#i mean 'i'm here to be used'

[amypihcs]

Hello hello! end of the story! Watson left us with him freezing deer in headlights style reading of an attack to Holmes. Let's see how things went from then on!

Of course, actions start before brain starts processing. Holmes is hurt (my fault, i shouldn't've pulled that all nighter) i need to know what happe-

Holmes, of course would get home, idiot that he is

CAB! 221B BAKER STREET. NOW. RUN.

Watson must be worrying sick. He deserves a holiday! At least the doc assures no immediate danger. At least. Watson is allowed to see him (and if he wasn't he would've gone in all the same)

H: Don't be scared, Watson, i'm alright W: You are not-who hurt you. I'll murder that man with my bare hands H: My good Watson. Just stay with me? I'll tell you the plan. W: -kissing holmes- You need to rest. -hugging holmes-

Watson is just as scared and ready to murder for Holmes as Holmes is scared and ready to murder for Watson when he's hurt. O love these two. Well, plan's on.

Don't worry, with your help and my makeup cabinet we'll re-create that scene. I'm truly sorry i'm scaring you Watson.

Watson leaves to go give false information and so on, like getting kitty safe, and Holmes of course asks for something to smoke

I will keep granada Watson's answer for this. And then Watson will just return to Holmes asap and not move from there.

Things go on for that and Holmes recovers quite quickly, it would seem and they are of course plotting together or almost together. Holmes has his own plans, apparently. uuuhm

DAMNIT! is that bastard leaving?

Watson. there to be used?

Well, Watson knows to ask no explanation to Holmes and thaqt is far better to ask Mrs Hudson for the first pot of strong black coffee of the 24 hours.

Dr Watson gets back to be a uni student who has an exam and has not studied!

You would know, right, Watson? Bet this man is mistreating his back to study just like he used to do for particularly mnemonic exams in medicine. (I study biotech, i studied more or less this way for anatomy... yes, including drawing sketches to remember stuff better)

24 hours later, he's ready!

Holmes is OUT OF BED, Watson had told him to stay in there , but since he's out he can be teased and get a little kissy. You ready Watson? Very ready, Holmes. Let's go!

Relationship development! Watson CAN act, even if not that well! Now how to approach Gruner? Propose to sell him this!

And Watson makes the clever question, What price? He truly scintillates today! And Holmes has the answer for that since #victoriangenteman he can't put a price himself!

And so Watson get to the study and meets out murderer and

WATSON WHAT THE ACTUAL FUCK???!! THIS IS NOT THE TIME TO BE BI ABOUT THE SUSPECT!! Jesus, this man.

Shall we go ON? They examine the ceramic and the baron starts being insulting.

AND THEN PROPOSES TO QUIZ WATSON. Watson is understandably furious, bet that itch to thrash the hide off gruner didn't go away and is STRONGER now. Fuckit. Cover jumped.

The baron is just giving Watson an occasion to beat him to a pulp, or he would be wasn't he grabbing a gun WAIT! NOISE!

HOLMES WHAT ARE YOU DOING THERE!?? YOU SHOULD BE HOME AND RE- A WOMAN? DAMNIT, THIS BASTARD IS WOUNDED!

Watson IS after all a very good doctor. And so he attends to that bastard of Gruner

Some doctoring Watson because it's always good to remember how clever this man is. Ah and it was Kitty! Good girl! Revenge against such a man. People arrive, including a policeman, of course

But Watson gets away quickly and gets back home where he asks Holmes WHAT THE HELL HE WAS GOING THERE??! Holmes confesses and they exchange info. Holmes got the book! And they give it to Sir James. It all works out (And Watson MIGHT have got the identity of the client, but SHHHH)

The aftermath is a broken engagement, Gruner quite... not at his best and will never be again. Damn, sulfuric acid is BAD. Kitty is unfortunately convicted, but she gets the lowest sentence possible, hoping she'll be out soon! Holmes gets ALMOST arrested for burglary but manages to get out clean (did also Mycroft put a good word?) and dragged by Watson in a nice vacation! To rest and recover!

[sardonicdoll]

wanted to do my photo project this semester on the notion of mobility aids being extensions of our bodies, the yarn was done by a friend

edit: the shibari comments are one thing but if you put these non-sexual photos of me in my wheelchair on your porn blog i'm blocking you 👍🏻

[egophiliac]

crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bonetrousledbones]

fuck it since my birthday is in like one day i'm gonna use my birthday wish to tell y'all to look at the shit going on in southern Appalachia right now after Hurricane Helene. look at it and talk about it and spread resources about it like wildfire because nobody else fucking is and it feels like we're on our own out here.

there are people who are stranded in hazardous areas that are still safer than trying to leave by driving on the increasingly hazardous roads. i'm personally going into my third day without electricity at this point, and haven't been able to get any gas for a generator to even keep our fridge working. there are very few places with power or running water, and cell service has just barely been restored in the last hour. ground crews are working hard to repair things, but there are many, many areas that are entirely inaccessible that may not receive these fixes for several more days if not weeks. i'm afraid my own neighborhood might become one of those areas if repairs don't get to us soon, and since we're much more rural i have a difficult time trying to be optimistic about it.

we're very far inland. i guarantee you damn near everybody here was expecting a little more rain and wind like we usually get during hurricane season, if they even heard about the hurricane beforehand in the first place since most people only got about a twelve hour notice before landfall- after several major areas had already been flooded. our terrain protects us from most major weather events- most locals have never encountered a single tornado or legitimate tornado warning in our entire lives. nobody i've talked to or heard from about it seems to have had any idea that it would be this bad. everybody's wishing that they took it more seriously, but we've never, ever had to before. i've seen people comparing it to Hurricane Katrina and honestly i'm not sure if that's all too inaccurate. today while looking for a single working gas station i drove by a military helicopter parked in front of the elementary school i went to when i was little.

please for the love of god, talk about us. talk about the good memories you had here or the beauty of our mountains, and talk about how devastated we are as we watch historic structures, buildings, and entire towns get wiped from the face of the earth like they were never even there. stop dismissing us as uneducated hicks and rednecks and hilllbillies and fucking help us.

r/Asheville resource/updates megathread (Asheville is the largest city in western North Carolina)

How to set up disaster roaming for cell service

WLOS Live updates

Duke Energy power outage map

WNC Landslide Map

Hotels accepting locals

Emergency shelter locations

I live in western North Carolina so all of my own resources are centered around that. If anybody from the other impacted areas has additional sources they'd like to add, please don't hesitate to do so.

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[kimtaegis]

JIN HUGS JIN HUGS! for @jinstronaut ♡

cr. namuspromised, dwellingsouls, 0613data

[bean-spring]

As somebody who has struggled with mental health all of their life and still does, Jinx's romance with Ekko means the world to me.

I'm sick and tired of people considering mentally ill people just "not interested in love" or, on the other side, "not healthy enough to be loved". Which is utterly stupid. Ekko falling for Powder but clearly showing signs of wanting to learn more about Jinx and on his way to love her too, realizing that her damaged past and issues do change her but she's still his girl. It's brilliant writing.

He can't be a savior to her, because there's nothing to save. There's nothing to fix. The whole message Jayce gives with "there's beauty in imperfections" goes hand in hand with Powder's "sometimes taking a leap forward means leaving a few things behind". Ekko goes from wanting to save her to wanting to see more of her and leaving Powder behind to know about Jinx. With Ekko loving Jinx nevertheless it shows that mentally ill people can be loved. And with Powder reciprocating and Jinx making amends with Ekko (with the romantic context behind already seen) it's breaking the whole stereotype of her being this "insane maniac with no remorse and unable to show love".

So I guess what I want to say is that their relationship would've worked in another universe, but I want to believe it could've worked in this one (with time), too.

[brujahinaskirt]

arthur is rude to that one sex worker because the guys are fucking around as they oughtn't be and he actively wants the source of their distraction to go away. that is how he operates through the entire game: deliberate, utilitarian intimidation and strategic unpleasantness to achieve a goal. it is an early game commentary on arthur meant to position him as a big dog that barks. it is not a commentary on his views about women which are clarified many times afterward. you guys realize that right

[lunacias]

(Silence. CARPENTER tries to rally HAYWARD's spirits. She's afraid she's going to lose him.)

"All three of us - we can all go on living, Hayward. Just like you said."

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[biggest-gaudiest-patronuses]

putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023

[ilovedthestars]

A thought I’ve been having: While it's important to recognize the long history of many current queer identities (and the even longer history of people who lived outside of the straight, cis, allo “norm”) I think it's also important to remember that a label or identity doesn't have to be old to be, for lack of a better word, real.

This post that i reblogged a little while ago about asexuality and its history in the LGBTQ+ rights movement and before is really good and really important. As i've thought about it more, though, it makes me wonder why we need to prove that our labels have "always existed." In the case of asexuality, that post is pushing back against exclusionists who say that asexuality was “made up on the internet” and is therefore invalid. The post proves that untrue, which is important, because it takes away a tool for exclusionists.

But aromanticism, a label & community with a lot of overlap & solidarity with asexuality, was not a label that existed during Stonewall and the subsequent movement. It was coined a couple decades ago, on internet forums. While the phrasing is dismissive, it would be technically accurate to say that it was “made up on the internet.” To be very clear, I’m not agreeing with the exclusionists here—I’m aromantic myself. What I’m asking is, why does being a relatively recently coined label make it any less real or valid for people to identify with?

I think this emphasis on historical precedent is what leads to some of the attempts to label historical figures with modern terminology. If we can say someone who lived 100 or 1000 years ago was gay, or nonbinary, or asexual, or whatever, then that grants the identity legitimacy. but that's not the terminology they would have used then, and we have no way of knowing how, or if, any historical person's experiences would fit into modern terminology.

There's an element of "the map is not the territory" here, you know? Like this really good post says, labels are social technologies. There's a tendency in the modern Western queer community to act like in the last few decades the "truth" about how genders and orientations work has become more widespread and accepted. But that leaves out all the cultures, both historical and modern, that use a model of gender and sexuality that doesn't map neatly to LGBTQ+ identities but is nonetheless far more nuanced than "there are two genders, man and woman, and everyone is allo and straight." Those systems aren’t any more or less “true” than the system of gay/bi/pan/etc and straight, cis and trans, aro/ace and allo.

I guess what I’m saying is, and please bear with me here, “gay” people have not always existed. “Nonbinary” people have not always existed. “Asexual” people have not always existed. But people who fell in love with and had sex with others of the same gender have always existed. People who would not have identified themselves as either men or women have always existed. People who didn’t prioritize sex (and/or romance) as important parts of their lives have always existed. In the grand scheme of human existence, all our labels are new, and that’s okay. In another hundred or thousand years we’ll have completely different ways of thinking about gender and sexuality, and that’ll be okay too. Our labels can still be meaningful to us and our experiences right now, and that makes them real and important no matter how new they are.

We have a history, and we should not let it be erased. But we don’t need a history for our experiences and ways of describing ourselves to be real, right now.

[becca-e-barnes]

all i can think about is bucky literally BEGGING to eat your pussy. just on his knees, calling himself a needy slut, just looking up at you with puppy dog eyes while he just begs for your pussy on his mouth. ugh.

Men who are this into eating pussy have a special place reserved for them in Heaven. Hearing someone beg to go down on you is life changing when they know what they're doing 🙈

But you're so right, Bucky would be so willing to degrade himself like that just to be allowed to go down on you. He'd be on his knees, trying to ignore how full his balls feel, begging for you.

"P-please." His voice is so quiet you almost start to question if he said it intentionally. "I need to taste you. I can't think about anything else."

His cock twitches despite how heavy it looks, flushed and angry against the pale skin of his thighs.

"Really?" You tease, tilting his chin up with two fingers so he's looking at your face, rather than your body. "Tell me exactly what you're thinking. Describe it to me"

He doesn't miss a beat. "I'm thinking about how soft you are, how warm and silky your cunt feels under my tongue. I'm thinking about burying my tongue as deep inside you as I can reach and still wishing I could get deeper. I want to feel how wet you are but more than anything, I want to taste how wet you are. I want to dream about it for the rest of the week. Every time I stroke my cock I want to be able to remember how you taste."

Precum drips from his tip and you're not sure you can deny him much longer. Not when he's making it sound so appealing.

"Do you even hear yourself?" You do your very best to act like you don't love the sound of every word that has just come out of his mouth.

"I do. I sound like a shameless, filthy, desperate slut. The type of slut who wants to kiss and lick and worship your sweet pussy until you're so sensitive you have to force me to stop." His hand wanders between his own legs, tugging his stiff length to the mere thought.

He's not above begging and you know that. He'll draw this out as long as he needs to until he gets his way but there's very little sense in that when you want this just as much as he does.

"Lie on the bed." You give him time to make his way over before following, lining yourself up just above his face.

You take a second to smooth his hair, enjoying the feeling of his freshly shaved face against the sensitive insides of your thighs.

He's looking up at you, your eyes meeting his. "Thank you." The relief in his voice is clear right before he grasps your hips and pulls you down onto his mouth.

Fuck, he's incredible. This is the mouth you dream about when you're alone. His tongue massages your clit, stroking back and forth before dipping into your fluttering entrance. You swear he must feel what he's doing to you. You feel your cunt clenching and rippling, your muscles contracting in response to the pleasure and for a second you wonder if he can tell.

He's hungry for this; he has been for hours. He's moaning and slurping obscenely, his tongue buried in your cunt. You don't even need to look over your shoulder to know that he's alternating between fucking his own fist and gripping the base of his shaft tight enough to stop him from spilling his release all over himself too soon.

It's very hard to tell which of you enjoys this more.

[beif0ngs]

LUFFY’S DREAM

Huh? Have I never mentioned this to any of you before...? I guess I only told Shanks, Ace and Sabo then.