#i need a little less redemption arcs and a little more making these two even more fucked up pls

[green-lights-33]

[bookshelfdreams]

There were two great posts about Izzy yesterday, and I would like to expand on and add my 2 ct to the things said in them a little. One, by @celluloidbroomcloset (with additions by several others), about how Izzy immediately falls back into old patterns of manipulative behaviour after his supposed redemption in 02x07, only this time with Stede as the focus of said behaviours instead of Ed. The other, by @batsarebetterthanpeople, about how Izzy's behaviour in 02x06 and onward is more akin to the development a homophobe coming around to a queer loved one, than an arc of queer self-discovery.

Izzy's story isn't about himself. I think this is the first, fundamental mistake people make when engaging with it. He's not a protagonist; he doesn't exist in the story for his own sake. So when ofmd asks "How to reform a toxic person? What does it look like and is it even possible?", the starting point isn't one of empathy with Izzy.

It's one of empathy with Ed. ofmd is asking these questions not because it wants to understand Izzy better. What it wants to explore is the possibility of Ed having the relationship with Izzy Ed wants. Whether Izzy can be brought around to understanding Ed's wants and needs, whether he can understand the hurt he caused him.

This is a fundamentally different approach to how these stories are usually told. Usually, we start out with the unspoken assumption that the toxic person is well-intentioned, good at heart, and whatever pain they caused our protagonist is more akin to a misunderstanding than deliberate harm. Yes, they may have have caused hurt, but if you just see things from their perspective, you'll understand that they only had your best interest in mind, and that will enable you to forgive them.

Obviously this can't not veer off into victim blaming. "The abuser had a good reason for what they did, and therefore, it's your own fault. Or at the very least not theirs."

ofmd fundamentally rejects this. It is very careful to never let the bullies and abusers have a valid point. Abusers are abusive because they get something out of it. To truly reform an abuser, they would have to be willing to build a life for themselves that is a lot less comfortable. Where they have to consider other's feelings, communicate and compromise, meet other people on equal footing, instead of putting themselves in a position of authority. It means letting go of patterns of behaviour that they have so far been quite successful with*.

And Izzy - tries. He is interesting because part of him clearly wants to leave the toxicity behind. He gets to see what positive relationships, human connection, being part of a community look like; he's offered an outstretched hand, and, after biting it a few times, tentatively starts to take it.

But he can't quite get there. The temptation to fall back into what he knows is too strong. celluloidbroomcloset's post linked above talks mainly about 02x07, so I'm not gonna repeat all that, but I'm going to add two little scenes from 02x06 that further cement this. In the beginning of the episode, Izzy finds Ed as he's standing on deck, watching the sea, and the conversation that plays out is a clear mirror to, almost repeat of the Frankfurter clouds scene from 01x04. Ed tries to share an observation with Izzy in an attempt to reach out to him ("Something's wrong. Feels like a storm's coming but I can't see it."), which Izzy, of course, immediately dismisses ("Or maybe you're just a mopey twat and there is no fucking storm").

The second scene is, when Izzy is the only one discouraging Ed from following Stede to his cabin after he kills Ned Lowe. Discouraging support, discouraging connection and emotional honesty; Izzy will continue to try to isolate Stede.

Now, I do not think this, or the things happening in 02x07, are put in there deliberately to show that Izzy has ulterior motives. Rather, they are an illustration of how deep these maladaptive patterns of behaviour go. Izzy isn't able to fully admit to himself the extend of the harm he caused and this is what prevents him from truly changing his behaviour - even when he has just experienced the benefits of a loving, supportive community!

All of this is the explanation to the answer the show gives to our starting question: Is it possible for Ed to have the relationship with Izzy that Ed wants? And the answer is: No. Just because growth is possible, doesn't mean it is enough. Doesn't mean anyone's entitled to forgiveness. Sometimes, the only compassionate thing to do, is to take yourself permanently out of the other person's life.

But Izzy did learn, and he did grow. It's just that the purpose of said growth wasn't to heal him; it was to enable him to understand the hurt he caused to Ed. That doesn't have to mean people like Izzy can never be reformed, it just means that this isn't a story about the reformation of a toxic person. It's the story of leaving this toxicity behind.

And this is why Izzy's heartfelt apology followed by his immediate death is a positive ending. It represents the conviction that no relationship is so broken it can't be mended, but also the assurance that no relationship is so important it can't be ended.

Ed gets to hear the things he needs to hear most - I am sorry, I was wrong, you didn't deserve this - and then Izzy disappears from his life, and with him, all the toxicity he represents.

They can part on good terms, but part they must. So Ed can go into the rest of his life, unburdened.

*read Lundy Bancroft's "Why does he do that", seriously. The whole thing is on archive.org.

[baenyth]

First Half of Miraculous Season 2 Done. Here's my thoughts:

The Collector: A pretty good start! They made the teens smart while still being dumb teens!

Despair Bear: Chloe needs a therapist, arguably moreso than a redemption arc and especially a downward villainous spiral. Also Dangit Grandpa

Prime Queen: Wow, this was a lot more chill than expected. Even Cat Noir was left aghast at what Nadja was doing, Nadja seemed to be pressuring Ladybug and Cat Noir more for views than anything else, and I'm not entirely sure Akuma personalities can be trusted.

Befana: Fun fact: This was the episode that got me into Miraculous in the first place because of how shocking it was. And then I discovered even more. In hindsight from watching the other episodes, it was relatively darker, but mostly because it's Marinette's friends and family that are getting G-rated killed instead of random civilians like every other episode.

Riposte: Kagami is here! I don't see too much chemistry with her and Adrien yet, but she's cool and I like her and feel like I could be friends in real life. Also this feels like a relatively uncommon trope, but I wish "X is blatantly a woman but no one notices" was spedran through by someone with brains.

Robustus: Pretty good, all things considered. From what I've heard about Miraculous lore, creating sapient or at the very least semi-sapient AI isn't that uncommon for weirdness hotspots, and I'm putting Max in the list of characters I think should have figured out Ladybug and Cat Noir's identity. (There's four now!)

Gigantitan: It turns out my favorite parts of Miraculous are the slice-of-life bits instead of the superhero bits the show is about! We got to see more of Marinette's friends! Alix! Mylene! Julie! The Eeby Deeby herself! Also it was really sweet to see Adrien's bodyguard calm down just by looking at the kid. Adrien's true daddy.

Dark Owl: No wonder these two aren't allowed to know eachothers' identities, considering how much of a loose tongue Marinette has!

Glaciator: Alright, it's finally time to talk about the sins of Marinette and Cat Noir, considering the fan content I osmosed before watching the series was heavy salt stuff, and I wanna see how much it holds up. So far Cat Noir has acted as if he's already dating Ladybug previously, and in this episode he got mad at Ladybug for not showing up at a date when she herself said she might not come due to having other plans. Isn't he supposed to be used to not-showing-up disappointment as Adrien due to his dad? Is it different because he's Cat Noir? Is this a breaking point? No matter, he eventually calms down and is ultimately the less bad member of the relationship. Marinette, meanwhile, doesn't have as many misdemeanors to her name but they're a lot worse. She stole Adrien's phone to get rid of an embarrassing message and got away with it too, what the hell, and also owns the schedule. Although I don't believe she stalked Adrien and made it herself due to how busy she is as both Marinette and Ladybug, that's just weird and wrong. I'm reluctant to call her a stalker, but her actions are still wrong. Ultimately, this relationship is going to need a lot of therapy and counseling to not crash and burn. What were we talking about again? Oh yeah. The ice cream episode. I think the ice cream guy can be wrong and he doesn't understand that.

Sapotis: Silly little fun episode, also it introduces the first new Miraculous holder! I'm honestly fine with it so far if it means more screentime for side characters. I honestly really like seeing Marinette's classmates. They're neat. Also I was this close to putting Alya on the list but she proves time and time again that she doesn't actually know Ladybug's identity.

Gorizilla: In this episode we are introduced to Adrien's deranged parasocial fanbase. I'm starting to understand some of his father's decisions at this point. This is what I was talking about with the schedule, by the way. These obsessive stalker creeps make Marinette look reasonable, and I wouldn't be surprised if the one guy who I'm pretty sure becomes Party Crasher discreetly stalked Adrien to get his schedule. Restraining orders need to be filed.

Captain Hardrock: One of the funniest episodes, up there with Dark Cupid. Also Luka is here! And he already has great chemistry with Marinette! And more Rosie and Julie content even if it's crumbs!

[miraculouslbcnreactions]

I was rooting for Gabriel having a redemption arch, but even I know that what we got in the show was anything BUT.

How would you handle it? If you were to succesfully redeem Gabriel? How would you do it?

I'm not opposed to a Gabriel redemption arc, but it would be very hard to do without some serious and careful character development or serious edits to canon. My preference is option two because option one risks something that is a hard no for me: glorifying the cycle of abuse. We'll still talk about both paths because it's worth discussion and we'll start with the easy one, which is rewriting canon to remove the abuse.

Rewriting Gabriel

The easiest way to give Gabriel a redemption is to make him a good father. Someone who clearly loves Adrien in a healthy, non-possessive way. Someone who is at least trying to have Adrien's best interests at heart. Someone who is willing to let Adrien do things that make Adrien happy.

To make Gabriel into this kind of character, we would need to remove all - or at least most - of the manipulation. Things like when Adrien asked to no longer be a model and Gabriel used that as an excuse to make an AI Adrien and then told Adrien that his options were to either tolerate the AI or go back to being a model:

Adrien: Dad, I'm not really comfortable with having my face on all these rings. That's actually why I didn't want to be a model anymore, to avoid that. Do you understand? Gabriel: Of course, I understand, my son. But that's the point; it's just an image, it's not you! And since this image frees you from your obligations, we, the Agrestes, are able to spend more time together. But if you'd rather everything went back to the way it was before, just say the word.

We'd also need to get rid of every moment when Adrien seemed to fear his father like this scene from Illusion where Adrien spilled spaghetti on Gabriel and then immediately started freaking out like he was afraid of being hit or otherwise punished:

Adrien: Yes, I forgot my school bag. (spills the spaghetti on Gabriel’s clothes, but Gabriel remains calm) Oops! Oh, sorry, Dad! You must be so angry! I'm sorry! I'm so sorry!

These moments are easy to write because they allow Gabriel to come across as evil and scary without the audience knowing anything about him. In other words, they work wonderfully with the whole "every episode must stand fully alone" rule. But if we ignore that rule and say that Gabriel is allowed to be nuanced, then we can replace this straightforward writing with more complex writing that requires you to watch multiple episodes in order to understand what's going on in the broader story.

In this new version of canon, we wouldn't have to change much story wise. We could keep the same general story beats. The only big change is that we'd see Gabriel struggle between his grief, his love for his son, and his desperation to restore his wife. This would mean little moments of nuance like Gabriel changing his mind about the day's akuma because his planned akuma would knowingly putting Adrien at risk and Gabriel won't do that, so he has to swap plans on the fly, leading to some of his more wacky akumas. This setup allows for a Gabriel who is still a super villain, but he's now a super villain with principles who refuses to let those he loves be harmed in his quest.

A more minor change is that Adrien's fear of his father would be replaced with a more complex setup. Instead of fear, Adrien is now held back grief because he's a teenage boy who is grieving and who knows that his parent is also grieving, but who doesn't know what to do about any of that. In this setup, the father-son conflict is not abuser and victim but two grief-stricken individuals who no longer know how to connect because a vital element of their relationship has forever changed. You know, the kind of setup you'd expect for a family where the relatively young mother died less than a year ago.

I've talked about this kind of setup leading to a corruption arc, but you could also use it for a redemption arc. If Gabriel never goes against his principles and always puts Adrien first even if it means losing Emilie, then you maintain Gabriel as a complex and nuanced character who would believably stop his quest as soon as he learned Chat Noir's identity or was otherwise put in a position to once and for all choose between his son and his wife. (Which could be how we get our next villain if the story doesn't end with Gabriel's lose.)

While I thought that the movie adaptation was too rushed to make it's ending really work, it does show the template for this path. A path I would have personally loved, but it's not the path we got in the show so let's talk about option two.

Redeeming Canon Gabriel

Whether or not he understands what he's doing, canon Gabriel is an abuser. He controls and manipulates his son without any concern for what Adrien wants because Gabriel seems to view Adrien as a perfect doll and not a real human being with his own wants and needs.

Quick senti rant: This is yet another reason that I hate the sentistuff. Because sentimonsters are so poorly defined, that the sentiplot does kind of validate Gabriel's POV and that's not a good thing. This is extra true since Gabriel's part in that plot ended with Gabriel essentially giving Marinette ownership of Adrien by passing on the rings. I talked about it at length here, but I think the only way to make the sentiplot work in the context of canon is for it to end with Gabriel realizing that he needs to view Adrien as more than a doll and I think the only way to really do that is to have Gabriel use the wish to free his son.

Back to the main discussion in which Adrien is a real boy and we ignore the senti complication!

In order for canon Gabriel to be redeemed, he must acknowledge his abuse and make recompense for what he's done. Adrien must also acknowledge his father's abuse and be allowed to decide what that means for their relationship as Adrien is the victim and, when it comes to reconciliation, the victim should be the one calling the shots, not the abuser. This is a complex and nuanced process that would take an intense amount of screen time to make work. I do think you could do it, but once again, it would require Miraculous to get rid of that whole, "every episode must stand fully alone" rule.

Off the top of my head, if I had to take this route, I'd have season five end with Gabriel losing. I also wouldn't let him die or do his grand plan. Instead, I'd have him lose without a big public reveal by having Felix or Nathalie reveal Gabriel's identity to Ladybug and Chat Noir. This would lead to Gabriel being stopped in an epic battle between our two heroes.

Once Gabriel has been subdued and the full story has been revealed (because it would be so much more satisfying coming from Gabriel and not freaking Felix), Ladybug would contact the guardians to see if Emilie could be saved. This is a path Gabriel never had the chance to take because the Guardians weren't around until quite recently. (I'd probably make it so that Gabriel didn't even know that the Guardians were back.) The Guardian's answer would, of course, be yes, but it would require some special lost item or other BS that the heroes need to get/do first.

At the same time, we'd learn that there is a new bigger, badder villain. I'm thinking Tomoe, but Lila, Felix, and/or Nathalie are also options. No matter which one we pick, Gabriel would have knowledge about the new villain that no one else does. Knowledge that is not easily given. In order to save his wife, Gabriel agrees to help the heroes with the new villain and they agree to help save Emilie (they would have done that anyway, but Gabriel doesn't need to know that).

Over the course of this plot line, Gabriel would become less of a recluse and, as a result, he'd get out of his own head and start to regret his actions as he comes to view the heroes as people, not obstacles. This plot line would really lean into the idea that Gabriel never viewed his actions as real because he'd always planned to reset everything with the wish, so what did it matter if he hurt people? It was all just a bad dream that they'd forget once he'd won and set everything right.

Now that his hope of resetting everything is gone and his actions have actual weight in his mind, he'd be incredibly remorseful about the way he treated Adrien, so he'd pull away from his son. At the same time, he'd be bonding with Chat Noir, whose identity was never revealed. This would eventually lead to a reveal whose time and place was fully chosen by Adrien. A reveal that would only take place once Adrien felt that his father had truly changed and come to regret what he'd done.

Bonus element to this idea: the Gabriel-Adrien reveal would be our new identity shenanigan hook, meaning that the love square could reveal themselves without removing that element of the story. It would just have a new main flavor.

The Cycle of Abuse

I mentioned at the top that you have to be incredibly careful about redeeming abusers because it can glorify the cycle of abuse. I wanted to end by talking about what I meant by that as I think that far too many pieces of media accidentally glorify this cycle because they don't put the necessary effort into their redemption arcs. When it's media aimed at teens and adults, I just kind of sigh and stop consuming it. When it's media aimed at kids, I get legitimately upset because the cycle of abuse is already hard enough to escape without media helping you internalize it at a young age where you don't have the skills to understand fiction vs reality.

There are a lot of in-depth articles and books about the cycle of abuse, so I won't go too deep here. I'll just link one article and go over the basics which is that abuse is often not constant. In many cases, it follows a clear pattern in which there's an incident of abuse, followed by some form of reconciliation, followed by a period of true calm and happiness, but that calm and happiness never lasts. There will eventually be another incident of abuse and the cycle will start all over again. It's an existence of the highest highs and lowest lows where the victim has true hope that things will get better only for that hope to be cruelly dashed to pieces again and again.

This cycle is one of the many things that can make it hard for victims to leave or even identify the abuse depending on what form the abuse takes. After all, no one is perfect and we want to support our loved ones. If a person does something mean and then apologizes, we want to believe that apology. This very normal series of events can be paired with the cycle of abuse to keep a victim trapped because they think that they're a bad person if they give up on their abuser who is, "trying to get better," or some other excuse. But that's not what's actually happening. While the abuser is saying what the victim wants to hear and may even mean it in the moment, if they're not actually doing any work to change, then it's just another reconciliation round in the cycle of abuse.

This is why it's so important to have media that tells you that it's okay to give up on people. That their happiness is not your responsibility. It's also a big reason why I like the idea of redeeming character A while not redeeming character B. That setup lets you have that positive message of redemption while also presenting the idea that redemption is never a sure path. You can only redeem those who want to change (even if it's for a selfish reason) and who are willing to put in the work. A thing that you can really highlight and drive home when you do the A vs B setup.

Before we move on, I will note that there are abusive relationships that don't look like the cycle. The cycle is simply a very common pattern. The thing that makes it "special" when it comes to writing is that it's the type of abuse that's easiest to glorify and/or romanticize if you're not careful in your writing, which brings us back to Miraculous.

Miraculous actually demonstrated the cycle of abuse horrifically well in season five. In this season, we see things like Gabriel giving Adrien apologies and permission to call him "dad." Acts of reconciliation that were followed by blissful happiness for Adrien who desperately wants his father's love. But of course, that happiness never lasted. In the end, Gabriel always destroyed it with a new act of abuse because he is an abuser. An abuser who loves his son, but an abuser none the less because love doesn't stop abuse.

Because of this, if you want to write a realistic redemption, then you cannot give Gabriel a simple redemption where he apologizes and everything is suddenly okay. You have to differentiate his "true" apology from the others. You have to make it clear that this isn't just another round in the cycle of abuse both to tell a good story and so that little kids can hopefully internalize the difference between when you need to run away and when it's safe to stick around.

Another important element in getting this message right is allowing the victim character to be the one who is in charge of the reconciliation. Generally speaking, the victim should be super wary about reconciling because - for this to work - they need to be fully aware that there has been past abuse so that they can make a fully informed choice about what that means for them and their relationship with their abuser. It's not a true reconciliation if the victim is totally oblivious to the fact that they've been wronged.

Because of this, the true reconciliation will usually be a drawn out process wherein the abuser and the victim don't reconcile until the abuser has unequivocally proven themself as changed to really highlight the difference between an actual reconciliation and the kind of temporary reconciliation we see in the cycle. This why my hypothetical solution has a love square reveal and Gabriel avoiding Adrien out of shame.

That route allows Adrien to have full control over the situation as Ladybug can accommodate his needs, allowing Chat Noir to have 0 required interactions with his father. All required interactions are handled by Ladybug or other teammates so that all of the interactions that happen between Gabriel and Chat Noir feel like Chat Noir's freely made choice. This setup also allows Adrien and Gabriel to be on more equal footing in terms of power, an extremely important element of reconciliation. A lot of damaged parent-child relationships don't fully heal until the child is an adult and the parent loses their power.

All of the above is why I'm wary of giving abusers redemption arcs into happy close relationships with their victims (I'm much more liberal with redemption arcs into happiness with people they never hurt and/or where they're redeemed, but not super close with their victims). I'm extra wary in the context of children's media as it can be harder for kids to understand nuance and this is an incredibly important topic to get right.

That doesn't mean it can't be done. It can! It just requires a lot of effort to do it right. Most of the time, stories with this type of redemption feel lackluster and honestly make me a little sick to my stomach because it's so common to go the lazy route where a single apology is all that's required. It's why I'm super wary of the whole "enemies to lovers" thing. I like the concept it in theory, but more often than not, it ends up being abuser-and-victim to lovers, which is a hard pass for me. I don't judge people who enjoy that stuff in fiction or role-play settings, it's just not my cup of tea. Be it fiction or reality, I want couples that feel healthy and families/teams that I'd love to be a part of.

Since this was a serious one, let's end on a topical, but humorous short from ProDZ where he very accurately sums up your standard bad-guy redemption and why I don't like it. I love the redeeming power of love, but like all tropes, part of doing it well is knowing what story setups are suited to it and which ones are not.

[comicaurora]

If you've finished The Dragon Prince, S5, what's your opinion? Personally I'm still processing everything and there were a few things I was kind of "ehhhhh" about, but those were just one-off moments and overall I'm satisfied, even though it ended up playing out very differently from how I was expecting (for one, I was certain Aaravos would be getting out by the end of the season).

I liked it a lot!

SPOILERS AND STUFF:

Because I liked it a lot, most of my more specific thoughts are about the few things that sort of jarred me a little bit and felt a little rough or strange. But before I get to that I wanna list some of the stuff I loved:

Soren! My sweet boi has finally gotten the acknowledgement the previous seasons denied him. Soren locking eyes with Deadwood and going "yo same issues" was incredible, and after the last season treated his abduction by and confrontation with his abusive father as 90% comedy funtime hijinks in a nightgown, it was really refreshing to see him get a chance to actually shine in a serious, heartwarming context and be narratively rewarded for it.

In fact, that whole sequence with the pirates was incredible. I knew there was no way they were gonna cleanly outrun the bad guys, but I was not expecting how exactly they would catch up.

They did a lot of elegant work this season setting up Claudia as going from being family-motivated to being anger-motivated, and I like that, because at the rate things are going she's gonna run out of family to be motivated by in T-minus one episode, and if she's going to continue being the main boots-on-the-ground antagonist she's going to need some new motivation to swap out for her dad. Showing her actively reveling in having power over creatures that used to frighten her is a clever way to ease into that.

Viren's arc this season of being forced to confront his own coping mechanism, "I had no choice", was damn elegant. He had to realize he did have a choice the whole time, even if it was a choice between two bad options - he took every step along the path of his own free will, and he can choose to stop walking at any time. I'm not anticipating a redemption arc - my guess is Aaravos is going to let him die and just keep his soul imprisoned with him, "your soul is my treasure" and all that - but it was a very cool way to confront the audience and Viren with his humanity, which is easy to lose sight of when he spends all his time being a horrible dick.

The stuff with the Nova Blade screams "sneaky poetic double meaning" and there's absolutely no way it can actually kill Aaravos. The fact that the novablade and the three quasar diamonds they need to let Ruunan out of his coin after four goddamn seasons are all in the same place called the Starscraper that is so most definitely a boss arena makes me absolutely certain that they won't get there until some sort of final battle or immediately-pre-final-battle confrontation, but it's also almost guaranteed that the novablade is not going to cleanly resolve everything because the characters were realistically sus about that poem but quickly dismissed their entirely reasonable concerns. My guess is the novablade has already stabbed Aaravos once and he's the dude from the poem who was somehow both immortal and "no more," which feeds into the other thing they're 100% setting up, which is that Callum is one thousand percent going to be the one who lets him out in an ill-fated attempt to save his loved ones, which would cleanly make Callum three for three. Which segues into my "things that bothered me a little bit" zone-

Every time there's a story where the heroes are like "we're going to make our way through the incredibly circuitous and hard-to-navigate traps and secrets to finally find our way to the closely-guarded and ludicrously dangerous macguffin so we can take it with us and put it somewhere much less guarded" I feel my investment slip just a little, because how can anybody be surprised when the bad guys then get ahold of it with a tenth of the effort it would've taken them to get through the circuitous treasure hunt themselves? Claudia was not on track to figuring out the secret in time, and Aaravos didn't seem to have a way to tell her directly, and once the deadline ran out she'd have almost no reason to want to release Aaravos anymore. I worry this plotline could've solved itself if the heroes hadn't inexplicably concluded that they could guard a magical prison better than a centuries-deep conspiracy of archmages and archdragons.

The Dragon Prince character writing is usually rock-solid and very good at showing slow growth and development, while occasionally being vulnerable to characters seemingly losing their braincells to facilitate plot points that they would reasonably be too smart to let happen. That happened a few times this season, most notably with Zubeia getting very clearly bit by a shadowbeast - something we know everyone riding on her back saw, because Corvus intervened to get it off her and nearly died in the process, and we later see Soren talking to her about it - which means Amaya at minimum, and probably Callum and Rayla as well, should reasonably be expected to have both the information "a wound from a shadowbeast magically festers and turns the infected victim into a shadowbeast" and "zubeia was injured by a shadowbeast." So it's a bit weird that this doesn't come up and they just leave her alone about it, and only Soren - who doesn't know about shadowbeast stuff - even asks her about it.

I have this theory that there was a draft of the season's plot where the main characters had access to a different space of information - for instance, knowing about Zubeia's wound and its implications instead of her inexplicably brushing it off, hiding its true severity and then nearly dying. The most notable instance of this feeling struck me in the same episode, when right after Amaya's incredibly dramatic "go!" moment and the gang are about to fly away, Callum pointedly looks down one last time, then sees her shove Corvus and herself into the book drop, and he says "they made it into the book drop! they'll be totally fine!" and then they fly away. It feels a little jarring because it seemed like the natural flow of the episode would've been to let Amaya and Corvus's sacrifice play out as expected, with Chekov's Book Drop at their backs to save them as soon as the heroes were out of sight. Then Amaya and Corvus could show back up later in a big heroic moment, possibly even keeping the camera off them until Amaya rides to Janai's rescue a few episodes later - a classic "aragorn goes over the cliff jk he's fine" style reveal.

The reason they didn't do this, I think, is because it would've been hard for the kid heroes to be quippy-fun-time jokey-joking mere hours after losing their last living relative to presumed horrible zombie death. And I get that! But I think that was a notable factor in the way some of the episodes were structured around making sure that the heroes mostly got to spend their time being light-hearted and funny, which meant troubling information was artificially kept from them and encouraging information was shoehorned into their eyeline in slightly contrived ways so they could stay safely partitioned away from the actually heavy emotional implications of their situation. That's why I think the pirate episodes hit the audience as hard as they did, because suddenly the story dipped really seriously into the extremely painful and scary side of this otherwise fun and exciting fantasy adventure, and the characters shone in the unusually serious environment.

I kinda feel the same about Viren, but in the opposite direction. He spent the entire season comatose and safely partitioned away from the other characters, and while his highly symbolic coma dreams were extremely cool and revelatory to see, it feels like a squandering of his character potential to keep him from interacting with anyone but Aaravos - which is why I think they're gonna keep his ghost around at minimum. Hell, maybe Claudia will take a page out of his book and store him in a coin for safekeeping. Either way, they've had no problems sticking Viren on the proverbial shelf for seasons at a time and it seems like it's just too convenient for them to stop now. Viren's inner life is very cool, but I want to see him actually interact with the real world, because he's so bad at it.

I don't really know why the sunfire civil war thing is still happening, and my only theory is that Aaravos is still influencing the bald elf guy he possessed to kill the Queen back in season 3, meaning that these guys will be bolstering the ranks of General Problems in season 6 onward. I don't mind that concept, but I kind of feel like the problem they're running into is they killed their actually interesting Dickhead Royal back in season 3, and without Prince Kasef they have to make do with We Have Kasef At Home, aka Karim, who's not good enough at machiavellian scheming to be interesting and not enough of a dickhead to be fun to watch. They didn't even let Amaya take one of his eyes and make him look cooler, so I can only assume he'll be usurped as the primary threat next season and replaced with someone actually threatening, aka Aaravos. It seems plausible that Aaravos is going to sell both the poison and the cure, promising a way to fix Lux Aurea's corruption, but it's just a weirdly disconnected plot thread at present.

The thing with the ocean archmage felt like a very transparent Yoda homage, which started out cute and then went on about three times longer than I wanted it to, and it kind of highlighted the running theme of how every new character in this story is introduced saying "I absolutely cannot let you do this thing you need to do to progress the plot, no way no how." and then after some arguing and quips and ten minutes of wasted time and optional sidequests they're like "you may now proceed with the story." The ocean archdragon had the exact same gimmick in the opening scene, even the pirates were introduced that way. I think part of the reason the pirate episode felt so different and cool is that it broke the episodic formula in almost every way and highlighted some character tropes that the lighthearted tone doesn't normally allow for, which is why people keep describing it as "like a fanfic, but in a good way!" It took the characters we were at this point very familiar with and put them in a Situation, and fans love it when characters get put in Situations.

Kinda feels like the show only remembers Ezran has geopolitical kingly responsibilities when it's most inconvenient for the gang, and while I find his presence in this season refreshing, it is a little weird that he can just run around adventuring and getting kidnapped by pirates without anyone bringing up how the throne and the crown are burdens like they've been banging on about for the previous four seasons. I assume that'll come back into focus later, but it ties into the same thing I've observed where it feels like the characters are very carefully contextualized to only have to consider serious responsibility things in very specific contexts, usually when it will facilitate actively frustrating character arcs and decisions, so they can just loosely quip and react to things the rest of the time.

Anyway I had a dang good time, excited for more! Harrow is one thousand percent in that bird.

[brigdh]

I was thinking more about how Stede doesn't really have an arc this season (see my previous criticism here), and I've decided that what I would have loved to see was Stede actively attempting to court Ed.

Now, we did get a little of this in the first few episodes: Stede's letters in 2x01 are great, I love his attempting to track Ed down via a crime-map in 2x02, and of course the "I'll never leave you. I'll never leave again" speech at the end of 2x03 is fantastic. But once Stede and Ed are both in the same location and conscious, there's really nothing. Stede just hangs around, waiting for Ed to figure himself out, or take the lead, or something, I don't know, but Stede's certainly doesn't take any action to progress their relationship himself. He's such a static character in the second half of S2.

But! Imagine instead the arc where Stede is actively trying to romance Ed! I don't need him to be good at it; it's probably a better character arc if he isn't, in fact. Maybe he comes on way too strong at first and this is why Ed asks him to slow down, until Ed can figure out what he's doing about his own guilt/violence/identity/daddy issues (maybe Ed can actually figure out something about his guilt/violence/identity/daddy issues). Maybe Stede's entire conception of romance comes from poetry and novels and it hits a hard skid when he tries it out in reality. Maybe there are cultural clashes between how pirates approach one another and how the landed upper class does it. The exact way Stede fails doesn't really matter, because the point is that Stede is trying something, and fucking it up, and trying again, and growing as he does so, learning more about what the relationship between him and Ed needs and who they are as people.

This also could have been a really interesting arc for Stede internally. Throw in a couple of flashbacks to Stede courting Mary, to make a parallel between how he acted then and how he's acting now with Ed. If it's beyond the budget to fly Claudia O'Doherty to New Zealand or she's busy or something, give Stede a random other lady or two he approached as a young man – ones who obviously refused to accept his hand. Excellent! Now there's even more weight to him getting it right this time with Ed, when he's never managed to get someone to like him before! Or give young Stede an intense friendship with another young man that went wrong, and back then he didn't understand, but now he can look back and be like, 'oh I guess that wasn't as platonic as I thought'. (Personally, this would be my favorite option, but I know Jenkins & co said they didn't want to write a coming-out story, so maybe they'd have been less interested in this one. Fine, but I want it! 🥳 ) I think you could do this without taking up a lot of screentime – I doubt all the scenes we got of Ed's childhood add up to five minutes in total, but we got plenty of information from those three glimpses.

It would also make sense for Stede to discuss the issue with the crew, which gives the show a chance to flesh out their role a little more, another thing the season could have used. If he asks Lucius, what Lucius responds and how he reacts could help to develop the Lucius/Pete relationship. Similarly, if Stede turned to Olu or Jim, we could have heard more about Jim/Archie or Olu/Zheng or any combination of the four. Or any of the crew! What kind of relationship advice does Frenchie give? Roach? This also could have intersected with Ed's redemption arc nicely: which are the crew are willing to put aside their anger at Ed to help Stede (and them doing so would give more credence to Izzy's speech about them being family and loving Ed at the end)? Who isn't willing, and tries to deliberately sabotage their relationship for revenge, and how do Stede and/or Ed react to that?

Overall, I think such an arc could have fit the show's themes of masculinity and toxicity really well. There's so much about dating and pick-up lines and romance that reflects on gender – there are expectations of who should be aggressive vs receptive, flowery vs crude, prudish vs too fast, gifts as a sign of love vs gifts as obligation... it's endless. Obviously the season wouldn't have time to explore all these angles, but I list them as a sign of how many directions they could have taken this topic in. Ultimately it all comes down to: Who does Stede want to be as a partner? And who does Ed want him to be? And that would be so strong as a direction to go in, even if we didn't get final answers to the questions! At least they would be asking them.

But instead we got a vision of a mermaid and never explored who Stede is in reality. :(

[pastara-cell]

Not a traffic/hermitblr post, But i’ve fallen back into the the music freaks fandom for probably around a month, so I wanna post thoughts.

I’ve seen WAYYYY too much shit about drew getting a redemption arc. Guys, redemption arc makes him no longer the antagonist, and as much as i’d love for him to get a happy ending, I think We are missing a very obvious plot point here that not enough people are capitalising on, and that is a COMPLETE VILLAIN ARC.

Okay okay, hear me out. I know that, on the surface, this seems like it wouldn’t happen, drew’s stated that he’s done with jake, and to be honest, he seems like he’d be way to upset to get revenge, and I dont think he’d be the type for it either. He’d probably just ignore jake. HOWEVER-

He already hated the club, and what do you get when you mix hormonal teenage boys with back to back bombshells at once (jake spending less time with them, then finding out zoey cheated on him, losing jake, and probably some other stuff,I need to rewatch tmf)? You get an absolute minefield of emotions, ready to blow up the entire field if so much as a stone is thrown at it.

This is where the ultimate villain arc sets in. First few weeks, maybe 1 or 2, drew’s not gonna do shit. He’s gonna be grieving and probably honestly crying himself to sleep, you CANNOT tell me he wasn’t 2 seconds away from sobbing in the drakeup fight. However, after those 2 weeks, this little shit(/pos) is gonna go full on Regina George, World Burn style.

In the past, Drew has (canonically) been the one to start verbal fights, but let other people do the fighting while he just watched and laughed. Not anymore though, because now he’s pissed and petty and is probably feeling the teenage equivalent of his world pretty much ending. Nothings gonna be the same again, so why bother?

I feel like he’d projecting heavily, starting fights with the music club and even other people for even so much as provoking him. I don’t think these fights would ever go past swearing, insults, and maybe a finger shoved into a chest to point at them, as I don’t think drew’s the kind to get too physical, However, I can absolutely see him screaming at the top of his lungs at Luke Because He knocked over his lunch tray or something, which would probably spiral into a fight with zander

Small inconveniences and remarks would feel like a stab in the chest to drew, causing him to lash out. And one small fight could definitely domino into a WHOLE arc. I’ll list a theoretical example for this scenario, expanding on that tray idea from earlier (This is just one way of how this route could go, and is just for example)

>Luke bumps into drew, knocking his tray down. Probably apologises

>Drew doesn’t give two craps about apologies at this point, and yells at him, probably calling him a name and getting more annoyed than usual

>Zander spots Drew yelling at luke, and comes over to protect him. Luke tries to get zander to go off, knowing he’ll probably make it worse. Zander doesn’t listen, and yells at drew, probably something along the lines of “the hell is your problem?!”

>Drew yells at Zander too, and it begins to go back and forth. Definitely name calling, maybe pushing or shoving if someone got too close

>if a teacher hasn’t already seen them, then I feel like hailey would go over. Jake would probably follow behind, but be out of drew’s vision for a bit

>Probably spirals into drew vs zander and hailey, while luke tries to break them up and jake just kinda standa there.

>Drew starts screaming at them, is probably overwhelmed with everything all at once, because emotions

>I feel like this is when Jake would step in, and tell drew to back the fuck off. He’d probably say it nicer, but definitely would be like “hey, quit yelling at them! Its not a big deal, just clean it up!”

>Drew, at this point, probably not wanting to deal with all 4 people at once, would leave, probably taking henry and liam with him

And then, seeing as how a lunch tray could probably set him off, we’d rinse and repeat this and other scenarios until drew just snaps. You’d get tired of constantly feeling as if you’re battling the world with every inconvenience too right? Insert mission Burn book!

Mission burn book is essentially what I like to call drew’s way of getting “revenge” on the club. (Name is 100% inspired by mean girls.) Whether it effects jake (I personally think it would be targeted at the club in general, drew not even caring jake was in it any more) or not, It’d be something drastic. Definitely a 2 in the morning, chugged 4 cans of redbull and 2 monsters decision.

I feel like it’d definitely effect them socially, maybe outcasting them even more than they were before. Infact, outcasting them SO BADLY, that essentially everyone in the club starts to get bullied. And this makes for great angst, and flashbacks to middle school jake!!

Drew, meanwhile, would sit back and watch the chaos, making sure to keep henry and liam out of it. Maybe he’d regret it a bit. Maybe he wouldn’t. But it either way, he’d go all out.

TLDR: guys make him evil stop making him get a redemption arc, the potential with evil popular teenage boys is actually so high

[mdhwrites]

Saw the TOH Finale in Its Entirety.

I think I need a little time away from talking about TOH after it. I have some blogs prepared but I may just let myself breathe a little bit. This isn't me suddenly calling the finale good. No... No. Like For the Future, it was an episode I'd always seen and heard enough to know I wouldn't like it. I'd watched enough of it to know it was bad. I had to watch the Collector's redemption for a different blog though and when that portion was done, I decided to watch the last fifteen minutes I hadn't seen.

And... I could say a lot about it but this picture is all I need to focus on.

This was the end of the series.

Oh yeah, there were six minutes after it that showed them in the future but this was the end of the series. They had just spent 3-4 minutes with epilogue narration, a curtain call saying farewell to everyone and showing they were safe, showing us that the Isles would heal and then it came to this. Luz thinks about how she'll miss magic but grew as a person and how all of this will have made her better. Made her able to face the future and then you get this shot.

That is the end of a story. Period.

But then TOH wastes six more minutes running it back and doing the exact. Same. Thing but worse. Because it doesn't end on the thematic focus of Luz's journey, growth, and what you can take away from it. It ends on self indulgence, takes EVEN LONGER, and on a forced group shot that includes villains and one off characters for some reason. It's much worse composed than this, it's much less meaningful but they decided not to cut it. They decided they couldn't choose one of two endings and so did both.

All while the Collector fails to properly finish his redemption arc or admit that what he'd done was wrong. While Luz dies in a sequence of like five plot beats and reveals that happen in like a minute's time. While the episode is repetitive and contradictory in the most infuriating ways and even when it's looking good, the story boarding and choreography and lack of real creativity is holding it back. All while claiming it's so much better than other media while doing exactly what it's mocking.

In other words... It was indeed a finale to TOH.

But it's a finale that makes me feel worried about being able to kind to it. After all, the creators of this show complained about being shortened. Claimed they had so many ideas. So many they never got to tell. But then... Then they made this finale and spent a fifth of the time on two different endings rather than actually completing and fleshing out their story.

I don't think Dana's name will do anything but turn me away from a project now. Not unless I know she's not a part of the writing team. And... While that may still just be due to the quality of her work, I do not want this thought so fresh in my mind. Not when my analytical roots sadly still stem from an angry part of me and was first birthed out of an angry part of the internet. It doesn't change my opinion but like I said, I think I just need some time and I have some blogs cued to post in the meantime, as well as some Amphibia asks I can get to instead.

See you all next tale. Hopefully I find a new one to get stuck into properly soon.

[funhouse-mirror-barbie]

Man. I’m honestly sad about Hazbin Hotel being the way it is. Maybe, maybe it will surprise me and somehow the last 2 episodes will make the first 6 more engaging or enjoyable but like…(general vent/overall impression so far below)

Lord, it’s so clear that they had SOOOO MUUUUCH they want to get through, and for whatever reason they don’t seem to believe in their work and their story enough to let it take it’s time.

I think if they had just let the first 8 episodes be about the general main cast, maybe with each episode focusing on the improvement and work towards redemption for each hotel resident, we would have a LOT better groundwork for building up to all the intense things and lore they want to include later.

But we’re seeing either full character arcs being speed run or we’re having big twists or revelations nearly every episode and it’s just…I WANT to feel moved by this show. I WANT!!! To like the show!!! I really want to!

Because there are moments that show depth, that could have been really really interesting if we knew more about the characters, if we got to see more of how the characters interact with each other, if we got to see them take the TIME to build up to and resolve their conflicts.

But how it stands, we get at least one, if not two new characters shoved into every episode. They show up create chaos or sing a song about something important to them that we just learned about, and then they leave.

I WANT to get to know these characters! I want to see a flashback or something where Camilla and her daughters were trying to hide from the Angels, and Camilla has to fight back to protect them.

I want to see how the hotel residents ACTUALLY bonded during learning to fight with each other.

I want to learn more about Alastor from literally ANYTHING other than an exposition dump.

Sorry, again if you find these characters to be emotionally deep or they are important to you, nothing I say should take that away.

This is a lot more vent-y than usual, but I guess I’m just sad and disappointed b/c it seems like the writers and creators behind Hazbin don’t believe in their own story and their own characters. This is just how it comes off to me, and it’s just a bummer man.

This was the same feeling I had when the Pilot came out, but the Pilot at least had charm. And while I was ultimately disappointed by its writing, it was clear it was the product of a bunch of people, and bunch of artists, coming together to create something.

And even if the Pilot still needed a lot of work and improvement, you could tell that the people making it really believed in the story and characters and were excited to make it!

I didn’t really want to see the Pilot picked up when it came out in 2019, because while I admired the passion of the creators, animators, voice actors, and composers, I wasn’t sure if I personally believed in the story.

Then it got picked up, and I thought “Okay then. I’m not gonna assume the worst. There must be more to this than I initially thought. I don’t know how I’ll feel about the series, but I want to give it a chance. I hope it’s well done, I hope it’s good”

It’s come out now, and so far, to me, it’s just bad. There are still those little moments of creativity, but they are few and far between, and a lot of the time when I watch the show I’m just waiting for the next song, because that’s usually the one part of the show that is at least catchy.

I guess my only reflection I have for this moment is just. Supreme disappointment.

Sorry again for the post that’s less a review and more a vent/rant post. I think at the end of the day if I DO write any actual reviews of the episode, they will largely be me talking about things I WISH we could have seen in the show, but didn’t get to.

[neyliaart]

hi hello talk to me about junmei :3

i prefer post-canon stuff but i will gladly take anything!! also. do you perchance know of any jun wu redemption fics because i could only find one on ao3 ;;

yes he’s a villain but. it’s fanfic! he comes with a complimentary sad backstory! he’s stuck under a mountain to think about his actions! he’s stuck there forever, he has plenty of time to reflect on his behavior

First up @witch-is-writing do you know?

I only remember ones that vaguely count as redemption really but in my defense I woke up a minute ago, saw "Junmei" and scurried to write this text. Also do tell me which fic you found so I can check if I read that pls :3

Jun Wu is just the personification of 'hurt people hurt people' for me and if you wish I may write an essay about that thazs vaguely structuered and more of a ramble. I do however very much consider mei nianqing to be important to his healing. I dont even call it a redemption arc but oh boy that man needs some Healing. Mnq does too and they really should do that together because their issues are so intertwined. I have so many loose thoughts about this right now oh ma god.

The path to Jun Wus redemption or healing will always lead through the vassal that stayed longer and the vassal that left in the end. The one man he couldn't kill in two thousand years. The one man who knew him before he put on one mask after the other.

And truly they have all the time in the world for that post-canon. Let nianqing (...nian...nyan....nya... Yeah i didnt sleep enough.) visit him in the mountain. Return day after day to make it stick a little. That hes there now. Bring tea, bring books to read, whatever really. They are both so incredibly hurt it makes me sick (positive) and it would be a journey. One thats hard and rocky. One where JW still falls back to lash out and bite because its what saved him for hundreds of years but MNQ stays now no matter how he growls.

Yes JW is just a rescue dog to me and I will never get that thought out of my head ever again but I have one and the similiarities of it are striking. Funnily enough that also means most people should just ignore him (for now). Let one person get closer for now, more than that would be too much and if he starts to feel cornered he will growl and then he will bite. Its an intricate play ot trial and error to figure out when to actually step back and give more space and when to take him by the scruff even if he tries to bite. So MNQ got a lot of work and figuring that out ahead because thats his rescue now (has always been really) and JW will always remain a little more at ease with him than the rest of the world.

At last those who caused the pain have died and after that, by all means, it was all a grasp for control because for as long as he has control he can never be hurt. I believe we all try to hold control over at least something in our lives and its natural to do so. We are all scared to be hurt. But nobody can control everything (much less forever) and he needs to learn to live with that fear and uninternalize the mask of anger that hides it.

No matter what he needs to feel safe first. Not ultimatly safe but at least safe to show that hes afraid. Safe enough to stop wearing a mask of stirkes to hide the vulnerabilty. He needs to be scared and he needs to be vulberable and it need to be safe and okay for once.

And who better to grant that safety than that started the whole tale of his demise and his crimes by telling our main character to the face that this man shone so much brighter than he ever did. A fact i will never get over. The contents of what MNQ tells XL and us is like: War crimes, attempted murder on me, wiping out the heavenly capital, bringing ruin to Multiple kingdoms and how does one start such a tale best? Logically by refering to the man in question as the sun. But thats not enough. He wasnt just any source of light. He outshone you and all of us and all the other gods which are now dead because he murdered them.

MNQ is crazy for that and I absolutly adore that and that is literally all it will ever take for me to ship this. You can not tell me that is not a subtle love confession?? JW attempted to murder him multiple times i don't think people normally talk about such a guy like that??

Uhhhhhhhhhh anyhow

*subtly slides discord link*

I also made this where witch is also inside and so far nobody else but uh yes in case you want that because I dont know how to tell people.

[tokillamockingbird427]

Thoughts on what Rorke's parents/family would be like? Been tryna figure out how the guy might have decided to enlist. Maybe?? was a jock in highschool but considering how he acted prefed he seemed like he'd be pretty chill in highschool. Or maybe he was a total bully and the military was a redemption arc,,

Okay so the reason I even have an idea for good ole Gabes childhood/upbringing is because of an oc, my dearly beloved Mich who's main deets got whipped up with @callofdooty. (Details with how we write him may differ, but Mich only exists out of a convo with them.)

SO, first thing! Mich is pronounced Mitch, his full name is Micheal, he is named as such to match Gabe/Gabriel, and he is the older brother of the two Rorke children.

ONWARD!

Their parents were on the stricter side and more of the classically patriotic type. Both of them were on the colder side and had the mindset that their kids needed to obey them and succeed and they needed to do little else then tell them to do it to make it happen. They also weren't very shy about picking favorites, and it was Gabe because he fall on the obedient side; Mich was a rebel through and through.

Now while Gabe was the popular pick at home, Mich was the more popular one in school. This is mostly due to both of their personalities: Gabe is very competitive and tends to get upset/angry if he's not "the best" at a thing and will then push people away. (Mich has a scar on the side of his mouth from an incident where Gabe whipped a rock at him when they were like... 7 and 10.) He also worries less about out-home social connections because he feels less of a need for them. Mich on the other hand feels the need to make connections outside of home because of the rejection he faces there, and as a consequence, is a social butterfly.

Now the first and second paragraph are both things that caused some disagreement between the brothers, and a lot of the time they struggled to get along. Both of them very much do love each other, and when everything else goes to shit they'd go to the other first, but unfortunately they felt pitted against each other a lot of the time and didn't find tons of common ground. ("Don't be like your brother"/"Why can't you be more like your brother" type shit.)

Now in school, outside the social aspect, both boys excel in the academic section. Talking honor roll, AP classes, class valedictorian, shit like that. While naturally gifted both boys also put a lot of effort into their successes, and it was one of a few things they would cooperate over. (Help each other with studying and shit.) They were also both in extracurriculars for those bonus nerd points: Gabe was in chess club (enjoys the tactical smarts needed) and Mich was in the yearbook committee.

Unfortunately for Gabe one of the most devastating life events for him took place very soon after Mich turned 18: Mich left. He didn't die, to be clear, if he did I'd fuckin tell you straight, but he felt that he and his parents had no obligation to one another at that point and moved out. Running off to places unknown and, in Gabes eyes, abandoning him.

And I did say they didn't get along great, but they were still brothers. Gabe still looked up to Mich no matter how much his parents would point to him as a bad example. They were each others confidant and closest friend. They were integral to each others lives and neither knew living without the other until Mich left.

This made Gabe very resentful of Mich, and unfortunately, he chose right then to rebel... Not against his parents, but his brother. Mich was the worst in his eyes at that point, so Gabe wanted to be everything he wasn't. Which is pretty much exactly what his parents wanted. As if he weren't bad enough before good ole Gabe became even more straight laced and obedient, joining the military when he got old enough and working his ass off constantly to be "the best" there too. (Also just straight in general... or at least he tried. Elias.) We pretty much knowhow the rest of his life went after this point in time (Sand Viper, the Ghosts, Caracas...) but I'm always down for some more resolution.

Between being in the service for a few years and Caracas, Mich reached out to his little brother, and Gabe rejected the attempt... But Mich kept up. And it's good he did! Gabe was eventually worn down, because while he was still very sore about Mich leaving some part of him still wanted his brother. He agrees to hear Mich out for a bit without any guarantees, which Mich is overjoyed with.

During this first in a while conversation Mich actually reveals several very key details: He did leave home of his own accord, but he didn't want to cut his connection with Gabe. Their parents had barred Mich from speaking to or seeing him, and after Gabe moved out Mich just lost him entirely. It'd taken him all the time between then and there to figure out where Gabe went, exasperated because Mich did have his own life to lead alongside trying to track his brother down.

Hearing all of this, Gabe is fine with a trial period of sorts because Mich has little other evidence than "Just trust me bro." because their parents are deceased atp in time and even if they were alive Mich doubts they'd be people to confirm it.

Over the next few years they begin to catch up again, filling in the details of each others lives and connecting better now that their parents can't set them up against each other. They do take time to get used to each other again, given their polar existences, but they get there.

This all ends in 2015 of course. Given Gabriel dies.

[davekat-sucks]

I did enjoy the candy Jade stuff in the most recent update involving her, but the reason for that is due to there being some consequences for once in this story. It is lessened by the fact that, as you said, its extremely obvious that things will turn out fine in the end, but it was nice to feel something for a few moments other than utter boredom of going through the motions.

I also disagree with the spite thing, but less because I don't believe you, and more because imo they completely sucked with the spite. Like for a series that apparently revels in pissing off the audience, it sure is embarassing to me that three separate teams over different sequel properties all failed at making me feel the slightest bit angry. But you know, this and my belief that them ditching the epis would be a weak move (considering how much hs liked to discard and bury things before) is personal preference and me being weird.

I do agree with you that Calliope gets off way too easy. Alt Calliope less so, because despite being "one of the most power characters", its pretty obvious that she's an isolated friendless weirdo who is going to fail because nobody like or respects her. But both normal Calliope's weirdly get a lot of rope, despite doing a ton of weird shit not commented on.

But addressing the consequences was too little too late by the time Beyond Canon talks about this. Because in the early pages when it all went down, Kanaya seething and bottling up her emotions inside was not implied or shown. Most had assume that she was fine and that Rose, Kanaya, and Jade were in a 3 poly relationship. OT3 is still a thing in the fandom and that doesn't involve quadrants. It just affirms the worse that WhatPumpkin hated Rosemary and Jade's character assassination was needed to shield themselves from criticism. Don't you fucking say that everything Jade does was IN-CHARACTER. If it was Ult Dirk or Alt Calliope forcing Jade to do these horrible things ever since Epilogues, it's not been that obvious or even confirmed by the people behind it to say that Jade is not really herself in all of this bullshit. And yet that's how it is with James admitting it that Hussie and the rest, had made Epilogues and Homestuck 2/Beyond Canon out of spite. Hell, Epilogues was suppose to be just the Vriska Show. Even now with this recent update, it's all about Vriska's Redemption Arc #7 after already having gone through it from her ghost self in Act 6. I also see that trolling and spiting the audiences are two completely different things. At least for the trolling part in early acts, it was meant to be funny and it does cause impact within the narrative or story. But by Post Retcon, it is just necessary drama that is just as bad as early Act 6 with the Alpha Kids. The shit we have seen in Epilogues and HS2/Beyond Canon ain't trolling, it is pure spite and hatred. If it's just trolling, why isn't Hussie still around to fuck with us? Why leave? You can't seriously believe he was a victim just by reading his self ego boosting autobiography Psycholonials. So why can't the team play it even with this Calliope for her to get screwed over? Not just Alt Calliope? Because right now, she gets back with Roxy after Roxy divorced John. They are lesbians again and nothing is standing in their way. Same for the Roxy and Calliope in the Meat Timeline. Bitch has it easy compared to others.

[mermaidsirennikita]

ARC REVIEW: The Wedding Witch by Erin Sterling

4.5/5. Releases 10/8/24.

vibes: "are we friends or have we always wanted to bone (the second one)", TIME TRAVEL!!!, sexy hilarity punctuated with emotional gutpunches, and Lite Christmas (Yule)

Heat Index: 6.5/10.

The Basics:

Powerful but reclusive witch Bowen Penhallow hires the chaotic human Tamsyn Bligh to be his personal magical-item-finder... for reasons that may have a lot to do with redemption. After months of a slowly-building working relationship that becomes genuine friendship (albeit with a lot of sexual tension) the two accidentally end up at the same wedding. Tamsyn is out to steal a million-dollar find for a mystery item. Bowen... is coming face to face with the darkest part of his past. But when a witch accidentally sends the two of them back to the 1950s, they're stuck trying to right what went wrong long ago--otherwise, they just might be trapped there (or worse) forever.

The Review:

I've really enjoyed Sterling's previous books about, you know, witches, kissing, a good bit of romcom-ery. But as soon as I learned that there was a Penhallow brother who looked like a craggy werewolf, I was like "THAT ONE". And God, his book did not disappoint. Easily my favorite of the series, The Wedding Witch takes us to a different place both physically and emotionally, while at the same time maintaining the things I loved about the previous books--a lot of humor, a lot of chemistry, and the friction two people who really wanna fuck but don't want to confront their feelings.

And the magic is kicked up a good bit, too. The series has always been pretty paranormal. Like, this isn't Immortals After Dark, but it's also far from Bewitched. You have ghosts, curses, some actual factual spookiness. Here, we go to another level with a grief-stricken witch throwing Bowen and Tamsyn to a different decade... and I fucking loved the way the time travel was done.

Like, instead of getting up its own ass about How Time Travel Works, this novel goes full camp in the best way. Oh my gosh, that's that old lady we saw at wedding, but she's a YOUNG LADY now. That's the crazy father of the bride as a little, crazy boy! Those are my grandparents? Young and hot and bickering at each other?

Which is really one of my favorite things about the novel. Bowen and Tamsyn are actually thrown back to shortly before his grandparents' wedding... and they've just broken up. So it's a PARENT TRAP SITUATION. Or rather, a GRANDPARENT TRAP SITUATION. Bowen and Tamsyn (apparently) need to get his grandparents back together before the solstice! Aaaaah!!!!

Like, it gives hard Christmas movie in a lot of ways, even though the holiday is less Christmas and more Yule. For the record, though--I can be a little iffy on consuming Christmas content this far ahead of the holiday, but honestly? While there are some Christmas-y moments, the sense is more... Christmas media than Christmas, if that makes sense. I mean, I've definitely seen my fair share of time travel Christmas romcoms.

And in many ways, this was my IDEAL Christmas time travel romcom. Because first off... this is a fuckton hotter. Like. The Wedding Witch doesn't end on a chaste kiss. There are several sex scenes, and each one fully goes for it. (It's never a bad thing when the hero is all "I'm worried that I won't be gentle enough for you" and the heroine is like "PROMISE?"). The sexual tension between these two is heavy from their first meeting, and while I do think this one could fall under friends to lovers... Were they ever really friends? Did they ever see each other in a truly friendly way? Or were they just slow-motion falling in love the whole time?

While by no means is this a heavy book, there is also a kind of emotional resonance that you won't find in most Hallmark Christmas movies. I was really fucking sad about The Thing driving Bowen (and his guilt). There's one aspect of the plot here that's really bittersweet--not in any way that directly affects our romance, don't worry, this is very much an HEA, but in a way that injected some seriousness. I kind of wanted everyone to get everything they wanted in the end, but by withholding that indulgence, Sterling ensured the book hit harder.

I don't know if she'll write in this world again, but if she doesn't, she went out on a high note and didn't tie every single thing up with a little bow, which I appreciate. But to be clear: this is, overall, a very funny, adventurous book. You have a snarky teenager who actually isn't annoying, the horror of realizing your grandparents were hot and also had a fiery sex life (Elspeth and Harri were QUITE the secondary couple, and I loved every bit of pagetime they got), and some truly classic tropes. (Only one bed, sexy bathtime, very MUCH opposites-attract shenanigans.)

I read 80% of this in one sitting, and that's kind of hard for me to do at the moment. But it was just so fun! And I really wanted to see what happened next the entire time. Which is when you know a book is really good, right?

The Sex:

Like I said, you get several sex scenes, and while there's one other thing I would've liked to see on the page (it happens, it's just not directly on the page), what we do get is so good. Like. It gets hot up in this romcom. Tamsyn fantasizes a lot about Bowen before they get together, and she lets him know exactly what she does when she fantasizes (in total darkness... with him becoming QUITE responsive). There's some mirror action. There's some tree action. Look, you'll be happy with this shit.

It's always great when a book not only lives up to your expectation but surpasses them. Full of whimsy and heat and FEELINGS, The Wedding Witch is one to catch!

Thanks to NetGalley and Avon for providing me with a copy of this book. All thoughts and opinions are my own.

[eclipsewxtch]

okay so i have so much stuff planned for blue moon so MINOR SPOILERS AHEAD FOR RELATIONSHIP DYNAMICS IF YOU DONT WANT SPOILERS FOR ANY FUTURE CHAPTERS LOOK AWAY AVERT UR EYES:

ik i said this before but all relationships r implied n i don’t make anything canon. that being said, i make sure all ships (even the most obscure n rare ones) get their flowers!! whether that’s from POV’s in the chapter, dialogue, or just little moments/details. that being said, here’s what i intended:

• ethan & jesse have the relationship dynamic of two toxic divorced men who have shared custody of their daughter (jane)

• jane is jesse’s kid idc idc idc im making it happen its gonna give reluctant dad/mentor who’s lowkey the Worst Person Ever & daughter/mentee he didn’t want but NEEDED!!! they’re gonna be so good. im gonna eat it up.

• jane is ethan’s kid too ig but it’s not the same. like that’s her protector n her brother sure but JESSE?? he commits war crimes for that little girl she’s his baby

• audrey & ethan have the relationship dynamic of something soft and sweet. like she makes him feel grounded, but not exactly human. safe. i adore them. i rlly wanted it to give monster bf x human gf so i hope it has those vibes(?)

• rory & ethan (im so so biased i love them so much) they have the dynamic of puppy love. they’re just the sweetest n kindest n they make my heart hurt so much. literally aches.

• benny & ethan r very much old married couple. (they’re gonna hurt yall so bad in the last chapter for s1 like yall r gonna hate me!) they fight n bicker, but it’s like a domestic kind (until it’s not) n crazily enough i actually don’t ship them (don’t crucify me yall) but i want to feed the bethan shippers.

• sarah & ethan give nerd x cool girl he’d do anything for. like he is the loser bf to her cool popular gf!! i actually rlly love this ship n its kinda sickening, but i think ethan heals sarah from her past hurts (jesse u asshole) n sarah makes ethan feel seen n less of a dork.

• erica & ethan r just cuties!! friends forever!! like it’s black cat x golden retriever with them. while i don’t ship, i understand it’s a REALLY rare pair, so they have cute moments where they have fun together. its more platonic, i’ll admit, but if u wanna read into it u can.

• benny & erica r unrequited crushes. like i fear they had a crush on each other b4 she became a vampire, n after the bite it just could never go anywhere. she became too different, n he stayed the same. he’s bitter abt the missed chance; n she can’t imagine him ever liking her before she was a vampire.

• erica & rory have the same dynamic in the show but she’s just nicer to him about it. that’s her puppy, n she treats him as such but she’ll be DAMNED if YOU treat him like a dog. who do u think u r???

• erica & sarah are sapphic vampire gfs. soulmates, ur honor. it’s bad. real bad. i fear they are each other’s homes.

• jesse & rory give evil villain n his loyal henchman. it’s cute in a “oh he listens n respects ur opinions” kind of way, but he takes those opinions to further his selfish agenda.

•NO RELATIONSHIP BETWEEN JESSE/SARAH OR JESSE/ERICA, THAT SHIT IS PAST TENSE AND FINISHED!! REFUSE TO HAVE A MAN COME BETWEEN WOMEN!

•audrey & sarah r gonna be best friends. they don’t argue over a man; they’re better than that. unfortunately audrey is straight n this won’t be romantic😓

• s2 is gonna be longer than s1–so like twenty chapters probably(?) #longfic #somuchthoughtputinthis and i am probably gonna go back n edit s1 chapters in between updates for s2 but i rlly rlly wanna dive deep in each character. ESPECIALLY JESSE. this redemption arc is gonna go crazy. he’s a horrible, terrible, very bad man and yet!!

• i love audrey n im forcing everyone to love her as well. i normally hate OC’s in fics bc it’s like damn why is this person taking over the narrative(?) n more often than not it feels like an extension of the author’s personality. unfortunately if i was gonna make audrey an extension of me and a self-insert for me i would have her flirt HEAVY w erica. love erica bad😝 if anything audrey is just for fun. i was like hm? what if we gave ethan a little red riding hood?? wouldn’t that be sooo funny? n it is.

• i’m sorry for bringing this up again but the ethan & jane & jesse dynamic goes sooo crazy. so crazy. be thankful im not turning it into a louis & claudia & lestat situation bc i contemplated more than once having jane almost die n ethan beg jesse to turn her. i decided against it but the urge was there.

[nomsfaultau]

After yet another comment vowing to die for Rhodes Bannister…

Rhodes Bannister: Old lawyer/farmer who raised Tubbo and then joined the Hivemind and became their unbudging moral compass. Holds cute mock-trials for bickering kiddos. Kinda tortured Tubbo that one time, but grows from that. A very sweet old man.

Rosalind Parra-Cardozo: A naive Foundation employee who tried to help Tommy and Tubbo escape, and instead was subsumed into the Hivemind. Mom-friend, fell for Foundation propaganda that really needs to get sorted out. Called Tommy a child (clearly delusional).

Lawrence Lethe: He killed Ranboo and Rosalind, and yet somehow he has people rooting for his redemption arc. Which he's going on reluctantly, because he's a bitter guy. Helped Charlie, Halo, Skeppy, Philza, and some others escape I guess. If he wins I stop writing Fault.

Dr. Blake: She's kinda the worst but that's because people hate to see a girlboss winning. And by winning I mean giving Tommy PTSD, cutting off Tubbos' hand, and manipulating anomalies into becoming the monsters the Foundation wants to see. Fully believes she's the vulnerable victim just doing what she must to survive.

Webb: Gaslight king. On the minimizing/deflecting side of the manipulation spectrum. Has a weird rivalry thing going on with Philza. Amnesticized Philza so thoroughly that he forgot his own children even existed (and did a lot of murder about it). Just an alcoholic divorced bisexual trying to protect humanity.

Jasmine Fletcher: The five year old Little in the Hivemind. She’s compassionate and sassy. Her favorite color is ultraviolet! She likes dinosaurs and flying and not being shot by her parents!!!

Chad Bowinger: My favorite tbh. He's just a hyper-competent and respectful body guard turned Foundation goon. What more do you need? Currently living off the grid with Charlie, Halo, Skeppy, and Maureen + wife in what I'm sure is a delightful sitcom.

Anderson Corvin: An archeologist that discovered a dinosaur named Philza. Had a cute wholesome suburban life with Philza, prone to things like rambling about history and getting shot in the head. Had 2 (two) murderous rampages in his honor. Yay...?

Maureen Johnson: A body guard just trying to make the world a little safer for her wife. Willing to trust anomalies, but attempted to thwart escape efforts. Did not appreciate Charlie slime puppeting her body for some reason?

Willow Haynes: An annoying teen conspiracy theorist who discovered fairies are real! Teenage Tubbo was less thrilled about her 'discovery'. Had a Shane + Ryan dynamic with Tubbo. In reality, she noticed Tubbo was lonely and was trying to convince them anomalies existed so they could find someone to relate to.

Morgan: Okay Morgan isn't in Fault. Sue me. They're a shy Foundation Observer who tries to warn employee!Philza not to be obviously attached to the cute new Tommy anomaly. Scared into being loyal to the Foundation. They didn't sell Philza out, but were also a coward.

[thanksvideogames]

watched scott pilgrim takes off. thoughts under the cut

first off what an amazing feat this was of voice direction and communal understanding of vision from everyone involved. bringing back the cast of the movie to voice the anime was a heartfelt move but one I couldn't help but worry about a little after a long string of movie stars just not being fit for the voice booths that animation and game companies shove them into -- acting and voice acting are two very different talents! they're not mutually exclusive but I can think of a few examples where celebrities don't understand the difference or don't have enough guidance on the studio's part to understand what exactly they're giving voice to.

that isn't the case here. whoever they got as the booth director for the english dub definitely had the passion and familiarity for the role, enough that even little quirks and pauses in the animation are accounted for in the actors' delivery. In hindsight, I feel kind of stupid worrying about otherwise in the first place with how this whole project started with michael cera responding to a 9 year old email, which in itself should've prove that brain o'maileys work had long been on everyone's minds. but such a sentiment being shared in the animation and music as well really does make this feel like way more of a complete package then what you typically get from netflix. especially with how different of a concept this show is.

I don't have much to say in that regard that other people haven't already; it does characters justice, commits to everything the movie didn't, etc. I laughed a lot at the meta jokes but I also can't help but feel upset of the lack of media literacy for scott pilgrim that provoked a lot of them. I still wouldn't call scott's entire thing in this series a fully-fludged 'redemption arc' but its close within runtime confines and only ever almost fully-committed, much like scott himself, so it works -- not that I was ever looking for that. it was much more pleasing to have a story more focused on everybody else for once. always fun bechdel test your characters into not talking about your mainline protagonist. still didn't feel like everybody got the same treatment as the comics (envy, the twins -- & I'm of the opinion that kim is only marginally more fleshed out in this)

scratching my head a bit at the outcome of the last fight scene. got upset at young niel's comical struggle to write cause it hits so close to home. enjoyed wallace. enjoyed yuri. unless its a sequel doing something else with the universe I don't think we need any more scott pilgrim. as per the gif above, I just want to see fanart of knives chau being happy doing other stuff. for some reason stephen was always my favorite and he still got less screentime than the other characters but capturing his hysterical side was good enough for me.

9/10 overall. god I fucking wish future canada suburbs are just as overgrown and tech-less as they are in this anime.