#i loved it i'd watch it again

[minhosblr]

Minho playing with kittens for 12 minutes straight (aka the kitten interview)

Bonus

[mobius-m-mobius]

It's a pretty cool name.

Loki + the progression of saying Mobius' name for @percheduphere

[starry-bi-sky]

finally giving fem danyal her own au and fulfilling my 'danny is an animal whisperer' agenda at the same time: mother of monsters danyal 2.0

i say "2.0" because TECHNICALLY 'mother of monsters danyal' is an au I made back in June for Dark fem!Danyal (who I promptly named Layal). However, I haven't posted much for her yet, and I like the "mother of monsters" premise too much to leave it only to Layal. Plus Danyal in that au was going to become the mother of monsters anyway, just with significantly less world domination and mass extinction.

'Animal whisperer' Danny has been something I've been thinking about since my latest DP 'wolfpack au' post and it's! So fun to think about, and who no better to assign the idea to than Danyal Al Ghul? Who comes from a family infamously known for their love of animals and nature?

Fem Danyal is just purely self-indulgent. *gestures wildly at her* i just lomvb,,, her,,,, I've only really mentioned her in context of the 'Things in Threes' au/my first Danyal al Ghul au with the facial scar, but she's!!! I love her. She deserves her own au <33

So kill three birds with one stone! Make a post about it.

Anyways, Danny has a large lair. Similar to cult leader danyal, her lair is a giant mountain region resembling nanda parbat with a big temple/palace-like area built into the mountain. It's large, it's overflowing with natural flora, with its own mini-floating islands hovering over some areas, and it's also completely empty.

Danny takes one look at her lair upon first meeting, -- noting that it looked relatively smaller from the outside -- and promptly, with the elegance of an Al Ghul, goes "What the hell??" Because yes, while she does enjoy her own solitude and privacy, this is a bit ridiculous.

For heaven's sake, there's even a massive lake in there! What's she going to do with all this space? Can she make it any smaller? Why is it so big in the first place? This looks borderline like one of the mega-islands!

She finds out later that apparently, the amount of ectoplasm a ghost has can have an effect on the size of their lair. And since she has such a large core, her lair reflects that. Wibbly-wobbly timey-wimey stuff, it's bigger on the inside so it doesn't take up "too much space" on the outside. Don't worry about it too much.

Danyal isn't totally opposed to having such a large lair, she's just... a bit baffled by it. It feels like so much wasted space is all. All this flora and no fauna to enjoy it with. It's practically eerie.

She decorates her temple-palace area, transforming rooms to match her needs as she sees fit. In the center of the inner gardens is a massive tree that she likes to climb, with twisting, winding branches. Sam and Tucker have honorary rooms, even if they can't safely leave the specter speeder for long periods of time, even with proper safety equipment. So does Jazz. Ali (Dani) has one too, but he can actually use that one, and Danny brought him to her lair so he could decorate it himself.

She has a personal garden, but for the most part she lets the flora exist as it is. Too much space to cultivate it en masse anyways.

Skip to a few weeks later, on her next visit to Clockwork. She developed a habit of going to see him semi-regularly just because. She enjoys his wisdom, and he has a lot of stories to tell, and when he's not being the cryptic and esoteric timekeeper, he's a bit goofy.

(pushing my dadwork agenda here,,, i think Danny deserves to go 'hey, Lord Clockwork, do you want me to buy you something' while she's at walmart, only to receive a singular glowing sticky note that says 'cucumber gatorade'.)

(She insists on referring to him with his proper titles even for the most mundane of things because it's proper, but Clockwork sees a future where she eventually calls him "Cee" and by all things in existence is he determined to get there. Anyways,,,)

On her next visit to Clockwork, just as she is about to leave, Clockwork stops her and goes; "Ah, I have something for you. Hold out your hands."

Danny does as such, and Clockwork doesn't give out things often, so her curiosity has spiked to the highest levels. He turns away from her for a moment, using his staff to summon whatever it is he needs, and when he turns around.

He drops a fish into her hands. Granted, a fish in a small glass tank. But a fish nonetheless. A small one, roughly about the size of her finger, with a blue-black, eel-shaped body and four sets of glowing eyes. She can see thin, almost translucent, but spiny fins down its back and the start of bioluminescent markings. It's swimming around in circles in its small container.

"Lord Clockwork." Danyal says all too calmly.

"Yes, Danyal?"

"What is this?"

"That is an adolescent leviathan, Danyal." She’s transfixed onto the tank, but she doesn’t need to see Clockwork’s face to hear the smile he’s stifling.

The myriad of emotions that runs through her all at once threatens to overwhelm her, and she can’t tell if the feelings are negative or positive. So she carefully closes her eyes to breathe in through her nose.

“Clockwork.”

“Ah, I see you’ve dropped formalities.”

She ignores that.

“Why have you given me an adolescent leviathan?”

She's expecting the trickster to look amused when she opens her eyes. Instead, he just looks endeared. "I know you're fond of animals," he says, "and you always look amazed when you come across an animal of the realms. So I thought you might enjoy taking care of the young beast, it's mother is dead so it has no one to care for it."

Oh.

"But, if you don't like it," Clockwork's hands reach out for the tank, "I can simply take it back--"

Danyal shifts the tank out from his reach and hugs it possessively. "I never said that. How do I care for it?"

And so clockwork gives her a list, and when Danyal returns to her lair, she sets up a large tank in her room for the leviathan to swim in -- it's much too small for the lake right now, she thinks. She'll feel better if it's somewhere she can find it. She names him Suhā.

Suhā grows quickly, and by the end of the mortal month she transforms one of the rooms into a large pond for him to swim around in. He's a very loyal beast, recognizing her as it's mother of some kind. Danyal takes great care ensuring that her beastie gets quality care, and Suhā swims to the surface to see her when he senses her in the room.

It spirals from there. Somehow, Pandora catches wind that Clockwork gave her a leviathan, and so the next time Danyal visits the Greater Athens, she gives her a baby chimera. It's eyes are still sealed shut, Danyal can't bring herself to say no. She names the little beastie Firas.

Frostbite hears about it too, and not to be outdone, gives her an animal she's never even heard of. Infinite-realms born, apparently. A fox-like creature with two small horns like an impala, four eyes, and tall legs. The name isn't something she's quite sure how to write down, and she's positive that her friends won't be able to comprehend it. She names her Eira.

Getting the three of them used to each other was... interesting. Suhā tried to eat Firas when Danyal first introduced the two, and they've hated each other ever since. Firas and Eira are seemingly getting along. Her island already feels full enough with the three of them on it.

Of course, that's not the end of it. With her luck, she begins stumbling across other monsters. Realms-borne or otherwise. An injured hydra in the Grecian islands that, through lots of trial and error, Danyal is able to rehabilitate and heal. It routinely comes to visit her afterwards.

A griffin with a broken wing that she moves permanently to the island that likes to keep to itself, but tends to come down when she's near. It gets along best with Firas.

A panther-like monster from the Shades Woods that had six legs and three tails, with ends that reminded her of a venus flytrap. It stuck around the heavy foliage and she can only make out where it was when she saw its golden eyes reflect.

She befriends a young indrik with its leg injured, and much like the hydra it follows her back to her island, and stays there in the mountains. It comes out when she's alone, much like her other beasts.

She receives two more leviathan -- one from clockwork, and one she finds herself while exploring the deeper and darker recesses of the Ghost Zone. It was huddled against the carcass of its mother, and she managed to befriend and get close enough to it to bring it back to her island. Suhā is fully grown by then, with a head bigger than Danyal herself and he still likes to stick her head out of the water for nuzzles when she's near.

He's not very happy with his new siblings, but he's not trying to eat them when she's not looking. So she calls it a win in her book.

And it's not just large beasts either; smaller animals begin popping up when she's not looking. Bird-like creatures and small mammals, and she swears she saw a doe (or something resembling a doe) grazing in the forest while she was walking by.

She takes back with her a lone snake egg once, and it grows so big it wraps around her island and sleeps with its massive head on the mountain beside the temple, like some smaller breed of Jörmungandr.

And on and on it goes. Some of the beasts she comes across never step foot onto her island, some of them follow her back, while others she has to carry back. Not all of the ones that follow her stay, and Danny rehabilitates the injured and releases them when they're fully healed.

It's hectic, and busy, and frankly she loves it. Some of her rehabilitated beasts return to visit her, or to have their children somewhere on the island, or whatever it is they need to do.

She becomes a bit infamous for it. She goes to visit Dorathea once, and as she's walking through the streets she can hear some of the denizens whispering while she walks past.

"Is that her?"

"Her highness' friend? Yes--"

"--that's the one--"

"--Mother of monsters--"

Danny's not sure how to feel about that.

Although, she can't say she's opposed.

Danyal Al Ghul, Mother of monsters, raiser of beasts. It has a nice ring to it.

[poorly-drawn-mdzs]

Do you like my art? Do you wish I would draw something specific? Great news!

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If you are interested in commissioning me, please fill out the google form and I'll reach out to you as slots become available!

[Ko-fi - Google Form Link]

[lazzarella]

And the way Style keeps trying to coax Fadel away from his current life without giving himself away? Why don't you find a new job that lets you love? You don't have to live someone else's life. And so on. The way he tells Kant he's getting kinda attached to Fadel (at least in the subs), but when he's talking to Fadel like this, you know it's more. Because he's trying to steer Fadel to a life where they can be together. No obstacles. No danger.

But he can't say 'please stop killing people because I'm worried about you and I want to be with you' and he can't warn Fadel about the police because, as open as he's being emotionally, now, he's still scared and conflicted

And then, when Fadel tries to reassure him, because he's working toward a life free of danger where they can be together, it doesn't help because Style still knows what Fadel doesn't (again), and I love that play between the one who knows being the one who feels off-kilter, and the one in the dark—though he thinks he isn't—being the one who feels like he's on solid ground

And then it's flipped again at the end! He's so happy to finally see Fadel again, and I don't think he thinks they're home free or anything, but he is happy and he looks relieved. But then Fadel is told Style and Kant are the snitches and now he's one step ahead. He's the one who knows the thing keeping them apart. And it reminds me of that tit for tat they had in their early encounters, where they were always one-upping each other, but now the stakes are higher and the angst is angsting and it's so gooooooood and ugh!!!!

Anyway, this is a mess, and I'm honestly not sure where I intended to go with it, but I'm just really enjoying the writing and the acting and everything in this show

[ducks-love-peas]

meanwhile, Crowley:

Good Omens 2 | ⭑favorite moments⭑ 2/?

[caycanteven]

Him. The legend himself.

Rex is hot as fuck, all I gotta say. Anyway thank you sweet moot fren @tenderribcage for lettin' me go ham sobbing uncontrollably

also sorry for double ping, i fucked up the first time, was staring too hard at the skeleton.... QvQ

[likesummerrainn]

My layers, all these sides, could you stick by for the ride?

Hangman Page Birthday Week 2024: ⤷ Day 6 - Favorite Relationship: Hangman/Matt Jackson @swervestrickland

[sysig]

I really like @theratpy​‘s Dr. Zo :D I like him for normal reasons don’t even worry about it don’t read into it at all haha (Patreon)

Bonus Ratticus

[chimerafeathers]

[ on youtube ]

a concept for the type of OP i'd love to see for the second season of Dungeon Meshi! both s1 OPs are great, but i'm really hoping for one that captures both the "dangerous fantasy adventure" and "comedic cooking adventure" aspects of the series in equal measure, because it's the integration of those two concepts that makes the series special to me. the joyous whimsy and the dramatic horrors are equally important!!

[physics-of-one-piece]

“Answer these two questions! Where is the Op-Op Fruit and where is Law?”

+ Doflamingo's reaction to finding out Law ate the Op-Op Fruit and that Law is "with the Navy"

Donquixote Doflamingo (ONE PIECE #706)

[bluecoffeebeanz]

THEY EVEN TOOK HIS QUEEN

[youmakethelight]

I need scenes where Daryl explicitly shows that he loves Carol for all of who she is as a human. I know we know it, even though that feeling has been fading since the spin-off and even in parts of season 11. But I reallyyy need at least one scene where Daryl catches Carol doing something distinctly Carol and looks at her for a *prolonged* time with unambiguous love all over his face. And then he actively shows and tells her. Like the scenes where Aaron and Rosita see Carol putting herself through pain to kill the horse to feed Alexandria. I need to know that Daryl sees that in her. And I need to see him radiate intense love in her direction because she fucking needs it.

[melooonsstuff]

Soldier, Poet, King × Ponniyin Selvan

[idlesuperstar]

My. Sounds like a love story.

[onceinawhilemoon]

Fuck. I just realized that Vogel might well have been the one behind the police files on Violet's case disappearing in the first place. This line, "I'm failing to be of much help," his delivery of it, the seemingly innocuous question about the "precious information" and even the way this scene is framed...

I mean, we all know Vogel was stirring the shit from day one, but the possibility didn't even occur to me because I just assumed Mycroft had something to do with the missing files. Now that I think about it, though, there are way too many inconsistencies..

Why would Mycroft remove the files but not the folder that contained them or the crime scene report? He even left the judge’s letter (evidence of bribery) intact at the manor. I don't think he'd ever be careless enough to leave them behind if he truly wanted to cover the tracks, and he sure has the means to erase an entire room full of evidence from existence if he wanted to. I assume he also has some level of influence/control over what gets published in the news, so why would he remove the files but still allow the Chronicle to report about the investigation and completely contrdict the tuberculosis narrative by saying "cause of death unknown" ? If Sherlock happened to read it, it would raise all kinds of alarm bells...

All this to say.. I don’t think Mycroft intended to dispose of any physical evidence besides hiding the truth itself from his brother, I think he just wanted to take him out of that place at all costs and as soon as possible. Maybe he was confident in his ability to keep it all in Cordona and keep Sherlock away from it ? (especially with Sherry’s post-traumatic amnesia and Jon helping tremendously with that) I like this interpretation because it shows how despite all his careful planning and foresight, he was deeply affected by what happened and too tired to account for a future possibility in which Sherlock might want to revisit the past and investigate. I imagine he must be beating himself up over this oversight because all those breadcrumbs he unwittingly left behind eventually helped Sherlock piece everything together...

On the other hand, I can definitely see Vogel hiring someone (like when he hired a random guy to pretend to be a sailor) to relocate or get rid of the files to further complicate things for Sherlock and string him along, or to prove to him that systems, institutions, and even society as a whole reject the truth and reject it so vigorously that they're willing to alter or erase records to suppress it.

Heck, Vogel might well have wanted Sherlock to believe it WAS Mycroft because bonus points if he managed to destabilize Sherlock's mental state AND fuel the feud with his brother.

Removing the files or relocating some of them to the “discarded document drawers” but keeping an empty folder with big bold letters stating “The Case of Violet Holmes” does give strong vibes of someone deliberately trying to lead (or mislead) Sherlock rather than a poor attempt at evidence disposal, or even vandalism or mishap on the police’s part, for that matter.

That would also be the perfect way for Vogel to ensure Sherlock is locked onto the "Sisyphus to Ozymandias" path, because if Sherlock found that information was being deliberately suppressed, it'd trigger his obsessive need to pursue it until he's uncovered the whole truth...