#i love that one so much it's literally like an anime episode and also the Dads (T & R) are hilarious and SO divorced

[higuchisora]

They said the scripts were "locked in" for season 2 by the release of season 1 and it was just the animation they were working on, but I don't think that necessarily means they didn't make a SINGLE change. I think it might mean they had the general broad strokes of it, though, so even though I can totally see this happening, I don't know how much of it really was just them not thinking shit through ahead of time.

Like I wouldn't be surprised if they really only had the skeleton of a script "locked in" and the rest of it had significant changes, but I think that would make sense - Ambessa feels like she wasn't even supposed to BE in half the scenes she was in because she contributed literally nothing to them. I could imagine a situation in which Ambessa was initially supposed to have a much smaller role, maybe only becoming important towards the VERY end, like final episode or something where it reveals some type of scheme she had/sets up possible future stories etc., and that Caitlyn being "mentored" could've come from someone else. A lot of the lines weren't necessarily relevant to location, so the dialogue could've been tweaked and initially come from another character - maybe one of those "conversations with a ghost" with her mother or something, like an argument with the different sides of herself or whatever.

Either way, there are plenty of moments like this that feel like they were out of place or redistributed or rushed in such a way that I doubt they made ZERO changes (and also because it's Hollywood, last minute changes are NOT new).

Same for Mel; her plot was so irrelevant I wouldn't be surprised if they just added it at the last minute. Especially because she hardly said anything, particularly during confrontations.

To that end, them ignoring Jinx's mental illness feels like one of those cutting corners situations. Something along the lines of, "Well they already know she's mentally ill, there's no need to keep showing it" which we know is DUMB AF but to corporate minds is perfectly logical. It felt like they waffled between making the story "shocking" and keeping the characters likeable (which they failed to do with a lot of them, so...)

Hence why Caitlyn never has to answer for her actions. And why Vi seems like she's been lobotomized and is strictly relegated to the "love interest" role, despite being arguably more of a main character in s1 than Caitlyn (as I was under the impression that this show was about the sisters, not their romantic interests). And why Jinx's only personality traits are semi-sarcastic and suicidal. And why her and Vi's differences seem to solely boil down to "I don't like your girlfriend" (which in s2 is pretty valid for Jinx's part, spoken as a former caitvi shipper, but still takes away from the real weight of their conflict). And why Ekko was exiled for 3 whole episodes on a Spiderverse subplot.

Unfortunately, we'll never really know what the truth is, or what the "original" script would've looked like (and if it was really all that different from now). But what I wouldn't have given to be in that room with a squeaky toy hammer so I could bonk Netflix/Riot every time they suggested some stupid shit....

Something that has really bugged me about season two is Jinx's hallucinations and PTSD. It magically disappears when Silco dies, save for two scenes. I remember when people on reddit were literally making jokes about the writers going this route because it would be so stupid.

One of the things I loved about season one was the realistic depictions of mental illness that you just don't see often in media. I don't know what it is like to experience schizophrenia, but I have experienced PTSD and paranoia, and seeing how it was represented in Arcane was actually one of the things that helped me through it.

And then season 2 comes around and they just completely neglect this side of Jinx.

PTSD isn't a switch that can magically be flipped off. Recovery is a slow and gradual process. In absolutely no world would Jinx killing yet another family member cure her of her conditions, it would make them 10 times worse. Not to mention just before killing him she has an extremely severe psychotic episode, which would only make forgetting her trauma even more difficult since it was just brought up fresh in her mind.

And what even about the end of s1 was it that healed her? I genuinely have no idea, because she finally chooses Jinx only to once again go back and forth between Jinx and Powder in season two, because apparently all that buildup for her final decision was for nothing.

She does experience two hallucinations (I'm not going to count the jail silco thing in act three because what even was that?) when she sees enforcer Vi and when Sevika talks about the attack at Vander's statue, but suddenly that is all that triggers her?

In season one, just seeing Vi, or even someone who looks like Vi triggers her. But now when Vi is literally trying to capture and possibly kill her she is fine, it's only the mask that bothers her? Wasn't that her worst fear, that Silco and Sevika were right, that Vi only wanted to stop her? And she is constantly triggered by Cait in season 1 but not 2?

And then there was the insulting ending, where jail Silco tells Jinx to 'break the cycle' (something he would absolutely never do) and Jinx finally finds redemption by literally killing herself after Isha kills herself in what is framed as an act of heroism (and if Jinx actually didnt, than what even was the point of that scene?) What happened to Ekko trying to stop Jinx from doing that? What happened to Silco having Singed revive her to save her life after she attempts to take it? Or Jayce and Viktor talking each other out of it? Or Silco choosing to keep fighting rather than give into the "peace in water"?

On purpose or not season 2 frames suicide as a glorious, edgy, perhaps even necessary thing and it's disgusting.

[atlasrayz]

Ok hi time to rant abt hazbin/helluva because i will forever be upset about the outcome of those shows.

Indie animation has been on a rise lately, with so many different amazing shows being available on youtube.

I watched the hazbin hotel pilot around the time it came out, and it really interested me. The characters seemed interesting and the premise wasnt really something you see often. I was excited.

I kept up with Viv's work and got into helluva boss. I thought it had some good jokes and the bits of lore we got made me want to keep watching. However, the premise of literally every episode is the same. A bad ex or a bad dad. Its a formula, and it shows up in Hazbin too.

Viv has some obsession with daddy issues, and problems with characterising her women characters. Charlie is the *main character* of Hazbin Hotel, but she has literally no growth or development. Millie also falls victim to this.

The one episode where she actually gets some attention feels... wrong? It felt like they were mischaracterising Moxxie so that they can fabricate conflict between Moxxie and Millie. Moxxie loves his wife, and he has literally never once been shown or implied that he would try to upstage her. Yeah, he's definitely got some inferiority going on, hes constantly being belittled by Blitz. Hes the show's punching bag, but i feel like it had never been implied that he hated himself more than he loved his wife. I hate that episode with a burning passion because how tf are you going to mischaracterise your own fucking characters.

I hate the way they did Lucifer. He should NOT have been some wacky, silly guy who just doesnt know how to reach out to his daughter. He's not bad! He's just anxious UwU. His entire character is irritating. Having a wacky fun character is fine, i love characters like that, but Lucifer shouldn't have been that character.

In the pilot, it was implied that Lucifer hangs over Charlie and his influence puts a lot of pressure on her, but then we meet him and hes just. A guy. Who doesnt talk to his daughter a lot. Which makes absolutely no sense. You could argue that they retconned a lot from the pilot, which, yeah, its all new voice actors so, sure. But then, why wouldnt they remake it in some way, in any way?

Not to mention that all the characters feel flat. Even in Helluva. In Helluva we get filler and backstory, but even then the characters dont change or grow. Quite literally the only good thing out of Helluva is Fizz. His arc and story is the only one that actually breaks from the formula of bad ex bad dad and his character actually changes from the lessons in the episode. I love Fizz for pretty much that reason alone.

Moxxie and Biltz have an episode where they promise to be nicer to eachother *and then they fucking don't?* They stay the *exact same* towards each other. If you're going to do that, then don't make a story based show. Make one of those slice of life, 10 minute episodes combined into one 20 minute episode that shows no growth, and is just there to be fun. Those shows arent bad, they just have a different purpose.

I've been so upset with the results of Hazbin Hotel. The pacing is awful, the characters have no time to change or grow, and their dynamics just arent interesting. It sucks because I saw a world where this indie show got on amazon prime (!!) And was amazing and did amazing things and set the stage for other indie shows to finally get big and then all we got was poorly written, rushed slop that feels like a huge kick in the teeth to anyone who cared about the show. Or, at least, it did to me.

[wingsofhcpe]

(S1E08 during the Musketeers vs Red Guards competition)

Treville: *walking into the rink*

Athos, clapping: that's our father!

Porthos, cheering: LET'S GOOO!

Aramis, bouncing up and down: fuck 'em up dad!

D'Artagnan, still salty: yeah whatever get their asses old man

[oceanwithouthermoon]

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this is kubosai core to me, idk how to explain it though,, i just think,, they are Beach boyfriends,,,

[frascospecimen]

“magia record anime isn’t worth watching” is a take I see every now and then somehow that’s just baffling to me like. O dont even know where to go with this post what do you mean. “the holy quintet barely even shows up in it” They dont even know about holy mami

[hecksupremechips]

Hypothetically should I play p3 reload with the femc mod like does anyone know if it’s good? It certainly LOOKS good but I wanna know if it’s essentially just portable with good visuals or if it’s reload but with kotone instead cuz if it’s the latter I am not interested

[poppyseed799]

I have this problem that’s like the opposite of nostalgia or something where some things I remember liking a lot as a child I look back and only remember the bad times.

This is specifically about Animal Crossing, loved that game as a kid, but I have literally no idea why, cuz it was just pure hell for me from what I can remember.

[an-au-blog]

I'm about to nerd-out about the Fan Letter project:

The one piece fan letter project is so genuinely beautiful. I'm not even talking about the jaw dropping animation and the comeback of the art style. The very idea of this - the perspective of civilians, non-power/haki users and just random people in a world that's already so wide is so cool. And the way we got to experience the main characters of the main series - their impact on the world and the collateral. I particularly loved how they were still there but in the way their faves were obscured, never fully shown (other than the last scene) you could tell they weren't the focus even if the whole episode was a tribute to them and their fans.

(This is what I mean by the faces thing)

This entire scene is just the girl and Usopp (I can talk about the symbolism in colors and shading/the parallels of the marine literally casting a shadow on her while one of the strawhats gives her a helping hand, but I digress) - the focus is still on her, regradless of the speaker and the camera is only following her movements and facial expressions. We only get a clear view of Usopp's face a second before the scene changes.

This too, Luffy is the only one on the screen but we don't get to see him, not fully(even in the closer shots), because it's not about him.

I also loved how funny they made the power scalers in the bar (and he way we saw Zoro and Sanji interact with them. As they are probably one of the usual ones to be compared by dude-bros, it was like an inside joke for the fandom and I love it to bits!)

Truly amazing.

Or the little fanboying moments, so cute!

And I can't believe I'm just now hearing of the theory that Chopper's bounty is always this low because the mariens love him so much they don't want the high bounty to put him in danger!

There's so much to be implied/confirmed! For example, we get to see how many people love Brook because for some reason we keep forgetting he's a world-famous rockstar. He has his own merch, he started a trend with afros and those glasses he has on the poster, his fans picked up his puns,

It was also touching how Luffy touched lives without even trying (not that he usually does), as the marine brothers. Even though the older one claims he doesn't like his brother, he loves him enough to appreciate him being alive when he witnessed an entire war for someone else's. Even if he doesn't want to admit it, it's clear he cares about his brother deeply. It's just so amazing seeing it :''))

(Bonus to this is the little monologue Nami's fangirl has that adds so much about their relationship :))

I'm so looking forward to more ;;--;;

[nitw]

OKAY REAL TALK. i'm on episode 5 rn. if this keeps up the way i think it is then this show is such a fucking genius adaptation, and i never would've seen it coming

like yeah, an animated scott pilgrim series authentic to the comics and the story bryan originally wanted to tell would've been amazing too. but when you think about it, SCOTT'S story has already been told to us more than a few times now. even if the live action movie took a different turn by accident, the overall message of "well-intentioned people can still make, and should still take responsibility for, mistakes that hurt those who care about them, and indifference will only end up hurting them back" still sticks for the most part.

but it's mainly been from scott's perspective. which makes sense! he's the main character, so, obviously!! but here's the thing: ramona has ALWAYS served as a reflection of scott's issues. ngl i think this is one of the most consistent things in the entire franchise, and it's why i love ramona so much. as we dive further into her backstory we learn just how much of a wall she's built around herself, how she's afraid of trusting people, but especially that, as sympathetic as she is, she's also caused so much (unintentional) damage herself. although she's introduced as someone literally too good to be true and unreachable by scott's standards, it becomes more and more apparent how similar scott and ramona are, and so they're perfect for guiding each other towards a brighter path.

and what better way to highlight this than to flip the tables completely, putting RAMONA center stage aka making the audience intimately familiar with her immediately, making SCOTT the mysterious damsel in distress/goal at the finish line instead, driving ramona to face the 7 evil exes and making amends with them in a way scott never could???

also can i just say. HUGE SHOUTOUT to the marketing team for hiding this reveal SOOOOO well. like seriously, i was worried they were showing TOO MUCH in the trailers BUT I WAS WRONG. WE GOT PLAYED SO HARD

[sskk-manifesto]

Ep 5!!!

[wolfisland]

hi. please help me get out of an abusive living situation. like please. lol. please.

tl;dr: i'm dylan. i'm a disabled indigenous australian bisexual trans person and i have to get myself and my pets out of a physically, verbally, and emotionally abusive house. i have reached an agreed upon date of the 8th of november at the latest, but there's no guarantee this won't be changed as circumstances here are extremely unstable. more under the cut if you care for specifics.

rbs help more than you can imagine. thanks.

❤️‍🩹

i've had my belongings trashed, my animals threatened (as well as my dog neglected severely), things pelted at me, punches thrown, threats made, i have been prevented from accessing medication and medical care, my car withheld, i have been forced into circumstances of dependency on this woman that have been used against me as justification for further abuse, and while i was hoping to make it to early next year here til i saved enough to find a better place, it literally just isn't safe for me to do so.

previously this woman has choked me out and hit me in the face before in front of family, thrown glasses and mugs at me, smashed my things, taken my money. this is why i desperately tried to leave earlier before i was kicked out previously, and i'd been forced to move back as a last resort as i would've been otherwise homeless.

i was in the icu for a suicide attempt after the loss of my job and an incident with another predatory and abusive family member, an attempt that has caused lasting cognitive issues, caused a burn out that left me mostly bed and house bound for that 6-8 month period, intense and debilitating flare ups, and has contributed to significant mental health episodes that cause me to lose time.

i had been convinced over a period of 6-8 months that i would be safe to return and that things would be different. please do not think less of me for being stupid enough to believe her. i had no one else to turn to and nowhere else to go, she begged me to come home. after so much time apart i made the mistake of believing her. i won't again.

the stress that i'm under here has caused my mental and physical health to tank, and left me struggling to take basic care of myself let alone manage tasks around the house, which has only further provoked abuse. it's essentially been a cycle of abusing me to a point of being unable to function and then abusing me as a punishment for being unable to function. i can barely keep track of where and when i am let alone keep track of the majority of a house.

i came here as a last resort and it has caused me far more damage than any good. i'm in an isolated rural area and have little to no support system aside from my caseworkers who are trying to help me leave again.

i would appreciate help to rent a storage shed for my belongings as anything i leave will be tossed, as well as a spot for my car as i'm unable to drive it yet without a fully licensed driver supervising. i also have medication to pay for, one of which is $120 per prescription and part of my pain treatment plan. this is something she has used against me, many times before. everything else will be saved and put towards rent if i can find a place in time (and motel fees if i can't) food, transport, and toiletries etc.

i have had more breakdowns and episodes here than i can count. i can't keep living like this. it has set me back in so many ways. i have tried to proofread this multiple times but my brain's not fully functioning right now.

thank you for your time.

[galactic-rhea]

WDYM Anakin is Luke and Leia's dad

I dunno if this post will reach the Star Wars fandom but I hope it does because I'm sure you all will get a good laugh at me.

As of recent I have developed a good hiperfixation for Star Wars, the thing is I knew nothing. NOTHING about Star Wars besides the fact it had aliens and...a war...in space? And funny swords. And main character is Luke or something, I spent over 20 years ignoring anything about Star Wars and somehow missing most references out there.

And recently, literally less than a month ago I saw a gif and said to my partner "oh this guy this guy looks cool, this gif looks nice" and he said "Oh well, he's a good character." And it all developed into me watching Clone Wars, the animated series you know and...and I was kinda blown away, on my opinion the show IS GREAT. And I love every character and their interactions, I love how much they focus on side characters, and they all seem very well written. I got hiperfixated really fast and saw Anakin and I was like "Omg, babygirl. He's a blorbo now."

And because of the show, this was super unexpected, but somehow I also got, really got, into the ship with Padmé because omg, cool woman. Literal happy squeaky noises of someone who was in a bad state and needed some good ol' distraction and comfort.

Now, like I said I knew nothing about Star Wars as a whole. And I still haven't watched the movies, besides the ocassional gif?

So imagine my shock, my surprise, my...bewilderment when I realized.

"Wait a minute, LUKE IS ANAKIN'S SON?! HOLY-"

Ladies, gentleman, and others, I think I came very late to this party and I don't even know how it took me so long.

Not only that, but because of this sudden love for the series, I went to my friends circle like "BESTIE, GUESS WHAT, I HAVE A NEW BLROBO AND A NEW FAV SHIP AND EEEP"

And my friends are like "omg that's amazing, what is it?"

I tell them, and of course they all know these characters and they all react like they know this very bad secret fact and I got told several times already "Please, don't watch the episodes 2 and 3 alone, it will hurt."

I feel like blissfully walking among rainbows and blue skies while everyone else know that my future is doomed. Somehow.

(Uncomfortable silence)

Not only that, but then I spent a whole deal of time thinking "Where the heck I have seen these guys" cus there was some fmailiarity I couldn't just point out and then one day I woke up, brushed my teeth and of all sudden I realized and it was such a shock.

Do you know how SURREAL is to get very into a character, and into a ship, and then realize they're the same from that super widespread meme that has been around for who knows how much time?

I swear I thought that meme was from some old medieval fantasy movies or something.

But alas, Star Wars now is EVERYWHERE. People do references to Star Wars ALL THE TIME and it's just now I'm catching them.

I got spoilers. From a meme. In a youtube review that had nothing to do with Star Wars hah. Everything is a spoiler, the world is an apparent spoiler. Now I'm here, trying to avoid spoilers from something everyone seems to know, even my family knows. It's so surreal and I wouldn't have it any other way 😂

Anyways, if you read until here, know that a wild ride still waits me, cuz I'm only starting Season 3 of Clone Wars and I don't plan to watch the movies until I finish the series.

And yes, I made this blog just to ramble freely about SW and draw stuff because it sparked my inspiration after a long art block.

Have this doodle I drew after watching the two first episodes, my offering for you reaching this far.

Note: Wouldn't Anakin and Padmé's ship name be Animé? Cuz that's hilarious.

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[triasticalwarlock]

Yandere sonic

Pair- sonic x reader

Warning- MDNI, yandere behavior, possessive behavior, obsessive behavior,emotional manipulation, manipulation,gaslighting, non-con sonic, PDA, delusional behavior, forced relationship, stalking.

Note- this is just for fun! Also, I'm still trying to correct Sonic's personality, so bare with me please.( This is the sonic from the anime! But you're welcome to imagine another version as well) Having a lot of fun with writing, might actually make a one-shot! Maybe. There are more than likely a few spelling errors I looked over, so bare with me again. This took to fucking long

For sonic, I don't see it being love at first sight. this is because sonic is level headed, calm, and it's clearly shown how he acts around new people. He's not rude of course, but it does take a bit before he gets completely used to them. That being said, it's the same when you roll around. Still, he's not a jerk, but he just needs to get used to your presence. As a animal, it can be uncomfortable for them is someone new is where they normally hang out at, even if they don't show it, it's still there.

So, even when he does get used to you, it'll be a lot different. He'll actually start to go up to you and talk, not like he didn't before, but he enjoys it a lot more now. Not that anyone could notice. They just think it's the same ol sonic.

Now, up to the things that'll make him like you a lot more(maybe not in a healthy way): it could be a lot of things, maybe it was the way you were able to keep up with him, not speed wise. But his attitude. When ever he starts to wise up, getting cocky, you challenge him. He says how he's the fastest thing on earth, you say how shadow beat him that one time, and that there are millions of other universes out there. And you do it in the same cocky tone he speaks about in. Or how you always protect and care for his friends, how much you care for tails means the most to him, as much as he loves all of his friends, tails is his brother. So when he sees you patching he up after a the x tornado cashed, sonic will feel a sense of something, something he's never felt before. And dear God, when you take care of sonic is a nightmare for both of you, for different reasons; For sonic, it's because feeling you oh-so gentle touch on his skin makes him literally vibrate. While your reason is because he won't fucking sit still, but you figure it's because of him having a running craving. You couldn't be anymore wrong

Speaking of running, he will definitely make you run with him, even though you can never keep up. So he slows down a bit, not being with you exactly but a little ways away, just so he can tease you about how 'your almost there!' and when you scowl at him as he grins and Snickers. Kinda like in the first episode, where he's running backwards in front of team S, playing with them

Also, he gets unbelievably clingy, like, unreasonably clingy. when ever he's sleeping, or trying to sleep. If you walk by, he has no problem grabbing your wrist and pulling you on him. Even if your taller. He does not care, if he wants to cuddle, he will get those god damn cuddles. He will force your head to the nape of his neck, put his head on yours, and trap you with his arms. Normally, sonic would never do this, but the desperate need to now if your ok is a lot stronger than his shame for not giving you personal space. With sonic, you personal space is his personal space. You share bubbles

If your shorter than him, than good luck, cause he will use you as a arm rest. Tease you, pick you up like a rag doll, and all with that signature smug smirk. And it gives him an advantage to trap you to, when ever you try to get up from a cuddle, he'll pull you back. Curling above you as you whine about wanting to get up. He chuck, putting all of his body weight on top of you. Teasing you about how ' what are going to do about it?' And as you whine, and huff and puff. He will not move.

Now, if you get up for another reason, like going outside, or getting his friends. And that's when his more... Concerning side shows. He literally can not function when you out of his sight, his anxiety and possessivnes getting the best of him, he'll always run off to find you. The discomfort of you not there is unbearable. so when you try to leave his sight willingly. He panics, and uses the best trick in the book, manipulation.

" but i don't want you to get hurt! Eggman's been stepping it up lately, who knows what he'll do to you if he captures you! And more than likely, he'll use you as bait, and maybe we could get hurt trying to save you, there's no telling what Eggman's got planned. And you can never be to careful."

" And if your with me, you will never get hurt, no one will! So why don't you came back, and cuddle with me again."

Yea, it's really bad. And note how it wasn't a question, the last one. Even if you disagree, sonic will force you back to bed, saying how you've been overworking a lot lately anyway, and that what a better way to relax than to cuddle with your 'friend' sonic. He'll force you under him, curling above you as he keeps on saying it's so you, and your friends won't get hurt. But at this moment, he could care less about his friends, he just cared about you. But from your point of view, your scared about what he's doing. And how for just being a hedgehog, speed wasn't the only thing going for him, it was strength to. You never expected this, you thought back to the hedgehog you were talking to not even 10 minutes ago. Your best friend, the one that would lend a hand, the shoulder you could cry on. Was not who you were looking at, this was someone else.

Now, if you go back to him without a fuss, it will be a lot better! He'll pull you back to him, laying down with you. And will go back to talking, like you weren't just trying to leave him (in his thoughts). Speaking of his thoughts, in both instances. The one thing he will be thinking is; ' why are you trying to leave me?" And while on the outside he looks unbelievably calm. But on the inside he's freaking out, scared, and worried for what he did that would make you want to leave. Was it something he said? Something he did? Did someone tell you something about him? Who was it? Lover's quarrel? Ah, that had to be it.

He's so delusional that he won't even ask you to be his girlfriend, assuming that you guys are already in a relationship. So when you try to tell him that it's not true, he'll act like you're the crazy one

"you uh, feeling ok baby? Don't know how you could forget that we're in a relationship, but that's okay! I'll let it slide. This time"

" y/n, for the last time! It's okay that you forgot, I'll make you remember."

This guy has the biggest ego in the sonic universe, so he'll automatically assume, that again, your in a relationship. I mean, it doesn't matter if he asks or not; he saves you, is there for you, protects you, stands up for you, traps you from harm, feeds you, cuddles with you, and so much more! What's the point in asking?

And besides, he loves you so much more than those other. Things. You should be grateful he looks your way!

But, even though he'll save you from harm. Sometimes, he's the one that puts you in it just to impress you, only you. He'll never let you actually get hurt, just captured. And he'll save the day by swooping in at the last second. Getting your praise is one of the most important things in his life, something he couldn't possibly live without, something truly out of this world, or, universe.

And when ever your out, oh boy. Be prepared because he does not hold back, he'll always be touching you, it's so he nows you're still okay! You're not hurt. And he won't be subtle, he does not give two fucks about what other people think; He'll wrap his arms around your waist from behind as your looking at something, hold your hand, wrap his arm around your neck, kiss your cheek, forehead, and nose. Once again, he doesn't give a flying fuck.

He's also stupidly overprotective. He'll follow you around, and it's not like you could catch him at the corner of your eye or run from him. He's the fastest thing alive! And he's not stalking you! He's simply protecting you, wouldn't want Eggman to steal you away! Now would we?

There's not many things that sonic will lose his cool over, he's probably one of the most chill people you will ever meet. But, that doesn't mean he'd never go apeshit. And one of these things are people, people talking to you. Why are they around you? They shouldn't even be breathing the same air as you. He sees people that you talk to as a threat, even if their the least threatening person on the planet. He doesn't care, and he will gladly scare them away. Without you knowing of course, all he has to do; is look at them in the eye from behind you, glow dark, Make his eyes white, and bam! Their running off. But no one else sees this of course! He wouldn't want to ruin his reputation, now would he?

And when you two are alone, he'll plant doubts in your head about your friend or friends. Making you eventually believe that their not a good person, and it always works. He won't stop until it does.

" I don't really like this Joseph guy y/n, he's tried to hurt people in the past. What do you mean I'm lying? I've seen him do it in person! What makes you think that I haven't? I stopped him from doing it before, and I'll stop him from doing it again!"

A sigh, "i'm sorry y/n, it's just-i don't want you to get hurt, please understand that I'm only trying to help and protect you. And by doing that, I'm warning you of this guy before he does something."

" are you sure about this? I'm not so sure you should go out with her tonight y/n, or any other nights. What I mean is that she's not a good person, she manipulates people. I've heard she doing it! Why do you think I wasn't to happy with being 'introduced' to her by you?"

And even with all the lies, he truly feels like he isn't hurting you, he genuinely believes that he is just protecting you. He's not intentionally isolating you, nor will he call it that. He's just protecting you from the dangers of this fucked up world, and if he wants to shelter you. He will

But, even after all he's put you through, remember. He'll " always love you!"

[antsday]

under your thumb

[part two of this. inspired by @habken 's incredible scammers to lovers au. hope you enjoy!]

-----------------------------------------------------------------------------

“I need him dead,” Izuku says, pacing intently. His bright red shoes squeak with every step he takes, and his eyes are wide with mania. “I genuinely need him dead.”

La Brava takes a long slurp of her soda fountain abomination - two pumps of every flavor of every soda, in one supersize cup - and gives him a knowing, pitying look. “Dynamight causing trouble again?”

He buries his face into his hands and makes a noise like a wounded animal. 

“Did he finally explode his laptop beyond repair or something?” La Brava asks. “Talk to me.”

“He asked me out on a date,” Izuku grits out, and La Brava’s eyes go wide. “A date. Lunch at a crepe shop? There’s no other way to take that.”

It wasn’t ever supposed to go this far. At first, loading Pro Hero Dynamight’s laptop with viruses was just a way to get back at him for being an asshole. But then he just- kept clicking them. And then he kept coming by, and revealing that he wasn’t so bad to talk to and then-

Izuku’s been played like a damn fiddle. All this time, he thought he was the one pulling the strings- only for Dynamight to sweep the rug out from under him in the most sudden possible way.

“Huh,” she says.  “Huh.”

And then, after a long pause:

“...Well. IT guys are in really high demand nowadays,” she says, stirring her drink with her straw. “With the economy, and all.” 

“This can’t happen. He’s a Pro-Hero,” Izuku stresses, grinding his teeth to stubs. “A Pro Hero who can’t go a week without getting scammed, but a Pro Hero nonetheless. This can’t happen. It can’t.”

“He’s a public servant, Deku, not a nun.” 

Izuku points at her. “Exactly! He’s a public servant. He has a duty to the people first and foremost, and I can’t get in the way of that.” Izuku says, placing a hand on his chest with feeling. A beat passes, and then, “Also, he is so fucking weird.” 

“And there it is.”

“Who gets scammed that much? It just makes no logical sense. You’d think after clicking an obvious pop-up the first time and getting your whole laptop overrun with malware you’d just- stop doing it at some point! But no! It’s like he’s a- a little kid with a big red button in front of him. He’s ridiculous. And-and an asshole, too!”

La Brava sighs, setting down her comically large drink. “Okay, Deku-kun-”

“Yeah! He’s a huge jerk. He’s mean to everyone and he acts like- like he’s doing me a favor by making me fix his laptop all the time! You know what, he deserves all that malware, especially if he’s so obsessed with clicking pop-ups!”

“Deku-kun.”

“He’s insane. A total freak show!”

“Deku-kun.”

“A-A self-absorbed, arrogant-”

“So you don’t want to go on a date with him?” La Brava interrupts, cutting him off. 

Izuku pauses, ceasing his pacing. 

He thinks about Dynamight’s evil looking smiles and fiery red eyes and sharp features; his insane stances and posture and the way his voice sounds like gravel; the way he’s always yelling and acting like a stereotypical macho-man Pro in his office, and yet whenever he steps into Izuku’s he’s always looking away and speaking quieter and holding out his virus-infected laptop like it’s the bento lunch Kiyoko-chan (from the new slice-of-life romance anime Izuku’s been binge-watching recently) made for her love interest in last week’s episode. That one time Izuku had said he was thirsty in Dynamight’s presence and found a water bottle on his desk the next day (and the day after that, and the day after that, and the day after that-). It's the way that no matter what happens- whether it’s a villain attack or a patrol or rescuing a kitten from a tree, Dynamite comes out on top. 

(Quite literally, in the case of the kitten. The fire department had to come down to Tatooin Station and rescue Pro-Hero Dynamight and a three-pound kitten from a 40-foot tall oak.)

God, there’s so much wrong with him, Izuku thinks. I need to hold his hand or I’ll die.

Izuku’s cheeks heat up and he scratches the back of his neck, very pointedly not looking at La Brava. “...Well. I never said that.”

“Oh my God,” La Brava says. “Oh my God.” 

“Sue me, okay!” Izuku throws up his hands. “Apparently I like deranged goblin men who are a little pathetic and rough around the edges and incapable of not getting scammed! Is that so wrong!”

La Brava stares. And stares. And then she sighs. 

“It- You know what, this is above my paygrade,” she says, taking another long, obnoxious sip of her drink. “I’m not here to critique your frankly abysmal taste in men. So you do want to go on this date?”

He thinks about it more, and starts getting light-headed at the thought of- of Dynamight, buying him a crepe. Sharing a crepe with him. At the crepe shop. Tomorrow, when they’re both free. Maybe they’d even- hold hands, and- ride the ferris wheel in the amusement park across the street- together-

“Hnnnrrrgh,” says Izuku. 

“Well, good luck,” says La Brava, tossing her empty cup. It soars through the air in a perfect arch and lands into the trash with little fanfare. She pumps her fists, and Izuku absentmindedly claps a little. 

 It’s pretty simple removing the malware- he was the one who put it there, after all. Soon enough, Dynamight’s laptop is good as new. And then, after another couple of moments of hesitation, he sneaks in another pop-up. A poor recolor of Naruto, this time, in suggestive kitsune-themed lingerie. 

“You’re literally going on a date with him,” La Brava says, suddenly popping up behind him. ‘You don’t have to keep doing this.”

“Consider it, uh,” Izuku racks his brain, “leverage! Yeah. If he’s. If he’s an asshole.”

She throws her hands up in exasperation and turns back to setting up a pastel pink Project Sekai theme for Phantom Thief's computer (upon his request). 

He’s not being weird, Izuku reassures himself. He’s not. Dynamight doesn’t have to click the pop-up. He’s not, like, obligated, or anything. But if he does, like he has been doing, well. That’s one way to secure a second date. 

Well. Not that he’s hoping for a second date with Dynamight, or anything. He’s not anxiously counting down the seconds or whatever. That’d be insane. Right? Right. Totally insane. And Izuku is not insane, so therefore he is not incredibly and unhealthily invested in this-

“Stop muttering about this or I swear to God-”

-

So now he’s here. Standing in front of the crepe shop in his nicest clothes (a white ‘Dress Shirt’ shirt, a half-buttoned striped orange button up, and brown corduroy pants with a black belt), blasting music to distract himself from the fact that he may have been stood up. 

Okay, fine, that’s a bit of an exaggeration. He probably hasn’t been stood up. Sure, it’s been three minutes and fifty four seconds since their agreed upon time, and there’s still no sign of Dynamight anywhere, but that probably doesn’t mean anything. He’s probably just running late. 

He has to be running late. What is he going to do if he actually is being stood up right now? 

Kill him? 

Kill Pro Hero Dynamight?

No, Izuku realizes, deflating a little. No, he’d never be able to go through with it. Maybe more malware? Maybe every piece of malware at once?

For once, the Go Get Your Man, Kiyoko-chan! theme song isn’t taking his mind off things- a clear sign of his deteriorating mental state. There’s a part right before the final chorus in which they let a cat just meow into the mic for a solid thirty seconds and it always reminds Izuku that good exists in the world- except for today, apparently. 

After a few moments of hesitation, he goes to his messages. They have each other’s numbers, strictly for business, but occasionally Dynamight will text him hey in the middle of the night and then take three hours to respond to Izuku. 

Where are you?, he types up. But before he can press send, his phone beeps.

Izuku frowns.

“A villain attack nearby?” His hair blows slightly in a sudden breeze. “Huh. I hope it’s not too close.”

He has about two seconds of peace between uttering this final, ironic sentence, and then turning his head-

-because one minute he’s pausing the theme song on his phone, and the next he’s face to face with a giant, menacing pincer that's seconds away from peeling off his entire face.

His life really is just one prolonged punchline, huh.

So there he stands, tears in his eyes, fear in his heart, and the thirty second meowing solo ringing in his ears; dressed his nicest 'Dress Shirt' shirt, holding an expensive laptop that he can never again infect with malware because he’s been stood up and he’s going to die. Brava was right, Izuku thinks belatedly. Maybe I should re-evaluate my taste in men.

And then everything explodes.

part one/part two

[wlwcatalogue]

Some WLW (?) Jdrama & Kdrama recommendations!

Jdramas and Kdramas have a (not-entirely-unearned) reputation for being very straight, but here are a few which are either canonically F/F or which prominently feature a female-female pair-- please enjoy! For those who enjoy following series in real time, Chaser Game W and She Loves to Cook, and She Loves to Eat S2 are both airing this January 2024 :)

As with my post on anime with yuri subtext, since subtext is so subjective, this list only includes series which I’ve actually watched, and so is by no means intended to be comprehensive. Also, it doesn't include any webseries, since those probably deserve a post of their own.

At-a-glance list:

Miss Sherlock (8 episodes, 2018) (subtext)

Night Light (20 episodes, 2016) (subtext)

Tokusatsu Gagaga (7 episodes, 2019) (subtext)

Painter of the Wind (20 episodes, 2008) (canon?)

She Loves to Cook, and She Loves to Eat (10 15-minute episodes and counting, 2022~) (canon)

Sono Toki, Heart wa Nusumareta (5 episodes, 1992) (canon)

Chaser Game W (10? 30-minute episodes, 2024) (canon)

Doctor X (7 seasons and counting, 2012~) (subtext)

Bonus: SKY Castle (20 episodes, 2018) (subtext)

Summaries under the cut!

1. Miss Sherlock / ミス・シャーロック (8 episodes, 2018) (subtext) – MyDramaList | AsianWiki

The elevator pitch for this show is simple: it’s Sherlock Holmes, but where Holmes and Watson – here named “Sherlock” and Tachibana Wato, and played by Takeuchi Yuko and Kanjiya Shihori, respectively – are both female, and the cases are all set in modern Tokyo. As with other adaptations, mystery-solving and the budding relationship between the two leads takes centre stage, but Miss Sherlock manages to carve out an identity all its own.

There’s a calm beauty to its visuals, which favour sunlight and urban greenery, and the show’s focus on former doctor Wato as she tries out new jobs and goes to therapy means that there’s a surprisingly high number of slice-of-life scenes. It’s also subtly more female-focused than the source material; Sherlock’s gossipy but good-natured landlady Ms. Hatano (Ito Ran) is as much a member of the household as Sherlock and Wato, and the cases often revolve around female characters. But more than anything, it’s just really fun to watch Sherlock and Wato’s relationship bloom as they snip and snipe and are utterly unable to stay out of each other’s space (literally – the body language and blocking is *chef’s kiss*). Their relationship is the heart of the show – watch this one until the end, you won’t regret it!

(CW: psychological abuse, manipulation, and genre-typical murder, violence, and gore)

2. Night Light / 불야성 (20 episodes, 2016) (subtext) - MyDramaList | AsianWiki

(Note: spoilers for the mid-season twist, but it’s impossible to allude to a good portion of the F/F subtext without doing so, and I think knowing the twist ahead of time doesn’t make it any less enjoyable.)

Night Light is a rather odd show. It’s simple enough on the face of it, a story about  successful but ruthless CEO Seo Yi-kyung (an icy Lee Yo-won) who tries to mold the younger Lee Se-jin (a puppy-eyed Uee) in her own ambitious image, only for her protege to develop the conscience she never had and move to stop her dastardly plans… but upon watching it’s a totally different creature,  thanks to the alchemic reactions of some delightfully contradictory acting choices (Uee’s performance convinces viewers less of Se-jin’s supposed latent desire for power and money, and more of a deep love and devotion for the CEO) and the unintentionally (?) inneundo-laden script (“If I like something once, I never forget it– whether it’s a dress… or a person,” declares the CEO less than ten minutes into the first episode while gazing intently at Se-jin).

Honestly, it’s a wonder this series ever got made, but you certainly won’t see me complaining! The first part is full of boss/subordinate goodness; Se-jin is unable to resist the CEO’s magnetic pull despite her hot-and-cold behaviour, while the CEO cannot bring herself to push Se-jin away completely. And then, when Se-jin makes her mind up to stop the CEO, it morphs into a corporate take on a (subtextual) lovers-on-opposite-sides situation, where it is precisely Se-jin’s feelings for the CEO that motivate her to stop her. In short, it’s a workplace GL fan’s dream.

Note: If you do watch it, skip the corporate politicking cutscenes with the old men, you’ll thank me later. Also, there’s a prominent male character who is the CEO’s ex and who works closely with Se-jin in the second half, but don’t worry, all the M/F romance is in the past (and doesn’t get much screentime)– he and Se-jin aren’t interested in each other at all.

3. Tokusatsu Gagaga / トクサツガガガ (7 episodes, 2019) (subtext) - MyDramaList | AsianWiki

Nakamura Kano (Koshiba Fuka) lives and breathes tokusatsu shows (think Power Rangers, if you’re not familiar), but keeps it a secret from her work colleagues to avoid being shunned or laughed at. And yet she yearns for connection, so when she sees a woman on the subway bearing a keychain from her favourite show (Yoshida Hisami, played by Kurashina Kana), she is determined to find her again.

Although ostensibly about being a tokusatsu fan as an adult, this show is rife with queer subtext, and not in the usual way. It deals with the difficulties of staying in the closet (regarding being an adult tokusatsu fan), the desire to connect with other queer people adult tokusatsu fans and how one might do so through hints and signals, parental disapproval arising from gendered and social expectations (that tokusatsu shows are for boys, and magical girl shows for girls), intersectionality and finding comradeship with other minorities people who are excluded due to their interests, and even generational gaps wherein younger queers fans may underestimate the obstacles that still exist. Although all that might sound a bit stressful, it isn’t actually! Difficult incidents are handled with sympathy and a dash of wry humour, and the show never loses sight of the fact that it – above all else – is a story about finding queer community in the face of a heteronormative hostile world, told with warmth and the nuance of lived experience.

4. Painter of the Wind / 바람의 화원 (20 episodes, 2008) (canon?) - MyDramaList | AsianWiki

Adapting the novel of the same name by Lee Jung-myung, Painter of the Wind takes as its protagonist a gender-bent version of real-life Joseon-era painter Shin Yun-bok (Moon Geun-young), whose paintings are used to weave a tale of artistry, political intrigue, and romance, and more than anything else to offer modern-day viewers a glimpse of everyday life in 18th-century Korea.

While it may sound like Dickinson’s boring cousin, apart from having a common preoccupation with reframing historical works, another similarity the two shows share is that Painter of the Wind is also very gay. Starting from the first episode, Yun-bok meets and becomes fascinated by the courtesan Jung-hyang (Moon Chae-won), who despite her initial aloofness is drawn to Yun-bok’s intellect and sensitive demeanour. It’s a real meeting of the minds, their witty repartee in early episodes reminiscent of Twelfth Night’s Viola and Olivia, and their relationship isn’t siloed off from the main plot either: Yun-bok’s infatuation quickly starts causing issues with her academic career, and the two eventually have to contend with Jung-hyang’s precarious position as a courtesan as well.

Unfortunately, all this is undermined in the back half of the show, which tries to gaslight viewers into thinking that Yun-bok’s feelings for Jung-hyang were purely platonic all along and that she totally has romantic feelings for her much older male mentor— but hey, at least it’s an open ending. Despite everything, though, I can’t think of another serious historical TV show which features such a prominent F/F narrative for its main character, even nearly two decades later. (Let me know if you have any others! And no, Gentleman Jack doesn’t count, it’s not exactly traditional in style!)

(CW: period-typical sexism)

5. She Loves to Cook, and She Loves to Eat / 作りたい女と食べたい女 (10 15-minute episodes and counting, 2022~) (canon) - MyDramaList

Based on Yuzaki Sakaomi’s manga of the same name, this simple but sweet show follows home-cooking extraordinaire Nomoto Yuki (Higa Manami), who yearns to cook large-scale dishes but doesn’t eat enough to justify making them. Luckily for her, her neighbour Kasuga Totoko (Nishino Emi) has a massive appetite!

It’s always lovely to see more grounded stories about working women, especially when they’re as cute as this one. Though it touches upon some slightly more serious issues, such as with regard to gendered expectations surrounding food and cooking, it’s primarily a feel-good slice-of-life show about two women getting to know each other by cooking and eating delicious food together.

Side note: if you’ve started it and think the show doesn’t look cosy enough, stick it out for a few more episodes, the production values improve after the first part! Also, the series was renewed for a second season with double the episode count (for a total of 20 episodes) which will start airing on January 29th this year, so this is the perfect time to jump in!

6. Sono Toki, Heart wa Nusumareta / その時、ハートは盗まれた (5 episodes, 1992) (canon) - MyDramaList

Sono Heart, as it’s nicknamed, starts off as a typical heteronormative high school romance: bumbling protagonist Shiina Hiroko (Isshiki Sae) is desperate to get closer to her crush Katase Masato (Kimura Takuya), star of the school basketball team and all-round nice dude. However, a spanner in the works comes slouching along in the form of female classmate Aso Saki (Uchida Yuki, in her debut role), a mischievous, short-haired personification of trouble who Katase turns out to have feelings for. One day, Hiroko gets into a fight with Saki, and they end up having to stay together after school as punishment. But that afternoon gives them the opportunity to bond over a heart-to-heart conversation, and things seem to improve… until, just before leaving, Saki kisses Hiroko. And then everything changes.

Or rather, everything changes eventually. What’s great about this show is that it doesn’t take shortcuts: Hiroko doesn’t instantly fall in love with Saki. Instead, what you get is a surprisingly layered portrait of a high school girl whose coming to terms with queerness is merely a natural extension of reckoning with her burgeoning sexuality. And, because Saki is self-destructive in her depression and makes a game of belittling, worrying, and infuriating anyone who cares about her, it’s really a story about what it means to love another person rather than a romantic ideal. A word of warning, though: Katase is actually quite a large character, as he and Hiroko end up becoming friends. Also, the ending is very abrupt and inconclusive, though rest assured that it doesn’t try to roll back Hiroko’s feelings, or pair either girl off with a guy.

(CW: self-harm, attempted suicide, bullying, homophobia, underage drinking)

7. Chaser Game W: Power Harassment Boss Is My Ex-Girlfriend / チェイサーゲームW: パワハラ上司は私の元カノ (10? 30-minute episodes, 2024) (canon) - MyDramaList | AsianWiki

Probably jumping the gun here as only two episodes have aired as of writing, but I feel honour-bound to recommend this as it’d probably appeal to a lot of people, if only they knew about it! Chaser Game W is a standalone spin-off of Chaser Game, itself an adaptation of a manga of the same name by Matsuyama Hiroshi and Matsushima Yukitarou, but you don’t need to know anything going in.

Protagonist Harumoto Itsuki (former Keyakizaka46 captain Sugai Yuuka) has been assigned a new job: her company has been asked by a Chinese conglomerate to develop a game adaptation of a GL manhua, and she’s been tapped as the project leader. However, what appears to be an exciting prospect soon becomes a terrifying one, as the person sent by the client to supervise turns out to be her ex-girlfriend from university (Lin Dongyu, played by Japanese actress Nakamura Yurika), who is now married to a Chinese man (played by a Japanese actor) and has a child, but remains hell-bent on exacting revenge on Itsuki for their bad breakup. This is a romantic (melo)drama rather than a psychological thriller, though, so you won’t be watching Itsuki getting terrorised the entire time. While she is understandably upset by her ex’s current behaviour, Itsuki can’t forget about their happy days together, and Dongyu herself veers between being a sneering bully and craving Itsuki’s affection.

Do note that the show isn’t without its flaws: it’s very Japanese about the Chinese thing, which is to say it’s filled with comments which range from somewhat offensive to borderline racist, and the script will probably give you a headache if you know even the slightest thing about game development. Your mileage might vary on the ex too, as she can be really quite nasty to Itsuki and her teammates. But if you can overlook those issues, this is a rare prize indeed: a TV drama focusing on a canonical F/F pair, who are specifically exes, and in a workplace setting.

(CW: bullying)

8. Doctor X / ドクターX (7 seasons and counting, 2012~) (subtext) - MyDramaList | AsianWiki

To be very honest, I was in two minds about including Doctor X on this list. It is, with a few notable exceptions, misogynistic and reductive in its depictions of women (especially in the first two seasons), gives too much screentime to objectively awful and subjectively annoying men, doesn’t respect the work done by medical personnel apart from surgeons, and on the technical front is formulaic, repetitive, and often lazy in its writing and presentation. Unfortunately, the dynamic between the genius surgeon protagonist Daimon Michiko (Yonekura Ryoko) and her anaesthesiologist wife partner friend Jounouchi Hiromi (Uchida Yuki) is almost unparalleled in its excellence.

The premise of the series is basic indeed: Daimon Michiko is a freelance surgeon with a healthy disrespect of rules and authority and, unluckily for her detractors, a cast-iron guarantee that she will succeed in any surgery, no matter how difficult. She’s initially portrayed as a lone wolf who’s dismissive of the entire hospital system and anyone who’s part of it— but her interest is piqued by the anaesthesiologist Jounouchi, who is skilled beyond her peers and chafes against the idiocy of her colleagues. For all its flaws, the first season – which is more serious and edgy in tone compared to the others, and isn’t an ensemble cast like the post-S3 seasons – is a fantastic depiction of two people being perfectly matched in skill, intellect, and outlook, and how they come together despite one being standoffish (Jounouchi) and the other not being used to reaching out to or even respecting other people (Daimon).

The seasons after that sadly ditch the emphasis on Jounouchi being Daimon’s professional equal, but in exchange offer up another rare and unexpected gift: two women in their late thirties / early forties who are partners both at work and in private. Jounouchi is Daimon’s designated anaesthesiologist, assisting with nearly every surgery, and she spends so much time at Daimon’s agency-office-slash-house you’d think she’d moved in. Also, after a point they just start being wonderfully dorky and comfortable with each other, while still being consummate professionals in the operating theatre. Although the show is very much focused on Daimon Michiko as its sole protagonist, Jounouchi is undoubtedly the character most significant to her – even more than Daimon’s father figure, the head of the freelance agency – and this is highlighted in the story from time to time. They are very, very good. I just wish the series was better.

Note: If you’re curious, I would recommend watching the very first episode in full– by the end you should know if you’re invested enough to continue, otherwise drop it and live in the happy knowledge that you dodged a bullet. If you aren’t so lucky, I’d advise skipping the surgery segments when they start to bore, and in general to skip liberally. Also, season 4 is not worth watching as a whole, except for the last two episodes, which absolutely should not be missed. Sigh. I can’t speak to seasons 6 and 7, due to having paused mid-S6.

Side note: If you’ve watched Doctor X already and liked it (or at least like Daimon and Jounouchi), but haven’t tried Miss Sherlock yet, definitely give that a go because there seems to be a big overlap in the fandoms. Maybe it’s because they both feature a genius protagonist, have the two largest female characters being work partners, and domestic vibes…?

(CW: sexism, genre-typical gore)

Bonus: SKY Castle / SKY 캐슬 (20 episodes, 2018) (subtext) - MyDramaList | AsianWiki

(Note: slight spoilers for the early episodes, but it’s necessary in order to give a more accurate recommendation regarding the F/F subtext, especially as the show is not primarily focused on any one relationship.)

This one’s a bonus because unlike the others on this list, there’s no close relationship between two female characters which could be interpreted in a romantic light. That’s not too surprising as the show is all about the women of a several super-wealthy families trying to get their children into the top Korean universities (equivalent to the Ivy League) whilst supporting their husbands in the rat race: a decidedly heteronormative premise, albeit one that’s executed in an award-winning manner.

So why am I listing it? Well, it’s because somehow, in this series about heteronormative and highly gendered nuclear families, it features possibly the most erotically-charged dynamic I have seen, even taking season 1 of Killing Eve into account. (Though it takes some time to get there, so if you try it out, please watch at least the first four episodes before making a decision!)

That honour goes to the problematic gem that is the relationship between the main character Han Seo-jin (Yum Jung-ah), who is willing to do whatever it takes to get her daughter into Seoul’s top medical school, and star tutor Kim Joo-young (Kim Seo-hyung), who is known for her 100% success rate. It starts off with a mild push-and-pull, when Han Seo-jin wants Coach Kim to take on her daughter, but is wary of the shady rumours surrounding her; the tutor stands firm, and Han eventually has to swallow her pride and accept the risks. Where it really comes into its own, though, is when Coach Kim starts to pose a legitimate threat to everything Han cares for: her daughter, her marriage (or rather, what her husband can give her), her position in the world. It becomes increasingly clear that Han should just walk away, and indeed she tries to do so many a time, only to bend in the end because the coach is key to fulfilling her dearest wish– and so to Han, for all she rages and resents and fears, Coach Kim is nothing less than temptation itself. This is the beating core of the show, and even as the plotting disintegrates and falls into melodrama in the second half, their scenes together still crackle with delicious tension every time. Watch it.

(CW: suicide, psychological abuse, child abuse, bullying, murder)