#i love their contradicting designs

[nekomacheercaptain]

…I should NOT have written all of that in the tags, it got too long lmao

People love to pigeonhole Corazon as a sweet uwu bean just bc he threw away his life and everything he'd worked for to save a single suffering child but they tend to skate over the fact that he also lit multiple hospitals on fire in the process

[miyamoratsumuu]

I haven't stayed up past midnight in months???? who knew the reason I'd end up doing it again is bc of an umbrella design

[beneathsilverstars]

my headcanons are contradicting each other [upends a table]

[ninjasmudge]

[slides in]

hope youre doing well, this is your excuse to talk about something you've been waiting for someone to ask about, any topic

THIS IS YOUR FAULT FOR MAKING ME THINK ABOUT TRANSFORMERS AGAIN its one of my favourite franchises bc there are really NOT MANY characters who i am neutral on or dont like. ive singled out dozens of tf characters over the years to be the fave for a bit and rotated them in my brain for a few months, its actually easier to list the characters that i dont like than the ones i do. i do have some favs but theres stil like. 10 that i couldnt choose between. probably soundwave, sunstreaker, ratchet, vortex, deathsaurs, tracks, steeljaw (rid), spinister (idw), perceptor, fort max, skywarp, thATS MORE THAN 10 ALREADY BUT U GET IT

i actually have 5-6 a4 notebooks just FULL of transformers drawings, little comics of g1 episodes and character designs and stuff, its all from a few years ago before i started digital art but i should really redraw some of it bc ill never get tired of transformers.

and actually, i was wondering what to draw today so MAYBE some transformers stuff. i loved g1 for how absolutely insane it was, ive never seen a show with so many lines said like jokes that were just. not jokes and usually made GENUINELY no sense. not sure i ever laughed at a joke in that show but i do remember being in literal tears over animation errors, wild lines, weird noises, and plotlines that make no sense whatsoever. do not watch g1 with hopes of getting it, but i do watch it to laugh at the show itself

[wazzuppy]

its less that i think old kids properties shouldnt have darker, adult reboots and that they're inherently bad, and more that i think that most of them lack an understanding of why those original works were special and enjoyable in the first place and attempt to overcompensate for it by falling back onto tropes the cw popularized in order to seem more "mature"

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[btsvt-bar]

Fuckboy!Wonwoo going for shy!reader since he assumes they’re a virgin, just to find out reader is an absolute freak and rides him until he passes out

wonwoo bias wrecked me so much after the follow again concerts that this just came to life on it’s own. i wrote the freshman experience based off of how it is on my country and i loved writing this, so i hope you enjoy it too! ♡

.・。.・゜✭・.・✫・゜・。.・。.・゜✭・.・✫・゜・。.・。.・゜✭・

fuckboy!wonwoo who’s your game design course sunbaenim. he contradicts all paradigms about nerds, because he’s hot as fuck.

fuckboy!wonwoo who spots you on the first day of classes. he sees you walking past him in your tiny skirt and "I ♡ games" tshirt and finds you adorable.

fuckboy!wonwoo who fights with other veterans to keep you as his freshman. he loses the argument to Nayeon, the course’s students’ president, and sulks for the rest of the day.

fuckboy!wonwoo who hits on you at the bar that night. everyone’s whispering about the two of you.

since Nayeon’s done her job and warned you before hand about Wonwoo’s reputation, you turn him down nicely because you hate the attention. of course, it only spurs him on.

fuckboy!wonwoo who tried to befriend you as a way of getting into your pants (well, he’s a fuckboy after all!).

a couple months after, once he realizes you’re actually really funny and outgoing when you feel comfortable enough, he finds himself enjoying the time you two spend together.

fuckboy!wonwoo who becomes obsessed with you. he convinces himself it’ll fade away once he fucks you. but then he finds himself getting so fucking jealous when he hears you calling Seungcheol your “oppa”. he knows Cheol has a thing for you — your innocent, virgin like persona is driving every male student wild. so he feels his blood boiling when you touch his hyung’s bicep as you smile sweetly and bat your eyelashes.

fuckboy!wonwoo who gets really annoyed when his friends mock him, claiming he lost his charms and won’t get to fuck you like he would do to any other girl.

"it’s up to Coups Hyung to pop her cherry." Jeonghan holds back a laugh as Wonwoo rolls his eyes.

Like hell we will! he thinks.

fuckboy!wonwoo who tries to sleep with someone else to get off and forget about you. but it doesn’t work and he gets more frustrated than before.

fuckboy!wonwoo who offers to help you with your class project and goes to your shared dorm room on a Saturday night. you open the door and he holds his breath when he sees your super princess peach cropped shirt.

"what? it’s my favorite game" you state, with a pout on your lips, when he stares for too long.

"oh, nothing. it’s a good one." he babbles, averting his eyes from your chest. your shirt was probably old, since he could see the outline of your nipples through the white fabric. he swallows nervously, trying to shake the image of your pebbled nipples off of his head.

fuckboy!wonwoo who gets distracted by your short sleeping shorts, since they do the bare minimum to cover you up.

"Nonu, are you listening?" you complain as you shake him. his eyes are out of focus when he meets your gaze. "earth to Nonu! what are you thinking about?"

fuckboy!wonwoo who bites his lower lip and stares at you.

"i’m thinking about you, cutie." he flirts. usually, you would blush and avert your eyes. so it’s a shocker for him when your Bambi eyes transform into a siren gaze.

“what about me?" you whisper, inching closer to his face. "is it about the ways you’d like to fuck me?" that’s all it takes for Wonwoo to take off his glasses and crash his lips into yours.

fuckboy!wonwoo who gets really excited and surprised when he finds out you’re not a virgin. in fact, you’re a total freak in bed. he feels a bit fooled since you got everyone believing you’re a pure angel, but he isn’t about to complain.

not when you’re jumping up and down on his dick with your pretty boobs on full display for him.

fuckboy!wonwoo who fucks up into you with all his might, thinking that he could die happy buried in your heat like that.

you’re riding him so good, your hips grinding against his and your hands clawing at his chest. your lips are red and swollen from kissing, your head’s thrown back in pleasure. you let out quiet ah-ah-ahs that enter Wonwoo’s ears and spin down his body directly to his dick.

fuckboy!wonwoo who nearly blows his load when you ask him to choke you.

his big hand presses on your throat with minimum force, but you demand more pressure and he complies.

fuckboy!wonwoo who circles your clit and sucks your nipples to help you cum. and when you do, he follows shortly after, emptying three months worth of blue balls in the condom and nearly passes out.

fuckboy!wonwoo who cuddles you and realizes he’s been tricked.

"i’m not complaining, but i thought you were a virgin."

you laugh, turning around to face him. "and the resident fuckboy gets played." pride bubbles in your chest. Wonwoo smiles at you, his brown eyes still a bit glazed over from his high.

"i liked being played" he admits with a shy smile.

fuckboy!wonwoo who refuses to go back to his own room. thank goodness your roommate is not coming back for the night.

.・。.・゜✭・.・✫・゜・。.・。.・゜✭・.・✫・゜・。.・。.・゜✭・

© btsvt-bar, 2024

m.list ♡

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[artemismatchalatte]

Okay so I am trying this new dating/friend finding app as a newly minted lesbian with more ideas than experiences.

What bothers me about this app though is that you can't really age restrict or restrict by anything else- SO EVERYONE on the App sees your posts always. I'm a lesbian but do not know why they keep showing me tons and tons of people that would not date a lesbian.

They kind of threw all the lgbt people into a bucket and were like "but you'd date any other lgbt person RIGHT?"

[kismetlotts]

-`♡´- John Price fingering you in front of the mirror x afab femreader

cw: mirror kink, “good girl”, reader gets fingered

John Price was a mad man; a fucking machine. Built like a superhero, covered in dirt with that sexy beard of his but god damn you’d let him do the unspeakable to you.

He could fuck for hours, for nights- you swore if he had enough energy he could go on for days. But one thing he struggled to do was finger you.

You felt a bit embarrassed to ask why as you always assured him it felt good but the disgruntled expression and sigh he makes when he pulls out of you made you worry. You began to wonder if it was something wrong with you and that’s the reason why.

In your head it made sense, him making it plainly obvious he didn’t want to do it every-time it was over but your mind always made something up to contradict your theory.

If he hated it so much why did he enjoy eating you out? Why would he throw you in the bed, staring at your pussy hungry before attacking your clit fast and hard like the military captain he is? And if he hated fingering you so much why did he offer?

Why did he do that?

You stretched your legs out under your office chair before packing your bag and leaving work, on your way home. Tonight was the night you were going to ask him, embarrassing or not. You couldn’t let your dwelling and overthinking cluster up your head any longer, it was time.

You opened the gate to your rustic home and headed for the big door. The house you two had bought was quiet old and elegant and you’d loved it so much, decorating the decaying walls and overgrown garden and making it your own. You loved the style and it made you feel cozy, this was your dream house.

The door shut behind you and the farmilliar scent of vanilla candles and firewood cascaded through the walls as the fire cracked beside you. You hung up your coat and dumped your bag on the floor.

“Baby? Where are you?” You called and after hearing a couple strained grunts you heard Price yell back a ‘Here’ from upstairs. Curiosity flooded your mind and you jogged up the stairs and pushed open your bedroom door to see him crouched on the floor, tool kit sprawled behind him and a screw driver in his hand.

“What the fuck is that?” The laughter of your voice falling through as you store at the mirror nailed to the wall, it was huge. Something out of a ballet studio and you turned back to him, heavy breathing and whipping the sweat off of his pink face.

“Thought you’d like it, pretty big though.” Yeah, just a little. Head to toe taking all the room and right in-front of the bed, how amazing. Cant wait to wake up to my own reflection.

“Doesn’t exactly go with the rustic design of the house does it?” But all he did was laugh and pull you closer, giving you a sloppy but loving kiss on the lips as you tried to wriggle away. His hands clasped around you waist and you remembered what you were going to ask him. Your mouth fell ajar but before you could speak he was dragging along the wide wooden chair to sit on before placing it infront of the mirror and take a seat.

“Want to know what it’s for?” He asked, words laced with something you couldn’t put your tongue on but you hesitantly nodded, wondering why he bought this. It must’ve costed a lot, and it was rather beautiful, it was as clear as glass. Why did he get this.

Price smirked letting a deep chuckle through his tight lips before patting his laps for you to sit. You sat down hesitantly and glacéd in the mirror at you two, his hands around your waist, just above your black skirt and eyes locked onto you. His left hand trailed up towards your neck sending tingles down your body and dampening your panties again. His other creeping closer down and rubbed your thigh soothingly.

“When I finger you love, I struggle a lot. I know you notice and I want to let you know why I struggle.” His hand reached your neck just below your chin and he tilted your neck back so your head laid on his strong shoulder, still looking at yourself in the mirror, with him in control.

"I love to see my fingers inside you, your cum gushing out after i finger you, but i also love to see your little face. Your cute little scrunched eyes, mouth wide open out of pleasure.” You couldn’t fight back the small whimper you let out as his hands on your thigh slowly rose higher, slipping comfortably under your skirt.

“But darling i’m getting old now, aren’t I? It’s too hard to look up then down then up- I miss a few things and I don’t like missing.” His seductive grin send pools of lava to your stomach and your thighs tensed under his hands as his thick fingers grazed the soft fabric of your panties. Teasing you and loving every fucking second.

“But fuck, from this angle? I can see all of you, all of you at once. Your breathing, face, pussy, everything and I love it.” You shut your eyes in embarrassment and you felt your face burn while he slid your underwear down slowly and gently tapped against your precious sensitive skin.

Tracing slowly down your wet slit coating himself in your taste. He groaned at the feeling kissing your temple while his finger prodded into your entrance greedily. Next time he will take his time, next time he will have you begging for his fingers. Next time because god he couldn’t wait now.

The thickness of his finger stretched you out slightly as he thrusted it in and out of you, burning your hole slightly as he added another and another. Your moans and cries send sparks to his dick below you and you felt him harden more and more beneath you- he didn’t stop to fuck you though.

“Oh yeah darling look at you, fucking look at yourself.” His other hand stretched to your chin, tilting your face up and through tears you watched yourself be finger fucked by John. Tightening around his hand more and moaning louder as tears rolled down your cheek.

“Baby I’m going to-” You started but he shut you up shushing you quiet with a small kiss and rapid movements. His husky voice demanding you just to let yourself go.

“Come on, that’s it. Just let it all go, cum on my fingers. Good girl, oh my god you’re such a good girl.” As you came, cum squirting out of your abused hole and dripping down his sticky fingers. Your back arched and your legs started to shake and tremble against him and he just smiled. Pulling out of you and holding you for a moment, licking his fingers clean.

“Was that good darling? I loved it. So much better than usually fingering you.” You breathing calmed down slowly as you shakily nodded. John leant over giving you another loving kiss before chuckling.

“I’ll give you a few minutes to calm down and then we’ll go again, yeah?”

[xueyuverse]

It's ironic to me that part of the fandom insists so much that Hua Cheng's personality revolves around Xie Lian when in fact MXTX created Hua Cheng first and then had to make Xie Lian his ideal type. Like, the truth is that Xie Lian was molded for Hua Cheng. I find this contradiction very funny, I'm sorry.

But they were indeed created for each other.

Hua Cheng has a strong personality, he is firm in his ideals and beliefs, assertive in his opinions, cold in his justice and someone who does not bend the rules just to fit in, he creates a third way instead of adapting to a world that hates him and was cruel to him.

His ideal type would have to be someone as confident as him, who not only does not bend the rules, but also does not get corrupted by difficulties, someone benevolent enough to see people like him with kindness, because only someone faithful in his beliefs would be able to be so different from everything that the world says is right — because the right thing is for you to annihilate people like Hua Cheng, whether they are innocent or not, just because of a supposed curse that they did not ask for.

This meta is based on this excerpt from the afterword that MXTX put in TGCF ↓

When it comes to character designs, the Shou’s were decided on first for the first two novels, but I was torn over the Gong’s for a long time, and needed a run-in period. Hua Cheng, however, was an exception. Inspiration struck and there he was; inspiration struck again, and I blinded one of his eyes.

[...]

It was actually the Shou, Xie Lian, who tortured me for up to half a year’s time. When the novel started serializing, I was still torn over him for a long time.

[...]

But the most important thing is, by my instincts, someone like Hua Cheng will most definitely love someone like this. So, after a good half a year’s worth of qualms, in the end I still typesetted him: It’s you!

Speaking more about this postscript, I found it interesting how for MXTX, Xie Lian was the most difficult character she has ever played. People tend to think that Xie Lian only has two personality traits: (false, for many) kindness and idiocy. The idiocy may even be right lol, but when you stop to think about it, Xie Lian is a really difficult character to create and, mainly, to develop.

For all the layers he has, he could easily be a snobbish prince, a vengeful and bitter ex-prince, a fallen prince who rises again to reconquer his kingdom and reclaim his throne or a spotless saint who is always intelligent and wise and is above things like sadness, anger, lust, etc.

We know that Xie Lian is none of these things, he was not made for these plots. But if he is none of these things, then what could he be? Honestly, I find it very difficult for anyone to come to the conclusion that your protagonist is a "loser" who failed and has no ambition to rebuild his kingdom and become the new king. It's bold to make your protagonist a poor and extremely unlucky nomad, especially with the princely background that you gave him, we can see from the amount of stories out there about protagonists who lost their kingdoms and then have a path of reconquest that it's difficult not to be tempted to follow that path.

Of course, Xie Lian is a god, something greater than a prince or king, but he is a poor god, known as "the joke of the three kingdoms", he has no wealth and for 800 years he only had 1 believer that he didn't even know existed and he is also known as the "god of plague" and "immortal scrap collector", unconventional titles in the literary world lol

He must experience youthful ignorance, overestimation of his own abilities, have been laughable, been foolish, made mistakes, despaired, felt hatred, gone crazy. But he can’t run, and he can’t hide; everything is what it is. All this was killing me. Not just within the text, but outside the text too. My mediation was useless, and I’ve no energy anymore either, so in order not to be affected, I stopped looking at comments altogether. Since I always habitually vaccinate myself before a serialization begins, speculating on all the worst possible scenarios and preparing myself mentally, by the time serialization started I had already expected how all the negative comments would go down. But after much hesitation, I still thought, why not try all different kinds of characters? I haven’t tried writing a main character like this before.

— MXTX

[avelera]

"A face and look that is immediately rage-inducing for much of the population"

what did s1 jayce do to all these people lol. i wasn't in the fandom at the time an this seems insane to me, he was always cute and earnest!!

I think it was a combination of people ascribing League Jayce “Giopara” personality to Jayce (unfairly) and the fact that Arcane Jayce is sort of set up to seem like a privileged douchebag who ignores Viktor and falls in love with the power and prestige of politics.

It’s all one big fake out, a subverted corruption story. But the plot of Arcane does a lot of sleight of hand with Jayce to make him seem like a jerk and then flips it on you in S2 when he dodges his corruption arc and becomes totally focused on Viktor, whereas Viktor ends up headlong into a true corruption arc that’s disguised as looking like a good thing at first (with the healing and the cult I mean).

I’ve said many times that Jayce is one of the most fascinating characters in Arcane because he’s the ONLY one whose character design contradicts his inner life. Everyone else looks like who they are. Vi looks tough and she is tough. Silco looks like a villain and he is a villain. Viktor looks like a consumptive Victorian scientist and he IS a consumptive Victorian scientist.

But Jayce looks like a football player. He looks like Prince Charming crossed over with Superman. He is upsettingly handsome and upsettingly muscular and he gets in front of a crowd and gives a big flashy speech that betrays his ideals and his partner and then he appears to soak up the audiences applause after. He plays the corruption game and he gets manipulated into attacking the Undercity, where a kid dies, and he’s got the kind of face that reminds you of every popular guy who ever beat you up in school, or the magazine model who you could only hopelessly compare yourself to who made you feel small.

But that’s not who Jayce is and it’s so WILD how much his appearance is a contradiction. He the opposite of the skinny kid who wants to be an athlete. He’s built like an athlete but wants to be a nerd taken seriously for his research. He’s not a jock, he’s a blacksmith, a tinkerer who happens to tinker with things that build muscle. He’s more at home in the lab and Viktor is the center of his whole life and he just wants to help people the way a mage once helped him and he gets dragged around by more powerful forces while trying to do that. He’s ready to kill himself when he shames his family and has his life’s work, his ability to help others, taken away from him. He’s ready to sacrifice his whole career when Hextech puts people in danger if it means protecting Viktor. He’s ready to literally OVERTHROW THE GOVERNMENT if it means saving Viktor’s life and he tells a bunch of rich asshole councilors to fuck off when they think they can keep exploiting Zaun while also ignoring it.

He’s such a wild contradiction and S2 really brings it into focus, though the hints are there in S1. I’m obsessed with him.

[lueurjun]

. ˚◞☁️ ✧˖🤍࿐

▍ synopsis╰┈➤ minho had always been clear about his aversion to marriage, and initially, you accepted it. But when your feelings changed, the once-accepted truth shattered, leaving you to confront the fallout head-on.

🖇·˚ ༘┊ lee know x reader — angst. angst. just angst.

˚ ༘💭 ·˚ message from lueurjun . . . my very first skz post on this account ! this was meant to just be a enha and txt acc but i’ve decided to add skz to the list too because i couldn’t resist. anyways i’m sorry for this, i was in a sad mood.

. ˚◞☁️ ✧˖🤍࿐ྂ

Minho is a captivating read, his life an open narrative. Every page reveals a tapestry of his passions and despairs, vividly illustrated with meticulous detail. It's this transparency that drew you to him, each chapter unfolding with refreshing honesty. You find comfort in knowing what to anticipate, yet he never fails to astonish you with unexpected gestures.

One of the chapters in his book is the declaration of his distaste for marriage, and conveniently enough, it’s the only chapter without a carefully crafted explanation. He told you before things progressed that he would never be able to offer you marriage, and he told you it with full intention of letting you walk away unscathed, with your heart intact. But you were fine with it, a young adult starting their twenties with no intention to marry. It didn’t bother you; it wasn’t a significant issue.

Until it was.

Wedding season was approaching in stride with the warm weather. Three beautifully designed invitations adorned the fireplace, unopened. There was a fourth, the first and only one you pried open and then hid away from your sight with a sick feeling lining in your stomach and an ache in your heart — one of longing. You couldn’t open the others.

Guilt laid across the longing, meshing together and in turn forming one complex emotion; resentment. Not even towards Minho, but your past self for being careless enough to not consider the feelings of your future self. The now you, who envisioned a beautiful summer wedding and all its trimmings. The guilt picked at you, because Minho had warned you about this before you got too deep in. He reminded you before he told you that he loved you, that if you wanted to run, if you wanted to marry then he had to let you go, before he got too attached. Before you got too attached.

Minho wasn't oblivious to the turmoil raging within you, nor to the contradictions within your heart. He found the invitation, concealed from sight bearing a telltale water stain. He observed the wistful gazes whenever your friends conversed about walking down the aisle, and married life. They often left you out of those conversations, already knowing Minho’s views. And it killed him—because he knew you wanted the one thing he vowed to never offer.

And he knew there was only one alternative to you getting what you want.

The sun’s shift was over for the day, night just clocking in when he returns home, exhausted with a heavy heart in anticipation for what he was about to do. You’re on the sofa when he walks through the door, three cats surrounding you looking interested in whatever it’s flickering on the tv. His heart clenched at the scene, aching in his chest, nearly breaking when you greeted him with a radiant smile.

He’s not one to beat around the bush. Never has been, but as he walks toward you, he feels the words stalling in his throat. His heart pleads with him, but he sits down across from you and he swallows thickly.

“Let’s break up.”

The once-warm home now feels frigid, as if drained of its vitality—like the scented candles you loved had extinguished, and the tv shut off. A profound stillness settles over everything in an instant. Your expression collapses into sheer devastation, and Minho's eyes squeeze shut.

“Did I do something?” You manage, only just. Your heart feels like it’s ready to give way. Confusion clogs your mind with a million inquiries.

Minho shakes his head. Of course you’d blame yourself. It sickens him to the core. “No. No, you didn’t.”

"Then why?" Your tone sharpens with anger, impatience seeping through. Why was he breaking up with you? Why was he doing this to you? Why now?

Minho tilts his head, eyeing the ceiling in a pathetic attempt to keep his eyes from watering. “I can’t give you what you want. It isn’t fair.”

You’re bewildered. “I don’t understand—”

“Marriage. I can’t offer that to you, and it’s not fair. I don’t want you to cry looking at invitations knowing you’ll never ship ones out of your own. I can’t watch you be left out of conversations because I’m holding you back. It isn’t fair on you.”

“I told you—”

“And you changed your mind. It’s selfish of me to string you along, knowing nothing more will come from this. I can’t let you waste your dream, not on me. So let’s break up, because that way you can find someone who will give you what you want.”

“Do you not love me?”

Minho almost laughs at that, because how is that even a question in your mind? It’s funny because he’s doing this because of how much he loves you.

“I love you enough to know that I have to let you go.”

And just like that, your heart meets your stomach as the barrier collapses. Doongie meows from your lap, reaching up a paw to your cheek as though caressing the skin. Tears chase each other down your cheeks in a rapid game of tag, the trail ending at your neck where Soonie sits, eyeing you in confusion. Dori is behind Minho, a paw coming down to strike him but he doesn’t flinch.

“I don’t have to have marriage—I just want you!” The words rush out of you like a torrential waterfall. “I can be happy without that as long as I have you.”

Minho shakes his head. “I don’t want that for you. I can’t offer you marriage, I can’t do it. That’s not me. But there’s someone else who can, and as much as the thought of you with someone else kills me, it’s what you deserve.”

Minho's longing to comfort you is palpable, yet he remains rooted to his seat, enduring each gentle prod from Dori. With his gaze fixed on the floor, he quietly utters, "I'll stay at Chan's until I figure out where to go."

You shake your head, sobs cutting through your throat as you plead, beg and cry. You don't want him to leave for Chan's, you don't want him to pack his bags; you want him right here, with you. Marriage or not, you just want him by your side.

Though deep down, want isn’t enough. Resentment has begun to accumulate like an impending avalanche, threatening to engulf everything in its path. Perhaps Minho is correct; maybe it's best to end things now. An argument would have inevitably ensued—such clashes do when both parties want different things.

Minho doesn’t cry as he packs his bag, he doesn’t cry as he kisses your forehead and leaves a scratch on Doongie’s forehead, nor when he gets into his car and drives away.

Minho's stoicism holds until two months later, when he finds himself seated in the back of Hyunjin's wedding venue, watching the happy couple share a kiss sealing the deal of forever. It's only then, as his eyes drift to where you sit, that tears finally gloss over his eyes, haunted by visions of himself slipping a ring onto your finger.

Alone in his car, Minho finally allows himself to release the pent-up emotions. Tears stream down his face as he grapples with a mind overwhelmed by countless scenarios and a heart weighed down by regret.

[batbabydamian]

what is your fav damian/robin outfit- canon, hc or elsewise? i love the way you draw damian btw!!

visually, it would have to be the Patrick Gleason/Jonboy Meyers Rebirth suit read Robin: Son of Batman (2015)!

Jonboy Meyers concept art and Robin: Son of Batman (2015) #1

so many iconic bits - his hood!! tunic!! red and green lace-up knee-high boots!! extra gold accents!! really solid shapes and details that can translate well in any artist's style!! idk it's a design that looks good in almost any hands, whether it's in rest or action

few of my fav artists drawing this suit:

Robin: Son of Batman (2015) #4

ofc Patrick Gleason!! chunky lace-up boot to face! fluttering gold accented hood/cape! also my excuse to show off this ridiculously cool panel look at Damian's stabby bracers and narrowly missing a scar to his eye

Super Sons (2017) #2 and #15

love how Jorge Jimenez leans into the drapery bits, like Damian's cape/hood and bottom of his tunic that really accents his slim design and sharp posing. he's probably my fav example of using Damian's suit details for extra energy in the secondary action down to his shoe laces!!

Adventures of the Super Sons (2018) Covers #12 and #3

it's Dan Mora LOL idk what else to say...anything looks sleek. the second pic is just cool posing to me - capturing the twisting and arcing leap in midair RAD

Challenge of the Super Sons (2020) #2

Jorge Corona's one of my absolute favs in the industry, his traditional inks and overall style is so shaped! textured! frenetic! it's always fun to see how he translates designs, and you can see his style/Damian evolution in Robin War (2015) #1, Nightwing (2016) #42 (DICK & DAMIAN + WIGGLES!!), Challenge of the Super Sons (2020) #2-3, and Robin (2021) #4!

The Boy Wonder (2024) #1 and Truth & Justice (2021) #6

Juni Ba's rendition of the suit!! especially adding that lil bird skull🥺 along with Corona, Ba's style exaggerates some details and proportions for extra appeal, like Damian swimming in his hood and cape!! his big ribbony boot laces!!

sentimentally, Damian's original Robin suit by Frank Quitely is my fav - the blueprint for his hood and lace-up boots!! it always makes me think of Batman and Robin (2009) especially #4 🥺

Dick calls out the disadvantage of Damian's hood, even physically challenging him. then it rains and Damian gives Dick this smug look, but Dick just smiles in good humor 😭

The Batman Files has a drawing and note that says it's Dick's design for Damian's Robin uniform, which contradicts the comic but i still think it's cute to mention!! like maybe Damian wasn't satisfied by Dick's work until he would add a hood, so there's older drafts somewhere in the cave lol

[failbuster-emmy]

Something something Reimu Hakurei.

Okay but like. I don't know if it's that people just don't get it or don't really explore it often or what the deal is but Reimu is a complex character and I feel like I don't see that depicted often enough. Last time I can remember seeing a fanwork that really portrayed it was a little bit in Reireimu. Reimu does not love violence. Her job is supposed to BE violence, killing youkai and all. But she specifically designed a new set of rules that would prevent death from being necessary to resolve conflicts and incidents. Don't get me wrong, she isn't scared to pick a fight, but Reimu canonically wants youkai and humans to be able to coexist and live in peace, but her role as the Hakurei Maiden is, at its most simple level, to prevent that. Reimu does not like thinking about this. She does not like thinking about how this contradiction complicates her life.

Now there's a lot of places you could take this in a fanwork, as with most pieces of touhou lore, but I have a soft spot for how this can play into her relationships, platonic or romantic

Marisa: Reimu and Marisa, practically joined at the hip. Marisa does not have the same issues as Reimu in this regard, she's an outcast, she ran off from her family to live in the forest and do magic, she not about to let some stupid idea humans have get in the way of her being pals with youkai, see Alice and Nitori. Marisa would want to help Reimu get over this, try to get her to be less guilty feeling about being friendly with youkai, because honestly, Marisa isn't friends with the Hakurei Maiden, she's friends with Reimu, and she wants to see Reimu be herself and not feel bad about it.

Aya: Reimu and Aya both are forced into boxes by their respective roles. It'd be sorta taboo on both sides for them to mingle and be genuinely close, so I think it'd make them both feel better to take that step forward and rebel against the dumb ass rules and just do what they wanna.

Suika: I don't see enough if these two being drinking buddies honestly. I can see Suika drunkenly explaining why she caused the incident in Immaterial and Missing Power, how she just everyone to come together and drink, party, and get along. Reimu drunkenly responds that she wants that too.

Yukari: This one is interesting. The whole thing with Aya and being close with a youkai applies here, but I think it's most interesting for Yukari, letting herself get attached to another human after you KNOW she was distraught after Yuyuko. Reimu reminds Yukari of what it's like to be human. I enjoy that.

Sanae: Sanae comes into Gensokyo, fresh faced, ready to exterminate some youkai! And then she gets attached to some youkai, and sure she's still a shrine maiden and she does fight youkai, but she's less weighed down by befriending them than Reimu because she's not betraying her life's purpose by doing so. Sanae might be an airheaded goober, but like Marisa, I don't think she'd want Reimu to feel so guilty about being herself.

You can find something for most of Reimu's character relationships, and I think it's neat. Let that shrine maiden be silly.

[writeastorywhere]

It always grinds my gears when a writer doesn't seem to have any love for human beings. Everyone is inhospitable, or too stupid to function, or too much a stock archetype to develop in any meaningful way. Not because I personally think that human beings are intrinsically good ("good" is a useless designation for real people anyways) but because real human beings have the fucking range.

Most people aren't going to be inhospitable to random strangers, because that's not a useful way to live your life--being needlessly cruel is a good way to get your shit pushed in. If someone is being stupid about one thing, chances are there's something else they know a lot about, because nobody is blanket bad at everything. And of course most people are going to subtly contradict any stock archetypes they're assigned.

That's not to say that people can't be cruel and stupid and predictable; it's just that they're kind and intelligent and chaotic in equal measure, and when I see a writer forgetting that, it frustrates me, because that's good drama you're missing! You could be taking advantage of all that. And what are you doing instead? cheap bullshit. boring asf