#i meant to be here!

[wrang1er]

🤠

[nefelibatat]

So if I were to take away from this moment something deeper than “man Sevika's a freak”, I'd point out that we've seen the same tactic not long before.

What does this say about Caitlyn? She's fighting dirty. She's fighting like a cornered rat. She's fighting like a Zaunite.

And first of all there's hypocrisy. Caitlyn's been calling these people animals and monsters and whatnot but when placed in an identical situation she responds identically. Case in point: getting so mad at Jinx for terrorizing people out of grief that she goes ahead and starts to terrorize people out of grief. Sevika's expression afterwards is mostly “joke's on you I'm into that” but there's some surprise there too — you wouldn't expect that move from a Piltie.

Then there's desperation. Because she needs revenge; she needs it or she'll never ever forgive herself for what happened. So she'll throw away her morals and her dignity and just do whatever it takes to achieve the goal, whether it means chomping on someone like a feral raccoon or becoming a military dictator… which puts her in the same mindset as Zaunites, all of whom are desperate to survive and a lot of whom could never afford morals and dignity in the first place.

[captainjonnitkessler]

You know I used to think "tumblr's absolute refusal to actually engage with the Trolley Problem in favor of insisting that there must be a third, morally pure option that doesn't require them to make a hard decision and anyone who asks them to make a binary choice is just a short-sighted idiot is really fucking annoying, but I guess it's not actually doing any harm".

Anyway that was before we asked tumblr at large to decide between "guy aiding a genocide but making progress elsewhere" and "guy who would actively and enthusiastically participate in a genocide and would also make everything else much, much worse for everyone elsewhere" and the response was that there must be a third, morally pure option that doesn't require them to make a hard decision and that anyone who asks them to make a binary choice is a short-sighted idiot.

[chloesimaginationthings]

Happy one year anniversary to this FNAF post,,

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[noodles-and-tea]

twins in time continuation of that blue doodle comic thingy, but fidd is forced to take care of stan when Ford gets into the portal stuff, leaving him behind.

I reckon he teaches him math…

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[bixels]

“America has no culture” is an inherently racist statement. Especially when talking about California, which has enormous populations (yes, plural) of Hispanic and Asian immigrants.

It’s such a self report that you see the American hegemony, the American monolith, as a singularly white entity that’s worthy of scorn. I want that person to look at the Black American NYC Miku design and tell me with their full chest that that isn’t culture. Especially when modern pop culture owes so much to Black American culture — hip hop, language, streetwear and fashion, pop music, jazz — as is actively erasing their roots, saying all of America has no culture is a dumbass statement.

Also, “all the US Mikus are dressed in generic casual street style for coolish weather.” The original Brazilian Miku is wearing sunglasses, a crop top, short shorts, a bikini, and flip flops you absolute dunce. If you’re gonna be rude at least be consistent.

[backofthebookshelf]

I know I'm a week late but I do think people are misunderstanding the point of the Anthony Bourdain quote about Kissinger

The point was never "Anthony Bourdain has good politics and is an unproblematic fave," the point is that even someone with mainstream liberalish politics who goes to Cambodia for a food tour - a, let's be honest, very bougie type of trip to be part of your job - and has a basic understanding of history and a bare minimum of human decency can come away from that bougie food tour wanting to murder Henry Kissinger with their bare hands. The point is that Henry Kissinger fucked up this country so bad the only reason he wasn't lynched decades ago is because it's on the opposite side of the world and the people who were in proximity to him never really saw what it was. The point is that if we could see firsthand what our First World politics do to the Third World we would understand that monsters walk among us and it's a cultural failing that we let them die at home at 100 years old surrounded by their friends and family.

[soapyakships]

missing from the real world

[stil-lindigo]

the fox god.

a comic about a trickster.

--

creative notes:

–

all my other comics

store

[clone-futon]

Basically Kid in every movie when it comes to action scenes

[chloesimaginationthings]

FNAF movie Vanessa loves the Vanny “animatronic”

[l-just-want-to-see]

pjo/hoo/toa + the cycle

The Lightning Thief / Growing Sideways, Noah Kahan / Ivan the Terrible and His Son Ivan, Ilya Repin + Saturn Devouring His Son, Goya + Saturn, Rubens / The Blood of Olympus / The Family Jewels, MARINA / The Last Olympian / The Sea of Monsters / The Family Jewels / Orestes Pursued by the Furies, Bouguereau / The Hidden Oracle / Apollo and Marsyas, Manfredi / In The Blood, John Mayer / The Sea of Monsters / The Combat of Ares and Athena, Jacques Louis David / The Family Jewels / Mark of Athena / The Combat of Ares and Athena / The Lightning Thief / Family Line, Conan Gray / Cronos and Rhea, Schinkel / The Lightning Thief / The Blood of Olympus / In The Blood / The Last Olympian / Chronos and His Child, Romanelli / Desireé Dellagiacomo / The Lightning Thief / Family Line / The Fallen Angel, Alexandre Cabanel + The Last Day of Pompeii, Bryullov / The Blood of Olympus / The Outcast, Botticelli / Glass, Irony and God, Anna Carson / House of Hades / Family Line / The Last Olympian / The Lament for Icarus, Herbert Draper + Sacrifice of Iphigenia, Roman School + Minerva and Arachne, Houasse + Venus Induces Helen to Fall in Love with Paris, Kauffmann / The Last Olympian / Hadestown / The Lightning Thief / apple, Charli xcx / The Last Olympian / I Would Leave Me If I Could, Halsey / The Sea of Monsters / ? / LET YOUR DAD DIE ENERGY DRINK, Lavery and Corrigan / The Last Olympian / Eat Your Young, Hozier / The Last Olympian / Orpheus and the Bacchantes, Lazzarini / The Blood of Olympus / Susan Smith, wych elm / Orpheus and the Bacchantes / The Burning Maze / ? / The Tyrant’s Tomb / Perseus Freeing Andromeda, Veronese / Abduction of Psyche, Bouguereau + Bacchus and Ariadne, Van Loo / The Tower of Nero / The Tower of Nero / The Tower of Nero

[batfam-stuff-posts-0]

Reversed Robins

Damian: Tired, exasperated, responsible eldest who tries not to show his amusement at his brothers' antics. (*cough* the mom friend *cough*). Doesn't murder out of respect for Bruce. Has tea with Alfred weekly to bemoan the fact that they are the only ones in this damn family with self-preservation instincts.

Tim: The definition of teenage angst. Killed the Joker, which was never traced back to him. (Damian's rather proud of him for it, especially the planning and skill required to hide it, though he'd never admit that to Bruce). Works with the Bats a lot and is usually on pretty good terms with them, just avoids Batman. Is Oracle's favorite.

Jason and Dick: Adorable small little cinnamon rolls with a side of violent, murderous rage. They feed off of each others' chaotic energy. Have a competition every week to see who can get Damian and Tim to pick them up more (Tim counts for more points because as much as Damian would like to pretend otherwise, he always caves to the puppy eyes, but Tim doesn't usually). Are basically best friends.

[chipper-smol]

when you meant to do the hang out at the favor tree to show Siffrin how the loops aren't triggered by the death of their friends, but instead they went sleepies and you didnt have the heart to wake them

so now you're realizing this whole plan was dumb from the start because knowing your friends had to go through the entire house and face the King alone makes you sadsies

:)