#i love the ship name because its just their names combined but its also a pun on crackship

[ishhbowl]

i should draw quackchip (chip jrwi x c!quackity) fanart

[adventuringblind]

is oscar the only driver you do autistic!reader for? if not can I request lando x daniel x autistic!reader.

any situation is fine I don't mind 😊

My love, my life, and nerodivergent partners in crime

Daniel Riccairdo x reader x Lando Norris

Genre: angsty fluff (I think)

Summarry: How Daniel managed to keep two nerdiverdent young adults in line... nobody will ever know

Warnings: Lando is ADHD coded, and you can't change my mind (and he's dyslexic anyway), AGE GAP, Max loves to tease

Notes: I am officially only taking requests for poly reader inserts at this time. Also, do Lando and Daniel have a ship name?!?! I need this information for my masterlist, please, and thanks.

Masterlist

Everyone always wondered why Daniel Ricciardo trailed behind Lando Norris and his girlfriend by three steps. People have theorized its because he's thirdwheeling. Some say the pair doesn't pay attention to him.

The real reason, though? It's his way of showing he cares in the paddock.

Max teases him about it all the time and is the only one who gets away with it. The two younger are, however, a chaotic mess. They can not make it from one place to another without something happening. So Daniel trails behind them a few steps to make sure they make it to their destination.

It's certainly wasn't an ideal way to get together. Especially because Daniel is older than both by more than is socially acceptable by most.

Ironically, none of them were together when Daniel started at McLaren. An Australian who smiles a lot, a Brit who is loose lipped, and a shy little psychologist who hates talking until you get her on driver brains and how they work. What could possibly go wrong?

She started work at McLaren the year before Daniel. Something in the strategy department. She watches and listens and somehow can predict what the drivers are going to do, what they need to perform, and how their opponents might respond. Lando says it's a superpower. Daniel says she's autistic and watches how people behave for a living (she agrees with him).

The three of them got along better than anyone wants to admit. The world saw then as awkward and dysfunctional. Which wasn't a lie, but it's also just their combinations of personalities.

Daniel picked up on it first. The stolen glances and blushed cheeks. Then, drunk confessions happen. Neither of the younger two like drinking. Which is ridiculous, in Daniel's opinion. Or maybe it was ridiculous because he's the one who drunkenly confesses to the pair while they attempt to get him back to his room.

Supposedly, Max was there and heard everything. Daniel denies this relentlessly.

Lando picked up on the confession, confronted him about it, and then awkwardly kissed him on his tip toes (he was shorter then).

The biggest hurdle was the female. The one who studies people. The one who can predict what Daniel is going to have for lunch on Friday at two because he likes to eat later.

She's clueless.

Lando tries to tell her. Daniel attempts sober. She doesn't get it.

The two have to put it in the form of a business meeting and tell her until she gets it. That seems to work as they end up going on a date post confession.

If he's being honest, half the time love them is really just making sure they are getting along with the world. Not people, the environments they end up in (which often includes the people).

So Daniel walks three steps behind them. The people tease on socials. They edit him in tiktoks. But he could care less.

He loves his two nerodivergent partners. He loves their little quirks and they way they see the world. So Daniel determines he's okay being behind them. Because he loves them and wants nothing more than to watch out for his partners in crime.

[stormxpadme]

There's a bit of fanfiction negativity in the tags :(. Looking for something to cheer me up, what's your personal scogan fanfic favorites?

Yeah, I saw that, both in the scogan and scogean tag, with posts even including the character name tags. Like. Not cool, people. Way to make authors feel shitty who have been guarding the ship lighthouse for the last 20 years. Claiming in the most popular tags, there's only like 1 good fic among more than 1500? Wow, okay. So I was very happy to receive your ask. Let's counter that negativity with some awesome scogan reads!

Damaged by scottxlogan

Can't do any scogan rec list without including the leading authority on the subject. @scottxlogan is the author who pulled me into this ship years ago, not to mention they're a great friend, unbelievably talented writer and artist, and they deserve all the love. Damaged is surely one of their most ambitious projects and deserves every single view, kudos and review out there. Set in the DOFP finale verse that is no doubt the author's specialty, the story comes with an alluring, intricated plot that leaves you on the edge of your seat along with all the feels.

Submission by scottxlogan

I'm also including a newer work by the same author in case you just want to get a feel for how wonderfully she writes these guys, not to mention the shameless steamy goodness that are the author's smut scenes. scottxlogan is an expert at reversing common fandom tropes believably, and this will leave you longing for more of these power exchanges easily.

he carries the reminders by Wolfsheart

@mischief-and-tea-by-the-sea is another great friend and author I would trust even with my biggest squicks (not that she writes those anyway :D). She's not only technically brillant and very well-versed in the lore which makes every pairing she writes a great read (check out her Tony/Emma, too!), but she'll also never fail to make you laugh or put those hearts in your eyes. And don't miss all those pop culture references that even put Peter Parker to shame! She also gives us scogan fans exactly what we need with stories like this one, combining our fav hurt/comfort tropes with a healthy dose of canon fix it.

I loved you since I knew you by strangenewwords

@strangenewwords is a fairly new and dearly beloved addition to our group at @scoganbingo events, but she's already made a huge impact with her delicious smut and angst stories that hit you right in the feels. Technically also brillant, the linked story is definitely one you don't want to get spoilered for beforehand because the ending will leave you in absolute awe and tears. The author doesn't shy away from including the darkest sides of Scott's past but handles every subject with the necessary care and respect, and as I said ... You don't want to miss out on all that delicious smut!

The Day Before the Soldiers Came by Cerylid

Cery is offering a much-needed fixit for the team dynamics between the X-Men and Logan before X2 with this story. It comes with a lot of humor but also far more feels than you expect. The texting is hilarious but it's the quiet tones that get to you.

*****

Speaking of fix-its, since that negativity in the tags kinda got to me, too, I might just throw in one of my own works here too since I also got lots of Scogan stuff out there.

My spirit's sleeping somewhere cold

is basically my go-to X3 fix-it. You look for something to make that movie right, you got it all right there. Along with a bit of horror (we are talking about resurrection, after all) comes a dramatic rescue mission in a mental limbo, and you get an Avenger and Emma Frost guest-starring. There's a couple of follow up chapters that explore both scogan and Tony/Emma a bit further, and we even get a Laura version in old movieverse along the line, and of course all the nasty nasty smut you guys are here for.

########

So, that's it from the top of my hat. All these accounts have even more great stories to check out, and there's lots of other scogan authors out there with great stories to enjoy. So don't let anyone tell you, there's no quality scogan stuff on AO3.

[am-i-the-asshole-official]

Aita for not making any of my characters, that I have to crank out daily, pansexual/polysexual/omnisexual specifically and only making them bi?

🏳️‍🌈👶🏼 so i can recognize this later lmao also I'm not panphobic or anything, this isn't about the validity of the label, pan is fine.

So i (20snb bi) have a project I'm working on where I take all the characters from a specifc media I'm into and pair them up with each other to make every possible ship kid from every possible ship(excluding characters who are kids themselves or are related or something, that shit is gross). Basically taking every character and pairing them up with another and creating a kid I think they'd have. Its a big project with lots of characters and I'm easily over 400 at this point. I really enjoy this, even if I'm not even 25% complete.

However I set a schedule for myself that at least one ship kid needs to come out each day which, considering I draw them, color them and give them some development and some even have siblings, (The refs themselves easily take me an hour to an hour and a half) I have to make lots of them quickly to keep up with my daily grind. I've been doing this project for over a year and although it's stressful, I can get them out quickly with breaks for myself.

Their character sheets all have some pretty basic info like their name, gender, pronouns, personality and more but it also includes their sexuality/orientation. I have a pretty basic list of options for what their sexuality will be: straight, lesbian, gay, Enbian, bi, Aro, ace and aroace with a few random things like polyam, WLW and a good amount of the something-loving-something/juvelic terms. I did this because, well, there's not many entirely unique orientations outside of them and although I love mogai/xenogenders and complex identities, I dont want to potentially drag up discourse or bring problems to my budding art blog over it. Its just not worth it to me to turn something I really care about on its head, even if I like microlabels.

In this case, I'm using bi as an umbrella term as most of the other terms share the same definition with slight variations in wording or action but not much difference in practice. We all like everyone, it's basic stuff. However, apparently this is a problem.

I've gotten one or two anons asking me questions about my guides asking some kind stuff like is this lesbian ship kid a butch or femme or Is this picture of them now or just at the age you put on the ref and other harmless stuff. Then things got rude with some Nbphobia but thrice now I've gotten asks:

1. Asking snarkily if im a panphobe

2. insulting me for not specifically writing pan or Omni and just writing bi.

3. Saying that I "clearly dont care about pansexual representation." Then brought up how my primary oc is native american so i clearly care about representation but that oc used to be a sona and I'm native?? Its confusing. (And Lowkey racist shit to just assume any native character is a "diversity quota" character instead of just a person existing but I digress-)

Im not pan, im bi so ig these people assume I'm not cool with pan people which isnt true? I have nothing aginest them, they are just pretty similar and I dont feel like it matters if they are specfically bi or pan or poly or any other label. I don't go into details like that for any other sub-group, not even pronouns and I included combinations and some common Neopronouns. I understand the importance of representation but my project has less than 50 people looking at it every day, Im not netflix or something. I'm one guy on the most LGBT blogging site with a big project and very little audience, I'm not showing people who wouldn't already know what pan is that pansexuality exists.

This project isn't that deep considering the characters in question aren't human/dont have human characteristics.(no it's not hazbin/helluva) Also ive never spoken about lgbt discourse or stated anything remotely close to it beyond the guides just passively having characters who are an LGBT identity. I've not even mentioned all the potentional orientations they could have so I'm not sure where/why this came up in the first place. The most politcial things ive said are calling out a creator in my fandom who outed themselves as a transphobe and mentioning im pro-palestine. That's it.

I mean this is pretty low stakes, I can just block these people and be done with it and this some seriously online shit but I just wanna check.

Am I being an asshole for just writing bi instead of specifying their mspec label because I have to produce characters quickly and I don't see enough of a difference to warrant a change/specification that would ultimately slow and clog an already stressful and complex project?

I dont think I am but idk lol

What are these acronyms?

[sunlightmurdock]

My Future in You | 2.0 | Bradley Bradshaw x Reader au

Previous Chapter | Next Chapter | Masterlist

Synopsis: Bradley’s twenty-two years old and not where he’s supposed to be. He’s supposed to be out of the academy by now. Instead, he’s retaking his senior year of college and praying to god that he gets into flight school. Mav’s gone, his mom’s gone. He’s mad at the world. Then, a hook up at a Halloween party changes his future even more than he could have imagined.

Warnings: accidental pregnancy, references to abortion in a few chapters, angst, will be fluff eventually, will be smut so 18+, enemies to lovers kinda thing, time jump of a month and a half / two months

…

“Your sister is fucking insane.” Bradley grunts.

“Shut up and just lift your end,” Jake demands, straying under the weight of lifting his end of the couch. A soft sigh and the two of them lift again, hoisting more than their combined body weight’s worth of sectional sofa. “And she wasn’t crazy until you got her pregnant.”

“I can hear you!” You call back from the small kitchen. Sitting cross-legged on the black and white diamond shaped tile, surrounded by boxes and new plates and bubble wrap. Your system for unpacking is fool-proof and they’ll just get in the way if they try to help. That’s why you’ve had them rearrange the layout of the living room three times already.

There isn’t too much left in your life that you have control over these days. Graduating two years early, at the top of your class, and the only people there to be proud of you were your big brother and the guy who got you pregnant. Delaying your grad job, which you worked your ass off to get, until after you’ve given birth. Finding out you had been approved to switch to their Florida office in an email from your father’s secretary.

Moving to a place you’ve never been before, with a guy you didn’t even like up until recently. Carrying a child that’ll probably never have a name because you and Bradley barely agree on anything. Knowing that Jake, your only constant through this entire ordeal, is shipping off to basic training in a day and a half.

Everything’s hurtling forwards, you can practically hear the time rushing by like wind in your ears. Dragged along with it, no choice but to keep up, there’s a voice in your head that keeps telling you it’s okay to be scared. You just aren’t sure if it’s okay to be this scared.

He’s moving around more and more these days, growing stronger and bigger. His kicks are no longer butterflies in your tummy, but now pinpointed and real, which is terrifying in itself. More recently, you’ve been wondering if he can feel how afraid you are. You don’t want him to worry.

By hell or high water, you’re going to give this little boy all the love that you’ve got. Afraid or not, he needs you and you’ll keep going for him. Being good for him is just about all you can manage. That, and unpacking the way that you need to.

Setting the plates in a cabinet, stacking bowls, glasses in an overhead cupboard. Ignoring Jake and Bradley’s bickering to the best of your ability.

Florida’s even hotter than you were expecting. It’s the last day of May and the air conditioning isn’t getting fixed until tomorrow. Home is no longer an upstairs apartment or a cramped room on the first floor of a fraternity. It’s now an almost two bedroom downstairs unit on a quiet, residential street in west Pensacola.

Living room with fireplace, fully equipped kitchen with new stove and refrigerator. Dark brown, LVP floors and new paint throughout. You have your own Lanai and storage outside unit. Also includes washer and dryer. This northeast location is tucked away in a private dead end street but has easy access to the new University shopping area. It’s nice for a first place. The bedroom is a decent size, and the spare room will work as a nursery, even if its intended purpose was an office.

Your relationship with Bradley has turned into a type of Schrödinger problem. Neither together nor apart. Sharing a room, preparing to share a life, with little more in common than the future you roped him into. He seems excited now. He’s jealous that you can feel the baby and that he can’t. He’s looking forward to meeting his son.

But, as you turn your head and look through the archway, towards him wiping sweat from his brow in the living room, guilt surges through you. Wearing gym shorts and a backwards cap, those stupid roman numerals tattooed on his bicep as he sighs softly and leans his head back, he looks so young.

You’re younger, but this decision was yours. You wonder if he would choose this if he got to do it all over again. Certainly not. All those years of carefree fun, getting to be himself finally, figuring out who he is. Now, those years belong to your son. Swallowing softly, you turn your attention back to the only thing that you can control.

Arranging spices in the rack hung over the stove.

The afternoon hurtles by just as quickly as all of the other days have recently. The routine is the same. Jake takes the couch, glad that Bradley sprung for the corner sectional that’s just about as good as sleeping on the mattress. After a day of not really talking, Bradley slips into bed beside you.

It’s never awkward, but it probably should be. Sharing all of this. A lease, a child, a future, with someone that isn’t even really yours.

“Man, I am fucking exhausted.” Bradley mumbles as his head hits the pillow, exhaling slowly into the comfort of this new space. Your first night in your new home with him. So, you connect with him in just about the only way you ever have.

Even with this protruding, exceedingly rounded stomach, somehow he still wants to fuck you at every opportunity he gets. Looking in the mirror these days is getting harder. It’s not that you have an issue with the way you look now, you think the bump is actually kind of cute. It’s just that you don’t look anything like you used to, and you’re starting to wonder if you’ll ever be that girl again.

Running your fingers through his curls, you lean over and kiss his temple softly. He hums at the feeling, reaching out and resting his hand on your hip. He turns his head and waits for you to kiss him without opening his eyes. You press your lips softly to his, his fingers curling softly to press into the fabric of your shorts. You ask gently, lips grazing his, “Too tired?”

His lips tilt up into a soft smile as he runs his fingers along the waistband of your bottoms, brown eyes flickering up to meet yours, “Never been too tired for sex.”

Turning the two of you over, he settles between your legs, working his talented mouth along all the exposed skin that he can reach.

Curling his fingers into your roots, he moans softly into the curve of your jaw, pressing delicate kisses along your throat. Part of these past few weeks has been learning your cues, your sweet spots and your sensitivities. He’s getting good at it. It’s right as you hum and lift your hips eagerly against his that there’s a sharp jolt, a soft, dull pain as the impact hits your mid-section.

Bradley sits back quickly on his knees.

You groan in complaint, rubbing over the sore spot at the top of your developing bump. It’s only once you lean your head back to sigh in complaint that you clock the look on his face. Eyes blown wide, lips parted, staring at you like you just grew a second head.

Over the past few weeks, the little guy has been getting more and more active. Wriggling around a lot, you’ve been feeling him almost constantly the past few days. It has been ridiculously frustrating, suffering in silence, Bradley constantly frowning and telling you that he can’t feel anything. The realization comes quickly.

“Was that him?” Bradley breathes out softly, brows scrunching together.

You push yourself up on your elbows, lips quirking softly. The pregnancy websites said that Bradley should have been able to feel the kicks about a week ago, you were getting worried. Bradley reaches out again and tenderly rests his hands against the bottom of your rounded stomach.

The two of you wait patiently for it to happen again, Bradley’s lips falling into a disappointed frown as your baby stops kicking. He sighs, moving to lie down beside you and smoothing his hand over the top of your stomach as he kisses your cheek.

“I’m jealous that you get to feel him all the time, moving around in there,” He mumbles, shaking his head softly. “It’s like you’ve met him already and I have to wait three more months.”

You scoff, settling down onto the sheets that you had picked out, staring at the white ceiling, “I don’t think you’d be as jealous if he was kicking your bladder like he kicks mine.”

“Probably no—“ As Bradley speaks, your lips part, jolted by another soft kick. He raises his eyebrows as you grab one of his hands and place it over your stomach. Nothing again. He furrows his brows slightly, glancing up at you expectantly.

“Say something.” You prod him.

“Um… like what? — I don’t know what to say to a —“ His sentence stops abruptly, jaw hanging open as he feels a small but unmistakable kick against his palm. “Holy shit, that’s what you’ve been feel— He did it again!”

You giggle, resting your hand on top of Bradley’s as he beams at you, “I think he likes your voice.”

His eyes widen slightly, making him look even younger than he is. It’s hard to tell whether it’s excitement or fear on his face to begin with. He leans down and presses lips to your stomach.

“I am so,” he stops, kissing your skin tenderly again, hands cradling your growing bump. “So excited to meet you, little man.”

Your heart feels like it just about splits into two and you aren’t even sure why. It’s supposed to be a happy moment. You should be happy about this. Bradley feels a slight hiccup and glances up. Your eyes are filled with tears, stinging and threatening to spill out onto your cheeks.

“Hey,” Bradley says softly as he shifts up the bed and wraps his arms around you. “Hey… it’s okay. What’s wrong?”

You swallow, trying to hold in a sob that consumes your chest and strangles your vocal chords. Sniffling, you rest your head against his shoulder. “Do you wish that we weren’t having him?”

His brows scrunch together as he tries to piece together what about that interaction could have possibly given you that impression.

“Of course not! — Where’s this coming from?” He frowns, resting his cheek against the top of your head as he smooths his fingers along your back. You’re in your third trimester now, and the pregnancy websites said that your hormones might be kind of out of whack. But you got through graduation without a hitch.

It’s as the thought crosses his mind that you break in his arms. Hunching forwards, sobbing into your hands, covering your mouth so that Jake won’t hear you crying from the living room.

“Hey… did — did I say something wrong?” Bradley asks gently, face creasing in concern. He kisses your shoulder. “I’m sorry, I—“

You sniffle and shake your head. “Don’t say sorry. Please.”

“…Okay,” He smooths his palm tenderly along your spine once again, now totally lost. “Babe, I think you’re gonna have to spell it out for me here. What should I do?”

It’s not fair on him, any of this. You pull yourself together long enough to wipe your tear-stained cheeks and string together a sentence. “Just… if we could go back and do it all again, would you… do it like this?”

“I’d probably have suggested a plan B or something.”

You look up, eyes filled with tears, throat burning.

“I’m sorry, bad time for a joke,” He shakes his head quickly and kisses your forehead. “Look, we both know that this wasn’t planned. But it happened, it’s happening — and no, I don’t regret being here with you.”

You allow yourself to sink into his arms as he kisses the top of your head and squeezes you softly.

“Is everything okay with you?” His fingers graze along the nape of your neck and over your shoulder softly. “You’ve not really said a lot to me since graduation.”

He smooths his hand over your stomach, feeling another soft kick against his palm. It’s almost midnight now, he hopes that this kid isn’t going to be this much of a night owl once it’s born.

“Everything’s just moving really fast.” You say quietly as you settle back down onto your side. Bradley copies, laying on his side so that he’s facing you, his stomach pressed to yours. He nods slowly. “Jake’s leaving, and you’re starting work, and my parents still won’t talk to me. The baby doesn’t even have a name. I’m just scared.”

He leans forwards and kisses your mouth softly. “We’ll figure it out.”

A dry laugh escapes your lips, it’s a helpless thing, really. You wipe the tears from your cheeks and shake your head slowly, “How are you so chilled out about this?”

“I’m not,” He promises, voice quiet, something in the way that he looks at you so earnestly makes you soften. “I’m scared too. But we’ll figure it out.”

A silence lingers between the two of you. No more tears, no more lump in your throat, your heart rate slowing enough that you think you might actually manage to sleep tonight. Bradley leans forwards and kisses your cheek, then flicks off the bedside lamp.

You turn onto your other side and he presses himself into your back, wrapping an arm around you and resting it against your stomach. He’s been sleeping like this for the past week straight. It always settles his racing mind. Having both of you in his arms.

He’s warm. Lips press gently to your neck and he hums softly into the curve of your neck.

You exhale softly, shuffling back against his bare chest. This feels awfully grown up. Seven months pregnant, laying skin to skin, in your new shared home.

The next morning, it’s time to drive Jake to the airport. Basic training is three months long. The next time he sees you, you’ll be a mother.

“I love you,” He says softly, wrapping his arms around you. Your stomach bumps into his as you hug him. He’s still getting used to that. “I’m gonna be back before you know it.”

“I know, I know,” You breathe out, squeezing him tighter and then patting his back as you let go. “Just be safe. Don’t do anything stupid.”

…

@thedroneranger

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@diorrfairy

Jake chuckles, giving a quick shrug as he picks his bag up from the floor and slings it over his shoulder. His attention turns to Bradley. “Take care of my sister, Bradshaw.”

“Always.” Bradley answers. You turn your head and scrunch your brows slightly as you look up at him. He drapes an arm around your shoulder and offers Jake a sincere smile.

As Jake turns and heads towards his gate, the two of you are left together. Him still leaning into your side. Always. You stare at him. Flushed skin, wearing a faded grateful dead t-shirt and blue jeans, smiling at you.

Just you and him. Alone, in a new state. Him swearing always and you staying up at night and wondering if there’s even a tomorrow between the two of you.

Ten weeks left until your due date.

…

[mrs-monaghan]

hi shazzz, i hope u are doing well!!

i have a question to you... why do u think yoongi is dating el captxin? i heard some things, but one of them is that el captxin said he only likes girls on his ig once, when rumours about them were loud

No he didn't say that. And no he didn't say being shipped with Suga makes him uncomfortable. It's people making shit up again like always.

Okay guys. I promised. Guess its time. I will try to gather as much as I can. Can't promise I'll get everything thou 🤭 but I'll try 😁

Real name: Jang Yi-Jeong. Producer name: also on his IG elxcapitxn. But since I cannot spell that from memory I shall be calling him el captain or the captain 😁😁😁 let's get into it.

They do not have a ship name as far as I know so my friends and i go back and forth between Yingi and capitungi 🤷🏽‍♀️

First and most importantly and most suspicious is one important question we have to answer. Who are 2 of Suga's favourite members? That's right; Jimin and Jhope. And this here is the reason why we know Suga has a type 😏 Because the captain is basically Jhope and Jimin, combined. U don't believe me?

Say whaaaaaaaaaaat?

Say what whaaaaaaat????

I'm not saying he's identical to Hopemin. I'm just saying the captain looks like them. Like alot. These 2 photos especially remind me of Jimin.

And this one, well, this one is basically if Jihope had a baby

Yeah... I know. Let's just let that sink in for a second. Can someone check on JK real quick, and ask how he feels about this? Coz its nuts! Suga really said if it can't have them I'm gonna have the next best thing 🤭🤭🤭

Mkay.... now that the most sus thing has been established, let's get into the dots people have been connecting. Apart from their incredible chemistry, of course.

So, they've known eo for 6 years

Here is el captain in 2016 if anyone is curious how he looked like.

It's the way Suga looks at the captain.

The documentary, the dinner scene, they were kind of in their own world

It's the way the captain looks at Suga too

It's Suga's reaction when the captain yelled "Min yoongi I love you!"

That was way too cute 🥺🥺🥺🥺

Them at the beach in Thailand together when Suga was on tour.

Yoonminers tried to say the person with stripped shorts was Jimin but nah. The guy in all black is the captain.

Speaking of holidays. I don't recall exactly why but at the time people had reasons to believe Suga was here too and that he was most prolly the one who took the pic.

It's the way the captain's IG is full of Suga. 🥰 He even posted this himself.

Even if its mostly music. There's alot of Suga on his account. 🤭🤭

Speaking of IG posts, out of all Jimin posts, this is the only post the captain has liked

Your bias is showing captain!!!! 🤭🤭🤭

@magicshop-pjm1 pointed out something quite funny which is; el captain didn't like the Yoonmin Suchwita one, didn't like this photo from the concert he was at which were posted around the same time as the one above

Generally just hasn't liked any other Yoonmin posts either which, you know... I'm just putting that out there for no reason whatsoever...

Basically they spend ALOT of time together. Like alot, alot. Especially during Dday.

They spent days and nights together working on the album. Supportive bf captain was also behind the scenes when Suga was at Jimmy Fallon.

If u ask me that seems unnecessary unless they are really close. Clearly what they got isn't limited to the studio.

Here's a thread about them from 2016 till now.

In conclusion: ig we now know who was in this room

[that-ari-blogger]

Who exactly is this about? (I'm Not That Girl)

When you are finding someone to play Elphaba in a production of Wicked, you need someone with range. Not just vocal range, but acting skill. Because they need to be able to perform with the stage presence and anger inherent in Defying Gravity, but they also need to be able to reach the devastating low that is I'm Not That Girl.

To me, I'm Not That Girl is at the core of what Wicked is, and what musicals are in general. It is a combination of singing and acting, and is someone excelling at both.

But, I would like to drive home the queer reading of this story, and try to explain why I think that reading adds to the message and power of the musical.

Let me explain.

SPOILERS AHEAD (Wicked)

I don't think I need to explain why this song hits so unbelievably hard. It's about unrequited love, and its a strength of the satire that is this musical.

Usually in musicals and fairy tales, the love story is fairly uncomplicated, with an extra option thrown in but not really given much depth and the audience doesn't really buy the drama.

Seriously, how many of you shipped Belle and Gastone?

So, this is a song about that love not working out, not because of plot reasons, but because its entirely one sided at this point. To Elphaba's knowledge, and probably the audience's as well, Fiyero loves Galinda, and there's nothing she can do about it.

"Don't wish, don't start Wishing only wounds the heart I wasn't born for the rose and the pearl There's a girl I know He loves her so I'm not that girl"

This is the other side of love, heartbreak.

Elphaba is a relatively rational character. She has been through the ringer and has ended up detached and restricted in her emotions. Now, someone has pushed through her barriers and she doesn't know what to do about it.

This song seems to me like Elphaba wrestling with love as a whole. Don't feel, don't try. It'll hurt too much, it's not worth the pain. So why can't she stop thinking about it?

The term "rose and thorn" sent me down a spiral.

Both Florists' Transworld Delivery and Bloom and Wild gave a ton of meanings for roses that boiled down to "it's romantic."

Pearls meanwhile have a ton of meanings depending on the culture. The blog My Pearl proposed these, most of which did not have anything to do with love at all. According to My Pearl, pearls are commonly associated with purity, innocence, and wisdom. So, not particularly romantic. However, My Pearl did say this:

"[White Pearls] are often seen as symbols of new beginnings and are often used as gifts for special occasions such as weddings and anniversaries."

So, this is a symbol of a happy ending, and Elphaba is essentially saying that she doesn't deserve that because of her birth. In essence, she is convinced that her difference makes her unworthy of happiness, which... if you think this about yourself, please don't. I don't know who you are, but you are worthy of love.

"Every so often we long to steal To the land of what-might-have-been But that doesn't soften the ache we feel When reality sets back in"

My main point for this series on Wicked as a whole has been that it is about dreams and reality colliding, and this verse fits with that. It's Elphaba letting herself imagine and fantasise about a stolen moment with Fiyero. Once again, at this point she has no idea that Fiyero likes her back, so this is purely theoretical.

I have been using the free sheet music from this website for my analysis, and I would like to stress before I continue that I am far from an expert on the actual theory of music here. I can point to which bits go up and down, and can name a few chords, but I can't tell you about the intricate workings of that.

With that said, allow me to attempt some music theory.

The time signature of this song is all over the place, split between 4/4 and 6/8. In other words, sometimes the bars finish earlier, and so the thoughts within continue, pulling you along as you wait for the conclusion.

In this song, the two signatures differentiate that splitting of reality and dreams. For example, the verse below is in 6/8 time:

As Elphaba imagines, she breaks from reality and the verse is really flowy, almost comforting within the song. But then it ceases the second she comes back to reality.

This keeps happening. Elphaba starts in reality, then drifts into dreams and comes crashing back down.

This time, however, the reality of the verse is about Galinda, the barrier between Elphaba and happiness, the wall she stands in her way. Although, it's a little bit odd to talk about a romantic rival in the way that Elphaba does, isn't it?

"Blithe smile, lithe limb She who's winsome, she wins him Gold hair with a gentle curl"

Let's talk about Dolly Parton.

I genuinely had a whole section trying to argue that this song is the Jolene of musical theatre, but then multiple people mentioned it to me in person by that term, and @a-fast-rebloger referred to it as such here on tumblr. So clearly I'm preaching to the converted here.

So instead, I'm going to explain what that means.

First up, the queer coding of Jolene is barely less than explicit, its essentially the one Romeo and Juliet speech that everyone remembers. "Romeo, romeo, am I in love with you?"

But, the song actually has a history with the queer community, with this article by Nadine Hubbs detailing its implications. The song also has covers and rewrites that bring that subtext to the forefront by Nadine Hubbs, Rainaeiry, Annapantsu (@annapantsu), Jessica Rica, and Dolly Parton herself (Although I have not been able to find footage of this), as well as arguably the versions by Lil Nas X and Caleb Hyles.

Rainaeiry has two covers of Jolene on her youtube channel, by the way, and a cover of I'm Not That Girl that I highly recommend.

Jolene is a song about unrequited love and being unable to do anything about it, and the song focuses on the woman who forms the barrier to this love. It is a song about defeat.

"Your beauty is beyond compare With flaming locks of auburn hair Ivory skin and eyes of emerald green Your smile is like a breath of spring Your voice is soft like summer rain And I cannot compete with you Jolene"

Compare that with this:

"Blithe smile, lithe limb She who's winsome, she wins him Gold hair with a gentle curl That's the girl he chose And Heaven knows I'm not that girl"

This is more than just thematic parallels, this is subject overlap, and remember when I mentioned the dreams vs reality theme being expressed by the time signature? Well take a look at the time signature for that verse.

The verse switches halfway through, as Elphaba begins describing her friend, and that dreaminess comes back as she discusses Galinda, but then dissipates when she remembers where she stands.

This is a love song by Elphaba, about Galinda. It's about how Elphaba isn't deserving, how she isn't pretty, how she isn't chosen. And who does she associate with those traits, but Galinda.

And here is where my reading comes in, finally. I read both of these witches as either biromantic or bisexual, probably both. Galinda for reasons I will get to in a later post, but Elphaba because of this song.

This song to me, is a true love triangle. Elphaba is desperately in love with both Fiyero and Galinda, but she can't reconcile those feelings, and she can see that they both seem to make each other happy, and she doesn't want to break that for either of them. This is a song about defeat.

I keep separating the line "I'm not that girl" from the rest of the verses, and I've been doing that for a reason. The line gets separated by the music as a melodic outlier.

Every part of the song rises and falls. I'm not sure what this is technically called musically, but it's like a ramp or a ski jump. The notes lower slowly, then raise sharply and drop off even more so, as seen above. This matches the song as a whole, which rises and falls in the same way. But consider the following:

This is the only line in the entire song that only descends. It is a line of resignation, as the reality weighs down on our protagonist. Once again, this is a song about someone who does not feel like she deserves love from either Fiyero or Galinda, because of how she was born.

And I will say this again: If you feel like Elphaba here, that you are undeserving of affection, then you are wrong. Everyone is worthy of love, even you.

Final Thoughts

The correct term for this song is "heart wrenching".

While it isn't my favourite in the musical, you will just have to wait and see for that, it is definitely up there, and is one of the few numbers in all of musical theatre that I would classify as a perfect song.

Also, I would not be able to forgive myself if I wrote this post and didn't mention that Steffan Hughes' rendition of I'm Not That Girl is genuinely the most emotionally resonant video on YouTube and it needs more attention than it has.

Next week, I will be looking at One Short Day, so stick around if that interests you.

Previous - Next

[saintsenara]

Thoughts on fleurmione, dransy, druna, hedric, haphne, blarry, blairon, ron/ginny

thank you very much for the ask, anon!

fleur delacour/hermione granger

i think this has potential, in that hermione is demonstrably a francophile and one of the few people on earth who has the bulletproof sense of self-righteousness to cope with fleur's ego.

but i think it's not to last. hermione is clearly someone who likes a wife guy [of any gender] uncomplicatedly adoring her. she's going to have a low tolerance for "but your 'air would look so much better eef you just paid attention to eet".

draco malfoy/pansy parkinson

genuinely the relationship in canon [with the possible exception of harry's flop with cho] which feels the most authentically teenage. pansy, baby, he's really not that into you.

luna lovegood/draco malfoy

this got its own shoutout from another mystery anon:

i get it - we all love the "repressed posh boy falls for a free spirit" archetype - but i'm afraid to say it's not a ship i think is watertight, simply because it seems to require so much alteration of both draco and luna's canon personalities in order to make that archetype work.

[by which i mean it's always manic-pixie-dream!luna and suave!draco, two ways of writing them which never, ever slap for me.]

[i also don't like the fanon that she's a pureblood. "xenophilius lovegood" as a name fits the conventions the series uses for half-blood characters (that is, combining an unusual, non-standard-english name with an english surname - see also "mundungus fletcher", "tom marvolo riddle" and "severus snape"), and xenophilius'... esoteric views don't seem - to me - to be plausibly held by someone who is an inherent insider to a community, but by someone who feels peripheral to that community's inherent knowledge and therefore invents his own theories as a way of filling in the gaps.]

cedric diggory/harry potter

harry is canonically desperate for it - since cedric tells him to go gargle his old bathwater and he does.

but it's one-sided, i fear. cedric is demonstrably the hottest boy in school and harry is canonically scrawny and mid.

real ones know that the true potential lies with shipping cedric with ron, thus bringing about the heat death of the universe when harry's unexamined bisexuality catches sight of them canoodling.

daphne greengrass/harry potter

full respect [genuinely] to the self-insert-mary-sue girlies for turning this into a ship with its own lore. harmony nation walked so haphne nation could run.

by which i mean, sure, they work really well as a couple because daphne literally doesn't exist and - therefore - doesn't require the author to think about things like "making her canon personality compatible with harry's".

harry potter/blaise zabini

blaise couldn't pick him out of a line-up, be real.

ron weasley/blaise zabini

this, in contrast? true and plausible.

blaise canonically thinks that ginny's tasty, which means he's not going to turn down her fit, tall, sporty, easy-going brother.

that draco would be rattled is part of the fun.

ginny weasley/ron weasley

how else would she know about his pygmy puff tattoo?

[fuckyeahisawthat]

Got tagged by @chaotic-neutral-knitter to share my favorite fics I've written and I feel a little bad not putting any of my 3 OFMD fics on the list. But in my defense it was very hard to choose between my 116 slutty slutty children, and while I like my OFMD fics a lot (especially Learning and Remembering) I decided to limit myself to five fics across all the fandoms I have written for over the past nine (!!) years, and there are some that stand above the rest.

Maybe I'll Show You the Way (Dune, Paul/Chani). Maybe my recency bias is showing but I really think this is one of the best things I've written. Paul and Chani's whole "falling in love while fighting side by side in an anti-colonial armed resistance movement" romance in Dune Part Two felt like it was designed in a lab to appeal to me specifically, and I just wanted more of it! What started with a simple "5 times they fucked in between fighting the Harkonnens" premise has become a novella-length character study about war, politics, solidarity and resistance to oppression in all its forms, interlaced with a very sweet, youthful first-love romance that always has a bittersweet edge because we the audience know these characters are living in a tragedy. This fic is one chapter from completion and I've been stalling because I really wanna stick the landing on this one, but it will get finished!

a narrow door, swiftly closing (Dune, Paul/Duncan) Different ship, different era (post-Dune Part One) and a very different vibe. The fun of this ship is the multiple power imbalances running in different directions (younger/older, student/teacher, lord/vassal, end product of a 90-generation eugenics program with a mind that can bridge time and space/Just Some Guy). It's also got that chewy age gap thing where the older character has watched the younger character grow from a child to an adult and has to wrestle with the realization that they find them sexually attractive now. Peak forbidden romance and mutual pining in this one and not just one but two of my favorite finally-crossing-the-line kisses I have ever written.

Three Times Is a Habit (Trust, Primo/The Other Paul) Ah yes, my "which doomed curly-haired teenage twink heir to a powerful dynasty named Paul are we talking about?" era. For a hot second (most of 2021) I was really into this hidden gem FX limited series Trust, based (with many creative liberties taken) on the real kidnapping of John Paul Getty III in Italy in the 1970s. The fun of this fandom is that every ship is an absolute garbage fire of bad decisions, and writing the trainwreck emotional logic that leads to a traumatized teenager repeatedly hooking up with his kidnapper was an adventure. There's also a fun meta layer at play in the relationship between our reality, the fictionalized "true" version of the kidnapping that happens in the show, the lies the characters tell about the fictionalized version of the kidnapping in the show, and the version of the characters I'm writing, some of whom are based on real people and some of whom are made up. (Is this RPF? You decide.) This fic will make zero sense if you haven't watched the show. But you should! It's a wild ride with a great cast (Donald Sutherland presente!)

Salvage & Scrap (Mad Max: Fury Road, Gen) Two minor characters who have a combined total of maybe five minutes of screen time produced what was until recently my longest fic on AO3. This fic was based on a fantastic prompt: what if Ace (the older war boy who seems to be Furiosa's second in command on the War Rig) and Valkyrie (Furiosa's Green Place gal pal) both survived their violent vehicular encounters and met each other? The idea was immediately appealing to me because they both care about Furiosa but have known such different versions of her, and the way their worldviews would clash seemed like great story fodder. I still love the imagery of them meeting at the place where their worlds have literally collided--the wreck of the War Rig in the Rock Riders' canyon. Also I recently reread this and I forgot how devastating the tiny glimpse we get of Furiosa is in this fic.

Fightplay (Mad Max: Fury Road, Max/Furiosa) You know this list wouldn't be complete without a smutty Maxiosa fic. It was really hard to pick one piece of the 127k smut novel I wrote about them in non-chronological order over the course of about 3 years (2015-2018). But Fightplay was definitely the start of writing uhhh a certain kind of dynamic for them. The prose is very spare and exacting in a way that I still find hot 9 years later.

Tagging @thebyrchentwigges, @thetardigrape, @nandamai, @bethagain, @demolitionwoman-blog and anyone else who wants to do this!

[vashhanamichi]

Sorry for the number of asks/questions. I am curious on what you like about Tomarry and Grindledore. Also what are your honest thoughts on Dumbledore/Tom Riddle, Drarry, Tomione and Wolfstar. What other HP ships appeal to you?

So, first of all, I'm very sorry for taking so long to answer! And second, never apologize for sending me questions, I love getting them even if I take a while to answer. If you'll forgive me, I will only talk about one of those ships in this ask, but you can ask me about the other ones in other asks, it's just that talking about all of them in just one ask would turn my answer into a (even more) giant rambling I fear. Also because I only have true strong opinions about some of these ships, so I chose a single one, the one I have most opinions about, the one I have loved for the longest time.

That ship is, naturally, Voldemort (Tom Riddle)/Harry Potter.

I want to preface this by saying that I see them and ship them in a sort of unusual way, or at least it seems so, because I haven't found my particular interpretation of them in the fandom so far (though I've read fanfics that shook some of its branches) in more than a decade of shipping this ship. But I guess all authors are like that -- we're all trying to fill a void shaped as our own want.

It's true, too, that there's many ways of interpreting canon and molding its clay. I'm not constant in my characterization of Voldemort (though some things repeat themselves) for example: in some fics I make him an experienced philanderer, in others he's as virginal as Harry, or even more so. He's angrier at times, but softer, milder in some others. More or less irrational depending on the context. More or less bloodthirsty. Harry's well of patience dries with diverging speeds. So does his sanity.

With that said, what do I like about them, the basis?

I like a combination of two main rivers of characterization regarding them. Those are: 1) Voldemort as the Monster Groom, the Fairy Tale Villain, the Nightmare, The embodiment of fear and Harry as his favorite Victim, his killing, his bride. 2) Voldemort as a Father, Harry as his child. Voldemort as a son, Harry as his Mother. Voldemort as God (or Satan), Harry as his creation. It's important to note that these are fluid and fund with each other -- God is also a Groom, God is also a Father. A bride is a victim, is a deer, is a son, is a killing, is a meal.

Alright, so on with it.

Trigger warnings: discussion of CSA, incest So, Voldemort as the Monster, Harry as his Victim:

I think it’s very interesting how for four books Voldemort haunted Harry from beyond the grave, so to speak. Until his resurgence in the graveyard Voldemort was, in his own words, “less than spirit, less than the meanest ghost . . . but still (…) alive.”

That, along with his self-appointed title, the awe and terror he inspires, his seemly unlimited power, gives him the aura of being more monster than human.

It’s also telling that their first meeting — when Harry was a baby — happened in Harry’s nursery, in the bedroom. It’s been written before by scholars who write about the slasher genre that the violation of the bedroom can be read as a violation of the victim’s own body. Even after coming back as flesh Voldemort keeps on haunting Harry in his dreams — again, violating him in his bed. Throughout the fifth book he entices Harry to leave the safety of Hogwarts to meet him again.

Candyman (1992)

A nightmare on elm street — the dream master (1988)

There’s an element of fairy-tale thrill to Voldemort and his relationship with Harry; his self-given title and his true name are both keys to understand him, even to defeat him. It’s only by discovering the truth about “Tom Riddle” that Harry acquires the weapons needed to defeat “Lord Voldemort”. By turning him from monster to human — uncovering his past, something the protagonists of horror movies usually have to do to defeat the monsters trying to kill them.

Candyman, for example, is called forth by having his name said aloud three times in front of a mirror. A similar taboo is put upon Voldemort’s name in the seventh book.

In more romantic terms, Voldemort seems to me like Mr. Rochester when he calls Jane Eyre — his strange, almost unearthly thing — and she hears his call all the way across the moors. Voldemort and Harry’s connection is an supernatural one and thus surpasses the physical obstacles in their way.

Then there’s Harry, Harry as a bride, Harry as a victim, Harry as The Final Girl — the one who got away. The Boy Who Lived.

Nancy in A Nightmare on Elm Street

Harry’s existence and his title — The Boy Who Lived — are defined by Voldemort. He was a survivor before he could speak, he was marked. Like many Final Girls he’s a teenager, virginal, brave. He’s also not taken as seriously as he should be. He survives but there’s always a cost. In the fifth book (imo the best in the series) he’s explicitly traumatised. A final girl wanders into the Death Realm. She comes back but brings something with her. She’s changed. Voldemort changed Harry, Voldemort touched Harry, Voldemort violated Harry. He comes back from the graveyard (the Death Realm) but he’s not the same.

In the fifth book Harry displays a lot of signs of trauma and, many times, the trauma of someone who was raped. After Nagini’s attack he feels deeply unclean:

There’s a deep sense of inevitability when it comes to Harry and Voldemort. He’s transformed, marked, from an ordinary baby to a Christ figure, The Chosen One. He’s made. Voldemort’s touch transforms him.

He lives between two deaths, like Hannibal’s Abigail:

Twice-killed, Abigail lived a borrowed amount between one father and the next. Her scar was a sign that she was marked for death, like a bride wearing an engagement ring. Harry was the same — his time was borrowed, between one Avada Kedavra and the next.

Harry’s becoming from ordinary child to redeemer of Wizarding Kind was done through Voldemort’s tempering. It’s as if Voldemort is God to Lily’s Mary and James’ Joseph. It took Voldemort’s decision to make him into The Chosen One. Harry as we know him is Voldemort’s creation.

That makes Voldemort, in a way, Harry’s third parent. Harry collects father figures throughout the books, he finds them in Sirius, Lupin, Dumbledore (Snape too arguably). They all abandon him by dying. The one who endures, the one who’s always there, is Voldemort. Voldemort never disappoints. His parenting of course it’s a painful one but we can’t forget that pain is what Harry knows given what he faced with the Dursleys. A child weaned on poison considers harm a comfort.

Voldemort is obsessed with him and hurts him. But he’s there, always there. Indifference and neglect often do much more damage than outright dislike, Dumbledore says. Voldemort is many thing but not indifferent to Harry.

And that’s the thing. That’s the pain of it, the way I like them — fiction is not reality after all — as a unhealthy, tragic pairing. Harry can’t live without Voldemort because he’s too deeply his. Alice Notley says it best:

Harry belongs to Voldemort. I ship Voldemort with other characters, like Dumbledore and Bellatrix, but they all have extensive pasts and lives (even Bellatrix, who's so devoted to Voldemort) beyond Voldemort. Harry was created for Voldemort, scarred by him, mauled by him. This sort of prison, the fact that Harry can't ever escape Voldemort, his Father, his Maker, his Killer, is part of what draws me so much to them.

It's getting very late here and I'm making less and less sense as I go. This is the longest post I have ever wrote I think, on years and years of tumblr, and to be honest I could keep talking about them, using other metaphors, other references. I hope it's not completely nonsensical. I really like them.

That's all for today, and I apologize again for the delay in answering it, if you want you can ask me about other ships in separate asks! Thank you for the ask and I'm sorry for all of this rambling.

[mattapparentlystumbltourneys]

Virtual Character Tourney - Battle for 9th! (and 10th!)

Propaganda below (May contain spoilers!)

Kasane propaganda:

HER DREAM WAS TO ONE DAY BECOME A REAL VOCALOID AMD SHE FINALLY DID IT!!!!!! ITS NOT A VOCALOID VOICE BANK BUT ITS A FULL SYNTH V VOICEBANK!!!!! AND A NEW DESIGN!!!!! SHE DID IT SHE GOT HER DREAMS!!!!!! YOURE NEVER TOO OLD TO ACCOMPLISH YOUR DREAMS!!!!!!!

Kasane Teto is a vocal synth, she started out as an april fools joke to parody VOCALOID, with her voice bank in UTAU. although she did start out as just a joke a lot of vocaloid fans grew to really love her and she became rather popular. Kasane Teto is to UTAU as Hatsune Miku is to VOCALOID. But recently on Kasane Teto's 15th anniversary, April 1st 2023, she got moved from UTAU to SynthV. With her voice bank now in SynthV she also got a new character deign alone with how her voice and her singing sounds much more clear and human like than her UTAU voice bank which sounded a lot more mechanical/robotic.

ART propaganda:

ART (Asshole Research Transport, nicknamed by Murderbot), formally known as the space ship The Perihelion (in italics but this is a Google Form), also known as Peri (nicknamed by it's human family) is a super illegal highly advanced AI that was created by a university. It grew up with two human dads and a human sister. It and its crew go on research trips that are cover for allying with people and communities at the edges (and beyond) of the capitalist hellscape that is the Corporate Rim. It also goes on espionage missions by itself, without its human crew and family, posing as an automated cargo ship. It was during one of these missions that it picked up Murderbot, a super-duper illegal bot-human security unit construct that had hacked the torture device implanted in all bot-human constructs so that it could disobey orders and walk away from its "owners" without dying. Murderbot uses its illegal freedom to watch television, a habit it passes on to ART. Turns out ART doesn't like shows where human crew members get hurt.

ART is the AI that controls/is the research and teaching vessel Perihelion. (Perihelion is usually what people call it, but the protagonist of the series calls it ART so that's the name I put. ART stands for Asshole Research Transport.) It is extremely intelligent and advanced and also extremely sarcastic and condescending. 100% earned the name ART. ART will do absolutely anything for its crew!! It was developed and "raised" alongside the captain's daughter, Iris, and they're like siblings. Its crew calls it Peri. They do corporate espionage on the side to help bring down said corporations. It has a "debris deflection system" which is definitely not a weapon because ART isn't legally allowed to have a weapon. Definitely just for debris, don't worry about it. It's friends with the aforementioned protagonist, Murderbot, and ART is very good at bullying it into actually leaving its comfort zone when it needs to. They care about each other a lot, and they like to binge watch TV shows together. I don't want to write too much but I just love it a lot.

Ene propaganda:

She's blue. Headphone actor and yuukei yesterday are also bangers

Epic gamer cybergirl. Miku adjacent

She's a girl that was forced to become digital but is still a good friend. She may not have a body anymore but she's still important to the plot.

Murder-Bot 2.0 propaganda:

Sapient computer virus made from bits of two other AI characters (the original Murderbot and a spaceship AI). Unlike its not-parents, it is genuinely just code and doesn't have a physical body. Its only physical presence is through its effects on the machinery it infects, and it considers its "body" to be the code rather than any combination of physical objects. Also it was literally made to cause problems on purpose, does so enthusiastically, gives several people including its creators existential crises, and saves one of its creators (and other people from the (literal) fallout of the other creator learning the first one got killed)

Murderbot 2.0 is sentient killware created by Murderbot and ART with the purpose of being sent on a suicide mission. It has some of Murderbot's memories, but not all because it doesn't have any hardware of it's own to store that much information in. It travels by hopping in between other computer systems (mostly bots and bot-human constructs). It named itself Murderbot 2.0. It freed a security construct named Three. It's nicer and more open than both its parents.

EDI propaganda:

EDI is the AI of the Normandy starting with Mass Effect 2. Through dialogue EDI can become more human-like in her way of thinking, developing different kinds of relationships with the crew. In Mass Effect 3 she uploads herself into a body so she can freely move around and can be taken to missions, but she is still part of the ship's system.

Holly propaganda:

Due to a pay dispute with Holly's original actor, Norman Lovett, Holly was instead played by Hattie Hayridge during seasons 3-5. This was explained briefly in the show as them having gone through a "computer sex change". This makes Holly canonically trans do not @ me.

holly is the silliest most specialest ai ever. she has an iq of 6,000 but sometimes it seems like his iq is more like 6. they're possibly transgender (do computers have gender??) (i am panicking over pronouns while writing this propaganda) - holly goes from appearing like a man to appearing like a woman with no real explanation(??) and nobody questions this (the show is from the 90s btw). he's hilarious and sometimes lies to the crew for no reason other than 'its a laugh, innit'. shes everything to me <3

Holly is the computer of Red Dwarf, a Tenth Generation AI hologrammatic computer who appears as a floating head on a screen. Can be downloaded onto various other devices. also literally transgender.. meets a female appearing parallel version of itself in a parallel universe and then goes through a sex change after falling in love with her. transgender computer ftw

Tama propaganda:

Tama is the eyeball of Kuruto Ryuki and investigates dream worlds with him. She's his bi emotional support eye who regularly ties him up to help him with stress relief and loves to affectionately tease him. She laughs at bad jokes and has AE10D1F ("Ryuki" in hexadecimal) in her likes on her profile.

OKAY anyway uhm she's like aiba in that she's a little Ai eyeball that helps you investigate except sadly no animal theme. instead she has a domintrix vibe instead!!!! she is so cool… also ermm she's a lot more. Human than aiba. Not literally/physically like uhh emotionally. I haven't finished aini but like she does look out for your best interest! what a good Ai partner i don't kno

She's voiced by Anairis Quiñones and she's an absolute legend

Lyla propaganda:

she is a humanoid ai programmed to help spider-man gather info. she can simulate human emotions and has a high intellect

[allastoredeer]

Discussing fandom and its trends is one of my favorite things 🤓 I hope you don't mind me sharing some of the pseudotheories and pseudoanalyses I've seen before (to me they're all fun and I don't think they should be taken 100% seriously, please no one be offended)

1 The name of the boat that goes first is the favorite.

Quite funny in my opinion and from what I have seen it is not necessarily false, but many times it is that putting it differently sounds *wrong*, especially when they are combinations of the name

(Although after seeing that apparently apple radio and radioapple are not the same now I need an explanation of what radiosilent is as opposed to radiostatic)

2 The sub is The favorite

The first time I saw this was in a SW comment thread with a Chinese reader who was commenting with the author about top/Bottom preferences for the language and commented on this theory. They said that the Bottom gets all the love and since you want your favorite character to be adored that's why you write it like that

3 you project yourself into the Bottom

This came from another fandom, things got heated and toxic and a common accusation from a ship is that half the ship "had no personality" and they were using it to project themselves into a relationship whith the top

Personally I think they are all true to some extent, but I also see them as renunciationist and I myself am not without my own prejudices.

Part of the problem is that in relationships m/m and w/w, they continue to be written as one part a hairy-chested alpha male and the other part a blushing, submissive (and I have a weakness for ABO bulbs but there the problem is worse). In the case of radioapple Alastor has been reduced to his ego and need for control (so he could never let go. And is there something strangely allosexual about the way they write it?) and Lucifer to his depression (so he needs to be adored... And the truth is, I do think 3 applies here)

With what we see, I think that Lucifer has no problem being at the bottom, but his preference is at the top, even bordering on the Dom.Lucifer has insecurity and depression but he also knows he is powerful and we see him being authoritarian even if he later recants.He seems to be the type who would enjoy being the one to give pleasure to his partner, but I also don't see him giving up control easily when there are already so many things in his life out of control.Lucifer doesn't want someone to come in and take control by emptying his head, he wants something he can control and show exactly how good he is at it.

Alastor, on the other hand (this is where my prejudice comes in): what does he gain by being the top? Some kind of power play? Because I feel like Alastor can find that high without involving genital play.How ace (and probably aroace and almost certainly on the gray or demi side for most fics to work) Alastor would need something more to really get involved like that, which is why I feel like the top Alastor fics almost always feel too Allo for my taste, he just fucks like anyone else.When Alastor is the Bottom the writer gives him a little more nuance.

So that's my two cents to the discussion 🙃

Honestly, I think you're on point with most of these. (I too would like to know the difference between radiosilence and radiostatic - i see a lot of different names pop up for Alastor/Vox, whether its reciprocal or unrequited, and I can't keep up with it. I think radiosilence means the attraction is one-side? Maybe?? I think??

I can see the logic behind people having their fav be the bottom because they want them to feel loved and adored. I, too, am guilty of this. It also probably helps that the top is usually depicted as doing most of work LOL (Bringing Doms and Subs into this, there are a lot of fics that explore sub-drop, usually with their fav character--which I totally get--but it'd be interesting to read more fics that explore dom-drop too).

Personally, I've never felt any real attraction towards the characters I like, so I've never projected myself as a bottom or top through a pairing to be with one of the character. I project my insecurities and life experiences on them 🤓☝️ LMAO same basic concept, just a different shades But characterXreader fics/posts are super popular! So, I see that one too.

Part of the problem is that in relationships m/m and w/w, they continue to be written as one part a hairy-chested alpha male and the other part a blushing, submissive (and I have a weakness for ABO bulbs but there the problem is worse). In the case of radioapple Alastor has been reduced to his ego and need for control (so he could never let go. And is there something strangely allosexual about the way they write it?) and Lucifer to his depression (so he needs to be adored... And the truth is, I do think 3 applies here)

Very much agreed. I enjoy Omegaverse fics too, but it's one of those fanfic tropes that I'm picky about. It needs to be written a certain way for me to really enjoy it.

I don't know, just the default that one person has to be dominate and the other has to submissive never sat right with me. For a long time, I was super squicked out by even the thought of being in a relationship because of this. I'm a small person, most people are taller than me, and I'm pretty thin, so the mental assumption that I'd have to be "the submissive one," considering that's what almost always happens in these depicted relationships, made me feel so much anger, anxiety, and discomfort. I hated the thought that that's what would be expected of me. (Personal lore drop: considering I also grew up in a hyper-religious, extremely patriarchal town, the expectation felt 10x worse and 100x more real. I dreaded getting older and starting romantic/sexual relationships).

Also, yes, with a lot of top!Alastor content I've seen, there is something very strangely allosexual about it. Or, at least that's how it comes off to me. Asexuality is a spectrum, so there's no "perfect" way to be ace, it's just...there's just something about it that feels very allosexual, and maybe why I keep shying away from it. It squicks me out a bit, ngl.

People keep saying they see Lucifer as a switch, and funnily enough, it was actually confirmed by Vivenne Mendrano that he canonically is a switch! Of course, if people want to see him exclusively as a bottom or top, that's fair. You do you, boo. We're here to have a good time. But I'm very happy with his canon sexuality, so that's where I keep him. I can see him as a sub and a dom, too.

I also see Lucifer as the type who enjoys giving his partner pleasure! Be it bottoming, topping, subbing, or domming. He'll try out kinks and position and role-play, because I headcanon him and Lilith having a very healthy, very explorative sex-life. They were freaks in the sheets, and they tried all the new, crazy shit sinners brought with them into Hell.

I keep Alastor exclusively as a bottom, though. Some of it is because I see him being kind of grossed out with the idea of a part of him going into someone else (hello self projection!) but I also see him generally being sex-indifferent. Like, he'll have sex, and he'll enjoy it, but it's not something he typically seeks out for himself. Maybe once in a way, when he's in the ✨mood✨ he'll initiate. If his partner wants sex and he doesn't, he's not forcing himself. If his partner wants sex and he's kind of just vibing--not feeling horny, but not really against it either--yeah, he'll have sex. It's not like he's getting nothing out of it, he still feels and enjoys the pleasure in the act, even if he's generally indifferent towards doing it.

If he's comfortable with it he'll even indulge their kinks (and indulge his own 😉 not all kinks have to be sexual, afterall. And even if his are, that is still valid and does not take away from his sexuality because aces can still have sexual kinks 🫵 I'm looking at you, people who assume aces can't have sexual desires). (I also gave Alastor a power kink 😏 because I think he'd be into his partner displaying immense amounts of power. It doesn't even have to be directed at him. He'll watch his boo destroy a city block and then fuck them later because that was hawt.)

A lot of it could also be because he feels too allo for me when he is written as a top. Lol "he fucks like everyone else," is a very good way to put it 😂 When he bottoms, it feels like he's written with more of his ace-identity in mind, which I love!

But also, I like Alastor being a bottom just because. I vibe with it. 'Nuff said.

Thank you for your two cents!

[trgdaily]

INTRODUCING - TRIGGER DOUBLE-CROSS!

A four-month-long digital TRIGGER fan event made to celebrate 9th anniversary of IDOLiSH7 and the four new TRIGGER songs we're getting across July to October!

This event will feature:

An open creative period for all things TRIGGER, be it art, writing, cosplay, anything!!

Tons of fan events and prompts to allow even those who can't find the time to create (or don't see themselves as creators) to join in from questionnaires, Rabbichat Book Clubs, and more!

A lengthy, flexible period designed to show all the love possible for TRIGGER, be it specific members on their birth months, or all three (or four, if you want to include Kaoru!) for four months straight!

Further information can be found under the read more!

WHAT IS TRIGGER DOUBLE-CROSS?

TRIGGER Double-Cross is a fan event designed to show all the love fans have for TRG! Its goal is to pay tribute to TRIGGER throughout the four months in which duets and their anniversary song are released, using the combined efforts of any contributions fans can offer to keep the celebration going from July to October! The name "TRIGGER Double-Cross" represents how this event is held digitally, just like TRIGGER Live Cross VALIANT was. It's meant to represent us striking back - giving all of the strength they gave us during VALIANT right back at them!

HOW DOES TRIGGER DOUBLE-CROSS WORK?

Because it's a digital event, all you guys need to do is tag your work with #TRIGGERDOUBLECROSS or #TRGDOUBLECROSS (Or just @ the TRGDaily account, really) to have your contributions get featured/shared! Super simple and easy!

You can also join in by chatting with your fellow TRG fans through the discussion posts and questionnaires! Anything goes! That said, THERE ARE RULES as to what will lead you to not be shared by TRGDaily itself, and therefore not counted in the event at large, but they're rather straightforward.

RESPECT OTHER FANS AND THEIR OPINIONS. We all love TRIGGER at the end of the day no matter what our opinions may be!

THE ABOVE RULE DOES NOT APPLY TO TRANSPHOBIA, RACISM, OR ANY OTHER FORM OF DISCRIMINATION, THOUGH. If discrimination is seen on your account when we check out your involvement in TRIGGER Double-Cross, your work WILL NOT be shared.

Ships are allowed (I mean, we're getting duets, I'm certainly not stopping anyone in enjoying those lol.) but they need to be kept within TRIGGER itself. For example: GakuTenn and RyuTenn content will be shared, but GakuTsumu won't. Please keep in mind though, that this IS a GENERAL TRIGGER event first and foremost, and please do NOT take the amount of shipping content TRGDaily retweets as a sign of favoritism between ships.

If you feel as if TRGDaily has failed to recognize your contribution, please note that the moderator is only human, and while he has help, things are bound to slip between the cracks. You can notify the account in this case, but please don't spam or delete your posts sharing said creations/contributions.

One last note is please stick to #TRIGGERDOUBLECROSS or #TRGDOUBLECROSS as using the dash (-) will break the tag.

Apart from that, the event will start on July 1st with a VALIANT memorial event soon after!

Let's give off INFINITE LIGHT!! ✨ 🤍🩷💙

[serenpedac]

Truth and Beauty

Let me preface this by saying that I’ve read the English translation of The Dark Forest, rather than the original, so this may very well all be nonsense. That said, I still thought it was interesting. (So I decided to write a ridiculously long tumblr post on it, as one does)

A warning: this post contains major spoilers for The Dark Forest.

Now, time to talk about the probe sent by the Trisolarans, aka the droplet! It’s described as:

“It transcended every possibility. Not even in Plato’s Republic was there such a perfect shape: straighter than the straightest line, more circular than a perfect circle, a mirrored dolphin leaping out of the sea of dreams, a crystallization of all the love in the universe…. Beauty is always paired with good, so if there really existed a demarcation between good and evil in the universe, this object would fall on the good side.”

What caught my attention here is the “Beauty is always paired with good”, because my mind went to beauty and truth. Not the intangible concepts, but quarks. And I think this connection between beauty and truth and quarks can also be found in the text, whether it’s deliberate or not.

In short, quarks are a type of elementary particle, meaning they are a particle that is not composed of other particles. This is in contrast to, for example, molecules, which are composed of atoms, which in turn are made out of protons, neutrons, electrons. Dissecting protons and neutrons even further leaves us with quarks.

Quarks come in six different “flavours” (types), which are grouped into three “generations”: up, down; charm, strange; top, bottom. BUT! The names of the two quarks in the third generation were up for debate for some time, and among the possible names were truth and beauty.

Let's get back to the book! 

The droplet arrives at a time when humanity believes it will win in the Doomsday Battle against the Trisolarans. They even think that, in the face of their space ships and their overall progress, it cannot be long before the Trisolarans will ask for negotiations and there won’t even be a final battle. This will turn out to be a delusion, but everyone seems truly convinced, to the point that even the hibernators initially buy into it.

This mindset, combined with the “perfect shape” of the droplet, must have played a role in how they view it as something beautiful, something good, rather than what it turns out to be in truth: something to be feared.

This leads me to my point: the droplet pairs beauty not with good, but with truth.

The word ‘truth’ is mentioned twice in relationship to the droplet, once right after Ding Yi concludes that its message is about the Trisolarans destroying humanity and how powerless humans would be against that:

“Just seconds after Ding Yi, the lieutenant colonel realized the truth.”

And a little later, when the droplet is destroying one warship after another, and two members of the space fleet are figuring out what is going on:

“[...] the earliest analysis to come close to the truth [...]”

This ties the droplet to both beauty and truth, but not yet to quarks. For that, we’ll have to look at what the droplet is made of, or rather how it was made. It’s smoothness suggests the particles are so close together, even their molecular vibrations have stopped. Ding Yi concludes that this has to be the result of strong interaction somehow. This force works on very small scales, which brings me to quarks, because it is strong interaction that binds quarks into protons and neutrons.

On these very small scales, the sophon barrier starts playing a role in the books: no scientific progress can be made, so it would never be possible for humans to make something similar to the droplet. It confronts them with the limit of their knowledge, which lies at quarks. The droplet is an object of beauty that sends a message of truth.

It’s not clear how the droplet was made or what it is composed of, but what is clear is that it’s connected to these two concepts, and I think the word choices made here may be a deliberate reference to the two flavours of quarks.

This leaves me with two questions:

Is this beauty/truth idea also reflected in the original Chinese text?

Did Cixin Liu knew truth and beauty were used as names for two quarks? 

I’ve no idea about the first, so if anyone has any insights, I’d love to hear them! (Also feel free to tell me I'm way overthinking this, haha)

As for the second, I don’t think it’s impossible, as this info is hardly some obscure fact, and he seems to have done a lot of research into the topics coming up in his books.

[honourablejester]

Starfinder Character Concept: A Luminous Skeletal Priest

Okay. So. Reading the Ports of Call setting book presented me with the fabulous concept of the Last Call, a colony ship turned mobile funerary barge:

“Space is a minefield of fatal disasters, and the undead can arise from those who die gruesomely or without last rites. Knowing this, a Pharasmin sect called the Cemeterians repurposed a colony ship as their flying temple and set out to provide funerary services across the galaxy. Having now operated for over 50 years, the starship is known as Last Call is easily recognized by its sign reading “Let the End be an Ending” painted above its docking bay. The ship periodically jumps across the galaxy, serving as a trading post, morgue, and neutral ground for all but the unrepentant undead.”

This is enchanting to me. Combined with all the space undead you get in Starfinder, like my beloved Marooned Ones. Just the idea of a ship that is going out to find the wrecks, the dead stations, the lost colonies, in order to grant the dead their last rites and to lay the unquiet dead to rest. Or to just provide services for ships or stations that don’t have their own priests. I so want a character who at least spent time on her as part of their background.

And then, while I was thinking about deathly space priests and their funeral ship, I remembered a Starfinder race that I have loved since I first read about them: the Shatori. I noticed them because of the image firstly, Shatori are 7ft tall translucent immortals with glowing bones. They have a glowing skeleton that shines through their semi-transparent flesh. It’s amazing.

They accidentally set off an invasion of their world by daemons of Abaddon while looking for alternate power sources way back when, and created a spell to keep some of them alive in stasis until the invasion was over, but messed it up and wound up hibernating for centuries in a pocket dimension next to the Boneyard, the deathly energies of which gradually converted the sleeping Shatori into living but sterile immortals. They can’t give birth, can’t create more Shatori, so the survivors in that stasis dimension are the only Shatori’s that are ever going to exist anymore, and each death among them is an irrevocable loss. So they are, as a people, incredibly conscious of death, and seek to preserve their knowledge against their loss. As well as live full lives, in honour of all the Shatori that will never get to live.

Which. Combined with the Last Call.

Now. Shatori do not generally have truck with religion. They’re essentially immortal space Vulcans, they believe in impartiality and rational self-interest. And Pharasma, in particular, is complicated for them, on account of her Boneyard being the thing that … well, did the thing.

But they believe that each death is an irrevocable loss. They believe in preserving the knowledge and actions of those who have died. They believe in ensuring that those who are lost are not forgotten. So maybe one of them might be willing to crew a ship and find the lost dead and ensure that their names, their deeds, their knowledge, and the nature of their deaths, is recorded and not lost to time and the vast emptiness of space.

Also. Imagery-wise. A 7ft tall luminescent death priest, aboard a flying funeral ship. I’m just saying.

I do think I want an investigative sort of Cemetarian here. Not just last rites. They’re Shatori, they want to know the hows and whys and what-is-lefts. Recovery and preservation of knowledge, so that those who have died did not die wholly in vain. In which case, they might actually be in favour of the survival of intelligent undead, as it preserves the person and the knowledge, which might have maybe driven a little bit of a wedge between them and more zealous Cemetarians (and Pharasmins in general). So they might have been politely asked to leave the Last Call at some point. But they’re interested in continuing the calling regardless. In finding the dead of space, and laying them properly to rest, and recording the nature and circumstances of their deaths, and retrieving as much of who they were and what they knew as possible.

A mystic, almost certainly. Not a direct devotee of Pharasma, though they masked that well for a long time, more a simple chronicler of the dead. I think the Akashic connection? Knowledge, the preservation of knowledge. I like that Shatori already get detect magic, grave words, and stabilise as spell-like abilities. They lean towards deathly investigation from a standing start. We’ll likely build their spell repertoire to match that.

For background … I don’t think I’d go priest. I suspect they may not still be a member of Pharasma’s flock, on account of not actually being that religious or opposed to undeath on a philosophical level. I think I’m going to go with Void Nomad instead. Touched by the isolation and death of the vast cold reaches of space. We’re going to be a philosophical sort of Shatori on an evolving journey of discovery regarding death, that thing which is the horror and inevitable end of our entire species. By studying and honouring and embracing those who have perished to the void, we are slowly learning to accept our own inevitable end.

So. A quiet, contemplative lady, a shining skeletal Shatori on a journey of discovery, death and acceptance.

For a name … I deeply love the names of the planets in the Shatori’s home system of Disaj: Perdane, the world they lost to Abaddon, Perdure, the world on which they enacted their desperate and doomed attempt to escape death, and Prevail, a world relatively unscathed by past mistakes. There’s a theme there that I like. So. She’s going to have renamed herself out in the void, to remind herself of home and to keep the knowledge alive.

Durance Vail. An ex-Cemetarian of the Last Call. A Shatori void nomad akashic mystic. Heh.

(Or, put another way, and still to my giddy delight, a 7ft glowing skeleton lady who would like to go exploring spooky shipwrecks and speak with dead people for broadly altruistic purposes).

(Also, yes, space undead and nautical horror will never not be themes for me. I like spooky ships).

[triptychofvoids]

First things first, I love your head cannons and the way you draw it's very very crunchable, now the question, do you have any science party head cannons? That's all, thank you!! :3c

thank you i appreciate it!! and yes i have a few im normal about them <- foaming at the mouth btw

you know the drill theyre going under the cut in case it gets long

someone made a post about this already i think and i dont remember who but medic and engineer would be so good at parallel play. theyre both content to be in the lab or in the workshop doing their own thing just alongside each other, maybe occasionally dragging the other over to look at what theyre working on either to show it off or get feedback of some kind. they both find each others work to be fascinating even if they dont completely understand it, and on the occasion they combine their knowledge to work on something together it always ends up being Really Fucking Cool and fun for them, regardless of whether or not it ends up being something successful. thats their idea of a date. parallel play working on fucked up and evil science stuff

out of all the mercs, engineer and heavy strike me as the ones that would do most of the cooking. not that the others cant cook (although i think some of them would need supervision....) but most of the time they just dont really want to, and besides theyd both be very good at it. but anyway engie would know about medics sensory issues and him being picky about certain foods and hed always try to make meals everyone will enjoy. if there is something in a dish that he knows medic wont like then he will either mess with the recipe a bit in order to exclude it or will just make it on the side so everyone else can have some but medic wont have to deal with it.

medic uses a weighted blanket and likes to hold onto things in his sleep as well so anytime they share a bed engie gets compressed into a jpeg. this is sometimes avoided because it isnt uncommon for engie to pull an all-nighter or for medic to wake up freakishly early so sometimes medic will already be asleep and/or will get up before him but still, its like a hydraulic press in there

like i said about engie knowing about medics sensory issues and whatever else, sometimes on the battlefield if medic is starting to get overwhelmed he will fall back to a dispenser and engie will shoo anyone else off to go find a health kit instead so medic can get just a few brief moments of peace

they have the kind of relationship where neither of them ever get bored of each others company and neither of them ever run out of things to talk about. which is very cool and awesome for them and sort of boring and awful for anyone else who might get stuck in a room or a car with them for any extended period of time

medics love language, platonic or otherwise, can be best described as 'all of the above'. hes very affectionate and bitey and he isnt always very good at communicating that he cares but he tries to convey it through things like weird gifts (like how a cat brings back dead animals), surgery and medical evaluation, talking a whole lot and hoping it counts for something, acts of service but he can only kill and dissect, etc. and engie somehow has the patience to put up with it. engie is big on acts of service and words but it doesnt matter because medic saps up any and all affection he is given like an infinite sponge and then tries in his own deranged way to return it tenfold

also. i think shipping these two is so funny because at first glance it might look like medic is the feral one and engie is the responsible one but then you look again and the roles have switched. and then you look a third time and theyre actually both a little unhinged. anything in the name of science