#i mean i will do that anyway. whether or not i actually post about it is an entirely other question

[bumblebeem]

But he didn’t recognise Elita-1 when he met her....? “Who is that bot, are they crazy?” or something similar is what he says about her when they meet on the train. I don’t have the movie itself or a script to hand so I'm going off of my memory, but I’m pretty sure he doesn’t say anything to suggest they’ve met before.

This is what he says (again, according to my memory, so apologies for any mistakes) about the new shift manager: "We have limited access to the waste management area but the new shift manager there does NOT like distractions. No... No, they prefer we stay here, on the task at hand."

If he had left his work area recently enough to have "met" Elita (even from afar/without speaking to her), he surely should have recognised her on the train, right...? Elita also does not recognise B-127. I'm positive she would have remembered him if they had met and spoken before that point, considering how overly talkative he is - and the way she dismisses him when he introduces himself. If she'd been through that with him before, she wouldn't have been shy about letting him (and the audience!) know, I'm sure.

Whether the new shift manager is actually Elita-1 or not is unknown because she's reassigned to "waste management" (i.e. managing waste). It doesn't necessarily mean she is a manager there, and we also see her alongside other workers loading crates. Is that manager behaviour...? Besides, it makes sense any shift manager in that place would "not like distractions" because one slip-up could bring the Quintessons down on them. The workers there are unknowingly loading those trains with energon (not toxic waste). Even if the shift manager isn't privy to that information, they're probably under pressure from somewhere above to run a tight ship because it would be disastrous if the wrong crates were loaded onto those trains.

As for B-127, I think it's more likely he has overheard somebody else outside of his work area refer to a new shift manager (and the fact they don't like distractions/prefer bots to stay on the task at hand). That could have been as recently as Elita's demotion, or days or weeks ago. For all we know, the shift management position could have a high turnover rate on account of what is actually going on down there. The less bots who know about the energon/toxic waste switch-up, the better for Sentinel, surely.

Anyway, we know Bee didn't speak to anybody because he is pretty clear about his situation: "I just haven't had a lot of company since they put me down here in sublevel 50...", and he states, "sometime between a long time and forever" when Orion asks him how long he has been down there.

My guess is the most company he gets is leaving his designated work station (taking advantage of the "limited access" he has to the waste management area beyond his post), hoping he'll be able to speak to somebody else, only to be immediately redirected.

His emphasis on the "does NOT like distractions" is what is most interesting to me though. Because best case scenario, he's heard those exact words from a couple of bots he's eavesdropped on (desperate for company, but not actually able to participate in the conversation...) and is just regurgitating them verbatim for D-16 and Orion to make it sound like he's clued-in and knowledgeable, or worst case scenario he's had a bad experience at the hands of the "new" shift manager (one who predates Elita's arrival, whether as a worker or a replacement manager depending on what you believe), so he knows through personal experience just how much they do not like distractions, and this is his subtle, light-hearted way of communicating that...

Or it could just be a writing inconsistency, I guess! Maybe a scene got cut, and Bee had met Elita-1 down in the waste management area in a prior draft but they removed the necessary scene and kept that line about the "new shift manager" in anyway.

Otherwise, “new shift manager” is maybe just meant to tell us bots down there don’t last very long and the last one had to be replaced for some reason... Knowing more than they should, perhaps...?

Transformers One (mostly Bumblebee) things I can't stop thinking about.

During the film's opening when Orion Pax falls into a room and onto a table full of energon, he bundles a load of it into his arms and is eating as much as he can until he drops it all and has to keep fleeing.

He's starving. The miners are being underfed as well as overworked.

Additionally, we see Bumblebee has three rations on his person when he offers one up to wake Alpha Trion. This might suggest he's keeping these rations for when he'll need them rather than being able to comfortably feed himself. For the miners it's a scarce resource they have to be careful with, and yet the transformers on the higher levels are enjoying it in abundance.

Bumblebee urging D-16 to "stay down" during Sentinel's attack.

This is an interesting line - if it was a nothing line meant to reflect compassion/empathy, he could have urged Sentinel to stop, or implored the 'bots next to him to take notice and do something. There were other ways to demonstrate "Bumblebee is kind and doesn't want his friend to get hurt."

But he doesn't look to authority or anyone else around him for help on D-16's behalf.

He instead instructs D-16 on how to behave to get the abuse to stop.

Which suggests to me this is learned behaviour, and he's giving advice based on previous experience. He's learned that taking the punishment and letting it happen gets the perpetrator to eventually stop, but resisting and fighting against them keeps it going.

That he was reassigned continually right down into sub-level 50 would tell me he's had more than his fair share of annoying a bigger 'bot enough to get himself knocked around once or twice. And very likely, nobody witnessing the abuse helped him, and/or the authority in the room was the one perpetrating the abuse anyway, so of course they weren't going to step in and help.

The only way out for him has always been to just take it :( So he assumes this will be the quickest/least painful way out for D-16, too.

Bumblebee is as much of a nerd as Orion is.

He knows about the High Guard (and is very excited to recite what he knows about them), he recognises the Primes as soon as they come across them in the cave, he watches the broadcast Orion locates inside Steve's head with interest... It's very subtly done, but I think this is the main shared trait between Orion and Bee. I wish we had seen more of Bumblebee trying to talk to Orion about this shared interest, but I get the main relationship they wanted to portray was that between Orion and D-16 (and really enjoyed that regardless!)

Bumblebee knows how to leave sub-level 50, yet he still goes back to his post, and doesn't appear to be using this escape-time to socialise with anyone else on the other floors he can access since he is so very clearly starved of social contact.

I'm not crying, okay, I'm just imagining this poor little guy sitting out of view watching the other cogless 'bots come and go, knowing he could get into more trouble and be even more isolated if he announces his presence and gets himself caught.

Also his "limited access" to the waste management area, and that thing he says about the main one in charge there preferring that he stays on task and really not liking any distractions... Ugh.

Bumblebee is purposely isolated in that room and there's apparently enough of a deterrent to keep him in it that he is forced to make imaginary friends out of trash to talk to instead.

I'm gonna go insane with grief and rage.

[vaguely-concerned]

walking through lucanis' mind prison. the tam lin of it all

[the-100-days-of-junkan]

Day 50

Wow. fuck it’s weird to think we’re halfway there. 50 fucking days of Junkan . . . How’s everyone holding up?? I’m still writing these in advance so I have no idea if Future Jem is holding it together having to wait day by day for these, especially as we enter the period of the project where a lot of our favorite pieces come in.

So anyway “No Regrets” There’s the fic again for if you haven’t  read it and are interested.

There is a LOT to talk about with this one. So much that I’ll likely put this in a read under once again. I’ve got history, fun facts, scrapped(?) ideas, and memes.

Let’s start with my history with writing in general. Because the biggest thing that comes to mind with this fic is that it was the first time in Four Years that I had ever written something.

When I was, say, around 15 or 16, I entered the Death Battle Community on Deviantart (I swear to god this is relevant and I won’t take too long). It did a lot of things for me, it gave me a source of income when I was confident enough to open commissions, it helped me make a small amount of close friends (eventually leading to even closer friends), is the community that introduced me to Danganronpa in the first place, and it’s where I first started writing.

Now obviously, what I was writing were fights between fictional characters, most often to the death. With some attempt at a logical outcome for the match. And the account is so old and untouched that it still has he/him pronouns baked into it. I still have a lot of pride in some of the work I did on that account despite the equal amounts of dumb bullshit, grammar issues, and a severe lack of proofreading.

But shock of all shocks, Rocky Balboa fighting an Anime Character (yes that’s really the last thing I published online, it was like 40,000 fucking words and it made someone cry allegedly), is a far cry from a fic about Junko Enoshima really wanting to swap spit with Mikan Tsumiki.

 Suffice to say, I was very, very nervous about writing again. However I’m a woman with too many ideas, and not every idea can be done through just drawings alone. Especially with how I was doing things at this point. This wasn’t the first time I had desired to try writing fanfic, I still have a RWBY x Kamen Rider W fanfic haunting my brain to this day. But it was the first time I had felt so tempted. However as you might have gleamed over time whether through these posts, or talking to me personally, I have a severe lack of self esteem, ESPECIALLY when it comes to writing. And it was even worse at the time of this fic. This was the biggest roadblock for the it.

However, Junkan broke me once, causing me to draw Angst shipping art for the first time. So it only makes sense that it would break me a second time, making me write a god damn fanfic. And I made plenty of memes about this too, which i’ll post in order of creation. 

As you can tell by that last one I was fucking nervous as hell making this, which is understandable since it’s completely new territory for me in a medium i hadn’t touched in years. However, enough friends who also liked DR seem to be into it, so I was able to post it.

My AO3 account was of course originally a secret because at the time of this fic being made I was still deeply paranoid over anyone knowing I shipped Junkan. Now granted CJ is kind of an obvious alias given y’know, it’s just the initials of my fuckin main account. However it does require that someone on AO3 also have a Tumblr account and also be aware of a chick named “Carbonated-Jem” who at the time was drawing a suspicious amount of separate Junko and Mikan art.

Last thing before I talk about the actual fic. This was posted February 4th. Which fucks with me because I’m pretty certain that means that the first 50 Days of this project (reminder that most of the colored ones were after the fact) were made before that date. Half of this project was done in One Month at most. How the fuck did I do that????

Okay. So the fic.

The idea was simple at first, what if Mikan saved Junko from dying at the end of DR1. And then it spiraled from there.

This is not something I plan to talk about on this blog or anywhere but the privacy of my friend groups very often. But I am not a big fan of Danganronpa 3, I have very little nice to say about it, but my biggest issue with that Anime is it’s handling of Mikan. I do not like that Mikan was boiled down to just being whatever that was in the anime, since while I’ll never say that it was definitely a perfect relationship even with what we had teased in DR2, I think there’s a lot of nuance to the way Junko and Mikan described their relationship (moreso Mikan since last I remember at most Junko just made heavy implications that she broke each class member one by one with unknown methods). So seeing it be . . . that in the anime, just never sat right with me. If it were not for events that will be discussed later in the project, I would have been fully adverse to this ship as a result.

As you can see now I’m not only all for the ship, I’m dangerously brainrotted over it dsljfhsdlaf. How things changed.

Point is, regardless of whether you like DR3 and how it handled this dynamic (In which case, more power to you despite my lack of understanding), I had less than fond thoughts toward it. So you can kind of see this fic as also like, a way of me trying to do something more productive with that negativity rather than just wallowing on it. 

I’m gonna be real until Mikan jumps in to save Junko I don’t feel very strongly about the intro. You can very much tell this was my first time writing in 4 years, and not just that but it was me writing Junko for the first time rather than drawing her, and to take it EVEN FURTHER this was at the time the closest I had ever gotten to depicting the canon versions of the characters rather than Non-Despair takes on the characters like I was for every pic before and after this. Which yeah spoiler, beyond I think 2 instances later (there MIGHT be more) everything in this project is non-despair in nature.

You can probably still look at a lot of the art as like, just them dating Pre-Tragedy I suppose? But that’s up to you and your suspension of Disbelief.

Tangent, sorry. Back to it where was I.

Oh yeah, so I don’t know when the hell the idea for the Neo-World Program being implemented came in. But when it did that’s when I had like a solid vision for where I was going.

I think originally Junko wasn’t going to enter the program alongside everyone else? But the more I thought about it, it was like the only sure way that she could get what she wanted in the end. Since if Mikan came back reformed, whether with partial memories or nothing at all it’s a hard sell to think Mikan would be willing to go back to Junko outside of the specific circumstances that brought them together in the first place (that said i can’t say the idea of Junko trying to win her back isn’t interesting). I’d find it more likely for a full reformed Mikan in this context to like, get with Hajime or Ibuki.

So I threw Junko into the program as well, despite my concernsI did actually have a lot of fun writing the interactions. Not just Mikan (we’ll get to her in a sec) but also with Makoto. 

Writing Junko’s first moments in the program was my favorite part though, from what I remember at least. Especially once she starts giving Mikan her full attention. And that’s where we finally get to the art piece.

So here is the singular fun fact about the art. Junko had the bear clips originally, but I realized after the fact since the Neo-World program put the cast in their outfits prior to becoming Remnants, it’d make more sense to give her the bunny and bow clips instead. So I edited the art at some point to make that more clear. 

Anyway here’s the interesting part. There was in fact a time where this was going to be a series. 

The original intention was always a Oneshot, but you know how the mind tends to wander, it was inevitable that I’d be tempted to think about what else could happen in this timeline. 

It would have mostly been a Slice of Life series, more rom-com elements. Focused on the developing relationship between Junko and Mikan, essentially kind of recreating how they first met and fell in love, albeit with less of the evil girlfriends stuff.

Another part of it is that because Junko’s plans are on a hard hiatus till she gets off the Island, and more specifically because of Mikan’s influence on her in these very specific circumstances, the NWP actually does start reforming Junko on some level. I’ve always loved the idea that Mikan could have the potential to help Junko become a better person, whether it’s a Non-Despair AU where that means she just stops being a bitch to everyone (or at least mostly stops), or in Canon where she ponders that maybe starting the apocalypse isn’t the best course of action.

I did plan to try and write the rest of the DR2 cast, which admittedly was a roadblock because I had no idea what the fuck I was gonna do for characters like Nekomaru for example. I’ve only really latched onto a small handful of the overall cast of DR, so i’m severely lacking in my ability to write most of them. I did plan for Junko and Chiaki to become besties though, I feel like under a normal context Junko would just think Chiaki was really funny.

So it would have mostly been romance and shenanigans, one way I thought of to just give random little plotlines for Mikan and Junko was the MonoMono machine. Have Junko just get a bunch of coins and gamble away at the thing getting random items. And then said items just make the plot for the chapter.

That idea is what made me think of the other half of this fics equation.

So you know how there’s a fucking painting of Junko made during the Tragedy??

First off, missed opportunity to have that be a “Love” item for Mikan, would have been great foreshadowing.

Second off, actual point. I was like “how the fuck is junko gonna react if she sees this??” So I realized that while I wanted to have this overall fic have a lot of fluff and shenanigans and Junko kissing Mikan. There is in fact the elephant in the room of what’s outside of the program.

So, why not have Junko by some means start remembering reality, and realizing everything she’s been responsible for. Most importantly, killing her sister and killing Chiaki (yeah I would have kept Chiaki being a real person and not just an AI, partially just cause I think that’d hurt Junko more), and then having to cope with all of that because by that point Mikan would have unintentionally helped to make Junko a less apocalypse hungry person. 

And beyond that I don’t think I had any plans to show like, the aftermath of the program working. Partially because I feel like that’s reaching a level of writing I’m not mentally strong enough to pull off properly, partially because I think keeping it vague similar to how DR2 did it would have worked.

Now all that said, on some level I would try to like writing that story. There’s just a lot of hurdles I’d have to get past first. Not just my normal “Writing makes me want to slam my head into the wall” issue, but also stuff like-

How do I write the other characters when I have very little experience with them?

I actually have to make a plan for this one, I can’t just wing it like I did for the Vampire AU.

I have to write the Canon version of Junko for a big stretch of it and as I already established I barely grasp how the fuck to do that.

I just have other things I want to do which includes other writing.

So if you’ve made it this far into my inane ramblings, would YOU dear audience like to see this fic? I can’t say for sure how soon it would be assuming the response is positive, but I wouldn’t be opposed to making the attempt if there’s even mild interest for it.

Anyway, thankyou for your time! Hopefully will be awhile before I yap this long again.

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[transfemlogan]

Sure! Joan reblogging that was just reblogging it, however, it is an inappropriate time to do so. Imagine talking about something serious with your friend and they go "yeah but i dont really get it" & then go in their phone & post dumb memes. It's the same concept. If you want to put in the time and effort to listen to disabled people you have to actually do that abd make sure they feel heard.

Do I think Joan did it on purpose? I can't say for sure, but it doesn't change the fact that it was an inappropriate time to post that if people are questioning whether or not you are ableist.

Imagine if instead, the viewer asked about a common trigger instead of flashing lights (a concept people tend to understand over the safety of epileptic people). "Will the next episode be knife trigger safe?" "Probably? to be honest, I don't really know what's problematic about knives for people but we won't be including them next time. Anyway, look at this funny cat photo I saw."

It comes off as dismissing. It doesn't come off like you actually care about learning about the trigger or the issues it caused. Of course, this could be considered "nitpicking" Joan's statement, but it's important to be mindful of how we are discussing ableism (& all sorts of bigotry) with disabled people. You may not have meant something with your words, but still hurt the person you spoke to— you not meaning something dpesn't negate the affects of your words.

Joan could've said "I think the next episode will be sensory safe. I am not entirely sure what the issue with the animation was, but I am doing research into it and if anyone wants to provide more context, please do. We will not be doing any more pixel animations and we will make sure that this next video doesn't include flashing lights, or at least are properly tagged." (and then not reblogged a post afterwards)

How you speak is important when it comes down to bigotry. And it may not be important to you, how they respond, but it's important to disabled people to make sure we do not feel ignored. At no point was this a "proper" apology or a "proper" explanation.

Also, Joan was as much part of the team as Thomas was. Joan helped with the videos, the scripts, the sides, the recording, the editing— it was as much Joan's duty to check for "health issues" in the video, as much as it was Thomas'. Simply because you are not the creator of the show, doesn't mean you get a pass in the actions you had a part in. Joan helped in almost every aspect of the show, even if they aren't uploading it they still know the contents of the video and can still point things out. I don't understand what your point is?

Wait whatd joan do

i don't have direct proof of it anymore (since they deleted their blog and i didn't save screenshots, but I can ask my friends if they still have them), but when people brought up the very real and important issue about there being flashing and other photo sensitive things in SvS Part 2 and no warning (which is, yknow, a health problem, bc epilepsy and other photosensitive things exist, like migraines), they posted something very dismissive in reply and Immediately reblogged something about "let patton say fuck" to distract everyone. and it was like. instant.

i wish i had the screenshot now to look at it again but god it made me and others angry

[contagious-watermelon]

it's kind of like insanely isolating that literally every aspec or "ace & aro" space I've found has been in actuality, solely for aces. perhaps arospec aces or aroaces who entirely prioritize their asexuality could also find company there, but even as an aromantic person who is also asexual, they're really not intended for me. so I can only imagine how isolating it must be if you're aromantic and allosexual

[sammygender]

years ago i remember someone saying about dave strider that either he’s gay or he’s bisexual but deep down too misogynistic to actually have a fulfilling romantic relationship with a woman. anyway. this is how i see dean winchester

[holland-vosijk-antari]

i was just reading kell's pov in acol where he goes down to see holland in the cells, how he feels hollands eyes scraping against his own, and back in adsom where its described as two stones sparking together. not only does that make me want to go insane, it also makes me wonder if holland feels that too or if its just kell? its not mentioned as far as i can remember in any of hollands pov and not even in their first meeting flashback. the absence of it from holland's pov is a bit of a shame really though it does suggest that its just kell and the effect holland has on him... its also mentioned briefly when lila gets her antari prosthetic eye (in the sense that kell feels glad that he can look her in the eyes without that friction) which makes me wonder, if lila had both eyes would there be that sparking sensation between her and kell? would it not as their black eyes are on the same side? why would that sensation be only due to the presence of the marked eye? it's clear that kell and lila DO have a connection but then again so would most people who went through what they did together (especially as kell is quite dramatic about what he cares about). it would just be a shame to have this connection between antari be a real thing and it not be developed past a couple of brief mentions one of which to enhance a ship. the antari could be endlessly more strange so it's a shame that, even when bonded with the rings, they are essentially just very powerful magic users and not something altogether else...

[stephantom]

I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?

There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).

Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).

Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.

There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.

There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.

And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.

They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.

What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.

Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.

Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).

I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”

[altruistic-meme]

do i dare write the post looking at and trying to explain Queen Kristina's behavior? probably. i swear im trying to be less annoying about it but also like. i do what I want.

[skrunksthatwunk]

kinda drives me up a wall when people go "hey i think x action in a war/combat scenario is inhumane and cruel and shitty" and someone responds with "oh but within the laws of war it's allowed or there's procedure for it etc etc". it doesn't have to be a war crime to be unforgivable man it's a shitty rulebook anyway

[danielnelsen]

well this is what ive been doing for the past 2 weeks

[the-acid-pear]

I never tried the option myself bc it'd probably mean skipping the Reason You Suck speech at the end (fire for speedrunners though) but I Love that you can frame your Phoneys in 3, especially so if you've already killed the previous two. Like yeah couldn't send you off to die so i'll let the goverment do it for me 🧸 like its just Peak evil imo.

[goldkirk]

oh man, owning a body is way scarier than being in one while not owning it is

[orcelito]

Oh tho. Despite being at a concert at a bar with easy opportunity to have drinks. I looked at the menu as if I was gonna order anything, then thought to myself, "You don't drink anymore, hon" and went "Oh, right" then just got water.

So???? Given how matter of fact that thought was, maybe I really am fully sober from alcohol now. Interesting thought.

[dan-crimes]

It really is so sexy of me to be an art blog that never ever posts my own art LMAO