#i mean have you seen that man

[puppyeared]

littlest furth shop

@laikascomet

[mike-milkyway]

Gotta appreciate how Black Leg "I'm unlovable, you deserve better than being burdened with me" Sanji is one of those characters that gets shipped with everyone and their moms. Rightfully so, because everyone wants him, he's just very blind to how amazing he is.

[54625]

Okay I'm curious. Since the MCYT fan space has a tendency to unanimously agree on certain headcanons and make a lot of things widespread fanon, are there any popular headcanons, interpretations, or portrayals of characters that you really don't like? I genuinely wanna know. Any popular ships you dislike? Any creaturifications that you dislike? Or even just the way people talk about a character?

[seawitchkaraoke]

never gonna get tired of Aabria and Brennan playing dnd together, they know each other so well, they are so fun, they're clearly having so much fun ''does Evan have a grenade??'' ''idk will you let me? :)'', ''you know what I'm gonna ask'' ''yeah I throw myself in front of Sam, absolutely'', ''I'll give it to you, if you detach your shadow'' ''.....(pause, clearly aware that with Aabria as a dm, this will have Consequences) yeah I do it, I want to get all of them'', ''is my shadow back with us?'' ''no :)'' ''okay. (concerning)''

And that's just this episode, but there's so many little moments in all of their campaigns that really read as ''I will fuck you up <3'' ''I know and I am walking into it with open eyes <3'' from both of them, never hold any punches, because they know the other one doesn't want them to, just. Inflicting emotional damage on each other for funsies is a love language I guess?

It's beautiful

[introspectivememories]

im sorry but i choose to believe that tim drake is the most insufferable "my man, my man, my man" girl about bear. he does not shut up about him. steph is cooking smth in the kitchen? oh my man can do that. bear cooks really well. dick triaging some poor victim on an emergency site? oh my man is really good at that. mhmm, bear is on his way to becoming a paramedic. damian building something? oh my man is really good with power tools. have you ever seen him build ikea? it takes him less than an hour. for our anniversary, he built me a coffee table. mhmm isn't he amazing? yeah my man did that. yeah my man, mhmm that's my ma-

[the-mother-of-lions]

make me choose - @yarniac13 asked dr stone or owari no seraph

[arson-09]

Have been seeing some discussion again about tamlin being a good High Lord or not and I just have to remind everyone of one of the best little facts from acotar I never really seen mentioned.

Acotar, Chapter 25 Page 221

She [Alis] simply said, "Summer Solstice. The main celebration used to be at the Summer Court, but... Things are different. So now we have one here, too. You're going."

"so now we have one here too..." Because of amarantha and Tamlin being just a good person he allowed anyfae from any court to come to spring. And because no one could really go back to their courts for their respective solstice celebrations, Tamlin made sure Spring Celebrated all of them

I just think that's such a cool fucking thing. That Tamlin cared for the people coming to spring for safety, and he made changes to help everyone feel comfortable and at home. He cares about the people who live in Spring, he cares so damn much :(((

[shorthaltsjester]

sorry if it was unclear but the clarification on ashton's position in 110 that has made the ugliness of his current ideology clear was not the fact that he listened to what was said to him, it was his claim after that "The shard of titan in me, it's good. If things go the way I think they're going to go... I think nature is ready to right itself one way or another. [...] I think the world is ready for a bit more chaos. I think that we could be good for this place and I think we will more than survive the gods, if it comes to it ."

First, claiming that nature as titan has any moral standing at all is a bold move, because then ashton is ascribing the exact same power structure he thinks is inherently horrible with the gods to the titans. the titans are morally neutral if taken to be part of nature, the shard is just power, ashton's assumption that there is something about the titans that makes their responses and role in the world more right, natural, or most of all good is literally just. textbook essentialism.

but second. one of the first pieces of communication in that exchange was a correction of ashton's thinking (one similar to the correction the matron was trying to draw out as she kept bringing up the agency of mortals and their power). when ashton says "i'm a part of you." they're corrected and told that actually she's a part of ashton. in the literal sense this is obvious that the shard is inside ashton, but it also speaks to the pattern of bh looking everywhere but inward for an answer to what they should do, which is rather comedic given the degree to which ashton is willing to reinterpret anything said to them to get a specific answer but not actually uphold their own agency when it comes to 'nature righting itself.'

particularly i find revealing the "we will more than survive the gods" part. even taken as generously as possible and assuming ashton is just exercising his lack of judgement and does mean all mortals in his use of the "we" pronoun there, he has completely overlooked what was explicitly said about how, if the world is remade, only the strong are likely to survive. paired with the notion that the world needs a bit more chaos after spending weeks with several people whose lives have been irreparably damaged by the chaos that the other person in exandria who is appealing to a greater power to free him from the responsibility of dealing with his trauma at any cost... even my best faith still comes out of that looking at ashton (as someone who literally earlier in the same episode pushed back against his party members being optimistic because it wasn't realistic) as someone acting with naive optimism for blatantly selfish reasons. also just, general icky feelings about ashton referring to nature righting itself, the world getting more chaos, if things go the way he thinks they're going to go in vague, hand-wavy fashion when he should well know, punk icon that he is, all the violence those notions include.

[breakingstanding]

Me forcing myself to be grateful to be getting any queer rep at all when I know that getting one sapphic main character means we won’t get another

[starry-bi-sky]

okay a few more danyal al ghul au memes because i think they're funny to make. with bonus yaelokre danyal memes!

yaelokre! danyal 🤝 threes! danyal: being five years older than damian

yaelokre danyal comes from my oneshot right here. however, i would frankly recommend reading the version i put on ao3 because it's been edited and includes more content! shout out to my boy, he's got amnesia </3

Do i think that the LOA has technology in it? Absolutely I do. LED lights but in 3000k warm white instead of the jarring bright sterile white, if they've got glass windows they're those solar panel glass panes my college natural science building uses that detects sunlight position, which in term controls the lights, which in turn saves energy. Amber lights for outside, solar panels. Just. anything environmentally sound and friendly, they've got it, they use it.

Do i think they've got computers and tvs lying around for casual recreational use? ....that i'm not so sure about. For this au? I'm gonna say nooooottt really. That stuff is typically reserved for like, mission planning, debriefing, research, etc. Frankly danny probably does know how to use a computer, however i thought it was funny if he didn't. so the meme is staying in lmao.

If they're not training, they've probably like, got a greenhouse or two somewhere on base they can help with. The LoA's whole thing is balance, harmony, restoring the natural world with extreme environmentalism. All that jazz. Probably plenty of ponds, recreational areas outside, gardens, just, stuff to do that's not technology based. My most basic understanding is that these people are the world's deadliest hippies. They can't be training all the time, that's neither good for morale nor for their bodies, so when they're not training... they're off doing shit. If Ras has kept this thing running for thousands of years then it’s gotta be pretty lit enough that nobody’s revolted lmao.

[hylianane]

Out of the (unfortunately) many One Piece scenarios bouncing around in my head one of my favorites is Zoro getting hit with the memory loss beam, and only remembering up until like. immediately after Morgan’s defeat. He’s agreed to join up Luffy and is already feeling his heart swell with loyalty, but is still under the impression that he’s going to join up to a much larger crew, with several other members.

So he just blinks awake and at first there’s none of the confusion and yelling that comes with the memory loss trope, he’s okay, he’s banged up cause of Morgan, he’s on a boat because he just became a pirate, and oh hey Luffy’s right there. This must be his new crew.

Hey, um, is that skeleton playing the violin.

[drenched-in-sunlight]

Me a month ago: am I crazy for thinking ppl are giving GEQ too much grace and credit that they would not give Marika, despite GEQ is a barely established character and we never even know her past surface level? Am I overreacting for being so upset ppl will give GEQ all the good traits and relationships that is canonically Marika’s? Maybe I’m being too dramatic….

Me after one look over the internet: I am not being dramatic.

[tremendously-crazy]

Relationship envy except I envy the bond between iconic fictional characters Sherlock Holmes and Dr. Watson

[yardsards]

im like the lorax when it comes to women's body hair. we should let it grow.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤��

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[princessefemmelesbian]

Transandrophobia truthers are so damn racist and white oh my fucking god y'all actually piss me the fuck off every time you tokenize Black and brown men for your stupid as fuck "mra but make it trans-inclusive" ideology created by a creepy guy with a corrective rape fetish(something I'll never let up on for as long as I live, btw). If I ever see another one of y'all say "Black and brown men face discrimination because they're seen as overly masculine and that's why masculinity in men is oppressed in this society" I will literally kill myself. Stop using Black and brown men as brownie points for your bullshit arguments about misandry being real when you don't have the slightest idea how racialized oppression works. White boys are so annoying and dumb istfg.

@punkeropercyjackson @punknicodiangelo @pinkpinkstarlet