#i love u glenn

[rystiel]

glenn i loveeeee youuuuuu glenn you really are a home run hit, eye buggingly awesome :3

[deeenjoyer]

put those big brown eyes AWAY

[fantaorange]

practicing lining drawings without hating it and also sort of practicing expressions

[variksel]

hot dndads take I bet glenn and erin wouldve fucked. if they had had the time.

they are enemies to loverenemies. in my mind. they are the blueprint to hero x taylor in s2

[weirdgirlsparrow]

i'm gonna get shocked by a cattle prod for saying this but glenn's post-supermax character arc, as a prison hater, is so huge to me

i don't know if freddie planned it but the way glenn struggles to re-integrate, adopting a rat that reminds him of his time is solitary confinement, seriously considering not going back home cause he doesn't know if he'll have a life there, getting prickly and aggressive and insecure, the fucking notebook trying to determine if he's good, if he even deserves to be in people's lives anymore-

like, rehabilitation already sucks in real life, but after having your entire life literally ripped from under you, i can see why glenn would think this is as good as its gonna get

[unluckyprime]

ITS DONE‼️ speedran this animatic over the course of . thhrreeee days 😬

[realbeefman]

i think about this scene constantly. this is probably the only time they’ve both been totally genuine and honest with each other ever. and they still don’t understand each other.

charlie has always loved the idea of her more than her. arguably their most romantic moment before this occurs in jersey shore, when she’s very literally not herself.

to the waitress, charlie isn’t just saying “i love you.” he’s said that he loves her thousands of times before. to her it’s deeper than that. to her he’s saying, “i love you (for the person that you are. i know your flaws and i love you in spite of them. i always will, no matter what you do, no matter how badly you fuck up)” and to a person as chronically lonely as the waitress is, who has been rejected and humiliated by her lovers time and time again, that’s everything she needs to hear.

and of course, on some level, this is what charlie thinks he means as well. but his “i love you” carries no more weight than the other thousands of times he’s said it to her. in saves the day, charlie’s ideal world is a satirized version of the stereotypical nuclear family, because charlie genuinely believes that that’s the life he wants.

like most of the gang, charlie’s adherence to social roles and expectations are inconsistent, even as he professes to believe strongly in their value. he is a proud american when it suits him, he is willing to be a father when it benefits him, and he is interested in the waitress only when it suits him to be interested in her. the waitress isn’t anybody special; she’s an attractive woman that charlie has decided is the epitome of everything he should be.

this is why jersey shore is the peak of their romantic relationship. because ultimately, while charlie is willing to and, at times, actively wants to love her, the unfortunate fact of the matter is that he doesn’t even like her.

he puts vitamins in her shampoo. he gets her fired from jobs he doesn’t like, and protects her on jobs he approves of (most blatant example of this is when he barks at a passing stranger who might steal her bike when she’s delivering indian food vs literally trying to have her stabbed at the fair). he is constantly trying to make her into somebody he likes being around.

to charlie, this “i love you” is just a statement of fact. loving her is something he should do, so he does. it’s yet another frivolous idea that has passed through his imagination, of no more real significance to charlie’s core identity than being a patriot is. to the waitress, this “i love you” is the only one that has ever mattered, to her, this is a breakthrough moment in which she finally, finally understands and connects with this man who has been stalking her for more than a decade.

it makes it hit all the harder when she realizes, when all is said and done, that she still doesn’t understand him at all.

[best-teen-polycule]

putting the persuasion in asian persuasion

[guiltandrecourse]

this dndads live show has everything. Darryl now canonically being a Leeds fan. Henry inviting talking matcha for a threesome. Ron getting bummed by Scam Likely.

[yeahiguess3232]

Henry is the type of dad who falls asleep looking like he's reading. Who wouldn't tho when the book is about sediments.

---

Anyway, surprise surprise another artwork of them sleeping. I have a problem haha.

This was fun to explore light a bit, and clothes are a pain as always, I bullshit most of the folds tbh.

[nicky-jr]

Hehe UM for the requests- early S1 Glenn in this piece if you please! 👉👈

(Presumably altered a bit at the bottom lmao)

🫡 thank you for sexualizing that old man o7! 💜

[Also if you'd rather not like full-on lingerie just lmk and I'll send you something else hahaha]

proud to serve my country o7

also ermm demon version under the cut bc i straight up missed that u asked for early s1 glenn until i was about to post it. so i just quickly edited out the demon features and called it a day HAHA

[lolliepops-rox]

I'm literally losing my mind over Morgan going back to Glenn. Particularly cos Anthony was so insistent about Glenn and Jodie being brothers. SO SORRY JODIE YOUR WIFE LEFT YOU FOR UR BROTHER. THEN WHEN U FINALLY MOVED ON, YOUR NEW BOYFRIEND ABSCONDED WITH UR NEW CHILD. Given that we know Nickie spends most of his time in hell, I think he's the only person who hasnt abandoned Jodie. Like damm jodie what a rough break oof.

[glennmillerorchestra]

world's #1 most important poll. choose wisely

[variksel]

pops out of a deep deep matrix slumber Guys do u remember that liveshow when henry invited darryl into a polycule with him and mercedes. guys do you remember do you remembthe machines drag me away

[dennisboobs]

this scene is ten times more clear in terms of intent without glenn and charlie's word salad 😭

[unluckyprime]

HERMIE GOT SOME AUDIO TIME TODAY!! ARE WE JUMPING FOR JOY OR WHAT?