"Alas for Lothlórien that I love! It would be a poor life in a land where no mallorn grew. But if there are mallorn-trees beyond the Great Sea, none have reported it."
- The Fellowship of the Ring, Book II, Chpt. VI
Stumbled across this quote from Haldir on my reread of the Fellowship, and it got me thinking about a) the way knowledge about certain places and people is distributed in the Legendarium and b) plants native to Middle Earth and plants native to Valinor, and how much of a difference there is.
I would like to make a long meta post but I literally lack the energy to do so, so instead let me ask you:
If you have another more nuanced take let me know in the tags please!!
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one of the things that feels so clear on rereads but so many people miss the first time they read the way of kings is shallans PTSD. I think part of it is the way it gets overshadowed by the constant unending tragedy of kaladin's story, its easy to slot shallan in as the young naive rich girl and not look much deeper. Part of it also is the way shallan drastically understates her own trauma. she says that she's timid, she doesn't like confrontation, she talks about her father's temper, but she was the lucky one because it was never directed at her. There are so many things in her first few chapters alone that are textbook PTSD, the way she freezes and shuts down any thought process that gets too close to her father's death, the flashback when jasnah gets angry at her, how she dissociates when she draws. It's so obvious if you know what you're looking for, but just subtle enough, especially when it's compared to kaladin's trauma, that a lot of people miss it at first. anyway I would defend shallan davar with my life.
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I don’t feel like our love is brand new. There must have been lovers, soulmates, before us, experiencing what we get to have. And it’s giving me comfort to imagine there will be many more like us to come. Our kind of love is the kind of love that makes this rotten world worth living in.
prince simon in madrid
a pilgrimage along the world that @prince-simon created 🥹
Simon’s neighbourhood, Chueca
“It’s actually the Queer Neighbourhood of Madrid, and coincidentally also where I live.” He lowered his voice as if to tell a secret, “It’s actually not a coincidence at all.” (chapter 2)
Casa de Campo (view from the Royal Palace lol oop)
Wilhelm didn’t even recognise himself. He didn’t think he’d ever looked that happy. And Simon… his eyes were closed and his curls were a mess and Wilhelm had never seen anyone more beautiful. (chapter 3)
El Retiro
Simon looked at Wilhelm much too adoringly for a statement this goofy. “The ducks are gay!” He yelled at Santiago and Paula, “Just so you know!” (chapter 9)
Palacio de Cristal
“Here’s a funny thought - bear with me, okay? But just imagine. Flowers. Everywhere, like on the ceiling, up the walls. Fairy lights scattered all through it. It would be so gorgeous as a- uh, like. For a wedding…” Realising where his train of thought had gotten him, Wilhelm fell quiet, looking at Simon with wide eyes. (chapter 9)
El Palacio Real de Madrid (more specifically the Throne Room lmfao)
Simon traced his fingers over the bruises on Wilhelm’s neck and in the opening of his dress shirt, humming contentedly. Wilhelm followed the movement in the mirror, and marvelled at how good they looked together, how well they fit together and how much Simon belonged right here – on the throne, with Wilhelm. He deserved the world and so much more. (chapter 12)
Museo Nacional del Prado
Around them, the other visitors kept moving, admiring the art on the walls, and for the moment Wilhelm felt infinite, imagining himself a painting, looked at and analysed hundreds of years from now. El Abrazo de los Príncipes.
Lo Spasimo, Raphael, 1515-1517
“Are we allowed to kiss in front of Jesus on his way to crucifixion or is that tasteless? Because I really want to kiss you right now, Simon.”
Las Meninas, Diego Velázquez, 1656
“He made me look at Velázquez in the painting and how he was looking back at the viewer, at me. I still remember the exact tone of his voice, how he was so certain when he told me that I had every right to be where I am. That I am the subject of this painting, the king being painted. All those tyrants, King Felipe and Emmanuel and all those that came in between, they are trapped in that mirror forever while I am here, alive, we’re here. Velázquez is looking at two queer princes, ready to paint us.” (chapter 13)
Casa Alberto
“So, tell me more about this special part of Madrileñan history.” He was slightly teasing but mostly actually curious.
Simon seemed all too eager to answer that question, and it hit Wilhelm how genuine Simon’s care for his city — his country — and its people was. It made him a little sad to know that a lot of people didn’t get to see that because they only focused on Simon being too gay or too Latino, or even just too carefree and enjoying life because he was young, to be their future king.
bonus content:
Iglesia de San Antonio de los Alemanes (where Simon goes to church)
“I think I need to go somewhere.”
“Oh?” Wilhelm said softly, “Right now?”
Simon hesitated before he nodded. “I need to- get some clarity? Or - I hope that I’ll get it there?” He whispered, voice shaky.
“Do you want to tell me where you’re going?”
“To- uh, to pray? I mean- to church? I don’t know if I’ll pray…” Simon’s voice was shaky, uncertainty shining in his eyes when he dared to look up at Wilhelm. (chapter 11)
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good evening kajsssssss! please tell me an underrated moment you want the brawn doc to show/mention
OH GOD ! it's in these moments i really really wish i had a tag system like yours and not a tag system just. based on vibes..... i have such a poor memory i never remember what happened which year...... BUT FEAR NOT ! i broke out the Holy Grail(s) to aid me, aka my 3 jenson books.
moments that i'll be genuinely surprised if they're not included:
monaco pit lane run
brazil we are the champions
these r fundamental lore... FUNDAMENTAL... and i'll entirely lose my faith in keanu reeves if they're not incuded.
BUT! you asked for underrated not fundamental so i give you....
1. flavio briatore (known jenson button tormentor) being sooo pissed that he couldn't get the double diffuser banned that he told the media that 1. he can't understand why (or i guess how) jenson was leading the championship. and 2. that jenson was a paracarro (acc to jenson's translation: a concrete bollard). flavio is such a cartoon villian it'd be soooo funny to have him included in some way
2. jb, jessica (then girlfriend), prince albert and princess charlene going clubbing after the monaco gp and prince albert apparently busting it down not so sensitive style on the dance floor
3. a grinning kid giving jb the finger after qualifying in brazil (most likely not caught on camera which is a great tragedy) (in general i just want as much as possible abt the rubens/jenson firction - there was minimal but i want DRAMA - and the brazilian gp)
4. while i know this is not The Jenson Button Show to the general public, it is to me and therefore i'd be greatly, GREATLY, disappointed if jenson's dad isn't in it in some capacity. jenson's dad is a very very fundamental part of who jb is. jenson hugging his dad for as long as he could after winning the wdc not for his sake but to conceal his dad's tears from the cameras (knowing that his dad wouldn't want it broadcasted) says a lot abt jenson and it's one of my fave jenson tidbits of all time
5. obviously seb has to be in it. red bull was the main competitor and i want to see his stupid buzz cut. i want to see the pics from the australian gp where it looks like him and jenson just announced their engagement.. and speaking of.. i'd like to remember it was that year the entire "are you proposing?" presser took place (but again, my memory sucks!)
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You know what else? 2022 was also a really great year for fiction for me
My special interest in The Owl House continued through the whole year because Season 2B/the start of S3 were both phenomenal; I had a resurgence of feelings about the first Critical Role campaign because The Legend of Vox Machina really exceeded my expectations as an adaptation; The Locked Tomb series got me reading again in a BIG way; and now here at the end of the year I am a puddle of emotions about Pentiment and telling everyone I know to play it
All incredibly good stories, that also make me have emotions ABOUT stories, and all sort of interesting/weird/unique in their own way. There's some extremely tasty thematic intersections between them all too which I think is doing a lot for me as a storyteller and writer myself.
(Also they all have actual queer characters and I love that for them.)
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about Obscurials and pre-Hogwarts Harry
this is your daily reminder that Harry could never have been an Obscurial, not because That Woman hadn’t created/retconned in the idea yet, but because of the actual definition, which is “a child who knows about their magic and tries to suppress it”.
Ariana Dumbledore knew she was a witch from the time she was able to know things. She was actively and knowingly doing magic when she was attacked, and afterward she refused to use her gift and it turned inward.
Harry Potter knew that strange things happened around him, but he did not know that it was magic, because he didn’t think magic was even real. One of the first things he says to Hagrid after The Reveal is something along the lines of “this has to be a mistake, I can’t be a wizard”. He also wasn’t trying to “suppress” any of the things happening to him, because he didn’t know he was the one causing them to happen.
so yeah, there’s no viable “Dumbledore knew Harry could have become an Obscurial when he left him with the Dursleys and still left him there” argument, because Dumbledore didn’t know the Dursleys weren’t going to tell Harry about his magic or even treat him like a member of the family (see: my 12-hour long post about this shit last month, along with The Books).
yet another big argument Dumbledore-bashers have that falls apart when you actually adhere to the story lol
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‘I pretend to care for the men, but in truth I don’t give a damn whether they live or die. You always did care, but you pretend not to give a damn. I never saw you waste one man’s life. And yet they like me better. Hah. There’s justice.’
— Nicomo Cosca to Monza Murcatto, Best Served Cold by Joe Abercrombie
Forever yelling from the rooftops that Monza is a sympathetic character who 100% deserves her happy ending; a victim of abuse who walks through the hell that is gaining self-understanding and agency over her own life, coming to terms with just how futile is her struggle to be respected in a world that refuses to care. This quote reminds me a lot of that speech in the Barbie movie, the way Monza is constantly trying to play so many roles, tying herself in knots, never strong enough, never nice enough, never ruthless enough, and at the end of the day, after all that effort, it turns out that in the eyes of the men who ruined her life she was only ever supposed to be collateral damage. God, I love her.
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