#i might update next week and i might update in a month

[qwertyprophecy]

Mortholme Post-Mortem

The Dark Queen of Mortholme has been out for two weeks, and I've just been given an excellent excuse to write some more about its creation by a lenghty anonymous ask.

Under the cut, hindsight on the year spent making Mortholme and answers to questions about game dev, grouped under the following topics:

Time spent on development Programming Obstacles Godot Animation Pixel art Environment assets Writing Completion Release

Regarding time spent on development

Nope, I’ve got no idea anymore how long I spent on Mortholme. It took a year but during that time I worked on like two other games and whatever else. And although I started with the art, I worked on all parts simultaneously to avoid getting bored. This is what I can say:

Art took a ridiculous amount of time, but that was by choice (or compulsion, one might say). I get very excitable and particular about it. At most I was making about one or two Hero animations in a day (for a total of 8 + upgraded versions), but anything involving the Queen took multiple times longer. When I made the excecutive decision that her final form was going to have a bazillion tentacles I gave up on scheduling altogether.

Coding went quickly at the start when I was knocking out a feature after another, until it became the ultimate slow-burn hurdle at the end. Testing, bugfixing, and playing Jenga with increasingly unwieldy code kept oozing from one week to the next. For months, probably? My memory’s shot but I have a mark on my calendar on the 18th of August that says “Mortholme done”. Must’ve been some optimistic deadline before the ooze.

Writing happened in extremely productive week-long bursts followed by nothing but nitpicky editing while I focused on other stuff. Winner in the “changed most often” category, for sure.

Sound was straightforward, after finishing a new set of animations I spent a day or two to record and edit SFX for them. Music I originally scheduled two weeks for, but hubris and desire for more variants bumped it to like a month.

Regarding programming

The Hero AI is certainly the part that I spent most of my coding time on. The basic way the guaranteed dodging works is that all the Queen’s attacks send a signal to the Hero, who calculates a “danger zone” based on the type of attack and the Queen’s location. Then, if the Hero is able to dodge that particular attack (a probability based on how much it's been used & story progression), they run a function to dodge it.

Each attack has its own algorithm that produces the best safe target position to go to based on the Hero’s current position (and other necessary actions like jumping). Those algorithms needed a whole lot of testing to code counters for all the scenarios that might trip the Hero up.

The easiest or at least most fun parts for me to code are the extra bells and whistles that aren’t critical but add flair. Like in the Hero’s case, the little touches that make them seem more human: a reaction speed delay that increases over time, random motions and overcompensation that decrease as they gain focus, late-game Hero taking prioritising aggressive positiniong, a “wait for last second” function that lets the Hero calculate how long it’ll take them to move to safety and use the information to squeeze an extra attack in…

The hardest attack was the magic circle, as it introduced a problem in my code so far. The second flare can overlap with other attacks, meaning the Hero had to keep track of two danger zones at once. For a brief time I wanted to create a whole new system that would constantly update a map of all current danger zones—that would allow for any number of overlapping attacks, which would be really cool! Unfortunately it didn’t gel with my existing code, and I couldn’t figure out its multitudes of problems since, well…

Regarding obstacles

Thing is, I’m hot garbage as a programmer. My game dev’s all self-taught nonsense. So after a week of failing to get this cool system to work, I scrapped it and instead made a spaghetti code monstrosity that made magic circle run on a separate danger zone, and decided I’d make no more overlapping attacks. That’s easy; I just had to buffer the timing of the animation locks so that the Hero would always have time to move away. (I still wanted to keep the magic circle, since it’s fun for the player to try and trick the Hero with it.)

There’s my least pretty yet practical solo dev advice: if you get stuck because you can’t do something, you can certainly try to learn how to do it, but occasionally the only way to finish a project within a decade to work around those parts and let them be a bit crap.

I’m happy to use design trickery, writing and art to cover for my coding skills. Like, despite the anonymous asker’s description, the Hero’s dodging is actually far from perfect. I knew there was no way it was ever going to be, which is why I wrote special dialogue to account for a player finding an exploit that breaks the intended gameplay. (And indeed, when the game was launched, someone immediately found it!)

Regarding Godot

It’s lovely! I switched from Unity years ago and it’s so much simpler and more considerate of 2D games. The way its node system emphasises modularity has improved my coding a lot.

New users should be aware that a lot of tutorials and advice you find online may be for Godot 3. If something doesn’t work, search for what the Godot 4 equivalent is.

Regarding animation

I’m a professional animator, so my list of tips and techniques is a tad long… I’ll just give a few resource recommendations: read up on the classic 12 principles of animation (or the The Illusion of Life, if you’d like the whole book) and test each out for yourself. Not every animation needs all of these principles, but basically every time you’ll be looking at an animation and wondering how to make it better, the answer will be in paying attention to one or more of them.

Game animation is its own beast, and different genres have their own needs. I’d recommend studying animations that do what you’d like to do, frame by frame. If you’re unsure of how exactly to analyse animation for its techniques, youtube channel New Frame Plus shows an excellent example.

Oh, and film yourself some references! The Queen demanded so much pretend mace swinging that it broke my hoover.

Regarding pixel art

The pixel art style was picked for two reasons: 1. to evoke a retro game feel to emphasise the meta nature of the narrative, and 2. because it’s faster and more forgiving to animate in than any of my other options.

At the very start I was into the idea of doing a painterly style—Hollow Knight was my first soulslike—but quickly realised that I’d either have to spend hundreds of hours animating the characters, or design them in a simplistic way that I deemed too cutesy for this particular game. (Hollow Knight style, one day I’d love to emulate you…)

I don’t use a dedicated program, just Photoshop for everything like a chump. Pixel art doesn’t need anything fancy, although I’m sure specialist programs will keep it nice and simple.

Pixel art’s funny; its limitations make it dependent on symbolism, shortcuts and viewer interpretation. You could search for some tutorials on basic principles (like avoiding “jaggies” or the importance of contrast), but ultimately you’ll simply want to get a start in it to find your own confidence in it. I began dabbling years ago by asking for character requests on Tumblr and doodling them in pixels in whatever way I could think of.

Regarding environment assets

The Queen’s throne room consists of two main sprites—one background and one separate bit of the door for the Hero disappear behind—and then about fifty more for the lighting setup. There’s six different candle animations, there’s lines on the floor that need to go on top of character reflections, all the candle circles and lit objects are separated so that the candles can be extinguished asynchronously; and then there’s purple phase 2 versions of all of the above.

This is all rather dumb. There’s simpler ways in Godot to do 2D lighting with shaders and a built-in system (I use those too), but I wanted control over the exact colours so I just drew everything in Photoshop the way I wanted it. Still, it highlights how mostly you only need a single background asset and separated foreground objects; except if you need animated objects or stuff that needs to change while the game’s running, you’ll get a whole bunch more.

I wholeheartedly applaud having a go at making your own game art, even if you don’t have any art background! The potential for cohesion in all aspects of design—art, game, narrative, sound—is at the heart of why video games are such an exciting medium!

Regarding writing

Finding the voices of the Queen and the Hero was the quick part of the process. They figured that out they are almost as soon as writing started. I’d been mulling this game over in my mind for so long, I had already a specific idea in mind of what the two of them stood for, conceptually and thematically. When they started bantering, I felt like all I really had to do was to guide it along the storyline, and then polish.

What ended up taking so long was that there was too much for them to say for how short the game needed to be to not feel overstretched. Since I’d decided to go with two dialogue options on my linear story, it at least gave me twice the amount of dialogue that I got to write, but it wasn’t enough!

The first large-scale rewrite was me going over the first draft and squeezing in more interesting things for the Queen and the Hero to discuss, more branching paths and booleans. There was this whole thing where the player’s their dialogue choices over multiple conversations would lead them to about four alternate interpretations of why the Queen is the way she is. This was around the time I happened to finally play Disco Elysium, so of course I also decided to also add a ton of microreactivity (ie. small changes in dialogue that acknowledge earlier player choices) to cram in even more alternate dialogue. I spent ages tinkering with the exact nuances till I was real proud of it.

Right until the playtesters of this convoluted contraption found the story to be unclear and confusing. For some reason. So for my final rewrite, I picked out my favourite bits and cut everything else. With the extra branching gone, there was more room to improve the pacing so the core of the story could breathe. The microreactivity got to stay, at least!

A sample of old dialogue from the overcomplicated version:

Regarding completion

The question was “what kept me going to actually finish the game, since that is a point many games never even get to meet?” and it’s a great one because I forgot that’s a thing. Difficulties finishing projects, that is—I used to think it was hard, but not for many years. Maybe I’ve completed so many small-scale games already that it hardly seems that unreasonable of an expectation? (Game jams. You should do game jams.)

I honestly never had any doubt I was going to finish Mortholme. When I started in late autumn last year, I was honestly expecting the concept to be too clunky to properly function; but I wished to indulge in silliness and make it exist anyways. That vision would’ve been easy to finish, a month or two of low stakes messing around, no biggie. (Like a game jam!)

Those months ran out quickly as I had too much fun making the art to stop. It must’ve been around the time I made this recording that it occurred to me that even if the game was going to be clunky, it could still genuinely work on the back of good enough storytelling technique—not just writing, but also the animation and the Hero’s evolving behaviour during the gameplay segments which I’d been worried about. The reaction to my early blogging was also heartening. Other people could also imagine how this narrative could be interesting!

A few weeks after that I started planning out the narrative beats I wanted the dialogue to reach, and came to the conclusion that I really, really wanted it to work. Other people had to see this shit, I thought. There’s got to be freaks out there who’d love to experience this tragedy, and I’m eager to deliver.

That’s why I was fine with the project’s timeline stretching out. If attention to detail and artistry was going to make this weird little story actually come to life, then great, because that’s exactly the part of development I love doing most. Projects taking longer than expected can be frustrating, but accepting that as a common part of game dev is what allows confidence in eventual their completion regardless.

Regarding release

Dear anonymous’s questions didn’t involve post-release concerns, but it seems fitting to wrap up the post-mortem by talking about the two things about Mortholme's launch that were firsts for me, and thus I was unprepared for.

1. This was the first action game I've coded. Well, sort of—I consider Mortholme to be a story first and foremost, with gameplay so purposefully obnoxious it benefits from not being thought of as a “normal” game. Still, the action elements are there. For someone who usually sticks to making puzzle games since they’re easier to code, this was my most mechanically fragile game yet. So despite all my attempts at playtesting and failsafes, it had a whole bunch of bugs on release.

Game-breaking bugs, really obvious bugs, weird and confusing bugs. It took me over a week to fix all that was reported (and I’m only hoping they indeed are fully fixed). That feels slow; I should’ve expected it was going to break so I could’ve been faster to respond. Ah well, next time I know what I’ll be booking my post-release week for.

2. This was my first game that I let players give me money for. Sure, it’s pay-what-you-want, but for someone as allergic to business decisions as I am, it was a big step. I guess I was worried of being shown that nobody would consider my art worth financial compensation. Well, uh, that fear has gone out of the window now. I’m blown away by how kind and generous the players of Mortholme have been with their donations.

I can’t imagine it's likely to earn a living wage from pouring hundreds of hours into pay-what-you-want passion projects, but the support has me heartened to seek out a future where I could make these weird stories and a living both.

Those were the unexpected parts. The part I must admit I was expecting—but still infinitely grateful for—was that Mortholme did in fact reach them freaks who’d find it interesting. The responses, comments, analyses, fan works (there’s fic and art!! the dream!!), inspiration, and questions (like the ones prompting me to write this post-mortem) people have shared with me thanks to Mortholme… They’ve all truly been what I was hoping for back when I first gave myself emotions thinking about a mean megalomaniac and stubborn dipshit.

Thank you for reading, thank you for playing, and thank you for being around.

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[mellowwillowy]

Yan! Best Friend x GN! Reader

There was a notorious bully in your class, a beautiful self-entitled nepo bitch who only knew how to smoke and pissed her off. You on the other hand were far from the luxuries your classmates lived in, just someone trying to survive with the high school scholarship you received from the government.

You had always wondered why she didn't target you who were obviously a soft prey instead of one of the many rich girls. You wondered for a year until you finally realized the answer.

It was when you almost got yourself into trouble with her. She threatened you that you would be her next victim and you boldly declared that she wouldn't even though you weren't completely certain of your reasoning.

That you understood her.

"You are just envious of them. Of how lonely you are and how loved they are instead."

In short, the bully, Im Seonmi, was just a petty child who didn't want to see other kids happy from what she couldn't have. The warmth from their parents, the acknowledgment they received, and the support that they needed.

It was almost just as simple as that, that you noticed how this bully was actually smart and a lonely bitch, made her fall for you. She knew what she was getting herself into and paid no mind to what it might lead to. Even if she couldn't put the feelings she felt in a word, she still craved for you. To have you.

The friendship between you two bloomed and now she was ready to squeeze her way into your school life, uni life, career life, and even your marriage life. You would not notice how she had steered your life for forty years until it was too late.

[emotsper]

(7/?) uh oh!

[2hoothoots]

i was having a chuckle to myself last night about Gristol, and how his plans are basically:

Restore Ford Cruller's memory

Find Maligula

???

Profit

but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.

[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]

like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.

...is what i thought, but then i remembered this line:

[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]

and that's kind of interesting, right?

to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:

"Little Gzesaravich! Have you come to pay for your father's sins?"

my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.

so what is going on here?

in Fatherland Follies, there's this line in the ride narration that stuck out to me:

"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."

other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.

the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.

[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]

i mean, look at this stuff! he had a whole conspiracy board and everything!

we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.

like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.

i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.

[dangans-ur-ronpas]

Chapter 21.5

im still on hiatus but this was for funsies...a break away from byakuya's pov for a moment hehe

SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY

Some pre-chapter notes:

this is just like wizard of oz if the wizard was junko enoshima. pay no attention to the girl behind the monitors....

featuring a special surprise guest!! :) (:

@digitaldollsworld (^^)//

Content warning tags: passing mention of surgery and blood

< previous - from start - next >

“I am done.”

The voice behind her is dull and gravelly with lethargy, belonging to someone both young and aged. Junko Enoshima hadn’t heard the door open, but she’s hardly startled - she’d been expecting him, after all - and with a flourish, she leans back from the grid of monitors before her and shoves off the desk to spin her chair, knees tucked up to her chest. One, two, three clockwise spins later - a new record, nice - and she slows to a stop, angled perfectly to face the man before her.

And she smiles, as she notes the blue latex gloves still on his hands, the blood splattered up his arms to the rolled-up sleeves of his white dress shirt. “Aw, thanks Zuzu! You’re a treat,” She winks and blows an exaggerated kiss, to no reaction. Not even a half-raised hand to try and catch it. “Was it hard?”

Izuru Kamakura doesn’t respond at first. He’s wiping off the blood - still shiny and slightly wet - off of his pale arms with a stained handkerchief, his hair swaying like a dark curtain around him. “...Not particularly.” He replies in his usual monotone, as if the whole ordeal had been terribly boring to him. ‘Not particularly’ he said, as if the whole process hadn’t taken several weeks, with multiple surgeries - including one where he had left the operating table with his scrubs still on to find a better donor, because the one she had on hand just happened to not be a very good match. “If that is all, I will leave now.”

“Noo, come on! You just got here,” She complains, childishly, needling, despite knowing full well that he’d been here far longer than he originally intended already. Well, it wasn’t like he had anywhere else to be, and all the action was here anyways.  “Don’t you wanna see how your precious juniors are doing?”

He doesn’t reply, but she knows he does. Otherwise he wouldn’t have bothered turning up in the first place, whether she requested his help or not; they’re just like each other, in that way. Reaching behind her, she grabs a remote, and points it at one of the monitors, and immediately its previous image of the empty second-floor hallway fizzes out, replaced with a replay of the day’s highlights, edited and cut by hers truly.

It opens with a theme song. A lovely little leitmotif that she composed, one for each of her dear classmates, this one full of violin and koto. A quick intro montage of photos they had taken throughout their high school careers, and then-

“No need.” He deadpans, interrupting the opening credits she’d bullied Ryota Mitarai into making. “I know what happened already.”

“Geez, but I made this special for you!” She whines, though there’s no real bite to it. She expected this outcome, so it wasn’t like she made her edits particularly interesting either. “Wish you’d play along a little. Come on.”

Instead of replying, he snaps off his gloves and flicks them and the towel into a nearby trash can without looking. He spins her chair to grab his jacket, pinned between her back and the seat, and tugs it so sharply it actually lifts her up a bit.

“Hey, that’s no way to treat a lady,” She sulks, tucking her skirt back down. “I was keeping it warm for you.”

Her only response is an impassioned glance, as he shakes the garment out with a sharp snap.

She watches him prepare to leave, rolling down his sleeves and smoothing out his shirt, pulling the jacket on with a practiced, mechanical grace. “Is it really that much better, being out there?” She grumbles. Outside was a wasteland, shattered remains, rot and destruction. The few people still alive were either on the edge of death, or insane with despair - either way, they’d fallen into a dull, predictable pattern. Starving, stealing, killing, dying, wailing. So much wailing. How strange it was that even these things became uninteresting after so long.

“They all behaved exactly how I expected.” He says, in an approximation for an explanation. He adjusts his cufflinks, thumb swiping over the polished brass. They’d been shaped like Hope’s Peak’s logo, but countless passing touches had nearly buffed out the enamel inlay - they were little more than tiny mirrors now, if she leaned forward and squinted she could almost see herself in them, check for stuff stuck in her teeth-

“Why did you not confront them after they discovered the AI?”

The question interrupts her train of thought, and she blinks, then grins, utterly delighted. “Why? Did I surprise you?”

He levels her with a look, a dark stare from those bloody, bloodshot eyes. “There are several reasons to possibly explain why you behaved this way.” He continues. “The most simple reason, you were distracted-”

“Nope. Glued to the cameras the whole time.”

“The most predictable reason, you wanted them to think they had a chance.”

“Hmm...mayy-be?” She pulls her legs up to sit criss-crossed in her chair, and rocks side to side, hands resting on her ankles as she thinks. “I mean, there are ten of them left. Would be a shame if they gave up already, right?”

“...And, based on your current interests. You thought it would make for a more interesting development. Especially in regards to Togami.”

She smiles, teeth splitting her face. “Congratulations, a hun-dred points to dear Mister Kamakura,”  She sings in an exaggerated falsetto, and claps her hands in mock applause. “I was thinking about it, but then he and Kyoko went and had that absolutely lovely little heart-to-heart in the hallway…how could I possibly interrupt my dearest friends?”

He doesn’t say anything, but his eyes narrow slightly, the corners of his lips pulling into a thin line. A look that screams - or maybe just mutters, in his case - ‘what the hell are you talking about.’ “He smashed her hand in a door. She belittled him for his blindness.”

“Yeah, and? Don’t you know what foreplay is?” He doesn’t scoff, but the just-audible exhale he lets out is pretty close. “Oh, shush. Like you would know anything,” She sniffs. “But anyways, I definitely wasn’t expecting them to reach this stage already. I thought it’d take a few more years at least!” She lets loose a laugh, a sharp, bright sound that gets swallowed up by the dense, packed-foam soundproofing around them. “Letting them get away with Alter Ego was totally worth the show!”

He doesn’t look like he agrees, but then again, those old Hope’s Peak scientists hadn’t included ‘Ultimate Clear Emotion Conveying’ among his repertoire of talents, so maybe he was jumping for joy on the inside right now. “Togami’s blindness was an unexpected development,” He agrees. “But that is all. He hasn’t demonstrated any behavior that couldn’t be predicted.”

“You were pretty intrigued by him before though, weren’t you?” She’d had her suspicions from the start, when Byakuya’s first day after waking up was spent squinting and fidgeting with his glasses, but he couldn’t be called an Ultimate for nothing. If she didn’t know him as well as she did, she might’ve even been halfway fooled. 

And the best developments were the ones that hadn’t been planned beforehand. Watching him walk away from the A/V room without even playing his motive disc was such a fun twist that had her raising her brows, even as Mukuro had gotten all pissy, after all the work that she had put into capturing that old butler alive. Even better than that was his breakdowns, when Junko watched him fall into a sinking spiral in his room, muttering to himself and pacing before finally passing out. The difference between his usual hoity-toity self and his total helplessness made for an absolutely delectable kind of gap moe.

“I have no interest in him. Rather, the source of his blindness is what intrigues me.” Izuru corrects her bluntly. “It is unclear what might have caused it. He never displayed symptoms of it prior to the game’s beginning.”

And if she had to be really honest, she wasn’t sure either. “Who knows?” She shrugs. “Spontaneous genetic condition? Maybe he���ll wake up tomorrow morning and be totally bald?”

“The Togami family is obsessed with genetics. Sudden cataract development, or anything of that nature, would have weeded out long ago.” He rebuts. His eyes, a deep, ugly, unnatural red that could make Celeste jealous, fix on her for a moment, and then travel up to look at the monitors, pupils shrinking like a cat’s as they dart from screen to shining screen. “Could it have something to do with the memory wipe?”

“No way!” She snaps back to him immediately, almost affronted. “My process is totally perfect. Do you know how many people I tested it on?” Sure, she’d had plenty of lab rats get seizures, comas, go crazy or just straight-up die, but none of them went blind. “If you don’t believe me, you wanna try it yourself?”

Now that was an idea. Maybe if she could induce an artificial amnesia in Izuru, and completely make him forget how he became this way - gosh, but that could be interesting. An Ultimate Hope who didn’t know what his purpose was? Or, better yet, a Hajime Hinata who didn’t know what he really was?

She could almost drool over the idea of it. Seeing the man, the boy in front of her, twisted, despairing, and utterly ruined - how thrilling would that be?

“Do it to yourself.” Izuru replies sullenly, shattering her daydream in an instant, and she pouts. Spoilsport.

They fall into a comfortable sort of quiet for a moment, as Junko turns back to the screens. Without her sister around, she had to take the role of surveillance onto herself, and that was a 24/7 ordeal. But at least it was something to do, she supposed.

Byakuya was making his way to his room from the cafeteria, apparently completely oblivious to how Toko was stalking him from a few meters behind. Hina and Sakura were working off their post-trial grief through vigorous physical activity - swimming, because of course it would be - Celeste was being comforted by Hifumi, and Hiro was chasing after Mondo, who apparently had given up on trying to eat anything and was now meandering aimlessly through the halls, the dead look on his face evident even through some of the grainier footage. Makoto was wandering, probably trying to repair his broken heart by distracting himself with some good old-fashioned adventuring, or maybe Kyoko.

Waaaait a minute. She frowns suddenly, leaning in closer to scan each of the monitors in quick succession, starting from the camera feeds of the third floor, and working down. Wait a damn minute. There was a suspicious lack of pale, skulking figures in her peripherals - just where was her darling detective?

She feels a little thrill of a delicious dread run up her spine. She went through all this trouble to give Kyoko a full wipe - to clean out every last memory that might give the detective a clue to her own identity - and yet here she was, managing to crawl under Junko’s skin like a centipede, a stubborn parasite. There were only so many unsupervised places that Miss Headmaster’s Daughter could be hiding, and Junko couldn’t help the grin spreading across her face; she could always count on Kyoko to make things interesting.

“Hey, Zuzu. You wanna make a bet?” She hums to Izuru. No Kyoko, but Makoto’s pointed cowlick was coming into view on one of the stairway cameras leading into the second floor, soon accompanied by the rest of him. 

“On what?”

“Oh, anything. Which one of them will die next. If one of them will snap and start trying to kill the rest of them…” She rewinds through the camera recordings of the last hour, speeding through the frames until they’re all mere blurs of color and light. Her eyes dart, and spy the pale, round shape of Kyoko’s head, as she walks into the dark entryway of the second-floor boy’s bathroom, not even half-an-hour ago. “If they manage to figure out the details of Togami’s blindness.”

Another bet. Another meaningless wager on top of the hundreds, thousands, millions of other ones that she’s made and won, but this one might actually surprise her for once. She hopes it will.

“How pointless.” He sighs. But despite that, he hasn’t turned to leave yet. And actually, the fact that he responded at all meant that he was, even just a little bit, curious. “What would we wager? We have nothing of value, and nothing we value enough.” “Hmm, true…and it’s not like we care about either of our lives either.” She fast-forwards the cameras, and watches as Makoto looks left and right, nervous eyes casting up and down the hallway, before he enters the second floor boy’s bathroom. She needs to get moving now, if she was going to make sure her darling detective didn’t go and ruin the game too early, and she shoves aside some empty snack wrappers, the pieces of an unfinished puzzle, a book so dog-eared and worn it was on the brink of disintegrating, and Monokuma’s controller to grab the authentic luchador mask that was hanging off the edge of the table. “We got all the time we need to figure that out, after all. So in the meantime, how about you stick around and see how it goes?"

< previous - from start - next >

[toxooz]

brains been kicking my fucking ass all day so have an emergency Ollie doodle 🕷

[front-facing-pokemon]

[caterpillarinacave]

So I haven’t written anything in a month

[what-even-is-sleep]

Can’t wait for my drivers license to arrive so I can be driving legally again for the first time in 1.5 years!

[suddencolds]

the way I just binge read all of your yvescent fics and all I can think of is WHY DIDN'T I DO IT SOONER?!!!! like...omg. hear me out, I am usually more into fandom content, OCs don't really draw my attention that much BUT that thought's definitely change thanks to yours. Idk, everything about them felt so well-built and their personalities are just captivating they just make you wanna get to know them more (yes, now I am attached and do not regret it one bit). Anyways, what I am trying to say with all that is that thank you for creating them, I think they're awesome and that I admire your blog :))) I came for all the g/enshin fics (which I think are one of the best out there) and found gold by discovering your Yves and Vincent.

ps: didn't get the chance to vote on the poll, but the option that won.... let me just say that I am living for it

Anon!!! Thank you for reading and leaving such nice thoughts!!! 😭😭❤️ It means a lot to me that you were able to enjoy my original content even though you followed me for Genshin - I definitely feel like it can be harder to overcome the initial hurdle of not knowing the characters when it comes to original content.

Thank you for giving them a chance regardless!! And I am so happy to hear that you like them!! 💖 It's actually been a year since I started the series as of... last Monday, haha. (I also apologize for any waiting you'll have to do in the future 😭) Hearing that others look forward to reading more brings me so much joy!!

(Also, to your P.S. - that option was a winner from since right after I posted the poll and hasn't changed since 👀 I feel like the people who voted for it are split between like... allergy enthusiasts and the Vincent suffering enthusiasts haha (or maybe both at once?) Rest assured, I've taken note of it... ✍️)

[silverstarfics]

New chapter time ✌️

https://archiveofourown.org/works/32625208/chapters/117484159

[regscupid]

i have to write an email to my manager and i think i’d rather be put down

[crystal-the-axolotl]

This has been sitting unfinished in my computer files for like a month now, but i finally finished it today, yay (it's not so bad, i'm actually liking how Canute's coat and eyes turned out)

[astramachina]

honestly that's why i try to usually have a fic fully finished before it goes on AO3 but idk what possessed me with that one.

[raelissleepy]

The way that I've read a bl kinda similar to this recently but cannot remember the title for the life of me. Basically the hero spent forever climbing this demon kings castle a bunch of times but at the final battle they decide to get married but like everyone else is like ???? Wtf this cant happen??? You're supposed to kill him not elope??? And since everyone was against it they escaped to earth on halloween(im like 80% sure it was halloween) but cannot use their powers there so they live as an ordinary couple(well kind of) in a one room apartment. The story starts with them escaping i think and the rest is them in the human world. But the story doesnt get rid of magic. Ex: the demon kings i think little brother tracked him down and got stuck in the human world too. Oh and theres like this wizard whose also in the human world and found them and helped them adjust to life in there.

It was driving me mad so i went and found the title!!! Its complete at 8 chapters(unaware of any side stories):

Yuusha to Maou no love one-room

Or

the hero and the demon lords one room of love

The hero and the dark lord have both disappeared after their battle, making everyone think they both perished. In reality, they are living on a farm, living the life of their dreams.