One aspect of having Tourette’s Syndrome that I don’t see many people talk about is how it makes being transfem more difficult. My Tourette’s is pretty severe, I can’t go ten seconds without twitching or hitting myself or barking or swearing loudly.
Everywhere I go people treat me like a freak. When people stare at me logically I know it’s because I just involuntarily told a stranger to fuck off, but all I can think is ‘Oh god they’re glaring at me because I don’t pass and they can tell I’m not a real girl.’ And even when I dismiss that fear the very next thought is ‘yeah it’s the ticcing that caught their attention but now they’re watching me, it’s only a matter of time until they realise that’s not the only unusual thing about me.’
It makes it literally impossible to go unnoticed without drawing attention to myself like so many of us try to do.
It’s scary enough using the women’s bathroom as a trans girl with low self confidence, but it’s even scarier when you know you could yell “PENIS!” at any moment and there’s not a damn thing you can do to stop it. It’s not exactly ladylike.
I’m every TERF’s worst nightmare lol.
I try my best to make jokes about it and not let it get to me but it’s like two different reasons for strangers to harass me and treat me like I’m not even human.
I know I shouldn’t be ashamed of being a ticcing tranny, I’m still learning to love myself. 💜
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Spider-Man: Across the Spiderverse comes out later today so I wanted to write a post reflecting on my journey and experience working on this movie. So many people have supported me through this and I am so thankful to each and every one of you!
Text version of this post under the cut:
Spiderman: Across the Spiderverse comes out tonight. It feels really weird to be typing that out right now. I worked on the movie as a visdev artist for the last 2.5 years, from 2020 to 2023. Long post incoming.
There are a lot of reasons why I'd consider this film to be one of the most ambitious animated films to ever be made. As artists, we were asked to push ourselves far beyond our comfort zones and do things that had never been done before in animation.
Every time we reached a point where most people would say "this must possibly be as creative and weird as it gets," our entire team of artists and animators would smash right through the ceiling. The driving direction for the visuals of the film was to push the limits of every single frame; to challenge audience expectations and make something truly original.
The best thing about this film was that there wasn't a single boring day working on this movie. The hardest thing about this film was also that there wasn't a single boring day working on this movie.
There were times while working on this where the imposter syndrome hit me hard. This was my first big movie, and what a hell of a first movie to get thrust into.
I came in only a few years out of school with absolutely no idea what the hell I was doing. I constantly feared that someone had made a mistake in bringing me onto this film, and I was going to let everyone down. There was a solid chunk of those 2.5 years where I wasn't sure if animation was the right path for me.
If there's anything I could tell my past self it would be this: there are so many people who love you and believe in you. There will be a time when you get to stand on the other side of it, look back on everything and see how far you came.
I'm still working on self-acceptance every day (it will be a lifelong struggle, I'm sure), but I'm glad I didn't give up on myself. I'm proud of myself and my contributions to this film, and I'm certain that this movie will continue to change and shape the animation landscape just as the first one did. That's truly a special feeling to have been a part of. I am so incredibly grateful to every single person who helped me along this journey.
Here come the thanks:
To the ENTIRE visdev & art crew- it's been an honor getting to work alongside each and every one of you. My jaw is literally still on the floor from seeing your incredible talent day after day.
I want to thank Tiffany and Felicia especially for being there for me through tough times- I admire and respect you both so much as artists, and even better than that, my life is greatly enriched for being able to call you my friends.
Thank you Patrick and Dean for taking chances on me, teaching me so much about art and what I'm capable of, and encouraging me along the way. To Aymeric, your art is one of the reasons I initially became interested in animation and you have been one of the kindest & most empathetic mentors I could ever have asked for.
I want to thank my wonderful parents for believing in me always and raising me into the person I am today: everything I do in life is to make you proud. To my brother Andrew who is perpetually awake at 3 AM when I need someone to talk to- thank you for always picking up the phone and making me laugh.
And finally to my partner Luke for making me grilled cheeses on all of the difficult days, for never getting sick of me even when all I would ever talk about was work, and for patiently and steadfastly loving me throughout this entire thing. I don't think I could've done it without you.
Starting tomorrow I will begin posting and sharing some of the art I made for this movie; I'm looking forward to sharing some of my personal favorites with you. I hope each and every one of you enjoys Spiderman: Across the Spiderverse when it hits theaters later today!
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