#i mean I guess it’s not technically spoilers since we didn’t actually learn much about them but just incase

[aestheticallynotdeerlightful]

“Ancient Hero’s Aspect”

We honestly didn’t learn much about the ancient hero from totk, and we only got the Armor Aspect, but I’m curious if we’ll learn more about them in a dlc or something

.

(Please do not use or repost my works anywhere without explicit permission from me thank you)

I’ve seen a lot of people think the armor is ugly- which is. Fair. But I think they’re cute and since there’s really not much fanart for them I thought I’d do it myself

Basically

[reiedits1]

The Last Of Us Part II

I played and finished The Last Of Us Part II last week and it has been on my mind ever since. I obviously understand that a lot of people have problems with this game, and that’s okay. I’m not here to change anyone’s views on the game or anything, I just want to kind of write down my opinions and takeaways as, again, it’s been on my mind since finishing it lol. Nobody may see this and this will mean nothing, that’s fine. 

Anyway, this post will contain SPOILERS

My Overall Thoughts

I’m not entirely sure how to structure this so I guess I’ll just start with a broad statement lol; I loved The Last Of Us Part II. In my opinion, it’s a beautiful and well-crafted story about loss, grief and consequences, with how each of these things affect different people. 

Discussion 

From what I’ve seen, I see a lot of people hating on this game for its handling of Joel and the decision to have the player play as Joel’s murderer, Abby. I’ve also seen a lot of people say that the message is as simple and plain as “viOleNcE iS bAd”, but I personally think it’s so much more than that.

The Last Of Us Part II doesn’t just tell you that violence is bad, but it shows you the ramifications of it by dealing with the emotional toll as well as the consequences on not just the main person involved, but their loved ones too.

As we all know, at the start of the game, Joel is brutally killed by Abby and we go with Ellie on a mission to avenge him by killing everybody involved. We see it all from Ellie’s point of view, hardheartedly seeing Abby as the villain as she just killed the character that we know and love as we have an emotional connection to him after the first game. His death is supposed to make you feel angered. It’s not like you’re supposed to be joyed by it. His death scene left me feeling empty and sick, wanting revenge alongside Ellie. 

However, as the game goes on, we start to see the story from Abby’s point of view. We learn that the doctor that you, the player, had to murder at the end of The Last of Us is actually the father of Abby. This is brilliant. Now we see one of the main themes of the story, consequences, and I was immediately on board. Joel is not a good person, at all. He murdered hundreds of Fireflies and took away the possible cure for humanity for his own personal reasons. This is incredibly selfish, even going to the lengths of lying to Ellie about the events as he knows that it isn’t what she would want. Technically, Joel is the villain.

Joel had been through so much, so you may think it’s justified. But the point is, Joel isn’t the only person in the world of The Last of Us. Everybody he murders aren’t just mindless NPCs, they are people. People with their own problems who have gone through their own share of pain and loss, people with their own loved ones. Such as the doctor, who had Abby, whom he loved very much and Abby the same. So, understandably, she would feel incredibly angry and feel the need for revenge, just the same as Ellie and the player after Joel’s death.

There is now a cycle of revenge. Ellie goes on to kill Abby’s friends, and so Abby tries to kill Ellie and her friends. It’s not until Lev talks Abby out of it that the cycle seems to have been “broken”. Abby and Lev put it behind them, however, Ellie cannot and nor can Tommy, which means that the cycle is not broken. Ellie continues her hunt for revenge, thinking it’s still what she needs. Just as she’s about to murder Abby, she sees it’s completely useless.

Here I’m going to talk about another core theme of the story: loss. As Ellie is about to kill Abby, she realises that Joel is gone. Completely gone, and killing Abby is not going to change that. She now has Lev, and if Ellie was to kill Abby, Lev would only lose Abby, leaving him in the same situation Ellie was in at the start of the game, which in turn means Ellie is becoming what she set out to kill. It’s no use. Revenge only causes more pain and loss. This cycle is so vicious and nobody wins, and Abby realised this once she found Lev, and found that revenge is a futile thing that does not achieve anything, especially not bringing back her dead friends. She managed to break the cycle herself, and in turn, she found a life worth living, a live with Lev. However, Ellie could not manage this, choosing to still seek revenge.

Because of this, she faces the consequences. She loses all of her loved ones. She loses Dina, she loses Jesse and she loses her baby son, JJ. Tommy is the same too. Tommy couldn’t break the cycle, and he loses his wife, Maria. And guess what, Joel is still gone. All of that loss, yet Joel is still dead. It’s all been for nothing. Ellie is now completely alone, which is what she said she was scared of in the first game, all because of revenge. The way forward is not anger, rage or revenge, but acceptance and love. That’s my takeaway.

You may think this treatment of Joel and Ellie is “disrespectful”, but I disagree. In the first game, you do a lot of bad things as these characters. Yeah, you go through a lot of pain, but so has everybody else, yet they still face the unfavorable consequences. It only makes sense that Joel and Ellie would too. In my opinion, this only helps to build the world of The Last of Us and show that just because Joel and Ellie are the main characters, they aren’t invincible, and the world doesn’t revolve around them. They just happen to be two people who live in the world amongst so many others, which for me, makes it so much more realistic. This is emphasised in the incredible detail in the gameplay of each enemy having names, with other enemies interacting with eachother as you stalk them. It makes them feel so much more real and only increased my enjoyability.

From a story like this, which is so dark and gritty, I don’t expect a happy ending. You’re not supposed to like Ellie by the end of this story, as she serves as the example of why the cycle of revenge is horrible. You’re not supposed to feel satisfied by it, you’re supposed to feel empty, hurt and sad. That is literally the point. 

You have to realise that The Last Of Us is a piece of artistic storytelling told and made by artists. It would have been so easy for Neil Druckmann to write a boring and two-dimensional story to appease players and make bank. But he didn’t. He chose to craft an intricate, heavy and creative direction for his material, and I hugely respect that. At the end of the day, he doesn’t owe you anything. This is his story, and these are his characters, he can do what he wants with them. If you don’t like his creative vision, then great! You don’t have to. If you don’t like something, just don’t play/watch/read it. If you loved the first game but hated the second, then just pretend it doesn’t exist and come up with your own fanfiction for these characters, it probably wouldn’t have been as good as this.

A lot of people blame “bad writing” when they don’t like something. There’s a difference between feeling bad about something than it being bad writing, you know. Just because it wasn’t what you wanted, doesn’t mean the writing is bad. By you feeling angry about Joel dying, Neil Druckmann’s writing has accomplished its objective. And I’m not trying to say that everybody who doesn’t like this game didn’t like it because their fanfiction didn’t come true. You cannot like this game solely because you don’t like the direction it took, and that’s fine. Because again, this story is a piece of artistic storytelling, and art is subjective.

This entire post is just my opinion. I personally loved this story and these characters, and it was exactly what I wanted to get out of this game. Everything about the game I just adored. I loved the plot, the writing, the characters, the gameplay, the music, the visuals, the performances - everything. And if you didn’t, then great. That’s your opinion. It just hurts me to see so many people dismissing the incredible things achieved in this game solely because of one plot point. I don’t know. As I said, I’m not trying to change your opinion or anything, I just thought I’d share mine.

I only scratched the surface of my thoughts and opinions on this game. I could talk about it for hours, which only goes to show the extent of its achievements and how incredible it really is. I doubt anybody is reading this and that’s fine, apologies if none of what I said made any sense at all lol, I’m awful at articulating my opinions aha.   

[skellebonez]

Could you do number 46. They have amnesia? With Monkie King and MK If you’re still doing the request/prompts

You didn't say who had to have amnesia, anon. Spoilers for episodes up to S2E6 inside.

They have amnesia?

"How is this even possible?" MK asked softly, not wanting to be heard but knowing that Wukong’s superior hearing would pick up most of what he was saying. Though given how distracted he was...

"It shouldn't be!" Tang exclaimed equally as quiet, watching his hero with a mix of curiosity and dismay. "He's the Monkey King, nothing should be able to hurt him like this."

"Maybe he wasn't hurt," Mei offered, watching Wukong herself as Pigsy held up another photograph and only recieved a confused look in response. "Maybe it's magic. He can be affected by magic that isn't directly hurting him, right? Even if it takes something big to hurt him physically a spell or curse could still something."

"That is a possibility..." Tang muttered under his breathe. He ran his hand through his hair, sighing as Pigsy seemed to exhaust photographs and illustrations to show the Monkey King. Sandy stood beside them both, Mo curled up in Wukong’s arms instead of his usual place on the big guy's shoulder, and said something in hushed tones that made the Monkey King's ears pull back. "There are no shortages of either that could cause memory loss, hopefully for us temporarily so. And he didn't seem injured in any way when we found him outside the shop... though he shouldn't even be here, he was on vacation! Wouldn't he have told you he was coming back?"

"Maybe..." MK started slowly, watching as Pigsy held up a group of photos and Wukong pointed to one of them excitedly. "But he's been acting... weird since he left anyway. Like he was distracted. I kinda just tried not to worry about it but..." He trailed off, jumping as a loud snap was heard and then wishing he had the staff out in his hands to wrap them around it instead of the mop he just snapped in two. "... crap..."

"You're worried," Mei said softly, laying her hand on her best friend's shoulder. "I am too, even though I may not know the Monkey King that well. But once we find out exactly how much he remembers we can find a way to help him."

"Yeah, about that," Pigsy's voice broke through their conversation as he made his way over. The chef looked perturbed. "So we went through all your pictures MK. He remembers going on the journey, though the details of it are lost, and he knows Mount Huaguo like the back of his hand. But he doesn't remember like 99% of the journey, can't remember any of his monkeys, can't remember us, can't even remember that he's the Monkey King or what that title means." He sighed, pinching the bridge of his snout for a second before continuing. "What he does remember clearly is that he lives alone on an island and that it's the modern day, he went on some big journey he barely recalls... and that he knows MK and that MK is important."

"What?" MK looked away from where he had glanced over to Wukong, staring at Pigsy in disbelief. "Wait, you're telling me I'm the only person he remembers!?"

"Barely!" Pigsy elaborated with another sigh. "Kid, whatever happened to him really messed up his memories. He knows your name and face and that you're important. He kind of remembers training you. But that is it. He doesn't recognize anyone else. And I don't know him that good, but he doesn't seem to be acting like his normal self either."

This was bad. There was no other way to put it. And they needed to figure something out fast.

"MK?" Wukong said suddenly, having wandered up to the group. He still had Mo in his arms, the cat looking up at him in concern. "Is everything alright, Bud?"

It most certainly was not.

~

"This is my house?" Wukong asked softly, one of the first things he had said since MK and he had arrived back on Mount Huaguo. Getting him home was easy enough, one of the few things he remembered was where he lived after all, but he seemed confused regardless. Perhaps he didn't remember the mountain as much as Pigsy thought he did. "It's... cozy!" He laughed, rubbing the back of his neck. "When your boss told me I was a king I kind of worried that... well, I don't know why, I was just worried for some reason. Weird."

Weird didn't even begin to cover it.

Pigsy wasn't lying when he said that Wukong hadn't been acting like his normal self. Instead of the loud and boisterous and kind of, admittedly, self important Monkey King MK expected, Wukong was oddly subdued. Maybe it was the amnesia making him weary, but he was acting so much like he had for just the shortest moments at the Lunar New Year festival (both before the fireworks had cheered him up and after the fight with the Spider Queen) that MK was starting to wonder...

"I really do live alone except for my monkeys, huh?" Wukong said softly, one of the aforementioned monkeys looking at him in their own concern.

When he saw them face to face he seemed to recall at least a bit. That he cared for them in some capacity both as an actual caregiver and as "I guess a King is right" as Wukong put it. But while he knew each one on the island by name before he couldn't recall a single one now. But MK remembered that the little one that followed them inside was called Yue, partly because he had been the one to help name her.

Knowing that Wukong likely didn't remember that day, let alone how important it had been to him to include his student in this endeavor, made MK's chest hurt.

"Yeah, it's, uh... yeah," MK attempted to confirm, coming off as awkward as he felt internally. Everything about this was awkward. But MK could not, and would not, leave his mentor while he could only barely recall how to navigate his own home island. "So... we didn't exactly get that much to eat at Pigsy's... you hungry?"

~

The two ate in moderate silence. MK didn't want to force Wukong to feel awkward by asking him about topics he couldn't remember (the last few confused and then apologetic smiles made him feel too bad to try again). He managed to find something, at least, however small it was.

Wukong seemed to remember little bits and pieces about himself. Not everything, obviously, but he remembered some important things. He knew he was immortal and invincible. He knew that he was very very old. He knew he was technically not a regular demon monkey but a stone monkey born out of a... well, a stone. And he remembered his dietary preferences.

This last one was news to MK, who had never actually seen him eat more than peaches and peach chips and food made from his own hair (which was not something he was looking forward to trying again). But it made fashioning something for them to eat easier. Something simple, rice for both of them with fresh peaches (he had so many of these things in his fridge and MK did not know how they lasted without spoiling, but he did not ask) for his mentor and rice with some tofu and green onions for MK (simple, but with seasoning and sauce that for some reason had his own initials on it tasty, he had to remember to ask about that... after).

It was... kind of nice, the situation aside.

"... am I your... absentee dad?"

And there that went right out the window and right into the volcanic inferno of the flaming mountains!

MK nearly choked on his rice, barely managing to chug a glass of water before managing out a "HWUH?" in his mentor's direction.

"I-I'm sorry!" Wukong stuttered out, the uncertainty in his voice sounding wrong. "I just... I thought... there's stuff in here with your name on it but there isn't a place for you to stay, the second room is just storage, so I thought..." He trailed off, biting his lip before sighing. "You told me you were my student. But that... it's doesn't feel right. It doesn't feel wrong but it feels... sorry."

Taking a moment to breathe in deeply, MK steeled himself.

"No, don't apologize," he started, setting his bowl to the side and staying quiet for a moment. "No, you're not... my dad. But I noticed those things too. I've never really been inside your house all that much, only a couple times before you left and only twice since. You don't..." He paused, trying to find the right words to express himself. "I guess I'm just realizing there's a lot of things you don't tell me."

"... it'd be kind of awkward if I just ruined some kind of big thing I was gonna tell you when I got back," Wukong said through another bite of a peach.

"Yeah, I doubt you were gonna tell me you'e adopting me," MK laughed out awkwardly... but that awkwardness lingered long after the conversation moved on to how much of the stuff in the house he remembered.

~

MK woke up in a sleeping bag in a room that didn't belong to him. He was confused at first, sitting up quickly and looking around before realizing that he was just in Wukong's house. On the floor of Wukong's bedroom, actually. The Monkey King had insisted that he could not sleep on the couch, comfortable as it looked, and they looked around in his storage room for any alternative until they found this.

It was comfortable enough. But not so comfortable he slept through what had woken him.

It sounded like crying.

Not loud, not enough to wake most people. But MK was already highly stressed from the situation and had developed much better hearing since obtaining the Monkey King Powers (how he had thought he needed to learn super hearing that one time he did not know now that he thought about it). So he picked up on the soft sniffs and whimpers and shakey breathes and now he would not be going back to sleep until he figured out what was up.

"Monkey King? You sure there isn-" MK froze as he turned to his mentor's bed, only to find it empty.

Well. Shit...

That probably answered that question.

MK wasted no time in jumping to his feet rushing out of the room and toward the crying before freezing in the door way to he living room.

Monkey King was sitting on the floor, TV on and VR set still strapped to his head.

"Oh... no..." MK muttered softly, making his way inside to stand behind Wukong. "Hey... Monkey King? What are you doing?"

Wukong flinched, he'd never seen him do that before, and gripped his controller tighter. He heard it creak worryingly under his grip.

"I... I saw this game earlier," he started slowly, and MK didn't need him to explain which one it was. The case, familiar to him now, was sitting in plain sight on the floor before them. "I dunno, it just... it felt important. And I couldn't sleep so I decided to go through some more of my stuff and... and..." He took in a shakey breathe, putting the controller down and taking the VR headset off. "I... it was weird looking at myself. Listening to myself tell me what do to. But it felt familar. So I kept playing and..."

MK put a hand on his mentor's shoulder and looked at the screen. He'd made it to the in game store, the temple. There Tripitaka, Tang Sanzang, resided to give the player passive abilities. "How long have you been playing?"

"An hour maybe?" Wukong offered, wiping the tears from his face. "I made it to Zhu Ganglie but I. I couldn't. I didn't want to... MK, I feel like I should remember these people. I can't look at them without feeling... sad. Guilty? I can't help but feel like I did something wrong to them?"

And MK's chest hurt once again, knowing that somewhere deep down in Wukong he hadn't completely forgotten his companions from his journey centuries ago. He should have pieced it together when he played. The art, the dialogue, the placement of the monk... he'd never seen the game on store shelves before either, never even heard of it.

But Sun Wukong had played this game for 10,000 hours.

"They're, uh... They're the people who were on your journey with you," MK started as he sat on the floor by his mentor. "You haven't gotten to Sha Wujing, but he's there too. So was Bai Long Ma. I could... tell you about them? I don't know all the stories by heart like Tang does, but I can try."

"You don't have to do that," Wukong said much more assuredly and firm than before. "If I did something that made me feel like this that should be my own burden to bear, not yours."

"Yeah... but I want to help you anyway."

The two sat in silence for a moment before Wukong stood and made his way into the kitchen. He returned a moment later with a small bowl of peaches and a wrapped pack of pears (once again with MK's initials on it). He sat on the couch, gesturing for his student to join him before he spoke.

"I appreciate the offer, I do... but I'll be able to learn that on my own before my memories return," Wukong said, biting into one of his peaches with a sad smile. "You said Tang, the guy from the noodle shop, knows them. I can ask him tomorrow... well, later today. But as I said before, that isn't your burden to bear. And I don't want to put that on you. And even though I remember you the most out of everything it feels like I don't know you as much as I should. So, if neither of us is going to sleep again any time soon... tell me about MK?"

"... When I moved into the apartment above Pigsy’s I took on MK as a nickname."

Wukong looked up in confusion for a moment before his eyes widened and he put all his focus on his student with a soft smile. "OK..."

The two talked for only roughly another hour, Sun Wukong listening to MK tell him anything he felt comfortable telling him. When he woke up he was back in the sleeping bag, the soft snores of the Monkey King resounding above him.

As he laid awake, the small monkey Yue having made her way inside to sleep on his chest making a good excuse to not get up, he wanted to mull over everything he had learned. He'd learned more about his mentor in the 6 waking hours they spent together in his home than he had his entire apprenticeship, and the same went the other way.

MK wondered just why Sun Wukong hid all this from him so far. For so long. And he knew now he couldn't have possibly been on vacation. Not when it resulted in this. The Monkey King had been hiding so much from him and it clearly wasn't limited to what he was doing behind his back.

But right now Sun Wukong trusted MK, him coming back with him to Mount Huaguo was evidence enough of that. And MK trusted him as he was now... but didn't know how much of Sun Wukong from the past to trust anymore. He needed to get his mentor's memories back. And he needed to get answers.

Sun Wukong slept on, oblivious to the conflict in his student's head.

[yandere-daydreams]

Title: A Hoarding Problem.

Pairing: Pro-Hero!Yandere!Touya/Reader (Boku No Hero Academia).

Word Count: 2.5k

Synopsis: Todoroki Touya has a problem, and he’s not sure he wants to fix it.

TW: Hero AU, Minor Spoilers, Kidnapping, Mutual Extortion, Emotional Manipulation, Slight Gaslighting, Bondage, Implied Infantilization, Mention of Sedatives (No Actual Use), and Themes of Poverty. 

Todoroki Touya had a problem.

He had a lot of problems, technically. His secretary always managed to schedule the most important meetings at the least convenient times, his coffee never seemed hot enough but always burnt his tongue, and despite his fame and wealth and strange, cult-like popularity, the only thing journalists ever seemed to want to talk about was his father, why Touya didn’t inherit the ��Endeavour’ title, how long it’d take him to live up to all those stacking, swelling expectations. He had a lot of problems, dozens, hundreds. He had a lot. Everyone did, but Touya didn’t have to deal with everyone else’s.

He just had to deal with you.

You were one of those concentrated types, your smile always a little too personal and your stare always a little too intense, like you were trying to see how much his organs would go for on the black-market before you bothered to cut him open. You were put together, too, and if he hadn’t taken the liberty of following you home so many times, he never would’ve guessed you were staying at some cheap, back-alley motel, the kind meant for people who just wanted to be anywhere but the place they used to be. A run-away, he’d guessed, at first, but you were too old for that, and you were too good at pretending you weren’t living out of the suitcase Touya was starting to get tired of rummaging through. Maybe you were a petty criminal, a villain too minor to be on his radar - he didn’t know, and he really wasn’t interested in finding out. All that mattered to him was that he’d met you, decided he liked you, and hadn’t been able to think about much else since. It was an issue, really, and it was starting to get in the way of his work. It was starting to get in the way of everything.

But, he’d had this kind of problem before. He knew what to do. He knew how to handle it.

You seemed to want to be handled, too.

You were laughing, again, but he wasn’t really sure why. It might’ve been something he said, your own little joke, but he didn’t mind the sound, all bells and wind chimes and a practiced ease that threatened to divert his focus, as he tried to keep his eyes on the road. You were slumped in the passenger seat, and if he checked, he was sure you’d be looking out the window, counting turns, memorizing street names, doing what little you could to track the convoluted, darkened route he’d been sure to plan out days ago. You’d come willingly, but you wanted to make sure you’d be able to find your way back without his help. For his own sake, Touya pretended you were just being cautious. 

“I didn’t expect a Hero to live so far from the city.” Your voice was just as light, just a notch more confident than it had been at the convenience store you both frequented, the one you’d been working at when he stumbled in, closer to sunrise than sunset and ready to fall in love with the first person who smiled at him. The job hadn’t lasted, but Touya couldn’t think of a reason to mourn the loss. You wouldn’t have been desperate enough to take him up on his offer, if you still had a steady income. “Didn’t mark you down as one of those ‘cabin in the woods’ types, either. I’m not going to find, like, a box of dismembered body parts or anything, right?” 

“Obviously,” He scoffed, his tone just playful enough to be disarming. “I try to keep my victims in one piece. Hackjobs aren’t as satisfying as you’d think.”

That earned a jab to his side, an offended ‘my hackjob would be’, but you lost interest in the exchange as soon as he reached the driveway, coming to a stop in front of that sprawling, climbing villa, three stories of concrete and glass, a stark contrast from the forest that surrounded it. You took a moment to take it in, scanning over the building, a predator evaluating its docile prey. When you turned towards Touya, your smile was just a little wider, your expression just a little brighter. “I really can’t thank you enough,” You went on, your tone so sentimental, Touya could almost ignore the hollowness behind it. “You sure you’re alright with this? My last place fell through, but I’m sure I’ll be able to find somewhere else to--”

“Don’t worry about that. All this is curtesy of the Hero Commission, and they don’t keep track of who comes ang goes.” Touya didn’t wait for you to finish, he didn’t have to, even if he did let himself enjoy your faux-gratitude as he undid his seatbelt. “Besides, it’s my job, right? I wouldn't want to find out you went and got yourself hurt because I couldn’t be bothered to clean out my guest room.” There was a slight pause, a short hesitation. You flinched when he raised his hand, but you didn’t pull away as he cupped your cheek, only learning into his warm palm. “Besides, I can’t say I’d mind a little company, all alone out here.”

In his defense, he wasn’t going to kiss you. Really, he wasn’t that mean, but he didn’t have a chance to refuse, not before your lips were on his, your hands in his hair, all sudden passion and over-eager excitement. He was stunned, at first, but Touya recovered quickly. Biting back a smirk, he leaned into the gesture, slinging an arm around your hip, tilting your head back and doing whatever he could to bring you close, to keep you close, just like he’d been dying to for months, now. He could feel you stifle a laugh, moving to pull away, but Touya only drifted to your neck, nipping at the edge of your jaw before he found your jugular, aiming for the sensitive area just above it. You only chuckled, blunt nails running over his scalp. “And I thought I was the needy one,” You chided, half-hearted pushing at his chest. “It’s cold out here, Todoroki. At least take me inside first.” 

Right. Of course. He got carried away.

He almost forgot why you were actually here.

He didn’t let you go. He didn’t want to, so he didn’t bother trying, pulling you over the center console in one swift motion, leaving you in his lap, his face buried in the crook of your shoulder and an arm under your thighs, supporting your weight as he jerkily kicked open the door, letting you duck your head and giggle, always giggling, always trying to pretend to be meek and harmless and innocent. He wondered if you’d stop, eventually, if you’d drop the act once he decided both of you should show your true colors. He’d be lying if he said he hated the idea of choking it out of you. 

The front door wasn’t locked. He didn’t bother, not with his profession, not when he knew he’d be coming home with you, tonight. If you noticed, you didn’t seem to mind, focusing on locking your ankles behind his back, on swallowing down that small, pained groan as he slammed your back into the nearest wall of his darkened villa just a little too hard, pretending not to notice as your smile wavered in the minimal light. “I don’t think this counts as protecting the--” 

You were cut off by a loud thud, metallic and hollow, like someone hitting drywall with a baseball bat. You paused, for a second, your gaze flickering to the space behind him, but he was quick to kiss your cheek, to bring your attention back to where it should be, on him. “‘s just my roommate,” He mumbled, hoping you’d be too used to the excuse to linger on it. “Don’t pay it too much mind. He’s probably just fucking around.” 

This time, your smile dropped completely. “The Hero Commission... lets you have a roommate?” 

He caught his mistake a second too late. He opened his mouth, ready to explain, but another noise interrupted him, a rattling this time, followed by another deafening, irritating thud. He grit his teeth, but you only stiffened, your next shove to his chest a little more insistent than the last. “He might be hurt,” You started, the concern in your voice more genuine than it’d been all night. “We should check on him, that sounds--” 

“It’ll be fine.” He spoke a little too quickly, a little too aggressively. Instantly, your eyes widened, your entire body going tense against his, and Touya had to fight not to lose his composure completely. It was too soon. It was too early. He wanted to be sweet. He didn’t want to be mean, not with you. “Just ignore it, sweetheart, it’s not important. You’re here for me, right? The brat shouldn’t--” 

It was a slip-up. A petname so common, he hardly noticed he’d said it until you were scrambling, writhing, digging your nails into his biceps deep enough to break the skin, forcing him to let you go out reflex alone. You barely managed to catch yourself, but you stayed on your feet, shoving past Touya while he was still hissing out curses, clutching at bleeding wounds and broken scars. There was another thud, and you moved to sprint in the direction it’d come from, but he was a Hero, he was trained for this. You were on the ground before you could take a step, Touya straddling your stomach, his hands around your neck. He didn’t squeeze, though, he didn’t want to strangle you. He was going to be patient. This was going to be different. “Just behave,” He growled, fighting to hold onto the last threads of his restraint. “It’s not important. I’m important, and that’s all you have to care about. That’s all you’re ever going to care about, from now on.”

You didn’t hesitate. As soon as he finished, you were jerking forward, your forehead colliding with his and forcing a ragged scream from both of you. He’d give you credit for that. Villains and Heroes fought with quirks, specialized weapons, tactics and strategies and purpose. This was blunt. This was thoughtless. It was impulsive, and it was stupid, and it worked, letting you push him away as he recoiled, suddenly too focused on his pounding skull to care about what you might find. It wouldn’t matter, anyway. None of your little tantrums would.

He’d find you, eventually. After that, the results would be the same.

That might’ve been why Touya took his time, pushing himself to his feet slowly, following the sound of your footsteps before they abruptly stopped. He tried not to be bothered by it, even if there was a familiar pang of anxiety when he saw you, your mouth agape and your body slack, leaning against a door that should not be open. He might’ve walked a little faster, out of habit, but if you noticed him, you were too distracted to care. He couldn’t blame you. Not when he knew what you were looking at. 

He got a little carried away, with the girls’ room. Pale pink paint coated on every surface, fairy-lights strung along the ceiling, and a white, circular rug, fluffy and stainless and just small enough to stop before it reached the three cots, settled along each of the walls, each with its own frilly sheets and plush mattress and bare, metallic frame, something Touya might’ve considered swapping out if their opponents were a little more grateful. Two were empty, the first a spare if he needed room for a future ‘guest’ and the second a reminder to check on the bitch in his basement, and the third was on its side. That was what you were focusing on, what he couldn’t seem to pull you away from as he slotted himself against your back, wrapping an arm loosely around your waist. 

That, and the girl sitting in front of it, a ball-gag stuffed in her mouth and a collar around her neck, thick and leathery and attached to a chain, keeping her tethered to the nearest wall. There were a few noticeable dents in the plaster around her bracket, but Touya had better things to worry about. 

There was a garbled scream, something that might’ve been a warning, but Touya silenced her off with a glare sharp enough cut glass. “Shut it,” He barked, all pretense of patience gone. “Shut up, or you’re going to spend the next week in a muzzle. I’ll deal with you later.”

“You kidnapped her.” At least you waited your turn, even if the delay did little too soften the disgust in your voice. “You’re a monster. You’re supposed to be--” 

“A hero?” You tried to shove him away, to pry him off of you, but he only tightened his grip. “And you’re supposed to be an innocent civilian, aren’t you? Something soft and appreciative I can feel good about helping, fuck, and forget about the next day, right?” 

“Don’t try to--” 

“Where do you keep the bottle, sweetheart?” Now, it was your turn to go tense, to know he saw something he shouldn’t have seen. “Don’t lie to me. It won’t be pretty, if we start off this relationship on a bad foot.” 

You hesitated, for a moment. He saw your swallow, watched your eyes dart towards anything that could’ve been considered a weapon, but his fingers slipped under your shirt and you bowed your head, giving in at the slightest threat of something worse. He liked that about you. Such a simple thing, too afraid of pain to take the risk. “My jacket. There are pockets on the inside - it’s on the right.” 

He’d give you credit. It looked realistic, if nothing else, a translucent orange bottle with a white lid, the label scratched off in a way that could’ve been mistaken for nervous fidgeting, if Touya didn’t know better. With one hand, he popped off the lid, barely glancing at the unmarked pills inside before letting out a pleased hum. 

Sedatives. Not lethal, but effective. The type you could get from any low-ranking Villain with a surplus supply and a greater need for clients than most. 

The type that could be slipped into wine glasses, mixed into water. The type that’d keep your trusting, unsuspecting host nice and unconscious while you helped yourself to anything that wasn’t nailed down. While you robbed him blind, stowed yourself away in another cheap motel room two towns over, and scouted for the next poor guy who’d be too embarrassed to say anything.

Touya couldn’t help himself. He laughed, loudly and shamelessly, watching as you withered, glaring at the tiled floor. He couldn’t tell if it was fear of loathing, half-suspended terror or that deep, ingrained hatred any good predator should feel when it’s caught in a trap, but your voice couldn’t have made it more clear. “What’s your plan?” You spat, all humiliation, all spirited, adorable anger. His grin widened, the lasting tension in his shoulders dissolving, but if you noticed how much he enjoyed your little show, you didn’t bother trying to keep your mouth shut. “Arrest me? Hand me over to the police and let me tell them all about your creepy, fucked-up dollhouse?” You never looked up. You never so much as tried to meet his eyes, let alone glance at the ‘victim’ you’d been so intent on saving a few minutes ago. “Let me go. You don’t have another choice, unless you’re willing to get your hands dirty.” 

“Oh, don’t worry about that, I’m not gonna kill you.” It wasn’t a lie, but you didn’t seem to believe him, going rigid as his lips brushed against the nape of your neck. It was a fleeting gesture, but he didn’t let himself linger. He’d have plenty of time for that once he got you used to your new role, under his care. Once you got used to him. “I’m not gonna hand you over, either. That’d just be a waste.”

He might’ve been a little mean, after all. If he wasn’t, he wouldn’t have given you so much time to answer, so much time to tremble. At least you didn’t try to get away, this time. You were already learning. “I… I don’t--” 

“I’m going to take care of you, angel. Just like I’m taking care of her.”

There was a moment of stillness, a small, ragged sob, but Touya couldn’t bring himself to feel guilty. He couldn’t bring himself to feel anything but satisfied. 

Because Todoroki Touya had a problem. Because he was awful and hungry and greedy, and he had a problem.

And he wasn’t sure he wanted to fix it.

[staticscreenwriting]

LOVE LIKE THE MOVIES // BUCKY BARNES

TWO - Grease 1 & 2

Masterlist 

Summary: This is a story of boy meets girl. The boy, Bucky Barnes, finds himself thrown into a world that seems so different from everything he’s ever known. The girl, (Y/N) knows entirely too much about rom-coms and is quite particular about the way she eats her popcorn. Bucky meets (Y/N) a few months after returning to NYC. He knows almost immediately that becoming her friend is inevitable. This is a story of boy meets girl. This is a story about love. (Bucky Barnes x female!Reader // a few spoilers for TFATWS)

[additional note: I am German. Sometimes I get the tense wrong or make mistakes. I am useless when it comes to punctuation. Go easy on me, please.]

“  I made a friend. “

Dr. Raynor doesn’t look up from her notebook but the slightly surprised raise of her eyebrow doesn’t get lost on Bucky.

“ Thought you might want to know. “

She stops writing for a second and glances up at him, her eyes holding a certain sense of hesitation and reluctance. He can almost see the gears in her head turning. She’s trying to get one step ahead of him, figure out what smartass comment he’ll throw at her. Only this time there isn’t one. This time it’s all genuine. It’s all true.

“ I do. That’s — good. Where’s the catch? “

“ There’s no catch. I made a new friend, just like that. And it’s not some making amends thing either. “

She closes her notebook, places it on the table to her right, and then folds her hands in her lap the way she does sometimes when Bucky knows he’s said something important. He has her entire and undivided attention.

“ That’s good, James. Tell me more about this friend. “

“ Her name is (Y/N). She’s a waitress and she’s really into movies. “

“ Oh. “

“ Oh? “

“ It’s a woman. “

“ Yeah it’s a woman, is that a problem? “ Bucky asks. Now it’s time for him to raise an eyebrow in question.

“ No. It’s not. I just didn’t expect it. “

“ Are you saying men and women can’t be friends? That’s awfully antiquated thinking, Doc. Have you ever seen when Harry met Sally? “

“ I have. Have you?”

Bucky scoffs as if the question is an insult to his intelligence.

“ Sure. It’s a classic. “

He hits her with a sarcastic grin, the one he knows she hates. The one she knows is fake and fabricated but that allows him to be unreadable to her for just a second.

“ Well then. I’m glad you’re making friends. It’s a big step, James. But I don’t want you to get attached to someone because you think that’s gonna make you get out of this arrangement any sooner, “ she says and motions her finger around the room in a twirling motion. “ It’s a more permanent situation. I hope you are aware of that.”

Eyes averted to the floor, Bucky nods his head in understanding.

“ I know. That’s not the reason. I — she knows me. Knows about me before all of the bad stuff. In her eyes, I am the man I used to be before Hydra. It’s nice to go back to that even if it’s not the truth. (Y/N) gives me a chance to figure out who I am right now without being reminded of all the bad things I did. “

When he looks back up Dr. Reynor regards him with a look he’s never seen before. Softer. She even smiles a little bit and he hardly ever sees her smile. Granted, he doesn't make these sessions easy for her so what does he expect really? Her smiling at him feels like he’s doing something right.

“ She sounds lovely. “

“ She talks so much and she sends me weird videos I don’t understand. Like, yesterday she sent me one of a kid saying he’s 19 and he can’t read and — I have no idea what it meant. And she makes fun of me for having a flip phone. But it’s not mean-spirited or anything. She doesn’t make me feel left out. Doesn’t make me feel stupid. “

“ Anything else you know about her? “

“ Her coffee tastes horrible. “

Dr. Reynor lets out an airy chuckle. “ James, I like the fact that you’re making friends. We all need friends, especially during times when we feel like we’re lost or have no direction in life. And it sounds like this friendship is good for you. “

“ But? “

“ Why do you think there’s a but ? “

“ There always is. “

She regards him for a second then nods slightly. “ You’re right. But it’s not a bad one. Listen, it seems like this woman knows a lot about who you used to be. How about you learn a little more about her? Even the playing field. A friendship is based on mutual understanding and trust. That’s my homework for you. Get to know her better. “

“ Your homework is for me to spend time with a friend? “

“ Yes. Now that doesn’t sound so bad, does it? “

Bucky shakes his head in reply.

No, that really doesn’t sound all that bad.

The bell above the door chimes as Bucky steps inside the diner. It’s quite a bit more crowded than the last time he’s been here.

“ Grumpy!”

His head snaps towards the counter at the enthusiastic exclamation of his new nickname.

  (Y/N) stands behind the counter clad in the diner’s signature baby blue polo shirt, a pencil tugged behind her ears, and a frilly apron wrapped around her waist.

Her lips pull into a smile as he approaches and plops down onto one of the barstools.

“ You have impeccable timing, Grumpy.”

“ I guess that’s gonna stick? “

(Y/N) only nods her head in agreement, eyes full of mischief and determination. There’s no sense in arguing about this topic. That’s one nickname set in stone now. And really, it’s not like it doesn’t fit him.

“ I have something for you. “

“ You do? “

“ Well it’s not technically for you specifically but I need someone to try it so — “

Before he can even react she rushes back into the kitchen, her sneakers creating squeaking sounds on the shiny linoleum floor.

“ Do you want some coffee? “ the other waitress approaches, holding out the pot filled with the dark brew. It smells warm and delicious and Bucky wants to say yes until he remembers the last time he’s had coffee here and how bitter and burned it had been. And how he drank it anyway because he couldn’t bear to let (Y/N) know that her coffee was horrible.

“ Don’t worry, “ the waitress speaks up again, obviously picking up on Bucky’s complicated feelings towards the diner’s coffee “ I made it. Won’t let her near the pot when I’m around.”

“ In that case, please. “

Just as the mug fills with coffee, (Y/N) comes back tumbling around the corner and out of the kitchen. She leans against the counter, next to the red-haired waitress, and plops a Tupperware container in front of Bucky.

“ Try these and tell me what you think. “

Bucky takes a sip of his coffee before slowly opening the container to be greeted by a pile of cookies, of all shapes and sizes, no two quite the same.

“ Cookies? “

“ Eat one! “

“ Whoa, hold up.” Bucky exclaims as he raises his hands in mock defense. “ this sounds awfully suspicious to me. Are you trying to pull a Snow White on me here? “

(Y/N) eyes grow big and the most radiant smile spreads across her face at his words.

“ You made a pop culture reference!”

“ Saw it in the cinema. “

“ No way.”

“ Mmmh. With my sister.”

“ I just decided I love it when you make pop culture references. “

“ Noted.”

“ Okay, so since no one thinks it’s important to introduce me, let me do it myself,” the red-haired waitress chimes in and holds out her hand for Bucky to shake. He can see her eyebrows furrow a little as she notices his gloves. It’s not yet cold enough for people to not wonder about it. They know something ain’t right with him and he hates it. Wishes they’d just disregard it. Act like it’s a completely normal and feasible thing.

“ I’m Robin, (Y/N)’s best friend. “

“ I’m Bucky. Hopefully, not the first victim of (Y/N)’s poisoning.”

“ Oh, how arrogant of you to assume you’d be the first. If you don’t want my cookies, give ‘em back !”

(Y/N) tries to reach across the counter only for Bucky to snatch the container away holding it out of her reach. “ You gave me the cookies, you can’t take them back. That’s not how gifts work.”

“ Then try one for god’s sake! “

“ Alright, calm down. I will. “

He hates the fact that both (Y/N) and Robin are staring at him as he takes a bite of one of the cookies. The whole thing is almost the size of his face and littered with chocolate chips. It’s a damn mess of a cookie and he’d loved to have been there when she made them. No doubt it was chaos. No doubt it was an awful lot of fun too.

The cookie is — a lot. It’s too much sugar, too much chocolate. Too much of everything. He can practically feel the cavities building with every bite he takes. It’s that sweet.

But she looks at him with such glee in her eyes and this big beautiful smile that rivals the sun with its brightness and there’s no way in hell he can tell her the truth. Not when lying about it keeps that smile on her face.

Quite honestly,  Bucky thinks, life isn’t about telling the truth at all times. Sometimes, life is about knowing when to use your little white lies. Sometimes telling the truth isn’t doing anyone any favor.

“ So ? “

“ They’re — sweet.”

And they are. So really, it isn’t even an actual lie after all.

“ Good. They’re supposed to be. You see, I have a date tomorrow and I asked him what his favorite dessert was and he said cookies. I’m not sure they count as a dessert but anyway. Thanks for being my guinea pig. “

Robin throws him a look over (Y/N)’s shoulder. A look that lets him know she’s not buying it. She’s looking right through him. But she smiles so maybe she too realizes that sometimes lying saves everyone the heartache that may come with the truth.

“ You have a date? “

“ I do. His name is Russell, we’ve been hanging out for a while but he had to go to Europe for work and we haven’t seen each other in a few months. It was never anything serious, kind of a wrong place, wrong time thing. But maybe this time it works. “

“ Oh please, “ Robin exclaims, furiously slamming the pot back into the coffee machine. “ This loser has been stringing you along for far too long now. He’s not worth it. Trust me you can do so much better than him. “

There’s something about the way (Y/N) mood changes, the way she falters, that Bucky doesn’t like. Not even a tiny little bit. It’s a split second, just the whisper of a moment and then she’s back to her joking, bubbly self. But that tiny second is enough. Enough for Bucky to know he never wants to see it again. The doubt and hurt fluttering across her eyes. He’s seen too much hurt in too many eyes. It’s never getting any easier. It just makes him realize how much he hates seeing it in hers.

“ Ignore the crazy lady, he’s not that bad.” (Y/N) tries to reason, though the light and airy tone in her voice doesn’t sound quite as convincing as it usually does.

“ He refuses to put a label on your relationship and he treats you like you’re disposable. “

“ Sounds like a catch, is this the one with the fish picture or the one with the star wars facts? “ Bucky asks, biting off yet another piece of the tooth-achingly sweet cookie.

“ Neither. We met while walking our dogs. He’s nice, really. “

“ Sounds like it. “

“ He is. Robin over there just thinks she’s the expert on romance because she’s about to get married. Don’t believe a thing she says. Her own fairytale romance makes her blind to other people’s romantic struggles. “

Robin shakes her head in disagreement, making her red curls bounce with each motion. “ You’re a big girl, you know what you’re doing. I’m just calling things as I see them. Anyway, I gotta serve table 4.”

Silence falls upon them as Robin leaves to tend to the customers and (Y/N) averts her eyes back towards the countertop.

“ Hey, “ Bucky speaks up, getting (Y/N) to look up and meet his eyes. “ I hope the date turns out well for you, you deserve that. And if it doesn’t, just text me and we can watch another movie or something. “

“ You’d do that for me? “

“ Yeah. Sure. It’s what friends do. We’re friends now — right ? “

(Y/N) smiles “ right!”

And it’s nice, Bucky thinks, to have a friend again. Even though it’s all new and fresh, it feels wonderful. Like a tiny bit of weight has been taken from his shoulders. Like he can take a breath for the first time in a long time.

Joe’s Pizzaria is an American restaurant that tries desperately to trick Americans into thinking it’s an authentic Italian restaurant.

And while it does have a certain undeniable charm, (Y/N) gets a bit tired of chomping down on yet another breadstick while staring at the red and white checkered tablecloth and pretending not to grasp the gravity of the situation. He’s not gonna come. He’s two hours late. Two whole hours. Half a bottle of wine and one salad late. The waiters pity her, it’s painfully obvious. The way they keep checking on her, keep asking if there’s anything they can bring her. Keep filling her breadstick with no upcharge.

Pity, (Y/N) thinks, is her least favorite emotion. It doesn’t do anyone any good and in the end, everyone just feels worse.

A "ping" coming from her phone pulls (Y/N) from her thoughts and for a teeny-tiny second a flicker of hope sparks in her heart that maybe Russell is just late and this is him apologizing and explaining. Maybe she was worth it to him after all.

Then her eyes register the name on the screen and disappointment fills her veins. Does he really not care? Does she really mean so little to him, he doesn't even feel the need to cancel the date? Is this some sick joke?

Bucky's message reads: Hope you're having fun. Did he like the cookies?

It's a weird feeling, to know someone she hasn't known for very long wastes even the smallest thought on her while her date doesn't give a shit. All it does is set into perspective that her blossoming friendship with Bucky is worth any effort it might take.

"Don't ask. Hey, what are you doing right now?"

"Oh, that bad? Not much. Trying to figure out what to have for dinner. Why?"

"How do you feel about spaghetti and meatballs?"

He doesn’t have a couch.

That’s the one thought that spooks around his head as soon as he realizes what he’s just agreed to.

He’s been living here for months and he doesn’t even have a fucking couch.

When (Y/N) asked if she could come around, when she said she’d bring food and asked if her dog could come, he couldn’t say no. Not when she's already been stood up that night. Nevertheless, everything inside him starts twisting up in knots at the thought of opening his home to another person. Home. That’s really the problem now that he thinks about it. This place doesn’t feel like a home. It’s 4 walls and a roof. Nothing has felt like home in a long time.

He invited her over and he doesn’t even have a fucking couch.

There’s a TV and an armchair, a few cupboards, a chair, and a bed he doesn’t sleep in. Sometimes he thinks back to his childhood home, with all his mother's porcelain figurines collecting dust on the shelves and the wall of family pictures. It felt warm and cozy and like it was meant for people to live and learn and grow. It was their own.

This apartment is a box for him to stay at. Nothing here is in any way personal. But how do you make something your own when you don’t even know who you really are? When all you remember are times long gone or times you want to forget.

He snatches the sheets and pillow off the floor and throws them on his bed. He might not be able to get any more furniture in time for (Y/N) to arrive but he sure as hell doesn’t need to let her know that his nightmares don’t allow him to sleep in his own damn bed.

A knock sounds from the front door and for a second, Bucky’s blood turns cold as ice. No one ever talks about how scary it is to let people in. Would it matter to her and their friendship that his apartment is just as empty as he feels inside?

As soon as he opens the door, a fluffy bundle of white and brown fur rushes past him and runs a lap around his living room before settling by his feet, tail wagging and tongue hanging from his mouth.

“ Oh god, sorry. She’s just so excited to meet new people. “

Giving the dog a few pets, Bucky turns back to (Y/N), who gives him one of her signature sunshine smiles as she holds out a paper bag to him. The smell of delicious food reaches Bucky’s nose as he takes the bag from her and ushers her inside.

“ So, Spaghetti? “

“ Yup. And meatballs. “

Bucky nods his head in approval, “ Sounds good to me. “

She smiles at him again but there’s a kind of sadness surrounding her that he wishes he could take away. Whoever that Russell guy is, he’s a damn fool for not showing up.

“ Food’s still warm so if you tell me where your plates are … “ (Y/N) trails off as she really takes in the state of his apartment for the first time since she’s stepped inside. He can basically see the thoughts running through her head, one after the other, none sticking around long enough to form a coherent string of words to express what she’s thinking. He knows she wants to comment, can see it in her eyes. But something is holding her back and he can’t blame her. Their friendship isn’t that deep yet. You don’t ask someone you’ve just gotten friendly with why their apartment is so fucking empty. It’s sad and there are implications there that run deeper than one can see.

So to spare her any more awkward silence, Bucky speaks up again.

“ I uh — I just moved in. Haven’t gotten around to getting much furniture. We can sit by the kitchen counter or you can take the armchair and I’ll take the floor. “

“ That’s fine, we’ll make it work, “ she replies, before turning towards the kitchen cupboards, “ now … plates ?”

“ This is delicious “ Bucky exclaims as he stuffs yet another fork of Spaghetti into his mouth.

Lady, (Y/N)'s Cocker Spaniel, casually lounges on his armchair, eyes always trained on the dishes of pasta, while Bucky and (Y/N) sit on the floor, backs against the wall.

“ Right? I love Meatballs. Last time I was at Joe’s Pizzeria, I was there with Russell and he got real pretentious about not ordering Spaghetti and Meatballs from an Italian restaurant because it wasn’t authentic Italian cuisine. As if I care. It tastes good, that’s all that matters.”

“ Well, he really does sound better with every new thing you tell me about him.”

(Y/N) shrugs and avoids eye contact with him. It’s strange, Bucky thinks, to see her this way. All of her bubbly personality and contagious energy are suddenly drained from her. Like someone squeezed her too tightly and pushed all the joy out.

“ Yeah he’s an asshole, I don’t know what I was thinking. I guess whatever we had going on just felt familiar and sometimes going back to something you know, even though it’s bad for you, is easier than opening yourself to something new. “

“ Wow, my therapist would love you. That sounded so smart.”

“ It did, didn’t it?,” (Y/N) says and lets out a little chuckle. It’s nice to hear her laugh even though it doesn’t hold the radiance, the pure happiness it usually does.

“She gave me some homework.”

(Y/N) looks at Bucky between bites, raising an eyebrow in intrigue. “ She did? “

“ Mmmh. I told her about you and our friendship and she thought that, because you know a lot about me, I should learn some things about you. “

(Y/N) quickly swallows the pasta before placing both her hands over her heart and staring at Bucky with an expression he can’t entirely read. There’s a glimmer of mischief in her eyes but there’s more, he just needs to figure out what exactly it is.

“ You talk to your therapist about me? Awww. That’s how you know a friendship is worthwhile. When they mention you to their therapist, that’s when you know it’s real. “

“ Aw man, now you’re just making fun of me. I take it all back. “

“ No! No, Bucky. I think that’s very sweet and it makes me feel important,” there’s a sincerity in her eyes that makes him feel a little weird. Not a bad weird. Just — different. He didn’t think this was gonna be such a big deal to her. And while he still feels extremely self-conscious about it all, he’s a little glad that he mentioned her to Dr. Reynor. Maybe it would do both of them some good, him and (Y/N).

“ It’s nice that our new friendship matters enough for you to mention it to her. Getting stood up by Russell felt like a punch in the guts. It made me feel incredibly inadequate and like I wasn’t worth enough for him to text me let alone show up. Knowing that there’s someone who thinks about me every once in a while, that’s a nice feeling. Least my friends think I’m worth it. "

Hearing those words fall from her lips sends a wave of anger and disbelief through Bucky. (Y/N) is the first person in a long while that makes him feel like he can figure out who he is and who he was and not feel guilty about it. To think she feels inadequate or like she's not good enough is just unbelievable to him.

"Just forget about that guy, he's clearly an idiot. You deserve someone who shows up. When it matters and even when it doesn't. "

"He didn't even get to try my cookies. I worked so hard on them."

"What? Oh my god, okay see - he's a damn fool. Those cookies were - so sweet. His loss, really."

(Y/N)'s laughter echoes through the halls of his empty apartment and Bucky thinks that maybe that was one of the things missing from this place to really make it a home. Emotions. Laughter and joy. Something other than fear and regret. Something other than pain.

“ Bucky, you’re so nice but you don’t have to lie. I know the cookies weren’t all that great. “

“ No! They were good, they were just — very sweet. And you know what? You deserve a guy who eats them anyway.”

She doesn’t give him a reply to that comment and maybe it doesn’t ask for one either. Some statements don’t need answers, they just are.

“ Hey, do you want my last meatball? “ he asks, and at her smile and enthusiastic nod, he rolls it from his plate onto hers.

“ Now what movie did you bring? “

“ Oh boy, “ (Y/N) proclaims and looks at Bucky with an unwavering excitement “ you’re in for a wild ride. Tonight we’re doing a double feature.”

“ Bringing the big guns, huh? “

“ You have no idea. Tonight we’re watching Grease 1 and 2. “

Two couples stare back at Bucky from the bubblegum-colored DVD case (Y/N) pulls from her purse. Something about the bright colors and the over-the-top hairstyles makes Bucky think that these movies won’t be the absolute pinnacle of sophisticated filmmaking.

“ What’s the lesson this time?“

“ Eh, “ (Y/N) says and shrugs “ when I was younger I thought it was meant to teach you that if you want to be with someone you can overcome any obstacle. No matter how different you seem or what other people might think. Now that I’m an adult I think it’s just about the 50s aesthetic and the killer musical number. “

“ Musical numbers? “

“ Mmmh. And well, the second one is pure garbage but it’s so bad it’s good. It also helps that Michelle Pfeiffer and Maxwell Caulfield look absolutely gorgeous in this film. “

“ So this isn’t gonna help me with my romance skills then? “

(Y/N) regards him for a second, purses her lips, and taps the side of her face as she thinks about her answer. “ I mean, the second movie is basically about how cool men who ride motorcycles are. Do you ride a motorcycle? “

“ I do actually. “

“ What? Oh, you just got 10 times cooler. One could say you’re a — cool rider.”

Bucky furrows his eyebrow in confusion.

“ Don’t worry, Grumpy. You’ll get the reference later.”

“ If I’m Grumpy, which of the 7 dwarves are you? “

“ Sleepy? “

“ Dopey? “

“ No. How about Happy ?”

It’s meant to be silly, just a joke really, but Bucky can’t help but think that it fits her. Even when she’s sad, there’s an infinite positivity in her eyes, an aura of joy and happiness and being around her is just so easy.

“ You know what? I think that’s the one. “

“ I like it. Now — let me introduce you to the students of Rydell High.”

“ What in the world did you just make me watch? “ Bucky asks as the end credits to Grease 2 roll across the tv screen. Lady is snuggled up in his lap and his right hand lazily combs through her soft fur.

“ Two absolute masterpieces. “

“ In the first one they flew away in a car. And that second one, I don’t even know what to say.”

“ Because it was so good? “

“ Mmmmh no. That's not why. “

"Oh please, you can admit you l-" a big yawn interrupts her words and Bucky notices just how tired she looks right then.

"You're tired." It's not a question, more an observation.

"Mmmh Lady and I should probably head out."

He doesn't want her to leave. Disappointment, it's a feeling he knows very well, it's familiar and almost comfortable. Usually, though, that disappointment is directed towards himself. A lovely dose of self-deprecation. This time it's different. This time he's disappointed about the situation. About the prospect of being alone again. Alone in his empty box of an apartment.

The anxiety of letting someone in is slowly being overshadowed by his fear of being alone again. With his thoughts and his failures and the images of all the faces that have ever looked at him in fear.

"You can stay"

"Bucky … you don't have a couch. Where would I sleep?"

"Bed," he says as if it's the most obvious of all answers ever given.

"Grumpy, I'm not taking your bed."

"I'm not sleeping there anyway."

"Why?"

Her eyes are so soft and gentle as the question tumbles from her lips. So full of concern. For him. Concern and care, for him. It's not like he deserves it but it's a nice feeling either way.

"It's too soft."

It's painfully obvious that she knows there's more to it, that his words hold more gravity and weight than just that simple fact.

She doesn’t push it though and for that Bucky is eternally grateful. Sure, talking to her is easy and it helps him in some way or another. But this, his nightmares and his trauma and the faces that won't leave his thoughts, that haunt him as soon as he falls asleep, that's a can of worms he's not ready to open yet.

"Where do you sleep?"

"Floor."

"Oh, Grumpy. Hey uh - how about we both stay on the floor? You're in luck too because I also have a live version of Grease the musical we can watch."

He doesn't necessarily want to watch another movie where they sing pretty much every two minutes but if it means she'll stay, he'll do it. 

" Okay then."

"Okay."

That night, Bucky sleeps on the floor just like he does every night only this time there's a friend with him just a few meters away , close enough but not suffocating, and a dog resting on his chest, softly breathing gentle breaths.

That night Bucky sleeps on the floor just like he does every night only this night, there are no nightmares.

Taglist // If you want to be added or taken off just message me //:

@zaynzierulez - @je-like-you - @dracoxxyoflam​ - @jackiehollanderr​ - @majo240820 - @kay-gilles - @booksb4looksstuff - @jckie94 - 

[jadechamber]

long post about the chinese dragons, rex lapis exuvia, and why the en translation left out the specification that it’s half qilin and half long (chinese dragon)

also spoilers i guess for guizhong and zhongli backstories?

I think maybe the game will expand/fix this later on when we get to know more about elemental life forms, but I just realized the EN translation never actually explicitly calls zhongli's exuvia/beast form a dragon, or even mentions that he was ever a dragon or anything. Which is odd, because they canonically mention dvalin and azhdaha being dragons. So maybe EN the game is trying to go with the consistent and European version where "dragons are big, powerful and usually scary unless special humans help them"? (more about that in the third paragraph.)

To be fair, you don't even need to say zhongli's most recent exuvia was half dragon for virtually everyone on the planet to recognize that it was. Or more specifically, a chinese dragon. Even if you don't know a lot about chinese history and culture, there's a very high chance you can still recognize a lóng (in mandarin), or chinese dragon. So maybe that's why didn't mention it. Because they knew the audience would already know (but there's also problems with this line of rationalization as well, which I will also get to). But if that's the case, why did they already go ahead and change the mandarin text of Ivanovich who specifically says the exuvia is half qilin and half dragon? In english they only say that it's "a combination of two legendary creatures of liyue" or something like that. It never specifies which ones (if you talk to Ivanovich after you complete the rite of descension quest you don't get that dialogue anymore.)

Like, we're already going to be introduced to qilins via Ganyu's backstory, and we already know dragons exist in genshin. It wouldn't have been confusing at all to keep the specification, and arguably it's more confusing to go without it because I think "his beast form is a combo of two super legendary liyue creatures" is kind of a big deal lore-wise. In fact, it wouldn't even confuse people who are most used to knowing dragons as the more modern European version (large and mean and destructive) because lore-wise you could easily attribute zhongli's gentler side to his qilin side (which are still explained even in EN to be very gentle creatures via ganyu's story quest). Even if you play the game only in mandarin this is what the game seems to do. I know that he technically took on a lot of forms and that the lore states that not even the Exuvia might be his original/"true" form, but still. It's the only beast form we've seen him in and it is the most fitting, so the audience will subconsciously pick it up as his "main" beast form.

Also this is a very nitpicky thing with the fandom but TECHNICALLY from what I've seen in chinese media lóng are not depicted fully as "super soft innocent uwu" creatures like I've noticed some people saying, they can still be stern and serious, they're just historically/culturally more wise, graceful, benevolent, protective/leadership deities compared to modern english dragons. I don't think it's actually THAT big of a deal or insulting of however you depict a chinese dragon, some variations just may seem more unusual or weird to asian people (and it also intersects with conversations about masculinity in america and europe vs masculinity in east asia) and then for the case of zhongli some depictions are just like. arguably ooc. ALSO I could write paragraphs about how even in some european countries dragons were revered too! Especially in Celtic Ireland.

Now, as I mentioned before the "well the game doesnt need to say zhongli is a lóng since virtually everyone can recognize one" is a faulty argument because his exuvia is actually very apparent to be a combo and not fully lóng; the problem is most people just aren't able to tell because more people are familiar with them and not qilin. The exuvia is shorter than most traditional dragons, has this little pointy horn thing? in the middle of the forehead which you see more on qilins (at least in more historical, non-genshin depictions), and the biggest indicator I think, is that it's a LOT more fluffy than lóng (like the large unevenly-sized crests on his back, his tail, and around his head).

I know a lot of people say that the En translation team made Zhongli too strict/mean for a chinese lóng (they're mainly talking about Keith Silverstein and how they directed his voicelines) and I do agree a bit but to me I would have to argue that if anything, the EN writing team also leaned too much into zhongli's lóng/serious side and kind of disregarded his qilin/polite side. And I wonder if this is because they thought chinese dragons were more easily digestable and recognizable to most people who weren't chinese? Either way it sucks they left that lore bit out because having him be a combination makes zhongli more interesting and less stereotypical. like oh yes liyue is china of course the archon/leader has to be a serious male full chinese dragon. duh. Which is fine and fitting! but just slightly boring at this point. Also considering that zhongli has taken on several forms and the way daoist illuminated immortals (adepti) work, he could've even been born a full qilin, a tiger, a human, a fucking panda. who knows.

Personally I think zhongli's half long half lin form is his most common form and he took it up when guizhong died, which was when he became like "okay maybe I should start interacting with my people and learn about them if I'm going to be the sole leader of them now. [and also because guizhong wanted him to] but also I need to make sure I can still be powerful to protect them" and "I need to take up an appropriate form so humans respect/rever me and don't freak out." (I definitely don’t think full lóng dragon was his original form.)

[steve0discusses]

Yugioh S5 Ep 20: Pharaoh’s Cool New Trick

Digging my way through quite a pile of commission work (funny how these things only come all at once or not at all), nearing the light at the end of the tunnel, was looking forward to some free time to catch up on my many little side projects when I was asked to take off for a weekend to do some cat-sitting to which I would NEVER say no to a cat, so like...Rip this blog I guess, we only update like once a week nowadays, but what do you do?

That’s right, play Puzzles and Dragons! The only phone game worth paying any attention to! Where they just released Pegasus on their Yugioh Collab and he looks pretty great!

So I’m just gonna take a second for some art appreciation, because the Puzzles and Dragons art team is just A++++ honestly, and yes, I did pull 13 times to get a Pegasus in my monster box, and yes, he is a completely insane team leader that is absolutely broken when paired with Yugi (the numbers are so satisfying) but...look at him. He looks so good!

(also I finally got Joey Wheeler, and so now my gatcha cravings are settled. And, don’t worry, I play this game so much that I was there during Christmas when they offered like a bajillion stones for free so I didn’t actually use real money on this.)

Now PAD also released a Weevil and Rex, and I don’t know why, and neither does the art team because they still look pretty good but in comparison to all the mains, they sure do looks like just some shorty guys in some casuals.

though I gotta admit, I want to learn how the hell this art team does swooshy effects, because man, that would make my art so much better to just have flames violently exploding out of all my art. Why am I not doing that more often? I have the technology.

anyway, I didn’t bother trying to pull them. Maybe I’ll accidentally pull them when they eventually release a Duke Devlin. (also, RIP to the fact that Roland will probably never be in Puzzles and Dragons but like...I can only send them so many polite letters covered in stickers pretending I’m some 10 year old child and writing in my broken Hiragana “Roland in PAD?”. Thems the breaks. (They also might not remember who Roland is.))

Shoutouts to the card that Weevil is holding that is censoring this nipple on the booby spider, PS.

So because this is not actually a Puzzles and Dragons blog, and it’s been ten eons since I regularly updated so I could remember episode to episode...where the hell were we?

That’s right, we’re on an island now. This show’s wonderful obsession with evil islands (and spoiler, this is one of the few Yugioh Islands that doesn’t explode at the end. Mostly because Kaiba isn’t here to do it or this place would be cinder)

(read more island stuff under the cut)

Anyway, after announcing “hey guys! Screw islands!” Yugi immediately collapses and without any warning.

Apparently the armor is a big ol parasite, which is something that Yugi is so used to at this point that he refuses to admit that this is a problem. Just normal Muto stuff, refusing to tell anyone that he has a serious illness going on underneath that giant mass of hair.

(the sailor moon vibes coming off this weird orb energy)

Sort of feels like a call back to S1 when Yugi was clearly possessed and everyone else was like “He acting weird to you?” except it’s S5 and everyone has learned to never trust Yugi when he says he’s fine and they are responding like he is about to die. Which is correct.

Outside of the cave falls this scroll that is...glowing, I guess. So they open it up and get a bunch of hieroglyphs that give them the “riddle of light” and like youknow...it’s riddle stuff.

They’re doing this riddle for “wings.” And it’s like...everyone’s monster here has a set of wings or an ability to fly. Every single monster except for I dunno, flaming swordsman? Hell, Yugi himself had two sets of wings when he fused with Dark Magician (which was weird, and I still don’t like to think about what technically was going on there.) But we have to go and get ourselves even more wings.

Weirdly, Joey turns to Tea and does something that in any other show would be completely normal. He was like “you want to stay here with Yugi, don’t you?” and it was the first time Joey has ever actually addressed the fact that Tea and Yugi are close. Uncharted territory. I was amazed at the amount of casual shipping that is happening here. It’s almost like a normal ass relationship.

So the boys decide to go off, and be boys and tackle this themselves. And they shouldn’t have, because Tea is smart for this group, and also has the only healing spell.

Like if you’re playing D+D you wouldn’t typically leave your only healer behind. Just saying.

Also like...Grandpa Muto went with them? I guess he’d have to since he’s the translator but also...kind of weird to leave your grandson dying in a cave, but maybe that’s just the Muto lifestyle.

Do not be fooled by my caps, no one has addressed the Bakura in the puzzle for 3 seasons. I’m starting to think this show will never address the Bakura in the puzzle. Which honestly, that would be hilarious if they made a big deal out of that plot point and then couldn’t use it in the end.

And speaking of plot points that kind of come out of nowhere and don’t make full sense with the continuity of the show--Joey has regressed back to the 4th grade.

Hey show? What?

So like if you love Joey, this is not the arc for you, because this arc he is reduced to a Himbo and nothing else. Straight up didn’t know what an echo is, but is very strong and pretty, I guess.

This inevitably happens with any TV show becuase different people make different parts, and I’ve brought up before that sometimes it feels like some teams only have loose post-it notes of what any character should be like at any given point (ESPECIALLY with Seto Kaiba’s timeline) but like...

...Personally I’m mot so fond of this interpretation of Joey, kind of ignores Joey’s best traits, and makes Tristan look way too smart in comparison (and like I always pinned Tristan to be the Himbo of the group, but maybe it’s because they give Tristan so little else to do?)

And like don’t get me wrong, Joey’s a dumbass a lot of the time and needs to get corrected by his pals...but...to the point he doesn’t know what an echo is? He’s a dumbass in a High School student sort of way, youknow?

Anyway, they get down to this big ravine, and they have to destroy this stone while the light passes over it. Kind of feels like a Breath of the Wild shrine quest, actually. In fact, I think Breath of the Wild recycled the shadow/sunlight pathing quest like 4 or 5 times. (I love Breath of the Wild to death but boy did they run out of ideas at the end there.)

They have to fight a glass monster and it’s kind of like...do you know the game Balls 3D? probably not, but it looked like a bunch of random shapes stuck together like a 90′s animation. They basically went to war with shapes.

Pure Himbo energy, has several pokemon, but punches for his pokemon instead of using them. A power move if I ever saw one.

Youknow that would make pokemon a lot more interesting if you could like throw out your pikachu, and then choose to just physically run up to your opponents Eevee and sock it in the jaw. Raise of hands--I know you all would love a version of pokemon like that. Let Ash Ketchum punch a Ratata.

Bro has informed me that Ash does do something like this in the anime. But I’m not talking about the anime, I’m talking about the video game. Give me the option to physically combat my rival. This is what I want, Pokemon.

They discover a way to break the monolith, and the show thinks we’re like actually 7 years old (because the show is Y7, although I forget because it deals with so many dark themes) so the show is going to hold on to this puzzle for a while...just to fill time. And it’s fine because we gotta switch over to Pharaoh anyway.

Yami has this dream again. He attempts to fuse with Dark magician to overcome the dream, but alas, he is still not strong enough.

Yugi wakes up in this murky cave while Tea is out washing out like...some rag? (he’s also still got a rag, so I guess multiple rags were required for how sweaty Yugi is.)

Yugi says “I feel like I’m a new man!” a lot in this episode, and every time he calls himself a man like he’s some sort of adult it’s very funny to me.

And then this plot lore dropped.

I mean I guess inevitably it had to happen...

But man, end of an era. It was freakin hilarious while it lasted: that Pharaoh refused to read ancient Egyptian because it’s like 2002 and he is a High Schooler living in Japan and he actually doesn’t WANT to resolve the mystery of the puzzle. Maybe the people who made this arc don’t know about how in S2 and S3, the fact Pharaoh couldn’t read Marik’s back tatt was like...a really big issue. He couldn’t read the God card, he couldn’t even read that massive tablet that read “HEY PHARAOH THIS IS LITERALLY YOU”. KAIBA had to tell him how to read the God card for him. Freakin Seto “Magic is a lie” Kaiba had to tell him how to use the God Card because Pharaoh couldn’t read it.

But like...Pharaoh finally gave in at some point after the world was devoured by the Leviathan, and before Kaiba finished building Kaibaland (which was already built in S1 but wtv)

The timelines on this show have always been a mishmash...but this one is just like...

...show are you trying to convince me that at any point in this show after season Zero, Pharaoh had any idea what he was doing? Did he sap that brain energy straight out of Joey Wheeler so he could do this?

Wow.

(secretly hoping he forgets how to read Egyptian after this arc is over and the show goes back to the other development team)

Pharaohs reasoning is that, if this is the riddle of the light.....

....then where is the riddle of darkness????????????

and when Tea was like “Pharaoh that is not even remotely logic. Omg it’s so bright outside, lets go back to gross cave.” and Pharaoh was like “Tea! You got it!” and she was like “What the hell are you talking about?”

Not gonna lie, I saw the Orichalcos green, and I got concerned.

Anyway, Yugi gets very frustrated and was like “ugh, lets go save em. They’re gonna die (again.)” and marches down there as if he didn’t pass out an hour ago.

And he fuses with Dark Magician again while everyone else (including his grandpa) was like “Yugi are you freakin kidding me? The suit freakin kills you omg! Tea you had one freakin job!”

And then we get the plot twist that...I mean it makes sense but it was choreographed in a confusing way.

And out of no where this guy shows up again:

So this mysterious man shows up and says “If you don’t succeed you have to live here forever” which...nice...that would probably save the world a lot of problems if Yami got locked away and took his OP puzzle with him. And then this man also says “if you do succeed you become VERY POWERFUL” and Yami was like. “...”

This whole episode had a theme to it, where Tristan and Joey were trying to prove that they could do things on their own and without Yugi’s help. And honestly...felt a little bit misplaced. Yami’s the same guy who murdered Yugi last season with the Orichalcos so like...

...I mean he is probably more reliable than Tristan who once died and turned into a robot monkey for 10ish episodes.

and then they flew into a glowing door.

Folks, this was wild to look at.

This is wild.

And at this point I closed Photoshop and thought I was done. But then I looked at my timeline on the video and was like...wait...there’s more?

and I’m really glad I kept watching because it went back to Alex, who...is apparently just still at those steps in this haunted ass Pyramid.

Now we’re watching Yugioh.

I forgot for a second when they turned Joey into a Himbo and made Pharaoh literate, but we’re back. I mean...

...look at the liner art on this adult man.

So...I posit the question...has Alex spent the last 2-3 episodes doing nothing but applying eyeliner to his face in the dark? Because he absolutely has. And honestly, the vibe of being in a spooky haunted pyramid with barely any light, just applying eyeliner down the edge of your face...that’s a Yugioh vibe, if I ever saw one.

This arc is wild. Anyway, next episode we do even more fetch quests and riddles? Just going to guess now that we probably will.

(and for those new here, this is a link so you can read them from the top. Which, since we’re in S5, means you got like...hours of Yugioh content to read through. Enjoy the rewards of my weird hobby.)

https://steve0discusses.tumblr.com/tagged/yugioh/chrono

[abouthoundsandlittlebirds]

Can you speak more to your Kirin and Kagura theory? Was Kagura sent to the future by Kirinmaru to protect her? If so, how does Riku know jack shit and think Rin is the mom? Or, if he’s purposefully lying to Towa about Rin being her mom, why would he do that? All I know is Riku looks hella sus whenever he’s with Towa, and especially when he mentions Rin.

Sorry for the late answer, anon, I was gathering information for your question. Surely I will share with you what I've thought so far, knowing that this is only an incomplete theory and not a certainty about what may happen in the future of Hanyo no Yashahime.

Since this post will be long and may contain spoilers I will add a cut, so keep reading if you don't mind it.

Recently I came across a theory that Osamu Kirin is one of Kirinmaru's offsprings, being this the reason why Kirinmaru could see the future through Osamu's eyes. Actually this kind of power was introduced to InuYasha OG show through Kanna's mirror and Byakuya's flying eyeball, allowing Naraku to see what they were seeing. We get to know about Osamu and Kirinmaru's connected view in episode 23 of Hanyo no Yashahime, where Osamu is looking at the sky at an airport rooftop(?) and saw the comet that comes to Earth every 470/500 years (conflicted translations in the videos I've watched). Shortly after this scene is over, we can see Kirinmaru also watching the same comet, even if it is only shown in the Reiwa period at that moment.

When I've first watched episode 22 and 23 of Hanyo no Yashahime I didn't give a second thought about those events, however now I recognize that they are VERY important to the storytelling. That is why episode 22 ended with the airport scene and episode 23 began with the continuation of this same scene.

There are three important things to notice with the airport event: The first is the connection between Osamu Kirin and Kirinmaru that I've mentioned above (and I am not the best choice to talk further about it, since it is a theory that belongs to another person); Second, Osamu Kirin thought that the comet could be seen by humans at the Reiwa Era, since as pointed out by Sota, the notice of the comet approaching the Earth's atmosphere is being spread through humans; and, the third one is that Osamu Kirin was actually waiting for somebody at the airport, since in the end of episode 22 he shows surprise to see the Higurashi family over there and chooses to make a comunication with Sota in order to catch information about Towa’s wellbeing and to do remarks about the comet instead of following his way.

Now, rewatching episode 15 that is when we first knew about the comet, Riku tells Kagome that every 500 years the comet approaches the Earth atmosphere and drops some fragments. Those fragments if not stopped by a powerful demon and by Meido Zangetsuha technic which is the only attack that can be used to definitively stop it (this note was stated by Jaken in episode 15 and is very important and the reason why InuYasha was kept alive, since he is the only one who can hold Tetsusaiga and summon it), will bring the age of destruction to Earth, the exact same thing that the Spirit of the Tree of Ages (also known as Treekyo) says that is going to happen in episode 4, planned by Sesshomaru and Kirinmaru. The first because he abdicated his title as Lord of the West and the second because he saw an opportunity in it to do as he wanted. We can see it through Sesshomaru's choice in InuYasha OG show and in the reaction of Kirinmaru when the comet appears in the Feudal Era soon after Sesshomaru's daughters were born.

Sesshomaru as the first born of Inu no Taisho was supposed to have heinreted the role of his late father as the ruler of the youkais of the West, that is why Toga left Tenseiga with the hidden power of Meidou Zangetsuha to Sesshomaru, which was the most powerful attack that Inu no Taisho had (perhaps because he believed that InuYasha wouldn’t survive many years with Kirinmaru hunting half-demons). However, Sesshomaru only released this power when Kagura died. In the episode 3 of InuYasha - The Final Act, Totosai says to Sesshomaru that something grew where Sesshomaru's heart was lacking, that is why Tenseiga reacted to his change of heart and was now ready to recieve the Meidou Zangetsuha. However, later on The Final Act, Sesshomaru gave this power to the Tetsusaiga, InuYasha's heinreted sword that the first born couldn't held, meaning that he couldn’t summon this power anymore even if he wanted. Even if Bakusaiga is a powerful weapon, only the Meidou Zangetsuha is able to fully erase the comet’s fragments, like we saw in episode 15 of Hanyo no Yashahime when InuYasha and Sesshomaru fought against it and in episode 22 where Toga and Kirinmaru destroyed it themselves in the past.

If we pay attention to Kirinmaru's reaction after the comet was destroyed in episode 15 we can see that he wasn't worried about the fragment being destroyed, even if it was his role alongside to Sesshomaru to make sure that the peace on the Earth should prevail. Yet, his place in that fight was taken by Sesshomaru and Sesshomaru's place was taken by InuYasha. Yet, in episode 23 the reaction of Kirinmaru about the comet fragment in Reiwa Era is quite the opposite, whatsoever. Kirinmaru seemed to be worried and angry to have to face the comet and he imediately went to InuKimi's place to know if the wheel of time moved and he even tried to gossip about the intentions of Sesshomaru with Akuru's pinwheel.

Knowing that Kirinmaru's intentions seems to face the comet himself, he needs Meidou Zangetsuha to destroy it in Reiwa Era. This seems to be the reason why he was kind of frustrated to know that Zero had broken Tenseiga. Since Tenseiga was the previous host of that technic, his intentions could be to return Meidou Zangetsuha to Sesshomaru's “useless weapon”, which means that he could get rid of InuYasha at least. However, with Tenseiga being broken and the comet approaching even more the Earth’s surface, he will have no choice but to spare InuYasha once more, and fight alonside with him.

By his actions, even if he put aside his plans of getting rid of half-demons, Kirinmaru is afraid of the prophecy of the Shikon no Tama about his death being true. That is why even if he thought that the Yashahimes were weak he still fought against them for a second time and killed Setsuna in the process. His problem with those girls is that they have Inu no Taisho's blood. The two Lords used to be pretty amiable with each other before Toga took a human as the mother of his second child, after being aware of the prophecy that a being that is neither human nor demon would kill Kirinmaru. Taking this action as a sign of treason in their alliance, Kirinmaru made Toga his enemy and would've fought against him if Inu no Taisho wasn't severely wounded as we saw in episode 21. Also, the events of this episode related to Toga's death would explain why Kirinmaru doesn't trust too much on Riku anymore, since his offspring couldn't arrive on time to save his enemy/friend's life. Riku must have sensed it too, because he went to Zero's side and openly betrayed his master in episode 24.

This lack of trust was the reason why Osamu Kirin was created. Kirinmaru needed a trustful subject. He didn’t trust too much in the Four Perils or in his sister. That is why he used Riku to deliver the medicinal herbs to Toga. It could be seen as a meanless job, yet the inefficiency of doing it had consequences. Riku now is no longer the first choice of Kirinmaru to do errands, meaning that he is indeed a pirate washed ashore like it was written in his introduction chart in episode 7.

We actually don’t know the reason or how longer Kirinmaru was sleeping before being waken up by Zero. What we know is that he lost his will to return to sleep when he knew that Sesshomaru had half-demons daughters and that InuYasha was alive and fathered a shi-hanyo. Soon after he knew this, Sesshomaru was introduced in his presence and offered help to kill InuYasha (thanks to him his brother’s life was spared).

If I may speculate over here, then my guess would be that Kirinmaru fell asleep after he heard that Sesshomaru was hunting InuYasha in order to obtain Tetsusaiga or when he learned that InuYasha was sealed by Kikyo’s sacred arrow. Kirinmaru doesn’t seem to be concerned about all the half-demons around, only with those who carries Inu no Taisho’s blood. We actually know that Zero was hunting half-demons, that is why Kirinmaru went to sleep and left the hard work for her to do. Even if Zero has no longer her powers, she could still get rid of half-demons, since Riku stated in episode 15 that Kirinmaru and Toga were the most powerful demons around 500 years ago, meaning that their bloodline is pretty exquisite.

Returning to the theory, after InuYasha and Kagome were sealed in the black pearl, Sesshomaru became the guardian of Izayoi’s tear. As said in episode 15 by Hosenki II, the black pearl is the only (actually easiest) way to go to Inu no Taisho’s resting place. Without it, Kirinmaru wouldn’t be able to reach InuYasha any longer and curiously Kirinmaru allowed Sesshomaru to become the pearl’s guardian.

Temporarily it should be a solved problem, but 4 years after Sesshomaru’s twins were born something may have happened that led Kirinmaru to doubt about his decision, being Yotsume a crucial proof of it.

When we first see Yotsume disguised as Sokyu in episode 1 of Hanyo no Yashahime, he tells Towa about a story that he heard ten years ago about a priestess called Kagome that time-travelled across the bone-eating-well located in Tokyo and alongside a half-demon called InuYasha she hunted demons. It could be a meanless information, if in the next scene we didn’t see a flashback of him in his original form watching Kagome, which seems to be at least 5 years earlier than the backstory he got to know, since that scene happened in the day that Root-Head attacked Kaede’s village, way before Moroha were born. Here then we have a mismatched speach. This means that even if Yotsume was watching Kagome that day, he didn’t know about her ability of time-travelling. So when Kagome were sealed with InuYasha in the black pearl, Kirinmaru didn’t know about her, since they were sealed soon after Moroha was born, meaning it must be more than 14 years ago.

The main question at this moment should be what happened in the four years after Kagome and InuYasha were sealed that led Yotsume to gather information about the origin of InuYasha’s wife. We can speculate as much as we want about it, but the main fact is that probably Osamu Kirin only time-travelled to the future ten years ago. But why? And how?

Whatever the reason for it, it is related to the forest fire that threw appart the twins and Rin becoming Zero’s shield. For four years Kirinmaru held back Zero, stopping her desire to kill Sesshomaru’s daughter. This action could be a proof of faith that Kirinmaru gave to Sesshomaru. Yet, this faith was broken and he decided to not give anymore protection to the twins’ life.

In episode 24 Zero tells Kirinmaru that the rainbow pearls are her tears and she is able to find it wherever and whenever she wants. It is a controversial saying, because in episode 15 she knew that the white and yellow pearls were with Sesshomaru’s daughters, yet she lost track of them inside the barrier that Jaken had casted soon as they were born. So at that time she wasn’t looking for the girls. And even if she could sense the presence of her tears, she was only able to see the girls when she learned how to use the spell of watching people’s dream/sleep, and this happened four years later, that is why when Homura set fire to the forest the twins weren’t inside a protective barrier as we see in episode 14, that was because Sesshomaru became Kirinmaru’s trusted subject and planned against his fellow. But how?

My guess is that this treason is connected to the black pearl. Something that we cannot see in naked eyes changed in the relationship of Kirinmaru and Sesshomaru. The first glimpse of doubt that Kirinmaru had about Sesshomaru was when Sesshomaru sealed InuYasha inside the black pearl. He didn’t doubt about Sesshomaru’s loyalty when he knew that he had half-demons daughters because they weren’t allies back then. They forged this alliance after Kirinmaru woke up and Sesshomaru offered help to kill InuYasha. And as it seems, it took four years for the trust to be broken.

At this time I’ll insert my Kagura theory.

After Sesshomaru sealed InuYasha and Kagome inside the black pearl, I believe he gave Kagura the pearl and told her to keep it safe. Izayoi’s tear was the assurance that his family would be safe. Yet, when he sensed that his family was in danger (probably after the fire in the woods) he sent Kagura to the future (probably to look after Towa and keep her safe over there, since he wasn’t surprised to know that Towa was alive) and decided to hide Setsuna among half-demons.

It is a fact that Sesshomaru’s daughters are half-demons (strong ones, to be honest), so Riku and Zero presumed that their mother is human even if she was underage, taking the close relationship Sesshomaru had with Rin. But if we recall episode 99 from InuYasha OG, Koga, that is a wolf demon and lives in a demon’s tribe, didn’t find it strange that Sesshomaru was travelling with the child Rin (that was 7/8 years old back then), and even took her as a love interest of Sesshomaru, showing that he knew little about humans and human x yokai interaction, quite different from those who knew about human life, like we see in episode 41 of InuYasha OG when Kagome, Sango and InuYasha showed horror about Koharu, a 13 years old girl that wanted to marry an 18 years old Miroku. Also, Kagura just like Riku and Osamu is only a puppet, an offspring created by the essence of a demon and the power of the Shikon no Tama. Even if she is said to be a demon, no one knows what kind of creature would be the children she had, specially with her creator being a half-demon himself.

Also, in episode 4 of Hanyo no Yashahime, after the Yashahimes met the Spirit of the Tree of Ages and killed Root-Head, Treekyo confronted Sesshomaru and said that his daughters denied her request and if he leaves Rin behind, the girl would never wake up again. Then he walks away from her and she says that it is also a way and perhaps the best choice. If we take Treekyo’s request to the Yashahimes we will know that the best choice she speaks of is related to stopping Kirinmaru from doing what he is aiming for. This means that after Sesshomaru knew that Towa, Setsuna and Moroha were fine, he dropped Rin in the backstage of his plan. For ten years (or even more) he worried about Rin in her sleeping state, however just when he found out that the girls were fine he changed his mind, meaning that something that was supposed to happen did not. Indeed Sesshomaru is still being protective over Rin, he even stopped his search for Akuru’s pinwheel in the moment he found it, to save Zero and Rin’s life as a consequence of the first rescue. However when she broke Tenseiga he didn’t think twice to kill her again, but still keeping a cold face that was hard to read.

I personally believe that when Sesshomaru gave his back to Rin and Treekyo at the end of episode 4, his plan changed and he then began his search for Akuru’s pinwheel that until then wasn’t a thing he was doing. We know that the pinwheel is connected to the wheel of time, so Sesshomaru’s intention is to change time or, perhaps, travel across time.

As we’ve seen in InuYasha OG show, only Kagome and InuYasha were able to time travel using the bone-eating-well. Back then Kagome had the Shikon no Tama (jewel and later fragments) and InuYasha had the black pearl. Then, in Hanyo no Yashahime only Towa, Setsuna and Moroha were able to time travel through the Tree of Ages and each one had a rainbow pearl. Taking those facts as an example, it wouldn’t be too impossible if only those possessing some kind of jewel/tear would be able to use this ability. The other possibility would be the pinwheel of Akuru and perhaps this is the way used by Osamu Kirin to arrive in the Reiwa Era.

Considering the concern that Kirinmaru had about the Wheel of Times moving and Sesshomaru’s search, probably Kirinmaru is hiding something related to the past/future from everyone else, except Osamu Kirin. And he is afraid of this hidden secret being revealed.

Taking Naraku’s arc as an example and how Sunrise is repeating some backstories of InuYasha OG into Hanyo no Yashahime, it wouldn’t be weird if later on Osamu Kirin is revealed as the incarnation of Kirinmaru’s heart, just like Akago was Naraku’s heart. This would explain why Kirinmaru isn’t afraid to face the Yashahime as he was when he heard about their existence. Definitively he is afraid of the prophecy, but he isn’t being cautelous while facing the girls. He showed more concern about the Wheel of Time changing than fighting the Yashahimes after being backstabbed by Riku in the place where the Inu no Taisho’s blood would be stronger. If we go back to InuYasha OG show, we will see the same kind of reaction in Naraku. He would confidently fight against InuGroup whenever his heart was far away and avoyd as much as he could a confrontation when Akago and/or Onigumo were near.

Using the information of Yotsume and the timeline drawn so far, the travel of Osamu Kirin would match with the information gathered about Kagome’s backstory, giving Kirinmaru the false hope that the future is a safe place for his heart to be, meaning that Osamu left him when Kirinmaru had a confirmation of Sesshomaru’s betrayal, almost 10 years ago.

Now, if we return to the airport scene where we see Osamu Kirin looking at the sky in episode 22, we notice that he watches an airplane land and then he glances at the comet for a short time. Then he gives his back to the sky and starts walking away, imitating five people close to him that too started to move away from the rooftop, when he notices Sota with his daughter, Mei, a few steps far from him. He shows surprise and go to Sota, starting a conversation about Towa’s absense from school (and showing no concern about it) and ending with the comet out loud observation.

For me it is a proof that he was waiting for someone to arrive over there. My guess would be Kagura. Also, when we see Osamu Kirin in the classroom in episode 4, he tells Towa to pay attention to the lesson, otherwise she will miss the context, and then he tells her to read the sentence in page 23 that says: “I am going to visit Kyoto”.

It could’ve been an Easter Egg, because in episode 23 he is actually waiting someone at the airport that probably is coming from Kyoto, because Kyoto is a prefecture located in the Kansai region, and Kansai according to the research I did is located in the West region of Japan, that in the Hanyo no Yashahime is a land that belongs to Sesshomaru (Lord of the West), meaning that the person/creature that is arriving in that airport is somehow connected to Sesshomaru and seeing that Jaken, Rin, Towa and Setsuna are in the Feudal Era and A-Un wouldn’t fit into a plane, it can only be Kagura.

To finish this theory that is already long enough and explain how Kagura and Osamu Kirin are connected, I must speculate even more and say that this connection happened because neither Kagura nor Osamu knew the backstory of each other and they might have taken interest for each other as an equal (two incarnations/demons). Also, probably the forest that Towa said that she grew up in episode 21 is located in the West, that is why Kagura was in that place and visits Tokyo, because Tokyo is where Kaede’s Village is located in the Feudal Era. My guess would be that using Towa’s age as a guide, she is looking for her daughter in high schools. Osamu Kirin being Towa’s teacher could’ve contacted her and is waiting her at the airport since he was the one that summoned Kagura over there. However, I believe that he is using Towa as a bait.

With Kirinmaru watching everything that Osamu is doing/seeing, he is quite aware of the fact that the comet is arriving in the Reiwa Era and also knew how Towa looked like before meeting her in person. Now, knowing that someone in the Reiwa Era that is not her family (the Higurashi) is looking for her, Kirinmaru is curious enough to see who this person could be since she is probably connected to Sesshomaru and if he can’t use her as a bait to hold Sesshomaru back, then he imagines that she is hiding something that would be useful to him.

As I said before, this is only a theory/speculation that I did using the anime info (and my imagination) to elaborate. All the real events I have tagged the place it came from (the episodes number) and gave them my interpretation. Those events without the official reference tagged should not be taken as a reliable source.

I thank you so much anon for this ask, it made me really happy to be able to share my thoughts with you! Again, sorry for my late answer and be free to say whatever you want, it would be a pleasure to answer you back!

P.S.: Sorry for the typos, I don't use Google Translator and my English ain't that good.

[thegeminisage]

top 5 moments in broken road?

i literally waited until now to answer these ask meme questions so i could do this w/o spoilers. anyway time to do an ask meme i got questions for THREE ENTIRE WEEKS ago

#5 - "my girl" john/mary reunion

Mary rushes forward into John's waiting arms. He gathers her up and holds her close, pressing kiss after kiss into her hair, tears running down his face. "My girl," he says, in aching disbelief, drawing back to cup her face in his hands. "My girl." She laughs through her own tears, and when he smooths one gun-calloused thumb under her eye she turns her face into his hand, and then he draws her close and kisses her, like they're the only two people left in the whole wide world.

look. am i valid? no. but they compel me. to them their story is just as real and longlasting as dean/cas is to us. so i added a little gutpunch to that reunion because it’s my fic and i get to do what i want >:) actually, even though i made a point of calling john “dad” and mary “mom” in dean’s pov, in this moment, i deliberately used their names - it’s more than just mom and dad, it’s theee john and mary winchester back together after all these years. no, they don’t stay that way, but after a 22-year quest in her name, it still deserves to be like a Reunion. 

(other four are below the cut to spare ur dashes. there are major spoilers for the whole fic, just warning u)

#4 - john getting punched by [SPOILER]

Dean's shoves his father with all his might, yelling, "Let go of me!" Partially because even though just moments ago the dungeon was exactly where he wanted to be, he absolutely doesn't want Dad to be the one to put him there, partially because he's afraid that Michael is about to break free from that cage in his head and vaporize everybody in firing range, and partially because he's afraid that if Dad doesn't let go, Cas will kill him.

But Dean's only got one hand free, and Dad's grip is too strong. Michael and sleep deprivation have made Dean weak; he can't get away from Dad on his own.

Then, when Cas is still just out of arm's reach, Sam lays into Dad with the fiercest right hook Dean's ever seen.

Dean knows that right hook well. That's one of the first moves Dad taught him, one Dad forced him to practice a thousand miserable times—how to stand, when to turn, where to throw his weight—until he honed it to absolute unthinking perfection. And it is perfect: Sam nails Dad right on the jaw with all six feet and change of muscle, sending him staggering back, his grip on Dean slipping free.

Dad slumps against the wall for a moment like he's literally seeing stars, like it's all he can do not to pass out. His nose looks like it might be broken. Dean rounds on his brother; if he was expecting Dean to thank him for that, he's going to be disappointed. "What the hell, Sam?"

But Sam's looking at Dad, not at Dean. "He said," Sam pants, "to let go of him."

i’m normally very anti-punching john, but i feel like if anybody has the right to do it, it’s sam. he’s spent his whole life being protected from john by dean and he finally gets to return the favor! all his problems are solved because he’s literally the bigger man now in every way! i doubt sam would ever punch john on his own behalf, but it is UTTERLY in character for him to do it in defense of someone else, but i bet it was pretty fucking cathartic too. picking sam moments in this fic is like picking children but this...you know, it wasn’t even in my outline. it happened organically as i wrote. and it just. feels right.

#3 - sam telling john to clean up his mess

"Seriously, Dad—we've had enough of your lip service. You're sorry? You want to help? Clean up your mess."

What? John frowns. Does he mean Dean?

But, no—Sam twists and picks up an actual mop and bucket from the corner behind him. The bucket is full of red-tinted water. "Go in the kitchen," he says, "and if Dean says you can use the sink, run some clean water with bleach. We gotta get the blood off the floor, because the longer it stays there, the worse it'll stain—especially on the hardwood."

"Uh," says John.

Then Sam gives him a severe, no-nonsense look that nearly punches the breath from John's lungs—because for the very first time, he sees his Mary in that stubbornly unimpressed face. "Do you understand? This isn't a motel. You can't expect someone else to do it for you. Don't go in the kitchen," Sam says slowly, enunciating every word, "unless you're going. To clean up. Your mess. You want room service—there's the fucking door."

THERE’S THE FUCKING DOOR. i love this bc firstly i believe in man of the house sam and secondly it falls into the same thing of like...sam is finally big and strong enough to protect dean and by god he will make himself an impassable 6′4 between this man and his brother. i think especially since finding out about flagstaff, DOUBLY since becoming a parent, sam is like...so less than impressed with john’s bullshit, and even more impatient than he already was of john’s stupid excuses. 

there’s also this motif of cleaning throughout the fic - in john and sam’s very first scene alone together, they are washing dishes. at first this was a nod to sam and dean doing it in lebanon - dean washing, sam drying - but washing is the “hard” part of doing the dishes; when my mom taught me how to do them i began learning by drying first. so of course dean has been washing and letting sam dry all their lives - almost literally, because john talks pretty early on about dean being a neat freak too, because john simply wouldn’t pick up after himself but still hated the mess. there’s a few mentions of it in the fic, how john liked being able to leave a mess behind in their motel rooms, how he’d prop his feet on the table - but in season 10, it’s sam on his knees scrubbing the bloodstained floors after dean’s murder spree, and in broken road sam makes john wash the dishes, and at the end, sam makes him mop. @maulthots put it best:

like that’s it. that's literally it. and then, finally, john offers to clean up on his own without being asked. that’s Growth™, at least in whatever way he’s capable of it. at any rate, he’s too afraid of getting hit again to NOT clean up after himself lol

#2 - dean/cas car scene [content warning for nsfw and discussion of past sexual violence - scroll down to #1 if you’d like to skip it!]

Cas lets go of Dean, but it's to reposition his hands on Dean's knees, slide those huge palms up Dean's thighs. Dean feels the heat of them bleeding through his jeans. Then, holy shit, Cas rests his thumbs on Dean's belt buckle, and makes eye contact.

Dean wets his lips, a little uncertain. He has no idea what Cas is going to do. "Yeah, okay," he croaks.

Cas leans in and kisses him again while he undoes Dean's belt. Like—fuck, like he knew Dean wouldn't want to watch. Dean hears the zipper on his fly, and all at once it clocks that, yeah, okay, this is really happening. Heart thudding in his ears, Dean reflexively lifts his hips so Cas can pull his jeans off. But Cas only slides them down a little. Then he reaches into Dean's boxers and gets a hand around his dick.

Oh. A small, quiet noise drops out of Dean into Cas's mouth, and he turns out of the kiss, panting as Cas pulls him out of his clothes. He's not sure what he was expecting, but this is okay. Just a handjob—he can handle that. It's good, actually. A little dry, but Cas has a light touch, and Dean has decided that he likes Cas's hands. He knows the shape of them very well.

i really enjoyed writing this whole scene, but this was my favorite part. cas technically does get dean’s consent, which was important to cas and a little bit of a big deal for dean too, but dean didn’t ask what cas was going to do before giving that consent, because he almost...doesn’t care? like, dean’s previous experiences with men were all lousy at best, and violent and traumatizing at worst, and arguably none of them were 100% consensual. so part of him is figuring that whatever happens will be within that spectrum, and he’ll just deal with it being awful no matter what it is because he almost literally can’t picture it not being awful. he's not doing it because he likes fucking men or expects he’ll like fucking cas, he’s doing because he wants to be close to cas, he wants to be away from michael and his dad, and because if he and cas are together now that’s part of the package and he’s just done the full “for keeps” commitment bit, so he’s not gonna pussy out now, right? he trusts cas not to actually harm him, and be closer to “lousy” than “violent,” but he is, in his mind, basically giving cas consent to hurt him, because to him that’s what sex with men IS. and he’s understandably pretty nervous because he doesn’t know what’s going to happen - all he’s sure of is that he won’t like it. 

but then he does like it! he likes it a lot! trusting cas turns out to be the correct choice! because if cas had turned him down in that moment, trying to baby him or second guess him, i think dean would have felt really hurt and angry and embarrassed, he would have felt like he was broken or untouchable. which is why cas took him at his word, but ALSO did pretty much the most tame thing you can do and still count it as having sex. so cas managed to thread the needle perfectly because he knows dean so well and he’s literally been inside his mind and witnessed that trauma and knew everything to avoid doing. so for dean it wound up being TRULY consensual instead of the sort of fake consent he’s used to handing out to johns. if that makes any sense. idk i just really enjoyed doing it. i think a valid reading is that dean has this physical fear of men that is just...not explored very much in fic. and it was nice to write something where cas was sort of able to undo or heal a little of that damage. 

#1 - michael

No, no, no—we can't die—we can't die, we are eternal, we are our Father's most beloved, His favorite son—

No no no no no no no no no—I can't die—I can't die—

Light fills the room, reflecting in Dean's eyes making them look as though they glow. And for the very first time, John sees him. John sees him, John sees him, John sees him—

Where is my Father? Is He watching? Can He see me?

Father, help me, I beg You—please, I don't want to die—

I don't want to die—

i could honestly paste the entire michael scene here, there’s not a thing about it i don’t love, but this was probably my favorite part. and look, i waited NINE YEARS to see michael!dean, i deserved to go apeshit!!! i think the fun thing about michael is that he’s a great foil to both john and dean, the literal connecting tissue, especially when he’s hopping bodies like that. he’s dean’s aggressor but he’s also dean’s twisted reflection, nearly broken by his father’s absence. it was impossible for john to see dean as he really is until michael let him see it through dean’s own eyes.

and then “i” at the end - i knew going in that i wanted a “we” pronoun (though i almost chickened out of it), because michael’s in charge but he’s also making his vessel do things with him, like laugh or scream or hurt people. but when michael dies, he’s alone figuratively and literally, because john’s not dying with him, and his own father has forsaken him too - and that’s the way dean so often felt, and FEELING that was probably the only thing that could possibly give john the motivation to be even slightly less self-centered and shitty. 

michael was my whole reason for writing this fic - because i was livid they didn’t use him to tie dean and john together in canon, because the burden of being his vessel is just one more thing dean had to take...this whole chapter, this whole fic, hinged entirety on the batshit insane dynamic between michael and dean and john. and like there are parts of this fic i was insecure about and wished i could have done better, but this? i think i nailed it. definitely the part i had the most fun writing. 

but like, honorable mention?

"Dude," Dean says, flipping on his blinker so he can pull up beside the local grocery, "can we not do any touchy-feely shit, please? That's—"

"Gay?" Sam suggests.

"Get out of my car."

>:)

[shadowed-dancer]

My Thoughts on the New MHA Opening and Ending

I have thoughts, and I will share them because oh boy if I don’t get this out I’m gonna explode

Vague Spoilers for the manga (up to chapter 258 and vigilantes) because I discuss the upcoming arcs, but I don’t discuss any major plot points in detail. Still, proceed with caution if you’re anime only

Keep in mind, this OP and ED will cover the Endeavour Agency Arc and the MVA Arc, so I will be judging them accordingly.

First, the OP

This is a good OP... in theory (that’s going to become my catchphrase for this post). It’s nice to look at and flows pretty well, but my biggest problem is that it doesn’t do it’s job. An OP is supposed to be a sort of... summary (?) of the Cour it plays for. That means any cool plot points, emotional beats, and important characters should be featured in some way, shape, or form. We’ll talk about that more later, but first let’s discuss the music.

The song is really good. I have a feeling it will continue to grow on me as I listen to it more often, but yeah my first impression is that the song sounds great. My only complaint about the music itself is that it ends kind of abruptly (I noticed this is the JT opening too). The previous openings used to have a bit of instrumental to “play us out” and lead us to the end card, but this one feels like it ends very suddenly and unnaturally.

As for the visuals...

Yeah alright I’ll admit, the visuals are stunning... in theory. I appreciate the variety in backgrounds and colours, it makes the OP really interesting to look at. This was actually one of my biggest problems with the JT Opening, it all took place on the training grounds, so there was no variety (everything was metal tubes with a blue sky, with only 3 shots set somewhere different). I appreciate the style of this OP.

But like I said, that’s only in theory, as in, through screenshots these are all pleasing to look at. The pacing of this OP is wild, and I truly don’t know who to blame for this.

That sunset shot above? It lasts approximately 12 seconds, zooming in every few to make it seem like something is happening (when in reality it’s still the same poses, angles, etc). While there’s nothing wrong with a nice, drawn out shot, it becomes irritating when compared to the pacing of the rest of this op.

At the 41 second mark, we are given the shot above. It has flowed directly from the previous sunset scene. We still have not moved away from the image of the trio (aside from the opening shot and the title card) yet we’re approaching the halfway mark of the OP.

The next shot is the MLA, which lasts about 5 seconds. Ok, perfect. Not too long, but also not short enough to be confusing. It cuts away a little fast once the dude on the far left appears, but does anyone actually know who that is? No, seriously, I’m asking. I don’t remember his name and he’s not on the wiki, so I can only assume he’s not important. Therefore, it’s not all that bad if the shot cuts away shortly after he comes into frame. The audience is able to take in the scene without having to pause...

... And then the problems start

While this shot is fine in theory, it pans up fast and  cuts away quickly. You know how hard it was for me to get this screenshot? Really hard. You want to know why I struggled so much? Because, due to the timing of the cut and the way it pans upwards, it’s almost impossible to pause on Dabi’s face. I literally had to go frame by frame to get it, because he’s in shot for so little time that naturally pausing is guaranteed to miss him.

When watching this in real time (without pausing) the cut away makes you feel as if you missed something because “something was there, I just couldn’t register what because now it’s gone”. Unlike Compress, who wears a very colourful coat you can recognize the entire time, Dabi’s pants are more blended into the background.

It also doesn’t help that this shot is literally composed to draw your attention away from Dabi until the last possible second. Due to framing, your eye is naturally drawn to the brightly coloured Toga in the foreground, making it super easy to miss Dabi in the back (until, of course, his bright face appears and contrasts against the background, drawing your eye just in time for the scene to change, leaving you to wonder who or what you missed).

I know this sounds like nitpicking, but this shot is the only group shot we get of the League, and is also the start of a seriously weird trend for the villains in this OP getting the short end of the stick.

Anyways, then we get what I’ll call “The Carousel Shot” in which every Class 1A kid shows up and poses dramatically, as if they were on a carousel. It’s a lovely sequence and I really enjoy watching it but... why is it in this OP?

Seriously, this is a genuine question. Class 1A barely shows up in the Endeavour Agency Arc, and NONE of the students are in MVA. This sequence (not counting the three boys at the end) lasts 8 seconds. Why is this much time dedicated to characters who are barely in the arc? (Unless Studio Bones extends their work studies into fuller plot lines which oh my gosh please don’t do that, or if they do, do it quick).

We then get what I call the “Oh God I Blinked And Missed Everything” sequence, which lasts 3 seconds (not including the longer, moving shot of Shigaraki at the end) and features NINE INDIVIDUAL IMAGES, none of which are related to each other. Not only is this 3 images per second, but the fact that they are all unrelated means you can’t even use previous information to fill in the blanks.

What do I mean by that? Well, imagine if I show you 9 images of various pro heroes posing. If I play that in 3 seconds you’ll absolutely miss some of them, but as long as you catch some you’ll still get an idea of what I’m trying to show to you. Your brain is able to fill in the gaps that “I recognized 4 pro heroes, therefore the rest must have also been pros” even if you didn’t register every single frame.

That doesn’t work if every frame features a completely different subject. The shots in this sequence vary so widely that it’s impossible to find a through line. Some feature multiple characters, some feature one, some are closeups, some are super far away, some are character’s we know, others are characters we don’t. It’s impossible to get a solid read on what you’re being shown.

Now, again, there’s nothing wrong with these super quick shots... in theory. The problem comes from the fact that these shots are the only indicators for some of the major themes that will be explored during this Cour (like Twice’s growth and young Shigaraki).

That being said, let’s move away from criticism and talk about speculation, because hidden amongst this sequence are two... interesting images.

This All Might one is very reminiscent of the shot in Chapter 257, where Aizawa and All Might have a conversation while staring up at the stars. However, this is technically the start of the “War Arc” (or the “prologue”, if that’s what you want to call it), so this might indicate that we’re going to get farther into the series than a lot of us guessed.

(Many people suspected we’d get to that cliffhanger at the start of the season (if you read the manga you know the one), but after seeing the pacing for JT a lot of us assumed we’d be lucky to even finish Endeavour Agency. It seems we’re back to the cliffhanger now though lol). 

This is another really interesting shot because it’s indicative of Shirakumo, meaning we might get to see Aizawa and Mic confront him some time this Cour (this also makes sense, since this confrontation technically happens before that All Might scene I mentioned in the previous paragraph).

But the cat specifically is a really strange addition. That cat is named Sushi and, correct me if I’m wrong, but I don’t think Sushi is ever mentioned in the main series. I think he’s only in Vigilantes.

This might just be a little Easter Egg for Vigilante readers, but I’m personally hoping that they’ll add at least a few Vigilante shots in there to really tug at the heart strings. I’d say I want a whole Vigilante episode but I don’t think they have the time (unless they really cram MVA, which I do NOT want).

I don’t have much to say about the last bit of the OP. The action shot between the 3 boys was nice, and it follows the sort of narrative through line they established from the early shot of them sitting at the sunset. I also like the shot of Endeavour fading in to replace All Might, even if it’s very simple.

But I want to talk about an overarching problem I touched upon earlier in that villain shot: the way the villains are handled in this OP.

This is a good OP... in theory. The problem is, it doesn’t represent half the arcs in the cour! Every shot of the League is so rushed that you can barely register that they were on screen before they’re gone.

I have no idea how many Episodes Endeavour Agency will take, but I’d assume 3 (4 if you count the Christmas episode). 12 episodes for this Cour minus 3 for Endeavour Agency = 9 episodes left. If we truly do get the prologue for the War Arc (and if we assume it’s only 1 episode) that leaves us with 8 villains episodes.

8/12 episodes (aka two thirds of the Cour) will likely be about the villains. And yet they’re pushed to the background so hard in this OP.

I want to dream, and I want to believe that this OP is going to magically change when MVA starts. The song fits super well, and I can imagine like an inversion of the OP but from the Villain side! Wouldn’t that be neat? Imagine right after the “it’s alright” part Shigaraki just freaking decays the title card... oh man that would be so cool. But, alas, I highly doubt they’d do that.

Side rant, but you know what was so fun about MVA in the manga? It’s that, for 21 chapters, we leave the kids behind and the villains become our protagonists. Suddenly Shigaraki is the one we’re rooting for, suddenly we’re learning backstories for everyone, and suddenly we find ourselves just as attached to the villains as we are to the kids. It’s an inversion that’s SO RARE to find, and I think many people (myself included) were hoping it would be reflected in the OP.

A big part of being the protagonist means featuring heavily in the OP, and a lot of us just wanted the villains to get that honour, even if only once. As is, the OP still treats them as the antagonists when... really they aren’t. Not right now, at least.

So yeah, final thoughts on the OP are that it’s good, it’s just not very representative of the arcs it’s supposed to cover. If this was just for Endeavour Agency, I’d say it’s actually really cool, but if we assume that this is what will play for the Villain Arc, then it simply doesn’t do it’s job. And it makes me sad to say that because, again, this OP is really well done.

If I had to rate it? Hmmm

If Studio Bones actually grants my wish and creates a different visual for the Villain Arc (while using the same song) and then this version only plays for the Endeavour Agency Arc and the War Prologue? I’d give it an 8/10. It’s really good, but it could use a few more elements that are clearly derived from the Agency Arc (ahem, Todoroki siblings).

But if this is the OP that will play for the entire Cour? a 6.5/10. It’s nice, but it’s not representative of one of the arcs it’s going to cover. And, unlike other arcs like Pro Hero or Summer Exams, the villain Arc is so important and takes up so much time that it honestly feels like a bit of a disservice.

Now for the Ending

I want to say that I appreciate how soft this ending starts. This cour will likely feature a lot of episodes that end on... heavier themes, and I think the sight of peaceful, falling raindrops is the perfect way to let the audience process their emotions before starting the ending in earnest.

The song itself is very nice, and I like that it’s a bit slower than the more recent endings.

(Side note, but the FUNNIEST moment in the entire series is when Sir Nighteye dies because it’s so emotional and everyone is standing around his bed in his heartwrentching silence, only for the ending to come BLARING IN out of no where. If you forgot how jarringly hilarious it was, go listen to the Eri ending and tell me that’s not the funniest thing this series ever did. Anyways yeah I’m glad that’s not gonna happen this Cour).

This ending is a bit all over the place in terms of it’s visuals, but honestly I think it works. Most endings usually have a theme tying them together (all the Class 1A girls, a fantasy AU, old photographs, planning a party, etc) but this ending’s theme is a bit harder to identify.

That being said, I think it’s just supposed to show everyone going about their day. It’s calm, it’s peaceful, and it’s just very sweet to think about

I like this shot. Actually, scratch that, I like this whole sequence. I enjoy anything that allows Class 1A to chill and have fun.

Hawks is featured quite heavily in this ending which, fair. He’s pretty important in this arc.

I really love the shot where Endeavour immediately switches to Hawks, I thought that was a lot of fun, and very good symbolism on how Hawks wants to be like Endeavour. I also love all the shots of Baby Hawks, because it’s adorable.

Something about this shot is just so cute. It’s the little domestic things like waiting for a bus that make this ending feel... idk the word, real? It shows a side of the characters that we’ll never see in the episodes, but we know have to exist.

Like yes, of course the kids have to wait for the bus. We never see it, but of course there are those moments of quiet. Agh, I love it.

The villains also make an appearance and I’m very happy about that (I’d love to see more of the villains just chilling around, I think they deserve it). I kind of wish they weren’t sitting in a dark room for the sake of being edgy, since I think it would be nice to see the villains just... sort of existing, but honestly it’s still a nice shot. I also like how this shot sort of mirrors the first one with Class 1A (someone coming in while everyone else is sitting and waiting for them).

That being said, as much as I love looking at Dabi and his stupid face (affectionate)... why is Dabi the one getting the closeup?

Mind you, endings don’t need to be connected to their Cours (they can be, like the Eri one, but they don’t have to be). But this ending does seem to be connected to the arcs it intends to cover, given all the Hawks appearances, the boys wearing their work study scarves, etc.

So, I ask again, why Dabi? Out of the six League members, we learn the backstory for four of them in this arc (Shigaraki, Toga, Twice, and we very briefly learn about Spinner). The only two left out are Dabi and Compress.

I can only assume they chose Dabi because he’s constantly in contact with Hawks, and therefore that makes him important? If the OP told us anything, it’s that Bones values the Endeavour Agency Arc over the Villain Arc lol...

... Oh my gosh please tell me that’s not actually the reason Dabi is focused on here BONES WAI-

Anyways, the ending comes to a close with Hawks watching over the kids and Endeavour. The relaxing time is done, it’s time for work studies.

Overall impression? It’s great. It’s hard to screw up an ending, so as long as you have something pretty on screen, it’s wonderful.

I’ll give this a 9/10

[iron--spider]

I woke up at 3am yesterday to watch The Devil All the Time and I’ve been thinking about it since. I’m gonna put my thoughts and feelings and a review of sorts behind the cut, because I am gonna talk about it freely, so there will be spoilers! So don’t click if you don’t wanna see. I’ll also be discussing the content of the film and I know that might bother people, so that stuff is in here, too! And it’ll be really long because you know I can’t shut up.

So, I loved it. I loved it loved it loved it. I read the book a long time ago when I first found out Tom was gonna be in it, and the only problem I had with the book was that the POVs would change in the middle of a paragraph lmao, but other than that I thought it was pretty perfect. I knew the movie was gonna be pretty brutal, because the book is brutal, so I was prepared.

-BUT I think the critics HIGHLY HIGHLY exaggerated how bad the content was. Like, seriously, they acted as if this was gonna be a Saw movie. I was preparing for blatant, horrific gore, but it didn’t live up to their dramatics at all. There’s blood and nasty situations, but every single episode of Game of Thrones is worse than this movie, as are most episodes of any crime drama on a paid network. I actually thought they were super, super tactful of all their horrific shit. The dog death was off screen and the shot of the body (described by the critics as literally traumatic) was so quick (enough to shut your eyes) and in the dark. I also argue that particular moment is extremely important for Arvin’s journey, because it’s the moment he truly turns on his father and turns on religion entirely, and he carries it with him his whole life (it’s what he flashes back to when he says “I know what my daddy did” because it’s the marker of all Willard’s mistakes) and it winds up being one of the last things he does before he leaves everything behind. Burying Jack’s bones. So, like, I despise dog death or any animal death in my entertainment, but it’s important here and handled well. And all the worst death scenes are either extremely fast (Helen’s and Gary Matthew’s) or shown in negative (all the photos). I think Bodecker’s headshot with Bobo is probably the worst and is also pretty quick. I don’t know if this means I’m a jaded bitch, but God the way they were all whining and crying, I thought it’d be a million times worse. It could have been, with the book’s descriptions, so it was actually pretty tame. Lenora’s death affected me the most and they cut away from that, too. I guess it’ll still bother some people, but there are many, many mainstream things that are far more violent and gory than this was.

-I thought it was a beautiful movie. I never mind films that are slightly slower but I love ones that use their time to lay things out and really show us what’s going on, build the ambiance and the relationships. I loved the narration (which I was worried about), and it really made me feel like we were visiting a moment in time that was important. Like something that was written and should be learned about. Rumors in a town you’re passing through. The ghosts of past trauma and transgressions looming over everyone that’s left.

-I liked the changes they made with Roy and Theodore because I thought that storyline kinda meandered in the book and I’m glad that Roy was actually gone the whole time and not just neglecting to come back to Lenora.

-The only real complaints I can make, I’ll get out of the way here: I wanted a little bit more time with Carl and Sandy. Carl was really creepy, but he could have been much creepier. In the book he was the one looking at the pictures constantly, Not Sandy, and that really showed that he was the one with the sickness, the one pushing them forward and orchestrating it all. I thought they did well with showing how Sandy deteriorated in her efforts with him through the years, but I would have liked to see a bit more of their personal lives together and her fear of him and her genuine feelings about what they’re doing, because the book goes into that a lot more. I also wasn’t a fan of Lee finding the picture early and knowing some about what they were doing, because I liked how it was a surprise to him in the book and yet he still did all he could to cover it up. And lastly, in the book there’s a scene with Arvin after he kills Sandy and Carl where he’s in a motel and he takes like 18 showers because he can’t get the grime of what he’s done off of him, and he looks at the picture and has a nightmare about killing Sandy, and I really would have loved if they’d kept it in. It would have been another ‘acting’ moment for Tom, and it would have been nice for us to see his direct trauma and reaction to everything that’s piling on top of him.

-BUT that’s it. I loved pretty much every single other thing and decision that they made. The cinematography was TOP NOTCH. You could tell they filmed on 35mm film, you could see the grain, and it really, really added to it. Antonio Campos is a very skilled director and I trusted him at the helm of this story. Everything looked so authentic, all the sets and the costumes. The soundtrack and score were AMAZING and enhanced the film. Technically it was just perfect in every regard to me.

-Acting! Acting! God this was like...a massive testament to the casting department and the talent of these people. Everyone was on their A game. Bill Skarsgård has been on my radar since Castle Rock (which I recommend to everybody, both seasons) and he was so natural and great in this role. Haley Bennet was absolutely adorable as Charlotte, I loved her cute face and her sweet relationship with little Arvin. Riley Keough was so great as Sandy with the limited amount of time she had, and Jason Clarke is one of my favorites but he was unrecognizable in this as creepy ass Carl. Harry Melling was a far cry from Dudley Dursley and he did a great job with his screen time, too. Same with Mia Wasikowska, who didn’t have much to do (same as poor Helen in the book) but she was able to garner our sympathy anyway. Seb Stan was slimy and gross but he pulled it off so well. Eliza Scanlen has been one of my favorites since Sharp Objects (another one that’s brutal as hell but I recommend it, she’s so scary) and she was so, so great here. Robert Pattinson was ALRIGHT, everybody talks him up over this but he felt a little hammy to me and a little too over the top, but there’s no denying his talent.

-Now, the reason we’re all here. Tom. My God. As soon as it was over I just didn’t know what the hell to do, I didn’t even know how to....go on, lmfao. We all know he’s talented, that’s why we’re here, that’s why we love him, but his performance in this is just BEYOND all that. Beyond comprehension. The man is only 24 years old and he’s out here outacting people who have been in the industry for longer than he’s been alive. He is SHOCKINGLY good. I knew he’d be perfect for Arvin as soon as I read the book, but he just completely embodied this role in a way that I couldn’t have imagined. He doesn’t show up in the movie until about 45 minutes in (which doesn’t hurt it because of the strength of the leadup, Bill’s performance and the performance of little Arvin’s actor) but God, as soon as he’s there the whole thing comes to life in a way that it hadn’t before. Tom is literally just a shining light, and he draws your eye in every single scene he’s in, and when he’s not there you’re wondering when he’s gonna come back. Arvin, to me, is a very complex character—he has been inherently changed by how his father twisted religion in his childhood, how deeply he betrayed him by his behavior, but he still has a kind heart and a protective streak and the need to be strong despite the pain nearly breaking him apart from moment to moment. Tom is just outrageously good at portraying all Arvin’s little nuances, how he clenches his jaw, how his voice breaks when he’s afraid or trying to convince someone of something or get his point across, how his hands tremble after he’s done something he wishes he didn’t have to do, how his whole body wilts when he realizes he’s emulating his father. And his eyes. Tom can do so, so much with his eyes that it’s unbelievable. He tells you so much with just a simple look, a glance, a wince, a long blink. I’m not exaggerating when I say he’s just an absolute revelation in this, he cements his place in Hollywood with a firm hand and a tender look, and I will not be forgetting what he did here anytime soon. There’s a reason that everyone called him out for being so stunning in this. He is magnificent. He has a gift.

-I wanna say, in particular, how much I love Arvin’s relationship with Lenora. Their lives were both marked by such tragedy and pain and Arvin just took up the torch of protecting her from the moment he said hello as a child. He wants so badly to be tough, and he IS, but there’s just miles and miles of love in this boy’s heart, and it manifests itself for his family—for his uncle, for his grandma, but for Lenora in particular. I loved how he just showed up when she was being harassed and just ran in there without thinking, and it’s purely devastating that he was out taking care of her bullies while a worse predator was cornering her. The scene where she was sick wasn’t in the book but it was a beautiful addition. Tom sometimes wears this very open, unguarded, honest expression, and this is the only scene in which he shows it, and it really expresses the love between them and how much she means to him. Arvin didn’t find Lenora’s body in the book, but it was the right change for them to make. Tom was devastating here, and that pain and that moment truly fuel every second of his journey through the rest of the film. “My Lenora”. The saddest siblings. Both Eliza and Tom did so beautifully with this relationship and I hope they work together again.

-Favorite acting moments for Tom: when he’s in the car in the rain after beating up the bullies, when he’s in the church crowd and realizes Preston is insulting his Grandma (the way his face changes oh my GOD), when he finds Lenora, when the cop comes to tell him Lenora was pregnant (this is just....so damn good), when he was telling his uncle to look after his Grandma, THE ENTIRE CHURCH CONFRONTATION (the way he trembles when he’s trying to get his attention, how he speaks the whole time, how he slowly gathers his strength), when he thinks Sandy has shot him, the moment where he’s over Lee’s body and just....pleading with his eyes for him to listen and realize what he’s done. And the last scene, in the car, all the emphasis on his face....once again, he can do so, so much with a look, with his eyes. Someone called out the beautiful last shot in the film, and of course, it’s Arvin’s sleeping face. And it was so beautiful (and devastating, to think of him enlisting. Tom draws so much sympathy that you just want Arvin to have a normal life so badly. He deserves it, he does, but will he get it?)

-Last thing I’ll say, I really loved how, despite turning his back on religion, that God seems to be protecting Arvin the whole time. He’s terribly afraid confronting the preacher and that could have easily gone badly, especially when he tosses the book, but Arvin was somehow able to get a shot off and get the upper hand. And with Carl and Sandy, he senses something is off immediately once they pull off the road, and he would have absolutely been killed had Carl not switched out Sandy’s bullets for blanks. And in the confrontation with Lee, he once again shoots at the same time as him, shoots without looking, and manages to come out unscathed and on top. A few spoiler reviews pointed out that the last person that picks Arvin up is supposed to be a Jesus-like figure, almost like he’s finally been saved. It hurts that everyone around him that he loved is almost forsaken by God, but he himself is protected. It’s such a complicated commentary on religion throughout the entire piece, but it’s so interesting and engrossing.

So I’d recommend this movie to anyone that loves movies, loves Tom, can deal with a gritty story that takes its time laying out all the chess pieces. It is definitely heavy subject matter but it doesn’t go overboard with the horror as it easily could have. Yes, there are triggers to look for, but the critics hugely over exaggerated how awful it was. I can probably go get time stamps for certain things if people wanna ask me after reading this, but if you can get through a Tarantino film or any HBO drama, you can do this. And Tom’s performance is one for the ages and not one that deserves to be passed over or downplayed. It is beautiful and heart-wrenching—a magnificent turn that displays his monumental ability to reach out and guide you into any world he decides to make his own.

I loved The Devil All the Time.

[renegadewangs]

Van Zieks - the Examination, part 5

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3 Part 4

It’s time to return to the first game for case 5, The Unspeakable Story!

Episode 5: The Unspeakable Story – Part 1

Prepare yourselves, this is a big one! So big, even, that I'm going to have to split it into two parts. Fortunately, we can skip over the entire Investigation segment, because virtually none of it is relevant to Van Zieks. In fact, we don't even learn Van Zieks is the prosecutor until we enter the courtroom and see him standing there. Somehow, no one thought to ask who Ryu would be facing. What we do learn during the Investigation is confirmation that McGilded was indeed a lying scumbag who murdered Thrice-fired Mason. He asked Gina to lie for him in a court of law, too. So indeed, Ryu backed the wrong horse in The Runaway Room and Van Zieks was right to suspect the defense of deceit. He was wrong in how he worded half his arguments, though.

An extra thing worth noting is that after the conversation in which the blood is found on Gina's coat and the truth of McGilded comes out, it's revealed that Gregson was hiding nearby in the shadows. He insists he didn't eavesdrop and only just walked in, but it's implied much later in the trial that he knew about the blood on the coat. This means that Gregson is, from this point on, holding the full knowledge that McGilded was McGuilty in the omnibus murder.

So into the courtroom we go, where it is shown we're facing Van Zieks. (And nobody is surprised, because who else would it have been? Auchi?) It is now two months after the Runaway Room and the two Clouded Kokoro cases, so immediately upon starting the trial, the judge basically asks Van Zieks whether he's gone insane- in his own words, that is. First he asks how many years it's been since Van Zieks retired, to which Van Zieks replies that it's been five. The judge notes that Van Zieks resurfaced rather suddenly two months ago, (then basically handled three cases in a single week,) and showed up again today.

HAH. I love how on the nose this judge is when it comes to dissing the prosecution. He goes on to state that Van Zieks used to deal exclusively in matters concerned with 'the highest echelons of society and government', yet today he's trying 'a simple case of burglary and murder'. We already learned this from Gregson in case 1-4, but it's nice to have it repeated again.

Van Zieks replies that there's two things he cannot abide: “Wealthy scoundrels who hide behind a mask of philanthropy-” (hi McGilded!) and... “Secondly- even more loathsome... Those wily scoundrels who masquerade as allies only to effect total betrayal in the final hour.”

So that settles it then. He's specifically taken on his three most recent cases because there were Japanese people involved. He's also outright admitting that which Ryu had already guessed: Van Zieks hates Japanese people and going by his wording (“betrayal”, etc.) he has some bad experiences. Ryu wonders whether that 'torrid look of hatred' in Van Zieks's eyes is directed at him or at all Japanese people. Frankly, I think that in a subconscious sense, it's neither. The way I see it, that torrid look of hatred is directed at a man who died ten years ago. But I'll get back to this when it's time to address the backstory. The judge finds that an “alarmingly scathing explanation”, but welcomes the Reaper of the Bailey back to court all the same.

I love the implication that Van Zieks can apparently just come and go as he pleases in terms of prosecuting. Retirement can just be upturned on a whim and he's allowed to choose any case he wants. Who even is keeping him informed on which cases are happening and who the defense is? Is there a Chief Prosecutor in play we don't know about or is Stronghart slipping notes into his letterbox? Or has Van Zieks been entering the prosecutor's office every day for the past two months, demanding to hear news of 'that Nipponese attorney'?

So anyway, Van Zieks lays out the opening statement, pours himself a glass of wine, accuses Ryu of jumping to conclusions and reveals that he has witnesses. Remember when he threw aside his cloak halfway into 1-3 and it was seen as a big deal? … Yeah. It's not much anymore, now. He gets rid of it before the first witnesses have even taken the stand. The guys called forth are literal criminals who happened to break into the scene of the crime and, according to Van Zieks, “will face trial in the very near future” for their “various trespasses”. Alright, so he's acknowledging he's called forth some sketchy witnesses, but considers the murder itself far more sinister than their burglary.

Ryu manages to prove the taller Skulkin brother fired a gun at the crime scene and in doing so, struck poor innocent (S)Holmes. (Ryu presents a picture of a blood-stained calendar with a bullet in it to prove this, yet ten minutes later, he'll present the exact same picture and the entire court will act as if they'd never seen it before. Awkwaaard.) Van Zieks pours himself another glass of wine, toasts to Ryu's incompetence and later has another micro-aggression:

Scumbag points! And also possibly hilarious foreshadowing if he's referring to either Asogi Sr. or Mikotoba here. Though it's hard to say how well acquainted Van Zieks was with (S)Holmes and his partner roughly 16 to 10 years ago. Anyway, Van Zieks flings another chalice and basically admits that he already knew these two criminals gunned down (S)Holmes, but made a deal with them not to get into that. Though technically, Ryu was the one who got into it by proving it in court, so Van Zieks didn't break any unscrupulous deals. And maybe he was even expecting Ryu to do so? Maybe that's why he was pushing Ryu to present evidence? Either way, Van Zieks now owes 'his Nipponese friend' a word of gratitude, since he helpfully confirmed the two brothers couldn't possibly have shot the victim. Only one bullet was fired from their pistol, after all, and if it hit (S)Holmes it couldn't possibly have killed Windibank.

Van Zieks proceeds to “take a moment to consider the aforementioned Great Detective, Mr. Sholmes” (KEEP THIS LINE IN MIND), and brings up the security cameras (S)Holmes planted at the pawnshop so that he can present a picture of the defendant waving a pistol at the victim. Why didn't he present this evidence immediately instead of asking two shady burglars to testify? Who even knows, man. He's being erratic, just as the judge said. The jurors have seen enough and vote guilty, so it's time for a Summation Examination! Van Zieks poured himself another glass of wine before Ryu even asserted his right to that, because he knew it was coming. He has to stand in silence and so he will drink.

(Juror No 1, aka Mr. Garrideb, proceeds to piss me off by oggling the maid juror. I thought the whole point of this character was that his wife misunderstood and jumped to conclusions; that she's been punishing him wrongfully since he does indeed love her and will stand by her side no matter what, but apparently not.) Some tomfoolery later, we require the prosecution's help to prove stereoscopes are just as cool as wireless telegraphy.

I honestly think it's hilarious that he's meant to stay silent but has broken that rule several times, so now we're taunting him by asking him a direct question during the Examination. So after it's been proven the two criminals moved some stuff around inside the pawnshop, four jurors vote not-guilty and the trial continues. The two witnesses get called back to the stand and---

… Okay. So he definitely is against perjury. He seems to hate it, even. He apparently keeps giving them the evil eye as they testify, intimidating Ringo into telling the truth. But I just can't shake the memory of him feeding a lie to Shamspeare in Memoirs of the Clouded Kokoro. Also, the game very much caught me off guard during this testimony when I presented a piece of evidence which wasn't correct, but instead of leading to a penalty led me to a unique set of dialogue not found when presenting other wrong evidence. That is to say, I presented a picture of Gina holding the sole gun to disprove the testimony that both she and Windibank were wielding guns, which led to:

Isn't that what we often do in these games? Van Zieks clearly hasn't been paying attention. Anyway, the judge points out that so long as I couldn't prove that Gina was still holding the only gun some time later, when Windibank was shot, the evidence wasn't relevant. So I had to present the picture of Windibank's body (not holding a gun) instead. Ryu manages to point out through that picture that the Skulkin brothers were lying and-

OKAY OKAY. I GET IT. Van Zieks hates perjury with a burning passion and Memoirs of the Clouded Kokoro messed up. The trial continues on to the point where Ryu manages to suggest that the Skulkin brothers shot Windibank and Gina then locked the door to save herself. At first Van Zieks is shocked at the notion, but after Ryu details his logic, he just puts his hands down on the desk and chuckles.

This is the first time we see something close to laughter from him, and it's not even really laughter. It's just a malicious, bitter little noise. In fact, we've never seen him smile. He's not even smiling now, as he cackles. That's a stark contrast from other prosecutors, who all smile/smirk as they gloat. Barok's facial expression barely changes at all. Are they building up to something? Anyway, the judge wonders why Van Zieks finds this amusing, as he found the argument quite persuasive himself. Van Zieks pours himself another glass of wine and says:

“But such blatantly malicious conjuring tricks amount to nothing more than inexcusable pettifoggery here. Because you see, it contains a fatal flaw!”

Scumbag points! He then proceeds to imply all the members of the jury are too dimwitted to count (as he flings his chalice). Bullets, that is. There were two bullets found at the crime scene and there were two guns recovered, each having fired one bullet. So if the Skulkin brothers had shot (S)Holmes, they couldn't possibly have shot Windibank as well.

Bye wine bottle, rip person sitting behind him. Van Zieks proceeds to slander Gina for being “far from a law-abiding citizen” and having “a past riddled with criminal misconduct”. To further illustrate his point, he presents a piece of evidence that the defendant attempted to steal the day beforehand, not with the subtlety of a pickpocket but by brute force and brazen impudence. Gregson loses it at this point, shouting out a loud “Hold it!” before losing his nerve and stammering his way through his protest. He mentions that there was a meeting with the prosecution service where it was agreed that piece of evidence wouldn't be used. Ryu is baffled and thinks this:

And now I'm baffled as well, because thinking back on it... Yes, Gregson has talked about Van Zieks before in Investigation segments and has been called in to testify, but as far as I can recall, he hasn't ever addressed Van Zieks directly. Fascinating stuff. Van Zieks says he's unaware of this meeting- probably because he found out Ryu's defending later on and snatched this case up at the last second. Perhaps even took it from the originally-assigned prosecutor with brute force and brazen impudence. Gregson insists that 'the government bigwigs' were very insistent about not using the disc as evidence, to which Van Zieks says:

Good gracious, Van Zieks is a loose cannon! … Or wait, maybe he's a reckless renegade? Or is he perhaps a prosecutor on the edge with nothing to lose? (Alright, put on a pot of coffee- we're gonna get to the bottom of this!) ...Either way, the prosecution thinks it's sufficiently made its case by establishing motive, opportunity and baseness of character.

OY! I thought you don't read third-rate detective stories! But Iris specifically wrote that line into existence, so he must have. Me thinks we've got a closet Adventures of (S)Herlock (S)Holmes fan on our hands, here. The jury buys into his slander, votes guilty, Iris accuses him of being mean and Ryu enters Summation Examination mode a second time.

Oh he knows what he's in for. He knows. Several minutes of talking about bullets later, the topic of (S)Holmes's waist pouch is brought up and Iris wonders whether perhaps the bullet hit one of the glass vials with flammable content. Van Zieks suddenly speaks up with an “If I may...”, catching the startled attention of Ryu in particular.

“I should inform the defence that I have the pouch in question in the antechamber outside the courtroom. As I understand it, when the police arrived on the scene and found Mr Sholmes injured, they removed the pouch in order to assess the wound. Since then, it has been in my safekeeping along with all other evidence relating to the case. I can personally vouch for the fact that it has not been touched since the incident occurred.”

This whole plotline cracks me up with how little sense it makes, considering the position of this pouch on (S)Holmes's outfit. But I'm not here to criticize plot-convenience of evidence, so let's move on and look at what's actually happening here. The defense is discussing possibilities with the jurors in hopes of changing their minds towards a not-guilty and instead of keeping silent, as he's supposed to during this moment, Van Zieks actively speaks up to admit he has a piece of evidence which may be of assistance. It's entirely possible that the pouch would have all three vials intact and thereby dismiss the theory that the bullet hit one of them, but... Regardless of whether he remembers seeing a broken vial with his own eyes, he's taking a risk by showing the pouch. He could've played by the Summation Examination rules, kept his mouth shut and then later when it comes out he had the pouch all along, just remind everyone he wasn't allowed to speak. That's what most prosecutors would've done. Naturally, it's revealed there was indeed a broken vial and some scorched leather, and even closer examination reveals a third bullet we can present to the jurors.

Scumbag point! So with all the confusion on the third bullet and the implication of there being a third gun, the judge does something pretty extraordinary. He doesn't wait for the jurors to change their leaning and instead actually suspends the Summation Examination until the matter is cleared up. This implies any judge has the power to overrule juror leanings, at the very least during Summation Examination, when they feel the case presented by the counsels is lacking important details. Anyway, closing argument on hold for now and the Skulkins return to the stand. Barok looks them straight in the eyes with his usual evil eye and asks them whether the third gun is one of theirs. When that's denied, he asks whether they had an accomplice, which is also denied. And it's kind of funny, because only a few minutes later when Ryu implies they had an accomplice, we get this line:

“Yet in all that time, there has been not a murmur of a third man. If this apparently wraithlike being exists...” pause for chalice crush... “The court must be shown hard evidence!”

But Van Zieks was the one who questioned the Skulkins about an accomplice earlier, so... Indeed, we don't have evidence, but the murmur was definitely already there. So now the prosecution wants two things: evidence there was a third person on the scene and their identity. The game prompts two options: Either present an answer to the prosecution's demands or, y'know, don't. Naturally I chose the latter option to see what happens and it goes about as well as you'd expect. Ryu stutters and trails off, Van Zieks notes the defense is unable to complete a sentence, let alone provide credible answers... Iris takes the place of Susato in telling Ryu off for faltering, so Ryu desperately tries to catch himself and push his argument. Van Zieks says: “So, my Nipponese friend, despite the swimming eyes you seem to think you have something to say...”

PENALTY FROM THE PROSECUTION, oh how I've missed you. Loading up the savegame and choosing the first option actually also leads to the exact same line of “so, my Nipponese friend, despite the swimming eyes you seem to think you have something to say...”, just with a slightly different posture and followed up with the words “this promises to be interesting.” Ryu presents the blood sample on the calendar once more and as I said before, the court acts as if they've never seen this picture before. Hilarious. Van Zieks asks why the blood is depicted as green and Ryu explains it's because of a new chemical (S)Holmes invented. The green blood is then linked to Eggert Benedict through the music disc. The court gets very excited, but much like the skin prints in case 2-2, this isn't admissible evidence. Van Zieks says “this has gone on long enough now. This flagrant ignorance of the mechanics of law.”

“The protagonist in a series of short stories for the vulgar classes. A god of detection or some such. And now you employ chemical substances devised by this fantastical persona in the highest court in the land? Do you expect us to take you seriously? The samples made by this plaything are not fit to be called evidence.”

These lines! I had a quick look at both Scarlet Study's and Taisa's scripts, and there Van Zieks outright accuses (S)Holmes of being a fictional character. He doesn't actually diss the stories themselves though, nor is there anything similar to that plaything line. He only says the chemical itself is 'rubbish'. What ultimately kills me is the “Yes, I’ve heard the name” as if this is the first time it’s being uttered in the courtroom. Let's be merciful here and take case 2-2 out of the equation. Yes, (S)Holmes is mentioned several times there, they establish the two have some sort of history and he even enters the courtroom at one point to address Van Zieks directly, but that case was developed after this one so accidental retcon is bound to happen. No, let's look solely at the cases in the first game. (S)Holmes has been mentioned several times throughout the course of this trial, even by Van Zieks himself. Even better, Van Zieks was the one to present photographs taken by one of (S)Holmes's playthings earlier on. OOPS.

Ryu enters despair mode because there really is no way to prove that the color green is unique to Eggert Benedict, nor would it be accepted as evidence to begin with. But that's okay, because much like the skin prints in 2-2, it was never about having it filed as official evidence. It was about influencing the jury and as Iris so smartly points out, the Summation Examination was suspended earlier. This means that technically, it's still going on. It doesn't matter what the prosecution or the judge thinks of (S)Holmes's invention, it only matters what the jurors think, as they now have the power to force the trial to continue. Naturally, the majority votes not-guilty. Van Zieks objects rather ferociously. “My lord, with all due respect, this is an outrage! The prosecution refuses to accept this decision!” (heehee, I really enjoy these lines. With all due respect, indeed.) The judge asks on what grounds the prosecution is objecting, and Van Zieks says:

“Then they are too ignorant to be trusted with the judgement of anyone's guilt!”

Gosh, he really doesn't enjoy how 'gullible' the jurors are, does he? Or rather, he gets frustrated when the jurors begin to think for themselves instead of taking the prosecution's word for it. The judge sets Van Zieks straight by basically reminding him that this is how the court works.

It is so satisfying to watch him squirm. Van Zieks wants us to play by the court's rules, so we're playing by the court's rules and now he's got no more comebacks. This is it folks, we're subpoena-ing Egg Benedict! He does indeed show up to court after a brief intermission and reveals his true name to be Ashley Graydon. Graydon expresses haughty dismay that the highest court of the land was swayed by some self-professed detective's homemade tincture. Van Zieks tells him it was the will of the jury, and their great British justice system demands that the jury's will is upheld. Graydon calls the jury members inept, as Van Zieks has done many times before, but agrees to testify. Ryu attempts to needle this guy several times by asserting he was definitely at the crime scene, but indeed, the blood sample doesn't count as evidence and Ryu doesn't really have anything else to back him up. Van Zieks oh-so-kindly reminds him that the obligation to prove the defense's assertion lies with, well, the defense. Eventually we do get there and Graydon starts making up some bullshit story about how he met McGilded in a gentlemen's club and bonded with him over unique music box music, so that's what that disc was. Van Zieks points out that Yard have indeed been gathering items believed to have been McGilded's property, presumably to aid their investigations. Gregson once again loses his composure here and tries to shut the conversation down.

Gregson and Van Zieks continue to banter back and forth about how Gregson is definitely not allowed to talk about these things and Van Zieks should also know better than to pry. Even Ryu thinks it's strange the two of them are bickering like that. Anyway, we're not allowed to discuss the McGilded stuff, so back to Graydon and his breaking and entering! Van Zieks asserts that if the police confiscated the disc beforehand and Graydon saw this happen, there was no reason for him to break into the pawnshop anymore.

Oooh, that's some tasty triumph over Van Zieks's ignorance! Ryu brings up the second item pawned by McGilded, a 'small box'. Van Zieks insists that no such thing was stolen from the pawnshop and he can prove it, since he has a picture of the shelves from before the break-in and one from after the break-in. You know, the pictures taken by that idiot detective's silly little plaything! Through the magic of stereoscopes (or the 3D Slider in the 3DS version), Ryu can see that a small box was moved.

It's absolutely hilarious that most of the court has to go cross-eyed to do the stereoscope thing and then there's Van Zieks, with a fancy stereoscope device that he just happened to have with him in a trial he couldn't possibly predict would require a stereoscope. He's so extra! Ryu asserts that if the box was moved, they have to raise the question of what was inside it and send the Yard to retrieve that thing at once. Van Zieks objects, saying that “some little box belonging to a man who died two months ago can't possibly be relevant to this trial.” The judge doesn't see it his way, though, and overrules his objection. Nice! So officers are dispatched to Baker Street to fetch the box and Van Zieks grumbles to himself about being hoodwinked by a farce.

The judge once again doesn't take kindly to Van Zieks's attitude problems and I love this. I can't wait for the prosecution to be penalized, because it feels like it's right around the corner here. Van Zieks elaborates that this whole thing is nothing but a smoke screen; a Nipponese specialty. Scumbag points for this one! I can't entirely connect this to Professor foreshadowing, I think it's just him being petty. Either way, he's going to jump through hoops now. Mere minutes ago he established that the Yard is still investigating McGilded's stuff and the 'aftermath' of his activities, but he's flipping it all over now. He begins to talk about how McGilded died two months ago, immediately after the trial in which he was found not-guilty.

“So I propose a toast. To my learned friend, and his most... insightful defense.”

So the logic being used here now is that McGilded was a fine, upstanding citizen and anything he pawned was truly innocent/ordinary, so why would someone want to steal it? The only way to prove that there's more to these items than might be apparent would be for Ryu to reveal that the acquittal was a mistake and the defense's argument was based on false information. They all suspected this two months ago, though. It was made abundantly clear that the only reason McGilded walked free was because nobody could say for certain whether the evidence was tampered with. Either way, Ryu's cornered now and wondering to himself whether Van Zieks knows the items in question are related to the omnibus murder. He probably does. He has access to the evidence, which means he has access to to the pawn tickets which hold some very specific dates on them.

The game gives Ryu an option whether or not to have Gina testify about what happened two months ago, but this option isn't real. If you choose 'leave it', Ryu still decides within two lines of dialogue that they have to uncover the truth. There's no penalty for stalling. So Ryu calls for Gina to testify and Van Zieks definitely knows what's up.

“In particular, the impact it will have on the accused's standing... And indeed your own.”

So this is a warning, clear and simple. Van Zieks knows shit will hit the fan. Or, as he later phrases it, it will bring the court down around Ryu's ears. But Ryu insists upon the testimony, the prosecution agrees and Gina is put on the stand. The judge tells Graydon he can step down, Graydon promptly sees this as an excuse to leave and bids them all a good day, but Van Zieks tells him to wait.

Oh, this... I like this. By now, Van Zieks has caught on to Ryu's little trick of watching the reactions from other witnesses during testimonies. He's purposely making Graydon stand there and listen to Gina's testimony just in case he reacts in such an overdramatic way, Ryu can pursue it. Iiinteresting! Now it seems as if he's on our side, but we're not quite there yet. Before Gina can begin her testimony, Van Zieks reminds her that if it turns out she willfully withheld information two months ago, she'll be prosecuted for perjury. That's just an intimidation technique to get her not to reveal what she withheld. … Which is weird, because you'd think Van Zieks would want her to spill those beans. Either way, with some encouragement from Ryu and Iris, Gina begins to talk about the lies she told. Aaand we're ending the essay here for now, because we're only about halfway into this disaster of a trial and the plot will only thicken from here on out. Stay tuned for part 2 of The Unspeakable Story!

[giantroboticplatypusbutt218]

Okay so I was looking at the Loonatics Unleashed fandom wiki for no particular reason I swear and I have come across some mildly interesting discoveries about the content of said wiki. I guess this is like... kind of a weird partial wiki review? Is that strange? Under the cut, some spoilers, yadda yadda yadda.

1.  Something I couldn’t stop thinking about after watching the show was the fact that Ace and Lexi have like... no interesting personality. Since the wiki was right there I figured, “Hey, there’s usually a personality section on their character pages, maybe I just didn’t notice something.” So I looked at Ace’s page. 

His personality section is tiny. And what is there is stuff like, “he may have a sweet tooth,” and he’s, “cool, calm, and collected,” three words which basically mean the same thing. 

Next I checked Lexi’s page... which... hilariously... did not even have a personality section. But don’t worry guys! She’s got a section unique to her called, “fashion sense,” which goes into great detail about her not wanting to look fat.

Curious, I checked the other characters pages as well. 

Slam, unlike Lexi, has a personality section, which is incredible, considering he’s on screen for a fraction of the time she is. But Lexi is not alone in having no personality(according to the wiki) as Rev apparently doesn’t have one either. Like, come on. Nobody editing the wiki could think of one trait that he has? Even Slam got a line about having great battle strategy. Nothing about being enthusiastic or fiddling with Tech’s things or desiring his dad’s approval? Uh, okay then. Speaking of Tech... he got one line about being warm hearted and protective of his inventions... Yep. That’s... definitely all his traits... Totally... Ugh... 

Duck has a fully fleshed out personality section, which, makes sense since he has a very well defined personality and most interesting interactions with the rest of the cast. There are still problems with it though, like talking about his powers in the wrong section and another thing I’ll go over later.

2.  Also along the lines of the “Ace is bland” thought I had, his Powers and Abilities section is pathetically short. I mean, he has four tiny bullet points: One is about having great agility which isn’t needed because another point is that he’s skilled at martial arts which requires great agility. There’s his laser vision, and then apparently he has infrared vision? I mean, I’ll believe the wiki this time but I straight up do not remember that. It must have been one of those things that wasn’t brought up much. (Also it didn’t mention his swordsmanship which is strange.)

Most of the other characters’ sections of their abilities are pretty standard, but I have to note that Rev’s section is MASSIVE. One of his listed “abilities” is literally the ability to talk which uh... is strange. It’s noted that he talks fast, but that just seems to be a common trait of roadrunners as far as I can tell. Rip was the strange one for talking at a slower pace. Either way... I guess the ability to speak is an ability. Strange to put it side-by-side next to things like “super speed” and “flight” though...

3.  There is straight up incorrect information and strange assumptions in a few places. A lot of those things come from Rev’s page and specifically his Trivia section. 

Small complaint first, the page mentions the sound the original Roadrunner makes a couple of times and spells it as “meep, meep,” which the actual sound is “beep, beep,” an imitation of a car horn. Pedantic, I know. 

Okay first true complaint, the wiki assumes Rev’s the youngest solely based on the fact that he’s hyper. Uh... he could also be hyper because, and stay with me here, his power is super speed... and also some people are just hyper? IDK. I have to mention he seems like someone that would’ve gone to college given his family’s wealth and history with being engineers, along with his own technical knowledge, making him similar in age to Tech and Lexi. But odds are all members of the team are college aged and none of them are notably older or younger than the others. (Wait the Trivia page mentioned him being hyper but he still didn’t get a personality section with “hyper” in it???)

Another incorrect “fact” in the trivia section is that Rev’s the only character whose family is shown in the show. It was brief, but we saw Duck’s parents in the flashback of him and Pinkster in the orphanage. Yeah they’re just some boring humans but they’re still his parents. 

I guess this counts as a complaint? Uh, maybe I’m missing something, but the wiki claims Duck has sibling relationships with both Ace and Lexi, which... like... I swear I don’t recall from actually watching the show. I do recall him calling Lexi “sister” at least once, but like, in a sassy friend sort of way? And I just... straight up don’t recall him and Ace having any interactions that would denote them as being brother like. Is this just someone deciding that being Good Friends that learn from each other constitutes a sibling relationship again? I’ve seen it happen before. (Don’t ask, it’s stupid.)

Lastly, whoever wrote Lexi’s page seems desperate to ship her with Ace, but like, as professionally as possible. The section on her relationship to Ace is like “their relation is unclear, but she could possibly LooOOoove him~” Then it goes on to scrape for every time she showed concern for him, but also says she keeps her emotions hidden? Guys there’s a word for when someone is in a mutually caring relationship that isn’t a romance. It’s called being friends. Best Friends if it’s a little deeper than normal. Shhh. It’s okay. I know a man and a woman being friends is scary but it can happen. Everything will be fine. 

4.  As I’ve ironically noted a few times already, there are a bunch of redundant pieces of information on some of their pages. Most of the time I think it’s just due to padding. Like, Lexi has 4 bits of trivia and one is, “she likes video games,” and another is, “she’s good at video games.” You uh... couldn’t just make those both one point, huh? I’m not gonna count information being repeated through sections because sometimes context is important. 

-

Yeah so reading the wiki was... something. I mean I don’t blame the wiki of a 2005 Looney Tunes spin off for not being the most well loved and complete, and I’m sure it’s probably been vandalized a few times for lols, but I just thought this stuff was worth noting nonetheless. Mostly it means I can’t entirely trust the wiki when it comes to information regarding the show. 

[trashcatsnark]

NGL I love how much you have embraced the silverv stuff here - its so nice to read. I submit for consideration, Rogue notices the tattoo while on the disaster date and both Johnny and V play it off as a joke and holy shit poor rogue stuck in a room with two morons.

Also - V getting dressed for that date and realizing they just MIGHT be a little jealous with a side of some thoughts of "Oh God Johnny Would NEVER Feel That Way About Me Gotta Bury This Deep So He Doesn't Know"

Johnny notices the anxiety but is very dense about the cause.

Oh hell yeah, I have fully embraced it and this ship; I was writing SilverV porn before the game came out, like I knew what my ship for this game was gonna be from the second I saw gifs of

“You’re a dick, Johnny” 

“And you’re a cunt, so maybe we’ll fit together after all.” 

That banter sealed my fate and I’m fairly sure I had named and created my V then wrote porn of her with Johnny literally a week later. The devil works hard, but my brainrot works harder and faster. 

Spoilers! 

Okay, so I’ve thought a lot about that date in both a silverv context (and largely how it fits with my V, Aidan and her fic) I’ll try to stay general though. 

Firstly, I whole heartedly believe Rogue sees through their bullshit. Not only is she just good at that, but Johnny even states she has MRE’s (?) and can see through people, like her eyes can pick up on signs of lying. And usually, thats not an issue for when V talks to her, but when she asks about Johnny and their relationship with him. Its a mess. And when Rogue asks Johnny about it, its a mess. 

And when Rogue notices the tattoo it’s like Oh... I get it . And Johnny is of course like, “hahaha, yeah I thought that’d be so funny, the kid hates it.” But Rogue isn’t stupid, she knows a lovey dovey heart with their names, something that looks like someone doodled it on their third grade notebook about their crush, is not really typical of Johnny’s “joking” She knows that if Johnny is not really the kind of guy to hahahaha its so funny to make it look like we love each other; he’d be more likely to get a dick tattooed on V’s arm if it was just to mess with them. For gods sake, look how many people didn’t pick “the other one” because they were convinced it was gonna be a dick. That’s a Johnny just trying to fuck with someone move. So, she doesn’t buy it, but doesn’t push it...with him. 

She asks V about and of course they play it off as “Yeah, Johnny thought it’d be funny, what a fucking asshole, its so fucking dumb, I totally fuckin hate it.” 

“So, why not get it removed?” 

“Uhhhhhhhhhhh, well you see what had happened was, um, I, just uhhhh, never been enough time, I guess yeahhhhhh.” 

Cause lets face it, in cyberpunk universe, getting a tattoo removed should be easy. If you can get blades in your arms and can have a completely newly reconstructed body in like an afternoon; you can get a tattoo removed in like twenty minutes. So, V still keeping it, says volumes about how they really feel.

Now, V’s jealousy and the date. 

I do absolutely agree that any anxiety or ill feeling V might have up until the date; Johnny is gonna feel, but not realize where it’s coming from. I think if anything, he’s gonna chalk it up to V being anxious about giving him control again and he’s gonna be like worried that maybe V doesn’t trust him as much as they let on. 

And I do think a V who has feelings for Johnny, would not be able to help feeling some jealousy regarding Rogue and Johnny. Just because jealousy is natural thing to feel and while you can debate if they were ever a good or healthy couple, you can’t debate they shared very real feelings for one another. And I think a lot of V’s jealousy would come from just how much Johnny seems to first think of/go to Rogue. When he needed to save Alt, first person he turned to, Rogue. When he wanted to bomb Arasaka tower (going by his memory of it and ignoring that the event was probably actually planned by Morgan Blackhand), who’d he go to? Rogue. When he becomes determined to get Smasher, who is he determined to get him with, Rogue. When he first decides to atone for his past mistakes, who’s the first person he wants to make up with, Rogue. When at the rooftop, who does he want to go grab to help him save V, Rogue. 

If you got feelings for someone, that’d hurt, I think it’s impossible for that not to spark some jealousy. And V if anything is also mad at themselves for having those feelings, because they like Rogue, she’s a badass, a legend, they respect the hell out of her. And of course they have feelings for Johnny and they wanna help him make shit right and they wanna give him a chance to enjoy himself. But this stupid reptilian part of their brain is screaming but i want to be the first person he goes to, the first person he thinks about, which they know is also stupid cause for fucks sake the man literally lives in their brain, they’re as close as two people can be and literally when Johnny has the power to go to someone for something, he can’t go to V because they’re reduced to sleeping essentially until Johnny hands back the reigns. Yet, feelings aren’t aren’t always, rational, sadly. 

And to Johnny’s credit, he probably doesn’t even give it that much thought. Rogue is a badass, someone he cares for, someone he can depend on and someone he hurt really badly. The two people he can and always has been able to depend on the most (other than Alt prior to her death) have been Kerry and Rogue. And, bless his heart, the fuck is Kerry gonna do? Kerry ain’t a merc, Kerry isn’t gonna bust into Arasaka Tower or plant a bomb. Kerry doesn’t have the connection to Smasher. So, of course, Rogue is gonna be his go to. And in terms of making things up to people...he literally cannot really do much to make things up to V, not the way he can for Rogue or Kerry. Cause, when him and V are both conscious, he can’t do much beyond touch and talk to them. Hell, even with Rogue and Kerry, he relies mostly on V to help him do anything. Even with people he can interact with and do something for; V is doing all the nitty gritty work for him. V drives Rogue to the theater, V breaks into the theater, V gets the projector going. V breaks into Kerry’s house, V disables the security. V gets in contact with Nancy. V gets Nancy out of Totentanz in one piece. 

Which probably if V actually thought about it critically, does mean he’s going to them and relying on them more than Rogue, but they’d probably dismiss it out of it being for necessity and not because he cares about them and feels he an depend on them. 

Anyhow, Johnny would probably love to do some nice gesture to make up for his bender to V, hell they probably were the first person he wanted to make things up since they are his catalyst for changing. But what feasibly can he do for them? Anything he’d want to do with/for them, would just be asking V go do this thing and i’ll also be here. Anything that would put them in public interacting is out, unless they want MaxTac called on V for looking cyberpsychotic. He can’t even do an at home date, because he can’t cook (engram or not) and he can’t buy them anything nice he has no money and also doesn’t technically exist. He could try to do so sneakily while he’s in control...but he’d be using V’s money so they might as well just buy it for themselves. he can play music for them,,. but that doesn’t seem too special and more than a little egotistical to think it’ll make V feel better about what he did... So... all he can really do, is prove he’s worth trusting by being on his best behavior and more importantly do what he can to save V’s life. 

Then there’s the date. And as usual, I have some opinions and feelings about a thing.  Like, okay, I’ve seen some people (aka Gamer Bros on Twitter) being like, Rogue is Johnny’s girl. Wanting to date either of them is wrong because they like each other. (then you also get the BUT ALT crowd, but rants for another day.) And I can’t help but ask, did we play the same date? Their entire date is about how they’re both desperately clinging to the past. Rogue is trying to reclaim 2013-2023 Rogue and Johnny just wanting for a night to feel like the world and his place in it haven’t been completely rearranged. And it ends with Rogue telling him, she is not that girl anymore, she can’t pretend to be, and frankly she doesn’t want to anymore. She wishes she could be, wishes she was still that tall haired street punk who’d never dream of working with corps or being a fixer, but she’s not. Her and Johnny are no longer the same people who met back in to 2010’s. Doesn’t mean they don’t care about one another and doesn’t mean what feelings they had weren’t real or important; but they’re just not those people anymore. Rogue more so than Johnny since he’s freshly on the course of change.   

Something else in regards to the date, that I think is important to talk about and how it relates to silverv and its something I personally have very conflicting feelings about. The fact that Johnny can initiate some physical intimacy with Rogue. See, I have never chosen the option to kiss Rogue during the date and actually did not learn until relatively recently, that if that choice is made it goes a biiit further than a kiss. I have watched the scene now.

And god I have mixed feelingssss. Like, I get it, but I’m not sure I like it. And I know full well, my silverv bias impacts my feelings on the matter, it’s be disingenuous to say otherwise. But I don’t think the ship is purely my reason for having these feelings. But at the end of the day, its all opinions. So, I get from a character perspective that Johnny and Rogue are trying so hard to reclaim their past and what they use to have that they get caught up in trying do what they would do if this was the 2010’s. And Johnny’s relationships as we’ve seen are very physical, sexual chemistry and attraction are major factors in his relationships because he kept things very superficial most of the time. He even says part of the issue with his relationship with Rogue is at the time he didn’t realize he could let her see the true him and still hid behind walls, kept things at a distance. So, the idea that’d they fall back into the old habit of trying to just be physical and ignore their feelings, isn’t out of character. 

However, and Johnny even seems to acknowledge this issue when Rogue interrupts it, they’re doing this with V’s body. V...who did not consent to sexual contact. They consented to a date and while one could logic that this would mean everything a date could entail up to and including physical intimacy; I would argue that that is something that would need further conversation to have clear consent. And like again, this might come down to boundaries and personal feelings. Because I go back to the bender and what’s been interesting to me is too see different opinions on it; some people weren’t actually bothered at all by Johnny’s bender in V’s body, some people were bothered by the drugs and alcohol specifically cause their V is straight edge. Me, personally, it was the sexual content and the endangering of V’s life. Like, it was mostly funny and oh yeah, I expected that it’s bad but eh I’ll move on, to me, until he started getting sexual with people in V’s body. Like that to me is not just crossing the line, it’s catapulting over it. 

And like I said, Johnny even responds to Rogue’s “this isn’t fair” with “what, you mean it’s not fair to V?” which she says she meant it isn’t fair to Johnny. (Which viscerally upset because you nearly used V’s body for sexual gratification without their consent and you’re worried about Johnny, which tbf Rogue has no way of knowing what V has and hasn’t consented to, so its not on her but that was my knee jerk thought). So, he has some awareness that maybe that was a bad move. 

And yeah, it definitely to me and my V would be a very bad move (unless he explicitly talked to them beforehand and got consent). And in general, it made me feel like, dude, you just promised you’d be better and not break V’s trust but again not a day later you’re nearly using them to have sex. It felt like a backslide, which isn’t necessarily unrealistic, cause change and growth is not always linear, people can commit to changing themselves and still fuck up and not get it right; in fact it’s rare for them not to have any sort of backsliding or repeating of mistakes. 

Again, I will also give credit that he could have been assuming that given V consented to the date, they assumed or were cool with their being physical intimacy between him and Rogue. He also generally, might not have really planned for it to happen, because I don’t think Johnny plans a lot of anything. It very well might have just sort of happened. Also, V doesn’t clearly communicate if the sexual component was an issue in the bender. All V really seems to have an issue with in game is the very general thing of; he misled them and used them. So, he might have assumed that wasn’t ever an issue. And hell, if you wanna go full meta, the player is technically the one who makes that choice and V is largely an avatar for the player, so that alone could be seen as whether or not V would/does consent. 

But, from a story perspective, removing the player choice element. I think how that’s handled would have a huge impact on silverv and where it goes from there. 

Because if V and Johnny did talk about consent prior and V did consent while having feelings for Johnny, god I’d have to imagine they’d still feel pretty hurt, but feel it’s irrational to feel that way and have put their own feelings aside because clearly Johnny cares about and wants Rogue and they should ruin what could be his one chance to make things right. 

If there like in game was no talk of consent and Johnny ends up kissing and touching on Rogue and V finds out or has memories of it surface,that could be devastating for them. Not only from their own feelings for Johnny, but this since of betrayal and hurt. Was the oil field conversation just a lie? A manipulation? V might feel like they were used; that Johnny never gave a shit about them or how they feel. And Johnny would have to deal with the realization that intentionally or not; he earned back V’s trust just to destroy it again. He fucked up again, he ruined everything again, he got his second chance and destroyed it…. And he doesn’t know how, if he can, or if he should bother trying to ask for a third. In general, I do think, V would come out of the date assuming (naturally so) that Johnny really only has romantic feelings towards Rogue, that they’re just a friend at best, a host to be used at worse. I even in my own universe with my V have them after everything is better, everyones got a body, expects Johnny to start pursing Rogue and trying to swallow their own feelings and be a supportive friend, try to encourage and push him to do it and Johnny’s just like please stop, Rogue is this close to murdering us both.

I was gonna add more funny stuff to this and include a shitposty interaction he has with my V over them dressing up for the date and shit, BUT HOLY FUCK THIS GOT LONG AND SAD????? I’M SO SORRY.

[lizziestudieshistory]

Books of 2021: The Way of Kings - Brandon Sanderson

I have a few things to acknowledge here before we get into the proper review - this is REALLY LONG and VERY CRITICAL. I promise you I do genuinely love The Stormlight Archive, but if you are someone who doesn’t like to see criticism of Sanderson or Stormlight, then please don’t read this.

This review has spoilers for The Stormlight Archive - you have been warned.

I’ve made no secret of my love for the Stormlight Archive - it’s my favourite ongoing fantasy series. I’ve also avoided reviewing it, and I’ve been putting it off since I first read it back in 2016 (could be 2017? It was a while ago.) How could I review something I love so much? How do I approach reviewing a 1,100 page epic fantasy novel? I just didn’t know. To be honest, I still don’t. I adore this series, it’s become part of my identity - if you asked any of my friends what’s Lizzie’s favourite book they would probably say Stormlight. Maybe Lord of the Rings but that’s a different kettle of fish.

I’ve reread The Stormlight Archive annually for the last five years. I promise myself I won’t reread it and let myself come back in anticipation for the next book. I’ve failed miserably every year. And these aren’t small undertakings - they’re each 1,000 pages and there’s four of them now! For context I usually only read 2,500 pages a month. 

So, I’ve finally decided to review these doorstoppers dressed up as fantasy novels. These reviews are mainly for myself, they’re going to be self indulgent, long, and focus on what I want to discuss like characters, structure, and prose - rather than reviewing the things I should probably talk about (like the actual plot…) I want to work through all the things I love about this behemoth of the modern fantasy genre, but also focus on its flaws. The praise for Sanderson is everywhere, so I want to work through my honest opinion of these books, work out why I love them, and I’ll invite you on this journey of self discovery with me. 

Structure

I’m yet to work out why I’m starting with structure but we are, I guess it helps with the framing. In case you’re reading this having not read The Way of Kings, each book in the Stormlight Archive is made up of 5 main parts that follow major viewpoint characters, and the parts are split up with small interludes that expand the worldbuilding, follow important secondary characters, or foreshadow future moments. Everybook is centred on a key character - in The Way of Kings it’s Kaladin - who we follow in the present day as a major viewpoint character and explore their backstory through a flashback sequence. Each book also has a prologue which retells the assassination of the Alethi king, Gavilar Kholin, and an epilogue from Wit. 

Firstly, this book takes FAR too long to get going and even longer to get into as a reader. I’m not joking when I say there are FIVE introductory chapters: the prelude, a prologue, Cenn’s second prologue (technically the first chapter but it’s a prologue), Kaladin’s introduction, and Shallan’s introduction. It’s too much. We’re jumping around, nothing really makes sense, and we’re not sure how these characters are related. They could be taking place in different worlds for all you know on a first read.

When I first read this book I was a lot more patient with long introductions and multiple false starts - I had the time to dedicate to getting into the story. I could, and did, forgive the THREE false starts to this story before we get to Kaladin’s first chapter. However, the opening structure of this novel is a mistake. If someone gives up in this section I honestly don’t blame them - if I was reading this for the first time in 2021 I probably would too.

The prelude and prologue are both excellent. The prelude in particular is weird and confusing but also sets up a clear mystery and sense of the sheer scope of this story. Szeth’s prologue, the first time we see Gavilar’s assassination, is flawed but still wonderful. The fight scene needed a bit of cutting, for my tastes, and I think the introduction to the magic system is clumsy - there’s far too much obvious info dumping and it needed some serious editing, especially as the complicated use of the magic that Szeth uses is barely relevant in this book. However, I think the Herald’s giving up the Oathpact and a magical assassin is great! They’re a bit weird and you’re not sure what’s going on, but it’s engaging. 

Then there’s Cenn. Poor, innocent Cenn. I’m sorry but he’s completely unnecessary. Independently of the rest of the introduction to the Way of Kings Cenn’s chapter would be a pretty good prologue as he’s there to set up our main hero Kaladin from an outside perspective. We love Kaladin and Cenn’s chapter is fine for establishing him as a typical fantasy hero – he’s a warrior, cares about the people, and so forth.

However, Cenn’s chapter in the context bogs down the opening too much. It’s too long, not particularly relevant, and adds yet ANOTHER prologue to this already enormous book. Cenn’s chapter offers nothing to the reader that we don’t learn later on in the text when the content of Cenn’s chapter makes more sense. We even see the exact same sequence of events from Kaladin’s perspective in a flashback! Not having Cenn’s chapter would add more interest to Kaladin’s character and add more weight to the flashback sequence because we wouldn’t have met Kaladin at his peak (sort of…?) 

Kaladin’s flashbacks aren’t that engaging as it is, he’s a fairly standard fantasy hero from a small village who ends up leaving his happy family to go to war. So leaving a small mystery around him in addition to ‘how did he become a slave’ would help with my engagement. It would leave me wondering how reliable is Kaladin as a narrator, is he really as good with the spear as he claims? I wouldn’t know but Cenn’s chapter removes all the mystery apart from ‘how does Kaladin become a slave’. It needs to go to make Kaladin more interesting and cut down on some of the unnecessary page count.

While we’re at it… Just cut out ALL the interludes in this book, except for the Szeth through line. I KNOW they are here for the Cosmere connections and to foreshadow things much later in the series. However, new readers and Stormlight only readers don’t know this and, quite frankly, they SUCK. In later books the interludes make sense but here they add so much tedious, pointless crap to an already bloated book. They’re too much and add next to nothing – other than seeing Szeth lose it as he kills people, that was fun (in a disturbing, creepy way… Can you tell I like Szeth?) Either this stuff needs to be relevant to the book we’re in now, or painfully obvious that we’re coming back to this stuff in later books. I still don’t know why we got Ishikk’s interlude with the Worldhoppers, and I completely forgot Nan Balat had an interlude. I’ve read this book 5 times… THAT IS HOW POINTLESS THEY ARE! Sanderson should weave the necessary foreshadowing into the main text, intersperse the perspectives we do need for THIS story into the main sections, or cut them out. When I get to the interludes I physically sigh and sometimes put the book down - now I just skip everything but Szeth - but on a first read they’re really off putting. 

To finish up with my complaints about the structure, and this is a big one for me - why do we have huge chunks of this book without major viewpoint characters? I’m biased here but Dalinar is probably the most important POV character in the story because he introduces the real stakes of the story. He has the groundbreaking visions of the past, he is the viewpoint we get into the politics of the war, he is the character who does and continues to have the most impact on the development of the story on his own.Yet, we don’t meet him until we’re 190 pages in… 

Sanderson alternates Shallan and Dalinar’s chapters between the five different parts and that means they vanish for 400 pages at a time. Why? I ended up caring about them right as we’re about to lose their viewpoint again for the next part. We needed to see the three major POV characters interwoven together throughout the five parts, not randomly dropped and picked back up again. The structure of this book was a mistake. 

Okay, I promise I do actually like this book…

Worldbuilding

Something I do love is the worldbuilding of Roshar, and I usually don’t care that much about worldbuilding. I can really appreciate good worldbuilding, especially on the history side of things, but for most novels it’s just fine? If I roughly know what’s going on with the world then we’re good, I can just get on with the story and not worry about it. However, Roshar is genuinely beautifully built! It takes A LOT to get me to visualise a world as I’m not a visual reader. I can feel the atmosphere, get to know characters, but can I imagine a face or setting? No.

There are three fantasy worlds that have allowed me to actually see the world and it’s landscape: Middle Earth, Discworld, and Roshar. The bleak, storm weathered landscape of the Shattered Plains is so embedded in my mind it’s ridiculous, the only place I can picture more is the Shire – and Lord of the Rings has a film to help it!

Now, to be fair it’s hard for me to separate the worldbuilding in The Way of Kings from the rest of the series, so I now have 4,000 pages worth of worldbuilding in my head… However, it’s certainly strong and I distinctly remember having a vivid image of understanding this world, the atmosphere, landscape, and so forth, on my first read. Although it did take me until Oathbringer to realise that everything, except humanity, was basically a crab… (I think that was just me being dense.)

I do think Roshar needs much more of its history to be expanded on. We don’t have much between the Last Desolation (don’t ask me to spell it's in-world title!) and it shows at times. I don’t expect something on the level of The Silmarillion for Roshar, however, I do think we need to see something more substantial in the period between the Desolations and the present day. We know about the Recreance, the attempted takeover of the Vorin Church, and the Sunmaker? That’s 4000 years! To put it into context it’s the distance between us and Jesus’s birth TWICE, it’s like we know about the end of the 11th Dynasty of Egypt, the Reformation, and the British Empire in our own history... We need to find a balance, especially as we get so much development of science in the later books. More history please - but this is a personal issue and a series wide problem, not just The Way of Kings.

Magic System

Now, this is controversial for Sanderson, but I’m going to skip this for now. This review is already well over 1,000 words long and I’ve not even started on the meat of the novel yet. The magic system isn’t really fleshed out in The Way of Kings, we only really know stuff about the Windrunners (in an abstract kind of way) and the very basics of the Knights Radiant in general. So I’m going to discuss the magic when I get around to reviewing Words of Radiance, Oathbringer, and Rhythm of War, basically whenever I have the energy and more space.

Safe to say I actually really like the magic system in the Stormlight Archive. I usually dislike hard magic systems (I think I’m the only person who dislikes Mistborn’s Allomancy - while very well developed, it’s a bit silly and is far too much for my tastes...) as they often take some of the wonder, mystery, and excitement of fantasy out of the story for me. However, I think surgebinding is a fun system and there is a lot more of it for use to discover, preserving some of that mystery. Oh and, if you were wondering, I would be a Skybreaker!

Prose

Okay if you read the structure section and were wondering - why is this woman still reading these books, you’re in for another head scratcher. 

If you’ve ever talked to me about literature you’ll know that there are two things I look for in a really good book: characters and prose. Now characters are something Sanderson does phenomenally well in the Stormlight Archive, but that’s not something you can tell 100 pages into a 1,000 page tome. You have to sit with the characters for a long time and give the author some page time to familiarise you with the people you’re following. If you trust him, Sanderson pulls off some stunning character arcs, especially in the long term and I’ll talk more about characters later on (or you can just skip this section? Up to you really!).

However, prose is something you notice immediately, and Sanderson’s is…utilitarian at best. At worst it’s abysmal. These days I’m very picky about prose, a utilitarian style is fine but a book is unlikely to become a new favourite of mine without good writing. This doesn’t mean I want or expect the writing to be flowery or elaborate, but it does mean I want, and appreciate it when, the prose suits the tone of the narrative and world. I must acknowledge that I’m in a (vocal) minority here, a lot of people either don’t notice Sanderson’s style or like it - I certainly didn’t mind it when I first read ther series - so this is definitely a subjective opinion but one I’m certainly not alone in. 

Nevertheless, for me Sanderson’s prose is overly simplistic, repetitive, and very American. Okay so the American is probably only noticeable if you’re not American. However, I’m used to fantasy having a certain Britishness to the writing style, even when the author isn’t British, but to me (as a Brit and fantasy reader) the Americanisms are painful at times… There is no way in hell I’m ever going to acknowledge that aluminium is aluminum no matter how many times Sanderson uses it! 

Yet it goes beyond a spelling issue because, let's be honest, in this day and age American English is widely spoken and regularly used in fantasy literature - you can’t escape from it as much as I want to. It’s in the style of writing and construction of sentences. The entire narrative reads like an American has decided to tell me a story using their colloquial, everyday speech. It’s a deliberate choice on Sanderson’s part to make things accessible and digestible, and for some people this works. I do think he has a fantastic style to get readers in, especially readers who are getting to grips with high epic fantasy as it’s one less barrier to entry in an already difficult novel. But it does mean rereading isn’t always the best experience and sometimes the writing can jar me out of the story. 

In places it’s too simple and colloquial, so much so the writing becomes clunky, clumsy, and unrealistic to the world he’s creating, especially in descriptive passages and dialogue. It reads like Sanderson could have used more lyrical or formal writing but deliberately chose not to - at the detriment of the prose. This is particularly noticeable with characters like Jasnah Kholin. Jasnah is a princess, brilliant scholar, and political mastermind, she’s known for her poise, elegance, and intelligence. Yet she often speaks like an everyday 21st century American and other characters who haven’t had the same education or training as she has? I can’t believe this for a moment, her dialogue is so egregious in places that it’s like I’ve been hit over the head with my own book! I physically cringe when she says things like ‘“scoot over here”’ (chapter 70, p.1083). WHY is Jasnah talking like this?! It doesn’t make sense to me – Shallan maybe, but Jasnah? No. It doesn’t fit with what we’ve been told about her character.

(Just as an aside, I loathe the word ‘scoot’ – it should be burnt from the English language as an abomination!)

Part of the issue with this is Sanderson usually doesn’t distinguish between the character's voices, both in the dialogue and prose. Most of the time if you dropped me into a random section of the Stormlight Archive with no context I honestly couldn’t tell you who’s speaking or narrating without the signposts Sanderson gives us. This isn’t a huge issue as he’s writing in third person limited, and with context and the chapter icons we know who we’re following. However, it does mean we don’t have any idea of character voice – in the general prose, internal narration/thought, or speech. What’s the difference between Kaladin’s dialogue and Jasnah’s? I have no idea from the sentence construction or speech patterns. Certain descriptions of how characters speak help to differentiate (Jasnah is commanding, Shallan squeaks, Kaladin grunts, etc.) but from their speech patterns I wouldn’t have a clue.

All of this comes back to Sanderson’s overly simple and Americanised style. It’s his choice and it does work for many people, but personally it doesn’t always work with the characters or story. I’m not expecting him to write like Robin Hobb or Guy Gavriel Kay, but some finesse and awareness of character would be appreciated, especially if it helped to differentiate character voices.

I’m also going to throw this out as a very personal issue because I’m not sure where else to put it… Sanderson has the worst sense of humour I’ve ever had the misfortune to read. The comedic moments are occasionally amusing… However, Shallan’s puns are worse than my Dad’s jokes. Every time she says something apparently ‘witty’ and someone else remarks how clever and funny she is I want to hit them... At best she’s mildly amusing, at worst she’s cruel. It’s never funny. (This only gets worse with Lift, I almost DNFed the entire series because of the Lift interlude in Words of Radiance. And don’t get me started on Lopen.)

Characters

At last! Something I genuinely love and the reason I read these books! Sanderson has created some of the best characters in modern fantasy in this series and they are the only reason I’m still going. I like the worldbuilding and plot, but I adore the character work in this book and the series as a whole. The characters are generally so good that, even when I dislike them, it's because I dislike them personally, not that they’re badly written characters! Usually I love Sanderson’s characters though, even when they’re incredibly flawed (looking at you Dalinar!) because he’s particularly good at complex character arcs. 

Szeth – I love Szeth, slightly irrationally for how much he’s in both this book and the series as a whole, but he’s one of my favourite “secondary” characters in the series! Szeth is actually the character who made me fall in love with the series in the first place, which feels weird to say because he only has five or six chapters in the entire novel. However, a magical assassin with a strong, if morally dubious, sense of duty and obligations? Sign me up! The opening prologue from Szeth’s perspective is wonderful - it’s far too info-dumpy but it’s highly engaging and one hell of a way to open the series. 

What really intrigued me about Szeth was his role as the interlude throughline character for The Way of Kings. His internal conflict between his obligation to follow the Truthless’ laws and his personal morality is fascinating. Szeth’s character development has been one of the highlights of the entire series for me, especially as we explore his personal morality, questioning of power, and commitment to law and justice. This conflict is one of the reasons I love the Skybreakers in general and I sincerely hope we get to see more of this (and their conflict with the theoretically similar, although realistically very different, Windrunners) in book 5. However, Szeth is a promise that Sanderson hasn’t kept yet. So much has been built up around his character and we haven’t explored him properly (as of Rhythm of War) and I’m mad about it! He’s an incredibly interesting character, morally and thematically, and I hope Sanderson can live up to the hype he’s built up around him in the first four books of the series. 

Kaladin – Okay the real reason we’re all here, the shining beacon of the Stormlight Archive, everyone’s favourite heroic bridgeman: Kaladin Stormblessed. Confession time – I didn’t love Kaladin the first time I read The Way of Kings. Don’t get me wrong I liked him but I’m generally not a massive fan of underdog superhero narratives. (I’m still not a fan of Bridge Four in general for the same reason, I would apologise but I’m not sorry…)

Kaladin spends most of this novel running bridges for Highprince Sadeas on the Shattered Plains. Unjustly enslaved by a corrupt member of the aristocracy, Kaladin is fighting to keep himself and his bridgecrew alive during one of the most pointless “wars” I've read in a fantasy novel - the pointlessness isn’t actually a criticism. He’s facing systematic oppression and disregard for human life, as well as battling his own depression and forming a bond with a spren named Syl (I absolutely adore Syl! But I want to talk about her in my review for Words of Radiance.)

So… I’ve always been frustrated with Kaladin’s fundamental drive to save people and take responsibility for people’s deaths, even when there was nothing he could have done to save them. This book is probably the worst for it out of the four currently published and I just found it a bit much because I personally struggle to relate to his attitude. This level of personal responsibility is a completely alien concept to me, at least to this level, and it’s Kaladin’s entire thing - his driving personality trait - and I just didn’t get it. Kaladin and I are very different people and for a long time I really struggled to relate to him on the same level everyone else seems to in this book. It also didn’t help that the main plot around Kaladin running bridges, struggling with his depression, and trying to keep his men alive is very repetitive… So when you’re in the midst of it and struggling to connect quite so deeply with Kaladin this book can become a slog - yet, the pay off for his struggles is so satisfying and it is very much worth it for making the end feel earned. 

However, my issues with connecting to Kaladin is definitely on me and this is by no means to say Kaladin is a badly written character, I’ve always admired how well Kaladin is drawn in this book. Within a few chapters I understood who Kaladin is, and really loved the conflict he had with his depression and role as a fantasy hero. It's beautifully painful to watch and, even when you’re a bit ambivalent about Kaladin, you really care about whether he and Bridge Four are going to survive the bridgecrews – and the climax sequence with Kaladin becoming Stormblessed again at the Tower is still one of my favourite moments in the entire series!

However, on this reread of the series I had a completely different experience to what I’ve had on previous reads, and a lot of this is down to Rhythm of War. I don’t want to say too much here because it’ll involve spoilers for Rhythm of Warm but having seen Kaladin confront his, as Ron Weasley would say, “saving people thing” and really struggle to keep functioning as Stormblessed, I was so much more on board with this book. Rhythm of War’s much more personal approach to Kaladin really helped me understand him as a person, not just the underdog hero. The struggle with his sense of self, the way his depression impacts his ability to act, and the way he’s moving forward in Rhythm of War let me appreciate the character work for Kaladin in The Way of Kings. The struggle, graft, and determination, especially given his mindset, is much more admirable when I can strip away the focus on doggedly protecting everyone no matter the personal cost. 

Kaladin and I are very different people, but that’s okay and I’ve come to appreciate him a lot more in the last 7 months. Now I can happily adore him alongside everyone else, and not just nod along with the rest of the fandom because I understand he’s objectively a well written character. Also Kaladin’s mental health rep is some of the best I’ve seen in an epic fantasy series. However, I would approach this book, and series, carefully if you’re sensitive to depression.

Shallan – confession time round two: I hate Shallan. I really loathe her on a deeply personal level. And I’m still bitter about it because I used to love her, when I first read this book she was my favourite character! This was partly due to relating to her and partly due to my frustration with Kaladin. However, as I read Words of Radiance I grew uncomfortable with her and by Oathbringer it became a full on HATED of her…and it’s never gone away.

I first met Shallan when I was a shy 18-year-old, budding historian and scholar. I got Shallan, I loved her plotline, and found Khabranth a lot more interesting than the endless bridgeruns with Kaladin (sorry Kaladin!) I connected with her because she represented (projected) a lot of what I was at the time - and still am today, just an older version of that person. She was the main character that really drew me into the story - yes I loved Szeth and thought he was brilliant, but Szeth is largely absent from this novel and Shallan is the main female lead. 

And then I got hit in the face by the infamous Words of Radiance “Boots” chapter, and I immediately got iffy vibes, then there was the Chasm sequence, and so many other moments that made me uncomfortable. I’ll avoid spoilers and, for now, just say I got hit in the face by Shallan’s innate privilege, her causal abuse of social rank, and complete lack of social and self awareness. To top it off the narrative gives her no consequences for this and even rewards her for her behaviour, rather than making Shallan work through the issues around classism (something I, as a Brit, am hyper aware of and it SHOULD NOT under ANY circumstances be ignored, especially with Kaladin’s narrative running parallel to Shallan.) However, this is later book issues and a major dropped theme that I’m fuming about, but I still found I liked Shallan in THIS book when I reread the series.

Not this time. 

There are moments in The Way of Kings where we can already see Shallan’s privilege and complete disregard of anyone who is remotely lower than her in the Vorin hierarchy. The scene with the book merchant stands out. No one in that scene is innocent, and I’m much less annoyed by it than I am at the “Boots” scene, however, it shows an early form of Shallan’s complete inability to reflect on her own behaviour towards those with less power than herself. She’s casually abusive and manipulative, but no one really calls her out on it. The few moments when someone does confront Shallan about it, and the narrative consistently forgives her because Sanderson allows her to come across as the victor in each of the arguments. This isn’t to say Shallan’s causal abuse of the Vorin social system shouldn’t be present in the book. It’s actually very realistic, in our world white people (especially white women) have behaved like Shallan for centuries. However, what does matter is the narrative framing. However, I’ll dig into this when I get to reviewing Words of Radiance because a lot of my planned review for that book is centred around this issue.

I’m also resentful that Shallan’s character in The Way of Kings is a complete lie – we don’t know her at all, but not in the same way as Dalinar? We KNOW something is off with Dalinar, we KNOW he was a terrible person and a warmonger from the way people talk about the Blackthorn – but Shallan’s reveal largely comes out of nowhere in some respects and I HATE that the person I loved so much 5 years ago was a complete lie. I’m a bitter person and I will continue to hold a grudge until Shallan dies or the series ends, whichever comes first.

Jasnah – my problematic QUEEN. Is Jasnah a shitty person? Yes. Do I love her anyway? Yes. Difference is I knew Jasnah was shitty from the start… I like problematic characters, I just hate being lied to (*cue insincere smile at Shallan*)

Jasnah is a difficult character to talk about in this book because we don’t know much about her other than her public persona, however, she’s a large part of why I love it so much. I just like brilliant women who would kill me, okay? It also helps that she's an historian, I have a soft spot for murderous historians. I’ll talk more about Jasnah when I review Oathbriner, hopefully that won’t be in another 5 years…! I just wanted to highlight that I do love a female character in this book!

Actually on the topic, Sanderson is still a shitty author for female friendships – he has included more female characters in Stormlight but why are there no female friendships that aren’t rooted in backstabbing and lies?!

Dalinar – if Jasnah is my problematic Queen then Dalinar has to be the problematic King. Dalinar is my favourite Stormlight Archive character. I could wax lyrical about what a BRILLIANT character he is. You may not like Dalinar, you may not forgive him, but you have to admit he is the best written character in ANYTHING Sanderson has written, and one of the best in modern fantasy. Nevertheless, much like Jasnah I’m going to wait until I review Oathbringer before I talk about Dalinar because I can’t do him justice without his flashbacks. However, I will tell you a story about the time I first met Dalinar Kholin.

So, I first read The Way of Kings on my commute back and forth to Worcester Cathedral because I had a work placement in the Cathedral’s archives. I’d been doing this commute for months and reached the point where I knew when to get off the train by feeling, no need to check the stations (this is relevant).

 I was on my commute home, and as I was walking to the train station I started part two. I met Adolin and he was fine. I was a bit confused because this was a whole new perspective and set of characters, but I was doing okay. (Yes I was walking and reading, no I do not recommend this arrangement for health reasons.)

And then I met Dalinar. As I got on the train we got into his own head, with the mystery of the visions just starting, the hints towards his complicated relationship with Elhokar, and the amazing fight with the Chasmfiend. Bearing in mind I was automatically doing my commute through this – I’d become so invested in Dalinar, I missed my transfer on the train. I’ve never done anything like this before in my life. I’m paranoid about it! But I was so engrossed in this aged general, who was potentially going mad, that I missed the stop on my train and didn’t even notice until we hit Birmingham New Street.

I was so in love with Dalinar Kholin that I travelled to the wrong city… And my love for him has only gotten stronger*.

Conclusion

Overall I have a complicated relationship with The Way of Kings, and The Stormlight Archive in general. I love this series, I particularly adore the characters and character work Sanderson is doing as the books continue. However, it is severely overhyped. There are a lot of flaws in this book, especially with the writing and structural aspect of this novel. It’s poorly paced, clumsily written, and lacking finesse. For me Sanderson is an okay writer but a wonderful storyteller. As a storyteller he’s made a huge contribution to the fantasy genre and I’m here for the major improvement he’s made in popularising more complex character work and the inclusion of mental health representation. We’re just seeing the start of this shift in the fantasy genre and I’m excited to see where Stormlight and fantasy are going to go with this movement. 

However, as a writer he has a long way to go in improving his craft of writing. These are big books, and I will often forgive mistakes with narrative structure in books of this size because they are so huge. However, this doesn’t mean we shouldn’t acknowledge them when reviewing the novel. Mistakes were made, especially in The Way of Kings, and are still being made but Sanderson has been slowly improving with the later books.

There’s a lot to love in The Stormlight Archive - the worldbuilding is insane, the characters are incredible, and the plots are gripping. I love them, and I will continue to eagerly await the next installments! But they’re far from perfect, and that’s okay. Sanderson has captured the imaginations of thousands of fantasy readers and I would highly recommend you give these books a go, despite my critical review. This is a fabulous time to be a fantasy reader and The Stormlight Archive is one of the most exciting reasons to be reading the genre!

*Dalinar and I are going to be on thin ice if Sanderson continues with his character as he did in Rhythm of War, but again I’ll address that when I review Rhythm of War.

[justalokifanaccount]

Episode 2-Play by Play Reactions (Spoilers)

Ooooooh mysterious...

Oh so this variant can (at least briefly) cont people with a simple touch? No need for a scepter?

I NEED A HEROOO!

Oh this variant is taking that lady away? I wonder why

Miss Minutes is gonna move me to violence

Loki is me studying

Hahahahaha get her Loki!

Loki, leave Mobius’ magazines alone

Wow he got into the work force rather fast huh? Bit of a whiplash type scenario considering the end of episode one

No, YOU’RE a cosmic mistake! 😤 my boy looks hot regardless

Sooooo Loki is the most common variant? Why does this not surprise me?

Is... is he a football cup champion??? Omg 😂

Smart boy. Illusion projecting is different than duplication casting. Neato. LISTEN TO MY SMART BOY. RESPECT HIM.

Dude loves wheeling

Yea Loki. Work on getting to the time keepers. Overthrow the government.

Dude is smart with these questions.

Propaganda is INDEED exhausting so that’s fair

Fist hostage... maybe he’s (or she?) gonna use her as a body transfer like Loki in the comics with Sif?

Oh please let this be a genuine smart Loki moment and not just setting him up as a joke and embarrassment...

“Where there are wolf’s ears, wolf’s teeth are near.” Good to know basic mammalian anatomy is still applicable to Asgardian wolves...

Cmon Loki do something cool. Please. Please Loki. Please.

Preach my man, but please, do something cool. My anxiety that you’ll be turned into a joke is spiking.

Is he actually waiting outside or is Loki really just trying to mess with them and throw them off? Or is he just being too cocky for his own good and it’s gonna mess him up? Please please please don’t disappoint me. I have merch for this show already that I can’t return

Bargain baby, bar again. Do it.

Is he actually concerned for the time keepers orrrrrr

Dangit Mobius

Does... being reset... hurt?

Bye C-20 I guess... for now? We’ll see

Of course it’s a friggin theremin that’s playing

Mobius x Judge Renslayer? Oooooooh. Tsundere Renslayer.

Use a coaster my man

Oh her first name is Ravonna

Controversy is the best thing though

You can never understand this Loki. As soon as you begin to understand, he changes. He’s unpredictable.

“I know you have a soft spot for broken things.” Ah, so this entire fandom then?

“But Loki is an evil, lying scourge.” YOU TAKE THAT BACK YOU WENCH!

“That is the part he plays in the sacred timeline.” Well you clearly haven’t been paying enough attention to the files then, hm? Here, let me redirect you to one of the many character analyses I’ve written. Now if you read here........

He doesn’t need to change. He’s already not evil

I don’t trust Renslayer or the time keepers... or Renslayer WITH the time keepers... I think she plays a bigger, antagonistic role than I thought.

You just TRY and delete him Mobius... just... TRY... I will find a way to break the fourth wall and no time keepers can keep you safe from the rage of a million fan girls. Nothing... we don’t need magic...

Omg Loki just sitting there in a chair outside the office like a kid while their parent is talking with the teacher about their “recent behavior”.

Cmon Loki, you don’t need to make excuses or impress him.

My poor boy is SOOO out of his zone.

Tbf mobius, you ASKED. You asked what makes him tick.

Hey hey hey, let’s not gaslight my boy...

The Loki is... uhhh something... gotta keep my hopes up. Trust in Tom Hiddleston...

Mobius showing his true colors...

Please Loki... be badass... not just a joke... please please please... PLEASE!

Mobius, play nice.

I hope this “superior” Loki thing, if it is a female, isn’t a desperate attempt at feminism pandering, chocking up her “superiority” to being female. Please give the characters real stories. Flesh them out.

Juice box time?

No?

More homework?

Bugger...

The sass is off the charts

Librarian lady gonna get killed

Oh boy

Pffffft—

I miss Casey.

Hey don’t ignore Loki. That’s rude.

Bell is the answer?

Poor Loki. Stop trying to fit in. You are best when you are genuinely yourself.

What’s to stop Loki from grabbing the other files?

Homework... I thought I escaped this when I graduated...

Whatcha seeing there?

Oh...

Bye bye Asgard...

Cmon... not more feels.

AGGHHHHHHHH

Please allow him confirmation of Thor’s survival and beating of Thanos!!! He needs that confirmation! He needs that reassurance.

Hear him out Mobius.

“He’s hiding in apocalypses.” Sooooo is that why they go to presumably Mount Vesuvius? I assume?

Mobius, let Loki have your salad.

Rip salad

CASEY

Casey’s juice box

Poor Casey and mobius salad...

Loki, your logic astounds me.

Well, pushing Hulk off of the bridge WOULD have an effect...

VESUVIUS HERE WE COME

He hasn’t really stabbed anyone in the back... except Thor... but not 50 times

Pompeii, here we come!

Ooooooh we gonna see Loki dance with a lady? 😏 get ittttt

Well, if you do cause a branch, can’t you just reset the timeline?

CAUSE SOME CHAOS MY LOVELY MAN

OMG IM HEARING THE LOVE OF MY LIFE SPEAK ITALIAN

I can die happy now

Loki... you look insane.

Uhhh run

Okay you’re good

Sleepy Loki

Let him sleep!

Soooo, I mean, technically, Loki’s actions would still cause the timeline to change, but said change wouldn’t have an impact on the future, just the current moment... so shouldn’t it still be detected by the TVA? At least as a little fleck?

Jet skis?

Omg I just snorted at Loki begrudgingly agreeing with Mobius that jet skis are awesome

Mobius offending my History Teachers for 50 minutes straight... that’s it. That’s the episode.

Mobius really in love with jet skis for some reason

We better get to see Mobius on a jet ski

Fighting for jet skis?

Lol mobius has a point about the magical Asgardians and Jötunns

Glorious purpose

Cmon Loki, destroy this man’s beliefs.

OVERTHROW THE GOVERNMENT

DO IT

TEAM UP AND THROW THE TIMELINE INTO CHAOS

How would you know what the time keepers are doing when you’ve never met them?

How can you meet in peace at the end of time with no chaos?

“You see, I know something children don’t. That no one bad is ever truly bad. And no one good is ever truly good.”

Mobius, don’t patronize my boy. Go jet skiing.

“I know.” Oh good, that point in the trailer was edited.

No candy on Asgard? Poor Loki.

May the best man win? Well that automatically means Loki.

Getting National Treasure vibes

Love you

Alabama will still exist in 2050? That’s disappointing.

Roxxcart.

Loki is very smart. Thank you show.

Renslayer, if you claim Mobius is your friend, trust him.

Kachow!

“For all time.” “Always.” TVA is definitely a cult.

Weapon?

WEAPON!

...weapon???

no weapon...

Meanie...

Are we gonna see what this Loki variant looks like?

I have a feeling this variant is gonna be the female, blonde (I’m so sorry, at the moment I forget her name) in those pictures we saw. Guessing because 1) she was wearing a Loki outfit. 2) her and tom Hiddleston were wet in that picture as if rained on 3) the scene when they enter Roxxcart occurs when it starts to rain due to the upcoming massive storm. So I’m placing all of my money on the table the Loki variant is Lady Loki. Blonde, for some reason. (Or maybe she just didn’t have a wig on in the picture of her we saw?)

Yea please don’t prune this Loki.

Storms a brewing

Good to know Alabama, at some point, does get destroyed. That’s comforting. (Btw this is a joke. I have nothing against Alabama lol. Idk why my brain thought this was funny lol.)

All wet and rainy.

HAHAHAHA USE THAT MAGIC BABY

LET MOBIUS STICK WITH LOKI

Ooh ooh! Is Loki gonna use powers to yoink the roomba here?

Uh oh. Forgot to take into consideration that most big businesses, especially stores, have security cameras, huh?

Times ticking...

Wait was that a reset charge?

Awkward silence

Spookyyyy

Poor dude lol

Or not

Hmmm

Oh???

I RECOGNIZE THAT MAGIC!!! ITS HER!!!

HUNTER (forget her number) IS THE LOKI VARIANT!!! When was she replaced? Or was she always the variant?

That or the other Loki is projecting herself into the hunter? Maybe used the shopping dude as a conduit?

Moment of realization

Smiling contest

No no, Tom Hiddleston’s Loki is superior. I don’t care who else tries to play Loki, Tom IS Loki.

Oh no

Baby crying?

These poor people...

No need to be rough

Is Mobius genuinely caring

Oh... poor C-20

Team up please? Please?

Ah so they really can just send themself into any body they wish, huh? Just by touch?

Loki, learn that trick please.

Sooo, is the other variant Loki’s body tangible? Do they project their conscience into other bodies via touch, or do they not have a corporeal body and rely on others to exist?

Doctor Who vibes

TEAM UP PLEASE

YES

Please

Please?

Offended by Loki name?

Haha sympathy for Thor

Go randy.

Soooo what are you interested in if not ruling the TVA?

Who’s that planting charges? The real body of the other variant Loki?

You okay C-20? (Off topic her actress reminds me of the actress who played Ava Star aka Ghost in Ant-Man and the Wasp) what is real and what about it is so mind capturing for you?

Oh no

Poor girl

Cmon B-15

Hello?

Reset charge

Oh? Bye bye?

HEY!

That’s rude

I miss Randy too

Cmon Loki fight like the badass I know you are

Please

HAHA! TELEKINESIS

Cartwheel WEEEEE

Oooh he swore

Lokis have a pattern of swearing only while taking other peoples forms

Cmon Loki. Go back to mobius. Help them. Prove your goodness. Please.

Poor trucker man

Hello?

Hello!

Fave reveal?

I KNEW IT

Oh????

Flashlights?

RUN!

Is this actually a Loki variant or just sylvie? Or Amora?

Uh oh...

What’s happening

Is she absolutely destroying the timeline?

Poor Doctor Strange. I wonder if he knows about the TVA?

Loki is all alone? Why is he standing still?

Where is she going?

Cmon Loki... help them please...

Loki...

CLIFF HANGER

NOOOOO I CANT WAIT ANOTHER WEEK AGHHHHHHHH

Are they gonna be okay?

How is the variant traveling?

What is her goal?

Why is Loki going after her?

Why is Loki leaning towards the apparent evil side?

Is this actually lady Loki or sylvie or amora since her hair is blonde?

WHAT IS HAPPENING???

So much just happened in so little time. It’s like Marvel wants to slowly spoon feed us with the first 3/4 of the episode and then in the last 1/4, they waterboard us.

Why is this female Loki variant so much more powerful?

So Loki DID know what was going on at the Renaissance fair and was intentionally stalling for her... why?

Her horned helmet is similar to the one kid(?) Loki wears in the comics. One horn broken. How did that happen? Why does she still wear it, especially if she doesn’t want to be called Loki?

No end credit scene yet.