#i merely think

[vaxxman]

"Do you miss the time when you used to do no harm?"

Old habits.

Merc behaviour is based on a nice little comment @up-in-flames-writing left on one of my comics :)

Rambling and more silly drawings below.

Loosely based on the Solemn Vow's public blurb:

Art lovers will cherish the bust of Hippocrates, commemorating a time when the Medic still thought doing no harm was a good idea.

I am absolutely convinced that Medic carries dextrose drops with him. German pharmacies throw these after you when you buy anything at all. I went to check if this one specific brand I know of had been around since the 60s and 70s and yes, it was.

Small acts of kindness I can see Medic doing is giving everyone one of these if they are tired. I'm talking about Engineer mostly.

Or they snack on them when solving practical problems together, like during the teleporter bread tumor incident.

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[dirtytransmasc]

I'm just imagining Sevika charging into battle not knowing where her girls are. she hears whispers from the battlefield that Isha is dead and that Jinx is gone. taken. captured. surrendered. she doesn't want to accept either. she almost refuses. and it's in the back of her mind that she has to live so she can find her girls, and at the very least, remember them.

and she almost dies. she thinks that there might not be anyone to remember them. to find them.

and then she doesn't. she doesn't die. and one thing leads to another, and she's on the council. and....

she still doesn't know what happened to them.

and then Vi, the girl who, justifiably, hates her guts, comes back. and the look on her face all She needs to know Jinx is gone. but she can't accept it. she can't.

she demands to know what happened, in a clipped, gruff manner, not displaying much care, but her eyes are teary and her gut is churning.... and Vi just says they're gone.

and all Sevika can do is whisper "... both?"

and she doesn't wait for an answer. the face is enough. "how?".

the answer kills her.

she walks away. murmurs an apology over her shoulder.

she doesn't know what to do with the feeling in her chest. her fingers trace over the carving in her arm.

[my-amygdala-is-synthetic]

I'm so obsessed with Rocket x Nebula and ik I'm alone out here but rakes my fingers down my face

the history. the connection. the loyalty. finding familiarity in each other's flaws. two lost souls discovering solace in one another's company. realizing that they aren't as broken as they always thought they were. do you understand me yet,

[astraystayyh]

Israel doesn't want to repopulate Gaza, you loveable dummy

Seriously, find one Israeli on this site who'll say otherwise. And no, quoting Ben Gvir doesn't count (assuming you even know who that is) anymore than quoting, say, Rudy Giuliani would count for anything, even though he supposedly spoke for the president of the USA for a time.

Hamas has 136 hostages. Including women, and actual literal babies, assuming they're still alive, that is. This could all have ended weeks ago if they'd fucking returned them. Israeli society would physically march on Benjamin Netanyahu's home and remove him in a coup if the hostages were returned tonight. But as long as they have Israeli people, and are unwilling to negotiate their return, that's an ongoing war crime. Is Israel evil for being a bull in a China shop trying to get back a "mere" 136 innocent civilians? Maybe. But Hamas started this and they can end it, they just don't want to. Please, justify that.

Hello, since you asked for one Israeli, here, I'll give you multiple statements:

Hundreds of activists at an Ashdod gathering in late November called for the reestablishing of Jewish settlements. “Let it be known that you support the appeal to renew Jewish settlement throughout all of the Gaza Strip. The nation is waiting for you”— Yossi Dagan, head of the Samaria Regional Council.

Israel “should fully occupy the Gaza Strip”— Heritage Minister Amichai Eliyahu, of the far-right Otzma Yehudit party.

An Israeli real estate firm pushes to build settlements for Israelis in Gaza. “Wake up, a beach house is not a dream” reads the ad.

Israeli Knesset member Limor Son Har Melech posted a video of herself in a boat with other settlers off the coast of Gaza. “Settlement in every part of the Gaza Strip … A large, extensive settlement without fear, without hesitation, without humiliation. This land is the land that the creator of the world gave to us.”

Israeli Settler, Daniella Weiss says Palestinians who live in Gaza, have no right to stay in Gaza.

An Israeli soldier saying that Israelis should start “investing” in Khan Younis.

Also why would the words of Ben Gvir not count? He is an elected minister, his words hold weight and they expose Israel’s clear intent to make Gaza inhabitable for Palestinians so that Israelis could settle in there— by destroying the infrastructures, making the health system collapse entirely, bombing entire residential neighborhood, Israel is trying to ensure that Palestinians wouldn't be able to return back to their land, because there is nothing livable left there.

And I'm glad you bring up all of this ending if the hostages were returned— Hamas tried to strike up a deal for the return of ALL the hostages, in exchange of the release of all Palestinian prisoners. Israel refused. You know why? Because this has never been about hostages and their safety for Israel.

There is a reason why Israel shot its own hostages when it mistook them for Palestinian civilians, waving a white cloth. There is a reason why the IDF called to shoot indiscriminately on Oct. 7, knowing that it could kill some of the hostages too. Because Israel wants to kill Palestinians, to "thin out its population" (or maybe we shouldn't take into account the says and actions of Netanyahu too ://). This is why it targets schools and mosques and hospitals and ambulances and refugee camps. Israel knows that if it does get all its hostages back, then there would be nothing to “justify” its genocide in Gaza (although, as UN Secretary-General said : "Nothing can justify the collective punishment of the Palestinian people. The humanitarian situation in Gaza is beyond words")

Israel is the only reason why the hostages aren't fred yet. THEY are unwilling to negotiate the return because they don't want to stop this genocide. What good is a five days ceasefire only for the bombings to return? Do you even realize how psychologically traumatizing it is to have a countdown of when your massacre would resume? The only acceptable deal is for Israel to establish a permanent ceasefire, something that it refuses to do. The only one to blame is Israel.

And you say Israelis would instigate a coup to oust Netanyahu, that's nice, then what? Will you return the land to its rightful people? Will you give back Palestinians their rights unequivocally? Will you call for the dismantlement of Israel that was built on massacres? The reason why Israelis are angry at Netanyahu is rooted in the unresolved hostage situation. Just because you don't support Netanyahu doesn't mean that you aren't a zionist who finds the murder of more than twenty thousands Palestinians justifiable. A young girl had her leg amputated with no anesthesia on the kitchen counter of her home and you talk about “Israel being a bull in a China shop”? You consider the targeted attacks on civilians as careless actions by Israel? It actually astonishes me how inhumane some of you can be.

And here is what Dr. Refaat, who was targeted and murdered by the IDF btw, had to say about this matter:

Whether it's Netanyahu or someone else, it does not matter because Israel as a whole is an occupation, one built on the bloodshed of palestinians.

And it is funny how you choose to distort history whichever way you like it, to regard October 7th as an isolated instance that happened out of the blue. Hamas didn't start anything, Hamas was created in response to the indiscriminate and careless shooting of palestinian civilians in the first Intifada, that was decades ago. October 7th was a resistance to an ongoing colonization, Israel started this when it displaced and murdered palestinians on 1948. None of this would've happened if Israel did not colonize Palestine. It has been 100 days of this ongoing genocide, wake up and stop deluding yourself into a reality where Israel is the victim.

[baeshijima]

hmmm.... thoughts about composer!reader, whose pieces are always created for and featured in mr reca's films/projects.

people aren't sure when it first started, but in the release of one of his prior films was an ost. of course, it's not unusual to have music in such projects, but that one had felt... different, somehow — in the way its composition struck the chords of many, with billions across the cosmos instantly scouring for who made that piece.

it, of course, didn't take all that long when your name was featured in the credits. however there was barely any information aside from your name and credentials. (seriously, how could there not even be a single photo?!) no one knew what you looked like for quite a long time, only ever recognising your name and your music; even despite the numerous interviews, mr reca had never disclosed anything about you other than your talents. it came to a point where everyone believed they would never see your appearance.

well, until all hell broke loose during the annual intergalactic film awards, that is.

everyone already knew the drill — if mr reca had directed a film that year, it would undoubtedly win the adapted/original screenplay, cinematography, directing, production design, sound, music (original score and song), and film of the year awards, which also led to you winning both the music awards. usually, the composers would be the ones to collect said awards. however, the masses have become used to mr reca being the one to collect them on your behalf with thank you's also on your behalf.

that's how it's been ever since you made your mark in the universe, and so it really is understandable the uproar created by those in and out of attendance when the one who went collect the two awards wasn't the esteemed director, but a completely unfamiliar person; you.

you are definitely younger than they originally thought, having believed it must have been someone of a senior status of sorts to have consistently created such masterpieces. all eyes are trained on you as you step on stage and into the limelight for the first time, the light enhancing your features and formal attire when approaching the mic with a small flashcard in hand. your mouth opens, and the audience leans in with baited breaths as they await your first words.

...only for nothing to come out.

everyone watches a little dumbfounded as you try to talk once more but, aside from gaping like a fish, your efforts remain futile. it doesn't take long for you to clamp your mouth and eyes shut, even raising the awards in front of you in an attempt to shield your face from the crowd.

you... you were just really shy. or maybe a little...socially awkward, perhaps...? if this was the reason you never showed yourself, then they're beginning to understand why...

it passes in a blur — quite literally in that of brown. one moment you are alone on the stage, the next you have the presence of the renown director standing slightly in front of you, as though acting as a shield from the many prying eyes.

"apologies," he begins, his usual smile on display, "but my dearest composer has been suffering with a sore throat these past few days. on their behalf, we thank you all kindly for your support in our work."

and then he swiftly leaves with you tucked under and shielded by his coat, murmuring unreadable words to you as you both disappear backstage and leave everyone in a state of frenzy; to both those inside the ceremonial hall, and to those watching live elsewhere.

(it was only discovered after the awards ceremony concluded what the director had said to you, with the uploader being dubbed as a holy saint for their contributions to society. while the visual aspects of the video itself were not the clearest, barely anyone had it within themselves to complain when the audio was clear as crystal:

"and here i thought you were going to be brave and face your stage fright after all that pep-talk you gave yourself on the way here."

"i'm sorry... i really thought i could do it this time..."

"now, now, i'm merely teasing. you made a big step just making an appearance here today. i know how much courage this took for you, and i'm proud of you for facing it."

"really...?"

"but of course. i'm always proud of you, [name]. there is not a moment where i haven't been.")

(it also was not long until the cosmos was taken by storm when various pictures snapped during the awards ceremony spread. the millions of candids featuring you were one of the most liked and shared, with the top spot joined by the sequence of pictures taken of mr reca's soft expression when watching you onstage, into his realisation of your predicament, into him running onstage and shielding you from the cameras when making your way backstage.)

(...the drastic influx of fan accounts dedicated to both you alone and to you and reca should really be a studied phenomenon.)

[doctorsiren]

give this angle another tri

[cuntylouis]

2.07 made it more clear than ever that everyone in the story (except perhaps Madeleine) views Claudia as a symbol for something rather than really seeing her. The scene where Louis is dragging Claudia on the floor like a doll begging Lestat to look at their 'beautiful little daughter' is both heartbreaking and deeply unsettling. This young girl who Louis doesn't even know is given the impossible weight of being everything to Louis; his light and redemption, replacement for his sister, fulfilling his longing to have children and to take care of something, his friend and confidante, fixing his relationship with Lestat, proving that living as a vampire could be worth it, giving him happiness and purpose. She called Louis an angel and saw something good and beautiful in him when Louis himself felt there was none, so Louis desperately hopes that he can be her savior and she can be his.

For Lestat she's something that keeps Louis tied to him, and to the world and vampirism and existence itself. He spitefully tells Claudia to come home and make Louis happy - because it's her purpose. Lestat sees himself in Claudia and detests it, but as he says he also sees his best vampiric self in her and is proud of it. Louis and Lestat both love Claudia deeply but i think they also see her as a living physical symbol of their eternal connection to each other, their union and its breakdown, and all their shame and guilt. In the modern day Louis' house in Dubai is like a mausoleum built for the memory of Claudia - and himself.

In Paris she's forced to assume the role of a little girl over and over again, the audience loving her but only the image of her that doesn't really exist. To the coven she ends up meaning everything they despise and on her last day she's completely dehumanized. In the book Armand says "I never loved her. I didn't know how", and i think that's reflected in the show too. I don't think Armand felt much toward Claudia other than resentment and something almost like fear, and that's what allows him to kill her with such coldness. Claudia is a living obstacle to his relationship with Louis, and like Lestat i think he's uncomfortable with seeing himself and his trauma and pain in Claudia.

But i think above all Armand too sees her as the embodiment of the connection and love between Louis and Lestat. I think Armand views Claudia first and foremost as Lestat's child and an extension of him, particularly obvious from the scene where he calls her Claudia de Lioncourt, and he's reminded of Lestat every time he looks at her. It doesn't matter if Claudia was going to leave with Madeleine, even if she and Louis never met again. As long as Claudia exists Louis will never be fully his, because he's connected to Lestat through her and thus belongs to Lestat. Claudia must be destroyed so that connection can be severed

[lgbtlunaverse]

the wangxian + a-yuan "dads with an adopted son" thing is fine and enjoyable in fanfics honestly but I think we as a fandom are really not utilizing the idea of all of them in unconventional familial structures enough. Like, canonically it wasn't so much that wwx was a-yuan's guardian as that a-yuan was being raised collectively by the wens and wwx was adopted INTO the larger wen family. And lwj got attached to him through that. A-yuan just has these very attached weird uncles/older cousin figures that aren't related to him by blood at all but keep sticking around.

Just think of a modern AU with a lot less death where lwj does as he does in canon and keeps showering a-yuan in gifts as much as he can and when wwx is like "aiyah lan zhan you're gonna spoil him. Not everyone is as rich as you! What's his family supposed to say if they can't buy him all the stuff you do?" lwj just goes "Hm". And from then on out every year once a-yuan's birthday is near the extended Wen family members (well. the ones that are invited that is. No one wants wen chao at a birthday party) wakes up to a wechat payment from lwj.

Random wen cousin number 6 texts granny like

cousin 6: i just got 400 yuan????

granny: oh that's just wangji

cousin 6: i've never met this guy in my life???

granny: he wants you to buy a-yuan a nice birthday present!

cousin 6: how does he know my bank account???

[ryllen]

Sebek Yuu miscellaneous

[capydoodle]

have compassion for yourself and for others. it seems hopeless but any small amount of good you can do is just that much more love in the world

[katoobee]

my headcanon heights for the bad sanses :D

[justaz]

merlin’s secret being a visual thing. when he is around arthur or gwen or leon or morgana or [insert whatever character here] merlin seems pale and thin, almost like a ghost or an apparition. when the sun lands on him he reflects it like a corpse, he eyes seem dark and dull. he has this ethereal beauty to him, this otherworldly visage that leads many to believe he is of fae blood. he just doesn’t seem to be 100% human. but when he is ONLY with lancelot or gaius (cough or gwaine bc gwaine DEFINITELY knew) merlin is heartachingly human. merlin shines in the sunlight, colors are brighter and more vibrant around him, and his smiles are wide and his laughs are boisterous. he takes on color and leaves everyone wanting to know him. but when other join in or interact with the two, merlin shifts before their eyes so quickly and suddenly that they aren’t sure whether or not what they saw was a trick of the light. the idea still leaves them wanting more and wanting to see the merlin who is just so full of life but that merlin only appears for a small select group of people. merlin who has a guard so high that it has an effect of other’s perception of him.

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[koddlet]

CHAPPELL ROAN BAD ROMANCE STUDIO VERSION WHEN 🗣

[b1dl0]