#i mean i don’t think we’ve seen it before..

[classyrbf]

IS THERE SOMEONE ELSE! — GOJO SATORU

SYNOPSIS...you and gojo get into a fight after realizing that he’s been hiding something about your relationship the entire time

INFO...gojo x fem!reader, angsty, arguing, breaking up(?), not proofread

OTHER...likes and reblogs are appreciated

You slam the door to the penthouse, your heels clicking against the mahogany floors with each step. You toss your purse on the couch, hearing Gojo opening the front door and shutting it quickly. “Baby, please just listen to me.” He pleads, following after you.

“I don’t wanna hear your bullshit excuse, Satoru.” You roll your eyes, plopping down on the edge of the bed to relieve your sore feet of the heels you’ve been wearing all night to your boyfriends opening event he’s been planning for months now.

“I’m not trying to make excuses. Please.” He walks over towards you and toss your heel at him. “Stop throwing shit and just talk to me!”

“You don’t get to tell me what to do!” You stand to your feet, glaring daggers at him. “Do you know how embarrassing that was for me? God, you’re a fucking asshole.” You seethe, narrowing your eyes. “I sat there all alone, while you let some woman feel up on you the entire night? Are you out your fucking mind?” You scoff.

“She’s just an old friend, y/n. I swear I didn’t mean to make you feel that way.” He shakes his head at you, grabbing onto your arms tightly.

“Oh, yeah? So I when I came up and introduced myself as your girlfriend none of your friends were looking at me like I was crazy? I know we’ve been only together for a year, Satoru, but that’s fucking low.” You pull away from him. “They didn’t even know who I was. Then you got miss prissy bitch clearly flirting with you in front of me and you didn’t do a damn thing to stop it!” You brush past him, stomping over towards the bathroom.

“Slow down, y/n! Baby—”

“I’m not your fucking ‘baby’, Satoru.” You gather all of your products from the bathroom, from your makeup and skincare to your clothes and shampoo.

“Stop for just one second.” He spins you around so you’re facing him. “Don’t leave. I swear you’re the only girl for me. I know I fucked up, I know I did. I embarrassed you, made you look stupid and I am so fucking sorry. But please do not leave.” He cups your face gently and his touch feels so inviting, but you can’t forgive him that easily. “I only want you. I only need you.”

You look up at him through your lashes, swallowing thickly as you bite the inside of your cheek. “Should’ve thought about that when you let her kiss your cheek and you smiled at her. Right in front of me. Get the fuck off of me.” You push him, rushing to grab your bag from the closet.

Gojo lets out a tired sigh, following you. He wasn’t going to let you go. Not like this. “I shouldn’t have let her near me.”

“Why was she so comfortable with being that close to you, huh?” You question, furrowing your brows as you turn to look at him. “Now that I think about it. Let me guess, you two were more than just friends.” You stand to your feet, snatching your clothes off the hangers and shoving them into your bag. He looks at you, opening his mouth to speak but nothing comes out. And from the look in his eyes, you already knew the truth. A bitter laugh leaves your lips, shaking your head in disappointment.

“It was before you! Before us! We never dated it was just a small thing between me and her!” He tried to explain. “Baby, I swear! Once I met you, everything changed. I cut her off and focused all my attention on you. You’re the only who has my heart.” He grabbed your wrist only for you to pull away.

“Clearly I ain’t the only who who’s got your dick, though.” You slam the closet door shut, turning your back towards him.

“Don’t say that, y/n. That’s the first time I’ve seen her in years!”

“Yeah? Well all your friends sure know about her. She must’ve been great in bed, Satoru. Me? Well, they looked at me like I was a fucking ghost!” You scoff. “Like I was some delusional bitch who came up to you and said I was your girlfriend!” You throw your hands up in disbelief. “You must take me for fucking joke. It must be written on my forehead or something!”

“I don’t take you for a joke! You’re my goddamn girlfriend. You live with me. You have my initial around your fucking neck! I love you and you know that!” He takes a step towards you.

“Do I know that?” You ask aloud, cocking your head to the side.

“What—of course I love you. What the fuck are you saying?” He looked at you with pure confusion.

“You’re a joke. One of your friends, Shoko, pulled me aside and told me the only reason you got with me is because your little fling ended up getting a boyfriend herself around the time we started dating. You’re a piece of shit.” You revealed the truth to him, watching him stare at you blankly, lost for words. “Think I wouldn’t find out?” You ripped off the necklace with his initial, tossing it at him.

“Yes, I was upset that she got a boyfriend but—”

“So you had feelings for her. And just to cover them up, you got with me as a distraction.” You step closer towards him. “Listen to me, Satoru, don’t ever try and contact me again, keep whatever fucking gifts you bought me and return them, sell them, do whatever because I am done,” you spoke through gritted teeth.

“No, no, no, baby. You can’t leave me. Yea I liked her before, but so fucking what? I was never in love with her, not like I am with you. I was too fucking stupid. I still am! Just give me another chance to fix this. I don’t want us to end this way.” He grabs your packed bag from your hands and tosses it on the bed.

“Let me go, Satoru.”

“No,” he shakes his head, “I can’t. You’re everything to me. She’s nothing compared to you.” He sniffles, holding your hands in his. “I love you so much and I’m so sorry I didn’t tell you the truth. I’m sorry I embarrassed you. And I’m sorry for entertaining the idea that she could even come close to you. She can’t.” His hands cupped your face, his heart pounding in anticipation as he waited to hear any words from you.

You reached up, pulling his hands away from your face. “Bye, Satoru.” You walked past him, grabbing your bag off of the bed. As much as it hurt to leave, you knew you had to respect yourself. Time and space was what you needed to think. With each step out the door, you could hear Gojo’s sobs, something you’ve never heard before in the year you’ve been with him. For the strong, flashily and confident man he is, you never once thought you’d see or him break down. Especially not for you.

[perfectlyvalid49]

Sorry for grossing you out but uh, I have a complex claim to a lot of religions and cultures because of how colonialism (arguably Israel is a settler colony state so uh… hmmm) has impacted me.

As you’ve ascertained (correctly) I’m a non-Jewish American, only by technicality, because I haven’t found a rabbi that will even support the fact that I’m gay and the “three asks” thing feels like a troll move which feels… homophobic???

I need you to seriously consider how my life has been negatively influenced (hence the circumcision poll) by a bastardized JEWISH practice, and what the fuck that means for my identity as it feels like fate to some degree and a bit offensive that you would yuck my ability to find yum in Yhwh or w/e because I’m… too much of a faggoy? Idk man… just asking questions. I’d love to clarify your response in a dm since its… a lot. Not meaning to offend just sick of being put in a box because my circumcision and mother aren’t “right” enough to be in the in club because Hekate or Satan or whatever swooped in and said “NOPE” 🙃

Cheers

Trying to understand Israel through the lens of settler colonialism is a failing proposition. Consider the following:

Jews are indigenous to Israel. We have a historical record that says they’re from there in both the Greek and Roman written record. Like there is as much if not more evidence of Jews in Israel in Roman writing as there is of Julius Caesar being a real person. We also have archaeological evidence. Israel is covered with digs that find evidence of Jewish life dating back 2,000-3,000 years. We also have genetic evidence. DNA studies have shown that even super white looking Ashkenazi Jews have significant portions of DNA that are most closely related to other groups from the southern Levant.

So to call Jews settlers either denies all that evidence, insists that indigenous people can be settlers on their own land, or posits that indigenous people can somehow lose their status as indigenous if you wait long enough. The first is anti-intellectual and antisemitic, the second is ridiculous and the third is a dangerous line of thinking for all indigenous people. How long before Native Americans no longer have a claim to their land? How long before Maori no longer have a claim? It’s not really a place we want to go.

As for colonial, the definition of a colony is “a country or area under the full or partial political control of another country, typically a distant one, and occupied by settlers from that country.” So which country controls Israel? I think we’ve seen over the last year that it’s not the US given the way Bibi has repeatedly blown off Biden, so who is it? Which country is sending settlers to control the area? Again, it’s not the US. While some American Jews make Aliyah every year, the vast majority of Jews in Israel are either from Europe or the Middle East. To be a colony, you have to be a colony of some other power. What is the other power here?

So we can see that Jews are neither settlers nor colonizers. But you know who did colonize the area? Arabs. Arabs are indigenous to the Arabian peninsula, not Israel. And in the 7th century, Arabs came from the Arabian peninsula into Israel (and other places), conquered the locals and did their best to eradicate their cultures, forced conversions to the conquering religion, and settled in the new lands while being under the political control of the far away Caliphate. Sounds like settler colonialism to me. So if we must understand someone in the area as colonial (and I still don’t think it’s the best way to look at things, but if you do) then it’s the people that Palestinians are descended from.

Having said all that, just because colonialism has impacted you, it doesn’t mean you have a complex claim to Judaism. Here are ways you can have a complex claim to Judaism: 1) your father is Jewish and your mother is not, 2) you have Jewish ancestors who were forced to convert and you are now trying to reconnect with the religion that was taken from them. I don’t know your history, so it’s possible that one of those is true. But if you have no Jewish ancestry, then your claim is not complex, it’s non-existent, and if you do have Jewish ancestry but your ancestors willingly left the tribe, then you don’t really have much of a claim either. That doesn’t mean you can’t convert, but given that you seem to think you have claims on other aspects of Judaism as a non-Jew, my gut reaction is to be very doubtful toward your claim on Judaism in general.

If you can’t find a rabbi to support your conversion because you’re gay, you’re looking in the wrong places. The senior rabbi at my synagogue is gay, and we have several queer families as part of the congregation. There are literal signs on the door to the main office that say Trans and Queer Jews welcome here. This doesn’t mean that all congregations are welcoming, but lots are.

The three asks thing is a metaphor that some rabbis take literally. Converting to Judaism is a big decision. The three asks are to make sure that you’ve really thought about it and are really sure – that you’re taking it seriously and thought through all the consequences. If that feels like trolling to you, then maybe Judaism isn’t a good fit. Honestly, from my interactions with you this week, I would bet that the rabbis you’ve met with haven’t said no because you’re gay, they’ve said no because you don’t seem super interested in taking on Jewishness, you just want to take from it instead.

I don’t know what happened with your circumcision. If it went wrong and it was done by a mohel then you can feel angry toward the Jewish people I guess, but I would want to know why your parents had a bris for you if they weren’t planning on raising you Jewish. If you were just circumcised as a medical procedure, as many American babies are, then you may have trauma related to it, but you don’t need to be taking it out on the Jewish people, which is exactly what that poll was doing.

Don’t write down those four letters. Don’t try to pronounce them either. We have asked, repeatedly that people not do that, and once again, the fact that you are is super disrespectful to Jewish people. Write G-d, or God if you must, or even Hashem (I don't think goyim should, but it's better than what you did), but not those four letters. It’s not yucking your yum. You are allowed to enjoy what you want. But what you are doing here is the equivalent of coming into my house and saying that because my dinner looks delicious you can just reach onto my plate with your bare hand, scoop up some of what I’m eating, take a bite and throw the rest back. It’s disrespectful and offensive. I am not objecting to your joy, I’m objecting to your lack of respect to my culture.

Being Jewish is about more than just being circumcised and having the “right” mother. There is a culture here that you need to understand. If you are raised in it, then you get to join the club that way. If you’re not, then you can put in the work to learn it and learn to be respectful of it and join the club that way. So far, you haven’t been able to find a rabbi that thinks you’re willing to do that work, and from what I’ve seen, I’m willing to agree.

[illbegottenfaith]

handwritten - theo nott x reader

yours and theo’s story as told through notes passed in class

a/n - came up with this quick idea to release some pent up creative energy while mulling over lucky pt 3. will prob make this an ongoing series for small ideas I can’t get fully fledged fics out of. easy to write, easy to read, enjoy!

tropes/warnings - fluff, a minor hinting at angst, newstudent!theo, estranged friends to lovers

word count - 1.5k

Monday, 10.07 am, Charms

Hey. You might want to pull your nose out of that disgusting textbook for once.

We’ve been over this. Just because you don’t understand something it doesn’t mean it’s disgusting. It’s very disrespectful.

What is disrespectful is you not paying attention to our year’s hottest new commodity - emphasis on the hot. I must say, he fills out that uniform quite nicely.

I’m sure he does.

C’mon, you’re not even a little bit curious? Just a peek?

Y/N? Hellooooooo? 

Oh my god. I know the guy.

???

What is he doing here? Last I heard he was being homeschooled.

Know him how??

We went to the same primary school. We were…friends.

Riiiight.

Don’t get any ideas. I haven’t seen him since I was ten. And he looked very, very different back then. Had a ratty sort of face. I can still kind of see it, actually.

Oh, Y/N, how could you say such awful things about his beautiful face! Oh dear, that bone structure…

Quiet, you. He’s really…grown. He’s so much taller now.

You know what you should do? You should offer to help him catch up.

On five years of school?

Oh, please, he was homeschooled. He had to have learnt some things. Who is he, anyway?

Theodore Nott.

Now that’s an Old Money name if I ever heard one.

Ivy. Be nice.

So? Is he? Old money, that is.

I…suppose so.

Are you sure you two were friends?

Yes. It’s been a while, that’s all. I just…wow. I can’t believe he’s here. Like, right there. I didn’t know if I’d ever see him again.

What happened?

He moved. I was starting at Hogwarts. We lost touch, it happens.

But now he’s back! Yay! Did you see those sinfully blue eyes of his?

Ivy, you have a boyfriend.

I know. Ivan agrees, by the way.

That he’s hot?

Yes.

He’s sitting on the other side of the room. When did you have time to discuss this??

Just now. Right in front of you. What did you think all that eyebrow-waggling was about?

I thought you were having a stroke. Merlin, the two of you are perfect for each other.

Don’t change the subject. He’s not gay, is he? Your friend? All the hot ones usually are.

I wouldn’t know, now, would I? I haven’t heard anything about him in years. Ivy, leave him alone. Please don’t harass the poor guy, sexually or otherwise. And quit it with the notes. He’ll notice.

How??? Has he got eyes on the back of his very nicely shaped head? He’s busy with Flitwick anyway.

Trust me, he’ll see. Nothing gets past Theodore Nott.

Monday, 2.15 pm, Potions

Well?????

Well, what?

The chat!!! Your chat!!!!!! With Mr. Theodore Nott!!!!!!!!

You have to quit it with the caffeine. You’re far too excitable after lunch.

The chat!!!!!!!!!!!!!!!!

It was fine. It was…nice.

Uh-huh.

He goes by Theo now.

Okay. I’ll pretend I care about that.

It was all very casual, very superficial. It was really just us exchanging pleasantries. Oh, right. He asked me to accompany him to Quidditch tryouts.

You??? But you hate Quidditch.

I know.

Please tell me you didn’t say that.

I didn't. I just said I didn’t know much about it.

And?

He said that didn’t matter. He just wanted me there for moral support.

Then what was with all the turning red halfway through? You looked like you were going to combust.

Was it that obvious?

Ivan had some pumpkin juice ready, just in case.

It was nothing. I just wasn’t expecting it, that’s all. He called me his good luck charm.

!!!!!!!!!!!!!!!!!!!

You’re going to rip a hole through the parchment.

AWWWWW

So?? Did you say yes??

I said I’d think about it.

BOOOOOOOO

Come on, Vee. He’s been flying since before he could walk. He always talked about joining the big leagues, you know. He knows everything there is to know about Quidditch, so of course he’ll make the team. And it’ll have nothing to do with me.

But he doesn’t even have any friends yet :(

That’s because he hasn’t talked to anyone yet.

Y’know, Romilda Vane wanted to know why he was talking to you of all people.

What’s that supposed to mean??

Eh, you know. You can be a little…snippy.

I am NOT snippy.

There it is. The snippiness.

Whatever. It’s all so pointless. Come Thursday evening, he’ll have joined the Quidditch team and he’ll be hanging out with, y’know, those people, and we’ll be ancient history. He’ll make plenty of friends. He just doesn’t know it yet.

Okay. If you say so. Also, at lunch, I finally tried that thing you’re always talking about, “applying myself,” and I found this article on his dad in the library. From 6 years ago.

Don’t you want to know what the article said?

You could have mentioned he was a death eater, you know.

I don’t care about that, by the way. You used to be friends and that’s good enough for me. But, Y/N, he was arrested six years ago. And you haven’t talked to Theo in six years. But there isn’t any kind of connection between those, is there?

Y/N?

Do not make me throw this at you. I know how you feel about paper cuts.

Tuesday, 3.03 pm, Defence Against the Dark Arts

Where’s your friend?

?

You know. Who you’re always passing notes with in class?

You noticed?

Hard not to. It makes you all fidgety and annoyed.

Yeah, well, Ivy’s an annoying person.

I’ll take your word for it. What do you have after this?

Transfiguration.

Wow. That’s one of the harder ones, isn’t it?

Er, depends on who you ask, I think.

Still brilliant as ever, then.

Shut up. I’m not half the swot I was in primary school. 

I never thought you were a swot. You were just…enthusiastic.

That’s sweet of you to say, Theo.

Huh. I thought I’d always be Teddy to you.

We’re not ten anymore, Theo. I can say your name perfectly now.

That’s good. So, have you thought about it?

Thought about what?

The Quidditch tryouts. You’re the only person I know here so you have to say yes.

I don’t know. Some of the girls look pretty interested in getting to know you.

What?

Nothing. I guess I could swing by for a short while.

That’s my girl.

Thursday, 8.37 pm, Common Room

SO?????

He got in. Obviously. Was there ever any doubt?

Did he run up to you? Did he hug you? Did he pick you up and spin you around???

Witch Weekly is a bad influence on you.

Details, please.

He hugged me. Kind of. Nearly tackled me, he was so excited.

you are SO his good luck charm!!!!!!

Friday, 11.17 am, Defence Against the Dark Arts

Witch Weekly?

It’s not mine. I’m holding it for a friend.

Right.

Really, I am. Ivy’s a fiend for these but she has this Charms test coming up that she absolutely cannot fail.

I believe you. ‘Top 6 Magical Contraceptives for the Modern Witch’ doesn’t sound like your kind of reading material.

I’m sorry, I didn’t mean to embarrass you. I was only having a little fun.

I’m not embarrassed. Are you embarrassed?

Erm, no, but you’re very red. Do you need to see the Healer?

I’m fine. It’s just hot. And no one calls Madam Pomfrey ‘the Healer,’ by the way.

Ah. I see.

Is there a point to all this? Did you need to ask something?

Oh, right. What are you up to on Saturday night?

Saturday? Dunno…wanted to take a crack at that Transfiguration essay.

Excellent. I’ll pick you up at 8.

Oh?

It’s nothing. A couple of the guys on the team wanted to celebrate with drinks at Hogsmeade. Everyone’s bringing someone, and I thought it would be nice if you came. Being my good luck charm, and all.

Oh, Theo, you probably don’t know this since you’re new and all, but going down to Hogsmeade is only permissible on certain weekends. And only start a couple of weeks into the term, so not yet.

Did you just -? Oh my god, you did. You laughed at me. You laughed at my note. Out loud. You’re lucky you’re in Slytherin, you know. Snape usually goes absolutely ballistic if anyone interrupts his lesson.

I’m sorry, I forgot what a stickler you were. I just - I didn’t think I’d miss it.

Please, Theo, forget the drinks. I cannot in good conscience stand by and let you break so many rules. You’ve been here less than a week!

Guess you’ll have to keep an eye on me. Make sure I stay out of trouble.

Exactly.

Great. See you Saturday at 8.

[lemotmo]

911 8x08 thoughts and freak outs!

Okay…

Well…

WOW…

OMG!!!

What do I say about this episode? 😶

Uhm…

Well, my first reaction was this: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHH! 🤣🤣🤣

And I mean this in a very good way! 😏

I’m just going to start with the thing that made me go AAAAAH! In the first place:

Eddie and Chris! That scene was heartbreaking and when Brad talked to ‘Edmundo’ about his estranged son it was a great moment. Eddie has started to realise he has to act NOW, because he son is growing up without him and he doesn’t want that gap to become any wider. 😭

Side-note: Fuck the Diaz parents big time! They suck! 😠

So Eddie decides to move to Texas, which is so very much the wrong thing to do. But I get why he’s considering it. The right thing to do for him would be to go to Texas, talk to Chris and telling him he needs to come home, back to LA. But I don’t think Eddie is ready for that yet. He’ll need some time to get there, but he’ll get there in the end.

Which leads me to that one scene with Buck. And OMG! In the seven years that I’ve been here, shipping Buddie, I’ve seen a lot scenes between them that suggested something more, but it was never really anything concrete… you know? 🤷‍♀️

This scene? It was like being hit over the head with a sledgehammer. Buck just walks into Eddie’s house and Eddie’s okay with that. He’s teasing him about the tablet and Eddie lets him. They know each other through and through. And Buck’s face when Eddie told him it was in El Paso? That was interesting. And of course he wants to help Eddie. It almost feels like they’re buying a house together for a moment there. But then…

Then when Buck’s sitting on the Diaz couch (yes… hello couch theory, great to see you again! 😂), his face falls and there is something there that wasn’t there before. Guys… we just witnessed the very early beginnings of Buck’s ‘OH’ moment. Eddie making plans to move will help Buck realise just how much he truly cares for Eddie. 🥲🥲🥲

So, this is it. This is THAT scene we’ve all been hoping for.

I feel unwell.

In a good way.

The Buddie-arc has officially begun. 😋🌈😁☀️

So unwell right now.

Still in a good way.

But oh… this is going to be such a good hiatus! That scene alone will inspire so many writers to write excellent fic, it will fuel us for months and ignite the fandom to speculate and theorise. It’ll be epic! 😎

I wonder if there’ll actually be a time-jump or they’ll just pick up where they left off after hiatus. 🤔

On to the rest of the episode:

Where was the Maddie storyline they talked about?

Athena’s storyline was actually nice this time. It is entirely possible that something flew over my head when it comes to her scenes as a police officer. But to my non-American eyes, it was a nice storyline. The cart cop kid was a little naive, but he was likeable I suppose. I don’t really enjoy watching people like that on YouTube, but for the show it was okay.

I unexpectedly really enjoyed the Brad storyline. Granted, him rescuing that woman and risking hurting her? That was iffy, but 911 is like HotShots in that respect, you know? We aren’t supposed to take it all ‘that’ seriously. So I can live with that scene. I love the growth in Brad and how he talked that guy from the ledge. Do we think that scene was based on the fact that Jon Bon Jovi talked someone from the ledge a couple of months ago? I think that’s where Tim got his inspiration for this.

So overall, I really enjoyed this episode and I have to admit that I didn’t really expect too much of it. But it managed to surprise me in a few ways. But mostly that Buddie-moment… it just blew my mind. 🤯

I can happily skip into hiatus now. All is right with my fictional TV-show world again.

😎😎😎

I'm off to read the post interviews now and answer some asks in my inbox. YAY!

[butchpeace]

hi there! thank you so much for you're response to my anon ask- i was honestly expecting you to mock me and then tell me im in a cult and am bringing down other women- which is the response i usually get when trying to ask radfem blogs things- i understand why they would say this but i am asking questions genuinely. I've looked through the medical articles linked in your page, I'll be honest it is concerning but currently I am enjoying the physical and mental changes on testosterone and dont want that to stop- obviously while paying attention to my body and working with my doctor if any issues occur. i think i'll talk about doses with my doctor to understand what options i have when i want to taper off or vaguely slow down, i hope my approach to medical transition isnt seen as aggravating or flippant this is just my general philosophy about things :) i dont know i kinda feel like crying this is kinda the first radfem space i have felt safe in?

i enjoy having a deep voice- being hairy, being flat chested and these are all things women can do-- i feel that my decisions to get a mastectomy and be on hormones to achieve this shouldnt be used to kick me out of butch spaces but maybe im just being naive 🤷

A lot of radfems have that knee jerk reaction to trans identified women. Those are the kinds of people who pushed me away from radical feminism before I transitioned, so I know how that feels!

There aren’t a lot of people who both identify with radical feminism and also have the empathy and understanding needed to help us work through our gender issues. My goal is to be the person I needed back then.

My viewpoint is that people have a wide variety of different feelings about their gender, but at its core it all comes down to the same thing: The inability to accept our bodies as they are.

That’s something butch women particularly have been dealing with for a very long time. Of course butches want to be more masculine. Why wouldn’t we? We live in a patriarchy, and physical masculinity and androgyny is considered attractive in butches.

But my opinion is that accepting our bodies as they are should be the ultimate goal, and that messing with our hormonal systems and having cosmetic surgeries is objectively a negative thing. Not just because of health risks, but also because it’s a way of rejecting femaleness. I believe that all forms of rejecting the female aspects of our bodies come from misogyny. Because of that, giving in to the pressure to change our bodies isn’t a positive thing in the big picture, even if it makes us feel subjectively better about ourselves.

But I feel that way about all cosmetic surgery, including botox and all the other things women do to alter themselves. I don’t think that the way we’ve altered ourselves is any different from what they’re doing. I’m against all of it, but I don’t see us as the problem, I see patriarchy as the problem.

Whether radfems agree with it or not, the fact is that many butch women have taken hormones and have had mastectomies, and we are still women. Testosterone and mastectomies are so widespread among butch women these days that it’s kinda just part of who we are at this point. That doesn’t mean it’s a good thing or that it should be encouraged, and people have the right to criticize it. But we should be accepted.

Our appearances are altered but that doesn’t change who we are, and it doesn’t change the fact that we need community and a sense of belonging.

[glisten-inthedark]

“like what episode? Because if you're talking about the episode where he confided in Will didn't he say they had arguments but nothing like that?”

season 4 episode 4, direct quote:

“Before the cops came, me and El, we…we had a bad fight. And we never fight. I mean, we fought before, but just like, silly fights, stupid fights. But, I don’t know, this one just felt more adult. Like, it…it just felt more real. Like it was a fight you can’t come back from.

The part that always rubbed me the wrong way was the way he says, “And we never fight.” He says it with some incredulity, a fair amount of conviction, with a furrowed brow, like he actually believes it before he corrects himself. And I found it weird because yes, the show itself frames El dumping him as comedic, but he’s still essentially calling the time he lied to El and she dumped him over it as “silly and stupid” which, considering that (if we take the novellas as canon) they were broken up for 3 months because of this and it seemed Mike was gonna make no effort to restart his romantic relationship with her until she kissed him and told him I love you, is just odd to me?

Even if he does admit that they’ve had “silly fights, stupid fights,” it’s nothing compared to what we’ve seen Nancy and Jonathan have, or Hopper and Joyce, or Max and Lucas. Each couple even before they got romantically together had mutual disagreements, arguments, and then for Max and Lucas specifically, they spend all of season 4 broken up and have disagreements that are so heavy and deep but just so laced with love and concern.

Mike and Eleven didn’t fight in season 2 because they barely had any screen time together, and in season 1 it was mostly Mike lashing out at El when he was upset with her and her not responding/running away/connecting to Will through the radio to prove he is alive.

In season 3, post break-up, Mike and El only argue a few times, Mike mostly just asserts concern and Max is the one who makes it an argument. The fight that I would call silly and stupid in season 3 is in the pool shed when El says she makes her own rules and Mike finds out El spied on him. That one is also played a bit comedic and ironically it becomes a fight that they make the group’s issue so it once again becomes more of a Mike v Max fight. Yet while it’s still silly and stupid (with some validity—El invaded the boys’ privacy and she’s also wanting to assert more independence and spend more time with Max) it’s still a fight.

Does any of this make sense? To me, his reflexive conviction to say that they “never fight“ feels like a parallel to El lying throughout her letter that everything is perfect. 

Addendum, while analyzing this scene I noticed on the wall above the bed and above Mike there’s a picture of a mountain with a faint but definitely there rainbow across it.

Hello!!! Oh now I see what you mean! Thanks for the clarification because I was confused.

Yes, there's a lot to unpack here.

Firstly what you said about Mike stating that they never fight. Like you said in your previous ask, it feels like both of them make too much of an effort to hide part of themselves so that no conflict arises because of it.

Couples fight and argue and have disagreements, and while too much of it is unhealthy, hiding yourself and not standing your ground can be as unhealthy because then there's no compromise.

Secondly, the more I think about it, the more I start to suspect that even if it was subconscious, Mike seems to want someone (Will) to tell him he and El aren't working out.

The fact he tells him as a fight he and El can't go back from is telling and I just an insight it didn't even occur to me until now.

I know the can't say he love her spiel has been addressed thousands of times at this point but it didn't even occurred to me at this point that Mike tells Will he doesn't think he can come back from it, meaning, he doesn't think there's anything he can do to fix it.

Now, if we think about the fact that El told him he doesn't say he loves her and he tries to gaslight her and say he does say it, and that he knows what the argument was about and why she was so sad and desperate, you'd think that if he actually did love her like he'd later claim, that he knows is something they can come back from if he's honest with her and tells her what he knows she wants to hear.

The only reason why he'd think is a fight they can't come back from is if he'd known he can't say something to her he knows he doesn't feel.

If he had known he loved her - that he loved her from the moment he saw her -, he wouldn't assume this is something they can't patch up because all he had to do was tell her the truth.

Holy shit, how the fuck did I not think about this before? It feels so obvious now.

[maybebitterxox]

9-1-1 Fall Finale (S8 Episode 8) Spoilers!!!

Ok so. The Buddie insanity is STRONG right now.

The Eddie moving thing has made it very clear that we’re gonna get a breakdown this season. This big, impulsive change with the both of them in such fragile states is 100% gonna result in one or both of them losing it at some point. Right now, my money’s on Buck, because:

In the scene, they focus on Buck’s reaction to the news, having lingering shots of his expressions and explicitly showing how his face falls the second Eddie leaves the room, holding on his disbelieving look. This all but confirms that his POV in this whole situation is gonna be important.

His whole thing with Tommy. Buck already feels incredibly hurt from one person he cared about leaving, and Eddie also leaving is likely going to feel like salt pepper spray in the wound, even though he knows that it’s “for the best”. I can imagine that he’ll have an inner conflict where he struggles between trying to be supportive and optimistic for Eddie’s sake, and just feeling utterly miserable about it.

His past with Abby. Her name has already been brought up out of the blue this season, which could mean nothing, but… I think Buck’s seen this film before, and mans did NOT like the ending. I wouldn’t be surprised if he starts to project his painful experience with her onto the whole situation, and maybe his realisation could even come from him connecting how similar his feelings towards Abby leaving and Eddie moving are.

Buck worries about Eddie very often; and with good reason. He’s seen Eddie get himself into similar things before, such as when he left the 118, and he’s witnessed how Eddie has crumbled in the aftermath. And we know he’s been keeping an eye on Eddie since Christopher has been gone. I honestly think it’d be out of character for him NOT to start panicking and worrying about what will happen to Eddie if things don’t work out. This anxiety, on top of everything else, definitely has the potential to result in a full-on crisis

We’ve all seen Buck’s reactions to thinking he’s losing/that he will lose Eddie before. I love him, but there’s no way he’s gonna be able to cope lmao

It’s likely that I’m just being way too hopeful and looking too deep into things, but I’ve officially decided that I don’t care and that I will make as many silly little theories and predictions as I like. Have a good day

[griffinborn]

ARCANE ENDING ANALYSIS

****obviously SPOILERS ahead****

Everyone is debating whether jinx is alive or dead so here’s my thoughts first I’m going to try and explain my view on WHY jinx is alive but made to look dead and then I’m going to prove HOW she is Alive. And why air vents have nothing to do with it.

WHY JINX IS ALIVE

With ARCANE coming to an end we are to believe that The piltover part of the show is over, the reason?

Well… we all think this season felt rushed, the beats didn’t land properly and character development felt shallow. That is because it was rushed it’s been 9 years since they started writing this story arc and they wanted to end this story arc that had to end at this point in this way.

if they could have produced the more quickly over a shorter period of time they would have streched the arcs and have had better pacing but it’s a long time and they wanted to move on to the next arc of this universe.

That doesn’t mean this is the last we’ll see of these characters or even piltover as a lot of piltover champions haven’t been introduced because this wasn’t the arc for that yet. We get hints of that as we see sevika become a councillor but be met with distrust and being looked down upon so now the class division and healing will go on in the background as we explore different parts of runterra (cause the writers don’t have the competence to write engaging happy stories).

The characters will come back to begin the next arc of their character growth.

Take Vi for example she is not even a person in her own right, right now she’s just ‘dirt beneath Caitlyn’s fingernails’ that does not seem like a fulfilling way to live your life for anyone. But makes sense for Vi, she needs to grow relax not be a person for a while because for her being a person means sacrificing everything she is to save others live for others but she’s never successfully done that she needs to do that live for someone else (1 person- cait) be successful in protecting them so she one day live for herself, find herself, find the meaning of being a person, her own goals. Till now we haven’t seen the story of Vi - just Powder’s sister her keeper since the first scene when she became wholly responsible for her a role that Vander did nothing to deter her from but pushed more heavily onto her.

And we kinda got a happyish end for jinx, NOT because she died so is free, NO, but because she finally got to save Vi not just from death but also stop Vi from killing herself (cause that’s what she has doing staying on that ledge not because she thought she could save Vander but because she left his dead body behind once). Show her that she has to rise above her self sacrificing bulshit, cause that only works when she is the only one protecting others not when she is fighting with others together, cause in those scenarios if she puts herself uncaringly in danger someone else will protect her and get hurt doing so.

She is alive but more importantly ready to go go on a journey of self discovery and define for herself her identity (herself not silco as Vi’s sister but not one dependent on her) away from Piltover and Zaun. Truly find herself, and be ready to come back on her own terms not bcz the outside forces dictate it.

HOW IS JINX ALIVE

I want to preface this by first cursing the guy responsible for camera work on Ep9 May seven generations of your family cry tears of blood!!

it was so hard to figure everything out!

let’s start with our North Star the stationary point around which everything revolves.

You’ll understand that in a moment.

I’ll like to draw everyone’s attention to this Frame.

Aww… Sob.. jinx hugging Vander while she kills them both… 😢 Forget that focus on the background!

the glowing runes the circular shape with an opening in the middle in 3 rings like oh? The hex gate beam!

but that could just be a pretty backdrop yeah I wouldn’t believe that even if this was the first time I was seeing it but it’s not. We’ve seen it before…

here

Here

Directly followed by

then after cutting to jayce and victor in the tunnel, different backgrounds for a sec but none of them from a consistent camera angle

and we’re back here again

Then another cut to jayvik, them finally entering the sphere, and again different backgrounds for jinx/vi/vander

and then? We’re back here again

And it’s here that jayvik enter

Disrupting the vi/jinx/vander fight and creating the ledge.

now the North Star why do I mention it? Because the existence of the gate itself is not enough to prove that the hexgate turned on, so what is?

let’s go back to the image of the blast

Notice that rune in the corner?

that’s also a repeating marker it first appears not when we get the first look at the inside of the hex gate where where jinx/Vi/Ekko/Vander have crashed but after jayvik have started their ascent and the tunnel lights up.

and again when jayvik finally enter the sphere

and again after Viktor has blasted through the ledges and is exiting the sphere

notice the lack of light entering the scene from the hole created by Vi/jinx/ekko But in all these instances the rune has the top horizontal straight line facing away from the tunnel but when the explosion happens the line is facing inwards towards the tunnel that means a the rune turned in its casing implying that a mechanism was activated.

vs

also notice how the tunnel is between the tube on which jinx lands and the ledge vi and vander land on no way that somebody moving like this

will fall towards the centre of the tunnel.

also take these 3 frames

vander gets a hold of jinx

cut to vi coming to rescue

Back to vander with jinx in his grasp turns his head towards incoming vi

The camera in the first and second image is the same, a split second has passed but the background changed.

because the sphere started rotating the moment the tunnel light up the first time, the first time we see the North Star.

Let’s have a positive outlook for the future and until then see you all on ao3

P.S. - If you think my theory makes no sense or the evidence is insufficient or disapproved do let me know….

[ayamari-no-goshi]

This is an interesting panel when it comes to trying to figure out Jason and his motivations.

Leading up to this, Jason, who had originally had a set of rules regarding who he’d kill, had purposely thrown it aside to coax Bruce into action. Bruce had become too conflicted regarding how to handle stopping Jason and froze, so Jason purposely became more of a villain.

Now, we see this. Jason is actively trying to lead Bruce to the Joker to ask his question and get his answer, but Bruce is distracted by what’s going on in Bludhaven. This won’t do, so Jason is purposely taunting him to make sure Bruce stays focused on him.

Then we get to the famous scene where Jason demands Bruce to choose between him and the Joker. And Bruce chooses the Joker. This was everything Jason was striving for since he started his training after his dip in the Pit.

But something not enough people pay attention to is that Jason didn’t expect to live through everything. He was fully prepared to die, and in all honesty, probably wanted to. We’ve seen again and again in the comics that Jason believes he was better off staying dead. In that moment in UtRH, nothing mattered more to him than continuing with his plan and getting that answer before taking out the Joker and himself. And ending his suffering.

Yet, the first person he turns to after the events of UtRH (it’s like a year later) is Dick. And even though Jason is absolutely shit at trying to express it, he was testing the waters to see if Dick possibly still saw them as family (per the telegram given at the end of Brothers in Blood). Which seems very contradictory with Jason’s actions in that arc because that’s when Jason was impersonating Nightwing and killing people.

One of the most interesting things about Jason, in my opinion, is how contradictory his actions are towards his family. The man can act as if they mean nothing, put them in death traps (specifically before N52), but he’ll then turn around and help them out if they’re nearby and in danger. He also deeply wants love, but no longer knows how to ask for or express it.

I don’t think this helped explain anything, but these are things I’ve noticed about him during this period.

til that slade bombing bludhaven happens at the same time jason and bruce are duking it out in the under the red hood storyline and they see it happening.

in other news, jason peter todd is a raging asshole omg what a JERK THAT’S YOUR BROTHER?!???

[dreamings-free]

Oli’s Odds tattoo reveal!

27/6/24

[the-tortured-fangirl-department]

My unpopular opinion is that Will and Apollo are more alike than a huge portion of the fandom likes to acknowledge for some reason

(In ways that are not just „will is sunshine“)

(I also could have said people don’t acknowledged Will has a personality but I‘m an ToA stan account after all)

[sweetmodel]

How I became a master shifter (+ why methods aren't working for you)

Hello! I’ve been seeing a lot of disinformation lately, and I’ve noticed that some people might need help, so I wanted to chime in. I can shift whenever I want, and I see a LOT of limiting beliefs—but I understand because I was once on the other side.

Disclaimer: This is all based on my personal experience with how I became a master shifter. You’ll want to read everything—it’s important.

I first shifted around March 2022. I would always use methods. I would affirm, tell myself I was detached from this reality, and so on. During my very first shift, I literally affirmed all night long (if this sounds familiar, it’s because I used to have another blog here, lol). You know, really complicated stuff. Then... things changed. I couldn’t shift anymore. I kept using the same methods, but they didn’t work!

That’s when I started questioning everything about shifting and consciousness. Why was it that I could be in another reality where things like magic exist, but then suddenly I couldn’t shift anymore? Why were the methods, like lucid dreaming or the void, seemingly more powerful than the act of switching realities itself? Why, when I shifted from my Desired Reality to my Current Reality, all I needed to do think of my CR to shift back—but it didn’t work the other way around?

None of it made sense! And I’m sure many others have asked themselves these same questions.

I came up with two theories:

This reality has something unique compared to the infinite other realities. To shift from here, you need something extra, like a method.

There’s something else at play, something unrelated to the realities themselves.

I dismissed the first option. There’s nothing inherently special about this reality. So why do we use methods here but not in our DRs?

Then, I thought back to how I used to shift... detaching from my body, affirming until I shifted. It all aligned with my subconscious beliefs. The method didn’t work because that’s how shifting works, but because it made sense to my subconscious. Of course I would shift if I did these things—because that’s what I believed shifting required.

Well... kind of. As I said, it made sense because it aligned with my beliefs. So when the method failed, I wasn’t letting myself shift.

Did you catch that? I didn’t let myself shift. Of course, it wasn’t the method. At what point do you actually shift? Is it when you affirm? Do you really think the universe is just waiting for you to say the right thing enough times before it switches you to your DR?

No. It’s you.

So, you have two choices:

Find a method that truly aligns with your beliefs, or

Change your subconscious beliefs.

Changing your beliefs might seem hard, but I’m going to explain why it’s not as difficult as it feels.

All your life, you’ve had certain beliefs, but those beliefs came from somewhere. You weren’t born thinking you need methods to shift—it’s something that developed over time. Which means it’s not set in stone. It can be changed.

I realized that every reality holds the same weight. There’s NOTHING you can do in this one—no intrusive thoughts or negative emotions—that can stop you. Why? Because those thoughts and emotions are products of this reality. Shifting is simply changing what you’re aware of. That’s literally it. Anything outside of that can’t stop you.

Yes, we’ve all seen those posts saying things like, "Oh, you’re not focused enough" or "You spend too much time on X, Y, Z" or even "You don’t go outside enough" (I legit read this on here—y'all are wildin’). Are you in your DR thinking "Oh, I thought about failing to shift, it means I won't :("? Of course you aren't! But nothing can stop you from shifting. Nothing can stop you from being aware that you are a master shifter.

So, how do you become aware of that?

I started affirming throughout the day. I would tell myself these things:

I’m pure consciousness. I create my reality, and everything around me is just what I choose to perceive.

I’m a master shifter. I don’t need methods. All I need to do is choose to shift, think of my DR, and it happens.

Nothing in the 3D can stop me from shifting, because I’m in the 4D and pure consciousness.

I told myself these things constantly, and I truly understood what I was affirming. What being pure consciousness and being a master shifter actually meant. I stopped using methods. I stopped acting like this reality was special compared to the ones I wanted to be in. And then... it happened.

I shifted. During the day. I simply thought of my DR, told myself, I want to shift, and there I was—in my DR. It happened because, as I said, my subconscious beliefs changed and then manifested in my reality. The same way they did when I believed I needed methods.

Naturally, I stopped using methods. I stopped trying to shift. I no longer thought, Okay, tonight I’m going to shift, and I'm going to use X method. Because that’s not how you think or act when you’re a master shifter. I let go—why would I bother using a method before sleeping when I could just stand up, think about my DR, and be there? Why would I bother doing a method before falling asleep when I knew I'm a master shifter?

I allowed myself to shift. It was me! When people ask, What method did you use? What did you do to shift?—do you really, truly believe it’s the method that makes you shift? Of course you do, because you live in a reality that seems logical, and you apply that logic to shifting. But shifting isn’t logical! It just happens! I have no idea why—it’s literally just magic to me—but that’s how it works.

So, you need to understand: You make it happen. That’s a good thing, right? It means you don’t need methods, and you don’t need to keep searching for “the key.”

Anyway, I hope this helps someone. (Also yes, before you tell me, I know this is basically Law Of Assumption. But I wanted to explain it in more of shifting terms)

(Also if someone wants to post this to another social you have my permission- especially reddit since I was active in that community but I deleted my acc lol)

Edit: Hey guys there are some additional notes in the comments that might be useful!

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[fingertipsmp3]

Okay. Is it delusional of me to try to signal to this guy in my class that I like him… through my choice of earrings

[imaginaryf1shots]

Hidden | Max Verstappen

WC: 1.5K

Max x wife!reader

Summery: May has always a private person, but is he that private that he could hide his wife of 8 years and 2 year-old son.

Warnings: none

AN: This is a little something, while I’m working on two big fics

Masterlist

Max Masterlist

Max Verstappen is many things, and when people ask you to describe him they always have a lot to say. He’s a great driver, at the top of his career, he’s aggressive, he’s sarcastic, definitely has an unhealthy relationship with his skinny jeans. He’s also incredibly private, not much is known about him that he doesn’t want to be known, how he does it is a mystery.

You both value your privacy, and any post made of you before he made it to F1 was deleted the second there was a possibility he would join. You were both young, and you knew how much hate some wags get and you didn’t want that. While Max was off racing, you were back home finishing your studies, the moment you finished high school and you were both 18 you got married. A small wedding with only family and very close friends in attendance. Some of your families were against it at first, saying you’re too young, too naive but you never listened to them. Both you and Max knew what you wanted, and there was not stopping you from getting what you wanted.

You finished Uni and when Max moved to Monaco you did too, you met some of the drivers, the ones close to Max, you met some of the team that were also close to him. And you even attended a few races, but no one paid you any attention, thinking you’re just a fan.

However the last time you made it to a race was well over a year and a half ago, you gave birth to your baby boy last winter, and after a hard delivery and a long recovery, where Max stuck by your side through it all. Your boy is almost 2 and he misses Max every time he’s away from home.

”Are you sure this is the right time?” Max asked you as you got yourself ready, Karel happily playing with his toys next to Max on the bed.

“I mean we’ve been married for 8 years now, and dating for three before that.” You point out and finish the last touches to your make-up. “We have a son and I want him to grow up seeing you do what you love to do, I don’t know when you actually want to retire, so let him see you do it before it’s too late.”

You walk over to your husband and sit in front of him with a smile.

”You’re right.” Max leans over and presses a kiss to your lips, that leaves you craving for more, Max pulls back leaving you chasing after his lips. The dutch driver laughs and lets you close the gap, your lips meeting for a bit longer, before you have to pull back or things would escalate.

“Don't forget your ring.”

“Already wearing it.”

Walking in the paddock with your son on your hip and your hand in Max’s turned a few heads for sure. It was the tack of the paddock, Max has a girlfriend and a son? There’s no doubt in anyone’s mind that the boy you’re holding is anyones’s but Max, he’s a literal mini Max, with the small red bull merch and everything.

”Oh my god! Loca.” Lando said seeing you both, your son wiggles in your arms. He loves Lando who he sees a lot when you’re all in Monaco. Lando is one of the few people who knew about you for so long and he’s seen Karel mere days after he was born. “Come to uncle, Lala.” Karel leans out of your arms and easily goes to Lando’s. “I didn’t know you guys were bringing him today.”

“We weren’t 100% sure.” Max explains and you give him a look. “Okay, I wasn't 100% sure I’d want to bring him.”

”Well, I’m for one glad that you did.” Lando said entertaining your son.

”That makes the two of us.” You say smiling, as Max pulls you closer to his side.

After Max is sure you and Karel are comfortable at RedBull, he goes off to do his round of interviews and media duties. And it's just his luck that, he's on the panel today.

And it didn't take long before he was being questioned about his family.

“Question to Max, you seem happier today, does that possibly have something to do with your ring and those that came with you today?” Max chuckles, he looks at his wedding ring. On the panel today with him, Charles who knows about his family, Lewis who has no idea, Oscar who has no idea and Pierre who has a suspicion but hasn't been confirmed by Charles.

“Eh, if you're talking about this ring, yes. My son is here for the first time, he's finally old enough to come.” Max is smiling but just because his family came means he's suddenly open with the press and will spill everything.

“You have a son?” Lewis asked confused the gossip hadn't reached Mercedes yet.

“I'm not over the ring, you're married?” Pierre asked, Oscar was looking super confused at the RedBull driver, he heard Lando talking about Max and a child and wife but he thought it was the other Max not this Max.

“Karel's here?” Charles asked, smiling.

“Yeah, I have a son, he's almost 2 and I'm married.” Max said as if he didn't Just drop the biggest news in F1 at the moment.

“You knew about it?” Pierre asked his friend feeling left out, Charles looked cheapish and shrugged.

“It was a secret mate.”

After the panel the drivers waited for Max to ask him some more questions.

“When were you married?”

“Did you get married because of the kid?”

“What's his name?”

“Why did you hide them?”

”When can we see him?”

and so on and so forth, Max knew that this would cause quite a stir in the media but he had no idea the other drivers would be interested.

”Okay calm down everyone, let the man speak.” Lando, the latest person to join the circle said. He wrapped his arm around Max’s shoulder. ”Let me answer the oblivious stuff. His name’s Karel, he was born during the winter break of last year, he’s a carbon copy of Max, and yeah, I knew about everything for a few years.”

Lando looked so smug with himself for being in the know.

”And you’re married? Never saw you wearing a ring before.”

“Yeah, got married when we were 18-“

”EIGHTEEN!!” There was a gasps and repetition to the number 18.

”Mate, that’s over 8 years ago.” Pierre said with wide eyes, he’s been Max’s teammate and he was married and he had no idea.

”Yeah, we were dating for 3 years before that, and decided to just do it.” Max explains, he was itching to get back to the garage and see his family. But he had to stand there for a few more minutes to answer all their questions, which he was comfortable with anyways.

You could see a few of the drivers shaking their heads as they dispersed from the circle in disbelief. The gossip and new information was hot, it will be all they can talk about this weekend.

You were out of his driver’s room, and standing beside Max’s car talking with a mechanic as Karel was looking at his dad’s car in fascination. It’s the car he saw every week on the TV.

“Hey.” Max greeted coming in and giving you a quick kiss, he took Karel from your arms and kisses his cheek. “How’s everything?”

”Good, Karel wants to get in the car.” You inform your husband, smiling as your son nodded his head furiously.

”Dada, car.” Karel says cutely and points at his father’s car.

”You can sit baby, don’t think you’ll see anything but you can sit.” Max says and places his child into the cockpit, RedBull cameras snap pictures and take videos.

”Future RedBull champion in the making.” You tease Max and grin, Max had this adoration look on his face. “You should get in and put him on your legs so he can see.”

Max does as you say, he hands you Karel, who you shower with kisses making him giggle and push your face away. Max gets in and you hand him Karel who he places on his lap, the child now able to see out of the car.

”Here Max.” One of the mechanics hand him the steering wheel, and Max puts it in.

”Dada, drive.” Karel says and takes a hold of the steering wheel, Max helps him turn it right and left, it’s. too heavy for him to do it alone. You take out your phone and also film this moment.

If there was ever doubt about bringing Karel, just seeing them making memories and enjoying themselves proves that it’s the right thing to do. There’s no guarantee for how long Max will stay in F1, the motorsport is forever changing and you’ve always wanted Max to make these memories with your son. And if Karel continued showing interest in cars as he does now, there’s no doubt in your mind that you’ll be back at karting tracks soon enough, and replete the cycle that you went through with Max with your son.

Max looks at you and smiles, you couldn’t help but lean over and press your lips to his, in a sweet and short kiss.

”It’s good that I can kiss you whenever now.” You comment and wink at Max before you pull back.

“Lucky me.”

Maintaglist

@gnatthefly . @mochimommy2002 . @llando4norris . @mrswolffs-blog . @barcelonaloverf1life

[mymitochondriaforpresident]

“And the winner, for Best Performance With A Hot Dog (Drama) is….”

Via Most.