#i mean im still gonna do it

[naturecalls111]

unorthodox murder mystery

[inkskinned]

today i love the red metal crane in her long neck arching her body over the boston skyline, which means i am okay for a moment. when i am unwell, everything is a little ugly. i always tell myself look for the beauty but when it is bad, i will look at birds and sunsets and little ducklings and feel absolutely nothing.

when my brother got his puppy, i was in a deep depression. what kind of monster isn't affected by a puppy. i was gentle and kind to her - i just didn't have an emotional reaction. she's five now and i feel like i spend all of our interactions apologizing to her - i don't know why. i just didn't feel anything. how embarrassing. i feel like if i admit that, i'll seem cruel and jaded. it comes in waves. like, two months ago when i went out into the world - it was like that. life behind a pane of stormglass. a firework could go off over your head - nothing. like dead skin, no reaction. not to ice cream or rainbows or baby chickens. life foggy and uninteresting.

i love goslings again. i love their little webbed feet splayed over grass. i love good food and live music and long walks. i like puppies. i feel like some kind of my soul has been starved - i keep staring at everything with wide eyes, trying to burrow the sensation into my stomach. it's real. beauty is real. when it's bad again, remember this. i stop and smell the flowers, feeling cliche in the moment. i like the white-to-red ombre of my neighbor's roses. i like colorcoding and yoga and cold drinks. i try to pass my hands over every moment, feeling like i'm squeezing joy out of every instant. remember this. for the love of god, it's real - just remember this.

[puppyeared]

littlest furth shop

@laikascomet

[lunar-wandering]

WHEN I TELL YOU I LOST MY ENTIRE SHIT

WHY WOULD THEY DO THIS IN THE LAST 30 SECONDS. SHOWING MACAQUE INVESTIGATING, YEAH SURE CHECKS OUT.

MACAQUE'S MAGIC SUDDENLY TURNING INTO CHAOS MAGIC???

WHAT DO YOU MEAN. WHAT DO YOU MEANN.

AND THEN. THE ENDING.

THE CLIFFHANGER ENDING.

THE STAFF CRACKLING WITH CHAOS MAGIC

AND MACAQUE SENSING IT AND TURNING TO LOOK AT IT

LITERALLY WHAT IN THE HELL DO YOU MEAN. WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK.

[skunkes]

[cyanide-sippy-cup]

Wayne Family Adventures literally had 2 entire seasons worth of healthy dad Bruce who sits down and talks with his kids. He brought Jason down from a nervous breakdown. He got Damian a dog. He told Tim that it's Batman who looks out for Robin. He felt incredible guilt over missing even one of Cass' recitals. He plays with the kids, he takes care of them, he talks with them about family and what they mean to him. He puts in the work.

And yet we still have people coming out of the woodworks to claim that being an asshole is "integral to his character" the one time he says fuckshit to the kids.

Look I came from from multiple abusive households (yeah that's right I'm pulling this card). I know what that looks like. This ain't it. What Bruce said is fucked up, no doubt about it. But this is after potentially years of kindness and heartfelt discussions. Saying something fucked after all that healthy behavior isn't abuse, it's a call for help. And that's what the kids are trying to do. He's scared. He even admitted to Damian that none of it matters as long as they're safe.

This arc isn't to point and go "oh look at how horrible Batman is and how he treats his family". It's showing how grief and trauma can twist the people you love into something that hurts, and the effort and pain needed on both sides to fix that (like in the Jason episode, how he lost control and almost hurt Dick and then told them to take care of Bruce). Keeping this idea that violence and abuse is integral to Batman and his relationships is the same mentality that has kept main timeline Bruce in that behavior for the last god-knows-how-long.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[carnivalcarriondiscarded]

rough day...

[cj-kenobi]

a wild otter-wan has appeared!

do you:

- fight! - give him a little pat!

[starry-bi-sky]

more incorrect quotes for the stillborn danyal au - dpxdc

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Student: so like,, *gesturing to Plasmius* is he like,,, your dad or...?? Phantom: he would be if he wasn't such a BITCH Plasmius: excuse me Phantom: YOU HEARD ME

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Under the Bleachers: Danny and Dash smoking in solidarity Dash: Danny: Dash: do you have notes from Lancer's class today Danny: since when do I ever have notes from Lancer's class Danny: I can ask Tucker but only if you have notes from Abernathy's class Dash: deal

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Sam and Tucker: *making s'mores with Danny's lava hair* Danny, as Phantom: >:I Sam: you're just mad because you didn't think of it first Danny: yEAH

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Danny, freshly ghosted: .... Danny: well. at least i dont need to waste money on lighters anymore

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Tucker: with how long your hair gets we may just have to start calling you rapunzel Danny: don't you dare Sam: rapunzel, rapunzel, let down your lava hair Danny: NO

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Danny's hair tie breaks in the middle of a fight Danny: fuck Skulker: language child Danny, pushing lava bangs out of his face: fuck you! just for this im turning your suit into molten slag Skulker: waitholdonwecantALK--

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Danny: you know, by your logic Maddie is equally as guilty for abandoning you as Jack. She also never visited you while you were in the hospital. Vlad, had put his infatuation with Maddie aside but still kinda had feelings for her: Vlad: you're right Danny, not used to an adult agreeing with him: I-- huh, I am? Vlad: yes. If Dr. Walker had cared about me -- even if only as a friend, she would have tried to remain in contact with me. But she didn't. She is also as equally guilty for the accident that took your life too since she also failed to properly check over the portal for flaws and any improper wiring. Danny: wait- wait, i mean-- Vlad: this means only one thing Danny, bewildered: ??? Vlad, extinguishing all lingering feelings: I have to kill her too (somehow) Danny: nO.

[dizzybevvie]

You're the sunflower/I think your love would be too much

[applepie-enthusiast]

imagine prom night in a high school modern setting

giyuu sits on a corner near the table with the food, alone as his classmates are either hanging out and having fun with their friends OR dancing

tengen and shinobu harmlessly joking about a making a bet whether someone would ask giyuu to dance or not. others join in, and sanemi overhears it. he doesn't join but he doesn't stop them either, just casually glancing at giyuu who seems to be thinking deeply about something.

if he were his younger self a few months ago, he would totally join in with the bet, but now, he's having second thoughts, especially when he had spent a significant amount of time getting to know giyuu due to being paired with him on various projects... as a dare by his friends too.

now, overhearing more about the bet, he can't help but feel slightly pissed off. he cursed at his own hypocrisy, but he figured he wanted to do something for tomioka this time.

just as he already made up his mind to ask giyuu for a dance, he was slightly caught off guard to see someone else already asking giyuu to dance.

It was none other than sabito, giyuu's childhood friend.

"giyuu, may I have this dance?"

sanemi didn't quite hear it clearly due to the distance and the music playing throughout the venue, but he saw how sabito's lips moved, and the hateful way in which tomioka's eyes lit up immediately after. thereafter giyuu flashed a gentle smile towards sabito.

sanemi felt an unusual tight feeling in his heart at how it wasn't directed at him.

he heard his friends mumble incoherently, probably talking about tomioka and his bestfriend.

but sanemi didn't care about his friends now, he didn't even know what was running in his mind when his legs moved on its own and he rushed in front of giyuu, making sure to bump his shoulder with sabito, who gave him an unreadable look.

"actually," sanemi cut in, "he's with me since earlier."

sabito snorted, earning him a glare from sanemi.

"funny you'd say that," sabito paused, taking giyuu's hand on his, making the latter follow and stand beside him.

"when you and your friends have been hanging out, completely ignoring giyuu for as long as I can remember today."

sabito wraps his arms around giyuu's waist, the latter making a confused look, oblivious to the tension building up.

"not so manly of you, huh?" sabito threw a look on sanemi's way, making sure to send a condescending smirk not long after.

[pansyfemme]

i misplaced my dick :(

[kan-be]

everyday is a fruk day here but today is especially so 🥳

[time-woods]

Chasing Stars au ! !

forgot to put the fic up here ! its the comic pages plus 2 chapters so far ! (finished the second one today)) but yea ! actually writing the fic !