’t know what all you already changed before and I don’t wanna know but… If this is goodbye, if something happens, I just wanna tell you that I’m gonna miss you. And that I think you’re really cool. And that Steve’s— he’s really missing out, okay. Okay?” 

Eddie breathes, taking in her words and letting them soak into his body, his every last fibre. 

“Okay,” he smiles. “Thank you. You’re… I’m kind of in love with you, Robin Buckley. So there had better be no change in the universe, ‘cause that would really suck.” 

They smile at each other, Eddie with his guitar and Robin with her lighter, and somehow this feels like a deja-vu. The antithesis to a moment forever burned into his memory.

Make him pay. 

Make him happy. 

Eddie tugs on his necklace and plays the string before he can think about it too hard; before he can decide otherwise. 

Distantly, he hears the church bells announcing midnight as the world around him fades. 

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